In short
Podcast Episode Notes: Ruthie's Table 4 - Keira Knightley and James Righton
Podcast Overview
- Podcast Title: Ruthie's Table 4
- Host: Ruthie Rogers
- Theme: Conversations with guests about food memories, cultural significance of food, and personal experiences related to cooking and dining.
- Setting: The River Cafe, London, an inviting space that serves as a culinary haven for creatives.
Episode Details
- Episode Title: Keira Knightley and James Righton
- Description: A reunion of friends discussing parenting in a complex world, films, and their shared love of food.
Key Themes and Discussions The Importance of Food
- Cultural Significance: Food is tied to political, cultural identity, and emotional well-being.
- Expressions of Love: Food as a medium for expressing care and connection among family and friends.
Guest Dynamics
- Keira Knightley: Actor known for roles in films like "Bend It Like Beckham" and "Pride and Prejudice." Discusses her upbringing and food memories.
- James Righton: Musician and keyboardist, shares about his musical journey and food experiences, especially during touring.
Food Memories
- Childhood Experiences:
- Knightley: Remembers a 70s upbringing with strict food rules, where her mother cooked healthy meals.
- Righton: Shares fond memories of his grandmother's cooking, particularly traditional British dishes.
- Family Meals:
- The significance of family dinners and the traditions surrounding them.
Cooking and Collaboration
- Cooking Styles: The guests share their cooking philosophies and how they collaborate in their kitchen.
- Recipe Sharing: Knightley and Righton engage in a conversation about their favorite dishes, including Spaghetti a la Vongole.
Personal Anecdotes
- Culinary Adventures: Stories about dining experiences in different cultures, particularly highlighting the joy of discovering local cuisines while traveling.
- Humorous Incidents: Righton's tale of a pizza adventure in Boston with his child that led to a memorable encounter with the police.
Contemporary Issues
- Parenting in a Tumultuous World: The guests discuss the challenges of raising children in today's climate and how they navigate through it together.
- Food as Comfort: The comfort food choices of the guests become a poignant topic, illustrating the deeper connections food holds in their lives.
Key Takeaways
- Food as Connection: The episode emphasizes the role of food in connecting people and creating lasting memories.
- Personal Stories: Sharing personal anecdotes creates a relatable and intimate atmosphere.
- Community and Togetherness: Both guests highlight the importance of communal meals and the role of food in fostering relationships.
Conclusion In this episode of Ruthie's Table 4, Keira Knightley and James Righton share heartfelt stories about food and family. Their conversation underscores the profound impact of culinary experiences on personal identity and relationships, providing insights into how food can serve as a catalyst for connection and comfort in everyday life.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is an iHeart Podcast.
0:30with kids, pets, or anyone who loves an easy-to-clean, spotless sofa. With a modular design and changeable slipcovers, you can customize your sofa to fit any space and style. Whether you need a single chair, loveseat, or a luxuriously large sectional, Anabay has you covered. Visit washablesofas.com to upgrade your home. Right now, you can shop up to 60 % off store-wide with a 30-day money-back guarantee. Shop now at washablesofas.com. Add a little to your life. Offers are subject to change, and certain restrictions may apply. You are listening to Ruthie's Table 4 in partnership with Montclair.
1:09One of the many things I love about cooking is collaboration. Sourcing, prepping, presenting, delighting, and healing each other with the food we choose to eat or to cook. Ask any of the friends of Keira Knightley and James Ryden, as I did, or people who have worked with them, as I did, and they talk of them as almost one person. How they parent their children, Edie and Delilah, bringing music and acting into their home, immersing themselves in the communities they live in, and most appealing to me, investing a large amount of time in deciding what and where they're all going to eat. Kira and James love, and they are loved.
1:50We've seen Kira's jewels, Bendy Like Beckham, Elizabeth Bennett, Pride and Prejudice, Anna Karenna, Collette. We've listened to James as a keyboardist of indie rave sensation, The Klaxons. He's now a solo artist working in TV, film, theater, recently helping Benny and Bjorn create ABBA Voyage. Two worlds joining together, music and theater. I last saw Kira and James a few months ago in the River Cafe with our close friends Erdem and Joseph. After an evening of nonstop talking, how to raise children in a tumultuous world, the movies we'd been watching and above all where and what we'd been eating.
2:28We vowed to meet soon. Schedules, families, work and travel got in the way. But here we are on a Monday morning in the River Cafe, three friends together. Now that's the best collaboration. Oh, good. I mean, how do we speak after that? So we do talk a lot about food, but you did choose of all the recipes in all 12 cookbooks. Spaghetti a la vongole. And Imogen is here to bring us the recipe. Did you make it, Imogen? Do you want to just tell us about this? What do we have here? We've got fresh taglarini, which has just been made now with eggs and flour and semolina. And the clams, the vongole is from Cornwall.
3:12Very fresh. And this is one of my absolute favorite dishes. It's finished off with butter and our lovely olive oil. and it's got a little bit of lemon and it's cooked with fiano white wine. Yum. Now, can I ask everybody, how would you, if you've got the vongole, you're the professional, do you use the shell to take the clams out? Or do you just get it with the fork? Yeah, I mean, they normally sort of fall out as you cook them. That's delicious. Wow. They're so sweet, the clams. Yeah, they're gorgeous, aren't they? Initially, we cooked them with fresh chilli, parsley stalks which are really sweet and then you once you've got them coated in the lovely olive oil yeah we finish it with the white fiano white wine and just let them steam open they always say in italy you know take take the pasta out of the cupboard and then decide what sauce you're going to have with it because they're very clear about different sauces and and also it works so well and and then we just love it with the tag and the ring and so we've broken the rules a few times.
4:17There's so many rules to break. But it's not actually, then you find out it's not breaking a rule. You know, because spaghetti vangole comes from the south, and so, you know, butter is really, no, it's the north. So, you know, but it just makes that sauce a bit richer, doesn't it? All right, let's read the recipe then. So we have the recipe. No, I'm going to do the list of things. And then you're going to read the difficult bit. I find recipes one of the most, with dyslexia, that it all bounces. That's why I don't cook. OK. Spaghetti ala vongole for six. 75 grams butter. Extra virgin olive oil.
4:54Two garlic cloves, peeled and chopped. One dried red chilli, crushed. One kilogram, small clams, washed. Half a bunch, fresh, flat leaf parsley, picked and chopped. 250 millilitres, vermentino wine, 400 grams, dried spaghetti. check over the clams and discard any that are not closed place half the butter in a wide pan with two tablespoons of olive oil the garlic and chili season with salt and freshly ground pepper fry for a minute and add the clams and parsley and toss over the heat add the wine and cover with a lid cook for about five minutes shaking the pan from time to time cook the spaghetti in plenty of boiling water until al dente.
5:40When the clams are open, discard any that remain closed. Mix them with the drained spaghetti and toss in the remaining butter. Serve. There you go. Beautifully read. Just like that. So, growing up in your house, what was food like? Did you sit down? She was. Yes. Was she a full-time mother? No, she's a writer. Yeah. So she's a writer. My dad's an actor. But my mum was the cook. and it was very 70s. We were not allowed sugar. It was very, like, brown ricey, but it was very, very good. Mum's bastard pasta sauce, he was very... When he's gone for his, like, you go for your purest moments and you go very anti my mother's bastard pasta sauce.
6:24It's delicious. But it's delicious. It's delicious. Yeah, yeah. It's delicious. What do you love about it? What is it? It's everything that I wouldn't do. That's why I love it. Onions and garlic. What's in it? Yeah, what's in it? Like, literally everything. Me and my brother ate everything. there were roast chickens, there was fish, there was fish cakes, there was, I remember she made a green sauce with fish cakes. But we had a very tiny kitchen, so you could never cook with her. But it meant that I think for her, the private time was the cooking time. So I never learnt to cook from her, because you couldn't both be in the kitchen cooking.
6:55Did you cook with Europe? No, no, I was a different kind of, I grew up with my dad, who had a little kind of business that he ran at the same time. And so I grew up on, you'll probably kill me for saying this, but it was Marks and Spencer's Carbonara ready meals in the microwave. Fair enough. Which is, you know... But I have to say, he makes one of the best shepherd's pie. Incredible shepherd's pie. Every time we go back, I ask for his shepherd's pie because it's sensational. It's really good. It's really great. But my nan would cook for me. She was kind of a real old school, lots of lard, I imagine.
7:22Was she the mother of your father? No, no, my mother's mother. Your mother's mother. But it was a lot of kind of sausage rolls and that kind of British kind of pastry. Where were they from? What area? Stratford-upon-Avon. Right. And so was this a kind of cooking that she'd grown up with, do you think? I think so, yeah. Lots of pastries, lots of... I was looking back at cakes, sausage rolls, cheese on toast was the big thing. Cutting the crust off the cheese on toast. The whitest of white bread with cheddar. It was amazing, though. I still kind of feel... I still miss that. I still don't know how she made that cheese on toast taste.
7:52Did she ever let you go in the kitchen? Yeah, we could just hang out there, but she's great. I have to say, when we first met you, you've always made an amazing roast. Oh. And that was her. She made amazing roast dinners, Yorkshire puddings, you know, classic. They were always incredible. And I had a job where I worked on a boat on the River Avon, so I'd be a boat boy. And these mini cruise ships that do these half-hour tours of the River Avon. And every time I'd always go under a bridge, she'd be at the top with these sausage rolls in a little kind of Tupperware, and she'd drop them, and I'd have to catch them.
8:28And with my mum, I just remember being this kind of, I mean, she's amazing, my mum. But a lot of my food phobias stem from kind of her slightly chaotic, but wonderful kind of kitchen. What was it like? There were a lot of kind of jars of things, like Hellman's-y jars that were kind of oozing. He has condiment issues. Oh, yeah, massive condiment issues. This is one of the main reasons I like the River Cafe, is there's no condiments. In America, being American, I don't think I heard the word condiments. Well, we just had probably ketchup and mustard were just big horses. They're out. They're condiments.
9:05They would be condiments that are out. Anything, condiments, mayonnaise, any A's. So mayonnaise, mayonnaise. So you don't like. Anything with A's at the end of it. Mustard, can't stand it. Ketchup, butter. Butter? There was a what? No, butter you'll have when it's melted, but not if it's a solid form. Which makes sense because it can't get you. When did you begin having condiment issues? Like I said, I think it was maybe because I don't want to blame my mum for it. Did she have a refrigerator? Yeah, but it was just... Did she put it in the refrigerator? Yeah, but I don't, you know, it was kind of like that Hellmansey mustard thing and it was oozing out.
9:41Hellmansey, it's mayonnaise. Yeah, mayonnaise, that one. That one. It's all the same. I band them all together in this. But so this was when we first got together and I really found out about the issues and I knew that it was serious when he very seriously turned around to me and said, you know, if you want to keep mayonnaise in the fridge, you can. And I was like, wow. You knew it was the one. Wow, that was it. Yeah, I let it. I get it with the mayonnaise and the ketchup and the mustard and all that. But it's interesting that you have butter. It is a shame. Yeah, but this is it as well. A ketchup.
10:19You know when you see on a table mayonnaise that's had some ketchup in it and it's that swirl of like... No, but this is your dad. Your dad, you've got a big, there's a butter and jam issue, which I found out again when I stayed with his dad. And like you must, now maybe you agree with this, but you must never use the same knife. The butter and the jam must never meet. Oh, yeah, probably. I'd say that's logical. Yeah, logical. You see, I don't have my issue. Thank you. I don't have the issue. You don't have an issue with that. I never noticed. I'm like, I've got one knife, maybe I can't, I don't know.
10:50I would never be disapproving of it at all. You can do anything you want. Well, no, I've now got big. I now really am very careful about the separate marriage. Do you think you could ever fall in love with somebody who didn't care about food? No. No. No. And did you ever go out to restaurants? Yeah, we did. I remember one of my best, my favourite Christmases was dad took us to the local Chinese for Christmas dinner. And it was just dark. Did you go out to restaurants as a child? We had the local Indian restaurant, which I loved, and then the local Chinese restaurant, which I remember the name of it.
11:24It was called Walk This Way. Oh, I thought it was brilliant. Yeah. Good. That was amazing. Well done, bye. So we do, I mean, it was definitely like treats. But we'd go, no, we'd go once a week to the Indian restaurant, which I loved. It's still a family thing, isn't it? I mean, you guys, whenever I'm there. It's an Indian takeaway all the way. Is it? Yeah, yeah, 100%. Yeah. So nice. And I remember I have a love of spicy food, a deep love of spicy food, but it was all from being 10 and being there with my brother who is five years older and his friend and them daring me to eat a spicy curry. And me just like being, I'm going to eat this.
11:56And just sweating, but eating it. And every week after that, I'd go for the spiciest thing. You still do? I mean, I love it. It's like the crazy spice. I do love it. You do love it? I do love it.
12:14The River Cafe Cafe, steps away from our restaurant, is now open. In the morning, an Italian breakfast with Cornetti, Ciambela, and Crostata from our pastry kitchen. In the afternoon, ice cream coupes and River Cafe classic desserts. Come in the evening for cocktails with our resident pianist in the bar. No need to book. See you here.
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13:25Visit washablesofas.com to upgrade your home. Right now, you can shop up to 60 % off store-wide with a 30-day money-back guarantee. Shop now at washablesofas.com. Add a little to your life. Offers are subject to change and certain restrictions may apply. Parking shouldn't slow you down. ParkWiz gives every driver a shortcut. Book ahead, save up to 50 % and skip the hassle of circling the block. Park smarter, park faster. ParkWiz. Download the ParkWiz app today and save every time you park. What was it like when you left? How old were you when you left home? By the time I was 16, I was working away a lot.
14:07And then 18, I was properly out. Did you know that you wanted to act? I'd wanted to act from the age of three. And my mom and dad had not let me because they did not want a child actress in the family. But they involved in theater. Yeah. So one's a writer, one's an actor. And they didn't, you know, they didn't want me doing it at all because they wanted me to be a kid. You know, I think. But I was absolutely desperate. and then finally the school said, well, look, she can't read at all and we need a carrot to dangle in front of us, so do you know, is there something that she wants? And they said, well, she wants an agent.
14:39They said, no, I want an agent because they always had agents calling and I remember answering things, you know, we had a landlord and it would be, it's your mum's agent, can I speak to her? So I think it was like, well, if you've got an agent, why don't I have an agent, this is so unfair. But also I'd be with them, you know, a lot backstage at theatres. So my dad, if they didn't have any childcare, care then I'd be sitting in his dressing room and he'd go on stage you know I mean and it was that was how it was so I wanted to be a part of that anyway so they said right there's your carrot and it was always if you read if your grades go up you're allowed to keep on acting but if they go down then it stops it did go up it was a carrot yeah it worked you memorized it didn't you memorize a lot of well yeah this is the thing so it's still sight reading I find really hard it really bounces but I listen to it again.
15:27I mean, basically I record it and listen to it and listen to it and listen to it and that's how I learn it. But now we have a dyslexic kid and she's doing the same thing. Her memory is absolutely amazing. She'll look at books. She'll have memorised the book, basically. Yeah. Yeah, it's amazing. So you left home at what age then to be an actor? Well, 16. So were you living at home? So Bend It Like Beckham I did at 16 but I was living at home. But I really remember on that one because we had a lot of Indian actors and their families would come and they brought food. Wow. And I remember Gurinder Chadha's family, she was the director, bringing this amazing Indian food.
16:03Did you have your own apartment? When did you have your own apartment? 18, I had my own apartment. What was that like? You know, I was doing quite well, so it was very nice. Yeah, yeah. A really nice apartment. Yeah, and I lived with my brother and his then girlfriend, and she was a great cook, and we had a lot of Indian takeaways. Yeah. Back to the Indian takeaways. Yeah, yeah, yeah. Would you entertain? Would you have friends over? We would. We had a lot because at that point I was ridiculously famous and I couldn't get outside. And so the only way to see people was to have them around at my apartment.
16:35So we had big, yeah, big parties were always around at mine. When did you leave? So at 18 I went to uni in Cardiff. And then I spent a year in Madrid, which was a kind of fun year. After graduation. Yeah. And then I moved to London. Well, tell me about Madrid. What was that like? What was food like in Madrid? For me, it was like, I get this beer and then I get free food with it. This is amazing. I'm just going to go where that is. Cheese and ham as well. Cheese and ham. Cheese and ham. That's what you like. You know, pretty minimal condiments, you know. I can deal with this. So I went there for a year and taught English, which was really fun.
17:11And just ate. Were you playing music at that point? Played music since I was a kid. I think I was 10 or 11 at primary school. There was this band at primary school, like the other kids in my year, who were the coolest kids. They were just amazing. They were into Nirvana. This was just, at the time, I think Kirk Mayne just died, basically. And my dad is a brilliant musician. Oh, I see. Yeah, he studied, got a scholarship at Durham, clarinet, piano, guitar. He just plays everything. So you had a lot of music in the house. Yeah, always. Yeah. And I remember, like, in the house, like, being in my dad's car, just listening to, like, The Stranglers and, like, Golden Brown.
17:44And it was just music, always. And so then I was away, you know. And then at uni in Madrid, I just kind of made music on my own. But yeah, it was just always something I wanted to do. So Madrid was exposure to food, to tapas, to... Yeah. Did you ever live in a foreign country? Were you... Not for as long as a year. We were always on set. I mean, I was always on set. So it's sort of... But like early on, Rome and, I mean, America a lot and the Caribbean a lot. I think catering on film sets is the hardest thing to do because you've got to be there so insanely early. And then often we do these things called running lunches, which basically means that you have to have all the food ready for like this three-hour period where it just sits there and you grab it.
18:25You know, so it's an incredibly difficult kind of thing. But I don't think that you get a love of food from it. Although there was the amazing guy, do you remember? Oh, run it through the garden. Run it through the garden. This guy is great. In America, they famously have much better catering. You know, there's just more. So they always had like a guy that would do like an omelette stand or something. You know, like he'd be the guy making the omelette. And he had this thing, if you wanted like vegetables in it, and he'd say, do you want it run through the garden? That was his thing, his line. I always remember that.
18:52That was the best line. Do you want it run through the garden? Yeah, run it through the garden. But it's really hard. And then you go back. You go back. And you're always slower when you go back. Are you? Yeah, yeah, much slower. That's the way that music, you shouldn't do a take. You should always do it on an empty stomach. What? A vocal take, any takes as a band. Yeah, yeah. You don't want to eat and then do a gig. You know what I mean? You'd be full. No one likes burping on the mic. I mean, no one's going to appreciate that. So you were in Madrid and then UK. And then I started this, I was in this band.
19:23Oh, yeah, let's talk about that. So we did that for, I started that in 2005. And you were touring a lot. Touring a lot for 10 years. All over. Everywhere. Asia. Asia, everywhere. Australia. And what did that feel like food-wise? Unbelievable. That was my favourite bit about touring, was to go to, you know. He's an amazing traveller. Like, it's, no, but you are. I do love it, yeah. Like, it's a skill that, and you have, like, so when, he used to be in the band, and we'd get on the tour bus. So you'd only ever have, what, a couple of hours in each place to do things. And everybody else would sort of stay and they'd be on their computers or they'd be watching a film.
19:55And he has researched the top things to do in the city and the top places to eat in the city. And he's like, right, in three hours, we can hit this and we can get that and we can get that. Yeah, it was amazing. And his band called it Fear Tours because you never quite knew if you were going to die. We almost did die in Buenos Aires. I didn't know this, but I was told there's a really good steak place in this, near La Boca in Buenos Aires. So I convinced the band to all follow me on this like magical mystery tour to the restaurant. I didn't know La Boca is quite a heavy area of Buenos Aires. We were all dressed like Duran Duran or something with our cameras out, you know, and then from out of nowhere, some guy came over and whacked our drummer with something and his camera went flying.
20:39And we ended up in a police car going around. Actually a police escort to the restaurant. I've got a lot with him. You do end up in police cars. He's had our two-year-old in a police car as well. What happened five minutes before you went into the police car with your two-year-old? Well, he's quite embarrassing this one. But I was in... Can I just say, I was working in Boston. He's looking at the six-year-old we put in school. It was COVID. It wasn't the best. But anyway, so he's with the two-year-old. Winter in Boston. Winter in Boston. Very cold. Yeah, cold. I'm on set and all I get is I get an assistant coming in going, don't worry but James and Delilah are in a police car and I was like why why are James and Delilah in a police car we were fine we were all good well basically I'd heard in Boston that there was this place that did pizza pizza that it opens at like 8am and the minute it sells out of the pizza but it sells out by 10am but by 10am so I was like okay Delilah our youngest who's then one I said you know today the daddy adventure we're going to go You get pizza.
21:43So we drive at like 7 a.m. in the snow to this Italian district of Boston. It's minus 20. Wrap her up. We get out the car. It's like a blizzard. Storm into this pizza place. Order a couple of slices of cheese pizza. We sit there. We have a lovely slice of pizza. For breakfast. For breakfast. Then I get out the restaurant or the pizza place. And I walk down left. Like this. Walk down. There's no car. Okay. Walk down the other way. back the other there's no car there okay go back into the restaurant but what I love is what he leaves out he's very vocal right so there wouldn't have just been oh I'm chilled out because I can't find the car it was it's more like I'm with my two year old somebody's taken our car somebody's taken our car oh you drove there in your car yeah and then and then you know the police came I went out I saw a policeman I said look I've had my car stolen I said alright get in the car so get in this car and it's like plastic seats with the one-year-old and we just, you know, so then, and they've got the Boston accent, the thick Irish, you know, and we drive out and we drive a little bit round the corner, just walk a little bit and they've got the key and they're pressing, I didn't know you can press a button on a car remote and hear the beep.
22:56It was there, it hadn't been stolen. But our now four-year-old still goes, Dad, I do remember when we were in the back of the police car in Boston. Yeah, I was like, yes, yes. It was really fun.
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24:33Can I just very simply ask you how you met? Where did we meet? We met at Dean Street Townhouse in London, which was, okay, so that week my agent said to me, I've had this dream, I was single, I've had a dream that you're meeting your future husband this week. And I was like, oh, that's exciting. So I got invited out to loads of things. And I have to say I'd met a load of people that week. And I was like, sorry, this isn't happening. Anyway, so the end of the week was an Oscar viewing party. Anyway, so I was like, really didn't want to go. It was a Sunday night. I was in the theatre. I couldn't be bothered to go.
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25:07And then I was like, but I meant to meet my future husband. So I'm going to go to this thing that I don't want to go to. And I sat down and I didn't. I was like, again, everybody's very nice. But my future husband definitely isn't there. And my very good friend, Tim Phillips, who is a composer, he phoned me up very drunk, like incredibly drunk. I'm going, hey, man, I'm in Soho, man. I'm with friends. Where are you? And I was like, no, no, I'm a sit-down thing. You're not allowed to come. Where are you, man? I'm like, I'm in Dean Street Townhouse. OK, man, I'm coming. Please don't come. Please don't come.
25:39No, please don't come. Anyway, the door of this private room opens, and my friend Tim's head comes around like this, and my friend Corin's head. And I'm like, oh, God. And the third head to come around was James. And James grabbed a seat. There was a seat, and he just grabbed it around and said, hello. I'm your future husband. I'm your future husband. And there he is. And then you just ate and drank. And we basically ate and drank until we got married. Until you got married. Well, drank until I got pregnant. And so you just knew that you had this love of food and alcohol. Drinking and body. Well, it was alcohol.
26:12But at that point, it was alcohol. But it was food, no. But how did you... No, actually, food wasn't a thing. Okay, because both of you were playing. You were a musician. You were an actor. I know that you loved alcohol and drinking. But you had to get up in the morning and work. So how did you do that? Well, no, at that point I was in the theatre. Yeah, I was saying, get up in the theatre and go. No, and I think actually maybe if I'd been filming at the time, we never would have got together. But because I was in the theatre and I was doing a show with a lot, it was great. What was it? Children's Hour.
26:39Children's Hour. Lillian Hellman. Lillian Hellman. I saw that. Yep, and it was with Elizabeth Moss, and it was great because it was a bunch of girls. We were all like in our early, mid-twenties. We were all single, and we were having a really, really, really, really good time. and so I met him in the middle of that when he was also having a really, really, really, really good time but the food thing, he was not into food and he wouldn't try because of the condiment previously mentioned condiment issues there were other food issues at that point like he really wouldn't eat much apart from the cheese on toast situation and I was like this is not going to happen if we can't go out to dinner so again my oldest and very close friend who's a big foodie, Charlie he met him, he was like I really like him but the food situation is terrible so we used to take him to all of our favourite restaurants and we'd order for him and he'd look at it and go no no no and then we'd be like close your eyes and eat it so basically I bullied him and then created a monster because then he overtook both of us and we were like wow now it's literally the passion and the kind of I have to find, say it's a recipe I can't substitute that ingredient for that ingredient Oh, that's a problem.
27:53It is a problem because you kind of end up traveling around London trying to find that ingredient. Can you go places, if you're in a film or you're doing something, do you try and all uplift and go or do one of you stay home? How do you manage with that? No, we have done since children. We've all traveled together the whole time. Just take the kids to Boston. Yeah, yeah, we went to Boston. I mean, with our first, since our second, because then COVID hit, so I haven't done as much since the second one was born. But the first one we were, I mean, everywhere. Yeah, we were everywhere. Tell me about a day in the life of your house.
28:28You get coffee in bed. Coffee, make the coffee. Good. Grind it, you know, fresh B60 pour over coffee. She gets black coffee in the morning. Get the kids to school. Children are work, yeah. Do they have a sort of breakfast of anything or just... Cereal. Cereal with an apple. That's fine. They have to finish the fruit. They do? Yeah, so they get an apple or, you know, blueberries. Because that's the only two things they eat. They're the two fruits. And then I go to my studio and work. You go to your office and work. And then we pick the kids up and then... What might you both have at your lunches?
29:00Do you know what? I mean, I'm a picky kind of, I'll buy antipasti from our local lovely Italian deli. And I'll do a bit of that. But actually, I mean, again, he's the cook in the house. So there isn't ever a moment where you don't go, I want to make something lovely. When you wake up in the morning, do you think about what you're going to eat that night? Yeah, yeah, always. All the time. I mean, it's literally... Constantly. I'll say it when I wake up and go, oh, that will go with... I found the way in. Oh, I've got some really great, and that will go with that. That will go. But it's not a million miles away from maybe writing a song or something.
29:34It's the same... Okay, let's talk about that. I don't know, it's creativity, I guess, that you're kind of trying to make something from nothing. Say if it's like at the moment I'm doing a lot of scoring, so I know the kind of world... What is scoring? So composing for film or TV. And so you know the kind of, you know, this is the palette of instruments we'll use for this project, let's say. Just like these are the ingredients you've got and this is what you can do with them. And that limitation that you can put is good. You know, the kind of restrictions are great. I like restrictions. Always.
30:07So I think that that's one of the similarities. But I think because, you know, he's obviously a musician. We have a lot of musician friends. what I'm really noticing with all of them is that there is an obsessive collector's quality. It's like rare records, right? They all go through a period where it's like, I've got this 1970s Japanese synth music from blah, blah. You know, it's that thing. And wine is a similar thing. And that's why the natural wine thing really suits a musician. Because they're like, great, there's this weird producer who will only make, you know. And it's the sharing of that knowledge.
30:40They're getting off on like sharing. Oh, you don't know about this. check this out over here or it's sharing of the knowledge of getting excited about stuff. You'll do it about ingredients. So sorry, but the Toddly, I mean the funniest one was the Toddly Citrus Foundation, which you probably know about. So there's a point. Okay, so James found out about the Toddly Citrus Foundation. In Valencia. In Valencia. We haven't been to. But he hears from Leila. Leila. Yeah. Her name's Leila. Leila. Leila's shop. Leila's shop in East London where she has amazing things and she's got all of the citrus fruit.
31:14And so going, oh, wow, what's this citrus fruit? Couldn't believe it. And she says about the Toddeley Foundation, which is basically that a load of the citrus, they can't grow all of the different varieties of citrus fruit anymore in Valencia because they're building on all of the land. But somebody has bought this plot of land and he's trying to bring back all of the different varieties of citrus fruit. So James comes back from Lila's shop and he has an entire box of like every single different... But 100 pounds on citrus fruit. Like so many. but there's only two of us. So I'm like, wow, this is an intense amount of citrus.
31:46We have to eat it because, you know, I can't waste. He said you can't waste the thing. So we're eating everything. I actually get to the point where I'm like, no, I actually can't. I mean, it's amazing. They're all amazing. Did you squeeze them? No, no, everything. Some of them you can eat the skins. You know, it's kumquats. It was this one lemon that I got really excited about that you can eat, you cut it, and the skins aren't bitter tart. Is it like an amalfi lemon with a lot, a lot of myrrh? there are some lemons that have just that huge amount of pith. Huge pith. It was a huge amount of pith.
32:14But they're delicious, and you did like a fennel salad with that. You eat the pith. Yeah. Unbelievable. Yeah, it was amazing. But he ate so much that he poisoned himself. I vomited everywhere. Too much acid. Yeah, as he found out. It's fairly worth it. But it's funny because there is a lot of things. There's a lot of musicians who do that. I remember going to a wine fair, and they'll be like, I'd bump into a guy like, weren't you in a band like 10 years ago? And we played together. And they're like, yeah, now I've got a vineyard in the middle of France and I grow this indigenous grape. You know, it's like.
32:46Oh, or who is it from Gruve Armada? Well, he's a farmer. He's got a wild farmer. He's doing amazing things. It's also collaborate. You know, it's when we started out. Collaboration. Collaboration. And we do solitary work, you know, in the opposite way. Michael Caine said that he loved to garden because every time he acted, it was with, you know, so many people. So many people. That this is something he could do in a solitary way. Sometimes if you're in a band, then you can be solitary. Well, I'm just solitary all the time. Or if you're cooking, then you're solitary. It's all to do with the brand kind of biotics.
33:18And it's also, going back to the Lemon Foundation, for example, which is one example, it's stories. It's stories. It's stories, which connect probably both of us. It's like a winemaker, just finding out about how that wine is made, the winemaker's story. We used to have a place in France where we grew wine, We actually made wine. And we went to visit this one winemaker who was just unbelievable. And she was a nurse who tended to the vines as if they were people. And so she took her around and she didn't, it was all done by hand or horses. So it was really old school. It was in the foot of a mountain and she'd grow like wild roses up next to it.
33:56And I mean, it was so beautiful, but she talked about each plant like it was a person. And she wouldn't pick the fruit or she was tending to some of them and she wouldn't use anything. And the wine was the most beautiful. But that story is something that's so kind of powerful. And you see somebody who's committed their whole life, and particularly I think with wine, it's like it's so, I mean, a hailstorm comes and you've lost the whole thing. So it's really on the edge. I always say that about agriculture. Oh, it's brutal. You go to, we're very involved with olive oil and wine. A lot of the people who produce wine produce olive oil.
34:30And then you go in a year and they've had a hailstorm in August and then the crop is over, you know. And so they're living on this creativity, but it's based on, especially now. Yeah, especially now. We're facing right now. Yeah. But she was amazing because also she was in an area where there's a lot of big wine, a lot of hot wine. She was getting really fresh, beautiful wine that she was. Again, arguably because she was farming it naturally. So the roots had to go down so far. So instead of like spraying it and the roots are on the top, so you're getting those really big, heavy ones, it was like really the roots were deep.
35:02So it was like very, very light, amazing wine. But all of that, like finding out stuff like that is incredible. Yeah. And makes you enjoy it all so much more. You're like, this is actually magic. Yeah, what are you doing now? I just finished a Netflix six-part series called Black Doves, which is about Tory MP's wife, who is actually a deep undercover secret agent selling government secrets. I'm basically a complete two-faced psychopath and I've been having an affair and the person I've been having an affair with gets murdered and my best friend, played by Ben Whishaw, who's gorgeous, and he's an assassin, and we go on a murderous rampage trying to avenge my boyfriend.
35:47Oh. There was an amazing... I went to set one on one day and there was an amazing, amazing juicy scene between Ben, yourself and Tracy Ullman, which was, I was so lucky to watch them, just masters, all of you were brilliant. Nice, you had to play that. You were, you were great. You saved that. You were like, yes! Oh yes! You saved it. Okay, James, tell me what you're working on. Well, I finished a TV show called Daddy Issues, I composed the music for that, which is coming out in August on BBC One, which is a lovely six-part series with Amy Leuwood and David Morrissey. And then I'm just doing the music for a documentary on a cappella singers in America.
36:28It's an intercollegiate competition that they have in America. It's very college. Very American college. Growing up in America, you went to Yale and they all sang those. Yeah, and you can be very, you know, you could be cynical and go, oh, a lot of them, you know, singers, they just want to be stars and stuff. But actually these people do the work and they're very, very good. And there's a lot of kind of very touching human stories behind a lot of their journeys. great when is that coming up it's being made right now so it'll be finished in the next month and then it'll probably go to the festivals what was the abba connection oh this is a weird one so i we have a mutual friend called johan who is a director and we were on holiday in france and i was at a supermarket getting food for the kids and i get this call from johan saying hey james um ABBA are reforming they've made a new album and they're going to do shows do you want to be involved and I said uh yeah uh sure so next thing you know I'm uh I met up with Benny and Bjorn in London and they tell me about their album and what they the plans for what they were doing and this is the the ABBA voyage show uh and then I had to kind of put put the band together I had to find 40 odd musicians in London.
37:41We had to rehearse them and audition and pick them. And then I went to Stockholm for a month with Benny and Bjorn in the band and we kind of figured out the set and how it would work. And I spent, it was like the most magical month of my life, just hanging with Benny and Bjorn and getting to deconstruct Abba songs and listen to all the individual parts of dancing. I kept getting phone calls from you and you were like, this is the actual synth. Look, listen to this. This is the line at play. This is the one. Yeah, and they're the most lovely people. And it was all a bit of a kind of no one knew exactly how it would work out.
38:16So I suppose if we're thinking about all your stories and all your thoughts, is there a food that you would go to if you needed some comfort? A spaghetti bolognese. Yeah. Is it? Yeah. I mean, that's the thing that's come absolutely front and centre. I love it. But, I mean, if I could have a bowl and that's what's going to be in it, I'm just going to be, like, the happiness. Preferably with a glass of red wine. But if not, on its own is fine. And what would be yours? I think cheese on toast. I don't know why. Do you know, I know the first thing that came to my head was actually one of those toasting machines, which we don't have.
38:51We should get one. I used to love those. I like those. They had that little pattern in there, didn't they? Nice, isn't it? Yeah. But let's go back to why the cheese sandwich. I guess because it goes back to maybe comfort. my nan's house was comfort. It was that probably. Because it, there's no risk. There's no condiment involved. I'm sorry. I'm sorry, you're so wrong. What do you mean? Because you have to put a bit of mustard in there because that's what makes it amazing. No, no, no, no. And can I tell you, the best cheese sandwich that you've ever had, come on, it was Charlie's. It was Charlie's at Charlie's house.
39:23Charlie again. That Charlie really good where he did the thing. He didn't put mustard in it. Yes, he did, of course. He said, he told me he didn't. I mean, I know he told you he didn't, but I was like, was there mustard? He was like, of course that was my son. We were just talking about comfort, and you're in an argument. Come on, guys. We've got to do an argument. I think we have to do another one, part two, don't you? Yeah, if we're still together. Yeah, let's do it. Bring it on. I think you will be. Thank you so much. Have a great time. Thanks a lot. Let's go have some fun. Thank you for listening to Ruthie's Table 4 in partnership with Montclair.
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From the publisher
A few months ago in The River Cafe, after talking about raising children in a tumultuous world, the movies we've been watching, and above all, where and what we've been eating, Keira Knightley, James Righton and I vowed to do an episode of Ruthie’s Table 4 together.
Schedules, families, work and travel got in the way until finally we reunited to talk about their many worlds—connected by their love of people, their love of food, and their love for each other.
Ruthie’s Table 4 is made in partnership with Moncler.
See omnystudio.com/listener for privacy information.




