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Podcast Summary: Ruthie's Table 4 - Episode with Rashida Jones
Podcast Description Ruthie's Table 4 is a podcast hosted by Ruthie Rogers, co-founder of The River Cafe in London. The show features intimate conversations with high-profile guests about their food memories, exploring how food shapes their lives and relationships. The podcast emphasizes that food is an expression of politics, culture, love, and heritage. Each episode concludes with a guest sharing a favorite recipe from one of The River Cafe's cookbooks.
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Episode Details
Episode Title
Rashida Jones
Guest
Rashida Jones
Episode Description
In this episode, actress and producer Rashida Jones joins Ruthie to discuss her childhood meals, including her mother's love for chicken liver and matzo ball soup, and her experience living in Japan.
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Key Themes and Discussions
- Childhood Food Memories
- Family Influence: Rashida recounts growing up in a household with six siblings, where meals were central to family life.
- Cultural Diversity: Her father's appreciation for various cuisines influenced her own culinary tastes. He introduced her to different cultures through food.
- Comfort Foods: Rashida mentions her mother's traditional Jewish dishes, emphasizing the nostalgia and comfort associated with these meals.
- International Culinary Experiences
- Life in Japan: Rashida reflects on her time in Japan and how it has impacted her cooking style, particularly her love for dishes like tempura, udon, and dashi.
- Cultural Connections: She discusses how living in another country deepens one’s appreciation for food and culture.
- Importance of Food in Social Settings
- Family Dinners: Regular family meals fostered a sense of togetherness and warmth, which Rashida cherishes as a strong memory.
- Entertaining Friends: Rashida emphasizes the significance of including friends in meals, mirroring her childhood experiences where various generations would share meals together.
- Creative Inspiration
- Artistic Environment: Growing up surrounded by musicians and artists inspired Rashida’s creative pursuits in acting and writing.
- Collaborative Cooking: The podcast touches on how creating meals can be a collaborative, joyful experience, much like working on a film set.
- Recipe Sharing
- Puntarelli Recipe: Rashida shares her love for the Roman dish "Puntarelli," discussing its fresh, crunchy texture and how it complements heavier meals.
- Cooking Techniques: The conversation includes preparation tips and the importance of using fresh, seasonal ingredients.
- Comfort Foods and their Emotional Significance
- Nourishment and Comfort: Rashida shares what comfort food means to her, highlighting the joy of homemade soup, especially with a side of sourdough bread.
- Culinary Therapy: The episode concludes with a reflection on how food serves as a way to connect and heal emotionally.
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Key Takeaways
- Food as Connection: The conversation reinforces the idea that food connects people across cultures and generations.
- Culinary Exploration: Rashida's diverse food experiences illustrate the importance of exploring different cuisines as a means of personal growth and understanding.
- Nostalgia in Cooking: The nostalgia linked to childhood meals and family traditions emphasizes how food memories shape our identities.
- Recipes as Stories: Sharing recipes is a way of passing down cultural heritage, highlighting the storytelling aspect of cooking.
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Conclusion The episode with Rashida Jones on Ruthie's Table 4 beautifully intertwines personal narratives with broader discussions about food's role in culture, identity, and emotional well-being. It invites listeners to reflect on their own food memories and the connections they foster in their lives.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is an iHeart Podcast. Guaranteed Human. I'm investigative journalist Melissa Jeltsin. My new podcast, What Happened in Nashville, tells the story of an IVF clinic's catastrophic collapse and the patients who banded together in the chaos that followed. It doesn't matter how much I fight. It doesn't matter how much I cry over all of this. It doesn't matter how much justice we get. None of it's going to get me pregnant. Listen to What Happened in Nashville on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Dr. Laurie Santos from The Happiness Lab here. It's the season of giving, and this year my podcast, The Happiness Lab, is partnering with GiveDirectly, a nonprofit that provides people in extreme poverty with the cash they need as part of the Pods Fight Poverty campaign.
0:49Our goal this year is to raise$1 million, which will bring over 700 families out of extreme poverty. Your donation will put cash directly in the hands of these families in need, And they'll get to decide how to use it, whether that's school transportation, purchasing livestock, or starting a business. Plus, if you're a first-time donor, your gift will be matched by giving multiplier, which means more money for those in need. Visit givedirectly.org slash happinesslab to learn more and to donate. That's givedirectly.org slash happinesslab. Ruthie's Table 4 is now on YouTube. To watch this episode and others, just visit ruthiestable4.com forward slash YouTube.
1:29You're listening to Ruthie's Table 4 in collaboration with me and Em, intelligent style for busy women.
1:39A few weeks ago, I received a letter. Ruthie, my great friend Rashida Jones is having dinner at the River Cafe tonight. You really should meet her. I know you'll love her and you will take care of her. Rashida treats life like an adventure. She makes everyone feel cool, even though we all know she's the coolest. I'm so happy she's here to talk about family and food, creativity, and all she does. Afterwards, we'll have lunch together with her friends James and Catherine. I haven't had to take care of Rashida, but like them and everyone else, I love her. Aww, Ruthie. So here we are, and you've chosen a recipe.
2:20I was so excited about the recipe that you've chosen to read, which is... Puntarelli. Puntarelli. from Rome particularly. When did you first have it? Do you remember or is it just something you love to eat? I think, oh, when did I first have it ever? Yeah. To be honest, I think here. Oh, yeah? Yeah. Okay, that's nice. Because sometimes, or maybe I had it before and I didn't know that I had it because it wasn't a remarkable recipe. Here's where I had it and I remembered and I thought I could eat this every single day. What do you like about it? I love the texture. Yeah. The crunchy, I love how acidic it is.
3:00Salty. Salty. It's the perfect thing to have when you're about to have meat and pasta or whatever because it like cuts through everything. It's so fresh. Yeah. It feels like a perfect kind of way to set the scene for any palate, any meal, you know? I love it. You feel like you got it done first. Like it's healthy and tasty. And now we can go into it. And now we can get involved in the cream. I think it's a great way to start a meal. I always say that when I have it. And also, it's quite seasonal. So you know when it arrives, you know, sometimes it carries on until January, February, maybe March.
3:41But generally, we know that at one point, it's going to go. It starts in the fall, right? Yeah, starting right now. Yeah, right now. Right this minute. So would you like to read the recipe? And then we have lights. And then like Pointero, we will get into the rich things afterwards. You can read it any way you want. Okay. I always say that Wes Anderson, you know, he did it with his daughter Freya, and she kept correcting him. And Luca told me that his, Guernino told me I was doing it all wrong. So that was one, which it turned out I wasn't. But you can read it any way you want, or you can read it just the way it is.
4:18Okay. I have wanted to know for so long, because I know I have Italian friends who they drop the E on things. Yeah. I think it's what is that? no that's really funny I think that's Tony Soprano maybe they're just copying Tony Soprano I think it's puntarella and I think it's mozzarella but the one that I never get is the risotto because here we call it risotto and then in the United States where I come from it's risotto we love a hard long O can we have a risotto So we go, okay. So you can call it anything you want. Scones, too. We say scone. Yeah, scones. Different. And we say cookies. You know, they say that we say cookies instead of biscuits.
5:04I think George Bernard Shaw said that, you know, America and Britain were separated by a common language. 100%. The most thing is when you have a baby. That's the real one because diapers or nappies and dummies or pacifiers and prams or strollers. And like there's no word in baby language that, you know, kind of that I was going in. And then, of course, the one I always like is when I went in and asked for an eggplant when I first came here. And he brought out a dozen eggs. And then I said, no, I said an eggplant. And he brought out a plant. And I went, no, you know, an eggplant. So it's a... And then he thought, oh, lady, eggs don't grow on plants.
5:46Yeah, exactly. What are you doing in a green roser? Okay, so we're going to read. Okay. Okay, here's the recipe. You can pronounce it any way you want. This is my, this is truly, this is not just my favorite River Cafe recipe. This is one of my favorite things to eat, and I'm not being hyperbolic just because I'm on your podcast. I promise you I dream about this, and then I rue the moment it's not in season. Like if I come here and it's not in season, I'm sad because you can't be off menu. But today we're happy because we're going to go and have some. We're happy because we're going to have this.
6:17Have you actually made it yourself? No, because I know it's awesome. Okay, we're going to show you. I would love to because it's very hard to do that tool. Well, no, we just use a knife. Okay. Yeah, we're going to show you. Okay. Can't wait. You can show us. Cannot wait. Okay. Here we go. Punta Rele alla Romana. How's my pronunciation? Okay. Okay. Punta Rele heads, two. Salted anchovy fillets, the Brits say fillets, five. Yeah. Yeah. Red wine vinegar, two tablespoons. Dried chilies, two. black pepper, one tablespoon. No, teaspoon. One teaspoon. Don't get that wrong. That would be bad. That'd be brutal.
6:56Actually, you don't even have to put it in a teaspoon. You can just make sure that it has enough pepper on top that you want. And extra virgin olive oil, which... That is important. The amount is left open. I feel like that's to taste, to desire. Trust the cook. Yeah, trust the cook. Trust the cook. To prepare the puntarelli, fill a large bowl with ice water and pull the buds from the puntarelle heads. Use a small knife. Slice them very thinly, lengthways. Place in the water to crisp and curl up. Cut the anchovy fillets into small pieces and place in a bowl. Cover with vinegar and stir to allow the anchovy to dissolve them.
7:36Add the crumbled chili, pepper, and four tablespoons olive oil. Spin dry the puntarelle as you would for salad leaves. place in a bowl and spoon over the anchovy sauce. Yum. I'm so excited. I'm hungry now. Okay, should I go get some? No, no, let's do this. No, this is good. It's like a delayed gratification. When you finish this podcast, you will get some puntarelli. Okay? It's an incentive to keep going. So you probably did not have puntarelli when you were growing up in Los Angeles. No. So what did you eat? What was food like? Tell me about your family. Tell me about the kitchen. Tell me about the house?
8:17My parents loved food. My dad especially loved food. And he loved food from kind of every culture. Anytime I travel with my dad, it was like a sojourn to get something amazing. Like, you know, he loves like Chez, Lamy, Louis. Yeah, does he? Loved, love, love, love. He's the first person who exposed me to Saul Meunier or, you know, he just loved food. Because that probably, that again was not part of his background. No. You know? No. So he grew up quite poor. He did. And he traveled a lot in his 20s to Europe and to the Middle East. He worked for the State Department. He was in the State Department band with Dizzy Gillespie.
8:59And so he... What years would that band? 1950s, early 1950s. Isn't it great there was a State Department band? I wonder if that exists anymore. I doubt it. I doubt it. I don't know for sure, but I doubt it. But he traveled everywhere and he, for him, it was language, food, and the kind of beauty of being out of the United States. Do you think your grandparents fed him? Were they interested? Do you remember your grandparents? I do. I didn't know my grandfather. I knew my grandmother. And no, it wasn't like, I think his relationship with food probably came from an absence of food in his own childhood.
9:38um he was my dad was such a lover of life and culture and food and you know he just loved beautiful delicious things so i think that came from not having that very much from not having that and so he had traveled and and then encouraged you to know yes i believe very firmly that when you get to a city you go you know to the market or you see how people sell food you see how people buy food. And then you, you know, the greatest, for me, I think the greatest honor in this new city is to be able to eat in someone's house, you know. It's the best. And you get a sense of a city way quicker that way than anything on a tourist list, you know, like it is really like, I remember I spent a little bit of time in India when I was a teenager.
10:24And I remember going to, I lived in a little tiny village that was like two hours from Mumbai. And we went to a family's house and ate there. And it was like the coolest thing that's ever happened to me because, and also the food was insane. It was so good. What do you remember about it? It was like a doll and a rice and a vegetable and chapatis. And they had this like cool little snack called chuta, which is just like a bunch of like dried like nuts and rice and spices. And I've just like, you know, gobbled it. It was just delicious. It was totally delicious and so different from anything I'd ever experienced as a kid.
11:03So, you know, in that way, I think I'm, I'm definitely my father's child. But what was food like at home? So, you know. Because your parents, your mother was Jewish and your father. My mom was Jewish and my dad loved soul food. He also loved their, his favorite dish, which is so weird because it's like German, I think, was chicken, potatoes, and sauerkraut. So we had that at least once a week. Did you? Yeah. And who cooked that? My dad would sometimes cook it and sometimes like, you know, we had somebody who lived with us, Anna, who was amazing. She would cook it. She was also from El Salvador.
11:39So there was a lot of pupusas, which I love. What's that? Pupusas, like it's made of masa, corn masa. And it's like, it's kind of like somewhere between a quesadilla and like an empanada. So it's like a flat thing. It's enclosed and then it's filled with whatever you want to fill it with, whether it's like cheese or. green peppers or meat or whatever. You know, it's just like it's the facilitating of the thing inside. So many cultures have that, don't they? I mean, even, you know, in India with the samosas and the dumplings and Taiwanese cooking. And in this country, you know, in Cornwall, they're called pasties.
12:23Pasties, yeah. I love Cornish pasties. It's like you don't need a plate. You would put everything in. It was for minors very often. They'd put everything in it and then you'd eat it. Cripp, similar thing. And so she cooked for you. She cooked for us, Anna. How many do you have sisters and brothers? I have six sisters and brothers, but we have a very large age range. So we kind of grew up in a house with four of us. Okay. I was one of four. Meals were really important to us. We did. We ate all of our dinners together as a family. we had my parents would often have people over like a lot of friends over Sunday night and my dad had this would have this chef come she was a Brazilian chef her name was Remy and she would just make the most delicious like greens and beans with like you know bacon and I don't sorry I don't remember any of the Brazilian names and I do not want to butcher it but like delicious.
13:22And everybody would come over and we'd sit outside. We'd have all like lots of little tables. And that was like a really, it's a very strong memory about the coziness of my childhood or those Sunday night dinners. When you, when you were born or when you were growing up, was you, had your father known success then? Was he, was he past this struggling stage? He did. Yes. He did know success. He's had, he had so many lives and so many careers. so by the time I was born you know 1976 he had had plenty of success as a jazz musician and he worked with Frank Sinatra and he had worked at Mercury Records and produced Leslie Gore so when you say he produced them what would that mean?
14:05that would mean that he would it's a long story production but you know I'm sure there's an analog in the kitchen it's basically like being a chef it's like being a chef I know producers of film and I know producers. Different than producers of film. It's more like a director of a film, I would say. Where you kind of take every single element you have your eye on, the biggest, biggest picture, the end result. And within that, you work on the orchestrations. You work on the vocals specifically. You work on the background vocals. You work on, you know, basically building a track so that it sounds exactly the way you want it to sound.
14:45and sometimes you take things away and sometimes you mix it differently and sometimes you have to edit and sometimes you have to bring on, you know, and then you also, you're casting the characters, all of the musicians. And you're mentoring. You're bringing the best out of your, you know, main singer or your, you know, vocalist or your instrumentalist. It's like, you know, you're the maestro. And so is your house full of people? Filled with musicians. Yeah, filled with musicians. Really awesome. And what was that like for you? So great. I feel like my sister and I talk about this all the time.
15:16We feel so lucky that our house was filled with music and artists and people who value that, obviously. But also, for our assessment, and I think empirically, the best music. I feel like my dad's taste, my dad's sophistication, even though he made Thriller, which is the biggest album that ever sold ever in the world when he was 50. And so he didn't, like he was, he was, you know, successful, but he wasn't famous. He wasn't world renowned in the same way that he was by the time I was eight. So that kind of happened when I was a kid that that was like happening, which is, you know, changes things.
16:05But, but the point is that he brought all of the richness and sophistication of his early jazz days into his like pop world or into our pop world, which is like a real gift for the world. A gift, a huge gift. And with being a child in that atmosphere, were you, so you weren't shy, you weren't waiting on the stairs, you know, for them to go home. You were, would you be involved? Yeah, I was there. Everybody was engaged. Totally social and relaxed because my parents were very relaxed. Everybody felt invited. and warm. I was actually talking to a family friend the other day who was like a little younger than my parents.
16:43And he was just saying how much he loved coming to their house because it was like, oh, this is what you can have as a family. You can invite all your friends and it's not stiff. It's not formal. You just come, you relax and you laugh a lot. And the kids are welcome and all the different generations are welcome. And yeah, I've always loved that, which is by the way, why I love what you do because that's the mandate is everybody come and feel relaxed and at home and welcome all the time. At the dinner you came to, there was two 17-year-olds and there was someone who was hardly able to walk up the stairs.
17:24And then there was, this is Noah and Greta's film, Dinner. And I just thought that mix of people and people staying late, people coming late, and it's just you want to have a home where you have that and you also you made people sing which i thought was honestly one of the most beautiful things ever because i like you would never do that naturally anymore but it is sort of like our right to sing and it's to sing with other people is is one of the most um uh it's not just bonding it's like good for our nervous system you know it's like it's something that actually creates community and it's an unforgettable moment and it's not something that you're going to just do naturally so anymore you know like i think people used to do that but we don't anymore so it's so nice that you had us do that really it was very warm very special moment and was it with with the musicians play or were they mostly sometimes yeah like we would go and like you know just do a little thing on the piano or sing it wasn't like performative though.
18:26It was very relaxed and it was kind of conversational. But, you know, my dad did have a studio at her house and so we would go in there and spend a lot of time. What about your mother? Because she brought a lot to the table. She did. And I don't mean food to the table. But I read about her and I've thought about her and I think that she must have been a remarkable woman. She was. She just was the most loving yeah, sorry. she was just a very she was a very warm person she was a deep warm sensitive person and so she was the kind of person like you're at a party and you meet my mom you're like oh I love Peggy I had the best conversation we got in so deep so fast like my parents like both of them did not suffer fools they like they wanted to get in the deep end quickly and everybody has a story to tell everybody has a depth to them and I don't know they just wanted to get there fast I love that everybody has a story to tell.
19:25I say that about the River Cafe. When you walk in and you see all these tables.
19:35I'm investigative journalist Melissa Jeltsin. My new podcast, What Happened in Nashville, tells the story of an IVF clinic's catastrophic collapse and the patients who banded together in the chaos that followed. We have some breaking news to tell you about. Tennessee's attorney general is suing a Nashville doctor. In April 2024, a fertility clinic in Nashville shut down overnight and trapped behind locked doors were more than a thousand frozen embryos. I was terrified. Out of all of our journey, that was the worst moment ever. At that point, it didn't occur to me what fight was going to come to follow.
20:13But this story isn't just about a few families' futures. It's about whether the promise of modern fertility care can be trusted at all. It doesn't matter how much I fight. Doesn't matter how much I cry over all of this. It doesn't matter how much justice we get. None of it's going to get me pregnant. Listen to What Happened in Nashville on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hi, I'm Dr. Priyanka Wally. And I'm Hari Kondabolu. On our new podcast, Health Stuff, we demystify your burning health questions. You'll hear us being completely honest about our own health.
20:49I'm talking about very serious stuff right now, and you're laughing at me. And you'll hear candid advice and personal stories from experts who want to make healthcare more human. Sometimes you're there to listen, to understand, to empathize, maybe to give them an understanding or a name for what's going on. That helps people a lot, understanding that it's not just in their head. We are breaking down the science, talking with experts, and sharing practical health tips you can actually use in your day-to-day life. From when to utilize and avoid artificial light to how to sleep better. Everything you need to know about fiber and how to poop better.
21:26How to minimize the effects of jet lag and how to stay hopeful in times of distress. We human beings, all we want is connection. We just want to connect with each other. We want to make health less confusing and maybe even a little fun. Find Health Stuff on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I feel lucky too that like, you know, I grew up with people who encouraged me to just kind of be present. Yeah. You know, that it wasn't about errors. It wasn't about trying to make somebody feel any way about you. And my dad would talk to everybody. He would be in the deepest conversation for four hours with somebody he didn't meet.
22:06And people come up to me still and say, I had the best night with your dad. He just saw me. And he gave me so much time and he was so patient and he listened. And it's true. He just treated everybody the same. And he really, really believed in the kind of the fundamental beauty of being alive. And your mother being Jewish, and I wouldn't necessarily mark on somebody's religion, but it comes up. Did she bring a certain kind of food as well? Yes. liver liver she loved liver she loved chicken liver and matzo ball soup yeah my favorite gefilte fish love i know that's i know that's a controversial stance but i love it yeah um yeah and we had you know we we were observant like yeah were you yeah we were like casual you know but we were observant we spent you know did passover seder and both her parents were jewish Yeah.
23:03And she was like, you know, grew up in Long Island. So at the time, I think like she was confirmed she didn't have a bat mitzvah. I wasn't bat mitzvah, but I did go to Sunday school. I spent a little time in Hebrew school. And yeah, the cultural part of it, like the getting together and the sitting and, you know, the reading of the Haggadah and like, you know, the tradition part of it, the hiding the matzah. We love the hiding the matzah and finding the matzah, that kind of stuff. But yeah, the food. I had a great aunt, Pearl, who was born in Ireland and grew up in Scotland because they had immigrated from Latvia, her family.
23:43And they got off the boat there. They got off the boat there. And then she came to America when she was like 14 because people used to send their kids, you know, with relatives. She came by herself. She came by herself. Wow. And then her sister came later, but they, you know, were Scottish and they kind of spoke Yiddish and a little bit with like a brogue. And like, you know, they just had a really cool, they had a cool relationship. But they always, you know, she would make the best matzo ball soup. Do you have any of her recipes? Any recipes from your mother or anything? I have recipes. I have my dad's recipes for them.
24:17Oh, really? Yeah, I do for his chicken and sauerkraut and potatoes. Do you remember how he made them? I have to look. I have to look. Because I have yet to, I think I've been like sentimental. I haven't gone to make it yet, but I have it sitting there waiting for me to make it. And then we used to have a stuffing recipe that was like an old recipe from like Adam Clayton Powell. Oh, really? His family recipe for gravy and stuffing was the one we used forever. And it's the best. It's so good. Adam Clayton Powell. Wow. He was a congressman, wasn't he? I mean, I'd have to remember that too. But so it sounds like you grew up in this incredible house and family meals and people coming in and, you know, getting them to know what it meant like to open your house and to be also protected and to feel safe there.
25:12What was it like when you left? Because then you went to university in Boston, Harvard. Yeah. Was that a big step? Had you gone to summer camps or any separation? No, I really hadn't. Yeah. I really wanted to. I was desperate to go and experience something new. I was like an adult in training. I always wanted to get out. I remember I applied to boarding school by myself without my parents knowing. That's so funny. I did too. Did you? Yeah. I did exactly that. I went for the summer. Oh, and you actually got in and went. I went to a summer camp they sent me to in Colorado, which was a kind of a camp during the summer of the school.
25:51And I loved it so much that I went to the head of it. I said, can I come back in September? And they said, well, you know, and then it was so kind of, I don't even know why they accepted me, but they did. And then I, you know, I said, okay, I'm coming. And then my father always say, Ruthie went to, you know, she applied to boarding school. She got accepted. She told them she was coming. And then she came home and asked us, you know. I was the first kid of my family ever to go to any private school. But that's funny. Did you go? Did you end up going? Yeah, they said, sure, go back. And it was the happiest two years ever.
26:24Oh, that's great. Because I didn't learn much. I was on a ranch and, you know, I was very liberal. It was very, yeah. No, and I did learn. Yeah, and I was good school. How great. I didn't go. So you applied or you didn't apply? I didn't go. And then you didn't go. I think my mom was very protective of me. My sister was like kind of wild and doing her thing. And so I think I was the one who was not doing that. But it's fine because, you know, by the time I went to college when I was 17. So it wasn't like I. Yeah. But yeah, I mean, food was not a, it was not great. It was, it was cool. I mean, I think I, I had a little culture shock.
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27:04You know, I was a California girl. All of a sudden I'm like in the dead of Boston winters, which are no joke, like waiting for the shuttle and my hair's like frozen to my face because it's like in the middle of the ice storm. What year was that? That was 93. I went to college. And it took me a minute to kind of find my footing and find my people. I was like a little depressed. My sophomore year, I was pretty depressed. I got like randomized into a dorm really far from campus. And that was bad. And then I found my people. Like I started doing theater and acapella and worked on the hasty pudding.
27:41and like, you know, I started making music and acting and singing and that was great for me. That like changed everything. I didn't ask you when all the family stuff was going on at home. Did your parents ever take you to restaurants? Would you go to, would it be for special occasions? Or did you go out? Every Sunday night. Do you remember the restaurants in LA? Yes. I remember like after the Remy era, every Sunday night, I think maybe even when, no, yeah it must have been like yeah nine ten maybe earlier we went to this little sushi restaurant called hana sushi so delicious in beverly in westwood west on wilshire and then we go to haagen-dazs for dessert yeah yeah um and then all eight of you you there's six sisters probably like the four of us and then yeah when my brother and sister came and moved in with us because they lived in sweden and then they moved in with us later they would come with us for sure and then we'd go to a restaurant called Old World.
28:39And then we went to, what's the Hamburger Hamlet? Hamburger Hamlet. Hamburger Hamlet on like Doheny. Yeah, yeah. That was a big one for us. And then La Scala. Yeah. Tell me about La Scala. That's Italian. I've never been there. Oh, it's Italian. It's a classic restaurant. There's one in Beverly Hills. There used to be one in Malibu. And my grandfather my mom's dad was a part owner and that restaurant and you know it's still there it is it is like you know juggernaut yeah they have a this chopped salad that people go crazy for and i still like i it's it's something i dream about like alongside the puntarelli the lascala chopped salad is something i crave and when i go back to hell it's same thing it's like crisp and acidic and crunchy and like the perfect thing to go alongside anything like a pasta or like a, you know, like a meat or whatever.
29:36It's, it's the dressing is like perfect. It's the perfect mix of vinegar and oil and salt and pepper. Let's go. Yeah, let's go. Yeah, let's go for sure. For sure. Well, there's so many. And so, so you grew up with restaurants, you grew up with food and then, so Harvard again, when you started being on your own, did you and your friends have more ethnic type food because it was available. Yes. You know, in Cambridge, in Boston. That's the first time I went to an Ethiopian restaurant. I think it was in Porter Square. A what restaurant? An Ethiopian restaurant. Very good food for Ethiopian food. It was delicious.
30:11So good. Yeah. And we would go to like, there was a Moroccan place, I remember nothing, in Harvard Square that we went to all the time called Casablanca. We'll have to ask James. You know, I went to Bennington, you know, college. Oh, yeah. And they had a term where you had to work. And do you know what my job was? I was working at the Harvard Law School doing research, but my money-making job was selling pretzels in Harvard Square. No way. Was Bennington that close to Cambridge? No, we had to find a little flat. I had a little apartment there in Cambridge. I only did it for like four or five weeks.
30:48Well, they just give you the term off, so I had the term. To work. To work. You had to go and do a job. It was, again, part of the kind of liberal arts education at Bennington, which was a bit radicalized. And so we had to go and do something. And so my job was doing research at Harvard Law School on civil liberties. You know, I was that kind of. But then I sold pretzels in Harvard Square, which was very cold. But I think that going, you know, the experience of being away from home, would their parents come and visit you? Would you go home? Yeah, they would come with me. I was actually just talking yesterday.
31:24I was saying to Ezra, like, there was this restaurant, Henrietta's Table, that was at the Charles Hotel in Harvard Square. We're like, you would be so psyched when your parents came because they would take you to Henrietta's Table. Take you to Henrietta's Table. Yeah, take you to, like, the nice restaurant. Like, you could have, like, a real meal. But I have to say, food in Boston for me, I don't love a nut or a dried fruit and a salad, and they love that there. Oh, yeah? Well, maybe just in the 90s. Yeah, maybe. Not my vibe. I don't like a dried fruit and a salad. Save it. When you were with these actors, so you were acting at Harvard, and that became more and more of a life, was it?
32:08Yeah, it did. Who was there at the time? Were there other actors there? I was just talking about this because weirdly Greta and Ezra were in the same class at Columbia. Yeah. They weren't friends, but they knew each other a little bit. But like I think most of my friends in my year I actually ended up working with later, but as writers. Yeah. Mike Schur, who created Parks and Recreation, we met doing a play sophomore year. Yeah. And called Love, Sex, and the IRS. And then Dan Gore, who also a great writer, who created Brooklyn Nine-Nine with Mike. We also met during doing a play sophomore year.
32:47So art, like I think it was a lot of writers. I don't know if any actors were there at the same time as me. But that was, that became your life. That was what you wanted to be. I did not want to be, I did not want to be in the entertainment business. No, no, no, no, no. I was like, absolutely not. I wanted to be a lawyer. I wanted to be a judge. I wanted to go to law school. I wanted to go to Harvard Law School. I wanted to do like legitimate academic things. That was kind of like, I wanted to use my brain. I did not want to, I don't know, just like be, I don't know, like creative. For some reason, I guess you have to rebel somehow.
33:32Yeah, yeah. And by the way, so grateful for my childhood. but like it was you know it was heaven it was like california in the 70s did you do drama at harvard i mean you said you did hasty i didn't i i did plays at harvard but actually um i came to rada for the summer one year yeah and that was when i kind of fell in love with london and um and did like a shakespeare course over the summer and that's that's when i was like oh i really love this i love the i love acting i did at that point i didn't realize what auditioning was and how different that was from acting. Okay. Which is, you know, most of the gig.
34:08Because as long as you didn't have to. Yeah. No, you just get to do these incredible Shakespeare, you know, scenes and monologues, which like you never get to do when you're auditioning. Oh, so I was going to say that my experience of acting were going for auditions and coming back without a part, you know, the cruelty of that. The cruelty of the rejection. And the power, the incredible power of saying, you know, I'm going to keep going. I have a friend who keeps every letter of rejection from a publisher on his, you know, desk, you know. So this goes on and it's, you know, I have, we all have it in what we do.
34:41How did you handle that? Decide I wanted to have a life of rejection? You have that life of rejection, yeah. Good question, good question. I didn't know. You probably didn't have that rejection. I didn't know. Not everybody has so much rejection. No, of course they do. Everybody, yes, yes. Yes. I mean, very rarely somebody jumps out into the scene and everybody's anointed them the one that's going to be the horse that they're backing. It's very rare that that happens. And by the way, I don't necessarily think it's very good for your character when it does happen because you lose perspective very quickly.
35:14So much rejection. Yeah, totally. I didn't know. I was too naive to know at the time because I had these wonderful experiences actually acting that when I got moved to New York that I would spend most of my time like on a subway, going to an audition, waiting for an hour and a half and then them being like, thank you so much. And then not getting the job. Like that was most of... What I thought was really movingly about was Zoe. Yes. Zoe Saldana, when she came here and we did a really, really lovely conversation and a lot of it was about her mother taking her to every audition and coming out of the audition, going back for another audition.
35:52But you did have it. So what was the audition that kind of – was there one that kind of broke the mold? I would say – well, there was two. One was my first job in New York. I got like a – it was like a guest spot on a pilot. Don't even remember the name of it. It didn't go. It was like a non-go pilot. But I was so proud because I got this job. Can't remember the name. Doesn't matter. And it was the same casting directors as Law & Order. and I had gone in first for Law & Order, which, by the way, I still haven't done a Law & Order, and that's like a real source of pride. If you live in New York and you don't do a Law & Order, something's wrong with you.
36:31Oh, she's on it. She's on it, like a lot. No, this is, I just mean guest star. Guest star. Like, you have to guest star on Law & Order, and I didn't. But the casting director's put me in something else. There's still time. Yeah, I get it. I would love to do that. Did you hear that, the listener, whoever it is? Dick Wolf, listen up. Yeah, this would be Dick Wolf. but anyway I would say when I moved to LA after a couple years in New York because it just seemed like that's where I had to audition and I auditioned for Freaks and Geeks yeah and that that was a game changer for me for so many reasons because when I read it I was like I want to be on the show this is like exactly my sensibility it was funny it was dark it felt like it really sort of understood and valued like young people in a way that you don't see on TV that often.
37:22There's like, you know, a handful of things here and there in my so-called life or, you know, but you just don't see it that often. And then I remember thinking, oh, it was just a guest star. It was just one episode. I was like, oh, but I want to be like on the show. I want to be a recurring. And I thought, okay, well, it doesn't matter. I just want to be on the show. So I took the job and I'm so glad I did because that show famously only went one season. and the episode I was on never aired on network TV because it was too dark. It was written by Mike White, who was also in the episode now of White Lotus Success.
37:56And it just kind of introduced me to this whole group of people and I became friends with all these people on Freaks and Geeks who were like writers because they had writers who were like 19, 20, 21. And it opened up a whole new community for me. How is Parks and Recreation next? I wish, Ruthie. No, was that? No, but we had a solid 15 to 20 years. Yeah, it was 23 when I got that job. I never think of there was a time when there wasn't parts of it. Yeah. That was 2007. Oh, okay. But, you know, I struggled to get jobs. I waited around. What were you meeting there? Were you home, back home? I spent a lot of time at my mom's house, yeah.
38:36And so we would hang together all the time, have dinner together all the time. and yeah we spent a lot of time together a lot of salad a lot of salad you know love a salad so working in LA yeah like not working like trying to work and not a domestic life because you were living at home no I was living with friends like in a duplex would you entertain yeah I had parties did you carry on the thing of your parents of having people at your house I did. I loved game nights. So I would do a lot of game nights, like running charades and celebrity and like murder mystery nights. And like, we would just like order pizza, like, you know, take out.
39:22I love this Chinese restaurant, Mandorette in LA. We'd order like crispy noodles from Mandorette. It was a very thing we did a lot. And there's like, there was, I spent a lot of time at, there was this like macrobiotic restaurant. Oh, yeah, I remember macrobiotic foods. Remember macrobiotics? So 80s. Brown rice and brown rice. And lots of fish. It was really delicious. Delicious. There was a place called Enaca on La Brea that was there forever, and I loved it so much. And now it's not there anymore, but like that was my to-go place. Like I would go sit there very casual. It's kind of a to-go place.
39:57It is, yes. But you could sit there, you could take out. It was always, the quality was so good. It was so yummy. I miss it all the time. Did you eat on set when you were? Yeah. Is that important to you, eating on set? Very important. Because I've talked to so many, again, you know, people who are either actors or directors, directors who don't want to stop because they love the French hour idea. I've learned all about French hours. French hours. And how, you know, Wes would love to just keep filming and then have a soup at the end of the day with everybody he works with or Ridley Scott who didn't want to eat but then had to sit down with everyone in the crew or Noah.
40:36You know, it's just so interesting to hear Greta, who snacks all day, how people combine work and food. How you do that in a creative way. Do you have a way that you like to work? It's evolved over time, but I would say in my 30s, I was really all about a big breakfast. And when I got The Office, which was a very big break for me because I almost quit acting before that, But anyway, I'd have to be there really early because I was 22 on the call sheet and everybody had to be ready at seven. So I'd get there at 4.30. Wow. I would - 4.30 in the morning. 4.30 in the morning. Wow. You could have been up with your dad, right?
41:14Yeah, exactly. Good night, dad. I'm leaving. I think there was some time actually when I called him a couple times on the way to work. But I'd get to work. I'd put in my order. I'd get my hair and makeup done. I'd take a little nap and then I'd have my breakfast and then we'd go rehearse at 6.30 or seven. But my breakfast was so important to me. And in fact, it was so important that still to this day, the caterers call it the Rashida. Do they? Oh. It's very nice. What was it? Black beans. Yeah. Avocado. Yeah. Two scrambled eggs, turkey bacon, a side of salsa, and tortilla. Sounds kind of Mexican-ish.
41:53It is. Yeah. Yeah. I love Mexican. They're Mexican caters. I lived in Mexico for six months, and I love the Mexican way of eating because, you know, you have a very late breakfast, and it's quite big, and then you don't eat again until about 4, 4.30, and then you have this huge kind of lunch, which goes into dinner, and that's kind of it, and then you have an apple at about 10 and go to bed, and I really love that way of eating. That's a great sketch. I like that. Yeah, it was really, really nice, but I just love that late lunch. Yes, I love a late lunch, too. That turned into dinner. Yeah. And then it just turned into.
42:27I love that front loading. Yeah. It's great. Because sometimes with dinner, especially if I'm alone, I just get bored and I just want soup. Yeah. And I just want to go to bed. Yeah. If I'm here, I'm excited. Like, I'm at River Cafe. If I'm with great friends and I know it's going to be great food. But otherwise, I'm like, do I have to leave my house at eight? And do I have to eat at eight? And that whole ritual. Yeah. I just don't. I'd rather snack. So I'm kind of like a little bit like that where I love snacks. Yeah. I love a really good, thoughtful snack where like the elements all work together.
42:56And I do like to snack a little bit through the day. I don't like to stop for like a meal and then get really tired and then have to gear back up. That's interesting. And then, yeah. And actually on parks and recreation, we would have lunch and literally as a practice after lunch, because, you know, it takes 70 % of your body to digest your food, we would get touch-ups and we'd have a dance party after lunch to get our like spirits back. But tell me about your life now because you have a child. You have a home. How does, what's, if I come and stay with you, what is the kind of domestic kind of cooking day?
43:31Do you sit down to meals? Do you all grab what you grab, different schedules? We're not like breakfast people. Like none of us are actually. We just kind of grab whatever, yogurt, cereal, coffee, like just quick breakfast. lunch usually I like to sit and make people eat a lunch and again I'm California I love salad I love salad dressings and I love the kind of like throwing everything into one like fresh big pot so like I love to go to the farmer's market and just figure out what seasonal vegetable wise what can be eaten raw and whatever that is goes into the salad and I like to chop it up really small big ups to Lascala because I do love a chopped salad.
44:15I know it's like baby food but I like when it's easier to digest instead of a big plate of leafy things that are like. It's also hard to talk to people when you're shoving giant things of food into your mouth. A chopped salad just makes it easier to talk. Usually I make a giant salad and then maybe I'll bake some fish or do something simple for a protein and then I like a yummy fancy coffee with like a little bit of milk or something. It's almost like the dessert portion at the end of a meal, you know, instead of a dessert or like some berries or dark chocolate. And what about feeding your little boy?
44:58He's a really good eater. He's very adventurous. Like when we were living in Japan, I was doing a show there and he would like love dried squid. That really changed my style of cooking. How long did you live there for? We were there for six months. Wow. I love dashi and I love tamago and I love sushi I love tempura I could never make that stuff but I love the hot pot cooking in Japan I love udon and I love soba and I love the warmth of putting a bunch of vegetables into a donabe and putting a dashi that's my favorite meal I just love that you love food so much you know that you love food I think that it does immerse you in the culture.
45:44It does. It does. And like you said, I mean, living there and like having a little grocery store and going there to get my food, it's like a very different way to understand Japanese culture. Totally. You know? Totally. I felt that in Mexico, but still, you know, we tried. Actually, right now in the River Cafe, we have, back today, but the last three days we took 12 chefs and probably four or five from the front of house. We do it every year. We've done it every year since we've started, to taste the new olive oil in Tuscany. Because, you know, this is the harvest and the wine. But also what it does is you realize, talking to you, talking to my children, talking to your children, talking to your family, is that so much of our life has been about exposure, you know, that we've been exposed to other countries, exposed to other cultures.
46:35and there are many people in the river cafe who know how to make the thinnest most beautiful ravioli but they've never been to italy and so to take them on this trip and to and of course the people we buy our wine from we buy our olive oil from and they you know they're very proud and they cook and it's a very important part of learning what a culture is and understanding and also like Like it's - Through food. When you think about tolerance, the word tolerance, like food creates tolerance. Yeah. Because it expands your understanding of what can taste good. And so I feel like when you give somebody the gift of like something delicious and it's something that you've never had before, all of a sudden it's like, you know, all of your synapses fire.
47:21Yeah. And it just expands your understanding. Like, you know, that's - I feel like there's so much beauty in that. And it brings people together in that way. It does. You know? So if we think of food as you've gone through the whole thing through, you know, the excitement of the culture of food, the excitement of the, you know, the curiosity and the excitement of the taste and the different versions of it, whether it's Mexican for breakfast or Japanese as a memory or going to have the best chopped salad in Malibu or a way of expressing love. and as we do have to go have that punterelle and your great friends are waiting for you I will end with the question I always end a podcast on which is if you need food for comfort something that will actually make you feel better because we are all going through life in many changes in many places with many challenges is there something that you might reach for or cook or want cooked for you that would actually give you comfort, Rashida Jones?
48:32Definitely something warm. Definitely with a big piece of like fresh, lightly toasted sourdough bread on the side. And probably something like there's a really beautiful Mexican soup that I can't remember the name of, but it's like tomatoes and onions and And then you kind of sprinkle a little cheese. Tortilla soup? Not tortilla soup, but that would absolutely do it. Like a chicken doodle soup, a tortilla soup. I have to remember the name of the soup, but it's like, it's so warm. It's so tasty. It's got a little bit of spice to it. So a warm soup that has lots of vegetables in it. So I know that it's nourished.
49:15It's actually nourishing me. Just that first bite where you like, you dip bread with butter on it into the soup. and you take that first bite, like that is the most, the coziest thing in the world to me. Immediately happy. Do you have some usually in your house if you need it? Always have soup in my house. Always have soup in the house. Always have soup in my house. Yeah. Thank you, Mishita. It's beautiful. It was so fun. Thank you. Thanks, Ruthie.
49:44Ruthie's Table 4 was produced by Alex Bell and Zad Rogers with Susanna Hislop, Robbie Hamilton, Andrew Sang, Daniel Naranjo-Rodriguez and Bella Cellini. This has been an Atomize production for iHeartMedia.
50:00Ruthie's Table 4 in collaboration with Me and Em, intelligent style for busy women. I'm investigative journalist Melissa Jeltsin. My new podcast, What Happened in Nashville, tells the story of an IVF clinic's catastrophic collapse and the patients who banded together in the chaos that followed. It doesn't matter how much I fight. Doesn't matter how much I cry over all of this. It doesn't matter how much justice we get. None of it's going to get me pregnant. Listen to What Happened in Nashville on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. What are the cycles fathers passed down that sons are left to heal?
50:42What if being a man wasn't about holding it all together, but learning how to let go? This is a space where men speak truth and find the power to heal and transform. I'm Mike Della Rocha. Welcome to Sacred Lessons. Listen to Sacred Lessons on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. This is an iHeart Podcast. Guaranteed human.
From the publisher
Actor, writer and producer Rashida Jones joins Ruthie to discuss her childhood mealtimes in a house with six siblings, her mother’s love of chicken liver and matzo ball soup, and the joy of eating while living in Japan.
Preorder Table 4 at The River Cafe—the star-studded, food-filled book inspired by the beloved podcast: https://bit.ly/Table4AtRiverCafeBook
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