In short
Podcast Summary: Second Life - Episode with Carla Rockmore
Podcast Overview Title: Second Life Host: Hillary Kerr Description: Second Life focuses on successful women who have made significant career changes, sharing lessons learned and how they leveraged skills from their previous careers.
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Episode Overview Episode Title: Carla Rockmore: Fashion Influencer and Designer Guest: Carla Rockmore Description: Carla Rockmore, a fashion influencer and designer, began her career in retail and design, pivoting to content creation during the pandemic. Known for her styling advice and iconic two-story closet, she boasts nearly two million followers on social media and continues to design her clothing line.
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Key Takeaways
Early Life and Education
- Initial Aspirations: Carla aspired to be an actress, studying art and fashion.
- Mother's Influence: Despite her creative talents, her mother encouraged her to pursue a more stable career.
- Education Shift: Moved from fashion design to fashion merchandising, favoring visual display over math-heavy design work.
Career Journey
- Retail Experience: Started her career in high-end retail in Amsterdam, which opened her eyes to diverse fashion.
- Design Role: Transitioned from retail to designing dresses and children's sleepwear for brands like Disney.
- Entrepreneurial Spirit: Launched a side business creating unique clothing items, which later blossomed into a full-time endeavor.
Transition to Content Creation
- Pandemic Pivot: During the COVID-19 lockdown, Carla began creating TikTok videos, focusing on fashion styling.
- Viral Success: Gained rapid popularity, being dubbed "the Carrie Bradshaw of TikTok," and quickly amassed a large following.
- Community Engagement: Enjoyed connecting with viewers and found joy in the creative process of filming and editing.
Current Endeavors
- Jewelry Line: After years of experience in fashion, she launched a fine jewelry line but later pivoted to create a clothing collection sold on QVC.
- QVC Partnership: Initially hesitant about mass production, Carla found a supportive partnership with QVC that allowed her creative freedom.
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Important Lessons Learned
- Embracing Change: Carla emphasizes the importance of following one's passion and the potential rewards of late-life career shifts.
- Overcoming Constraints: She discusses the value of creating within restrictions and the innovative possibilities that arise from them.
- Value of Community: Carla highlights the significance of building connections with followers and peers in the industry.
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Advice for Aspiring Career Changers
- Take Risks: For younger individuals, now is the time to explore and make mistakes without the weight of commitments.
- Follow Interests: Pursue what captivates you, even if it seems unconventional or risky.
- Self-Confidence: Recognize your own worth and capabilities; don’t let age or societal expectations hold you back.
Final Thoughts
- Personal Reflection: Carla wishes she had been more confident and patient in her younger years.
- Future Goals: Excited about upcoming collections and projects, including plans to showcase her mother's art.
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Conclusion Carla Rockmore's journey illustrates the power of resilience, creativity, and adaptability in navigating career changes. From her beginnings in retail to becoming a fashion authority and designer, her story serves as an inspiration to women seeking to reinvent themselves.
For more inspiring interviews, visit [Second Life Podcast](https://secondlifepod.com).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOCarla Rockmore's Journey to Fashion
0:45 to 2:24
Carla discusses her early aspirations and the influence of her mother on her career choices.
“moved into the design department at high-end stores like Buffalo Jeans.”
Education and Style Development
2:24 to 4:18
Carla shares her educational background in fashion design and merchandising.
“going to university in Canada, but I was about 17 years old and my mom was teaching me how to drive.”
Adventure in Amsterdam
4:18 to 5:54
Carla recounts her backpacking trip in Europe and the romantic decision to move to Amsterdam.
“And I mean, you grow up in Montreal, it's almost impossible not to absorb fashion.”
Working in High-End Retail
5:54 to 7:53
Carla reflects on her experience working in a high-end retail store and its creative culture.
“Nothing to do with the high fashion in Europe at the time.”
Return to Canada and New Opportunities
7:53 to 10:14
Carla discusses her return to Canada and how she landed a job in a large dress house.
“One of my first jobs in retail was at Parachute.”
Designing for Mass Production
10:14 to 12:27
Carla talks about her experience designing dresses and the balance of creativity in a corporate environment.
“And then I decided I also I had missed home.”
Insights from Buffalo Jeans
12:27 to 14:00
Carla shares her role at Buffalo Jeans and the valuable lessons learned from the experience.
“You take the good with the bad and the adjustment takes time.”
Career Beginnings and Learning Experience
14:00 to 14:50
Discover how early job experiences shaped Carla's understanding of the industry.
“Well, it's like if you're not in love with the job, you want to try something else.”
Transition to Licensed Children's Sleepwear
14:50 to 17:20
Explore Carla's creative journey designing licensed children's sleepwear and the constraints involved.
“It was an amazing time to be there because here I was like 25, 26 years old being introduced to things that I had never experienced before.”
The Power of Ignorance in Creativity
17:20 to 17:40
Carla shares how not knowing the rules led to her greatest design successes.
“Do not learn and try and know everything.”
Show all 28 chapters
Transition to Licensed Children's Sleepwear
17:40 to 21:19
Explore Carla's creative journey designing licensed children's sleepwear and the constraints involved.
“I think sometimes the constraints of this is how it's done or this is how we do it, that can be useful in certain processes, but not always.”
The Birth of a Side Hustle
21:19 to 22:44
Learn how Carla's side hustle turned into a full-fledged business in her 20s.
“And I would be out, as one does when they're that age, able to get up and work the next day.”
Struggles of Entrepreneurship
22:44 to 24:12
Carla discusses the challenges of running her own business and the exhaustion it brought.
“The only time I could say that compares with the amount of time, effort and work that I did then was right now.”
Moving to Toronto and New Beginnings
24:12 to 28:00
Discover Carla's transition back to corporate life and how it impacted her career.
“I had to physically go from store to store with garment bags, schlepping.”
From Luxury Retail to Fine Jewelry
28:00 to 29:10
Learn about Carla's transition from retail to creating a fine jewelry line.
“And so there's sales and there's luxury retail, but you're not going to find a components factory.”
The Journey to Jaipur
29:10 to 30:26
Explore Carla's experience traveling to Jaipur to source materials for her jewelry.
“But that all didn't happen until after the kids sort of set me free because they got their driver's licenses.”
Navigating a Global Pandemic
30:26 to 31:12
Understand the impact of the pandemic on Carla's jewelry business and content creation.
“He said, okay, but we have a little problem.”
Creating Viral Content on TikTok
31:12 to 32:48
Discover how Carla launched her TikTok career and went viral almost instantly.
“They didn't want me doing any kind of social media.”
Finding Comfort in Content Creation
32:48 to 34:01
Learn about Carla's comfort with content creation and community engagement.
“So you launched in April of 2021 and gained 250 ,000 followers your first week on the platform.”
The Art of Video Editing
34:01 to 35:28
Explore Carla's editing process and how it relates to her jewelry design experience.
“your hobby and the hole in the market is your sweet spot for both happiness and also for success in work.”
Launching a New Jewelry Line
35:28 to 36:42
Discover the challenges and excitement of launching Carla's jewelry line post-pandemic.
“It was iMovie and I can basically clip and I can move something around.”
The Impact of Social Media on Business
36:42 to 38:09
Understand how Carla leverages her large social media following for her jewelry business.
“Well, I'm lucky because it was much easier for people to want to invest the time in Carla Rockmore and Align.”
Exploring New Directions in Fashion
38:09 to 39:51
Learn about Carla's upcoming fashion collection and her partnership with QVC.
“It's funny because all through my design career, I was fulfilling a certain part of me, but I wasn't fulfilling all of me because that other bit of expression was missing.”
Balancing Business and Creative Expression
39:51 to 41:19
Explore how Carla balances customer needs with her own design vision.
“the Carla Rockmore collection that you launched in 2024, which is also now sold on QVC.”
Finding the Balance in Fashion Design
42:07 to 43:18
Learn how Carla balances customer service with her unique vision in fashion design.
“But I also have to service the customer.”
Exciting New Collections at QVC
43:18 to 44:20
Discover Carla's upcoming collections with QVC and her design inspiration.
“So you had five drops last year, and this year you are set to launch seven collections with QVC, which feels enormous.”
Art and Writing: Carla's Personal Projects
44:20 to 45:40
Explore Carla's plans to share her mother's art and her own writing aspirations.
“Because I've read that you're dipping your toes into writing and also working on a way to share your mother's art with the world.”
Learning from Mistakes and Making Career Shifts
45:40 to 48:24
Carla shares insights on overcoming career mistakes and embracing change.
“So we wrap up this podcast with the same three questions.”
Transcript
Automatic transcript. May contain errors.0:05Carla Rockmore:Hi, everyone. I'm Hilary Kerr, the co-founder and chief content officer of Who What Wear, and this is Second Life, a podcast spotlighting women who have truly inspiring careers. We're talking about their work journeys, what they've learned from the process of setting aside their doubts or fears, and what happens when they embark on their second life. Today on the show, I'm speaking with fashion influencer and designer, Carla Rockmore. Carla is best known for incredible styling advice and her iconic two-story closet that serves as a backdrop in all of her videos. But before she made her debut on social media, Carla started her career in retail before she moved into the design department at high-end stores like Buffalo Jeans.
0:53Carla Rockmore:From there, Carla's work ranged across categories from making dresses for department stores to designing licensed children's sleepwear for big names like Disney to creating her own fine jewelry line. But everything was put on hold when the pandemic hit. It was during lockdown that Carla decided to start filming herself getting ready, putting together fabulous outfits and teaching women how to express themselves through fashion. People immediately fell in love with her and in her first week on TikTok, she gained hundreds of thousands of followers. Today, she has almost 2 million. Carla's also returned to her roots as a designer with her fashion line, the Carla Rockmore collection that you can shop on QVC, and she has big plans to drop several new collections this year.
1:42Carla Rockmore:I am so excited for you all to hear from her. Now, on Second Life, it's Carla Rockmore. All right, Carla, are you ready? Sure. Okay, excellent. We like to start at the beginning. So what did you study in school? And much more importantly, what did you want to be when you grew up? I wanted to be an actress. Okay. That's what I wanted to be. Yes. What did I study in school, everything that did not pertain to mathematics. Okay. Anything that had nothing to do with a minus or a division sign. A lot of it was art and fashion, you know, when I started going to university in Canada, but I was about 17 years old and my mom was teaching me how to drive.
2:33She said, well, what do you think you want to do? Cause you know, you're in 11th grade, TikTok. And I said, well, I'm going to be an actress and I'm going to move to LA. And she said, no, you're not, darling. I think you should go to dental school and become a dental assistant, not even a dentist. And this was coming from a woman who was highly creative. And I said, what are you talking about? You are an artist and you walk around the house in a smock all day. why would you tell me that? Point being though is she said, you know, it's a struggle. It's a struggle to be an artist and I don't want you to go through that.
3:15Carla Rockmore:I understand that she probably thought she was communicating practical safety, setting you up in those ways, but I feel like that would be really hard information to receive from her. Oh, absolutely. You know, everything I've always received from her has been knowledge that I have absorbed quickly and implemented, even if I didn't want to hear her. You know, you say when you have kids, they may not listen to you, but they will hear you. And I think that's where her garden sort of fell, especially in that time frame when I was that young. So I pivoted. She somewhat scared the shit out of me and I decided, okay, well, I need to do something that's very creative, but I kind of need to find a career that will give me a regular paycheck.
4:13And I'd always been a very design oriented person. And I mean, you grow up in Montreal, it's almost impossible not to absorb fashion. And so naturally I was like, okay, so I'm not going to go and be a movie star, but let me see where design takes me.
4:32Carla Rockmore:I love that. So you studied fashion design? Merchandising. I couldn't sell for beans. I started in design. And then as soon as they said, okay, we're going to make a pattern now. And the ruler came out with the math. Oh no, math again. Absolutely not. But isn't merchandising, doesn't that involve math also? Yes and no. I leaned into the styling of it. Visual. Yeah. It was all about visual. It was about visual display. It was about taking an idea, a concept and working with a team to make a cohesive line, whether it be a capsule for a particular target, like active wear, or let's say it was a fashion show event that I was working on.
5:21It was deciding which dresses would come out first, accessorizing them all. It was a much more visual program. That makes sense.
5:32Carla Rockmore:Okay, so you have this time in your studies, and then you at some point went on a backpacking trip in Europe that ended up leading to you moving to Amsterdam? Yeah. Walk me through how that happened because that's so incredible and adventurous, and it sounds very romantic from where I'm sitting, but what was it really like? What was the impetus for it? Why Amsterdam? Oh, it was very romantic. I fell in love with a Dutch boy. There you go. That's why I did it. Fair. Nothing to do with the high fashion in Europe at the time. I was traveling Europe with my girlfriend. We both graduated. We thought, okay, before we go off to work full-time forever, let's go and have some fun, which we did.
6:16And five days in, I fall in love with the Dutch boy. You know, we just had a great summer. And then I told my poor girlfriend, I remember I said, you can tell my parents that I'm going to stay for a while.
6:32Carla Rockmore:There wasn't cell phones then, right? Right. And she's like, what do you even mean? She was a very good, good friend of mine, but she was follow the rules type of chick. And I wasn't, But I must say that once I settled in, it was really one of the best experiences of my life, separate and apart from the relationship, the creativity in Amsterdam and the access to fashion and the type of fashion that is visually eclectic. But also there is this freedom, but the girls and the guys there would be, you know, vintage shopping or buying that one Gautier piece that was way too expensive for them, but they saved up and then wore that sweater 15 times a month without any qualms about it.
7:30Yeah. It became part of themselves. It became part of their character. That really resonated
7:35Carla Rockmore:with me. That's incredible. Okay. So you ended up getting a job while you were in Amsterdam at a high-end retail store. Talk to me a little bit about what that experience was like. Had you worked retail before? Yes. I had worked retail right through high school. I loved people and I loved fashion. One of my first jobs in retail was at Parachute. Do you remember Parachute? I know Parachute. That's a good calling card. Yes. It was an excellent job in the late 80s. Yeah. So what was it like working in high-end retail in Amsterdam? Was it similar? Was it different? Were the clients different? How did that shape your eye or your communication skills or your work ethic?
8:23Carla Rockmore:What was it like? At first, they put me in the store level because I speak some French. So I didn't have any experience. I had no reason to go upstairs to Atelier, according to them. So I was on the floor selling clothes because there were a lot of French. And so the French needed some catering too. So I started there. And they only had two lines. They had Pook and Hans, their own in-house brand, and Gautier. That's so chic. Not only so chic, like we were there for the cone bra. God, I saw like there was a big exhibition that traveled maybe like a decade ago. And I went to San Francisco to see the Gautier exhibition and the cone bra.
9:08Carla Rockmore:It was so incredible. I had one of those in cobalt blue. I'll never forget it. Anyway, it was a fabulous experience because they were highly creative and very accepting of everybody at a time where it may not have been as open in terms of sexuality, gender. So I loved it. So how long were you in Amsterdam? I was in Amsterdam almost five years. Wow. Ja, ik een klein beetje Nederland praat. That is amazing. What made you decide to move back to Canada? You know, I was growing up. I was very proud of myself for getting a job almost immediately. I didn't want to hang out smoking doobies all day long.
9:59You know, I wanted to learn. I wanted to better myself. And I also didn't want to rely on anybody but me to financially take care of myself. So I got a job. And so, you know, now I'm flash forward 24 years old and I outgrew the small little business. And then I decided I also I had missed home. I missed my friends. And so I went back. Now, the Canadian fashion business, for the most part, is mass. I mean, yes, there are boutique designers for sure. But there's this little community around a street called Chabanel. And that's sort of like the garment district of New York because of the ports initially.
10:46And so I went to a wedding and I was wearing this baby doll dress that I designed at Pukenhaun's. It was obscenely short. And the owners of this very large dress house in Canada called Algo Dress. I wonder if they're still around. I'm sure they are. they were huge, came up to me and said, would you like to interview?
11:12Carla Rockmore:Wow. Yeah. I mean, you were wearing your resume. That is incredible. That's it. Well, you know, the fashion industry is a very funny place. It's not a place where you absolutely need a piece of paper to get a job. It's all about chutzpah and talent. And proof. Yes. You were wearing the proof. You were wearing the job. So am I correct that you were designing both ball gowns and graduation gowns? It wasn't so much ball gowns. It was after five. What was that like? It was nice because I really had the chance to work with an exuberance of color, which was more difficult in mass at that time. You know, early 90s, you're talking Armani.
11:57Very bright. And then also not. Right. So I had the Versace end of it rather than the Armani end of it. So that was great.
12:04Carla Rockmore:I always think about Gwyneth Paltrow in Great Expectations and her in general. It's like it was either super neutral or I feel like very, very bright. There was nothing in between. There were no midtones. No. Yeah. So you got to experiment with color. That had to have been great. From the work experience, was it a vibe shift going to what sounds like a larger mass corporation? Huge. How did that feel for you? Not great. That was an adjustment as all life is. You take the good with the bad and the adjustment takes time. And yay for me, I was back home in the city I loved with my friends and my family.
12:44But boo-hoo, I was working for a very large corporate company with a very stringent environment about design. So there wasn't as much creativity. but it was good because I gained experience in the showroom. And the showroom experience is something that any merchandiser needs to cultivate. Why? It's the sell. If you are able to sell fashion in the industry, you become very valuable. It's just what it is. I think in any industry, your salesmen are your most valuable members of the company. They're the engine. They're the translators.
13:25Carla Rockmore:Yeah. So how long did you stay in that job? Oh, listen, I'm a Gemini I love. I don't stay in many places for too long. I think it was about a year. And then you moved on to Buffalo Jeans. Is that the next step? Yeah. Talk to me about why you decided to make that pivot and what your role was like there. Well, I was the assistant to the president there. And so the role had nothing to do with design, but it had everything to do with floating on top and seeing how a company actually works. I literally have a desk in his office. Wow. And I made the shift because he said, you want to go to Hong Kong?
14:02And I'd never been. Fair. So I said, yes.
14:05Carla Rockmore:Let's go. Well, it's like if you're not in love with the job, you want to try something else. That's reasonable too. I loved that job. I often talk about like that is a great role to start in because you understand how everyone works together and it allows you to get a sense of what you want to do next, I think, more than any other department. Right. I didn't say much. I didn't do much. I took a lot of notes, but I learned. Yeah. You're just absorbing. Yes. And I got to go to Hong Kong in that time frame. And this is pre-97? Yes. Oh, so it was still under British control at that point in time, which is now just a time capsule.
14:43Right. I think I was about five or six years in to all domestic manufacturing from the US shifting to Asia. So it was buzzing. Everybody was there. Designers, manufacturers, agents. It was an amazing time to be there because here I was like 25, 26 years old being introduced to things that I had never experienced before. I was lucky. I piggybacked.
15:17Carla Rockmore:I love this. Okay, so then after this role, you ended up doing licensed children's sleepwear with companies like Disney? Yeah, no, that was my favorite job. Walk me through that because that feels like a departure, but also really interesting because the constraint of designing within existing IP that is highly protected would be fascinating, I would imagine. Tell me what your experience was like there. Hilary, I have to tell you, you hit it on the nose. I came back from Buffalo. There was too much tumult, shall we call it, in terms of what was going on in that company. Messy. No, thanks. Too much drama.
16:01And licensed children's sleepwear is very restrictive because it has to be fire retardant. Right. It was always this white flannel that had a poly blend that wouldn't, God forbid, go up in a minute. And you had to have rib on the collar, the cuffs and the ankles. So it was like a sweatsuit set. And it was white flannel. And my job was once the negotiation was made as to whether we were going to license and then sell Little Mermaid or Snow White and the Seven Dwarfs. I would then get the Bible and I would also go out to Disney or to the corporate offices. And I would have to take these black line cartoon kind of images and place them in a print.
16:57My job was really print design because my canvas was that same sweatpants. And I had to think of what to do with it in order to sell this set, but make it interesting and fun and creative. And I have to say, I did an excellent job in that regard. I didn't know what I was doing. I need to give young designers a tip here. Don't learn everything. Do not learn and try and know everything. because my greatest successes have come from me not knowing that you're supposed to do it this way. So I had no idea I was... Disruptive. Yeah, I was disruptive, but I didn't do it on purpose because I had never gone into a target to see what my competition did.
17:45Right.
17:46Carla Rockmore:Like, that's crazy. So it's really innovative. I think sometimes the constraints of this is how it's done or this is how we do it, that can be useful in certain processes, but not always. And certainly not from a creative standpoint, it feels like you got to enter this without quote unquote, knowing the rules so that you could actually like do something interesting. Right. So I went there and rather than slap snow white on the white flannel and color it in and do it in a way that could be cut both ways. So you want to mirror the icon. You want to like flip it so the patterns are not restricted to being cut one way for fabric consumption.
18:26It was Snow White and the Seven Dwarves. It was my first one. And I decided to make it very Canadian. So I literally went to my dad's closet and took his red and black buffalo plaid shirt and a pair of jeans to work. Because in those days, we didn't even have a computer to lay out the print design until it was rubber stamped by the head honchos who then brought it down to the art department. But I was sort of doing mock-up at first to show my concept. And so I took Sneezy and Sleepy and Drippy and whoever they were. I photocopied the red and black plaid. And then I cut out the characters and I had them interacting with the print.
19:12oh cute right so they were coming out from behind yeah these red and black checks that was the top and then I thought well I don't want to make the same thing for the bottom like let it be a matching set but speak to each other so I took the jeans and the printer had this sort of glass top as they do I don't know maybe they were like one foot by two foot I don't know what they are and I took the jeans and it wouldn't print them in its entirety, the denim. So I had to take bits and pieces like snap, fly, zipper. So then I decided, okay, let's do it in a collage of denim as your ground. Your ground is your base color or your base print.
19:57And then over top, I stuck on Sneezy and Snoopy and whatever in patches because that was also in my black line art. Anyway, I did not know that they had never had a run of these PJs at Target and Kmart and Walmart. They had never had such strong sales. I was supposedly the buzz of North America. I love that.
20:23Carla Rockmore:But my boss didn't tell me. Of course not, right? But he did promote me to head designer. I then got access to the art department and my job got a lot busier. I can imagine. I love that. That is so fresh and exciting and fun. And what a wonderful learning experience it sounds like. Okay. So you're in this job for a few years, I'm imagining. And then at some point you decide to make something of your own, which feels like a natural trajectory after having worked for other people. And you wanted to start a club kid inspired line. Well, ish. None of what I have ever done was intentional. I just kind of followed whatever was shiny and bright in front of my eyes.
21:16Interested in creative pursuits. That's it. I was a club kid. It's 90s house. I mean, how could you not?
21:23Carla Rockmore:It's my favorite. Right. And I would be out, as one does when they're that age, able to get up and work the next day. But every Thursday, Friday, Saturday night, I was in a club and I wanted a cropped Lurex t-shirt and I couldn't find one. So I went to the fabric store and it was like one with a rainbow print. I bought a couple of yards and had somebody else cutting. So a little baby tea wore it to the clubs. Everybody was like, I need one right now. So I started cutting them and selling them. This was a side hustle. It was literally like word of mouth. Give me your number. I'll send it to you.
21:59Yeah. And then a retail store called and said, we want 12, you know, and then I thought I have a business. And I didn't know it was a side hustle. I had no idea.
22:10Carla Rockmore:It's just a little hobby. It was just a little hobby. But then a few more stores got word and called me and said, I'd like 12. And all of a sudden I was taking orders and I thought, okay, I was now 28, 29 ish. And I thought if I'm going to do it, this is the time to do it. So I did. I walked away from my very well-paying, secure position and started designing, hiring cutters, seamstresses. I was working very, very hard. The only time I could say that compares with the amount of time, effort and work that I did then was right now. It was crazy hard. I thought I was going to be the next Donna Karan.
22:59Two and a half years later, I was still shipping boxes, selling product, invoicing, sales, up to 11, 12 every night. I had one employee. That's heavy. Heavy. I was all over the papers. Back in the day, it was a newspaper or a magazine. I remember Jeannie Becker interviewed me, Tim Blanks. I mean, it was just like a whole thing. but I was making zero money and I was exhausted. Yeah. So I think it was about 32, 33. Michael, my future husband, called and said, do you want to come and work in Toronto? Because his lead designer had just quit.
23:42Carla Rockmore:Did it feel like a relief in any way? Yes. Okay. Being an entrepreneur is the hardest thing. And to think about what you were doing in like a pre-Shopify, pre-internet, pre-Instagram marketing, pre-software of all of these things, automated invoicing world. That is such a heavy lift. So did it feel sort of like relaxing almost to go back to corporate? Yes. I mean, I had to find my own agents at that time. I had to go to shows. I had to physically go from store to store with garment bags, schlepping. There was so much schlepping. I was young. I could schlep, but at a certain point I was drained.
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24:26And I just thought, let me just get a paycheck again and a drink and a new city, a new experience. So I moved to Toronto because that's where the company was. And I did that for a very short while because we kind of hit it off. I'll say. And I wasn't sleeping with the boss. So it was like, okay, well, what do we do now? So I quit. It happened very quickly for Michael and I.
24:54Carla Rockmore:When you know, you know. And you know, he and I had been friends for 15 years. So you really knew. Wow. Yeah. I feel like this is like when Harry met Sally. Well, I really was. I mean, the girl that I went to Europe with, I was still in Amsterdam, and she came back to Toronto. And she said, I met my husband in a bar. And I said, settle down, sister, you're 23 years old. You did not meet your husband in a bar. She said, oh, no, this is the guy. And I met yours too. It's his best friend. For 15 years, they tried to get us together, but he was just Kramer on the couch. But then it worked out. And then it worked out.
25:28Carla Rockmore:So after you realized we're in love, I'm not going to work here anymore. You went off again on your own, but this time with jewelry. Talk to me about the evolution from clothing to jewelry. And I'm wondering how much overlap is there in terms of skillset? a lot. I think the impetus to getting into jewelry was after we were married, I had my kids. And I loved being a mom, but it was not all I wanted. So I knew that I wasn't going to go back to clothing manufacturing because there was no way I was housing inventory. And I just wanted something more small and more manageable with two kids. And I decided to just go to Canadian Tire, which is the Lowe's of Canada.
26:17And I didn't know what I was doing. So I literally went to, you know, the rolls of chain they have. I cut a bunch of chain and I bought pliers and I started just sort of weaving chain necklaces together. So I slowly figured it out. I just kind of learned as I went along because I didn't know any better. And a few years later, I was doing a trunk show. I had sold Intermix. Yeah. And there was Danny Joe, I think it was the company. So we were like in that same sort of spot in Canada. So there would be this overlap of the retailers that carried my line. And then I was settled now. You know, my kids were in elementary school and I had this little business, all good in the world.
27:07And then Michael says,
27:09Carla Rockmore:Dallas, we're moving to Dallas. What was that like? I mean, there had to have been a not insignificant amount of culture shock, right? My line is I would have had an easier time navigating the bowels of Jaipur, India than I do the - Than Highland Park Village? That's right. That's right. It's a foreign, foreign place. Yes. Look, it was a shocker. The heat is still a killer. I was lucky that my kids were in schools and they were in second and fifth grade. So I kind of found a group of compadres, other moms through the school programs. But it was very difficult for me to find my fashion people. Not because they're not here, but because there's no manufacturing here.
28:05And so there's sales and there's luxury retail, but you're not going to find a components factory. I had a hard time.
28:15Carla Rockmore:So at a certain point in time, you started working on a fine jewelry line with the amazing company, Stanley Korshak, which I got to visit when I was an assistant at Elle magazine. And I was assigned a story to live like a Southern debutante for a weekend. And I was sent to Dallas to stay at the mansion on Turtle Creek and to go to Stanley Korshak. I had like a diamond class and I did all of these like amazing things, but I was just blown away by what an institution that is. Oh, 100%. Now, I didn't do a line for them. I ended up placing my line there. But it is a jewel, almost hidden. It's a small little store, but it's so cultivated.
29:04And Melissa, who runs the jewelry, when I showed her the line, she brought it in right away. So I was very thankful for that. But that all didn't happen until after the kids sort of set me free because they got their driver's licenses. And I said, okay, now that I know a little bit about the jewelry business from when I left Canada, I'm now going to go to Jaipur and do a fine jewelry collection.
29:32Carla Rockmore:That is unbelievable. Talk to me about that. Well, I was lucky that I had met some friends who were from there. I said, I have to find something to do or I'm going to have a breakdown. And they said, well, come with us. We're going to see our folks. They're all in the jewelry business. So I said, okay. So I tagged along and I started meeting suppliers and manufacturers and stone cutters. I mean, it was the most unbelievable experience. It was also a very slow experience. Things happen much more relaxed over there. And it takes a long time if you're just starting out to find your peeps. So it was three years back and forth.
30:10Carla Rockmore:Wow. Oh, yeah. I would go about two times a year and then I would work with them through email and video and all that kind of stuff in between. But it really took three years to come out with a cohesive jewelry line. I remember I finally called Michael and I said, OK, I'm coming back and I'm going to see who we're going to place it with. Yeah. He said, okay, but we have a little problem. I said, well, he goes, you have to get on the next plane out. And I said, what are you talking about? I have another two weeks here. I'm almost there. No, no, no. There's going to be a global pandemic. I said, what's that?
30:48I wasn't paying attention at all. That's a little disruptive. Oh yeah. Just a little. I mean, there were a lot of disruptions because of the move and the kids. And so I left everything there and I flew all the way home and pick me up at the airport and we went straight into lockdown.
31:05Carla Rockmore:So during quarantine, you started creating content and sharing it on YouTube. What was the impetus for that? Just wanting to connect? It was a completely selfish endeavor. No, you know what? My kids begged me not to. Because they thought it was cringe? Oh, yes. They didn't want me doing any kind of social media. Like I didn't have social media before 2020, other than to say happy birthday once or twice. And I never looked at it. I didn't even know that you should be doing short form. So my girlfriends up in Canada were very much locked down and I was the funny one. And they kind of said, do something.
31:44I'm bored. And I said, okay, I'm bored too. And if I don't create something, I tank. And I had this camera and I had this closet. This is all the collection of what I've been living for all these years in the industry. And I remember my first video was about 15 minutes long. I didn't know to make a shorter one. I had a whole 91 followers for about a year from March 2020 to April 21, but it got me through. I was entertaining myself. I was making my friends laugh. I was coming up with new ideas. And more importantly, I was editing. That saved my life. And then Ivy said, you know what, mom, let's put you on TikTok.
32:25Carla Rockmore:that's a good pivot though that she went from don't do this to let's put you on tiktok well because she saw that i was actually committed to this thing yeah i wasn't working anywhere near as often as i do now but i would put out a video every two weeks you know she said the challenge is you have to get it down to a minute so i did that and then we put it up and it went viral. So you launched in April of 2021 and gained 250 ,000 followers your first week on the platform. Yeah. Which is wild. Why do you think it worked? It was nothing. I mean, it was literally just me getting dressed. And I remember that I wore this fuchsia coat over top, a very neutral look.
33:10And it was exciting to me because it made the whole thing a little a little more interesting. And I explained why. And then I left to go for dinner. I put it up the next day and boom, it was cuckoo. And so it was such a funny thing because everybody was like, oh, maybe it went viral. How funny. How novel. Isn't that funny? Like that was it. We didn't think it was going to happen again, but then it kept happening.
33:36Carla Rockmore:And so a new career was born. At what point in the early days did you realize like, oh, I think this is my next chapter. This is obviously connecting. Almost immediately, but before I went viral. Got it. So when you were just creating content essentially for your friends, like in that moment, you're like, this is satisfying something in me. This feels good. It feels right. Yeah. You know, the three converging circles, your education, your hobby and the hole in the market is your sweet spot for both happiness and also for success in work. That's what it was for me because it came full circle. All of a sudden, I was an actress.
34:20There you go.
34:21Carla Rockmore:So were you comfortable on camera? I love that you had had like your soft launch for a year of like working the kinks out and figuring it out and understanding the beats and all of that. But did you feel comfortable instantly? Or did it take some time to sort of figure out like what you like to do and how you wanted to do it? Oh, well, that's always an evolution, I guess. But I didn't ever feel uncomfortable, because I never think about anyone watching me when I shoot. Right. I just talked to the same friends that I was talking to back in 2000. I love the community, And I love the people who converse with me, my followers, the comments, the whole thing.
35:05It just juices me up. It gives me more energy to see, oh, what am I going to do next? But if I were to think that, oh, my God, I've got 250 ,000 people watching me right now, I wouldn't be able to say boo.
35:20Carla Rockmore:Yeah. You also mentioned that you were enjoying the editing process, that that saved you. What was that learning curve like? How did you figure it out? It was iMovie and I can basically clip and I can move something around. I can speed up and slow down and I can add music. That is my repertoire of editing. All you need. Right. But it was working with my hands again. And so the video was fun. But then the best part was like washing all my makeup off, putting my hair in a screen sheet, getting a cup of tea, sitting at the kitchen table, downloading the footage and start playing with it and seeing what I could make out of it.
36:03That was the most fun.
36:05Carla Rockmore:Well, that's a little bit like making jewelry. I would imagine that you have all the raw materials and then it's how you arrange them and sort them and create something with existing material. Yeah, exactly. It's very, very similar. I never thought about that. You know, once you know how to make something, It's basically the same process. So in the background of all of this, you are still working on your jewelry line, correct? Yes. And talk to me about going from being ripped out of the process because of a global pandemic to actually launching in 2022. Well, I'm lucky because it was much easier for people to want to invest the time in Carla Rockmore and Align.
36:52So yay for me. Yeah.
36:54Carla Rockmore:You built a whole platform in the meantime. All of a sudden, instead of me going from this retailer or that retailer, Stanley Korshak was very happy to cultivate a relationship. So that was great. I would imagine having 2.7 million followers across platforms is really helpful when you think about marketing any product. Right. Absolutely. I can't emphasize that enough. And I also love that it was like almost an accident. It was totally an accident. I'm 58 years old. I mean, I remember back in 2012 when Instagram started. That was the same year I moved to Dallas. And my girlfriend was saying, well, what are you going to do?
37:36And I said, I don't know. She said, why don't you start this Instagram? You're always good at like styling. I said, are you kidding? You're too old to do Instagram. I was 48. Okay.
37:46Carla Rockmore:Like how stupid. Well, you got there. Yeah, I did. So how did the launch go? How did it feel after having worked on this project and had some stops and starts due to global issues? Was it what you wanted the debut to be? Was it fulfilling? Did it feel different because you now had a whole separate business going on as well? What was that like? It did. It felt different. It's funny because all through my design career, I was fulfilling a certain part of me, but I wasn't fulfilling all of me because that other bit of expression was missing. There was the tangible expression. There was the expression of the raincoat or expression of the earrings, but the connection with people, you cannot beat it.
38:33Social media, there's nothing else. It's immediate. You know, immediately, as soon as you upload something, are you entertained? Do you like Is the information valuable in any way to you? And being a Gemini, that was very fulfilling to me. It was this immediate creative business that I couldn't get bored by because it was forever shifting and I could react much more quickly than percolating on the trend reports, working on something at least a year in advance. You know, by the time everything gets in the showroom, you're on to the next thing.
39:13Carla Rockmore:Yeah. Whereas with this social media, it's immediate and you're able to really explore in the moment. So I had a hard time balancing the two. I also realized that, well, gee, I'm doing very expensive, fine jewelry, and my market is not that anymore because my reach is much larger. Right. And people really like what I do. so I'm not being helpful to myself nor them. Well, there's a disconnect. Right. There's a disconnect. If high-end jewelry would have satisfied all the parts of me, I would have stayed there, but it didn't. It wasn't doing it right then. So talk to me about the next move, the Carla Rockmore collection that you launched in 2024, which is also now sold on QVC.
40:01Carla Rockmore:Talk about stepping into some alignment and like a really great partnership. Walk me through that. Well, at first I was very reticent. I have to say when QVC came a calling, I was like, no way, Jose, am I going back into mass? Right. The last time I did that was when I was 32. I'm not doing that again. I understand the environment. I understand the structure and I wanted to be more free and fluid with what I do. But then they invited me to their offices And I have to tell you, these are the nicest people you'll ever meet. And they listen and they want you to be comfortable selling your vision.
40:45They're not trying to put me in a box because of what their market needs. Right. That's the beautiful thing about QVC. So it wasn't initially a big time suck because it was like one collection.
41:01Carla Rockmore:Yep. And we were going to see how it went. I loved working with a big team again. I love working with people who can print design and people who can communicate overseas with makers. All the heavy lift. All the heavy lift. And I understood it all. It's not like I needed to learn how the garment industry works. No, you just had all of that at the tip of your fingers from all of your experience. It's like everything had been building for this. Right. So it just really came together and the line did really, really well. And we've just increased it quite a bit. So when you're thinking through that design process, are you thinking of the QVC customer or are you thinking about yourself and like your friends?
41:47Carla Rockmore:Like, how do you think through that piece of it? Yes, yes, and yes. So it's this happy medium. Right. And that's what the fashion world is. It's a business, unless you're editorial. So it's this happy medium where I have got to put in 75 % of the Carla Rockmore DNA at all times. Yep. But I also have to service the customer. Right. But if it's not you, there's no value proposition. So you have to be protective of that. Absolutely. I don't consider it a detriment or that I'm squashing my vision if I am making somebody happy because I'm giving them the same pair of pants in a different fabrication and a different color that they loved last year or the year before.
42:34I actually am of the ilk that trends are fun and should be dabbled in. But great pants are forever.
42:42Carla Rockmore:Great pants are forever. And like I have 62 pairs of the same, you know, Neely Loeb tan chrons. Like I just do. Same. I mean, that's a great fan. It's nice to have a uniform. That's it. But you know, what's also great is now with QVC, their resources are so broad that I am able to take all the bits that I love and have loved out of my closet and recreate them with little bits of tweaks, permutations, and combinations for the QVC customer. I love it. So you had five drops last year, and this year you are set to launch seven collections with QVC, which feels enormous. What are you most excited about about these collections?
43:31Carla Rockmore:Can you give us any hints of what to look for? Well, I mean, this one coming up, I'm really excited by. I'm a very practical person, And I like to make clothing that is both very, very classic, but they don't go out of style. You know, they're chic quality pieces that I tend to gravitate towards season after season. But because my life has also become planes, trains, and automobiles, I'm very into active wear right now and comfort. So there's these two points of interest for me. So that's where I see the line going at this point. That's exciting. So are there any other projects that you're working on that you can share?
44:20Carla Rockmore:Because I've read that you're dipping your toes into writing and also working on a way to share your mother's art with the world. Anything you can or would like to share about that? I've been dabbling again in writing. I love, love, love to write. I just never had the time for it. And with my mom, you know, I've been thinking a lot. It's her birthday soon and she's going to be 88. Now, 88 is an accomplishment. Sure is. Right. And she has been very, very creative, industrious and active. She's an incredible artist. And yet she has not ever launched her collection. And she said to me, Carla, the one thing I want before I go is I'd love a show.
45:10I'd love people to see what I do and have done. And I thought, okay, well, you're going to get that. But also how many other women, how many other Octarians have had to make choices to put their talents aside for their whole lives. Accomplished women who never got their day in the light. And I've been thinking a lot about that and how it needs to be looked upon much more intentionally. I love that.
45:41Carla Rockmore:So we wrap up this podcast with the same three questions. Oh, good. The first one is about mistakes, because everyone makes them over the course of their career, but we don't always talk about them. We talk about the successes and that's natural. Everyone wants the Instagram highlight reel, but I think it's really important to acknowledge the hardships or the mistakes because one, it teaches women that we can be resilient, we can overcome things. And two, it's just human and interesting. So I'm hoping that you can tell me about a mistake that you've made at any point in your career and what you've learned from it.
46:15I think the biggest mistake I ever made is restricting myself because of time, thinking that I was too old to do this thing, whatever it was, and waiting to get it done or to even explore it. Fair.
46:35Carla Rockmore:So a lot of the folks who listen to this podcast are in their first lives, and they know that they want to do something different, whether that's staying in the same industry and going from one aspect to another or changing industries altogether. But they're scared. They are standing on the precipice thinking about making that leap, and they just haven't done it yet. What advice would you give someone who's thinking about making a career shift but just hasn't done it quite yet? If they're like in their 20s, I'd say 20s and 30s, early 30s, this is the time. Yeah. This is the time to make mistakes.
47:11This is the time to explore yourself. I'm not saying jump off a cliff without looking, but you're only going to get this time back never. Okay. And if you don't have commitments like dependence at this early stage, I would suggest you working towards it by taking a little bit of it on, even if it's a little uncomfortable. Like when I was doing that club kit line, I was still working for about six months. I was just working a lot harder. So I know that there's going to be some pain or else there's no gain.
47:52Carla Rockmore:So my last question is, if you could get into a time machine and go back and visit your younger self and give your younger self some career advice, what would you say? I would tell my younger self that I was good enough to compete and not to hold myself back. I would also tell myself to listen more rather than talk, talk, talk. You learn a lot by being quiet and listening. I would also tell myself to have patience. It's not going to come all at once and you need to work for a while, but it will come if you enjoy it. You have to enjoy it enough that even the really hard stuff that you hate to do sort of refreshes itself while it's done so that the next day you wake up and you feel better to do it again.
48:53Carla Rockmore:I love that. Yeah. Carla, thank you so much. This has been such an absolute pleasure. I have admired your career from afar for a while, and I am so glad that we had a chance to sit down. Thank you for taking the time today. Thank you, Hillary. I loved it. It was a pleasure.
49:19Carla Rockmore:That was fashion influencer and designer, Carla Rockmore. For more inspiring interviews with women like Carla, head on over to secondlifepod.com where we have so many more for you to peruse. If you like today's show, please subscribe on Apple Podcasts or Spotify or wherever you get your podcasts. And don't forget to rate and review us. We love seeing you spread the word on social. And now you can tag us in your posts. We are at Second Life Pod on Instagram, Twitter, and Facebook. We always want to know who you're interested in hearing from on the show. So send in your requests to hello at secondlifepod.com, or you can DM us on Instagram.
50:00Carla Rockmore:I'm at Hillary Kerr. The show is at Second Life Pod. Our DMs are always open. I'm Hilary Kerr and you've been listening to Second Life This episode was produced by Hilary Kerr, Summer Hammeris, and Natalie Thurman Our production assistant is Raven Yamamoto Our audio engineers are at Treehouse Recording in Los Angeles, California And our music is by Jonathan Leahy
From the publisher
Carla Rockmore is a fashion influencer and designer. She began her career in retail before transitioning into the design department, utilizing fundamental skills acquired during her fashion trade school education. Rockmore developed her creative vision across categories, designing everything from ladies’ dresses for high-end department stores to licensed children’s sleepwear for Disney. She pivoted into content creation during the pandemic, when she found herself in need of a creative outlet while all of her projects were on hold. Her career online started in her fifties, posting TikTok videos of herself getting ready in hopes of teaching other women how to express themselves through clothing. Before she knew it, Rockmore was dubbed “the Carrie Bradshaw of TikTok” and quickly became a fashion authority known for her iconic two-story closet. Today, she has almost two million followers, and she does it all while continuing her work as a designer with her clothing line, the Carla Rockmore Collection, which you can shop now on QVC.



