In short
Second Life Podcast Episode Summary: Jessie Randall - Cofounder and Chief Creative Officer of Loeffler Randall
Podcast Overview Title: Second Life Host: Hilary Kerr Description: The podcast highlights inspiring women who have made significant career changes, sharing their journeys, lessons learned, and the skills utilized from their previous careers.
Episode Highlights Episode Title: Cofounder and Chief Creative Officer of Loeffler Randall Guest: Jessie Randall Episode Description: Jessie Randall shares her career trajectory from advertising to the fashion industry and the founding of Loeffler Randall, a successful lifestyle brand known for its unique footwear and accessories.
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Key Themes and Topics
Early Career and Transition
- Education Background
- Studied English at the University of Virginia with a minor in studio art.
- Initially uncertain about career direction; sought a blend of creativity and business.
- Advertising Career
- Began working in advertising post-graduation, quickly realized it wasn’t fulfilling.
- Worked at notable agencies including Martin Agency and Fallon McGilligot.
- Experienced a stark contrast between roles in advertising, with early challenges leading to later realizations about her career passions.
Shift to Fashion
- Internship and Learning
- Transitioned to fashion through internships, including an impactful role at Katayone Adeli.
- Took classes at FIT and Parsons to bolster her design skills.
- Employment at Banana Republic
- Joined Banana Republic as a junior designer amidst significant historical events (September 11, 2001).
- Gained vital experience in handbag design and production processes.
Founding Loeffler Randall
- Business Launch
- Co-founded Loeffler Randall with husband Brian in 2005, starting as a footwear brand.
- Focused on creating shoes that aligned with her aesthetic preferences, including the use of vintage styles and comfortable designs.
- Challenges and Breakthroughs
- Overcame initial obstacles including a lack of experience in footwear production.
- Significant growth led to a CFDA Swarovski Award for Accessory Design and recognition for best-selling products.
Company Growth and Culture
- Expansion
- Loeffler Randall grew into a multifaceted lifestyle brand, including ready-to-wear and accessories.
- Emphasized company culture that promotes creativity and family-like atmosphere.
- Retail Presence
- Despite challenges during COVID, the brand expanded to brick-and-mortar stores and gained traction in the wedding market.
Personal Insights and Reflections
- Pride in Product and Legacy
- Expressed pride in creating products that resonate with customers and provide for her team.
- Noted the importance of her children’s perception of her career as a source of personal fulfillment.
Advice for Career Pivots
- Encouragement for Others
- Emphasized recognizing personal strengths and being proactive in driving career changes.
- Acknowledged the fear and uncertainty that accompany significant life changes and encouraged listeners to embrace the journey.
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Lessons Learned
- Importance of Support Systems
- Highlighted the value of having a partner with complementary skills in business.
- Discussed the necessity of seeking help and expertise as a business grows beyond initial capabilities.
- Mindset and Resilience
- Encouraged a mindset of resilience, acknowledging the cyclical nature of career challenges and successes.
- Advocated for self-acceptance and compassion in the face of career obstacles.
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Conclusion Jessie Randall’s journey from advertising to owning a successful brand illustrates the power of pursuing one’s passions and the importance of adaptability and resilience in the face of challenges. Her insights serve as inspiration for others contemplating their career pivots.
For more episodes, visit [Second Life Pod](https://secondlifepod.com) and follow on social media for updates and discussions.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOJessie's Early Career and Education
0:45 to 2:32
Jessie shares her educational background and early career aspirations.
“Though Jessie always loved fashion, she actually began her career in advertising.”
Transition to Advertising
2:32 to 4:00
Jessie discusses her transition from her studies to a career in advertising.
“I have been like hustling since as soon as I was allowed to work from babysitting on up to, I mean, every crazy job you can imagine.”
First Job Experience
4:00 to 5:34
Jessie recounts her challenging first job in advertising and its realities.
“You know, at that point, I couldn't say, mom, dad, I want to be a novelist, which is what I actually wanted to do at 21.”
Finding a Better Fit
5:34 to 8:16
Jessie describes her move to a more creative agency and the learning experience there.
“And I have been working every day since.”
The Importance of Company Culture
8:16 to 11:14
Discussion on how company culture impacts career and personal development.
“You said smaller, more modern, more creative.”
Meeting Brian and Growing Together
11:14 to 13:30
Jessie shares her relationship with Brian and their journey towards collaboration.
“I don't know that I could have put words to it, but the culture of that company was so strong and we all loved the culture of that company.”
Pivoting to Fashion
13:30 to 14:05
Jessie explains her decision to transition from advertising to the fashion industry.
“And he was like, I want to design a logo for your marathon shirt.”
The Journey Begins: From Agency to Fashion
14:05 to 15:10
Learn how the speaker transitioned from an account executive to the world of fashion.
“we were young and we were cool and we were going to go pitch business that was like smaller than stuff that the agency would take on.”
First Steps in Fashion: Internships and Education
15:10 to 16:43
Discover the speaker's first internships and educational experiences in fashion.
“And so I just started saving up all this money with this idea that I'm going to quit my job and start interning.”
From Freelancing to Full-Time: The Path to Banana Republic
16:43 to 18:38
Hear how the speaker transitioned from freelancing to a full-time role at Banana Republic.
“I had a couple of different internships and then I was able to kind of parlay it into actually getting a job, which was exciting.”
Show all 28 chapters
The Unforgettable First Day: September 11, 2001
18:38 to 21:05
Explore the impact of the events of September 11 on the speaker's career beginnings.
“I mean, stuff that I still to this day use, it was literally like getting a business degree, I feel like.”
The Seed of Entrepreneurship: Dreaming of a Shoe Brand
21:05 to 22:58
Learn about the speaker's conversations about starting a company and the evolution into footwear.
“And I remember there were weeks where we would have like one bag would be doing like a million dollars in sales.”
Crafting the First Collection: Shoes and Design
22:58 to 24:49
Delve into the creative process behind designing the first shoe collection.
“Every weekend was about like, let me find some vintage shoes that I can wear.”
Launching the Brand: Sales and Distribution Strategies
24:49 to 27:44
Understand the strategies involved in launching the first shoe collection and sales strategies.
“So walk me through, like, how did you make your first collection?”
Scaling Up: Challenges and Hits in the Second Season
27:44 to 28:01
Discover the challenges of scaling the brand and the strategies that led to successful products.
“I was like, you have to go to Bergdorf and buy them because I need the sell through.”
Navigating Early Pressures and Brand Identity
28:01 to 29:06
Learn about the challenges faced in the early days and how the brand's identity took shape.
“Walk me through all of those important early details.”
Key Products and Learning from Hits and Misses
29:06 to 30:13
Explore the learning journey through the creation of successful products and the lessons from failures.
“So in addition to shoes, you also added handbags and ready to wear, and you ended up doing like$10 million in sales.”
Transitioning from Solo to Team Management
30:13 to 31:34
Understand the difficulties of evolving from a solo operation to managing a team and the lessons learned.
“It's not just like a totally vintage shape.”
Working with Your Spouse: Challenges and Dynamics
31:34 to 32:59
Discover the dynamics of working with a spouse in a business setting and how to navigate it effectively.
“And I think I had to learn how to manage people.”
Advice and Strategies for Successful Partnerships
32:59 to 34:13
Gain insights on building successful business partnerships and the importance of complementary skills.
“had had this handbag company and she was like, you know, if a store comes in, they're going to buy three bags from me.”
Resilience Through the Pandemic: Store Openings and Challenges
34:13 to 36:08
Learn how the brand navigated store openings during COVID-19 and the impact on business.
“I think what's been good is that we do really separate things.”
Reflection on 20 Years of Business Success
36:08 to 39:39
Reflect on the journey of building a brand over 20 years and the proud moments along the way.
“Yeah, we have four and we're opening our fifth.”
Creative Outlets and Community Engagement
39:39 to 41:30
Explore the importance of creative outlets and building supportive communities in business.
“One thing I always say is I just sort of like always felt like intense mom guilt that I was a working mom.”
Navigating Digital Spaces: Social Media vs. Substack
41:30 to 42:03
Understand the differences between engaging on social media and Substack, and the impact on creators.
“I put a lot of time and effort into that thing.”
Navigating Online Spaces: Substack vs. Instagram
42:03 to 43:14
Explore the contrasting experiences of social engagement on Substack compared to Instagram.
“Like I have been feeling less and less interested in Instagram.”
Learning from Mistakes in Entrepreneurship
43:18 to 45:58
Discuss the importance of acknowledging mistakes and learning from them in one's career.
“We have three final questions that we ask all of our guests.”
Making Career Pivots: Finding Your Path
45:59 to 47:40
Gain insights on overcoming fear and taking bold steps to pivot in your career.
“Of course, I was like insecure like everyone else, but I had this like core belief that I was meant to do something that I really loved.”
Advice to My Younger Self
47:41 to 49:59
Reflect on the lessons learned over the years and the importance of self-compassion.
“I remember when I was working at Banana, I was an assistant designer.”
Transcript
Automatic transcript. May contain errors.0:05Jessie Randall:Hi, everyone. I'm Hilary Kerr, the co-founder and chief content officer of Who What Where, and this is Second Life, a podcast spotlighting women who have truly inspiring careers. We're talking about their work journeys, what they've learned from the process of setting aside their doubts or fears, and what happens when they embark on their second life. Today on the show, I'm speaking with the co-founder and chief creative officer of Leffler Randall, Jessie Randall. Leffler Randall is a thriving ready-to-wear business, bridal boutique, and accessories brand, and their pleated bow heels have been a mainstay on wedding vision boards for years.
0:49Jessie Randall:Though Jessie always loved fashion, she actually began her career in advertising. Eventually, she made the pivot into the fashion industry and began designing for companies including Coach and Banana Republic. After gaining design experience at these industry giants, Jessie and her husband Brian decided to launch a brand of their own. They launched Leffler Randall as a shoe brand, and within the first few years, Jessie won a CFDA award and began expanding into additional categories. Over 20 years later, the brand is sold at prestigious retailers like Net-a-Porter and Nordstrom. They have four brick-and-mortar stores with one more on the way and generate over$100 million in total revenue.
1:36Jessie Randall:Jessie is such a delight, and I'm so excited for you to hear from her today. Now, on Second Life, it's Jessie Randall. All right, Jessie, you ready? I'm ready. Okay, great. So we like to start this podcast at the beginning. So what did you study in school? And much more importantly, what did you think you were going to be when you grew up? So I studied English at University of Virginia. I think that was because my mom secretly wanted to be a writer. So therefore I was supposed to be a writer, but I did minor in studio art. So that was great because I could do the creative side as well. And what did I want to be when I grew up?
2:21I wasn't sure. I definitely didn't even think that it was going to be an option for me to be a designer until later on. I'm sure we'll get that you could imagine. I have been like hustling since as soon as I was allowed to work from babysitting on up to, I mean, every crazy job you can imagine. So there were a lot of options on the table, I guess I would have said. Okay. I didn't have that one thing that I was like, I'm going to be this.
2:52Jessie Randall:Got it. Okay. So I have to confess my ignorance about studio art. What exactly does that mean? Like, what do you study? What do you do in studio art? And also, how does that apply to work today or other parts of your career? Yeah. So at UVA, it was just taking a minor in all the different arts that they offered there. So it was drawing, painting. I had a wonderful sculpture teacher who meant a lot to me. And we had to do like soldering of metal. And I mean, it was a lot of different stuff. I think the sculpture piece really did help me in terms of understanding construction. I've always been really, really crafty and always made things my whole life.
3:40But just working in 3D, I see the parallel with making shoes.
3:45Jessie Randall:I love that. Okay. So talk to me about the post-grad job hunt. Obviously, you had a very work ethic, ready to go. Did you know what you were looking for? How were you thinking about that next step? Because I think it's hard. I too was an English major. You know, at that point, I couldn't say, mom, dad, I want to be a novelist, which is what I actually wanted to do at 21. And you don't have a specific track like some of my friends who were in finance or in business or pre-med. So what were you looking for? What was the hunt like? Yeah, I think I didn't know that it was going to be possible for me, or maybe I just didn't have the guts to say, you know, I want to be a designer.
4:28I want to work in fashion. And so I was really looking for something that kind of combined business with creativity. And so in my mind, that was advertising. I had done an internship at the Martin Agency in Richmond, which is a really prestigious ad agency there. And so I thought, okay, I really want to work in advertising, not really knowing much about it. But the head of account management had gone to UVA. And so he recruited there and he recruited in the business school because there's a very prestigious undergrad business school at UVA. And I obviously was not in that. But I had a friend who was going to this interview.
5:07It was like a mass call for all the business students. And for some reason, I just went. I don't know if I was allowed to go, but I went. And a bunch of us got offered to come up to New York City and interview. And we had the craziest day interviewing. I think we had to interview with 10 to 12 people, each of us. And I got the job and I started working two days after I graduated from UVA. And I have been working every day since.
5:36Jessie Randall:That is crazy. The dream in some ways, because I think there's always so much anxiety that folks have about like, what is the next thing? But also it's a little bit like that meme, no more slices. Like, ah, I wanted a job, but maybe not quite this quickly. So talk to me about what that beginning was like. It was actually kind of funny. So that friend that I had gone to the interview with, she also got the job and we were roommates. And I remember, you know, there were all the different accounts that you could get selected to. And the most prestigious account they had was, I'm going to be dating myself, but Gateway Computers.
6:13So that was like the premier account that they had. And I remember feeling like very smug and excited when I was chosen as like one
6:22Jessie Randall:of the ones that went on the Gateway Computer. And then my poor roommate, or so I thought at the time, she got put on the Vagisil account. But the joke was on me because her brand advertised in all fashion magazines. So she went to like parties for every fashion magazine every night. She had like the best account. Meanwhile, I got put on the government side of computers and I had like a free subscription to government computer news. It was a nightmare. And also I worked until like 11 at night, every single night. She left work at like four o 'clock every day and went to like a party at Cosmopolitan magazine.
7:00So she totally lucked out. We made the same salary and I worked so much more than her. It was awful. No perks.
7:07Jessie Randall:No perks at all. No. Okay. So how long did it take for you to realize that maybe this was not the right place for you? I mean, I was pretty miserable. Immediately. Immediately. I mean, I feel like my superpower is that I have incredible grit and I never give up. So it kind of surprises me that I left that job after six months, which is like so not like me. And I remember when I quit, the head account person on my group called me into her office and she got really mad at me. And she was like, you're never going to have nice office supplies when you leave here. This is the corporate goal and you're walking away from it?
7:53Jessie Randall:Yes. I was like, I'm so sorry. I'm so sorry. And then I actually moved to this smaller, way more creative agency called Fallon McGilligot and like talk about good office supplies. Anything you wanted, they were like, oh, let me order that for you. Meanwhile, I feel like that's such like a Dwight Schrute complaint. Totally. Okay. So talk to me about the new job. You said smaller, more modern, more creative. What were you working on? What were you learning how to do? What were your responsibilities? facilities? Well, I continued my streak of having very glamorous accounts. I was working on a toilet paper account.
8:33Great. It wasn't even Charmin. It wasn't even like the number one toilet paper account.
8:37Jessie Randall:But I also did work on Nikon, which was pretty cool. Oh, that's cool. Yeah. So my friend, one of my best friends from UVA, she was also working in advertising and had moved up to New York like six months after me. And she had been offered this job and she didn't take it. She went to, I think, Chia Day or something. And she was like, you should go interview for this job. And so I interviewed and they gave me the job. And I'm so glad she did that because two weeks later, my husband started at the same company. So if I hadn't taken this job, I wouldn't have my kids. I wouldn't have my company. I wouldn't have my husband.
9:12Crazy. What I loved about that company is that it was so creative and it was creatively driven. And I was on the business aside, my husband was this very cool graphic designer who had won all these like art direction awards. And I remember it was the late nineties. I always make fun of him because he was like wearing like a lot of ripstop. I feel like he was wearing like a Merce. He was like the matrix. I love that.
9:38Jessie Randall:It was a different era. Yeah. But what was great about that agency was that it was creatively driven and it was just very clearly defined. We are a design-led business. We are creative-led business. So it was like, as business people, we knew that our opinion would be considered, but if the creative heads of the company said one thing, everybody pivoted to that. And I found that to be really inspiring. It was just like, there wasn't any gray area of what what should we do? It was like, oh, the creative head said we're doing this, so we're doing it. So that was really inspiring. And also it was this company that was based in Minneapolis and all the people were so nice and they really tried to run it like a family.
10:25And that was sort of their philosophy. They always used to say like, don't think of me as like your boss. Think of me more as like a parent helping you grow. And I'm invested in your growth and I want good things for you. And it's not really so much about hierarchy. It's more just about like experience. So I think I learned a lot of really great lessons there.
10:48Jessie Randall:Company culture is really interesting. I know that we didn't have those words for what it was at the time, or at least I didn't when I was in grad school and interning at different magazines. I'm like, I know that I don't want to work at Bazaar, but I could not have said because I don't like the company culture here. But company culture, especially when you're first starting out, is so important for you to understand whether you're going to react against it or emulate it. It really sinks in in a very formative way. Definitely. And I agree with you. I don't know that I could have put words to it, but the culture of that company was so strong and we all loved the culture of that company.
11:27My whole social circle was like hanging out with everyone and they really, really cared about that. And I remember when I was interviewing, they said, you know, what do you do outside of work? Because it's really important for you to have your own life outside of your job. And like, what's your passion outside of your job? And everyone had something else going on that they were interested in. And I thought that was really inspiring as well.
11:52Jessie Randall:Very much so. Okay. So you mentioned that you met your future husband and business partner, Brian. At what point did you start to think like, oh, maybe I want to start something of my own. And also maybe I want to start something with you, Brian. So I started working there two weeks before Brian did. And I remember that the office manager came running around. This was a different era. You probably couldn't do this in this day and age. But she came running around and was like, the hottest guy is just starting here. like, girls, get ready. He's coming around. I'm going to introduce him to everyone.
12:32And we were all like, yeah. I had a boyfriend, but we were all so excited. Anyway, so she brought him around. He was older than me. He was five years older than me. And so it just wasn't even on my radar
12:44Jessie Randall:at all. I just didn't even consider it. But when he first came around, he was like, where are you from? And I said, Massachusetts. And he was like, what town are you from? And I remember I said, don't worry about it. And he was like, no, tell me the town. And then we ended up realizing his parents had grown up in my town. So it's just a super weird thing. Cute. Yeah, we were just friends for like a really, really long time. But then at some point, I remember he tripped over a copier in front of me. And I was like, oh, I think he likes me. Like he completely wiped out in front of me. And I was like, oh, I think he likes me.
13:26And then I was also running the New York Marathon. And he was a graphic designer. And he was like, I want to design a logo for your marathon shirt.
13:35Jessie Randall:Oh. Yeah. So we were friends for a long time. And then, yeah, then we just started dating. OK. So talk to me about the big pivot to fashion. I'm always interested in how much time transpires between thinking about it and then actually pulling the trigger and making a go for it. What was your headspace like? How did it build up? Well, Brian and I got asked to start like a agency within the agency. The idea was that we were young and we were cool and we were going to go pitch business that was like smaller than stuff that the agency would take on. I don't think we ever successfully pitched a client, but it was a really cool vote of confidence from the agency.
14:20And so I was doing that. And this was like during the big dot com boom. So there was just like money coming in everywhere. And there were like accounts coming in everywhere. And I remember our agency had a trend analyst. And I somehow finagled my way to transition from like account executive on a toilet paper account to being his assistant as a trend analyst.
14:43Jessie Randall:That's a good move. Yeah, it was a good move. So that was like really fun. But I think I slowly was sort of coming to this realization, like I've always loved fashion. I love making things. I slowly sort of got up the courage to say, I think I want to work in fashion. And Brian and his father were really encouraging of me doing that. And so now we were engaged. Now I wasn't having to pay my rent all on my own. And so I just started saving up all this money with this idea that I'm going to quit my job and start interning. Okay. So how did you find your first internship? How did that go? What was that process like?
15:24Well, one of the producers at Fallon was friends with, I don't know if you remember this brand, Cadyona Deli, but it was like a really big deal, like indie darling. She made pants, she made trousers and they were like the it trousers. And I just thought the brand was the coolest thing ever. So this woman I knew, knew her and got me in the door. And so I was able to get an internship there. And I also was taking classes at FIT and at Parsons.
15:51Jessie Randall:Oh, wow. What kind of classes? Like pattern making type classes or merchandising? Yeah. I wasn't taking footwear classes at this point. It was any kind of like intro. I think maybe I took like a sketching class and then pattern making. I had thought, oh, I need to go back and get a full degree in fashion. But I went to FIT and I had a meeting with them there. And I love FIT, but this woman was really mean to me. And she was like, don't ever assume that you could get in here. And I was like, oh, just take my money. I want to learn. And I remember I ran home to Brian hysterically sobbing. I felt like all my hopes were dashed.
16:33And he was like, this is awesome. Now we don't have to pay for you to go to college. He's like, this is great.
16:39Jessie Randall:I love this idea. He's like, just take a couple of classes and just start working. And I was like, okay. And that's basically what I did. I interned. I had a couple of different internships and then I was able to kind of parlay it into actually getting a job, which was exciting. You also were freelancing at Coach, right? Yeah. So I was working at a temp agency. I remember I was working with some rich lady on the Upper East Side, labeling her kids camp clothes for her and like cleaning out her closet. And I think that they sent me in for a coach freelance gig. And it was actually in the production department.
17:15And I remember being really bummed about that because I want to work in design, but it was good education.
17:21Jessie Randall:Okay. So talk to me then about how you made the transition from that initial experience to getting a job designing at the Gap company for Banana Republic? I'm such a hard worker, but I really got lucky too. I had like these weird little moments that were like these make or break moments in my life that, you know, if they hadn't happened, I don't know what would have happened. But my brother was like the original hipster of New York City. He was four years older than me. He hung out with all these fashion girls and he had a girlfriend who was British who was designing for Banana Republic. And so I just thought she was the coolest thing in the world.
18:04I'm still friends with her. She was most recently at Stella McCartney. Now she's at Uniqlo. She's awesome. And so she was like, oh, well, you know, they're looking for like a very junior level person in handbags if you want me to like mention you. And of course I didn't have a portfolio. She was like, just draw something. And I mean, I put together a really terrible portfolio, but I interviewed and I got the job. It was very unglamorous. It was a lot of photocopying, but it got my foot in the door there. And I learned so much there. I mean, stuff that I still to this day use, it was literally like getting a business degree, I feel like.
18:47Foundational. It was amazing. So again, I worked my butt off. I didn't make any money, but I learned so much.
18:54Jessie Randall:Talk to me about what you were doing. How did you learn how to design handbags? And what was the culture like at that point in time? Because this is still like the mid-aughts, right? My first day of work at Banana Republic was September 11, 2001. So I will never forget my first day of work. Yeah. I went to work that day and I worked all day because it was like before cell phones. It was before like the internet, really. That was my first day of grad school in New York. Oh my gosh. That's crazy. It was a weird first day for sure. Very much so. Once you got past the catastrophic historical first day and things started to get back to the new normal, what was the energy like?
19:45Jessie Randall:What were the skills that you were learning with handbags? And what was it like working there at that moment? Yeah. I mean, I thought banana was really cool. What was so great about it is they were using like really beautiful raw materials. I mean, they were producing some stuff in Italy. They were using Italian fabrics. They were using cashmere and it was like the quality was so elevated. So when I got there, my boss, Margaret, was the only person designing handbags and I was her assistant. So there were two of us. Wow. Yeah. And we did everything. And she was such a nice boss to me. I didn't know what a handbag drop was.
20:22She explained that to me. She explained to me how to spec everything. And I learned to sketch in the way that they wanted things to be sketch there. I would do like life-size mock-ups all the time. And at the time we were counter sourcing almost every style with like four different factories. So a huge part of my job was building the tech packs and then photocopying them four times and like mailing them out. So it was a lot, a lot, a lot of work. I was really tired. I remember I never went out on the weekends because I was just so tired from my work week. I mean, it was literally on the design side, me and my boss, Margaret, doing all the handbags.
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21:08And I remember there were weeks where we would have like one bag would be doing like a million dollars in sales. I mean, they had a lot of stores.
21:15Jessie Randall:Wild times. Yeah. Okay. So then at a certain point in your banana days, you and your husband were talking about starting your own company, but I read that you didn't actually know that it was going to be footwear. And to your point earlier, you had not done a lot of footwear. So why did you start talking about having your own business? Why did you land on shoes to start? It sounds silly to say, but our wedding was such a production and it wasn't like a fancy wedding. I mean, we didn't have any money to spend on this wedding, but there was a lot of like custom pieces of the wedding. There was a lot of like letter pressing and like custom favors.
21:51And this is like way before Pinterest, you know? And I think we both felt like, wow, if we could produce this, you know, my husband's a real entrepreneur, I would say much more so than me. And I always say that if I didn't have him, I would be like hand-making shoes in my kitchen. Like I like personally being the person making things. I love the craft and I'm not looking to sort of like take over the world. I like to create beautiful things that I can wear and that other people can where, but he's like really the entrepreneur. And so I think we just started to think we had come from that ad agency, which was very entrepreneurial.
22:30And we started to think like, maybe we could do this, but we didn't know what we were going to do. I remember at one point we were like, maybe it's going to be cleaning products. And then I was like, I hate cleaning. You know, I just very quickly realized like, this is going to be so full on that what we end up doing, we have to be so passionate about it. And so we started to think like, oh, maybe it should just be handbags because that's what I've been doing. But I was so burnt out on handbags at that point. And I have always loved shoes. I'm obsessed with shoes. Every weekend was about like, let me find some vintage shoes that I can wear.
23:10I didn't like the kinds of shoes that were available to me on the market. It was a time when footwear was very quote unquote sexy. And I didn't think that that kind of thing actually was sexy. That wasn't sexy to me, like a super high heel, a super pointy toe. This was not my aesthetic at all. I was wearing a lot of 80s boots with like a straight shaft or like an 80s flat or 80s pump with like a low heel. That's what I loved. And And so anyway, Brian was like, we're just going to have to do shoes. This is like your obsession. And I remember saying, well, we can't do shoes because shoes are so technical and I've never done shoes.
23:51And that's what everyone would say at Banana because they had footwear there and everyone would be like, oh, it's so technical. And then I don't know how I got the guts to say that I could do this, but I did learn that there's this thing called a modelista at the factories and their job is to make sure that things fit. they're the pattern maker. They're the one making the technical refinements. I started to realize, you know, I'm good at construction. I have an understanding of how things work, but like for the really technical things, there is someone who's, that's their job. And I don't necessarily have to have that be me.
24:26So that was a huge unlock. And I took a shoe course, like you made your own pair of shoes, but they were like handmade. There was no equipment, but I really learned a lot about construction and, you know, I started basically sculpting toe shapes out of Sculpey and like drying it in my toaster oven to get the toe shape I wanted. And that's how I ended up getting the toe shape sent to the factory in Italy to show them what I wanted the toe shape to look like. So it was very scrappy. This is amazing.
24:59Jessie Randall:Okay. So walk me through, like, how did you make your first collection? And at what point did you have enough save that you could give this a go and walk from Banana? Or did you do both at the same time? So I was working so much at Banana, I didn't feel that I could do both at the same time. And so I was saving up a lot of money for my living expenses. So basically what happened was I started designing some ideas. and there was a woman that I had met at Banana and there's this thing called an agent that you needed to have that would like take you around to the factories. She introduced me to this agent.
25:38We went over to Italy and the first factory we went to had made my shoe. They had it on a pedestal. They had made it in the exact material that I had specked it in. And I burst into tears. And it was the beginning of this partnership that we had with them for many years where we just started collaborating together. And I made a very, very tiny collection. I think there were maybe five styles in my first collection. So it was teeny tiny, but it was a dream come true.
26:12Jessie Randall:Okay. Wait, tell me about that first collection, five styles. How did you think about distribution? How did you think about selling? And do you remember what the styles were? We had this woman who had been brought into a banana. Her name is Diana Broussard. She actually has a shop in the West Village and she's an amazing designer. But she was brought in as this very high level consultant across all of accessories. And she had her own shoe line at the time. And I remember one day Bergdorf Goodman came in to see her footwear. And I'm looking at the very junior buyer and we look at each other and we realize we know each other.
26:47This girl and I were dating best friends when we were in high school. And it was just the craziest thing. I had not seen this person in like 10 years or something. And she was like, what are you doing here? And I was like, well, you know, I'm starting my own shoe line and I'm trying to learn how to, you know, have an appointment. And she's like, well, when you get the line together, come see me at Bergdorf's, just bring it up to Bergdorf's. And I was like, oh my gosh, yes, I will. Meanwhile, I had a friend that knew Stephen Allen. Stephen Allen was like the best showroom I felt like. And we brought like just very rudimentary prototypes.
27:24And he was like, I want to represent it. Wow. Yeah. That was huge for us. So I think we sold 3000 pairs of shoes our first season. Whoa. But as you know, it's not even about your first season. It's about your second season and your first season has to sell out. And so I remember like, I wouldn't even give my mom a pair of shoes. I was like, you have to go to Bergdorf and buy them because I need the sell through. And so we did have a good sell through, which was great.
27:54Jessie Randall:That's amazing. Okay. So how did you start thinking through growth and next season? And do you have enough ideas to keep going? Walk me through all of those important early details. Yeah. The second season, I felt a lot of pressure. How do we keep going with this? And again, it was just me. Brian was still working full-time in advertising. How did you explain the brand and the point of view in those early days? I remember one of the first press articles that was written about us was called Sweet and Low Down. I don't really identify with the word sweet, but it was these shoes that were lower heel heights.
28:33It did have like a sweeter toe shape that wasn't so pointy as so many others were at the time. It was like this very specific, like rounded almond toe shape of the pump. And then we had a really big hit product with our Matilde boot, which was like this low wedge boot that because I'm not a merchant, I introduced in the spring, which was like really dumb. but like that boot really put us on the map.
29:02Jessie Randall:So let's talk about those early years. You won a CFDA award. You added categories as well. So in addition to shoes, you also added handbags and ready to wear, and you ended up doing like$10 million in sales. That's crazy. We didn't even realize like how crazy that was. And I won the Swarovski award two weeks before I gave birth to my twins. It was one of those things where it's just like, I never would have even thought that that could have happened to me. It's amazing. Talk to me about some of the early hits. So the Boo early hit, like what did you learn from the hits and some of the maybe misses in terms of how you were thinking about product development, category expansion, et cetera?
29:48Yeah. So I think like our two biggest hit products were that pump that I had designed. It was called the Harriet pump after my grandmother, kind of like an eighties pump. And then this boot that was like a flat boot had a very small wedge heel. What I learned from the boot was that it's really nice to do something that has a small twist. It's not just like a totally vintage shape. Putting the wedge on it was something that I hadn't seen before. You know, always try to have some little point of differentiation, something that is pushing it a little bit from what other people have seen.
30:30Jessie Randall:So at what point did you start building out the team and how did you feel about that? It doesn't seem like you had a great deal of management experience? No, I don't think I'd ever been anyone's boss ever. Yeah. That's like probably one of the biggest mistakes that we made was that I just didn't know how to go from me doing everything to bringing in other people. It was really hard for me on the design side to bring in other people. And so basically I was doing all of the design of the footwear myself and I was pregnant with these twins. And both of my twins went to the NICU, but my daughter ended up staying there for a month.
31:13And then I didn't get a maternity leave. I literally went back to work full time, even though I had just had twins, because it was our livelihood. And that's one of the things that I think is not the smartest idea about going into business with your spouse is that all your eggs are in one basket.
31:29Jessie Randall:So it was tricky, but I think just by necessity, I had to start hiring some people. And I think there were fits and starts. Some people were a really good fit. Some people weren't the best fit. And I think I had to learn how to manage people. It's really hard. And then how long was the company up and running before your husband came in to work on the business side of things? I mean, I know he was obviously always involved, but he still had his day job for a while. Yeah. I remember one day he just showed up at the office and was like, oh, I work here now. And I was like, excuse me? He was like, yeah, I just quit my job today, which is very my husband.
32:11He's like very impulsive. And I was like, oh, that's really interesting. Most people would like discuss that with their spouse before they did that. But he just like quit one day and was like, I work here now. And you know, he's worked here ever since. So it worked out. Thank God.
32:25Jessie Randall:What advice would you give people about working with your spouse? What do you think makes it work? Well, it's hard. My first boss, Margaret, she had had her own handbag company before she started working at Banana. And so she had given me this really good advice. She was like, if you start a company, you have to start it with a partner and the person has to have the opposite skill sets that you have. And then she said, and the second piece of advice is you have to sell something that comes in sizes because she had had this handbag company and she was like, you know, if a store comes in, they're going to buy three bags from me.
33:04She's like, but if I was selling jeans, they would have to buy three size runs from me. So these were both very formative pieces of advice that I really took to heart. And I do think that that's one of the things that kind of works about me and Brian is that we're so different and we have really different skill sets. You know, I always say like, he's all gas. I'm all break. I come from a place of like fear and like, wait a minute, slow down. And he's always the one that's like pushing us forward. And it's very annoying for me. But I think, again, like I would be hand making the shoes if it wasn't for him.
33:43And he would probably be bankrupt if it wasn't for me. You know, it's a nice like yin and yang, I guess. He's the kind of person where he will not take no for an answer. He will ask someone to work with him 50 times. And if they say no 50 times, he'll just call them the 51st time. I'm the kind of person where if like someone even like remotely rejects me, I will never approach them again. We're really different skills. And obviously, you know, he had been a banker, like his first job out of college. And so he's like a math genius. He's very good at numbers. I think what's been good is that we do really separate things.
34:23He does not get involved in the design of the company. And I do not get involved in like the legal, the financial, like it's really, really separated what we do. The one thing that we do kind of overlap is the marketing. And so that's what we always fight about. Cool. but we also have a rule we had this advisor and he had to be the referee in many fights between me and my husband and he just was like brian you're not going to talk about work on the weekends or after work and my husband would talk about work 24 hours a day he's a workaholic and so i will remind brian of that i'll be like you know rodney says we're not going to talk about this But like, it's just been really wonderful, like having another leader in the company now that really sits between me and Brian.
35:13And that has just been so wonderful, because I think we both respect her so much. And she's so brilliant. That's amazing.
35:21Jessie Randall:Also amazing, your brand recently celebrated its 20th anniversary. Who What Wear will be 20 this fall. Wow, congratulations. It's kind of crazy, and to you, it's wild looking back on like I too started out as like a baby editor at Elle. I did not have a great deal of experience when we started a company. It's crazy that we're here all these years later. I am so impressed by the fact that you have spent those 20 years growing successfully and in an authentic way and that you didn't even open a brick and mortar until 2021. Is that true? Yeah, we had the brilliant idea to sign our first retail lease in January of 2020.
36:07Fun. So that was like not a good luck moment.
36:12Jessie Randall:But you now have four storefronts. Yeah, we have four and we're opening our fifth. It's been so fun. Like we had had a ready to wear line early on in the business. And then I ended up having this very, very dangerous pregnancy with my third kid. And it was kind of like a make or break moment for that ready to wear line. And I was just like, I can't do this. We stopped doing the ready to wear piece of the line. But I always said like, I don't want to have a store unless it's like a full expression of the brand. I find that shoe stores are a little serious and like a little boring. And so I said to Brian, like, I really want there to be clothing there to sort of create the whole world of like flagship moment.
36:56Yeah. And so we had to get this ready to wear up and running before I was willing to think about opening this store. And we were scared to open. I mean, again, we're like a small family business. I was personally guaranteeing these leases. I mean, it's really scary. And like, I don't have like a family member that could rescue me. I'm always like, I hope I don't end up in debtor's prison. You know, like it's scary. So I was too scared to do it for a while, but then of course decided to do it right before COVID, which was so stupid. But how would you have known? I know. And COVID was so terrible.
37:36But having the store and knowing that we had to pay that rent for 10 years or whatever the lease was, it was sort of this thing forcing us this carrot to keep going. We had to. And it was kind of a happy and creative thing because we were designing the space. And even though it was such a scary time, it kind of helped get us through. But what happened was we ended up having this shoe that was the biggest hit of our entire life of this company, which was this wedding shoe. It was really gaining traction going into COVID. We had had like our biggest year ever because of this shoe. And then, you know, the whole world goes on pause.
38:20And, you know, we had a really tough time. It was really dicey. And then coming out of COVID, I mean, our business tripled because there was like this backlog of three years of weddings. Yeah. You know, I always say it's so rare to get a hit product. I think I've had two really hit products in the 20 years. One was the boot. One was this pleated bow shoe. Everyone's like, okay, come up with the next one. I'm like, this is like a miracle when it happens. And so it was crazy.
38:50Jessie Randall:So today, in addition to your own stores and additional one opening, your products are sold by hundreds of retailers, including places like Net-A-Porter, Moda Operandi. You have a thriving ready-to-wear business, the Bridal Boutique. You've expanded your accessories to include jewelry and belts and hats and more. You also are my fellow sub stacker. You launched a sub stack last year, which I enjoy so much. I love your packing stories in particular. You do an amazing job. But as you look back on 20 years of running your brand, what piece of it are you most proud of? Because you've done so much so well.
39:36Thank you. That's so sweet. What am I proud of? One thing I always say is I just sort of like always felt like intense mom guilt that I was a working mom. And one time I was like really frustrated and I was like, you know, I'm done. And my daughter started crying and she was like, but we're so proud of what you do. And so like, that is the most important thing to me is that I do think that my kids are proud of it. And while they've witnessed probably a lot of fighting and a lot of like stress, they have witnessed their parents like working really hard towards a shared goal all these years. So I would say like, that's what I'm really proud of.
40:20I'm also proud of that. I love the product that we make because I think when you have a company and there's so many people whose livelihood relies on me, you know, like all our factory partners, all the people that work here. These things like they have to sell in order to support all the people that this company supports. And it's a lot of pressure. And sometimes you can be like led down the wrong path. Buyers will come in and they want something that isn't really you. And Brian's like, I got to keep the lights on here, you know? But I'm really proud that I've like really stuck to my guns. There's definitely been times where I've like maybe veered a little off course or put something out.
41:00I felt like I had to because I was being told to do it, but I really do feel like everything in the line is something that I'm proud of. It's something that I would wear myself and that I love wearing myself. So I think that's what I'm most proud of. And I am sort of proud of my sub stack because - You should be. Thank you. I mean, it's small, but it's just been like this really wonderful community. As you know, it's a lot of work, but I felt so welcomed there. It's a creative outlet for me. I put a lot of time and effort into that thing.
41:33Jessie Randall:But it's like, it's such an interesting thing because I think part of the reason it's rewarding is because it's very vulnerable at this stage in our careers to be writing as ourselves and like putting ourselves out there in this way. It's intimate. It is. I've been hiding behind the who, what, where byline for 20 years. It's different in that way. It's really different. But I have to say, I mean, knock on wood, I have found the community on Substack to be really supportive. Feels like the old internet. Yeah, exactly. Like I have been feeling less and less interested in Instagram. It's not like a happy place for me.
42:12Jessie Randall:Oh, you don't enjoy being a video creator? Exactly. Yeah. It can be like this really negative place. Where you don't even see the people you want to see. Yeah, exactly. And I just feel like when I've gone over to Substack, it is more intimate. And these people are really electing to engage with the content that I put there. Whereas on Instagram, it's so pay to play, I feel like that who knows who's seeing it. And if you get 80 likes on a post on Substack, I'm like so psyched. But then when I get that many likes on Instagram, I'm like, oh, nobody liked that. That's a failure. Yeah. And I feel like there's just so much more substance on Subsec too.
42:58It has the visual element, which I'm such a visual person and I love like beautiful things, but it also, there's a lot of like intelligence and thought that goes behind it as well. So I'm a big fan of it. I've really enjoyed it, but it's yet another thing that I'm like always on my phone about. Yep. It's hard to get away from the phone. I get it.
43:17Jessie Randall:Okay. We have three final questions that we ask all of our guests. So the first one is about mistakes because we all make them in the course of our career, but I don't think that women always talk about them as much. We tend to, as a society, talk about the highlight reel. And I think it's important to talk about the mistakes because it reminds everyone that you can screw up and come back and it's going to be okay. So I'm hoping that you can tell me about a mistake that you've made at any point in your career and what you've learned from it? I mean, we would have to have hours and hours to talk about all the mistakes I've made.
43:51I really feel like as an entrepreneur, I wonder if you feel this way too, but I feel like it's sort of a mirror that gets held up to you and you're going to see your greatest strengths and you're going to like get confronted by every single thing that sucks about you. You know, it's like every weakness you have, every thing that isn't the greatest about you is going to kind of be illuminated for you in these various situations. So I think I've had that. You know, there's been very specific things. Like I always tell the story of we came out with our boot in rubber as a rain boot, but we forgot to put a tread on it.
44:31Oh no. Yeah. Yeah. We spent$80 ,000 in equipment because it's so expensive to make rubber boots. and we had announced it. There had been like a full page of it. I remember in Teen Vogue and like every editor was getting a pair and then they like came in and we were like,
44:48Jessie Randall:we didn't put a trend on it. So we had to recall all of them. Yeah. Fall risks. That always stands out to me. But then I think like an even bigger one is like some of the things I've talked about before where like just realizing that it's not a failure when you need help and that it's actually quite an accomplishment when a business becomes bigger than what your skill set can really manage. That's a good thing. It's not a sign of weakness. And it's really important to have people come in that can help you. I think that took me a long time to learn. So a lot of the folks who listen to this podcast are in their first lives and they want to make a pivot, whether that's in the same industry but a different aspect or in a totally new industry as someone who has successfully made a pivot.
45:37Jessie Randall:What advice would you give someone who's standing on the precipice of making that change, but just hasn't done it quite yet? I think it's really scary. I would just like acknowledge it's really scary and it's really brave to even be thinking about doing it. I think one thing that really switched my perspective was when I realized no one's going to do this for you. I mean, I really believed in myself. Of course, I was like insecure like everyone else, but I had this like core belief that I was meant to do something that I really loved. And I felt like frustrated in my twenties. Cause I was like, I know there's so much potential in me, but I can't figure out what it is.
46:16I can't figure out how I'm going to be successful. Like, how am I going to prove to the world that I have value? you. And so I would just say, you know, no one's going to come along and pluck me, Jesse Randall out and make your life happen for you. And I think we're kind of been taught like, oh, you know, I'm going to get this job and then someone's going to give me a promotion. It's like, you're going to have to make every single thing basically happen for yourself with some luck and some connections and all of this. But like, I felt like that was a big realization for me is like, it's not going to happen unless I just sit there and do it.
46:54Jessie Randall:Sometimes I wonder if part of this is the way that we socialize girls and the way that young women succeed in school, where in school, if you do the work, you are rewarded and someone will pluck you out and say like, look at how great this person did this. And we spend all of this time in that scenario. And then all of a sudden, it's like, and now go do it on your own because no one's coming to save you or rescue you or anything. I wonder about that sometimes. And maybe it's too easy of a concept, but we spend all of this time trying to be good girls in school and being rewarded by some larger authority that we tend to think that that's how it will work.
47:38Jessie Randall:And it's not. Yeah. I remember when I was working at Banana, I was an assistant designer. My dream was to become an associate designer. And I had this friend who was kind of a mentor to me. She was like more senior in the company. And I was like, I really want to be an associate designer. Like it means so much to me. Like, I think I'm ready. And she's like, what is an associate designer? And she's like, okay, you're an associate designer. She's like, this is such an absurd thing. If you think you're an associate designer, you're an associate designer. It's so dumb. Like it doesn't matter. It's about what you're putting out into the world.
48:16And like, you don't need this external validation of someone telling you, you are this. Yeah. It's sort of like, you are what you put into it.
48:26Jessie Randall:You are. Yeah. Okay. Last question, favorite question. If you could get in a time machine and go back in time and give your younger self some advice, what would you say? Oh, so many things. I would probably say it's going to work out. There's just been so much fear, I think, because I tend to be an anxious person anyway. And I do find that there's going to be good times and there's going to be bad times. It's not normal for it to always be good times. It's not normal for it to always be bad times. That's why sometimes when it's the good times, I start to get anxious because I'm like, oh, I know the bad times coming.
49:06But it is very cyclical. And I think just don't be so hard on myself, I guess I would say. We all are so hard on ourselves. We hold ourselves to these crazy standards. I think especially if you are a manager of people, I have found that really hard. I am the youngest person in my family and I enter a room assuming I'm the little one. It's like, not anymore. But in my home life, I'm the adult. And then at my company, I'm the adult. And sometimes you want to be baby. I've never felt that I am an adult. I'm still confused about a lot of things. I think everybody is. That's another piece of advice is that even people that seem to have it figured out, they're human.
49:52They don't have it figured out and give yourself a break.
49:55Jessie Randall:And when they think they do, they're usually served something from the universe to let them know that's not the case. The universe has a sense of humor like that. Well, Jesse, Thank you so much. This was such a pleasure as an owner of many of your shoes and other items. I have just loved watching you from afar for all of these years. Thank you so much for taking the time to sit down with me. This was an absolute pleasure. Oh, this was such a dream for me. Thank you so much.
50:29Jessie Randall:that was Leffler Randall co-founder and chief creative officer Jesse Randall for more inspiring interviews with women like Jesse head on over to secondlifepod.com where we have so many more for you to peruse if you like today's show please subscribe on Apple Podcasts or Spotify or wherever you get your podcasts. And don't forget to rate and review us. We love seeing you spread the word on social. And now you can tag us in your posts. We are at second life pod on Instagram, Twitter, and Facebook. We always want to know who you're interested in hearing from on the show. So send in your requests to hello at second life pod.com, or you can DM us on Instagram.
51:11Jessie Randall:I'm at Hillary Kerr. The show is at second life pod. Our DMs are always open. I'm Hilary Kerr, and you've been listening to Second Life. This episode was produced by Hilary Kerr, Summer Hammeris, and Natalie Thurman. Our production assistant is Raven Yamamoto. Our audio engineers are at Treehouse Recording in Los Angeles, California, and our music is by Jonathan Leahy.
From the publisher
Jessie Randall is the cofounder and chief creative officer of the global lifestyle brand Loeffler Randall. Before she started her company, Randall began her career in advertising but, after a few years, made the leap into the fashion industry. Starting from scratch as an intern at Katayone Adeli, while also taking fashion classes, she then transitioned to Banana Republic, working as a junior designer. However, in 2005, alongside her husband, she decided to start her own footwear company, which quickly garnered recognition and expanded beyond shoes into the global success it is today. In 2007, she was awarded the CFDA Swarovski Award for Accessory Design, and in 2022, British Vogue dubbed the brand's Camellia heel “one of the best-selling bridal shoes in the world.” Currently, Loeffler Randall products are sold worldwide across retailers such as Nordstrom and Bergdorf Goodman as well as in its own digital and physical retail stores.



