How Cargo Crew has ridden the workwear wave with the help of Paris Hilton & Gwyneth Paltrow

16 May 2024 · 38 min

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The Modern Retail Podcast - Episode Summary

Episode Title

How Cargo Crew has ridden the workwear wave with the help of Paris Hilton & Gwyneth Paltrow

Episode Description This episode focuses on Cargo Crew, an Australia-based workwear brand founded in 2002, which has successfully transitioned workwear into a high-fashion niche. The company produces items such as cooking aprons and boiler suits and has expanded its reach to over 80 countries. With projected sales growth of 186% in the current year, the brand has attracted celebrity endorsements from figures like Curtis Stone, Gwyneth Paltrow, and Paris Hilton. Founder Felicity Rodgers discusses the company's journey and strategies for success.

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Key Concepts and Discussions

  1. Founding and Early Years
  2. Background: Felicity Rodgers founded Cargo Crew in 2002 while living in a one-bedroom flat. She had prior experience in fashion design and initially launched a young fashion label.
  3. Inspiration: The idea for Cargo Crew emerged from requests for modern uniforms from businesses, highlighting a gap in the market for stylish, quality workwear.
  1. Growth and Expansion
  2. Initial Offerings: The company began with custom-made uniforms, focusing on quality and design rather than generic products offered by competitors.
  3. Shift to Online Sales: The launch of their online store in 2012 marked a significant milestone, facilitating national and international sales. Initial inquiries came from as far as Mexico shortly after the site went live.
  1. Branding and Market Position
  2. Unique Selling Proposition: Cargo Crew positions itself as a design-led uniform brand, creating products that integrate fashion with functionality.
  3. Celebrity Influence: Collaborations with celebrities have boosted brand visibility. For example:
  4. Gwyneth Paltrow: An organic partnership arose when Goop used Cargo Crew aprons for a pop-up event.
  5. Paris Hilton: A recent collaboration where Hilton wore a custom boiler suit, enhancing the brand’s appeal.
  6. Community Engagement: The brand emphasizes building relationships with customers, offering personalized design experiences, and engaging with their audience on social media.
  1. Product Line Evolution
  2. Diverse Offerings: Initially focused on aprons, Cargo Crew has expanded into shirts, chef wear, and other uniform categories.
  3. Customer-Centric Development: The product line evolves based on customer feedback and market trends, ensuring they meet current fashion and utility demands.
  1. Sustainability and Ethical Production
  2. Manufacturing Choices: While Cargo Crew started with local production, it now sources garments from various countries, emphasizing quality and ethical supply chain practices.
  1. Future Goals and Strategies
  2. US Market Focus: Cargo Crew aims to grow its presence in the US, including building a local team and participating in trade shows.
  3. Ongoing Innovations: The brand is committed to sustainability and continuously enhancing its product offerings to remain competitive in the evolving workwear market.

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Key Takeaways

  • Market Positioning: Cargo Crew successfully combines fashion with workwear, setting itself apart from traditional uniform suppliers through design and quality.
  • Impact of Celebrity Endorsements: High-profile endorsements help legitimize the brand and enhance its visibility, particularly in the competitive US market.
  • Adaptation and Growth: The company's agility in adapting to market demands and customer preferences has been crucial for sustained growth.
  • Sustainability Commitment: Ethical production and sustainability are central to Cargo Crew’s mission, appealing to modern consumers who value these practices.

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Conclusion The episode highlights Cargo Crew's innovative approach to workwear and its successful journey under Felicity Rodgers' leadership. As the company continues to expand internationally and strengthen its brand identity, its strategies for growth and customer engagement remain vital for future success.

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Transcript

Automatic transcript. May contain errors.

0:05Hello, everyone, and welcome to the Modern Retail Podcast.

0:30also entered the zeitgeist and has a bunch of really interesting and very popular ambassadors. I don't know if ambassador is the right word, but people who like the brand, they include Paris Hilton. Correct me if I'm wrong. Gwyneth Paltrow has been known to say some nice things about Cargo Crew, celebrity chef Curtis Stone. And Cargo Crew is also based in Australia, but has been making a huge splash in the United States and elsewhere. It's in many countries. We're going to go into all of this, but I want to just talk about the growth. It's not a new company. It's over 20 years old, and it's just been doing some really interesting things over the last few years.

1:02So I want to talk about all that. But Felicity, how are you doing? I'm really good, Cale. I'm really excited to be here this morning. Thanks for having me. Absolutely. So first, let's start with you and the story, because 2002 is when Cargo Crew founded. Is that correct? That's correct. Yeah, 2002 seems like a lifetime ago. It kind of is, I guess. It's been definitely not an overnight success, but I think something that we're all really proud of is the road that we've traveled to get, you know, to get here today. Yeah, so 2002, I was living in a one bedroom flat with my boyfriend at the time, who's now my husband.

1:35And that's when I founded Cargo Crew. So yeah, stepping back a little bit further, prior to that, I had studied fashion design at RMIT in Melbourne. I have always been like a creative, always been really passionate about design and the connection with how design impacts our life, I guess. Pretty much straight from university, I started a label with a girlfriend from college. And so we had a young fashion design label. We used to wholesale to boutiques around the country. We used to participate in young designer shows. And we had, you know, a really great business and brand. However, at such a young age to start a business and also to, you know, to work in retail and wholesale, it is a really challenging industry.

2:18So people would say, you guys are doing so well. And it was like we were, but we couldn't afford to buy a coffee, like the challenges of getting paid from, you know, retailers and reinvesting that money back into the next collection. It was, you know, it was a lot of learnings that happened at a very, very young age. And I think some of those learnings I've really bought into, you know, Cargo Crew, into our existing business that really helped inform how we shaped it. And I think that does include, you know, our bootstrap story, you know, the journey to get where we are today. But yeah, definitely lots of great learning.

2:49So during that time when I had the label with my girlfriend, we used to get approached by businesses who would ask us to design and create a uniform that was modern and that they really felt represented their business. And it was through those kind of experiences that I realised I really loved the experience of working with brand managers, marketing businesses and bringing, I suppose, my design experience and helping them bring their vision to life as it related to their staff uniform. And so when we decided to wrap up the label, which was about five years later, I decided to kick off Cargo Crew, which is taking me now back to the flat in Clifton Hill, the one bedroom flat.

3:29And that's where I started from. So I guess bringing together that experience from the fashion label and bringing that into the business market, I think is something that, yeah, that I really enjoyed and, you know, and still continue to do so to today. Got it. And so when you decided to sunset the fashion label and go into cargo crew, what were the ambitions exactly? Was it that you wanted to work directly with brands? And was the hope that it would be easier to do business to business rather than relying on being a vendor, wholesale, not getting paid, all that? I think it was a mix of those things.

4:05I think what I really felt passionately about was that at the time, and probably still in many ways today, there wasn't a brand offering in the uniform market where people felt that they could actually work with a business, that they could get that experience of quality and design. It felt very generic. It felt like the businesses that kind of dominated the market were doing it based on kind of volume, generic product that would just get rebranded, you know, with logos. And I think from my perspective, I really wanted to give people choice around, you know, having something that felt more considered, more design orientated.

4:40So it was really, I think, you know, really kind of wanting to address that niche that I felt was there. But also, you know, to your point, having that experience and going direct to businesses was something that I really felt was something that I really enjoyed because it was also just developing that direct relationship with the customer and having the time to kind of really understand their needs. There was one story around, you know, in the early days when I first started, there was a precinct being built in Melbourne called Federation Square, which is now quite iconic, you know, near Flinders Street Station in Melbourne.

5:14And it was being developed and there was quite a well-known restaurateur at the time who was building three restaurants. And I read about it in the paper and I started to call other venues that they owned. And I was like, I really want to meet with Paul Mathes. I really want to talk to him about designing uniforms. and that project was delayed by about a year. And I think by the time they were actually ready to talk uniforms, he was like, okay, Felicity, just come in, let's do it because I'd chased them so much. And I think though there was that passion, like I knew that he was very design-led, he had a vision of what he wanted to create there and I really felt that at the time, like we were the right people to do it.

5:46I was the right person to do it because I kind of could bring that design, produce locally and it was very custom and bespoke. So I think that's where I started very much on custom-made bespoke ranges for people. But over the years, if you think about the journey, what I did kind of uncover from that and something that I think it was a real learning from the start is there's a lot of complexity with constantly reinventing the wheel, you know, having to custom make lead times, minimum quantities, all of those things. So it was about six years in, actually, that my sister, who previously worked in advertising, joined me in the business coming back from having worked overseas.

6:22And we really together, we put our heads together. and we're all like, let's create a range that's available from stock that people can buy with no minimum, you know, order quantity. And that's kind of how we kicked off the cargo crew range, which is, you know, what it is today. And we started that with just four denim aprons. Got it. And so I wanted to ask about the evolution of the line and also the evolution of the business. But I guess I'll, you know, this is one of those difficult interviews because we have decades to cover. But were your ambitions in the first few years that it would be Australia only?

6:56Because correct me if I'm wrong, but you're in 80 countries now. Is that correct? Yeah, that's correct. We've shipped to over 80 countries. Absolutely. I would have had no idea just how broad-reaching we would become. I genuinely believed in what we were doing. I genuinely believed we were disrupting the market in the sense of, I think prior to that, yeah, going back again, like the uniform industry was really kind of controlled by these large, just, you know, large companies that sold to all the distributors. So, again, coming back to the fact there was no feeling of a brand who was really declared that they were a uniform brand.

7:29There was kind of wholesalers and then a whole lot of distributors. So, I think, you know, from that perspective, it was that declaration that we're here, we're showing up as a uniform brand and we want to address these people directly. So, yeah, so I guess from that perspective, it was very clear that we were in the market to do it differently. So four years into it, you launched essentially what I understand to be D2C, like people didn't need a minimum order, they could just buy one off if they wanted. When did things begin to ramp up? And what would you say would be the most major growth milestones you've experienced in the last two decades?

8:07Okay, so definitely when we went online. So I guess back to your question when you kind of asked, would I have expected that would be shipping to over 80 countries today? And I said, no. The reason for that is because when we started, we were a very Melbourne-centric business. We were based in Melbourne. We used to produce a lot in Melbourne. We eventually did start to go offshore as things started to expand. But yeah, we were very local. We had a very local customer base. So one of the biggest things that happened was around 2012 was when we actually launched our website as an online store. So prior to that, we obviously had a website, which was a great way for us to acquire customers, but it was very localised.

8:48So I think that when we shifted to that thought around wanting to position Cargo Crew as a retail brand in a way, established the online store, opened up that kind of market that became national and then international quite quickly. Like I think it was only around three to four months from when we first launched the website. And when I say website, online store in 2012, that we got our first inquiry from Mexico, from a coffee business there. And in those early days, when we did ship internationally, it was all done offline. So people would find us and send us an email and then we would service them offline.

9:25So yeah, I guess from that perspective, when you kind of ask, would have I have imagined before having the online presence, absolutely not. But what was really interesting was the pace that gathered after having that presence online. And I think what a key to our superpower has been our incredible team that has helped us build that foundation. We have an SEO and digital strategist that's been with us since 2012 and has helped build that foundation. And I I think together as a team, we really established our online presence in a time when nobody else was really focused on doing uniforms online.

10:02And I reflect as well on that time. We have an embroiderer who we still use today, who I also used to use back when I had the label. So it's over a 20-year relationship. And I mentioned to him that we were going to be launching this online store. As an embroiderer, he does a lot of work for uniform businesses and always has. and he said to me at the time, Felicity, a lot of people have tried that. Uniforms online just doesn't work. And I was sitting there going, oh, okay. Well, here we are investing in this online store. Oh my God, it's not going to work. No, yes, it is. And so basically, again, I think what we did is we bought that real feeling of brand and design to the industry and bought that to the website, bought that to the online store and how quickly it gained pace was really exciting.

10:48um so yeah that was definitely a key milestone within our journey and so would you say i want to ask about that branding aspect because this is 2012 it's still very early on in the in the annals of e-commerce but you're thinking about brand branding did you think about it from the perspective of you are a business to business uniform maker or did or like how do you how do you go about that because it seems like those are two different types of identities even though your product is very fashionable. And that's sort of what it's became known for over the years is that, you know, people are wearing them in the streets because it's, you know, a nice uniform.

11:22But was that part of the idea when you wanted to do this branding part and SEO part? Yeah, I think it just came naturally to us. I think there was that genuine place that we came from, which was a design position that we didn't want to put rubbish out there. We wanted to put quality product out there, design first, innovation, fabrics, detailing, all of those things that we're super passionate about. So I guess when I talk about brand, I think it's not something that we're like intentionally saying, we're going to do it this way just to get noticed. It's just in our DNA. And I think it was just more so that how we did everything, all of the touch points.

11:55So the first photo shoots that we did, they looked more fashionable than a lot of the uniform websites that were around at that time. You know, we established ourselves on Instagram quite early. You know, the customer service that we offered our clients. So whilst a lot of people, purchased online, they also contacted us after finding us and we helped service them and we helped curate looks for them. We'd put together style guides. So I feel like the whole experience of working with Cargo Crew was and still is today about delivering a brand experience. And I think that's something that it's a visual thing, but it's also a service thing and it's also a feeling thing.

12:32It's the communication, it's the brand tone. And I think that's just really, as I said, in our DNA. And it's something that we're not, we're really authentic about. And I think people just understand that that feels different and it feels quality and it feels like something they're drawn into. So I think that's also been one of our key successes over the years of building that community out about people who connect with us as a brand. So, yeah. No, no, no. Keep going. We're going to say something else? Oh, yeah. No, no. I was just going to say. So as it relates to brand, I think, as I said, the importance of doing that authentically and being consistent with that, I think that comes from an authentic place for a business.

13:09You're not just trying to manufacture something. So for us, it's very genuine. Got it. So is everything still wholly done in Australia, specifically as you have, I think it said 45 ,000 teams, over 80 countries. I should let the listeners know, Felicity's a She probably got up before 7 a.m. It's 7 a.m. her time right now because we're talking over many, many oceans, thousands of miles. But is everything still produced in Australia and then shipped out to all of these other teams around the world? Yeah, no. So we don't produce in Australia our garments anymore. It was probably around 2012 or earlier when we launched the website before that we'd started to produce offshore.

13:55When I first started the business, yes, everything was done locally, custom made, pattern making, all of those things. But I think, like I mentioned to you, when I started, it was more of a bespoke offering. So everything was smaller and everything was kind of produced in small lots. At the end of the day, it's not like we're a mass produced company now, but the reality is to be able to scale and to keep that kind of quality of production and innovation. Unfortunately, in Australia, the clothing manufacturing industry is not an industry that we've continued to invest in heavily. And in fact, over the years, we do continue to do things locally here in Australia, but there hasn't been a huge change in investment and how things are done here from when I was producing locally like 22 years ago.

14:41So as a business, you know, it's really important that we continue to innovate. And having a diverse supply chain is really important to us. So we do manufacture in different regions. So we're manufacturing in Asia, in China, in India, in Indonesia, and very small parts in Australia. So I think what's really cool about our approach to manufacturing and how we've, I think, almost emulated what we did here in Australia, and that was we've developed really close relationships with our manufacturers. You know, we're very focused on ethical supply chain. And basically, I've personally visited, you know, 90 % of the factories that we've worked with, and a lot of them are family businesses, So have very like-minded values to us.

15:22And that's something that we're really proud of as well. We're going to take a quick break and we'll be right back. Let's talk about the partnerships or the sort of buzzier people. Because when did you begin catching the eye of people like Curtis Stone? Because Paris Hilton, I think, happened this year. So that's pretty new. Yeah, pretty new. But it seems like you've been working with some bigger names over the years. Did that happen organically? Or is that something that you realize that this might be a good sort of branding propulsion if we worked with someone who's a celebrity chef, for example?

15:54Yeah, absolutely. No, I guess, well, first of all, I guess coming back to the online store, coming back to the website, you know, we always talk about how our website is our window to the world. It's amazing what can happen now in business. Like if I reflect back to when I had the label, that was actually really before online. And I think about a very local business. The reality is, I think if you're doing things well and you have an online presence, it's amazing what can happen just organically from that. And that was actually the case with Goop, which is something that I'm still so proud of to this day, because it always obviously helps when you know people and you have connections and you try and get your product in front of people.

16:31It's certainly not easy for small businesses to have those opportunities. So the Goop opportunity really came about organically. What happened was it was when they were launching their skincare range and they were doing a pop-up in New York and their agency, who was obviously organising the event, found us online and ordered 30 aprons. They actually, at the time, it was before we did international shipping. So they actually contacted us and they said, if we place an order, can we get these delivered by X date? And we're like, yep, no problem. We can get them out straight away. Got them out. They didn't tell us that it was for a Goot pop-up, but we saw it on Instagram and we saw all of these people working at the pop-up wearing our aprons.

17:09So we're like, oh my god that was amazing and um so around that time I then emailed Goop and I just thought I'll just email them and say you know we're a small business in Australia we've seen that you've worn our aprons we just want to say this is amazing um and basically they emailed back really quite quickly and said look actually um Gwyneth really loved the aprons and she would love to wear one at the launch of um our skincare brand in New York in a few weeks we've got all these influencers coming would you like to you know send us some more aprons and we'll all wear them and we're like, yes.

17:41So literally, that's how it happened. And I think it is one of our really proud moments. And it continues today that people still talk about that. And I think the power of celebrity, you know, whilst it's important here in Australia, it's even more important in the US. And I think that's continued to show that there is that kind of connection that our product delivers to people. You know, whilst we're a workwear business, I guess, coming back to what we were talking about earlier about brand and quality and I think also originality, you know, that does appeal to all sorts of people, including fashion icons like Goop.

18:16So I think that was really exciting. So as it related to Curtis Stone, that was definitely more of an intentional pursuit. So we contacted Curtis's team at one point and it was around when we started to declare internally that we wanted to start focusing more heavily on the US. And obviously, Curtis is Australian. He's obviously extremely well-known here in Australia and the US. So we thought that was a nice connection to start working with him and to start building out, establishing our chef wear range in the market. So yeah, we started working with Curtis. It was about four years ago now. And he really was actually, to be honest, part of also wear trialing our chef wear styles before we bought them to the market.

18:57So him and his team at Gwen in LA, wear trialing and giving us feedback. And so that's something also that we're really passionate about, but also leaning on our industry partners or collaborators and saying, hey, can you wear trial these products? Tell us your feedback. How can we improve it? Any suggestions? So with Curtis, it was a very, it was more of a process about building a genuine relationship, having him part of the process of wear trial in the product and then formalizing a partnership with him over the years. So that's been a really great thing. And then as you said, Paris Hilton was something that just happened recently.

19:33And that was, to be fair, again, another very organic opportunity. We'd been working with a chef influencer, Chef Bay, who has a really great presence online. One of our team members actually internally followed Chef Bay and suggested that to the marketing team that we should reach out to Chef Bay and gift her. So we did that. And then we just built a rapport with her. She loved wearing our product. We made her a custom boiler suit, which had a big Chef Bay embroidery on the back. And she contacted us then a little bit after that and said, I love my boiler suit so much in the pink. I'm doing this cooking session with Paris Hilton.

20:07Would you like to send over one for Paris? And she might wear it. So we followed the same process. We did a big Paris Hilton embroidery on the back of the boiler suit and sent that over. And sure enough, she wore it while she cooked with Chef Bay.

20:24So huge names is just a great amplification for the brand and something that I think the connection that people have with our product. What type of lift do you see when it's a sort of individual personality and not like with Curtis Stone, I imagine that restaurateurs would see it and be like, those are nice aprons, maybe I'll get them. But for Gwyneth or with Paris, do you see a DTC lift with that? Or what do you observe? Absolutely. Like I think as it relates across social and that, and even the amplification of our existing customers, people reaching out, people commenting on social, oh, wow, how did that happen?

21:01Oh, my God. But I would say at the end of the day, with the example of Paris, that wasn't a paid partnership. There was nothing done on her side that, you know, that kind of, I suppose, gave us that exposure to her audience. What it did, though, it reaffirmed for us and to our audience, you know, the kind of calibre of people who are interested in wearing cargo crew. So I think that there's, I don't really have a key example for you where we say someone of Paris Hilton's level that has done an activity on their channels where we could say that there's been this instant flow of say sales and revenue and that kind of correlation being really obvious.

21:39But we have done some activity, particularly in COVID. It was a time where a lot of businesses, we talk about how businesses pivoted. I think the biggest learning that we got through COVID. And also when we're talking today about this connection with D2C, I really believe we built that through COVID. Like I feel like before COVID, we were more of a declared B2B business. But I think when businesses, you know, slowed down, shut down, you know, and in Melbourne, in Australia, in particular, we were heavily impacted by lockdowns for like around 12 months on and off. It was really, really serious.

22:17And so I think it was that experience that actually had us operating at a high level on social media, connecting with influencers, gifting, doing online activations. And all of those things then opened up this more consumer market, which I believe has really come and been amplified through COVID. So when we kind of talk about our B2B and B2C customers that we talked to, I would say that it was that time that really kind of set that as an opportunity for us to continue. So yeah, so and today we continue to, we really continue to work with a lot of influencers, and basically continue that spirit of collaboration with that D2C market.

22:59Got it. And I imagine, even with this D2C push, B2B is still the brunt of your business, right? Oh, absolutely. Absolutely, it is. and it's absolutely where we're focused because, you know, our offering is all about making businesses and brands feeling really good in uniform. Like if we think about our mission, it's actually for people to feel great in uniform. And so essentially that relates to business most of the time. But I think also, you know, if I get reflective about producing quality product and our expertise in producing quality of product that's going to last, where that can overlap to consumer, I think it's a really positive conversation because it's kind of like the thought that goes into our product, the time, the R &D to make sure that it's really built for purpose, built for work, where that can cross over to consumers and give people a product that has longevity.

23:50That's also a positive thing to really focus on. So, yeah, absolutely, the majority of our business is B2B. But I think that there is that desire for people to also want to wear something that when they're working, even in their own pursuit, so whether that's a creative pursuit, whether that's home cooking, whether that's baking, they want to wear something that is going to be practical and maybe, you know, protect their clothes, e.g. a quality apron. or it could be something that they're a stylist or they're an event manager and they want to wear a boiler suit because it's like one and done. They can also have their own personal branding.

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24:21So absolutely our market is B2B, but how that flows over and shows up in consumer is really interesting. And I think it's a really interesting way to think about, you know, workwear into the future. And then even reflecting back, if you think about artists, like someone like Picasso, So he had a uniform. He wore his striped top and people identified him for having that uniform. So uniform as it relates to everyday fashion, it really does have a place as well. And I think that's why we are really passionate about the D2C customers as well. And to be fair, our online business and our kind of like D2C customers, a lot of them are still small businesses.

25:01So it might just be a cafe around the corner who might have two employees and they really behave like consumers. So I feel like the way that we market to them, you know, through social media, through brand, through all the activation, they behave like consumers. And so even the gifting and influencer activity that we do, it's still relevant to them. And then what we see is there's a real halo effect. So a lot of the activity that happens in D2C really helps bolster our B2B. and a lot of the B2B customers that we've got have come to us because they're like, you're a cool brand, we want you to dress our team.

25:40So I'm really super passionate about the connection there and the halo effect that I know is real. Got it. You mentioned something and I wanted to get into this because I just have a question in my notes. It's what's going on with workwear? But like, I feel like workwear is really huge right now and it's become a big part of the cultural zeitgeist in terms of how people are dressing. And I feel like companies like yours that are specifically like for workers, predominantly business to business, but like are also popular in culture. So has that changed the way you have done business? Have that changed the way you've designed anything?

26:16Or like how, or is this just a serendipitous moment for what you're making with how people are dressing? No, I do feel like it does influence how you show up as a brand. And I think that for, you know, to want to be part of that and to want to really galvanize and kind of like get into being a part of that moment. Absolutely, it has impacted how we think. And I think even like I was talking about before, how we interact with potentially smaller customers or D2C, we think about what kind of products they want to wear. And also from a practical perspective, the reality is so much branding and reach and amplification happens through social media these days.

26:54If you don't have the products that also the fashion lifestyle and everyday people want to wear, It's very hard to get that kind of reach and amplification for your product. So I do think it's important that, you know, we do have a range of offering. And I think that's something that we are really proud of because I think our whole approach is about dressing the people. We want everyone to feel great in uniform and that should be really inclusive. We should have different styles that are going to suit different people and, you know, and to suit also the aesthetic of different businesses. So I think for us, there's absolutely elements of our range that are more swayed towards the trends in workwear at the moment.

27:30So, e.g. the boiler suit that I've got on right now, you know, it's a very fashion, you know, style that really transfers from both fashion to workwear. And so, yeah, I think it's intentional, but it's also still something that you have to do in a way that feels connected to your existing business. So, I think we've been able to kind of straddled that really well. And I think that that is where we're continuing to show up that that's our offering, but it just happens to also appeal to everyday consumers. And also coming back to what I said earlier about the whole connection with quality and sustainability, you know, I think people appreciate workwear because of that durability and functionality.

28:13So I think that's also a reason people are interested in workwear. They don't want to just be buying, particularly while they're working themselves. Like maybe they're like, I want to have something that's going to last. And so not for a way kind of style. So I think that's where I think there's a real connection at the moment with consumers. Yeah, I agree that I think, you know, uniforms are very stylish right now, but also they're very utilitarian. And I think that people like that. And they usually, like, I think they start, maybe I'm wrong about this, but people usually got them thrifted and they were really high quality.

28:45And so they knew that they, and then that sort of cascaded into where we are now, essentially. Absolutely. Yeah, I couldn't agree more. We're running out of time, but I have a million more questions to ask you. I guess I wanted to ask, because you mentioned this earlier, like how do you go about expanding the product line? You mentioned that it was when a few years ago when you started working with Curtis that you went into kitchenware. Like, you know, and something that's interesting about you is that, or not you, but Cargo Crew as a company is that you have all these different parts of workware that isn't just like we only make aprons.

29:15Yes. We only do these types. And I think that that's unique and interesting specifically for a lot of the new companies out here. So how do you decide when you expand and that they fit with the branding? Yeah, absolutely. I think that's a really good question. Like I think about, as I said at the start of the conversation, when we first launched Cargo Crew as a range offering, we started with four denim aprons. So I think what happened from there is we did become known for our aprons and we are absolutely apron obsessed. like you know I can't tell you the amount of time and energy that you know myself and the team put into aprons because I just believe number one they are an absolute cracker when it comes to quality and investment it's a you know very cost effective product and it does so many jobs it unites a team it you know it it sets a tone for a business it protects the clothes it does all of those things so aprons was where it started but what we started to do from there is we we really listened to our customers and we really thought about what are the next pieces that are going to build out a really compelling modern uniform offering.

30:14Like we didn't just go ahead and produce a thousand products and kind of said, let's hope that they kind of work for all of our different customers. I think what we'd really do well at Cargo Crew is we sit back and we go, right, now today we have a foundation of product and we really like to think about it as the building blocks for a modern uniform offering. So we have our apron category, but then adjacent to that, we have our shirt category. And as another example, one of the kind of hero pieces within our shirt collection is our Oxford shirts, because they're so practical. They're very contemporary.

30:46We have an amazing colour range. We've produced our own fabric that is just the right weight for a uniform, that it's not too heavy, not too light. And so we really think about a style like an Oxford shirt, how does that transfer across hospitality, retail, sales, all of those roles, and even into hotels? Like the reality is you can have an Oxford shirt, you can wear it with an apron, you can roll up the sleeves and make it casual, or you can button it up and you can put a blazer on and you can also look really modern at a chic hotel. So I think what we're trying to do is we're really considered with our product, with our approach to product development, and that, you know, starting with that foundation, how do we build it out?

31:23So I guess if you go through the years of product development, starting with aprons, moving into shirts, moving into suiting, moving into separates as it relates to blouses and soft, you know, soft kind of shirts and things. And then as I mentioned, that you talked about earlier, we then have added chef wear, which was about four years ago. So I think what we do is we really have an intention of what we're bringing to the market. And I think what we try and do rather than just, as I said, producing just a whole lot of styles. We're sitting there, we're going, how can that style coordinate with that piece so that there's choice, but also that there's consistency and there's a feeling of handwriting?

32:04And I think that's probably one of the most interesting things about the work that we've been doing in the US to see that actually the same styles that are popular in Australia are also the most popular in the US. So I feel like there is absolutely, there's an appreciation for the design aesthetic of what we bring. Like I do think that's probably what has kind of made this move into the US easier in the sense that people just respond to our product, they understand it, and it's something that kind of fits a niche within the US. But it's also really interesting to see that it's the same product lines that are the most popular, the same aprons, the most popular, the same shirts, the colours.

32:39So I think that also though comes back to that intent, what we have with our range, which is to be very focused on how do we get this foundation right? how do we build on that foundation? And that's really through years of listening to customers, meeting with customers, getting feedback, understanding fashion trends, all of those things. So that's our philosophy and it's really worked. Got it. Well, we're pretty much out of time, but I have one more question for you, which is just what are your major focuses for this year? Should we expect to see more expansions or going into new territories? What are you thinking about?

33:13what should I expect to see? Yeah, well, actually, so obviously, we're launching into the US right now. So it's already happening, which is really exciting. But absolutely, what we're doing, as it relates to the US, there really is, it's one of our growth strategies. So, you know, as a business, obviously, we're looking at all the channels and how we can continue to grow, build brand awareness, build new customer bases. So one of our absolute focuses is to build our US customer base in our US market. So the way that we're doing that is we're building a team on the ground. So that's really exciting.

33:42We now have four individuals that are on the ground over in the US and North America. That's really exciting. Having people on the ground, meeting with customers, getting that feedback is so exciting. So that's happening. We're also, I'm actually heading over to the US next week, heading to the National Restaurant Association trade show. So we're doing our first trade show in the US in mid-May. And basically for me, that's going to be my first trip to have the opportunity to be talking directly to customers in that kind of forum. So So obviously we do a lot of trade shows in Australia. So that's a really great new next step for us to be on the ground talking to customers.

34:17So the whole US project is a huge focus for us. We are really excited to continue to build out the Cargo Crew brand, spread the love and really become that kind of global uniform destination. That is what we're aiming to be. And we want to do that in a very considered way, the way that we've done it in Australia, but hopefully a little bit quicker than 22 years, which I think we're in a good position for that to happen. So lots of things going on, lots of excitement with product, you know, focus on sustainability, continue to grow our markets and this real key focus on the US that we're really excited about.

34:53So watch this space. I'm excited to learn more and hear more about it. Felicity, this has been great. Thank you so much for joining. Thanks, Gail.

35:06And thank you for listening to this episode of the Modern Retail Podcast, a show by Digiday. If you haven't already, please do subscribe and head to Apple Podcasts to leave us a review and a rating. See you next week.

From the publisher

Workwear has become high fashion, and Cargo Crew has spent the last two decades riding this wave.
The Australia-based company, which first launched in 2002, makes items like cooking aprons and boiler suits. Over the years, the company has expanded and grown -- Cargo Crew now works with 45,000 teams in over 80 countries and projects sales will grow 186% this year.
This growth is partly thanks to high-profile clients and fans like celebrity chef Curtis Stone, Goop and even Paris Hilton, who wore one of Cargo Crew's suits earlier this year. "I think the power of celebrity, whilst it's important here in Australia, it's even more important in the U.S.," said Cargo Crew's founder and chief creative officer Felicity Rodgers. She joined this week's Modern Retail Podcast and spoke about the two-decade-plus journey.

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