Touchland gets acquired, what's gone wrong with Target & the secret sauce behind brand pop culture collaborations

17 May 2025 · 46 min

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The Modern Retail Podcast - Episode Summary

Episode Title

Touchland gets acquired, what's gone wrong with Target & the secret sauce behind brand pop culture collaborations

Episode Description In this episode, hosts Melissa Daniels and Gabriela Barkho discuss:

  • The acquisition of Touchland by Church & Dwight
  • The challenges faced by Target in recent years
  • Insights from Michelle Gabe, Director of Marketing and Partnerships at IFG, about brand collaborations with pop culture

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Key Segments

  1. Acquisition of Touchland
  2. Overview: Touchland, a sanitizer brand known for its aesthetically pleasing and scented hand sanitizers, was acquired by Church & Dwight for $880 million.
  3. Background:
  4. Founded in 2018, Touchland saw significant growth during the pandemic.
  5. Their products are marketed towards Gen Z and are positioned as premium sanitizers.
  6. Financial Performance:
  7. Net sales reached $130 million and an EBITDA of $55 million for the year ending March 31, showing a profitable business model.
  8. Expected continued growth in double digits for the coming years.

Key Takeaways

  • Market Trends: Emphasis on aesthetics and scents in everyday products reflects a broader trend towards "treat culture."
  • M&A Activity: The acquisition aligns with Church & Dwight's strategy to modernize its brand portfolio, following their purchase of Hero Cosmetics in 2022.
  1. Target's Struggles
  2. Recent Challenges: Target's performance has been declining due to various factors:
  3. Consumer pullback in spending and boycotts linked to their DEI initiatives.
  4. Inventory issues and reduced foot traffic.
  5. Comparatively lower e-commerce performance against competitors like Walmart.
  6. Cultural Perception: Shift in consumer perception from Target being an aspirational brand to facing challenges in brand valuation and traffic.

Key Takeaways

  • Consumer Behavior: Changes in buying habits towards value-oriented shopping have impacted Target's sales.
  • Brand Image: Target is working to recover its brand image through various strategic initiatives including price reductions and partnerships.
  1. Michelle Gabe Interview on Pop Culture Collaborations
  2. Background: Michelle Gabe shares her experience with brand collaborations, particularly in the context of pop culture.
  3. Collaborations: Discussed the importance of storytelling in partnerships, not just slapping logos on products.
  4. Case Studies:
  5. Super Mario Bros Collaboration: Gabe's strategy at Truff to create collectible sauces tied to the movie, resulting in significant demand and product sell-out.
  6. King's Hawaiian & Lilo and Stitch: Exploring how collaborations can extend beyond products to create engaging marketing campaigns.

Key Takeaways

  • Strategic Collaboration: Effective partnerships require thorough preparation, clear ideas, and a win-win approach for both parties.
  • Market Trends: Brands are increasingly seeking partnerships to enhance their visibility and relevance in a crowded market.

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Conclusion This episode of *The Modern Retail Podcast* highlights significant developments in the retail landscape, including high-profile acquisitions, the struggles of major retailers like Target, and the growing trend of brand collaborations with pop culture. The insights from Michelle Gabe emphasize the importance of innovative marketing strategies and the potential rewards of thoughtfully executed partnerships.

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Additional Notes

  • Future Developments: Target's upcoming earnings call will be closely watched to gauge its recovery strategy.
  • Consumer Sentiment: The shift in shopping behavior amidst economic changes is a crucial factor for retailers going forward.

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Subscribe and Follow For more insights on the retail industry, subscribe to the *Modern Retail Podcast* and follow on [modernretail.co](https://www.modernretail.co).

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Transcript

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0:02This episode is brought to you by Clearco, the capital partner built for e-commerce. shoppers today are looking at price ratings images return policies shipping speed and brand reputation before they buy that puts pressure on founders to act fast across inventory marketing and fulfillment clearco provides fast flexible funding with no equity no personal guarantees and no upfront costs learn more at clear.co

0:40Hello and welcome to the Modern Retail Podcast, the show all about the ways the retail industry is changing and modernizing. I am Gabby Barco, senior reporter at Modern Retail, and I'm here with fellow senior reporter Melissa Daniels. Hello, Melissa. Welcome to the show. Hi, Gabby. Thank you so much for having me today. Excited to dive in. So much retail news this week. Later on in the show, we'll be speaking with Michelle Gabe, who's the Director of Marketing and Partnerships at IFG. We're going to be talking about IP and pop culture brand collaborations. They've been everywhere in the last couple of years.

1:20So Michelle, who has a lot of experience in this space, is going to join us to talk about it in a roundtable. But first up, we're going to discuss the rundown portion of this episode. So we'll start with a couple of stories, including a pretty big beauty acquisition, Touchland. The sanitizer brand has been acquired. And then there is a pretty good and interesting story that came out from Fast Company this week that kind of just looked at Target's year. It's had a lot of ups and downs in the last couple of years. So we'll go over that and just kind of discuss what's gone wrong at Target. it. But yeah, first up, we've had a lot of acquisition news, I feel like just in the last couple of weeks that we spoke about, including on the show.

2:05But this time, yeah, sanitizer brand Touchland, which was acquired by Church and Dwight this week in basically an up to$880 million deal pending performance. Melissa, what are your thoughts on this? I mean, you know, it's a lot for a sanitizer brand? It's a lot for a sanitizer brand. And it makes me think, you know, a few weeks back when we were talking about M &A and activity in the consumer brand space, you know, that it was going to be, you know, some of these bigger conglomerates that maybe had the muscle and the will and the capital to get these kind of deals done. I mean, Church and Dwight is a big player in this area.

2:45You know, they've got Nair, they've got Batiste, they've got Arm & Hammer. I I mean, this is not a company that's going anywhere anytime soon on their own. So I think it makes sense to see them do this deal. But I have to be perfectly honest with you. Never heard of Touchland until I saw the news about it being acquired. Okay, that's really interesting. I think this is the divide line between people that shop at Sephora and Alta versus not. Because to me, I feel like they're just everywhere. Every time I go to check out at a retailer I shop at. And give me give us the rundown of Touchland. This is a good time to describe it.

3:21I feel like at this point, if you took out your phone and Google Touchland, I'm sure you've probably seen it. It was founded in 2018. So it's relatively young, but it saw a lot of major growth during the pandemic. Surprise, surprise. Everybody was like trying to find the best or the most, I guess, unique sanitizer for their needs. But really what it is, is that it's just like elevated brand that, you know, it's a far cry from your Purell squeeze bottles, right? It comes in these really sleek little bottles that missed out the sanitizer. Like the fragrances include like rose water and wild watermelon.

4:00And surprise, Gen Z is really obsessed with them. They're very colorful. But yeah, just basically like a really high end version of like your purse sanitizer. They've kind of expanded a little bit into more like body fragrance recently. But this is really what they're known for is these like little$10 sanitizer bottles. It's very cool. I'm looking at it and it's making me just think about, hey, this is how little treat culture has affected so many portions of our lives. and how aesthetic and scent and things feeling really sumptuous on everyday essentials is this trend we're seeing in so many different aisles right now.

4:41You know, I write a lot about the cleaning space and I'm starting to think of brands like Safely or Blue Land that do a really good job making their products have scents that appeal to customers, whether that's for hand soap or cleaner. And here we are with hand sanitizer. I got to say the form is cool. You know, it's in this funky spray bottle. And I think that's something that feels really like just kind of discreet and trendy to use where you're not getting like gloppy hand sanitizer all over your hands from a pump bottle. It's definitely an elevated product and I can see why it resonates. Yeah.

5:16So basically it's really closer to a fragrance that sanitizes your hands versus the other way around. But yeah, maybe this is a good time to get into their performance and why they were scooped up for such a big figure. So Touchland's net sales for the year that ended on March 31st were$130 million. Their EBITDA was$55 million. So pretty profitable, pretty healthy business. And they expect to continue to grow in double digits this year and next year. But yeah, why don't we, I guess, talk a little bit about, sometimes this is a perfect example of what I call like brands that make hundreds of millions of dollars a year that maybe some people haven't heard of just because they started out like digitally native and then like slowly went into retail.

6:05But yeah, it's an also it's an interesting move for Church and Dwight's, right? I mean, you can kind of see them trying to modernize their own portfolio with these types of acquisitions. Their last big purchase was Hero Cosmetics, also another Gen Z favorite in 2022. That was$630 million. And they're offloading some brands we grew up with. What are your thoughts on that? I'd love to know. Yeah. Last week, they announced plans to sell or close down the hair removal brand Flawless, the toothbrush brand Spin Brush, and the dental brand Waterpik, which I feel like I saw in my grandparents' bathroom growing up endlessly.

6:46So to me, you know, the acquisition of Hero Cosmetics, the acquisition of Touchland, that tells me they still want to play in this essential space. But with brands that are sort of already done the hard work of reaching the customer and becoming profitable and becoming, you know, generative engines that they can then bring into their conglomerate. And, you know, the benefit for the brands is probably a lot to do with distribution and supply chain and contacts in that realm. Yeah, just for context, those businesses we just named, they generate about$150 million of net sales with below average profitability.

7:24So they're struggling. So yeah, I think bringing in modern brands and then having kind of plans to either sell or shut down these these underperforming ones. Makes sense. But yeah, I mean, there's, you know, I do think even though M &A is a little slow, and, you know, obviously, it's a crazy time right now. So some deals are maybe being put on hold. Beauty seems to be maybe the one bright spot, which I think a deal like this kind of points to, right? Yeah, I totally agree with you. I think that's a category where there's always trend and there's always evolution. You know, right now we are in this elevated skincare forward moment.

8:01People want products that feel really luxe, but that they can justify because they're just picking them up during their regular target run or on an Ulta run to replace their shampoo or foundation or what have you. So then adding something like a really lovely hand sanitizer becomes like a justifiable buy in some way. So I think if we look at what M &A might look like in the rest of the year, you know, I keep your eye on companies that seem to be doing pretty well from a sales and profitability margin, but have something, you know, that's really trendy to kind of up level some of these bigger players.

8:36Yeah, modernized brands, if you will. There you go. Yeah. Almost as if they're modern retail brands. Is that something you can say? Wow, it's all in the name. Yeah, yeah. If it fits. Yeah. So I guess with that, speaking of Target, which you just touched on, yeah, why don't we tee up this next story that we're going to be talking about, which is like Target's had a really interesting year. Honestly, I did not think we would be here at this point, but let's get into it. So, yeah, as you mentioned, there was a Fast Company article that came out this week by Elizabeth Seagren. It's called Inside Target's Horrible, No Good, Very Bad Year.

9:14Play on the children's book, I believe. And the piece looks at how the recent knocks against Target, you know, not just the consumer boycott that started earlier this year with the pullback of its DEI initiatives, but also some of the things that sort of led to this moment, other struggles that it's had, you know, that really kind of started back in COVID. and the big question then is can it bounce back from that in this moment? So, you know, Gabby, from your perspective, when you look at Target in the last few years and you start to think about what went wrong, you know, what jumps out at you?

9:45I think the big one is probably inventory issues just coming out of the pandemic. I mean, obviously that first year or so felt like every retailer that was playing in the essential space was doing really well, including Target. But one thing that always differentiates it from the other big box stores. And of course, Amazon is that Target has always built itself as again, like more of an elevated big box store that carries things like touch land, like these sort of, you know, DTC or digitally native products. I mean, they pioneered that model, right. But not over 10 years ago at this point. So they've always been really good at assortment.

10:24But I think as people spending shifted as you know, more people, I think we're just looking for more value. And I think we used an example the other day where I'm like, do I really need like more throw pillows? I mean, you know, I love walking around Target, but you can kind of see why a lot of people right now are trying to prioritize things they actually need. And so Target kind of fell through the cracks, I think. But that's not the only thing, right? I mean, there's a lot of factors at play here. Yeah, I mean, I think in the in-store experience, you know, you think about people needing to find an associate to get something that's behind plexiglass.

11:00You think about people wanting to check out or not being able to find something. You know, the Fast Company article talked about how dressing rooms were locked when Target did its recent Cade Spade drop. And that, you know, isn't necessarily great planning on a storefront because you know you're going to have people in the store shopping for this drop and that, hey, maybe they're going to want to try things on while they're at the store. And then, you know, speaking to a different channel, I think online has always been something that Target hasn't done as well as some of its competitors. Right now, Target's digital sales make up nearly 20 % of its overall business or around$20 billion a year in revenue.

11:35But compare that to Walmart, where e-commerce sales reached$100 billion in 2024. So they're just not as big in that market either. And I think that's something that when you start to just think about the overall performance of the company has got to be part of this equation. And then, And, you know, you think about just assortment. You know, Walmart does have more grocery. And so you mentioned people thinking more about practical buys. And I think, you know, probably nine times out of 10, Walmart's going to have more for the certain product you're looking for simply because their aisles in that grocery section are much larger.

12:09Yes. And I should also mention, I think Walmart just being maybe quadruple the amount of store locations as Target has. I mean, it is a lot bigger to begin with. So we should mention, but, you know, Target's always kind of been like a little bit more curated, I guess. But, you know, this week there was also some developments in just the perception of the brand. I think this is what I was surprised at, what I was alluding to at the beginning is that it was always seen as like the bougie big box store and a couple of things happened over the last few years that kind of dethroned it, right? One thing that really stood out to me in the Kantar Brands report is just how much some of the brand valuation has changed for some of Target's competitors.

12:56Walmart was up 72 % compared to last year. Costco up 76%. Sam's Club up 57%. Amazon up 50%. And Target, which was not in the top 100 but was in top 20 for retail, grew just 4%. And that was really shocking to me because I've always associated Target as this elevated brand that always was a little more aspirational than your average big box in the plaza. And, you know, it's not even on the list. You also just think about Target's role in pop culture, the many memes of moms on their Target run or going in for one thing and leaving with a shopping cart full of$300 of decor and apparel and merchandise, right?

13:36You know, there's been a lot of sort of pop culture nostalgia around Target. And it's just weird for me to not see that listed. Yeah. And then, you know, last but not least, we have boycotts and just PR nightmares to throw in into the mix. Yeah. Why don't we just kind of, you know, quickly go over what some of those are? I think the beginning of this year, we saw, you know, the DEI pullback get a lot of negative response from more liberal shoppers, more progressive people just generally that watch the space. The company, I feel like, used to be positioned as more progressive, which is kind of funny, especially compared to Walmart.

14:17I don't know how that swap happened, but Target, I think the Pride merch stuff and then, you know, the Black History positioning. We talk a lot about whether boycotts and consumer perception makes a big difference in the bottom line for big retailers. But in this case, you know, it's not everything. These things did not contribute to all of Target's struggles. But I do think the proof is in the foot traffic falling consistently the last few months. Like, I think maybe this is getting some traction. What are your thoughts? Yeah, I mean, Placer.ai's data shows that Target's first quarter visits were down 4.1 % year over year and visits per location were down 4.8%.

15:05So that's not nothing, especially, you know, we're in this era where companies really still want to eke out some growth, right? So seeing that even before we've entered a potential recession or moment of severe price hikes has got to be something they're concerned by. And even just anecdotally, I feel like I've seen people pull back from Target. I've seen a lot of conversations on threads and in Facebook groups saying, hey, I'm no longer shopping at Target. Where can I get great deals on diapers? Or I used to really love this lingerie brand from Target. where is a really good swap that's affordable for it.

15:42And you see people starting to just really think more consciously about where they're directing their dollars. And yeah, it's something that's definitely happening. You know, I agree that, you know, it's not going to be the end of them as a company because some people are boycotting right now. I think that's exaggerating. But I think it's definitely making its effect heard. Yeah. And then now we can probably get into what target I mean, they do have a plan in action. We've spoken about it on this very show in the past. They've had a few initiatives announced in the last few months alone that say this is going to be our ticket to, you know, getting back to growth.

16:23There's a$15 billion sales growth plan that they have in place by 2030. They've lowered prices on thousands of items after increasing them for a while during coming out of the pandemic. They have summer deals like they try to compete with Amazon Prime Day. I think they call it deals day. So there's a lot. And then, of course, they're known for their private label. So they're really doubling down on that and trying to really course correct the assortment for, I guess, the shopper today who is very different than maybe four or five years ago. Yeah, we've seen so much already, you know, five months through the year here from Target.

17:04You know, they're doing more shop and shops with Warby Parker. They have collections with Champion and Disney. You know, they're not just looking at what they have internally, but they're looking out to see what they can tap into. And I think that's really smart. They're also putting some more investments into their third party marketplace, which is kind of an interesting, you know, invite only operation from what I've learned about it. It's kind of a black box to me in some ways, actually. I don't know how you get into it. But I did speak with ButcherBox this year, who put their frozen meat onto Target's marketplace and was really excited about that opportunity.

17:40They've done a ton with Baby, both on the private label and brand partner side. They're doing a ton in the cleaning space. And I don't know about you, but when I talk to brands right now who are putting out their target launch or thinking about putting out their target launch, they're still really excited about being in target. So it's like, even though we have all this sort of challenges and history of things being a little rougher on the edges for them the last few years, people still recognize it for what it is from a footprint and consumer demand perspective. Yeah, I mean, just recently, I spoke to a hair care brand called Jupiter.

18:18They specialize in like dandruff scalp care and hair care. But, you know, they basically they launched in Target about a month or two ago, and they essentially just rejigged their entire supply chain in order to cater to this launch by literally dropping their prices. You know, this is a little bit more of a a high end product that's now like under$20 per product. And obviously, that's very bullish from a brand. But at this time of supply chain uncertainty to invest in that, yes, I think it's safe to say brands still really want to be on that shelf. So I don't think that pipeline is going away anytime soon.

18:56I think it's just going to be a matter of Target plugging away at turning around this perception. Yeah, absolutely. I mean, it's still a massive retail player with nearly 2 ,000 stores and did over$100 billion in revenue last year. But I'm excited to hear more. Their earnings are scheduled for next week. So I'm really curious to see what they're going to have to say about their performance and plans ahead. Well, next up, we're going to be speaking with our guest today, Michelle Gabe, who's the Director of Marketing and Partnerships at IFG. We are going to be talking about all things IP and pop culture, brand collabs.

19:33Melissa, sign out. You're excited for this one. I am too. It's a topic I've written a lot about. So I'm excited to have Michelle. Yeah, I think this is going to be a really great conversation for folks to dive into because she really brings us behind the scenes on how deals get done between brands and studios when there are big pop culture moments or movies or TV shows happening. One thing that's really interesting to me is how much of this isn't just putting a logo on an existing product, right? It's really maybe thinking more about how the brand can really tell a story around the movie or TV characters.

20:07But I'm excited for people to hear it.

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21:06You only pay when the capital is used. ClearCo has deployed over$2.5 billion into over 10 ,000 e-commerce brands in apparel, beauty, health, and beyond. Ready to fund what's next? Learn more at clear.co. That's C-L-E-A-R dot C-O. Okay, well, it is time to bring in our guest, Michelle Gabe, who's the marketing director at Irresistible Foods Group. She's formerly of Truff, the sauce brand, and she has a lot of experience with these types of IP-based partnerships. So yeah, let's get into it. So today we're going to be talking about why brand collaborations with film and TV have become such a major part of building a brand playbook.

21:57I feel like it's just been everywhere in the last couple of years. So we'll be discussing really getting into the nitty gritty of how these partnerships come about and what goes into coordinating a product tie in, especially with a big studio that has probably a lot of red tape involved. So our guest Michelle is basically going to be taking us behind the scenes on how a marketing team execute these types of deals. Yeah, this is such a fun topic, and I'm really excited to get into it. You know, we've seen so many collabs these days. Barbie really kicked these into overdrive. I remember during the summer of Barbie, Mattel's releases, I think, mentioned that like over 100 brands had partnerships leading up to the movie's release.

22:41And, you know, then we saw that happen again with Wicked. You know, I remember last week, I was looking to buy press on nails, don't judge. And you know, half the inventory was was Wicked. Gabby shaking your head at me. Did you get it? So I've never seen Wicked. So I felt like an imposter, but they were really pretty. And I just went with my basic boring sparkly pink. But it's more than just the big blockbusters that are doing brand collabs these days and product collabs. Even TV shows like White Lotus are getting in on the action. You know, we saw partnerships with Away, Abercrombie, Supergoop.

23:17I've talked to Apothecary about their partnerships with Disney for TV series like The Acolyte and Agatha all along. And, you know, for successful collabs, especially from some of these smaller brands, it's just about way more than slapping a logo on a product. It's really about using that moment of popularity of that IP to do storytelling to a mass audience. Yeah. And they do not show any signs of stopping. There is Wicked 2 for Good coming down. So maybe you can still get your press on nails in good faith if you watch the movie by then. It's not because I don't want to watch it. It's because I don't have time.

23:55But I do want to see Wicked very much. I watched that Oscar clip of them performing like 1700 times. But you know, you've talked to Michelle before. I haven't talked to Michelle very much. So Michelle, tell us a little bit about your role and your experience working on collaborations with emerging brands. Yeah, well, first, thank you so much for having me, Gabby and Melissa. I always love chatting with you guys. I feel like we've talked about IP collabs and just different partnerships over and over again. So glad we're getting it pen to paper. But yeah, I am Michelle Gabe. I am the director of marketing and partnerships at Irresistible Foods Group, which includes brands like King's Hawaiian, Grillo's Pickles, and Killer Brownie.

24:34And before my role here, I spent the majority of my career at Truff, where I built what I like to call an Aim for the Stars partnership program, where we eventually partnered with some of the most notable IP in the game. So that included a Sauce on Sauce collaboration with Hidden Valley Ranch that sold out in less than a minute, a collectible item with NBCUniversal, Illumination, and Nintendo for the launch of the Super Mario Brothers movie and a limited edition collaboration with Star Wars. Yeah. And if you've read Modern Retail, I'm sure you've read some of the coverage on these collaborations.

25:07But today we're going to walk you through, you know, how Michelle just tackled them, starting with sliding in the DMs, classic millennial move. Michelle, tell us tell us how you I think this shooting for the stars approach is definitely, you've mentioned before, all about, you know, not feeling intimidated and just kind of going after reaching out to somebody, even if it's just through LinkedIn. Yeah, I mean, there's no right or wrong way to approach a partnership, big or small. And personally, I always love the super casual route, talking to someone like they're your friend. So whether that is sliding into someone's DMs or just asking a friend of a friend of a friend for an introduction.

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25:49I think making that connection and being super friendly is always the first step. But once you are able to get that connection, it's very important to come to the table prepared. So if I can get someone on the phone, I make sure that, you know, I'm ready to clearly showcase the idea and why it makes sense and how we can help them. And that's really the most important part is knowing what you want, showing how easy it'll be to bring it to life and then making it a win-win for everybody involved. And there's been plenty of times I've been on a call with partners that might want to partner with some of our brands and, you know, they come in with a bunch of excitement, but there's no idea.

26:25So a lot of the times it kind of just falls flat and it doesn't get across the finish line. So coming prepared, being friendly and just making the connection is what it's all about. Yeah, I think this is a good time to get into an example. I think it's especially interesting when you're doing this at an emerging or digitally native brand. I think Truff is a perfect example of this is a brand that was founded less than a decade ago and really made a big splash. And a big part of the strategy was collaborations and partnerships. And then I think the Super Mario Bros one was always just really interesting to me.

27:00So I would love to get into, you know, where did that idea come from? How did you go about it? So I think with Super Mario Brothers, too, the way that that came about is I was sitting in the movie theater and there was a huge field of mushrooms that came on the screen. And obviously those mushrooms are toad. But what I knew that the consumer didn't is that truffle was having a problem just of people understanding what exactly a truffle is. And that's a mushroom. So we saw this as kind of an educational moment that also offered cultural relevance and hype and allowed us to lean into something that we knew a lot of people were excited about.

27:37So, for example, with Super Mario Brothers, a big aha moment for us is when I asked every person in our office about Mario and what they kind of thought about it. And each and every person from young to all the way up to our oldest, they had their own Mario character. So I'm a Yoshi. Others were Luigi. I don't know what you guys are. But there was a lot of internal excitement around that. And that's when we knew like we had to bring this to life in the right way. Yeah. OK, so you left the theater, you took out your phone, you're like, who is in charge of this at Nintendo and at Universal, who I believe distributed the movie?

28:15So, yeah, I mean, I think this is where you kind of get into you put on your startup hat, right? And you start to sleuth. Oh, yeah, it was a lot of sleuthing. And it kind of goes back to everything I went through, you know, just one minute ago. Basically, I found this girl on LinkedIn who was super friendly and was willing to take my call. And on the first call, she was like, look, we're not going to be able to put this together in three to four months because obviously the commercial was already out. They were already prepped in all their partnerships. But she was like, I'll hear you out if you have an idea.

28:47And luckily for us, we had an amazing brand marketing manager on our team at Trough. And she put together the concept within a week. And within that week, Nikki over at Universal, she was able to forward that over to Nintendo and Universal. And just the concept in general got them super hyped. Seeing it pen to paper, looking at the renders, you know, and while that render isn't exactly what was brought to life, it showed them what we were thinking and how we were wanting to bring it to life from the ground up. Yeah, this was a good time to just describe the actual product, right? So of course, you're known for your trufflesauce.

29:22And you saw this branding opportunity where you could reach I mean, there's so many eyeballs on the movie at the time. So yeah, what was that like? Yeah, so the product was not just about putting a familiar, amazing character on the box, even though we do love Mario, we do love Peach. But ultimately, we wanted to design something that's very limited edition. And it's a collectible that made sense for both sides. For Truff, essentially, we've always looked to streetwear as inspiration for how we market. And when we thought about Super Mario Brothers, we wanted to drop a limited edition collaboration that people would get super hype about and it would sell out super quickly.

30:02So that's essentially how the collaboration came to life in terms of the look and the appearance. We did our box over. Essentially, the outside of the box was a scene from the movie. It had a beautiful encasing around it. And then the flavors were our original flavor, our hotter flavor and our white flavor with beautiful imagery of the different characters on it. So if you look on eBay, they're still going for a couple hundred dollars, which is why we know it was a success. People are excited about it. It's on eBay. It's a coveted item. Wow, you got that collector bump. That's awesome. Right. And for a hot sauce, too.

30:39And I think we're setting the tone, like at least Truff in the past few years has set the tone for how different food brands kind of approach these different collabs and how they approach marketing, whether that is inspired by the original streetwear drop with shoes and things like that. It's really interesting to see how that's kind of translating over to food culture as well. I think that's such a great anecdote because there's this really telling difference between a product that's been thoughtfully designed and curated to really convey the storytelling and theme of the characters or the movie or whatever it is versus just slapping a familiar logo or a familiar face on it, right?

31:18Those are two very different ways to collaborate or do licensing. Absolutely. And I think a lot of the time the consumer can see right through that. So if you're just slapping a logo and there's no story whatsoever, no fitting content that goes along with it, they're kind of like, wait, this is definitely not something anybody asked for. Yeah, I think the consumers can usually see right through it. They're very savvy. You know, we've all seen the examples of just, you know, the wicked pink and green being slapped on a product where you're like, okay, I guess. I mean, does that really make sense?

31:51I think actually nails make sense. If you've seen the movie, you know that alphabet, the nails are a big part of her character. But Michelle, maybe we can talk a little bit about, I mean, you know, you were at Trump for so long and really cultivated that playbook. But now that you are at IFG, what are some of the more recent collaborations that, you know, you were either a part of or were just coming in while they were being released? Yeah. So, you know, to be honest, a lot of these take a lot of legwork. So I haven't been involved in any of the partnerships that are coming to life within IFG at the moment.

32:27but Kings Hawaiian is now partnering with Lilo and Stitch and they just announced that on their social media there's going to be an amazing tv commercial against it and obviously that synergy just works so well given the Hawaiian roots yeah we were just mentioning you know Lilo and Stitch is kind of this month's example I think I really like the spam collaboration it makes a lot of sense spam being such a big part of Hawaiian culture and then of course Kings Hawaiian so So yeah, I think this just seems to be kind of like the go-to marketing playbook, even for the studios themselves, right? Maybe this is a good time to talk about, you know, why are the big studios just more open to these ideas?

33:09I mean, of course, these have been around for a long time. I'm not saying they were invented with Barbie, but I think it is safe to say that they just seem to be more open-minded to even like the smallest brands that maybe don't have the biggest marketing budget to do some sort of collaboration. I mean, we see it a lot with like direct consumer startups. I think the White Lotus one, it was like everybody from Abercrombie all the way to away the luggage, of course, makes a lot of sense. A lot of vacation focused brands. Obviously, you can't speak on behalf of the studios, but maybe you can give us your experience on why you think that is.

33:46Yeah, I mean, from my observation, I think the world is just more connected now than ever. So just launching a commercial and doing a few events and a launch party, that's not going to cut it for, you know, a premiere of a new movie. They're trying to go all out because these partnerships offer free media value. So think about it like that, where if you are partnering with a trough or a King's Hawaiian, you know, they're putting all their apples in that basket. They're ready to go and they want to bring the attention to the movie. Yeah, I think especially, you know, of course, we don't cover film or entertainment, but it's It's safe to say that the box office is just such table stakes these days.

34:25And I think merch and collaborations is a big part of that push, right? You want to make sure these really expensive movies, in many cases, are going to get people into seats. And I think, yeah, if you just happen to follow a brand on Instagram that's doing a cool collab, maybe you'll look into it. Maybe you'll go see it. Right. The more brands that are doing collaborations with these movies, obviously, it's more exposure. There's more people talking about it. But there is a 360 element to it because, you know, from my point of view as well, I think that a lot of retailers are getting into it.

34:59Target was wikified. So what else is next, right? I think there's a lot of initiatives from what I hear in conversations for, you know, a lot of these studios to start building out, you know, different types of in-store experiences with different retailers. You know, it's always been available there. But is there something that goes further? So that's another point that is just kind of driving all these initiatives. Michelle, I'm curious if you can elaborate a little bit more about the mechanics of a campaign rollout here. You know, you mentioned that brands are really putting a lot behind this in their marketing budget.

35:33You know, is it the brand's responsibility or the studios or both to really push the product? And how do you figure out, you know, who's pushing out what where? Also, because, you know, these timelines are so long drawn out, I imagine there's a lot of coordination, you know, to make sure everybody's on the same page and pulling the trigger at the right time. Yeah, there's a lot that goes into this stuff. But I think ultimately, you know, to give a long answer for it completely depends on the IP and the scope of the campaign. Some partnerships, they ask for six figure licensing deals just for access to the IP.

36:08and that doesn't include production of your creative or really the media spend that you're going to put into that. But you can also get really scrappy because there are, to your point, Gabby, smaller brands that are getting involved. So I think a lot of the franchises are open to working with them now because they see the media value that they bring. But essentially, in order to get all that across the board, the brand has to lean on themselves in order to create that campaign. They can't rely on the studio. They can't rely on the assets from the movie. Basically, they have to all bring it to life internally.

36:45They need to think about what value they can bring to the table and lean into that value as they begin to build their campaign. So, you know, as we mentioned earlier, if you're able to help the franchise or the studio meet their goals, there may be a big tradeoff that makes sense for both of the teams. For the campaign rollout, it really does start with that brand. So most of the time, the studio will give you guidelines and some assets, but they're not going to market it for you unless it's a very unique situation. So you really have to rely on yourself and your brand team to drive that narrative.

37:19And if you are lucky, the studio might amplify it on their own channels, but only if you've made something that they're proud to repost or even allowed to repost. And a lot of the time, the latter becomes an issue as well. Right. I mean, we are talking about literal IP and a lot of it is very protected. You know, I think speaking of this, now that you've done it a few times, maybe you can speak to, you know, some of the trappings that maybe you could fall into as a marketer, because I imagine it's kind of like collabs, we get more collabs. So I'm sure you're, you know, there's more of a spotlight on you after you do a few of these.

37:54So how do you learn to basically say no to some people, right? I mean, I'm sure that there's a lot of pressure to pick and choose the right collaborations for your brand. Yeah, if you pull off a collaboration right, or even if you do just one, the right people will notice and you'll get an inbox full of pitches. There are so many people that want to secure these partnerships. But, you know, as I said earlier, my motto is always to hear out each and every pitch because something could click that you never even thought of before. But on the flip to your point, it's smart to be strategic. Less is definitely more in every way as you want to take the time and effort to build the right story and the right momentum.

38:35So even though things might seem exciting, it might have been your favorite movie growing up. It really is okay to say no when you think about how the collaboration could fit into the broader marketing plan for your business. I think sometimes that excitement can blind you from being like, you know what, let's launch this. And you're not thinking about what sales is it going to get? Does it even make sense for our brand? And then taking even a further step back, like if you were to do too many of these, will you get oversaturated? So you want to make sure if you're doing one, it's the big one that you can really fully lean into.

39:08And so can your audience and new audiences. Yeah. And I can imagine, you know, the ROI has to really be on point because you want to go back to your CEO with good numbers. You know, I think in your case, you guys had that huge wait list that trough for the this collectible sauces. So, yeah, I think building on top of the previous experiences seems to be a big part of it. Oh, absolutely. There's so many learnings each and every time. And I think, you know, from our experience at Truff and from my conversations with different companies and, you know, different people that work in the industry, each and every time there's some type of activation like this, the goal changes.

39:48You know, at first it's, you know, how do we get more sales? But then it turns into how do we get the buzz like that branded? So it really just depends. It's always a moving target built upon the last one. Yeah, I thought, you know, actually the Minions and King's Hawaiian is a really interesting one because it went beyond just, you know, kind of putting the Minions logo or the actual Minions on the bread bags. There was also an AMC tie in, which I thought was really interesting. So maybe give us a little bit of color on how that was expanded out to get as much reach as possible, especially on social media without maybe too heavy of a lift.

40:27Yeah, I think, I mean, Kings Hawaiian did it really well with their partnership with the Minions. For them, they viewed it, you know, the product collaboration was just an entry point. And with the full collaboration, they opened up a world of extensions that live beyond just in-store. So with that partnership, they focused on bringing really fun content to life. And that's what it was all about, essentially fun Minions just kind of hanging out. So they actually invited the Minion mascots to the King's Wine Factory, and that was pushed out via YouTube and other own social channels. They had a commercial running on TV.

41:03They hosted a contest in retail, and they had an extension of a partnership through AMC Theater. So it was a complete 360 marketing experience that brought to life multiple touch points, which isn't always a necessity for these types of partnerships. But it is a really great goal to strive towards if you have those resources internally and monetarily. So just thinking about how you can maximize the IP at all levels. Michelle, when you think about moving forward in this arena, can you share what your dream collab would be? Is there any brand or pop culture happening that you would love, love, love to collaborate on with your products?

41:43The one that I've been just thinking on for a long time, and it's not a pop culture partnership per se. It's more of a brand on brand partnership that lives within the pop culture sphere or sphere. But I'm obsessed with the idea of a Legendary Foods and Crumble Cookie collab. And I don't know if you guys are familiar with Legendary. I know it's so good. But I don't know if you're familiar with Legendary, but they were created by one of the founders of Quest Nutrition who just knows how to make protein delicious. And obviously, crumble is the most hyped cookie in the world at the moment. But imagine launching a high protein version of crumble's most iconic flavor.

42:21I think that would obviously hit hard with fitness fans, but really anyone who's on the protein train right now. And I think that also includes me. So I thought I would put that out there as something that should happen. That might break TikTok, honestly. And also you just yeah, you threw out a free idea there. I love this idea, too, of like brand on brand collabs where it isn't necessarily a pop culture moment or a movie or a TV show, because then, you know, I think we've all sort of observed this. You can run the risk of oversaturation in those moments. Right. I mean, Michelle, I'm wondering what your advice is or insights you have into how to make sure this area doesn't get too overloaded.

43:02Yeah, I mean, I think each and every brand should approach it differently. So it just depends on what your goals are and how your team is structured. But ultimately, you know, my motto, especially having worked with within really small teams, it has always been to make sure first that the people that are working with you are excited about it. So you can only get excited every so often when you're pouring your heart and soul into working on a project. So at Truff, we essentially had a goal to have two really amazing collaborations a year, whether that be within IP, QSR, or just a new flavor launch, right?

43:41So ultimately, that allowed us to plan correctly, to gear up for what we really wanted to do, but also excite the team and not overwhelm them. And then from the external point of view, think about it from a consumer lens. They only buy your product so many times a year. So you want to give them reasons that are meaningful. And I think that has to be spread out strategically and thoughtfully, especially if you're not an everyday commodity like a bread. Whereas if you are an everyday commodity, you've got to give them more reasons. Yeah, that makes sense. Okay, well, on that note, thank you, Michelle, so much for joining us and really getting in the weeds with us on this.

44:23It was so fun. Of course. Thank you guys for having me. It was so much fun and I really enjoyed it.

44:32Thank you for listening to this episode of the Modern Retail Podcast, a show by Digiday Media. If you haven't already, please subscribe and head to Apple Podcasts to leave us a review and a rating. If you want more from Modern Retail, you can find us at modernretail.co. You can find me, senior reporter Melissa Daniels, on LinkedIn and Blue Sky. And you can also subscribe to our LinkedIn newsletter at the Modern Retail profile. We'll see you next week. Thank you.

From the publisher

On this week’s Modern Retail Podcast, senior reporters Melissa Daniels and Gabriela Barkho discuss the acquisition of sanitizer brand Touchland. The startup was bought by Church & Dwight, the personal care group that owns Nair and Arm & Hammer, in an $880 million deal. The staff also discusses the rise and fall of Target in the past couple of years, with the retailer marred by pullback in consumer spending and boycotts.

In this episode, Daniels and Barkho also welcome Michelle Gabe (18:40), the director of marketing and partnerships at IFG, the parent company of King's Hawaiian, Grillo's Pickles, and Killer Brownie. Gabe joins the show to discuss what goes into brands’ collaborations with entertainment franchises and other pop culture moments, especially in film and television.

The trend was kicked into high gear during 2023’s summer of “Barbie,” when brands of all sizes went pink. Last year, a similar wave was brought on by the “Wicked” movie. Even prestige TV series are getting in on product tie-ins through brand collaborations, as this past season of “White Lotus” showed.

During her previous role at truffle sauce startup Truff, Gabe helped bring these types of partnerships to life, such as a collectibles collaboration with the “Super Mario Bros. Movie,” which garnered a waitlist of 20,000. Here is what she had to say about the best way to approach major IP tie-ins.

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