In short
The Prof G Pod with Scott Galloway - Episode Summary
Podcast Title
The Prof G Pod with Scott Galloway
Episode Title
No Mercy / No Malice: Last Laugh
Episode Description
As read by George Hahn.
---
Episode Overview In this episode, Scott Galloway explores the decline of late-night television and the shift towards podcasting, focusing specifically on Stephen Colbert's situation as a barometer for the changing media landscape. Galloway argues that the traditional late-night model is becoming obsolete due to economic pressures and audience changes, while podcasts are thriving as a more efficient form of media.
---
Key Themes and Discussions
- The Decline of Late-Night Television
- Cancellation of The Late Show: Scott notes the cancellation of Stephen Colbert's show as a sign of a deeper issue within the television industry.
- Economic Pressures: The episode highlights the financial struggles of late-night shows, pointing out that Colbert's show is losing over $40 million annually.
- Audience Shifts
- Demographic Changes: Galloway mentions that less than 10% of Colbert's audience falls within the coveted 18-49 age range, indicating a significant shift in viewer preferences.
- Streaming Dominance: For the first time, viewers are spending more time on streaming services than on traditional broadcast and cable networks.
- The Rise of Podcasting
- Cost Efficiency: Galloway argues that podcasts offer the same irreverence and talent as late-night shows but with significantly lower production costs.
- Success Stories: He cites examples such as Tucker Carlson and Megyn Kelly, who have transitioned to successful podcasting careers with smaller teams and comparable audience sizes.
- The Future of Media
- Transformation of Content Creation: Galloway suggests that traditional media is on its last leg, while podcasting and digital content are poised for significant growth.
- Economic Sustainability: He contrasts the financial performance of Prof G Media with that of late-night shows, noting that his media company operates with a much smaller staff yet achieves higher revenue per employee.
---
Key Takeaways
- Changing Landscape: The episode emphasizes that late-night television is struggling to adapt to the changing media landscape, largely due to economic inefficiencies and shifting viewer preferences.
- Podcasts as the New Frontier: Galloway posits that podcasts are taking over the role of late-night television, providing a more sustainable and accessible format for both creators and audiences.
- Audience Engagement: The decline in late-night viewership suggests that audiences are looking for more personal, less produced forms of entertainment, which podcasts can offer.
---
Conclusion Scott Galloway concludes that the end of late-night television is imminent, but the rise of podcasts represents a new age of media that is more efficient, financially viable, and engaging for audiences. This episode serves as a critical reflection on the evolving dynamics of entertainment and the implications for traditional media.
---
For more insights, listeners can tune into upcoming episodes of The Prof G Pod, where Scott continues to dissect the intersection of business, media, and culture.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by On Investing, an original podcast from Charles Schwab. I'm Kathy Jones, Schwab's Chief Fixed Income Strategist. And I'm Lizanne Saunders, Schwab's Chief Investment Strategist. Between us, we have decades of experience studying the indicators that drive the economy and how they can have a direct impact on your investments. We know that investors have a lot of questions about the markets and the economy, and we're here to help. Join us each week as we explore questions like, how do you evaluate corporate bonds? And what sectors of the stock market are outperforming?
0:31So Kathy will analyze what's happening in the bond market and at the Fed, and I'll give you our latest analysis of the equities market and the U.S. economy. And we often interview prominent guests from across the world of investing and business. So download the latest episode and subscribe at schwab.com slash oninvesting or wherever you get your podcasts.
0:54Rinse takes your laundry and hand delivers it to your door, expertly cleaned and folded. So you could take the time once spent folding and sorting and waiting to finally pursue a whole new version of you. Like tea time you. Mmm. Or this tea time you. Or even this tea time you. So did you hear about Dave? Or even tea time, tea time, tea time you. Mmm. So update on Dave. It's up to you. We'll take the laundry. Rinse. It's time to be great. AI agents are getting pretty impressive. You might not even realize you're listening to one right now. We work 24-7 to resolve customer inquiries. No hold music, no canned answers, no frustration.
1:37Visit sierra.ai to learn more. I'm Scott Galloway, and this is No Mercy, No Malice. It's getting late early for late night television. But don't worry, they're just being reconstituted as podcasts. Same irreverence, same talent, just 90 % less production costs. It's Last Laugh, as read by George Hahn.
2:09It's getting awfully late, early, for late night TV. Stephen Colbert shocked his audience on July 17th with the news that CBS had canceled The Late Show. I interpreted it as the latest sign of America's descent into fascism, another media company bending the knee. The headlines came just three days after Colbert slammed Paramount's decision to pay Trump$16 million to settle a nuisance lawsuit over the editing of a 60 Minutes interview, calling it a big fat bribe. CBS is part of Paramount which needed the Trump administration to bless the transfer of billions from one billionaire nepo baby David Ellison to another billionaire nepo baby Sherry Redstone At some point people will notice the only ones willing to buy media companies are rich kids who didn't have to actually make any money But I digress I was wrong about Colbert Economics are driving him out not politics.
3:19Granted, two things can be true at once, and Colbert's constant ribbing of the president probably made his walk on the green mile shorter. But let's be clear, winter was coming. This is an overdue reshaping of the supply chain in TV. Colbert isn't going anywhere. It's 185 of the 200 people working for him who are going to be getting their real estate licenses. The media reaction was outrage. Nothing is more precious than a 60-something comedian who earns 100 times what his staff makes, getting furious at the suits. But the opportunistic infection that took a weakened, late-night show down was the WGA's decision to go on strike in 2023.
4:07Netflix, and to a lesser extent, scripted TV, had enough shows in the bank to hang on to all or most of their audience, respectively, for about five months. But nobody was going to tune into Jimmy Kimmel to see Michael Avenatti again. When late night went dark, millions of Americans realized they didn't miss it, and they never returned. Jon Stewart should tell the WGA board, not Paramount's management, to go fuck themselves.
4:42From New York, The Tonight Show, starring Johnny Carson. Johnny Carson, the king of late night during his three-decade run as host of The Tonight Show, attracted a nightly audience of 10 million to 15 million at his peak. Adjusted for population growth, that would be like 25 million people tuning in tonight. By the late 70s, tonight accounted for 17 % of NBC's revenue. Live from the NBC studios in Burbank, California, The Tonight Show with Jay Leno. In 1988, a few years before Carson handed the reins to Jay Leno, advertising dollars spent on late-night TV surged to more than$1.2 billion as carmakers, beverage companies, and movie studios rushed to win over younger, more affluent consumers.
5:41In 2002, Leno's show routinely attracted more than 5 million viewers a night, still strong, and late-night shows continued to deliver into the next decade. About 15 years ago, a popular late-night program could earn about$100 million a year. Those days are gone. The entertainment sector has experienced a seismic shift, with late-night TV advertising revenue collapsing 50 % to an estimated$220 million in 2024 from$439 million in 2018. according to data firm Guideline. In the five years leading up to its Chapter 11 filing, General Motors' revenue declined 40%. In sum, if late-night television were a standalone business, it would have declared bankruptcy last year.
6:43During the last two months, for the first time ever, viewers spent more time watching streaming services, including YouTube and Netflix, than the broadcast and cable networks combined. We're still catching the highlight clips of late-night TV, but as they do with the rest of media, technology platforms rent the content for two cents on the dollar. It isn't the end of Colbert. It's the end of late-night TV. Colbert's late show reportedly has been losing more than$40 million a year for CBS, with a budget of$100 million per season and about 200 employees. Colbert quipped, quote, I could see us losing$24 million, but where would Paramount have possibly spent the other$16 million?
7:40Oh, yeah, unquote. Assuming the show is reeling in$60 million a year in revenue, that equates to$300 ,000 per employee. But less than 10 % of the Late Show's audience is between 18 and 49 years old, that coveted demographic still in their mating years and making irrational high-margin purchases. And one of the key insights from the 2024 election is that podcast listeners swing elections as they are much younger and more likely to be swayed. Nine out of ten people who watch cable news and late night from an economic lens don't matter. Think about it. As a percentage of the population, Late Night has shed 90 % of its audience over the past several decades.
8:39Contrast Colbert with our company, Prof G Media. I never miss the opportunity to boast. We expect to generate$15 million to$20 million in annual revenue next year, with about 15 full-time people. That figure, which excludes my podcast Pivot with Tara Swisher, equates to$1 million to$1.3 million per employee. Unlike the late-night category, we're growing 20 % to 30 % annually, with half of our listeners in the 18 to 49 age bracket. We're reaching nearly as many of the core demographic as late-night with 8 % of the staff and cost.
9:27TV's biggest stars are simply arbitraging the means of production, i.e. losing 90 % of their staff. The talent in front of the camera and mic has figured out how to hold on to their income and cultural relevance by reducing production costs. When Fox News fired Tucker Carlson in 2023, a week after the network settled a defamation lawsuit with Dominion Voting Systems for almost$800 million, he embraced his newfound independence. The Tucker Carlson Show averaged 1.06 million views throughout most of June and sat at number 11 on YouTube's podcast rankings last week. Even if his audience is smaller than it was previously, he's likely capturing similar economic value, i.e.
10:20pay, with a smaller team. Podcasts are TV, just more efficient. Megyn Kelly, ousted from NBC in 2019, is another example. Semaphore reported last year that her Megyn Kelly show was drawing audiences comparable to those of the legacy media outlets, with only six employees. The show, among the most followed political podcasts in the U.S., had 3.5 million subscribers in March. Finally, consider Conan O 'Brien, who hosted Late Night and The Tonight Show, both on NBC and then Conan on TBS. I'd speculate that O 'Brien, who launched the weekly podcast Conan O 'Brien Needs a Friend in 2018 and later sold his podcast business to SiriusXM for$150 million, is making more money today than he did in his late night heyday.
11:21The 150 people who worked at Late Night? See above. Real estate agents. Even though his audience has dropped from a peak of more than 3.1 million viewers in 2017 and 2018, Colbert enjoys better ratings than his competitors, Jimmy Kimmel and Jimmy Fallon, registering an average of 2.42 million viewers during the three-month period ending in June. that compared with 1.77 million and 1.19 million for Kimmel and Fallon, respectively. If Colbert can't hang on, it doesn't bode well for his rivals or the staff who don't make it onto the podcast arc with their boss. Colbert, Fallon, and Kimmel shouldn't be worried.
12:11They are caged in a broken business model, and it's only a matter of time before they break free. In his first broadcast since CBS pulled the plug, Colbert earlier this week warned Trump that the gloves are off. When his contract ends in 10 months, the economic shackles will also come off. Instead of leading a$60 million business with 200 staff, Colbert will likely helm a$20 million business with 12 highly skilled people. These shows might lack the glitz and glamour of late night, but that can be an advantage, as Colbert demonstrated during the pandemic when he delivered monologues at home without a live audience, his wife, Evie Colbert, by his side.
12:56More stars will follow Colbert into the next frontier after he leaves the late night stage. MSNBC's Rachel Maddow, who's already reduced her on-air commitments to pursue podcasts, may not be able to match the$25 million salary she reportedly negotiated at the network, but her current compensation is unsustainable, and she knows it. When it returned to its traditional format in the Ed Sullivan Theater in June 2021, the late show seemed eager to embrace the old-school model and ditch everything it learned in lockdown. But the future looks more like Colbert at his vacation home in South Carolina than in front of a live audience with a band, Manhattan rent, and union workers.
13:46It means sharply lower production costs with a team of 20, not 200. Call it the old navy of media. 80 % of the production quality for a fifth of the price. The end is nigh for late-night TV, but podcasts delivering high-quality and highly profitable entertainment are just warming up. Colbert will be just as relevant, and as much a pain in Trump's ass, he'll just do it via a different means of production. Podcasts are TV, but with an audio-first overlay and better unit economics. Commending the RAF in 1940, Winston Churchill said that never, quote, was so much owed by so many to so few, unquote.
14:41In cable news and late night television, rarely have so many talented people been less relevant. Life is so rich.
14:58Thank you.
15:28and manage their meds. And that helps your business control your costs because healthier members are better for business. Go to cmk.co slash access to learn more about helping your members stay adherent. That's cmk.co slash ACCESS.
15:48Support for this show comes from Airbus. It took 100 years for electric vehicles to catch on. Modern solar panels? Half a century. Lithium batteries? Decades to go from their debut to daily use. It's a pattern. Energy tech breaks through, stalls, and then something tips the scales. But for every success, there are even more almosts. So what if there was a breakthrough sitting at this crossroads right now? SAF, or sustainable aviation fuel, could forever change the future of flight. Learn more about how Airbus is contributing to accelerate this journey at fly.airbus.com slash theflightpath.
16:34Thanks to Smartsheet for their support. What would you do if you had more time in the day, even just one hour more? In reality, we actually all do have more time than we think, but that extra time is sucked up by distraction. Jumping from window to window and application to application to get a simple task done creates endless pockets for distractions to slip in. That's why Smartsheet lets your team manage all your workflows in one seamless platform, so you can clear the clutter and find that elusive extra time every single day. Smartsheet. Work with flow. Learn more at smartsheet.com slash vox.
From the publisher
As read by George Hahn.
https://www.profgalloway.com/last-laugh/
Learn more about your ad choices. Visit podcastchoices.com/adchoices




