In short
Netflix’s “anti-ESPN” thesis for live sports—Netflix won’t chase volume like legacy broadcasters; it will “eventize” big moments to drive global conversation and clicks.
Guests
Gabe Spitzer, VP of Sports at Netflix; former HBO documentary executive (worked on 30 for 30 and directed ~30 episodes). Host: John Oran (Puck Sports correspondent). Also referenced: Bill Simmons (Ringer), Jeff Price (Heisman Trust CEO), Kurt Dargis (ESPN exec), Chris Fowler.
Key claims
Netflix treats live sports as an event strategy, not a volume strategy. It wants moments “only on Netflix,” with global water-cooler impact. Netflix is “not a legacy sports network,” so it relies on partners (CBS/NFL Media/Ever Wonder) for production. Streaming reliability improved after the Tyson-Jake Paul event’s buffering issues at massive scale.
Notable examples
Jake Paul vs Mike Tyson (108M live, 65M concurrent), Christmas NFL games (Snoop halftime; K-pop group Demon Hunters; Lainey Wilson), WWE (10+ years), FIFA Women’s World Cup 2027 (US/Canada multilingual rights; 48 teams), MLB events (World Baseball Classic Japan, Opening Night, Field of Dreams, Home Run Derby).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOESPN's Heisman Trophy Deal
1:30 to 3:53
Analysis of ESPN's renewed deal with the Heisman Trust and its implications.
“So Gabe and I are going to talk a lot about how Netflix views sports and probably more importantly, the types of sports that Netflix is interested in.”
Netflix's Live Sports Strategy
3:53 to 8:06
Gabe Spitzer discusses Netflix's approach to live sports and event strategy.
“The fact that it attracted 4.3 million viewers, it makes it a lot easier for ESPN to renew this type of deal.”
Evolving Sports Broadcasting
8:06 to 10:41
Exploration of Netflix's challenges and developments in live sports broadcasting.
“So what made you go away from like bringing, you know, the tennis and the golf and then doing these deals that you now have with FIFA, the NFL, MLB?”
Future of NFL and Christmas Games
10:41 to 14:02
Discussion on Netflix's future plans for NFL content and Christmas Day games.
“Well, I think it was a combination of two things.”
Christmas Day Game Preparations
14:02 to 15:43
Learn about the extensive preparations for the Christmas Day NFL game.
“We want to break our own record this year.”
The FIFA Women's World Cup Deal
15:47 to 16:52
Insights on Netflix's surprising rights deal with FIFA for the Women's World Cup.
“Let me go through a couple of the deals that you made.”
Broadcasting Ambitions and Challenges
16:52 to 19:13
Discussion of the challenges and ambitions Netflix faces with broadcasting sports.
“You can eventize, say, the US women playing.”
Future of Men's World Cup Rights
19:13 to 20:09
Speculation on Netflix's interest in future men's World Cup broadcasting rights.
“I know other networks have done it, but it's much bigger than anything we've ever done.”
Major League Baseball Rights Strategy
20:09 to 22:20
Exploration of Netflix's strategy regarding MLB rights and eventizing games.
“It was bigger in Japan than the Tokyo Olympics were.”
World Baseball Classic and Global Strategy
22:20 to 23:49
Discussion of Netflix's strategy for acquiring World Baseball Classic rights.
“But it is a battle for attention on and off Netflix.”
Show all 21 chapters
ESPN's MLB Deal and Market Trends
23:49 to 24:35
Analyzing ESPN's decision to opt-out of its MLB deal and market implications.
“Just because it's not available anywhere else doesn't mean we should penalize them.”
Netflix's Interest in Boxing
24:35 to 26:02
Discussion on Netflix's potential role in the boxing landscape and star power.
“Obviously, there's an added cost for a subscription to MLB.”
Hiring Elle Duncan at Netflix
27:54 to 28:04
Exploring Netflix's decision to hire Elle Duncan as a key host.
“We all know it's not a cookout without Heinz and Kraft.”
Hiring Elle: A New Era for Netflix Sports
28:34 to 30:42
Discover the strategic thinking behind hiring Elle as a multi-faceted host.
“The first sort of, I know she's going to do more than just sports, but, uh, uh, but it was really, it seems to me, am I correct on this?”
The Unique Approach to Talent at Netflix
30:42 to 33:39
Explore how Netflix's flexible talent strategy differentiates it from competitors.
“Nicole Byer was the host of an amazing baking show for us called Nailed It.”
Navigating the Documentary Landscape
33:39 to 35:33
Learn about the current state of sports documentaries and Netflix's ambitions.
“daly's with john daly and dardanelle in dardanelle arkansas 100 so yeah for anyone who hasn't been then you should go to Front Street Grill in Darden, Arkansas.”
Lessons from 'The Last Dance' Phenomenon
35:33 to 37:33
Understand the impact of 'The Last Dance' on Netflix's documentary strategy.
“if I came to you with a doc pitch, what are you looking for now?”
Evaluating Success in Sports Programming
37:33 to 39:41
Discover how Netflix measures the success of its sports programming.
“What are some of the interesting ones on the plate right now?”
Future of Sports Content at Netflix
39:41 to 42:03
Explore the expected evolution of Netflix's sports content in the coming years.
“You come up through the documentary space.”
Exploring Netflix's Podcast Strategy
42:03 to 44:34
Learn about Netflix's approach to integrating podcasts into its platform and how it plans to curate content for users.
“new things so we have no idea how it's going to go i think we're excited about the the podcasts that are already in.”
Future of Sports Programming on Netflix
44:34 to 46:42
Discover insights into Netflix's vision for sports programming and their partnerships within the industry.
“so i'm going to get to my paramount questions is that okay you can ask whatever you want i can't i'll try to answer whatever i can yeah why would you be interested in paramount in paramount or Or WBD.”
Transcript
Automatic transcript. May contain errors.0:01This episode is brought to you by Fox one. Watch all 104 matches of the FIFA world cup live in 4k for just$19.99 a month with three days free. Build your own multi-view, choose up to three streams and follow player spotlights. Stay on top of every moment with live stats, highlights and instant replays. The FIFA world cup streaming live on Fox one offers a subject to change. See Fox.com for complete terms and conditions. Hey, it's Bill from the Bill Simmons podcast. FIFA World Cup 26 fans, listen up. Is the official beer sponsor of the FIFA World Cup 26? Michelob Ultra is giving away$1 million worth of FIFA World Cup 26 tickets and prizes.
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1:04congratulations you made the varsity the podcast my name is john oran and i am pucks sports correspondent and the host of this pod and today we are joined by gabe spitzer gabe is one of the top sports executives at netflix which is bringing more and more sports on its service in fact i'm in miami right now to take in a made for netflix boxing match between jake paul and anthony joshua So Gabe and I are going to talk a lot about how Netflix views sports and probably more importantly, the types of sports that Netflix is interested in. But before we get to Gabe, today is Sunday, December 21st, and here's what I'm watching.
1:44I broke the news of a small rights deal on my private email on Thursday. ESPN, which has carried every Heisman Trophy presentation since 1994, extended its deal with the Heisman Trust for another six years. And the reason why I'm talking about this today on this podcast isn't because it's some sort of groundbreaking deal. It's not. ESPN is going to carry the ceremony, announce a finalist, produce shoulder programming around the event, everything that's already done. But to me, this type of deal really illustrates how business is conducted in the sports biz. First, there's a whole relationship aspect of this.
2:21I'm serious. Relationships matter more in sports media than in any other business that I have covered. I've seen executives make questionable deals just to keep working with business partners that they like. ESPN has carried the Heisman announcement for 32 years. Now that's a relationship. Chris Fowler, he's hosted it each of those years. Neither side was eager to end this relationship. In fact, when I asked ESPN executive Kurt Dargis about this, he started talking about ESPNs, and I'm going to quote him here, vitally important partnership with the Heisman Trust. And this happens more in sports than elsewhere.
3:00I mean, the Masters, it's been with CBS for 70 years, 7-0, amazing. Fox, it's had the NFL since a broadcaster launched. ESPN carried the NFL draft since the early 1980s. Now, this Heisman deal also marks a sign of the times for me. ESPN has committed$2.6 billion per year to the NBA. It's paying$2.7 billion to the NFL, and that figure is going to jump in the next few years. College football, baseball, hockey, I've said this for a while. Wright's deals are being split between the big guys, like the NFL and the NBA, and the little guys like the Heisman Trust. It's the middle class of sports rights that are in trouble.
3:45And my beat over the next few years is to figure out where that line falls. So this Heisman deal, while small, fits right into ESPN's programming strategy. The fact that it attracted 4.3 million viewers, it makes it a lot easier for ESPN to renew this type of deal. Then there's a whole Heisman aspect of this. Jeff Price, he's a new CEO of the Heisman Trust. He told me that he expects ESPN is going to help the event grow its stature. Instead of viewing it as a one-hour show, Price wants the Heisman to be part of a season-long campaign that'll really help it take advantage of the popularity of college football.
4:25Because the Heisman Trophy really is still a good brand, but it doesn't have the same relevance that it had when I was a kid. There's no reason to believe that it can't start to recapture that glory. Okay, now let's get to Netflix executive, Gabe Spitzer. My first question for you is, from a 50 ,000 foot view, take me in a Netflix conference room when you're deciding what live sports that you're interested in and what live sports you aren't. How do those conversations go? Sure, first of all, thanks for having me as a Vermonter and lifelong Boston fan. And being on Nessun is a life dream for me.
5:05A life dream? Yeah, exactly. So I'm here and, you know, obviously. And Gabe, we're commandeering the full hour on Nessun. I love it. I love it. So I'll tell all my friends and family. But no, you know, look, I think it's been an incredible two-year journey that we've had since we've started on the live sports side. And, you know, what we look for, it's the same way we assess content like a Stranger Things or a Bridgerton or any of our big scripted TV or, you know, or films around the world. we want to do things that feel big loud can create that global conversation to our 300 million plus members around the world and that's how we're assessing sports as well you know our co-ceo ted sarandos he says it's an event strategy more than a sports strategy you know obviously we have you know incredible history in the sports documentary space but in the live sports space it's really you know what are those events that are going to create conversation that are going to be that water cooler conversation that are going to bring people from around the world to want to click on Netflix and watch it.
5:58So, you know, we're here in Miami right now. We have an, you know, an incredible fight tonight with Jake Paul and Anthony Joshua. And six days from now, we're around the world with, you know, two games, NFL games on Netflix. So, you know, that's really how we're looking at it. We're not going to be in that big volume strategy. We're going to be in that strategy of how do we make that one event that's going to get people talking and that's going to get people to, you know, to click play on Netflix. Don't say it. Don't say it. Eventize? Look, I came prepared knowing it's your favorite word. So I know the listeners won't be able to see this, but we made you an eventized t-shirt right here.
6:33Oh, look at that. Here you go. So keep it, wear it proudly. Oh, I love it. Yes. We know it's your favorite word. Hashtag eventized. But yes, look, we do want to eventize these things. We want people, we want that conversation of this could only happen on Netflix and it feels bigger and better. So you started the Live Sports Strategy two years ago. Yep. How has it evolved in two years? in a surprising and exciting way. Look, two years ago, we launched our first event. It was the Netflix cup. You probably didn't watch it. It was, you know, it was a, it was golf. So it's okay. It's okay. We won't blame you, but it was, you know, it was a Tuesday afternoon in Las Vegas, an exhibition golf event, you know, with drivers from drive to survive F1 drivers and golfers from our show full swing.
7:16And it was look a great way in. Cause we wanted to see, let's get our live up and running only about six months earlier. We'd had a Chris rock, which is our first live event ever. And my boss, Brandon Rieg, had been a big proponent of let's get live functionality on Netflix just to see, you know, how is that difference? How is it going to bring people? Historically, obviously, we're streaming video on demand. You can click and watch anything you want whenever you want, but we need to create that sense of immediacy. So that was two years ago. One year ago, obviously, the Jake Paul, Mike Tyson event, which was massive for us.
7:45And now here we are where we have a fight massively globally tonight. We have Christmas games on Christmas, you know, two NFL games, and then obviously upcoming big events with Major League Baseball, the Women's World Cup coming in 2027. So it's evolved in a way that's like more exciting than I could have ever imagined that when we started two years ago and hopefully a lot more to come. So what made you go away from like bringing, you know, the tennis and the golf and then doing these deals that you now have with FIFA, the NFL, MLB? I mean, the biggest leagues in the world right now. Yeah. Look, I think that was the difference is there's so much competition out there, not just on Netflix, but everywhere else for people's eyeballs.
8:25Right. So, you know, there's so many other streamers, there's broadcast networks, there's movies, there's TV, there's all of it. So I think we wanted things that could grab people and, you know, create that attention and want to bring them to Netflix. So there's a difference in, you know, the effort to create our own IP and to create our own events versus working with the biggest leagues in the world. You know, the first one, obviously, which knocked down that door, which Bella Bajari, our chief content officer, was the huge proponent of was WWE, right? It is that hybrid sports and entertainment.
8:53But, you know, shortly after that Netflix Cup event, we started talking to Mark Shapiro and Nick Khan and Paul Levesque about what WWE could look like on Netflix. And that deal happened. And I think that sort of knocked down the door internally, even for people who had maybe doubted, should we do live? Should we do live sports to something now that's, you know, bigger and better. So help me out here. How did that knock down the door internally? What did you learn from that? I think for us, it was all about, historically, we've owned our content. It's been that you could only get it on Netflix.
9:25And I think the challenges at points with sports rights are they can be short-term. You could help build a league together and then suddenly they're going somewhere else a few years later. So it's something that was harder, I think, as we had discussions to say, does this feel like Netflix? But I do think when we got to WWE and you have that core audience that's coming week in, week out on Raw. But also I think the exciting part for us being a global streamer is we could help WWE and work together as a great partnership to grow it around the world, right? So we have almost the entire WWE library, SmackDown, Raw, the things like WrestleMania, their big PLEs are in places like France starting on January 1st.
10:04They're in Malaysia. They're in Japan. They're everywhere. So I think that was the part that felt like this is something we could grow together. It's a long-term deal, 10 plus years. And I think that then led to us saying, okay, what are other things that we could look at? What are those other big tentpole events that we could bring to Netflix? This isn't unique to Netflix. It's like when Amazon started doing Thursday Night Football, is looking for the lag, looking for the delays. You had some problems with a Tyson fight with people getting buffered out and having trouble connecting. After the Tyson fight, to my knowledge, there hasn't really been any of those problems anymore.
10:42How did that get solved? Was that a technical issue? Well, I think it was a combination of two things. First, we think we have the best product and engineering team in the world. I think it's just the viewing that night surprised even us. The amount of people tuning in around the world, so 108 million people live, that was 65 million concurrent accounts. The next day, we added more, so it was 125 million people. I think when you have that, it was the most streamed sporting event of all time. So I think when you have that many people tuning in at the same time, It created issues that we didn't even know about.
11:11Since then, obviously, our engineering team is best in the business. They've solved anything along those lines. And knock on wood, somewhere here that it hasn't happened again. And we've actually been praised even a month later for our NFL games of the streaming quality. What are some of the under-the-radar things that you've had to learn and had to sort of develop that didn't work as well in the beginning that you've fixed and solved now? I would just say we are not a legacy sports network, right? We are a very small, scrappy team on our Netflix side that are trying to build this up together.
11:43And it's a really exciting time. But we didn't have that built-in years of live sports knowledge or that staff that's done it week in and week out. So I think what we've tried to do is bring on great partners to work with us. So for the NFL next week, we have CBS producing our games. We have NFL Media doing the pregame and postgame. We have Ever Wonder, who's a great company, a production company on the outside, helping us to produce these events. So I think it's how do you take what we do best on the entertainment side and to thrill our members and combine with partners that are going to help us succeed there.
12:17So before I get into specifics with the various leagues, why is Netflix interested in live sports? What is it about live that, especially in the States, it's a very mature market right now. It's a mature market, but when you can do it in an eventized way and you can surprise people and you can get it. You said it. That time you said it. I said it for you. Yeah, thank you. I said it for you. But when you can bring Beyonce on at halftime for Christmas, like, I do think there's this sense of only on Netflix in some ways. And in the same way, right, we're going to get after our Christmas games, the final seasons of Stranger Things is launching.
12:55Like, for the biggest and best live events, you know, and whether that's a concert or a sporting event, there's nothing better to bring people together and to get people talking. You know, and I think we saw that with Mike Tyson and Jake Paul, that truly the world came together to watch that on Netflix and only on Netflix. So I think we see the power of what the best and biggest live sports events can do. All right. Christmas Day games. Those are big events, especially with the halftime shows that are coming up. Yep. What what's your appetite in terms of expanding the relationship with the NFL.
13:28They're obviously going to have the rights come up. They're looking for an international package of games. Is that not like is a weekly NFL game? Is that a big enough event for Netflix? I mean, the NFL, as it's proven in the U.S., is a big event anytime they're on. So, you know, we they're great partners dealing with Hans Schroeder and Ani Bost and the team over there, like and obviously the commissioner, you know, as as opportunities come up, we'll continue to talk to them about it right now. we're super happy with what we have on Christmas. You know, it was those two games are the two most streamed sporting events in NFL games in U.S.
14:01history. So obviously we're competitive. We want to break our own record this year. We'll see what happens. But I think it's been an incredible partnership and we're hoping to continue it and we'll see what happens down the road. Where are you going to be on Christmas Day? I'll be in D.C. for the Commanders Cowboys. Oh, there you are. Yeah. Right in your neck of the woods. What's your day like on Christmas? Take me into that game. So look, I think obviously that's one game of our whole day. So we're going to be doing a lot of prep. I'll be in LA the day before with our team. And it's obviously a massive team that it takes to work on Christmas.
14:33Like I said, CBS is a part of it. NFL media is a part of it. It's not just Netflix as that part of it. So we'll have a two-hour pregame starting at 11 a.m. We'll have an incredible cast of talent that are in D.C. for the pregame. And we'll also have a group in Minnesota for the pregame for our other games. So we've got two hours there, obviously kickoff in D.C. at 1 p.m., and then we're shifting that entire audience at 4.30 over to Minnesota. And then in Minnesota, we have an unbelievable halftime with Snoop. We just announced the singers from K-pop Demon Hunters, which I know is your favorite movie, but it is truly the biggest film in the world this year and the biggest film we've ever had on Netflix.
15:11So that's going to bring a great international audience. Lainey Wilson, incredible country singer, and then some other surprises as well.
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16:22Let me go through a couple of the deals that you made. And the one that I like the best, frankly, is the FIFA Women's World Cup. Yeah, can't wait. Because very rarely am I totally surprised by a rights deal. Yeah. And when you came out with the announcement, that was legitimately surprising. You kept it. We tried to keep things tight. We didn't want you to break It's very tight, yeah. And I was working overtime to try to break it too. I think I felt maybe it was going to DAZN at the time. So well done. What was it about the Women's World Cup? Because you can eventize the final. You can eventize, say, the US women playing.
17:02But you're going to end up with a couple of countries that Wayne Gretzky probably can't pronounce. Right. Well, look, I think an event doesn't have to be three hours on one single day. The World Cup, there's nothing bigger, right? It's an entire month where you can say you can own that conversation. And obviously, when we started talking to FIFA, we had built a relationship. We'd done some documentaries with them, one called Captains, one called Under Pressure on the U.S. Women's National Team. So we had had conversations with them on that side. And when they approached us about the possibility of bidding in the U.S., it was sort of a no-brainer.
17:36and obviously talking to Bella and Brandon and others on our team, it felt like one where when we had looked at the ratings back in 2015 when it was in a great time zone, it was in Canada, it was 25 to 30 million people watching the final just in the U.S. The last two, one was in France, one was in Australia, not as great time zones for the U.S. or Canadian audience, but knowing in 2027 it would be in Brazil, amazing time zone, can have the biggest games in prime time, and in 2031 all signs are pointing to it being in the U.S., which obviously is incredible for us, and they're expanding to 48 teams.
18:08So it felt like one that just we could, with the right time and the right team in place, could really make bigger and better. And I think the thrilling thing for us and with the tech that we have is we have the rights in the U.S. in English and in Spanish. So it's the equivalent of what Fox and Telemundo are doing all in one. And then in Canada, we have the rights in English and in French. So it's the equivalent of what TSN and RDS are doing. So it's by far the most ambitious thing we've ever done on the sports side. We've got a great staff that have come in, Kate Jackson and Matt Leach, who came with decades of experience from ESPN, working in soccer, Eli Velasquez, who ran sports at Telemundo.
18:44So we're trying to build that team around it that's going to have that expertise to execute it. What's keeping you awake about that right now? Is it just the massive scale of it all? Yeah, a lot's keeping me awake on that one. Obviously, we've already been down to Rio a couple times. On Nessun, they can see the dark circles on your eyes. Yeah, exactly. We've been down to Rio to look at what our sets are like. But like I said, we're multiple networks in one at the same time. So you're going to be able to click on, and it's going to be an entirely different broadcast in Spanish than it is going to be in English.
19:12We're going to have 90 to 100 talent on site in Brazil broadcasting every game. So it's just the scope and scale. I know other networks have done it, but it's much bigger than anything we've ever done. So we're thrilled about it, though, and we can't wait for it to happen. Let me flip this forward. You know, the men's World Cup rights, which of course Fox has this coming season. Can I suggest that you're going to be interested in those moving forward? Or is that are you going to wait and see how the women's do? I think like any big sports rights that are out there now, you know, as we've matured, we're going to have the conversations with leagues.
19:44We're excited to understand what it's about. But we put your name there, whether you're. Yeah, exactly. I think whether you put it there, other leagues want to say Netflix has had the conversations even when we haven't. sometimes that happens but um we're we're honored to be be in the conversation um but no look i think like any of those we'll look at it but it's hard to say right now what what that conversation is going to be uh mlb deal i thought the mlb deal was unique because it in terms of eventizing you have you keep saying i know that's me there uh but you have the opening night game yep uh you have the field of dream game yep you have the um home run derby as well um so i i can see i can see what you're thinking in terms of that it's a three-year run uh rights come up in 2028 what are you gonna what are you what are the metrics what are you going to be looking at over the next three years to determine how aggressive you're going to be when a bigger tranche of rights come up yeah and i think you mentioned those three events and even before that which obviously we don't pay as much attention to you know on the u.s sports media side but we have the world we have the rights to the world baseball classic in japan which is coming in early march and outside of the women's world Cup is definitely ambitious for us because when we looked at those ratings in 2023, about half of the entire country was watching.
20:58It was bigger in Japan than the Tokyo Olympics were. So that was one where, so we started to build a relationship with Major League Baseball, again, through some documentaries that we did on the Red Sox and other teams. But getting the rights there is incredible. Obviously, Shohei and everything else and baseball is having a moment. So we'll start with that in early March. And then, yeah, more in many countries around the world, then we'll have opening night, which we think is really exciting. When we started to talk to Major League Baseball, they actually pulled up a game outside of their traditional opening day on Thursday to Wednesday.
21:28So we'll have an exclusive primetime window on Wednesday night, Yankees, Giants, which we're really thrilled about that matchup, and then Home Run Derby and Field of Dreams, as you mentioned. But for us, that's just three days on the calendar. But we think we can, in collaboration with MLB, make those feel bigger and bring a different audience in. And so with anything, we're looking at what the audience is, what the conversation is. But I think we're really excited about that partnership with MLB. I mean, right now in 2025, I can't imagine that Netflix is interested in a season-long package of MLB games or a season-long package of NBA games.
22:03Or not to pick on MLB, but one game out of 82 is not a big event. It's hard to create that as a big event. Do you see that changing at any point? I think for now, look, that is our strategy. and you're correct we're not in the volume business at least at this point in time anything can change i couldn't predict two years ago that we would have nfl games on christmas or you know a massive global fight today but at the moment no this is we we're competing with ourselves even at netflix you know my boss brandon reig likes to say it's a gladiatorial arena on netflix every friday night right you could watch stranger things or squid game or you could watch a baseball game right is there a battle to put it on the home screen it's not even a we have an algorithm Do we even call it a home screen?
22:45You can call it a home screen. You can call it whatever you want. But it is a battle for attention on and off Netflix. So I think for us, at least for right now, a more random game on a Friday night is not necessarily the same for us as opening night or home run derby, right? As a fan, you know what those mean and you might come to watch on Netflix. Could that change in the future? Sure, but I think this is what's exciting. This is where we want to focus at the moment. the um and i also wanted to talk a little bit about the world baseball classic i mean i the numbers in japan for the last one were through the roof the numbers in japan for the world series are through the roof as well so i i understand that it seems to be somewhat uh separate from your strategy a different sort of strategy to go in and get the rights solely for japan is that is that a good way i don't think i think it's maybe an evolution of our strategy look i think fellow Bajari and the chief content side, you know, we're programming for the world, right?
23:43And a lot of times that is, you know, we can get a global package. If the rights aren't available in some place, it might be, does it make sense for our members in Japan to have that? Just because it's not available anywhere else doesn't mean we should penalize them. And I think we should look at it as a great opportunity. That would be great for members in Japan to come in, or maybe people who are casual fans who have never signed up for Netflix, but love the World Baseball Classic, will want to come watch it. So it's not, I think it's just a, yeah, it's an evolution, but it's not against our strategy in any way.
24:09Like you had mentioned with the Women's World Cup, what was available at the time were the rights in US and Canada, and that's what we talked to them about. I'm not keeping count, but I think I've used the word eventizing four times. I think you've named Bella four times too, so we got that going. She's an important person in the business. She's a huge sports fan, so we like her. You know what really surprised me is ESPN opted out of its MLB deal, uh and i think kimmy pataro was he talked about this he wanted that mlb.tv out of market package which seems to work really well for a streaming company like a amazon i thought would have been interested in it they weren't uh sure uh are you interested that's more volume but it's almost more targeted volume i would think is that something that would fit in a not at the moment and i i'm a mlb tv subscriber and a red sox fan so you know i love what they do on that side but But I think it's a little bit different.
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25:06Obviously, there's an added cost for a subscription to MLB. It's not really in our model right now. I think, obviously, we have multiple tiers of pricing for a Netflix subscription. But I think what we want is to give the audience that choice. When they come in, they're going to be able to watch what they want whenever they want. And even with boxing, which we have tonight and we've had before, we're not doing pay-per-view. It didn't make sense for us to say, hey, you could watch this on Netflix, but you have to pay another$89 to watch Jake Paul versus Anthony Joshua. you can watch it whether you have the ads tier or the premium tier.
25:36And I think we've proven with that that we can bring in a larger audience and create great entertaining programming there. Let me ask you a quick question about boxing before I move off of the rights idea. You really have tied your started to Jake Paul somewhat. Sure. Is Netflix interested in boxing or is Netflix interested in Jake Paul because he's such a salesman? How do you view this? I'd say both. Look, I think Jake Paul, MVP, Nikisa Bedarian, like they know he's the ultimate disruptor. And, you know, we had an untold documentary on Jake. That's how we started talking to him about, talking to him about fights.
26:16They came to us and they said, what would it be like to have a fight on Netflix? At that point, we hadn't even launched the Netflix Cup. So we started to talk to them about what that looked like. And I'm going to I have, you know, seven years of experience at HBO at the time when boxing was in its heyday, the 24 seven series. You know, I spent time in training camps with Floyd Mayweather and Manny Pacquiao and all of those. So personally, I'm a huge boxing fan. And I saw the power back in the time at HBO of if you could have the biggest fights, it's going to bring people together all around the world.
26:44And I'll butcher I think it's a Max Kellerman analogy, maybe by way of Nick Khan. But if you pulled up to a four-way stop sign and on one corner there's a guy, you know, shooting jumpers on a basketball hoop, there was another guy on the other corner hitting golf balls, on another corner a guy shooting, you know, a soccer ball into a goal, and on the final corner is two guys punching each other in the face. Like, which one are you going to watch, right? But if the basketball player was LeBron James, you know, the golfer was Tiger Woods, the soccer player was Messi, and then it was still two other random guys, that might change your perception.
27:13So I think what in boxing, it's been a star problem rather than a sport problem. And I think for us, what's excited about us is it's Jake Paul and Mike Tyson, right? It's Canelo and Terrence Crawford, which we did with TKO last year. And obviously, 41 million people watch that. It's Jake Paul and Anthony Joshua. It's Katie Taylor and Amanda Serrano. So it's like if you can get those biggest stars, people are going to come to it. And that's what we're striving for right now.
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28:29Canva, the thing that makes anything a thing. I was surprised to see that you sign L. Duncan to a deal. The first sort of, I know she's going to do more than just sports, but, uh, uh, but it was really, it seems to me, am I correct on this? She's the first sort of host that, that you've brought on. Yeah, that's correct. Yeah. What went into your thinking to hire that role or to create that role? Elle, first of all, is amazing. Obviously, you know, multi-year history at ESPN. I think we saw what, what she did at ESPN felt very Netflix to us in some form. Like she loved sports, but she had an entertainment pop culture personality that we thought really could appeal to our members.
29:13So as we do more sports content or unscripted content or entertainment content, she felt like she could fit in in many different places. And I think as we've evolved, we don't necessarily want to always be talking to other networks about can we use your talent, right? So Elle felt like the one that we said, we could bring her into the fold. She's non-exclusive. She can go do other events in other places, but we want her to feel like a Netflix host. and we're really excited about her. Have you been surprised, Fox, ESPN, mainly those two? You said that CBS is working to produce your games. Have you been surprised that they've been, they have shared some talent, but they don't like to do it.
29:53Has that surprised you? Look, I can't speak to what they want to do and their strategies. I'll say for this year, we're super thankful to CBS and NBC are letting us use some of their talent. We have Noah Eagle and Ian Eagle, father and son calling both games. Like, that's pretty cool. Like that couldn't happen in other places. Last year, we did work with Fox and ESPN. They chose not to this year. That's totally their prerogative. What I'll say with us is and with Elle, like we do want to be that incredible home for talent. Like even when we signed Elle, obviously, we don't have a lot of volume.
30:23We could have signed her exclusively. We wanted to say, hey, like, if you want if you have an amazing opportunity, if you can go work the WNBA finals somewhere else, and it doesn't conflict with one of our dates, go do that. So I think that's going to be our approach to talent is it's okay if you are somewhere else that actually could lift us in other ways, even with, you know, unscripted programming. Nicole Byer was the host of an amazing baking show for us called Nailed It. And TBS called up Brandon Regan and was like, could we have Ron Wipeout? And he said, sure, go do it. Like, if that's going to make you happy, go do it.
30:52So that's going to be our approach. It might not be everyone else's approach, but to each their own. What's your goal? Because it's costly to create your own production group. But all the TV networks have done it and you're starting to see, you know, Amazon build more out as well. Do you need to get to a certain level of volume in order to do that? Or what's your goal and what are the sort of the steps to get there? Yeah, I think it's a conversation we're always having. We're slowly and steadily building our team. We're still super scrappy and small. I think, you know, Amazon who's, you know, they've done, you know, great work.
31:28But obviously there's still work with NBC at points on their Thursday night football game. So I think you have to reach a tipping point probably in volume before you bring a lot more of it in-house. We're not there yet. We'll see what happens in the coming years. But, you know, I think we think we have the right people in place. And, you know, as we see fit, we'll add more. I want to talk a little bit about you have such a background in documentaries. You now are running documentaries, sports documentaries at Netflix. How often are people pitching you? on you must get the most number of pitches about like hey hey i'm going to give you full access to there are yeah there are plenty of people who are excited about you know sports document and can i make a pitch like yeah pitch me let's go there there's a podcast that's hosted by your favorite regional sports network okay here we go behind the scenes i'll give you behind the scenes access to it sold john you're in you're in the netflix family um no i think there's been a lot of talk around you know documentaries in the space obviously not just on the sports side adam like there's an incredible docs team that does that does docs that rival our biggest scripted programming the sean combs one recently was you know could have been as big a stranger thing so with the right stories the documentaries are super powerful and you know we're going to continue to do them i i have to tell you uh the i was playing in dardanelle arkansas i was playing golf at john daly's course okay and john daly came up uh in his bare feet yep 200 yards away and uh knocked knocked like i think it was like a six iron to about five feet of the without any warm-up strokes and i said i i said to john daly i said hey uh i'm friendly with a gabe spitzer and he looks like i made gabe spitzer i love john daly yeah so as you said so my question to you is did john daly make you i i will say yes for that one i don't want to disappoint john daly um but yeah you said i mean a background in documentaries um obviously worked at hbo for a number of years and then directed some 30 for 30s and and yeah hit it hard uh was was the uh was the crown jewel of all of those for me so spent a lot of time with john daly traveled the world with him drank some john daly's with john daly so uh yeah that was definitely some fun memories drank some john daly's with john daly and dardanelle in dardanelle arkansas 100 so yeah for anyone who hasn't been then you should go to Front Street Grill in Darden, Arkansas.
33:47It's a good place. So can I give you my gripe about sports documentaries? Sure. It all derives from drive to survive. The all-access documentaries, they come across as sort of video press releases to me now. Like there just seem to be so many of them. How do you decide what ones to pursue and which ones are like, you know, we don't need access to that? Yeah, I think there's been a lot of talk in the sports media space are like sports stocks are sports stocks dead i brought i know you love our numbers so i brought numbers for you but i think we had 871 million hours of sports stock viewing in this last year so people are still people are still watching sports stocks um i would say i've got to call one of the network executives exactly you can verify we can verify for you um but i think drive to survive in the same way at hbo when people when 24 7 was successful and people said, I want to make the 24-7 of something, or 30 for 30 was successful at ESPN, and people said, then I'm going to make the 30 for 30 of this.
34:46Drive to Survive was such a successful show that I think there's been so many spinoffs. We've done a lot of them. Other networks have done a lot of them. For us, it's really about access and authenticity. How can we surprise viewers? How are you letting them in in ways that they can't just get on social media and other places? So we think we've been really successful at that. Some have been better than others. I do think we've reached a sort of a tipping point just in the follow doc genre, as we call it, where maybe there are too many of them right now. So we have to be a bit pickier in terms of the ones we're doing, but we're really excited.
35:17Obviously we still have quarterback, which we do with Omaha NFL films. We still are doing many seasons, which I have to survive. We have America's Sweethearts on the Dallas Cowboys Cheerleaders. But outside of that, there's incredible other docs coming. Hulk Hogan, you know, we have Mike Tyson, we have Deion Sanders. So there's plenty of good ones that are still out there. What's a good, like, if I came to you with a doc pitch, what are you looking for now? Like, what's going to work? I would say, you know, still the biggest and best names, like we're looking for in the live sports space. What's going to, when you load up Netflix, say, oh, I want to watch that.
35:47Or I remember that story, but maybe I should check it out now. That's our untold series. I think it's great archive if it's a look-back story, which we saw with something like Beckham. It's vulnerability, which we saw with something like Simone Biles. So it has to just, all the boxes have to be checked. And it's great filmmaking, right, with Greg Whiteley or the Way Brothers who did, you know, the America's Team Cowboy series for us. So I think, you know, there's no like perfect formula, say we're going to do it. But, you know, a lot of those a lot of those boxes have to be checked. You reference you reference Hit It Hard.
36:16Well, I reference that. What are some of your favorite ones that you've actually worked on? Oh, I mean, I'd say I know they're all your children, right? Yeah, I mean, Hit It Hard was an amazing one. Obviously, I mentioned 24 seven. But at Netflix, it's hard to it's hard to pick and choose. But, you know, I went early on when I came in, it had already been greenlit. but The Last Dance was a dream to even be a part of. We shared the rights with ESPN. So ESPN had it in the US. We had it everywhere else outside of it. And I was getting to work with Jason Hare, who I'd worked with at HBO, who's an incredible director.
36:47And to me, that's still like one of the most memorable things, which came out right in the middle of COVID. And I think everyone was just dying for something new to watch. And to have that two episodes a week over five weeks, there was felt like there was nothing bigger and better at the moment. You know, I blame Drives to Survive. I should have blamed The Last Dance. Oh, yes, it's true. Because it did. There was no live sports on. Exactly. And talk about it in an evocative. I think LeBron had even tweeted, like, we need to get this out sooner. And I remember the edit team and Jason trying to, you know, just to get that ninth and 10th episode done just to launch it in time.
37:16And then, yeah, it was the viewership on that was. Massive. Yeah, it was a live event. How did it do internationally? It was number one in 58 countries around the world. Wow. So it was huge. Yeah. The Bulls, basically. Yeah, exactly. Michael Jordan, the Bulls, can't beat it. What are some of the interesting ones on the plate right now? I mentioned, obviously, we have Tyson, which is a massive series coming out, which is like his whole history. Hulk Hogan, we've been filming with Hogan for, you know, I think 20 hours around the time where he passed. So we think that can be a really good one. And then working on a lot of new of our Untold series, which we're really proud of.
37:52So, you know, a lot of exciting ones coming out next year. You've been at Netflix now for seven years. They were doing DVDs seven years ago, right? Exactly. You're still getting the red envelopes. Yeah. So let's not do seven. Let's do five years from now. How do you expect Netflix sports? What's it going to look like? I think, look, it's just even in the last two years, it's been exciting to see the evolution. That's the great part in the seven years working at Netflix. Things are always changing, right? When I came in, there were a couple of documents in Last Chance U. And like I said, Drive to Survive had already started.
38:21But just to see the evolution, I think we're a company where they allow us to take risks, to take swings. It's okay to fail. We've done a lot of things that have not worked in the sports space and we'll do things that don't work in the live sports space but i think what we're hoping is that slow and steady progress and in five years from now we'll have had two women's world cups or i guess we'll have had one women's world cup and getting ready for our next one but the hope is we're not just thinking about netflix sports from you know a u.s lens that maybe we'll have some exciting rights like we said world baseball classic and others around the world and will be thought of as you know a home for big events big sports content live everywhere this is going to sound like a naive question but why didn't they work does that down their viewership yeah i think you know like a hall of fame baseball player you have to bet you know 300 we think about that in the same way right like we do have because like the tv guys are they pour over ratings right like do you pour do you pour over that as well everything we launch we're obviously looking at viewership we're looking at not just viewership but our people you know clicking play and staying and are you know if they if a lot of people come in and then don't get past the first episode that's you know kind of a failure in in my mind so we're looking at that.
39:27We're looking, obviously, are people coming to Netflix to watch it? Are they staying on Netflix? Do they find it valuable for their subscription? So again, there's no perfect formula, but we're looking at a lot of different metrics. And I think being a tech company, there's a lot that we can get consumed by. Now, you're vice president of sports at Netflix. You come up through the documentary space. These leagues, they must be beating your door down to sell you rights. Look, we're just excited to be in the mix. Even, you know, it's, it's funny, just the evolution with the NFL deal. We'd obviously have had a relationship with them through quarterback, but we found out that the Christmas game, Christmas day games were available through a story on Twitter.
40:08So, you know, it's changed now where obviously we're having much more active conversations with a number of leagues around the world, but I wouldn't say they're beating our door down, but I think they like having us in the mix and we're excited to be in the mix. And then I kind of brought that up because just to dovetail off the documentary discussion we were having, the idea of building shoulder programming around them. You've also bringing over a bunch of podcasts as well. I know it's not all sports, but I can see where, you know, a Bill Simmons podcast leading into the Christmas Day games or something like that would be part of a programming strategy.
40:45Yeah, we're really excited about what's to come starting in January in the podcast space. It's something that's been led, you know, a lot out of our licensing team and also Brandon, who I've mentioned. So that, you know, I think when we're starting in that space, in the same way we talked about the Netflix Cup, it's harder to build something from scratch. I think when you can launch a podcast initiative on video and you have Bill Simmons and The Ringer and you have Part of My Take and the Barstool podcast and others and obviously in entertainment and crime and lifestyle side, there's going to be others.
41:14I think that's something that will be exclusive to Netflix on the video side and feels like it could bring people in and just create, to your point, more shoulder programming. When we spoke to FIFA about the World Cup, I think one thing that excited them is not just the live games on Netflix, but also the documentary programming that we can do that airs globally in the lead up to bring casual fans in. So I think there's a lot we can do on the shoulder programming side and still more to grow. Where are you in terms of your podcast strategy? at the beginning are we going to see see this grow or i would say it's definitely considering hasn't launched yet we're at the very early stages not at the end yeah yeah yeah so don't judge us too soon but i think but it's just something where it's it's uh you're expecting this to grow considerably in terms of bringing more more uh podcasts over that's the hope i think with everything like i said we're you know we're always experimenting at netflix and trying new things so we have no idea how it's going to go i think we're excited about the the podcasts that are already in.
42:09So yeah, the hope is it grows over time and we add more, but I think we'll start with this group and see how it goes. And then how are you going to program this? They'll be, you know, when you load up Netflix, there'll be a space to watch. It's not just going to be random tiles popping up everywhere. There will be a home for the video podcasts. But if I'm watching, let's say, a live sports event, will it then try to filter me to one of the sports podcasts? It potentially could. It depends on your algorithm. Your Netflix is different than my Netflix. That's what we like to say. But if you've engaged with some podcasts, then probably, yes, after one of your live events, it's going to suggest that you maybe watch, you know, Bill Simmons or Pardon My Take.
42:48With iHeartRadio, Barstool. Yep. And the ringer. And the ringer. Yeah, there's a larger partnership with Spotify. But, yeah, that's who we have deals with so far. There's the YouTube component of this that gets written about a ton. How much does taking this away from YouTube play into your strategy? For us, it's less about taking something away and more about what can we do that brings people to Netflix and is exclusive on Netflix. So I don't think we have to take this from them to give it to us. It's what's going to be most valuable to our members.
43:25So it's sports and it is entertainment. Yeah. How big of a component is sports to come over? well look i think we see with you know all the listeners that you have on the varsity and you know bill simmons has on the ringer like people simmons has a few more uh listeners fans love you know love this type of content so it's it is a big piece of it but it is only one piece of it right we're a network for everyone and there's a lot of people who don't don't like sports that are on netflix we want to make sure we're programming for them as well um i want to get back to the the Netflix in five years idea?
43:57Like, cause again, it's the, you know, shoulder programming, it's a live rights. I mean, what, like, just paint me a picture of when I turn it on like five years from now, like, what am I going to say? I couldn't predict five years ago, like I said, where we're going to be now. So it's really, it's really, yeah, two years ago. It is hard to say, but the hope is we're learning a lot on the way along the way. And I do think, yes we will have more in some form but i can't predict what that's going to be but we're not slowing down in sports or we're not going to go backwards we could be exactly where we are right now or but the hope is you know we're bringing more exciting thrilling programming around the world and you know for that global audience all right i have like one minute left in this interview so i'm going to get to my paramount questions is that okay you can ask whatever you want i can't i'll try to answer whatever i can yeah why would you be interested in paramount in paramount or Or WBD.
44:51WBD. Excuse me. I'm sorry. Okay. I would probably put that question to Ted Sarandos and Greg Seeders, our co-CEOs. I can't say I'm as in the mix as they are. But all I'll say is, you know, it's two incredible companies. But what we have from Netflix and the innovation and the global reach we bring, and then WBD, who has, you know, 100-plus-year history and best-in-class storytelling. I'll say we're thrilled about the deal. We're excited. We expect to close in 12 to 18 months. I'll also say, um, we're me personally, and you know, the message to all of us is stay super focused on what we're doing and executing because we can't control anything else that's happening.
45:23So, um, hopefully when it happens, it's going to be thrilling, but, um, we're excited. And, you know, obviously I'm just staying focused on, on the sports side and what we're doing now. Uh, I, I do want to say it is, um, uh, two years that you've been in sports. It's been like the excitement that, that, that you bring in, uh, you're, you're, you're well-known and well-respected in the whole business. And it's been a lot of fun sort of watching Netflix come in and grow. Cause I was not always the biggest supporter of Netflix. Oh, come on. We want to make you a supporter, but no, thank you. I've become, I've become, you've come in and, and, and, uh, the properties like you and, uh, and the, the, um, you know, the network, the networks, find you to be competitive.
46:01So no, I appreciate that. Look, I think it's a huge team effort internally at Netflix, but we do want to be great partners to the leagues. Like, like we said on NFL, you know, what we're doing on Christmas, we want to try to be their best partner. We can't say we're going to do that, but we want to, you know, put all marketing effort, all content effort. We want to have surprising halftime. So that's our goal with anyone we work with and we hope to succeed there. Gabe can't thank you enough. Thanks a lot, John.
46:27That was great. I really, if you can't tell, I really enjoy Gabe. And the one thing that you should take out of that interview is that he's been in sports for a long time. He's well-connected, well-known. Netflix, they are serious about sports. It's just about how they're going to get into the business or continue to grow in that business. So I want to thank Gabe for taking the time to join me this week. Thanks also to Dominic Piconi for all his work in getting this set up. More importantly though, I want to thank you for listening to The Varsity, an Odyssey podcast in partnership with Puck. I also want to thank the executive editors from Puck.
47:04That's Gabi Grossman, Ben Landy, John Kelly, and the great team from Odyssey, Bob Tabador and Patrick Antonetti. And don't forget our partners, Nessun, Greg Poth, and Mark Malaka. If you like this podcast, make sure to sign up for my newsletter. It's also called The Varsity. Head over to puck.news and use the code word, The Varsity, all one word, for a 20 % discount. And we'll see you on Wednesday.
47:38The End
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From the publisher
Netflix vice president of sports Gabe Spitzer joins John for a deep dive into the streamer’s event-first sports strategy—from the Jake Paul–Anthony Joshua fight to NFL games on Christmas Day. Spitzer explains why Netflix is chasing tentpoles, not volume, and how selective rights plays like the Women’s World Cup and MLB fit into a broader global sports push. They also dig into Netflix’s approach to sports docs, podcasts, and the company’s ambitions to be a truly global sports destination.
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