Rory Sutherland on why luck beats logic in marketing

14 Jan 2026 · 58 min · 24 chapters

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Podcast Notes: Uncensored CMO - Episode with Rory Sutherland

Episode Title

Rory Sutherland on Why Luck Beats Logic in Marketing

Episode Overview In this episode, Rory Sutherland returns to discuss the unconventional ideas around luck, spontaneity, and irrationality in marketing. He challenges the industry's focus on logic, optimization, and process, advocating for a more creative and chance-embracing approach to marketing.

Key Themes and Concepts

  1. The Role of Luck in Success
  2. Marketing success is often misattributed to skill instead of luck.
  3. Sutherland argues that many successful campaigns are the result of fortunate accidents rather than meticulous planning.
  1. Self-Censorship and Creativity
  2. The dangers of self-censorship in marketing are discussed, where individuals avoid risky ideas due to fear of backlash.
  3. This leads to a homogenization of advertising, making it less interesting and creative.
  1. Embracing Spontaneity
  2. The power of spontaneity in advertising is emphasized; taking risks can lead to remarkable outcomes.
  3. Sutherland asserts that inefficiency can be an asset in creating desirability.
  1. Marketing Economics
  2. The economics of marketing are described as unfair, with the emphasis on clear ROI metrics undermining creative exploration.
  3. Sutherland stresses that finance people often misunderstand the nature of marketing, applying linear financial models to a complex field.
  1. The Importance of Irresponsibility
  2. Marketers are encouraged to allocate a portion of their budgets (e.g., 5%) for irresponsible creativity that captures attention and engages audiences.

Important Discussions and Arguments

  • Confected Outrage
  • Sutherland critiques the tendency of media to manufacture outrage, which stifles creativity and leads to overly cautious marketing strategies.
  • Herd Mentality and Social Proof
  • The podcast discusses how herd mentality influences consumer behavior, with examples in nightlife and restaurant choices.
  • Extreme Examples of Marketing Creativity
  • Sutherland shares a humorous anecdote about a failed marketing stunt involving Di Sirono that led to unexpected sales success due to media coverage.
  • He emphasizes that fame and success often come from unpredictable avenues.
  • The Misalignment of Marketing and Financial Metrics
  • There’s a critique of how marketing effectiveness is measured by finance departments, which leads to a focus on short-term metrics that do not account for longer-term brand value.

Notable Insights

  • The Value of Being in the Game for a Long Time
  • A significant takeaway is that staying in the industry long enough allows marketers to seize opportunities that may arise unexpectedly.
  • Reverse Benchmarking
  • Sutherland introduces the idea of reverse benchmarking, which encourages focusing on what competitors do poorly and excelling in those areas.
  • Evolutionary Business Models
  • The idea that businesses should adopt a “loose fitness function” to foster innovation and creativity, allowing for organic growth and discovery.

Timestamps

  • 00:00 - Intro
  • 01:16 - Rory discusses his newfound micro fame.
  • 03:12 - Anecdote about shutting down the London Underground.
  • 07:04 - The problem with confected outrage.
  • 10:34 - How self-censoring impacts creativity.
  • 12:10 - Luck and spontaneity in advertising.
  • 16:03 - The unfair economics of marketing.
  • 20:54 - Is success just luck?
  • 23:12 - Responsible vs. irresponsible spending in marketing.
  • 30:12 - Leveraging competitor weaknesses.
  • 34:32 - Customer focus in business decline.
  • 35:29 - Inefficiency as a feature.
  • 37:08 - The power of herd mentality in marketing.
  • 43:26 - Lessons marketers can share with broader business.
  • 48:13 - The impact of internal processes on innovation.
  • 51:15 - Insights from 200 years of The Spectator advertising.
  • 54:47 - Closing thoughts from Rory on marketing.

Conclusion Rory Sutherland's insights in this episode highlight the critical balance between creativity, luck, and strategic thinking in marketing. By challenging traditional approaches and advocating for a more open-minded methodology, he encourages marketers to embrace spontaneity and recognize the unpredictable nature of success.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Rory's Popularity and Perspectives

0:45 to 2:42

Discussion on Rory's previous popularity and how he views marketing.

“And it just showed, it was one of those lucky accidents.”

Fame and Influence in Marketing

2:42 to 4:36

Exploring the concept of micro fame and the impact of influencer marketing.

“but I once appeared on Have I Got News For You 23 years ago this week, bizarrely.”

Marketing Stunts and Their Outcomes

4:36 to 6:59

Rory shares a story about a marketing stunt gone wrong and its unexpected results.

“I wrapped each of the escalators entirely from top to bottom and the piece de resistance.”

The Impact of Media and Outrage

6:59 to 7:44

Discussion on how media creates outrage and its implications for marketing.

“It's a bit like the line Kane says in Citizen Kane, make the headline big enough and I'll make the story big enough.”

Self-Censorship in Advertising

7:44 to 9:39

Examining how fear of outrage leads to self-censorship in advertising.

“But the public themselves kind of know it's confected outrage, OK?”

Creativity and the Role of Luck

9:39 to 12:22

Rory discusses the importance of luck in creativity and marketing success.

“But that was the kind of badinage and mischief you could enjoy in advertising back then.”

Emphasizing Serendipity in Success

12:22 to 14:01

Rory illustrates how luck and serendipity can lead to monumental successes.

“They'd happened to take over a house in which to hold a photographic shoot showing an exciting range of Dulux colours.”

The Role of Luck in Marketing

14:01 to 15:44

Learn how luck influences marketing outcomes and strategies.

“Shit, I've got an extraordinary good hand.”

Challenges of Predicting Marketing Success

15:44 to 20:55

Discover the complexities of measuring marketing effectiveness and the impact of unexpected successes.

“And it just answers that question in nine syllables.”

Opportunism and Marketing Strategies

20:55 to 27:35

Understand the importance of maintaining an opportunistic mindset in marketing.

“I want to come back to you on the luck point as well, because I don't know if you've read Great by Choice by Jim Collins, but he studied loads of, I think, 500 different companies, I think, in this study.”
Show all 24 chapters

The Value of Discretionary Generosity

27:35 to 28:00

Explore how small acts of generosity can significantly enhance customer experience and brand loyalty.

Perception of Value in Services

28:00 to 28:21

Exploring how services are evaluated and the role of added value.

“well you know you're a competitively priced gym why do you do this it's very simple every time we research our users, every single person mentions the keels.”

Kano's Model of Customer Satisfaction

28:22 to 29:52

Discussing Kano's theory on product attributes and customer satisfaction.

“Because they go, it's not in our service level agreement.”

Reverse Benchmarking in Business

29:53 to 31:24

The concept of reverse benchmarking and its implications for differentiation.

“And that would be, to those of our age, the eject mechanism.”

Delighters and Customer Experience

31:25 to 32:50

How unexpected features enhance customer experiences and brand loyalty.

“Check in, what's the latest I can have breakfast?”

Empathy and Customer Focus in Business

32:51 to 34:28

The importance of empathy in business practices and customer relations.

“He said, I could judge the kitchen on how clean the toilet was.”

Queuing as a Marketing Strategy

34:29 to 36:46

Exploring the psychological effects of queuing in consumer behavior.

“And actually, I suppose what it is, it's actually, what it is really is it's emblematic of your customer focus.”

Herd Behavior in Consumer Adoption

36:47 to 39:22

The impact of herd behavior on the adoption of new products and technologies.

“you basically artificially hold people outside and they queue for ages to get in and then when you finally let them pass the velvet rope, they just go and the place is half empty.”

Behavioral Change and Technology Adoption

39:23 to 42:01

How behavioral change affects the adoption of new technologies.

“And you could arguably use Herdify data in two completely opposite ways.”

The Evolution of Technology Adoption

42:01 to 43:19

Discusses the gradual adoption of technologies like mobile phones and TVs.

“Welsh people are a bit less self-conscious actually about things like that.”

Lessons in Marketing and Consumer Behavior

43:20 to 47:26

Explores how marketers need to adapt strategies and understand consumer behavior for better outcomes.

“What I think the finance people in a business do is they go, let's try and force all our customers to use the cheapest to serve channel, which is, I'm totally in favour of those screens where you order at McDonald's.”

The Importance of Patience in Business Success

47:27 to 50:29

Emphasizes the need for businesses to endure and adapt before achieving success.

“A very large part of life is staying in the game long enough to get lucky.”

Advertising's Timeless Relevance

50:30 to 53:18

Insights on how advertising remains relevant over time compared to fleeting news.

“I've just come up with this funny phrase and people who used to be pissed off, I used to say this and people were always pissed off and now I say this slightly different thing and people aren't pissed off.”

The Misconception of Marketing: M vs. m

56:01 to 57:17

Learn about the distinction between capital M marketing and small m marketing, emphasizing the importance of perception over function.

“And instead, we've all focused on what we do.”
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Transcript

Automatic transcript. May contain errors.

0:06Ladies and gentlemen, welcome back to The Uncensored CMO. Now, one of my favourite ever guests and the most popular guest ever on the podcast is Mr. Rory Sutherland. Rory is a fascinating person and he always comes at marketing from a surprising and very interesting perspective. So I'm catching up with Rory to find out what has caught his attention in the world of marketing and what all of us can learn from Rory's incredible brain and how he sees the world. This is such a fun episode and I know there's going to be so much that you will just love. Here we go. Very delighted to have you back, Rory.

0:39Welcome to the show. Oh, it's a joy to be back. Always a pleasure. And those figures were freaky, weren't they? It was the Scott Galloway podcast, which was number 31 on Spotify. And it just showed, it was one of those lucky accidents. I mean, we had you and Scott in the room for the first time, I believe. Yeah. And I was interviewing each of you kind of sequentially. And then I had a thought, well, it'd be fun to get you debating topics I think you might disagree on. And I thought, well, let's talk Jaguar, because that's bound to divide the audience. and his controversial brand is dead thing.

1:09And then it was meant to be just for the audience and we decided to pop it out as an extra episode. And then when I got my Spotify unwrapped this year, I'm absolutely blown away. In fact, I looked at the thing and it said, congratulations on ranking number 31. I'm like, oh no, that's disappointing. I usually do better than that in marketing. And I thought, oh, well, maybe it's business. It wasn't business. And it was overall global Spotify. So this explains why I basically can't go through a railway station without a selfie request. It's completely bizarre. It's sort of micro fame. You know, it's weird.

1:43Actually, it's weird, of course, because the whole growth of influencer marketing, which is interesting in itself, which is you can be very, very famous within a particular milieu or area and then utterly obscure everywhere else, which is, you know, fundamentally, I think, different. I mean, it's just a product of self-selected media consumption, I suppose. But it is very strange. I mean, it's been weird for me as well. I bet it has. Well, talking of fame, of course, you appeared as the answer to a question in a TV quiz this year, didn't you? So that was Only Connect. I was on the lion wall in the, you know, one of the two connections, connection wall sequences.

2:22And they had four famous Rorys. Well, to be honest, three fairly famous Rorys, one pretty obscure Rory, who were featured. And one of them was Sutherland. the other ones were a footballer, Kinnear and... Rory Dillap. Dillap, Kinnear and Stewart, I think, the other three. That's amazing. I think the closest I got to that, which might not quite match, but I once appeared on Have I Got News For You 23 years ago this week, bizarrely. Was it a photo as well? Yes. How about you got news for you? They used to put four clues up, four images, and you have to guess, you have to reverse into what the story was.

3:00Now, this was... Was it an odd one out? Was it the odd one out round? Yeah, that's right. It was one of those lessons in timing is everything right, because this was way back in 2002. I'm doing my first brand manager role ever, and I'm on Di Sirono Amaretto. Is that the drink or the biscuits? The drink. The drink, got it. Yeah. They also make the Amaretti... They're the biscuits, exactly. They're also made... Are they the same company? Not the same company. Not the same company. But Di Sirono Amaretto. Di Sirono Amaretto. and it's famous for smelling of almonds, right? And I came up with this idea that, you know when you go into like a supermarket, they waft the smell of the bakery?

3:40You know, it's a genius idea, because the moment you walk in, you just think of bread and you go to the back and you end up spending a lot more than you plan to. I think there's a pretzel business which is basically predicated on the fact that you blast the smell of baked pretzels wherever you are. It's amazing, because of course the footfall is kind of almost guaranteed at that point. And it's one of the senses that in marketing we tend to, Well, not since the days of scratch and sniff, of course, when you and I were a lad and we'd get the magazines. I have actually done a scratch and sniff piece of work, actually, once.

4:08Yeah, believe it or not. So, inspired by a scratch and sniff back in the day, I thought, wouldn't it be nice to pump the smell of almonds in the London Underground, right? It's pretty, you know, smelly and disgusting. And you did one of those station takeovers. I did. Well, basically, I picked the four biggest terminals. I think it was Kings Cross, Paddington, Liverpool Street and Waterloo. and in the terminal you could not get from one exit to another without being given a miniature bottle of Di Sirono. When you went down every single escalator, I bought the entire, in fact, I wrapped each of the escalators entirely from top to bottom and the piece de resistance.

4:42Do you drink it neat or do you dilute it? Well, you're supposed to drink it neat. Got it. Occasionally you can, I mean, they do suggest with orange, but I came up with the idea of Di Sirono and Coke, which basically tastes like Dr Pepper with alcohol. Got it. Wow. It was revolutionary for the brand. Adult Dr. Penner. And it was one of those Friday afternoon things. So here I was pumping the smell of amaretto through the underground. And then this is one where the timing matters. 2002, we're about to go to war with Iraq. And the Home Office issue public guidance to be vigilant for the threat of a terrorist attack.

5:17And the Sun newspaper does this massive headline being public warned to look out for a cyanide attack on the underground. Point one in the article is cyanide smells of almonds. Oh, God. Oh, my goodness. Now, I was, you know, being a junior brand manager at the time, I was busy at a trade show. Did anyone actually panic there and then in the place, or was it just? This was a funny thing, because the panic happened based on the story. There was no actual panic. No one actually panicked in the underground. No. But this story, I had kind of gone to one of these Christmas trade shows, and I was kind of, you know, sampling Di Sirono.

5:51And, I mean, this is when people used to sort of just pick up phone messages once a day, you know, before smartphones. And I picked up my phone. It wouldn't usually have many messages. And I had like 15 messages. And I'm like, what's this about? Anyway, I'm literally, every journalist for every national newspaper was asking for a comment. I'm like, what's going on? And basically they'd had to pull the campaign because of fear of panic in the underground as everyone went on their commute and thought there might be a terrorist attack. And the story had gone so far, the national newspaper in Italy had gone to print with£1.5 million poured down the drain as a result of stunt that goes wrong.

6:29Oh, my God. So basically this happened on the Monday. By the Saturday, I was, have I got news for you, main story. And on the Sunday, the Sunday Times printed a quote of the week. And I'm the quote of the week saying, clearly security concerns Trump marketing activities. There's brand manager for Amaretto after pulling the Armand stunt in the underground sort of thing. But it probably, by the way, you probably sold a ton of product, did you? The best year in Di Sirono history for UK sales. Sales went up 20 % that Christmas. By the way, I think there's a really wider issue for marketing communication here, which is the problem of confected outrage, which is that effectively journalists know there's no story here, but they also know they can make it into one.

7:20It's a bit like the line Kane says in Citizen Kane, make the headline big enough and I'll make the story big enough. So you can effectively create a story out of a non-event because it sounds scandalous and you can effectively make someone blameworthy. And the interesting thing about those stories is that probably within the companies, there's this huge paranoia about doing anything brave in communication for fear of confected outrage. But the public themselves kind of know it's confected outrage, OK? So probably the chief executive who's having to field phone calls is regarding this as the worst moment in their working life.

8:01But as far as the public are concerned, they know it's basically a load of tabloid nonsense. And so, sorry, I'm beeping. I'll stop that in a second. But there's something there which really worries me because the extent to which, as with sort of Sydney, Sweeney, etc., you're vulnerable to effectively people who, for whatever reason, want to, I don't know, they're either trying to effectively signal through excess sensitivity or they're imagining a fence to third parties where none really takes place or whatever it may be. And that does strike me as fundamentally worrying because it will ultimately make advertising boring if advertising people are always navigating these kind of potential pitfalls, even when...

8:47I had to remind younger staff, my brother, who'd spent some time in the US, came back to the UK shortly after Robert Maxwell had drowned. And at the time, The Sun and The Mirror were in a price war. And he gets onto the Piccadilly Line at Heathrow to go into London, you know, and finds himself crying with laughter at a poster opposite, which was, at the time, the price war was, I think, the Mirror couldn't cope with the 10p cover price of The Sun and had gone back up to 30p. Shortly after Maxwell, the proprietor of the Mirror had drowned and the ad simply said, the Daily Mirror now costs 30p, don't go overboard to buy it.

9:28No. Absolutely. Now, I can date this exactly. It would have been early 90s. We can date it by the death of Maxwell. That was probably a few months later. It wasn't, you know, weeks later. But that was the kind of badinage and mischief you could enjoy in advertising back then. And now, I mean, it wouldn't, you know, effectively no one, not even the sun, would have the balls to run that. Yeah. Nor would anyone allow you to run it. I mean, bear in mind the scandal had... I ought to just make a point that Maxwell had been fairly widely discredited by that point for stealing the pension funds of Mirror journalists and mirror workers.

10:06It wasn't as if this had been seen as just an innocent victim of a maritime accident. So there was a context to it which made it perhaps a little bit more forgivable. But, I mean, you suddenly look back on those things. You look back on the Timberland ads, for example. You'll remember those. And nobody could even... I mean, never mind running them in the press, a creative person would be frightened of putting them up on the wall. now there's a problem there in a way because i think you know to some extent creativity is involves when your brain manages to evade its own self-censorship mechanism and if if we are all consciously and unconsciously self-censoring with everything we think say or do there's a hidden opportunity cost to all that yes we may cause you know minor offense a little less frequently but what are the ideas which no one will eventually...

11:05I mean, a lot of great advertising campaigns have kind of emerged out of a joke. The Apple campaign, Think Different. Originally, it was a fairly boring campaign featuring people currently alive who are sort of business... You can imagine that kind of thing. Business leaders, you know. It was kind of fairly minor people who were, I think, featured using the product. and it was some creative guy who goes in and almost takes the piss because you have this line called think different. I don't know, they might have put Hitler up there. I've got no clue, OK? But eventually someone then puts up, you know, Gandhi and Alfred Hitchcock and so on and so forth and it becomes one of the immortal campaigns.

11:47But sometimes you've got to go through what I call the foothills of silliness. You know, you've got to go through the valley of silliness to get to the bright sunlit uplands that lie beyond. And if we are in this kind of very, very nervous kind of environment, it has terrible implications for comedy, for all manner of the creative arts, and, incidentally, for advertising as well, I think. I think I'm right in saying that Should Have Gone Suspect Savers was a joke on a set while making a different ad that ended up becoming, you know, then got, oh, we'll mention that again in the next one. Eventually, it ended up becoming the whole idea that has, like, carried the brad.

12:26Anyway, just like actually areas like major scientific progress, the role of luck and serendipity, as opposed to process and intentionality, in the greatest advertising campaigns, the Dulux dog wandered onto set by mistake. They'd happened to take over a house in which to hold a photographic shoot showing an exciting range of Dulux colours. And the owner of the house happened to have an old sheepdog and the photographer had the inspiration just to leave the dog in the shoot. And it's now a brand property worth millions. David Ogilvie picked up the man in the Hathaway shirt eye patch on his way to the photographic shoot simply as a kind of whimsical, kind of, you know, it was a sort of spur-of-the-moment kind of whimsical punt, if you like.

13:21And, I mean, that has actually quite a big bearing, I think, on our approach to everything from scientific progress, technological advancement and advertising, which is what we're trying to pretend, and I think what science is trying to pretend, is that great scientific advances mostly arrive through intended actions and pre-designed consequences. And simple observation shows that it's actually fat-tailed. the process is every now and then you get spectacularly lucky and the skill lies in spotting when you've got lucky and doubling down on your luck. It's a bit like poker or something. Shit, I've got an extraordinary good hand.

14:06I really need to play this really well. It's not like chess at all. It's like poker, effectively. And there's a great book and the title is fantastic by David Cleveley, who's a Cambridge sort of entrepreneur and investor. and it's called Serendipity, It Doesn't Happen By Chance. And the point he's making, and the point that Nassim Talib makes a lot, is that you can't avoid luck, you can't plan luck, but you can plan to increase your surface area exposure to upside good fortune. And one of my complaints is that when you turn something into a process or an algorithm and you regularise it and you make it formulaic, the hidden cost you pay is that you're no longer exposed to these lucky accidents.

14:53Now, I would argue that the problem marketing has, I think, I don't need to think this, because Nassim Taleb, who's the world's leading expert on fat-tailed distributions, said to me, marketing is fat-tailed, by which he means that a small number of freak successes almost outweigh an importance, what you might call the day job. And your job is, as a marketer, is to try and get, you know, is to try and hit on that utterly magical thing. I think we saw one this Christmas with, if you can't find the words, find the gift, which to me is just copywriting gold. I hope they keep it for the next 10 years.

15:32It says something in monosyllables, by the way. The entire sentence consists of monosyllables. Yes, that's right. Yes, it is. Yeah. So if you can't find the words, nine monosyllables convey something that sort of economists have been wrestling with, you know, about why it is that people, you know, give presents as gifts rather than, say, vouchers or money. And it just answers that question in nine syllables. and the problem we have is that marketing and I blame media agencies for this partly, I blame finance for it, I blame procurement for it, are trying to turn this into a Fordist production line where every car is equally valuable and where the value created is kind of proportionate and linear and they're using the wrong maths in the same way that, for example, fat-tailed businesses would include pharmaceutical research, Hollywood movie industry, music industry, publishing, where in all of those cases it's not really...

16:42Well, it's worth doing, but it's only really worth doing because every now and then you have a blockbuster breakout success. You can't totally predict them. I remember a year in which there was some sort of$500 million film made which nobody watched and instead everybody went to see March of the Penguins. Do you remember that? Yeah. I went to see. This is weird because someone's made a blockbuster. It must drive people in Hollywood insane when that happens. But you're doing this partly just to do it because it's worth doing in and of itself and it's not a total waste of time and so forth. But the real reason you're doing marketing is because every now and then you have what you might call a 10x.

17:26Jeff Bezos says, you know, in baseball, the most you can score is four in a single hit. But in business, you can hit 1 ,000. And a large part of the value of marketing, I think, comes in those moments where you hit 1 ,000. Again, as I said, it's not a process you can engineer in advance. The problem is, is that marketers don't get to claim the full credit when that happens. So we're held accountable for every single unit. It's also true of agencies at a micro level. You know, if you come up with a sensational idea as an agency, it buys you six months' forgiveness. That's it. The following year, it's some bloke in supply chain management who's basically claiming the credit for the increase in profits.

18:10And so it's true of an agency. I mean, I mentioned the fact that the Coke idea, Ogilvy Australia, you know, share a Coke with, putting people's names on Coke, 10-year idea, gift that keeps on giving, run in 110 countries. Ogilvy Australia made about$350 ,000. for that. Wow. They did the maths. That's a bad negotiation. So you come up with a billion dollar idea. I don't think Coke would deny that. And you get to buy a very small flat in a shit part of Sydney. Okay? It's not really commensurate because you're held responsible for every penny you spend. But then when you hit pay dirt or hit the mother load, you only get 10 % of the upside credit and then only for six months.

18:51Because the next financial quarter or the next financial year, everything's reset to zero. That's Bill Sitt. One of the mistakes we make, I think, as marketers is we think that finance people are good at maths. They're not good at maths. They just do addition, subtraction, multiplication and division. This is infantile maths. Now, the maths you need to understand something like marketing, a probabilistic, non-linear, you know, dynamic, you know, non-equilibrium, da-da-da-da. And yet we're being judged by people who are holding us to this incredibly narrow world where every quantum of effort has to be matched to a quantum of incremental revenue.

19:29Otherwise, you're not allowed to exist. You made a wonderful point at lunch, actually, which is you've mostly done jobs for three years. Yes. And you suddenly realised when you did a job for six years that the payback only arrives in year four. There are an enormous number of things where effectively... I mean, for example, the first Heineken ad wasn't actually very good. You know, that wouldn't have moved the needle at all, I suspect. It was something to do with a policeman standing on a block of ice. I remember watching it as a child. I couldn't really understand it. What it led to, however, was, you know, worth billions.

20:08And so a lot of these things are, you know, fame, for example, is a compounding asset. It doesn't grow linearly at all. And if we are held to this artificial time horizon of the quarter and the, you know, and the annual report, then you can't really do proper marketing. I tell you, if there's one concept I wish every marketer would understand, it's literally compound interest. Because the moment you realise that, being in a role for two or three years makes zero sense. It's like your pension. The first few years you have a pension, you go, why the fuck did I bother? It's gone down in value. And then you get to, you know, I'm 60 now, and I have to admit, and I don't want to sound braggadocio man, but you kind of go, where the fuck did all this money come from, right?

20:49Because I don't remember putting away this money. And of course you didn't. It's compounded over time. Yeah. I want to come back to you on the luck point as well, because I don't know if you've read Great by Choice by Jim Collins, but he studied loads of, I think, 500 different companies, I think, in this study. And he tried to answer the question, were the successful companies just lucky? And he actually broke down all the different businesses and he actually categorised them in terms of did they have good luck or bad luck over time? And what he worked out is successful companies are no luckier than unsuccessful ones.

21:21What made the difference is... How they respond. Exactly. It's entirely... So good luck and bad luck. So you have the opportunistic mentality. There's supposedly an experiment in behavioural science, and I hope someone can find it for me, which is you gave people a completely mundane task, which was counting the number of times the word the appeared in the news section of a newspaper over two pages or something of that kind. You weren't supposed to count the use of the word the in advertisements, but there happened to be some advertisements alongside these news articles. And then, of course, the whole exercise was a completely bogus exercise.

21:59What they measured was the extent to which people could recall and remember and had noticed the advertisements alongside the main day job of counting the word the in editorial or whatever. And I'm pretty sure they actually found that the people who noticed the advertisements, In other words, the people who are not so focused on the boring task at hand as not to be keeping an eye out for opportunity elsewhere, the people who noticed the advertisements and the accompanying material were actually more successful people. And so, yeah, so there's basically this business where I think a lot of bureaucracy has this hidden cost, which is it kills off opportunism or what you might, I suppose, yeah, I mean, Nassim Taleb would call it, what you do is you increase your surface area exposure to positive upside optionality.

22:48In other words, the more you effectively expose yourself to the possibilities of accidental good fortune, And then, of course, you have this asymmetry, as Nassim would say, which is that when an opportunity comes along, you don't have to take it. You're not obliged. It's not an obligation. It's an opportunity. And you can then pick and choose from the lucky things that happen and decide which of them you act on and which of them you effectively ignore. Going back, going to the talk about accountancy as well, you kindly put me in touch with Will Godara. I had him on the show recently. One of the favourite things he did is his 95-5 rule.

23:26Did you come across this? Yeah, absolutely brilliant. It's absolutely genius, isn't it? Spend 95 % like your life matters on it and be ruthless in efficiency, but then spend 5 % irresponsibly on something so indulgent, so spectacular, that people end up talking about it. And by the way, I think in customer service, I think in marketing in general, it's not a bad policy. Marketing, of course, within the organisation would probably, probably 50 % of your marketing budget or 30 % of your marketing budget should be spent on a maze. And so it's the explore-exploit trade-off. But his wonderful subtitle to his book is The Amazing Power of Giving People More Than They Expect.

24:06And I would argue that the magic of everything, you could take everything from the Doubletree cookie, which, of course, is, you know, is an unexpected treat when you arrive at a hotel, and you could take it to the AO teddy bear. Those acts of discretionary generosity seem to be unbelievably communicative, precisely because you weren't expecting them and you weren't entitled to them. And they seem to possess a signalling power which is way above. I mean, one of the things I think a few of us were talking about yesterday is that banks don't give you anything anymore. You used to get a checkbook cover.

24:45You used to get, you know, bits of stuff. Now, I'm sure that's basically that is usually driven by procurement and justified by environmentalism. That's usually. Marketing's job is to pretend that the actions of procurement are actually done in the interest of environmental sustainability. As in, when you get to the gold level on BA, they no longer give you luggage tags to help the environment. and you kind of go, mate, you're an airline. I don't think you're going to make an appreciable difference to your carbon footprint by cutting back on luggage tags. And these things are actually problematic because those things are so disproportionately important.

25:32If you think about it, politeness is generally achieved, likeability actually, is generally achieved by displays of discretionary effort or discretionary generosity. What's the classic phrase? You really didn't have to. And it's because you didn't have to that it's meaningful. If you did have to, it wouldn't... You know, obviously a hotel I stay in has to provide me with a room and a television and a toilet and everything else, but I'm unlikely to write home about those things, whereas they give me a cookie when I check in. I last stayed in a DoubleTree... Jeez, it must have been getting off 20 years ago.

26:08I can remember two things about it, three, actually. I can remember that it was in Chicago. I remember being surprised by the cookies and thinking, what's this hokey American book bullshit, actually? Then being surprised that they were warm because there's an oven underneath the check-in desk. And then going up to my room and eating one and discovering they were absolutely delicious. And I can still... I can't remember anything about the hotel, the room, the television, any of those details. I can't remember anything about the service. I can't remember anything about the food, nothing. But the cookie sticks precisely because...

26:44I mean, there is a kind of brain theory about this, which is that most of what we perceive as a prediction and the things that we use our eyes, ears, noses and other senses for is to correct for prediction error. In other words, we disproportionately attach attention to the unexpected. And Will Goddara, one of his stories, was taking over an ice cream stand in the middle of a museum in the US, an art gallery. And he had an incredibly extravagant spoon, wasn't it? You know, that made zero sense. It was ridiculously over-possed. So the ice cream was all pretty good, but he allowed his accountants to choose the ice cream supplier and the pots and everything else.

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27:21But he absolutely went out on a limb for these Italian-made spoons. And what he noticed was that if he ever mentioned that ice cream stall anywhere, to anybody who'd ever been there, they all talked about the spoon. and in the same way there's a gym I know where they were quite shrewd which is it was a mid-priced gym to a low almost to a low priced gym but they always had I don't know you're probably a gym go and you have all those unguents and strange liquids they always had keels back in the day when keels was less well known but seen as very very premium and a few people asked them they said well you know you're a competitively priced gym why do you do this it's very simple every time we research our users, every single person mentions the keels.

28:12And so, you know, I mean, you know, I think that one of the problems you have is that those very, very potent things are the first thing that procurement or finance try and kill off. Because they go, it's not in our service level agreement. It's, you know, there's no record of anybody complaining about a hotel because it doesn't give you biscuits when you check in. So why on earth are we engaging in this discretionary expense? Because finance people have a kind of fantasy world which is just optimised around minimalist efficiency and as a result, they completely fail to understand human anthropology.

28:48Is it the Maynard Keynes quote, they know the cost of everything and the value of nothing? Oscar Wilde. Was it Oscar Wilde? Oscar Wilde, yeah. And of course there are these weird things, it's very similar actually, I was talking to Will about this, to the idea of Kano or Kano theory, the Japanese theory that all products have three attributes. So there are table stakes, which are effectively, you know, things where if you fail there, you're not even in the game. So that would be, for example, if you made a cassette deck and it constantly jammed or, you know, the sound quality was appalling, you know, you're out of the game.

29:27Then you have performance attributes, which are generally they scale linearly and then tail off, which is sound quality, battery life, volume, build quality, that kind of stuff. But then you have this third category of things. Now, bear in mind, Keno was at the University of Tokyo. He worked a lot with the Japanese consumer electronics industry. He called them delighters, or whatever the Japanese for delighters is. And that would be, to those of our age, the eject mechanism. In other words, you put a ludicrously disproportionate amount of effort into a gorgeous eject mechanism because although it has no real bearing on the functional attribute of the product itself, it disproportionately accounts for the person's affection for it.

30:13I argue there's this concept called reverse benchmarking. I was influenced in this by a Roger Martin piece called Benchmarking is for Losers. He argues that when you benchmark, you actually put enormous... He's very popular with people like sort of, you know, McKinsey, because you can do a really laborious benchmarking exercise. But you end up effectively competing on the expected. You become more and more alike to your competitors. You lose differentiation and distinctiveness. And he's absolutely right about this. My argument is you do reverse benchmarking, which is what Will Godara did, which is you find out what your competitors are doing badly and you basically double down on that.

30:51So he had the beer sommelier at a Michelin-starred restaurant. No one was expecting that. And I'd argue that that's what Steve Jobs did at Apple. I think that's probably what Dyson did to an extent. You take the things that all your competitors aren't doing well and you just do them brilliantly so that it gains so much attention and so much saliency that everything else you do, provided it's satisfactory to good, almost becomes completely secondary in their appraisal of what it is you do. I mean, I had a moment, you know, the Angel Hotel in Abergavenny, very simple thing, OK? It's a hotel in a Welsh market town.

31:34Check in, what's the latest I can have breakfast? And you're expecting the answer, aren't you? Nine, or since it's Saturday, it's 9.30. 9.30, yeah. You just go, well, 11, but basically as late as you like. You know, and so it's those things which actually go, oh, thank the fuck for that, you know. You know, I don't have that usual bit of... And I think it'd be very interesting for hotels and lots of service industries. I mean, actually, that's what Bucky's did with restrooms. You know, gas station restrooms were terrible. Everybody thought they were, you know, basically, you know, pretty ghastly.

32:11What they did is they didn't just have relatively clean restrooms, they made the things palatial, you know. and it's kind of the badge of pride of the whole. In fact, the entire business was basically built on that single act of differentiation. I almost wrote a book called Toilets of the World on a theory that you can judge any destination by the quality of the toilet. And you could literally have a toilet rating. Ah, Slavoj Zizek, the philosopher, has written a piece on this because he thinks you can tell a lot about the Germans from the inspection platform. Yeah. And I met the CEO of a big pub chain.

32:46and he said whenever he did a pub visit, he would go unannounced, and the first thing he'd do is go to toilets. He said, I could judge the kitchen on how clean the toilet was. So it's basically a fantastic heuristic. And interestingly, Rush, the hairdressing chain, they spend sort of 20 ,000 to 30 ,000 on their toilets, even though most people who get their hair cut don't use a toilet. And the argument is it's what you might call a delighter moment, because you're expecting the toilet to be dismal utilitarian, effectively a staff toilet, you know, with a mop leaning against the wall and a bucket and a few cleaning products stored, you know, in a pile.

33:26And instead you go in and it's kind of marble and gold. Yeah. And it's one of those moments which is... And I think... No, no, I mean, actually you also notice attention to design and things like... I always notice that in countries which have a really strong design aesthetic, if you go to Scandinavia, there is always a hook on the back of the door. You know, for you to hang your jacket or if you're, you know, I don't go into women's toilets generally, but I imagine you want to hang a bag because you don't want to put an expensive bag on a toilet floor. So there's a NatWest in Tunbridge Wells, which did the most brilliant thing.

34:02I only noticed it because I was there with my wife, really. But next to the cash machine, the indoor cash machine, they had a little handbag shelf. Now, when you think about it, retrieving, you know, a cash card, which we do less and less often because of contactless phone payment, retrieving a, you know, is slightly painful and awkward, but if you have a tiny little shelf, it probably cost them, you know, 100 quid to install the thing. But you immediately notice it because it's fundamentally a kind of empathy demonstrator. And actually, I suppose what it is, it's actually, what it is really is it's emblematic of your customer focus.

34:38It is. It says we're not a psychopathic business run exclusively for the shareholders. We actually spend some time trying to understand life from a consumer's point of view, not from an investor's point of view. Because businesses, I think we've created, the shareholder value movement has created businesses which are almost examples of institutional autism. In other words, I'm not suggesting that the people within individuals within the organisation are autistic. I'm suggesting that the way they interact and the way in which things are siloed and the way in which things are measured and the way in which things have to be quantified means that the behaviour of the business is effectively socially inept in a way or socially lacking in understanding of another person's perspective in some peculiar way.

35:31There are some times where it works in reverse. You gave this example earlier of Gales where actually inefficiency in how you deliver your service is sometimes a built-in feature. So I think they realise that if other passers-by, because bear in mind they have enormous windows, it wouldn't work if you didn't have the enormous windows, they see a queue and they infer that there's something highly desirable and some part of the queue in Gales is, to be honest, created in that they make you order your coffee right at the end and then you have to stand around waiting for it, which creates a kind of buffer in the system.

36:13That means, A, people spend longer staring at the bread. I mean, there may be some interesting finding that unless you've been looking at, you know, expensive sourdough for 40 seconds or more, you're less likely to buy. But it also creates the impression that this is a desired product and I'd better get there fast before it all goes. You know, worth queuing for. You know, it's a fairly common heuristic, well known in sort of Spanish nightclubs because you couldn't play this trick so well locally because people would get wise to it. But if you're running a nightclub in Benidorm, you basically artificially hold people outside and they queue for ages to get in and then when you finally let them pass the velvet rope, they just go and the place is half empty.

36:58And the entire thing is a kind of scam. This is true though. Like when you're on holiday and you're looking at restaurants, there'll be a restaurant that's absolutely packed and one that's completely empty. And rather than going the one that's empty, you make the assumption, which would be a nicer experience. There's an interesting theory there, which is that in some cases, that may emerge completely arbitrarily. So that both restaurants are empty, you come to sort of six o 'clock in the evening, and two or three people turn up, and they happen just to go to the restaurant on the right. And then you could literally have a kind of snowballing effect where of people who come along who are undecided, who have no prior preference, three people will go to the restaurant on the right to every one who goes to the restaurant on the left.

37:40And it could be completely arbitrary. So you might argue... Now, I have heard that Guinness pay people early on in the day, not necessarily in the UK, but in certain countries. Guinness is very interesting because if you see somebody else drinking Guinness, you're inordinately more likely to order a Guinness yourself. And I have heard the rumour that they employ people to stand around very prominently near the entrance around about opening time, very visibly drinking Guinness, on the grounds that then the knock-on effect, you know, effectively you create a flywheel effect, then after the first hour maybe that person can go somewhere else or go home or whatever they do.

38:21But there's this initial kind of decisive moment where effectively everything that follows on from there is a product of whether customers three, seven and nine order a Guinness or whether they don't. and I mean large parts of business success I think are often down to weirdly quite arbitrary what you might call feedback loops of this kind I think. I'm sure there are brands which have succeeded simply there's a company with which I do some work and I find them very interesting called Herdify and their whole approach is to look geographically at product sales so that you up-weight your advertising activity in places where there's already momentum.

39:09And it's obviously particularly applicable to anything which is visibly consumed. If you look at something like solar panel adoption, famously, once one person in your street has solar panels, everybody else becomes sort of 20 % to 30 % more likely to get them. And you could arguably use Herdify data in two completely opposite ways. You could say there are areas where we've completely failed to take off and we need to get some seed corn in there and just establish, you know, a little bit of normality, a little bit of visibility to this. And you can equally do it where, well, hold on, we've reached this sort of threshold here and actually one extra marketing push will effectively take us into the steepest part of the curve a bit earlier.

39:52And, you know, you could use it also negatively, which is, look, actually for the moment we've got a limited budget, there's no point in bothering in these 20 places. Electric car adoption, you'd probably see, would be pretty uneven geographically, for example, and some of that would just be these network effects. I think Red Bull did that famously, didn't they, when they launched. They went around nightclubs. They focused on nightclubs, and then they actually paid people to crush cans and leave them on the pavement just outside nightclubs. The overflowing bin phenomenon. Same logic. Of course, we draw inferences to the behaviour of other people.

40:27Completely rational thing to do. They are hacking that a bit. It's a bit naughty. But equally you could look at it another way and say in the consumer adoption of important new technologies let's take a technology which we all agree is quite important and useful, the washing machine or whatever it may be you do get this sigmoid curve which is people find it difficult to do something they haven't done before and they find it difficult to do something that nobody else around them is doing. Unless you're one of those people who's just willfully perverse or eccentric, most people, you know, their default mode in life is do what I've done before, do what everybody else does.

41:11And it's not a bad heuristic for avoiding catastrophe, certainly. And you can see why we've evolved that instinct. But it does mean that the adoption of new behaviours is painfully slow at first, which leads me to wonder, actually, what proportion of great ideas were abandoned too soon? Google Glass would be an example. Well, that's a great example. OK. Google Glass would be an example where I think because it requires quite a lot of behavioral change and it's visible and you've got to wear it on your head. I'm the sort of, to be honest, I'm the sort of awkward, cranky fucker who just go and do it anyway.

41:49And also we both have a superpower in that we're Welsh, so we don't really care what other people think. This is a bit true. What these Anglo-Saxon invading forces think of us is of no concern of us. But Welsh people are a bit, I would argue Welsh people are a bit less self-conscious actually about things like that. But nonetheless, it's going to be painful to do. And I would argue that a product like Google Glass really you have to realistically plan for a five-year wait before it makes it into the... I mean, mobile phones, for crying out loud, were... We all assume that they arrived instantaneously because we're looking at history backwards and concertina-ing it.

42:26No, no, no. There were years and years between the mobile phone becoming available, then affordable, then it reached a ceiling, and then they introduced pay-as-you-go. Because bear in mind, until they introduced pay-as-you-go, there was a sort of 30%, 40 % holdout of the population who weren't prepared to get a mobile phone contract. Yeah. They then got a pay-as-you-go phone, put it in the car glove compartment, and then discovered they were using it all the time. and, in fact, many of them ended up spending more on pay-as-you-go than they would have paid had they been on a contract, but they just didn't like the...

42:57they were commitment-phobes. And so the mobile phone, you know, television in the US was weirdly slow, slightly faster in the UK because the BBC kind of got it up to, you know, speed. You know, in other words, you already had the programming, as it were. But TV adoption in the US from the, what was it, 50s, I guess, if you actually look at it really really long period where it's it's almost being adopted in the air fryer now you know another example now here's an interesting thing so i think there are various things marketers need to teach the rest of the business world that we know and they don't and one of one of them is you know multi-channel that actually the same person at different times will buy you in one channel and won't buy you in another or vice versa and therefore you know that business of physical availability is crucial.

43:47What I think the finance people in a business do is they go, let's try and force all our customers to use the cheapest to serve channel, which is, I'm totally in favour of those screens where you order at McDonald's. I'm not in favour of getting rid of the person behind the counter, because they're different. You know, they're contextually different. You know, there are times... Also, is it really a restaurant if there isn't someone standing there looking at the tables? You know, what What are you? Are you a canteen? It's weird. I'm totally in favour of ticket machines at railway stations. I'm not in favour of closing down the ticket office because sometimes you don't know what ticket you need.

44:25And so I think that fact, that's one marketing lesson. The other marketing lesson I think everybody needs to learn is this business of the Bass Diffusion Curve, which is that adoption of... So I used to think that the bigger the idea you had, the less marketing it needed because obviously if it's a really big idea, it'll just sell itself. Then I realised it's the opposite, that the bigger the idea you have, the more behavioural change it requires, the more unusual it makes you seem by adopting it, and therefore the more marketing it needs. 100%. Because people need the psychological reassurance to get over all those initial hurdles.

45:00Now, a perfect example of that, you know, Penny Post, one of the most fantastic business ideas in the last 200 years, 1840 Rowland Hill, who suddenly works out, It's a mathematical insight in a way that whereas there had been single flat rate postal same day, next day services or same day services in London, he worked out that with the coming of the railways, you could get so many letters on a trunk route between, say, London and Edinburgh. that distance had become... Distance, price per letter per mile, had almost gone to zero. Because if you watch the film Nightmare with the Auden poem, I think there are quarter of a million letters on that train.

45:41So it's a sort of 400-mile journey, but actually, if you think about it, you know, the price per letter per mile is as close to zero as you can imagine because there are quarter of a million of the buggers. And he worked out, hold on, you can take this same-day principle which exists within London. You can extend it to the whole country. It then extended to the whole of the British Empire. That never made money, except Australia and New Zealand. You had to pay extra for those. But India, Canada, all of those, the whole of Africa, you had a penny post. And the interesting thing, of course, it lost money for the first few years because people weren't in the habit.

46:20They didn't know anybody 200 miles away and they weren't in the habit of writing to people 200 miles away because it would have cost a fortune. And so you had to wait three, four, five years before it hit break-even for the behaviour to catch up with the importance of the idea. And I think people think that good ideas are self-evident and therefore will be adopted immediately, and they go and look at the initial... I was hearing about a thing on a podcast, which is Cisco had invented a video conferencing for your TV. And the... No, I'm just trying to think of who it was. Was it Gary Hamill on a...

46:58No, the truth of the matter is, okay, the idea was it didn't succeed very quickly in the first year. Well, first of all, you've got to wait for somebody else to do it, right? Okay, so it's not an obvious sort of, hey, I'll just buy that and I'm all set. But actually what they needed to do was to maintain that product line, let it grow incrementally and, you know, and one hopes, you know, slightly exponentially, or geometrically at least, And wait for COVID. Well, exactly. They needed COVID. The use case said to come later. A very large part of life is staying in the game long enough to get lucky.

47:37100%. And if you're demanding instant returns, you're demanding a particular rate of growth and a very predictable rate of growth in line with city estimations, what you're doing there is you're destroying a completely different form of success, which is you hover around for ages and then something happens. You know, more people start travelling. You know, if you look at things like American Express, you know, I mean, for example, you know, the whole Penny Post was dependent on the railways to some extent. You know, things happen which suddenly change the whole game for everybody and you get lucky.

48:17And this is one of the most interesting sentences which suddenly I realise why a lot of businesses are being destroyed by excessive quantification, measurement, and also by excessive kind of internal regulation, an internal process, what you might call process consistency. So this guy, mathematician called, a brilliant guy called Stephen Wolfram, and I'm in this meeting with him. I'd never met him before, but I completely idolised the guy as, you know, recognised maths genius. And he said this thing which is really, really, sounds quite banal, but you suddenly realise it's critical. He said the reason evolution works in nature is because it actually has quite a loose fitness function.

49:04It basically says if you can stay alive long enough to reproduce and you can find an ecological niche of whatever kind in which you can meet those two criteria, then it doesn't matter whether you're a patch of moss or you're a shark, you get to stay in the game. and he argues that if you have a really narrowly, tightly defined fitness function, you don't get any of the biodiversity, the variation, the overall economic growth and just the overall variety that you get when you have loose fitness functions. And I would argue that you should give marketing a loose fitness function. In other words, you should say, you need to do, you know, we need...

49:46And actually, business objectives should be loose. So if you've got a call centre, you should say, actually as Greg does at Octopus, right? They're basically measured on customer satisfaction. They're rewarded on the number of people they look after and how well those people feel looked after. That's it. They don't have loads of call centre time, average call length, wait time, da-da-da-da. Those are total impositions by tragic nerds. And because those people impose all those stupid rules, all the innovation, variety, happenstance, lucky accidents, lucky discoveries, all the tacit skills, all the entrepreneurial urges of the people within that call centre unit get completely suppressed.

50:29If you give them a loose fitness function, which is make people really happy, and as many of them as you possibly can, then what you're unleashing is an enormous amount of not only human ingenuity and also intuitive judgement, which is valuable in itself, but you're also allowing people to get lucky. Which is, isn't it weird? I've just come up with this funny phrase and people who used to be pissed off, I used to say this and people were always pissed off and now I say this slightly different thing and people aren't pissed off. And actually then you can build a kind of intern, and then ideally what you'd do is you'd have frequent contact between the different groups where they'd share their best discoveries.

51:13And that's an evolutionary model of how a good call centre should work. You write for The Spectator and I discovered something today which I hadn't appreciated before, but The Spectator is the longest running weekly publication. Is it 10 ,000 editions there? It was during COVID actually because I remember I was actually on a bedroom floor reading these photocopies of 10 ,000. So it would have been about 2021 or 2020. They hit their, I think they were founded in 1828. I think I've got that right. And it's the oldest continuously published magazine in the English language. They sometimes claim in the world, but I think there might be something weirdly older, like in South America or something.

51:56And if you've got advertising, is that had advertising in it? Yeah, so it's had advertising in from the get-go, I'm pretty sure. And so they asked me to review sort of 10 ,000 issues worth, i.e. getting on for 200 years worth, of spectator advertising. and it was fascinating because it's still really interesting. Most of the content from 1850, or when they're having huge arguments about the Corn Laws or the Great Reform Bill, all of that stuff which we regard as important news, in effect, seems totally irrelevant and ridiculous, you know, in the light of 150 years later. But the advertising is still fresh.

52:40And you suddenly realise, of course, that base human, you know, what you might call all the noise around human activity, you know, the kind of thing that journalists regard as high-minded, wonderful, you know, tremendous journalism, is actually that's the chip paper, whereas the advertising, because it's focused on essentially eternal psychological truths that aren't going to change, every single advertisement is kind of interesting and you understand exactly what it's doing and it's really quite fresh and charming and pleasant to look at. And you see, by the way, also you see these recurring devices, you know, the advertisers, there are certain, you know, there are certain sort of narratives or certain strategies that worked pretty well in 1850 and work pretty well today.

53:32So I only got a cross-section. Obviously the whole section of the magazine would have required a... I was going to say, that would have kept you for the last five years. So I got a cross-section of interesting ads sent to me on enormous A3 photocopies, as I remember. But it was... I also think it's true that, in a weird kind of way, tabloid journalism is much better. So, in other words, there's information we really want and there's information we like to pretend to care about. And actually, advertising is quite... ..is, in a way, quite eternal because it does deal with the eternal human needs, verities, the need to be admired, the need to take care of your children, the need to do...

54:10Those things are all eternal motivations, whereas the other stuff is largely people showing off that they care about stuff. That's brilliant. Oh, Rory, that's amazing. Listen, thank you so much. As always, a complete blast. And I think for anyone watching, you've got a matching suit to this amazing sofa. Yes, I might be invisible on the furniture. Yeah, if you want to check this out on YouTube, go check it out because Rory and I have been probably the most relaxed, laid-back position ever to do an interview in. But listen, mate, thank you very much. Absolute joy. Pleasure. Anytime. I don't think we'll batch the last one in terms of Spotify.

54:46Well, I've got to say, we'll have to set a new target this year, top 30 in Spotify. But there are some really important questions about this, which is that marketing people are justifying themselves according to metrics laid down by finance, which is like fighting a duel where your opponent gets to choose the weapon. And that doesn't matter if it's the right maths. It isn't the right maths. But the worst thing we've done, and this is how I reverse engineered the fact that I got famous, if you like. What I suddenly realised is I had to talk to a load of people about what we did who weren't in advertising or marketing.

55:24And I realised you can't just show them 20 ads because if it's a procurement conference or a compliance conference or whatever, these people are never going to get to make an ad, so it's largely irrelevant to them. And so of necessity, not really intentionally, this is what I mean, that most of success isn't intentional, right? Totally. Of necessity, I stopped talking about what we did and started talking about how we think. And I suddenly realised, and I realised this even more when I wrote the book, that how we think has an audience and a market that's 150 times larger than the market for what we do.

56:01and we've all made a mistake because marketing people have defined themselves as marketing with a capital M which is a business function which is then associated with Marcoms and maybe with pricing and you know a little you know maybe staging a conference or exhibition it's kind of associated with things people do but capital M marketing is only about 5 % of small m marketing which is the understanding of business from a customer's point of view attached to the creative possibilities that emerge when you adopt that new viewpoint. That's it, really, okay? You know, in other words, marketing with a small m is actually a branch of phenomenology, which is around human perception and, you know, effectively, what we perceive and how we feel in response to it and that stuff, okay?

56:56Now, the market for understanding in that and the opportunities for improving the world through small m marketing, which isn't a function, it isn't defined by what it does, it's defined by how it thinks, that's an enormous market. And instead, we've all focused on what we do. But what we do is a fraction of the value of how we think. 100%. Well, that's a brilliant, brilliant place to end. Rory, thank you. It's a pleasure. Delighted. Absolutely happy. Thank you. Thank you very much for listening or watching Uncensored CMO. I hope you enjoyed that. If you did, please do hit the subscribe button wherever you get your podcast.

57:32If you're watching, hit subscribe there as well. I'd also love to get a review. Reviews make a big difference on other people discovering the show. So please do leave a review wherever you get your podcast. If you want to contact me, you can do. I'm over on x at Uncensored CMO or on LinkedIn where I'm under my own name, John Evans. Thanks for listening and watching. and I'll see you next time. Awesome. I think that's the fatal mistake, which we've allowed other people to define what we do. Yeah. And actually, it's not really... It shouldn't really... It's a tactic rather than a strategy. Yeah, yeah.

From the publisher

Our most popular guest ever is back - Rory Sutherland returns for a wide-ranging conversation on why marketing works best when it embraces luck, spontaneity, and a little irrationality. From the dangers of confected outrage and self-censorship to the unfair economics of marketing, Rory challenges the industry’s obsession with logic, optimisation, and process.

We discuss why success is often misunderstood as skill rather than luck, the value of doing a few things irresponsibly, and why inefficiency can be a feature rather than a flaw. As ever, Rory connects behavioural science, creativity, and business reality in ways few others can.


Timestamps

00:00 - Intro
01:16 - How Rory deals with his new micro fame
03:12 - How Jon shut down the London Underground
07:04 - The problem with confected outrage
10:34 - How self-censoring is affecting creativity
12:10 - The power of spontaneity and luck in advertising
16:03 - The unfair economics of marketing
20:54 - Is success just luck?
23:12 - Spend 95% responsibly, and 5% irresponsibly
30:12 - Doubling down on what your competitors do badly
34:32 - Why so many businesses are no longer customer focused
35:29 - Inefficiency as a feature
37:08 - The power of herd mentality
43:26 - What marketers can teach the business world
48:13 - Why internal process is killing businesses
51:15 - Lessons from 200 years of The Spectator advertising
54:47 - Rory’s closing thoughts on marketing

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