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Uncensored CMO Podcast Episode Notes
Episode Title
Sir Martin Sorrell on the 5 biggest ways AI will change marketing
Episode Overview In this episode, host John Evans speaks with Sir Martin Sorrell, the founder of WPP and S4 Capital. The discussion revolves around the challenges facing the marketing industry, the role of AI in transforming marketing practices, advice for CMOs, and the future of creativity in an AI-driven world.
Key Segments and Discussions
- Introduction and Background
- Welcome to Sir Martin Sorrell, a titan in the marketing industry.
- Overview of his career, including founding WPP and later starting S4 Capital as a challenger brand.
- The State of Creativity in Marketing
- Assessment of current creativity levels in advertising.
- Comparison of past creative achievements (e.g., BA’s ads) with modern outputs.
- Observation that many attendees at events like Cannes are not engaging with the work as they once did.
- Concerns for CMOs
- Three main areas of concern:
- Agility: Need for organizations to adapt quickly.
- Taking Back Control: Clients should regain control over their data and marketing strategies.
- First-Party Data: Importance of building and managing first-party data due to changes in data privacy laws.
- The Impact of AI on Marketing
- AI is seen as a game changer, equated to the impact of the web and smartphones.
- Five Key Areas Where AI Will Impact Marketing:
- Productivity Improvements: AI can drastically reduce production times for ads.
- Hyper-Personalization: Ability to create tailored experiences for consumers at scale.
- Media Planning and Buying: AI can optimize these processes, challenging the need for traditional media planners.
- Improved Processes: Enhancements of workflows and operations within organizations.
- Knowledge Management: AI can democratize knowledge across organizations, breaking down silos.
- Creativity vs. AI
- Concerns about losing originality and creativity with increased reliance on AI.
- Sorrell argues that AI will enable more creativity by handling mundane tasks, allowing humans to focus on high-level creative work.
- Future Disruptions to the Industry
- Predictions for the next 10 years:
- Continued geographical fragmentation and competition.
- Pressure on growth due to economic factors leading to a greater focus on efficiencies driven by technology.
- Ethics in Advertising
- Discussion on ethical considerations regarding personal data usage in marketing.
- Importance of ensuring consumers understand what they are signing up for.
- Regrets in Career Choices
- Sorrell shares regrets about not acting fast enough on the internet’s rise during his time at WPP, emphasizing the need for speed in adopting new trends.
- Advice for Marketing Teams
- Teams need to develop data skills and agility to manage changes in the industry efficiently.
- Importance of experimenting with AI in marketing strategies without overhauling entire organizations.
- Final Thoughts and Quickfire Questions
- Sorrell shares insights on what motivates him, reflections on his career, his views on the show "Succession", and his thoughts on building a fantasy agency with the best elements from existing firms.
Conclusion The episode concludes with a reminder of the significant changes AI will bring to the marketing industry and emphasizes the need for CMOs to adapt to these transformations. Sir Martin Sorrell's insights provide a roadmap for navigating these challenges while maintaining a focus on creativity and ethics in advertising.
Key Takeaways
- AI is poised to fundamentally change marketing practices, enhancing productivity, personalization, and decision-making.
- CMOs must prioritize agility, control over data, and first-party data management.
- Creativity in marketing is at risk but can be enhanced through AI by allowing more focus on strategic and creative aspects.
- Ethical data management is critical for maintaining consumer trust in marketing practices.
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Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:06Ladies and gentlemen, welcome back to Uncensored CMO. Now in this episode I am talking to one of the titans of our industry, someone who I think has had a bigger impact on our industry than perhaps anybody else. He is Sir Martin Sorrell, founder and owner of WPP, the biggest holding company in the world. He has since gone on to set up S4 Capital, so now finds himself in the challenger position rather than the dominant player. I wanted to talk to Sir Martin about what he sees as the biggest challenges facing our industry today. What are the disruptions coming down the line that are going to affect and shape our industry in the future.
0:42What's his advice to CMOs? What do CMOs need to care about and what should they be doing? What skills they need to deal with the challenges coming at them in the world today? And because it's can, I wanted to ask him about AI, of course. And in fact, just to do that, I asked ChatGPT to give me some questions about AI to Sir Martin. I also want to find out a little bit more about him as a person, his background and what motivates him and why is he still going having had the success he has here's my conversation with sir martin sorrell listen i thought oh it is okay obviously you know you're reasonably well known i think it's fair to say a little bit but i'd love to start at the beginning in my own mind in your own mind yes indeed take us back to uh when you were growing up what did you want to be i wanted to open the batting for england okay fair enough nobody understands what that means i was very um leonard hutton was my sort of um idol i think the york england captain sir leonard hutton actually so i probably want to open the batting for england was probably the answer to that um i got into to advertising by accident really because my dad said uh you know what you should do is you should find an industry you enjoy find a company in it within it that you enjoy and have fun with and then build a reputation.
2:02Not a reputation to do podcasts with you, it can, but just in the area in which you operate. And then if you fancied doing something on your own, and the magical age was 40, actually, because 40 was the age when you'd done your first 20 years because people used to retire at 60. They didn't carry on like I've done. but so you know build a reputation if you fancy doing something on your own when you're around 40 go ahead and do it so that was it and I sort of fell into it because I was working for James Gulliver who was a very successful food retailing entrepreneur he sold fine fare to RCA corporation don't ask me how a retail food operations ends up inside RCA corporation but it did and James had a fair bit of money and he hired me as his personal financial counsellor, which actually wasn't an accurate description.
3:00I was really his gopher. He used to carry his bag. And we invested in a number of things. We invested in Tavener Rutledge, which was a suite manufacturer up in Manchester, Sayers Confectioners, which was a bakery, also up in the north, in Alpine Double Glazing. these were all sort of small public companies which had done pretty well or were stagnating and then the other thing was Garland Compton and Garland Compton was run by a man called Ken Gill and it had gone public so it was the Garland agency in London plus Compton in America had a stake in it and Ken Gill was worried about the creative reputation of Garland Compton, you know it had Procter as its biggest client jane jay i think eli lily and some others and he said to james a good friend of james gulliver uh said you know who i'm thinking about goosing up the uh creative reputation and i've got you know these saatchi brothers and and what morris and charles did was effectively reverse they did a reverse takeover of garland compton which had gone public and james was consulting for them and i ended up being the sort of consultants.
4:15I used to go into Charlotte Street one day a week. I had an office in Charlotte Street, not on the top floor where Morris and Charles were, but I think it was on the second or third floor. And I used to do consulting for them for about half a day a week, a day a week. And then Morris wanted to hire a CFO. And the consultants were with a firm called Goddard, K and Rogers. And the consultant was called Brian Burwash. I mean, it's all very funny stuff, actually. And Maurice said to Brian one day, because they had difficulty finding a CFO for Garland Compton as a listed company. The guy who was running, it was past 11 o 'clock in the morning, was somewhat non-compost mentis.
5:00And they went looking in Fleet Street for a CFO. Most of the CFOs were non-compost mentis after 11 o 'clock, if you get my drift. Yes. And Brian said to Maurice, what sort of person do you want? Somebody like Martin. So have you asked Martin? No. So Brian asked me and that was it. Wow. So that was how I got it. I sort of fell into it. And Maurice I liked. And Charles I liked. And the atmosphere was great. Tim Bell was there. Jeremy Sinclair. Bill Muirhead. I mean, all of whom have survived to this very day. And it was an exciting place to be. Nothing was impossible. Yeah. except if you've got public recognition for it.
5:38So it's very funny, actually, because Morris would say to me, or say to everybody, Procter and Gamble never have an individual. It's always Procter and Gamble, both of whom are dead. And, you know, Sartre and Sartre would be the same. And I'd say, well, Morris, but the slight difference, you know, you're alive, Charlie's alive, and Sartre. So you could do anything you liked, as long as you didn't get any public recognition for it. And Tim was, often people referred to me as a third brother or Tim as a third brother. Tim was really the third brother. Sadly, died a few years ago. But Tim fell into that trap with the Conservative Party and Margaret Thatcher.
6:23He became too famous as an individual. We'll come back to this because I think it's an important point in our industry. it's what bedevils our industry to some extent anyway so Tim carved out a really with Gordon Reese Gordon Reese was Maggie Thatcher's sort of political guru the one who lowered her voice and looked after you know how she looked and what she said and Tim got very involved as a personal advisor and that's but Sarcher's was a great business show Manhattan Landing the work for Israel the pregnant The Man ad, I mean, it was all part of the folklore. Not that you see anything like that at Cannes anymore.
7:04Well, we're going to come on and talk about that. I'd love to get your views on it. I don't think the ad that BA did matches Manhattan Landing. Well, let's jump to that. They won an award here this week. How do you assess the state of creativity now as you look? Well, firstly, how many times have you been to Cannes? I would say, I don't know, it's about 15 or 20 times. It never used to come. We basically set ourselves the objective at WPP to win at Cannes. Yeah. And we had a run of, I think it was about five years. I think it started about 2014. And when I left in 18, they flubbed it in 2019, and then they seemed to reassess the importance of it.
7:48It's very different to what it was. I mean, it's certainly nowhere near what Roger Hatchwell envisioned. I think it was a bunch of French creatives having a glass of rosé in the south of France in June. And I don't think if you and I were trying to redesign or set up the equivalent of Cannes, that we would do it in June in the south of France. I think we would probably pick an off-peak period like February or March or something, or maybe January rather like Davos and find a place where the rates were slightly lower and maybe a bit more isolated so that people couldn't do anything else. I mean, the trouble here is that there's lots of other things to do in it.
8:36And in fact, I saw it. It's really interesting you asked me the question because I saw somebody today who was her first time here who worked for a UK company, a retailer. And I said, you know, what do you think of it? and she said, well, nobody looks at the work. And that is true. I mean, most people bugger off on Thursday now. They don't stay for the awards on Friday except the winners. Whereas before, that was very much the reverse. We all stuck around. We wanted to see who won, et cetera. So I think it's very different. To me, Cannes has become like CES, and CES has become like Cannes. And maybe the common coefficient of that is MediaLink.
9:18Because CES was too technological. Yes. So they wanted to be a bit sexier, so they called on MediaLink. And then, you know, CAN with Essential or MediaLink is not part of Essential anymore, but it's the same thing. But I think it's, I'm going to say it's past its sell-by date. I think it's got to change. In what ways do you think it's changed? Well, I think a number of people said to me today and yesterday and the day before that it's too much. And it's become very superficial. So, you know, it's speed dating, which is good because it brings everybody together at the same point in time. So it's a networking event.
10:01But, you know, you lose sight of the event. It's rather like Davos in the sense that it used to be that we used to listen to the content, to the panels and the speeches and the initiatives. I sort of feel that this is more you know there's a lot of people here don't have badges the price of badges has gone up so significantly price of a hotel room is ridiculous I heard last night that the pre-COVID agreements that the hotels entered into they're not prepared to stick by them so you've got pricing and dare I say gouging on pricing and I think you know the funny way can and this is the trouble with all conferences they're not in real time so they're planned a year before so this planning might have been right for a year ago but it's not right for this point in time and some of the things going on here are probably downright embarrassing from an external point of view in terms of cost and entertainment and it almost comes down to who's my party is bigger than yours or whose party is the biggest And so I think it's sort of lost a bit of its focus.
11:13Now, having said that, we'll come on to this. Technology is, there are two drivers of, I think, of our industry. One is geographical, a geographical driver, and the other is a technology driver. And obviously, technology is paramount. And you see the six big platforms represented here, the three western and the three eastern. And you see Amazon and Apple and Microsoft with big presences as well. And, of course, Salesforce and Adobe and LG and Samsung and Shopify and Spotify and Oracle and scads of others. But Pinterest and Twitter and Snap and et cetera. It's very technologically driven. And I think it's lost the focus around creativity.
12:00so we can get into that a little bit more well let's obviously uncensored cmo podcast with you know talking to an audience of cmos what should cmos be concerned about now as you know with your experience looking around the world well i think there were there were three things that we bang on about and i had a meeting with a major global or two major global customers this afternoon before coming here and it permeates those conversations i mean obviously ai is a focus but just we'll come onto that as well but we're abstracting that from that i mean i think agility people talk about agility every ceo says their organization is agile including agencies and if you have to deal with them you find out that they are so agility is key taking back control is key and as well you know after the great financial crisis the the vogue thing was zero-based budgeting which was nothing new but you know 3G Jorge Lehmann and his colleagues really sort of got people to focus on it and that meant you know defenestrating everything starting from the base of zero and building up it wasn't a new concept I mean it was messaged as being new but it wasn't I mean when I was at business school 55 years ago we had it Hal Janine at IT &T used to to practice it was nothing new but what it did was it pushed a lot of stuff out of the client.
13:24So it was outsourced. So we have three models at MediaMonks, S4's operating brand. We have the classic outsource model where agencies operate. We have an embedded model where we put people into the client. You know, they might have the client's T-shirt on, but there are people on our payroll. And then you have the in-house model, which we're not frightened to do ourselves out of business. Most of the holding companies are terrified of losing. We think in-housing works in various situations, both media and creative. We were the subject of a Harvard Business School case study on the in-housing of Sprint.
14:03We went on to do T-Mobile as well after they took over Sprint. So I think taking back control is really important. Interesting at the moment, because there's this focus on short-term results and short-term performance, which I think will continue. You know, the idea of in-housing probably CFOs and chief procurement officers are saying, no, we don't want more headcount, so outsource more. But in time, particularly driven by AI and AGI and blockchain and metaverse, which I think are the three technological entities and crypto, sort of fading a little bit into more than a little bit into the background.
14:43But those three things, blockchain, meta and AI, AGI are fundamental. And I think that will drive things more in-house. And I think that will become it. So take back control. So agility, take back control. And then the last point is first-party data. So when Google announced the deprecation of third-party cookies, although we still haven't got the final timetable, and when Apple did their change in IDFA, that meant that clients who had been building third-party data platforms had a real problem. I mean, it was first announced by Google, I remember. but the last thing before COVID in January of 2020 that I went to was a conference in Scandinavia, and Google had just had the second blog on deprecation of third-party cookies.
15:30A lot of the clients there, although at that conference, a Google-organized conference, although they were great fans of Google, otherwise they wouldn't have been there, they were somewhat irritated by the fact that there was a deprecation of third-party cookies because they were building third-party databases. Yeah, exactly, yeah. And so first-party data becomes really important. So you see the growth of the retailers' walled gardens as well, which is their answer to the Amazonian surge. So I think those three things. So, you know, agility, taking back control, and first-party data. Now, almost reluctant to mention the word, because there always seems to be a word, isn't there, or a theme at every can, but we must talk about AI, of course.
16:09Yes. How real a game changer do you think AI is? Oh, I think it's real. And where do you think the impact is going to be? I think real. When people talk about AI or AGI, there are two sort of emotions that it engenders. One is wonder. I mean, isn't it incredible and it's going to be doing incredible things? The other is fear. So I did a conversation with Auntie Scaramucci in London recently. and a woman came up to me with her daughter afterwards and said, my daughter works at one of the holding companies. I won't say which one. And is she going to lose her job? And, you know, she might. She might.
16:54Could be the answer. But I said, well, not if she learns to use it as a tool. So with that as background, you know, fear and wonder, or wonder and fear, because, I mean, it is as big as the web. It is as big as smartphones. I mean, it's another industrial revolution, and it's fundamental. We see already five areas where AI, AGI is developing. The first is on productivity, improvements on copywriting, and visualization. So ads that took two weeks to do take two hours. So huge savings, huge improvements in productivity. so much so that we've altered our go-to-market from faster, better, cheaper to faster, better, cheaper and now, sorry, and more and now being instantaneous implementation but more means we can produce more assets and be more effective.
17:50So I would say that's the first thing so visualizing copyright and I should say one interesting thing is the Unreal Engine which is Epic Games' Fortnite technology which we had utilized extensively. We built a studio in New Delhi, which means that we could shoot any commercial anywhere in the world from New Delhi. Wow. You know, if you want to do Rio de Janeiro, we might have to have Brazilian or Portuguese-speaking actors in India. But essentially, what's really interesting about the AI surge is the Unreal Engine also almost did the same thing. You know, you don't have to go to six locations and spend three months producing the most beautiful film, you can do it.
18:33But anyway, so that's number one. I think the obvious question in people's minds with that is what happens to originality and creativity and how do you avoid basically everyone creating the same... Well, no, you can do it to such a heightened degree. So for Netflix, which I think is the model, it's effectively a data-driven model where the data determines the creative and you pump it out through digital media, you look at the results, and then you refine the product. If it doesn't work, you refine it or you alter it. So for Netflix, historically, we might produce 1.6 million. In the Narcos example, 1.6 million.
19:13Theoretically, different creative executions, you could now do 5 million, right? So what was interesting about the conversation we had this afternoon was, you know, there were 12 product managers, global sitting around, And what it meant was that the production period gets concertinaed down to literally hours, which gives them more time. They produce more assets, which means that they have to be more selective in what they use and it has to be more iterative. So I think it's all to the good. I mean, it may be that clients, you know, we've had one or two clients who really said to us they want productivity savings or to share the productivity savings with us.
19:54But what it does is it enables, it's really interesting, it enables people to focus on the content and how effective the content is rather than the production of the content. So you've shut down that period and it's expanded the amount. So it's a bit like when you say about AI, I will destroy the mundane jobs and give people more time to do the brain jobs or the whatever, however you describe it. So that's the first area. The second area is hyper-personalization at scale. so we can do on a super scale, hence the more. The third is media planning and buying. And I think that, you know, the best way of putting it is, you know, you wouldn't – what would you prefer to do?
20:34Use a 25-year-old media planner or buyer or an algorithm? And certainly in the digital space, which is now two-thirds of client budgets, and the media market is$900 billion, probably digital media is about$600,$650, and it's going to be 75 % of client budgets by 2025, according to the forecasters. So I think the holding companies are in for a very rude shock on this. I mean, there is no way that if they employ 350 ,000, 400 ,000 people currently to distribute media planning and buying, it is not going to be the case in two years that that is the situation. Is that because they're overhead they're carrying?
21:17Well, there's no need for it. Again, I say the algorithm will prove it. You'll need agencies to validate. You wouldn't give your media budget to Rupert Murdoch and say, invest it without validation. No insult intended to Rupert Murdoch, but there would be bias there. So you need somebody as a countervailing party or as a reseller to validate what's going on. I also think it means that the platforms are going to get closer to the clients. So the six, I would come on to, I think, I also think that it means that the six big platforms are going to become even more significant. You know, they're being checked by the regulator from acquisitions, doing acquisitions, you know, Giphy and Activision with Microsoft.
22:01So six platforms, three West, three East, plus Microsoft and Apple, Salesforce, et cetera, they're going to become, NVIDIA obviously have a monopoly position in the picks and shovels for AI. I think they are going to become even more important. So if you thought they were big, now stand by. And the regulator is forcing them. Their research budgets are huge. Their research budget is a percentage of their revenues are huge, and in an absolute sense are huge. So they will be investing more in organic development, AI, AGI gives them. So media planning and buying. The fourth area is use of AI as a super tool, i.e.
22:39improving our processes, improving clients' processes. And the fifth area, which I think is the most interesting, is knowledge. So it comes back to what I said before about egos and industry. You know, good people are difficult to manage, which is a dangerous thing to say because average people then think to be good they have to be difficult. So you defeat your purpose. But the real jewels in our industry are those people who are good and good at building their brand if it's a multi-branded model. Ours is a unitary model that are good at participating in that, but engage other people who are good individually and make great decisions and make great progress, but they bring in the team.
23:23Those people are very rare. You walk down the Quasette. I'm still a shareholder in WPP. And what do I see? I see WPP, Group M, and Ogilvy. Makes no sense. What's the point? I mean, if you need more space, you're trying to create one firm. Even publicists, talk about the power of one. You walk into their reception and you see 47 brands. So I think our industry is bedeviled by that problem, that the individual almost becomes more powerful than the entity. and there's a great parallel with the fashion industry. There was a tremendous documentary recently, I think it was on BBC iPlayer, about Arnaud and Gucci and Pino and about Tom Ford and Alexander McQueen, etc.
24:19And the lesson from the film was, it's a great film, everybody should watch it, particularly in our industry, was that the creative directors weren't the most important people. It was the brand. The brand that always won in the end And Arnaud understands that big time. He's built the biggest company in Europe over half a trillion dollars of market value. Was the world's richest man. And I think Elon Musk has edged ahead again. But it's built by building, by understanding the brands are really important. I mean, the people are really important, but the brands is where the strength. And there's a parallel to our industry.
24:57So getting people and going back to the knowledge factor around AI, AI will enable us to enfranchise everybody inside the organization with the power of knowledge. So what was happening now is that people protect their areas because they control the knowledge. At least in theory, AI will enable everybody. We have 8 ,700 people. And I often say I wish everyone knew what the other 8 ,699 knew. And the guy who resigned from Google said he was resigning, he said it was an existential threat because the bots, he used 10 ,000 bots. Every bot would know what every other bot knew instantly. And in a way, it will get us to a situation not quite as perfect as that, but where if we give people open access and if the data that is ingested is good data and gets more and better and better, that will give knowledge to everybody in the organization so the thing that drives me nuts which is a question i always like to ask people what drives you nuts and about the business or the brand you're running or whatever it happens to be is when somebody in our organization says i didn't know that we had done that or so and so have been involved in that or we were in this geography or we had this capability or whatever so with all this in mind uh what's your advice to marketing teams what kind of skill set do they need to you know be able to handle this well you know if you think about ai the the the oil of ai is data and you know going back to the agility and take back control first party data mantra clearly control of data first party data for deprecation reasons idea for reasons as well becomes critically important and you know i would advise every client to look at their agreement with their media agency as to who controls the data.
26:59Because many media agencies control the data, and that's the way they exert control over the client, and they prevent change. In an AI world, at the very least, everybody should be experimenting now. You should break off a brand, preferably give it to us to work on. You break off a brand and start to experiment with the productivity around copywriting and visualization around hyper-personalization. You've got nothing to lose and you should do it quickly. You don't have to turn the whole organization upside down by doing it, but break off a bit and do it. So I think those are the skills. So the data skill is going to be absolutely critical because the real, the engine oil, the oil that lubricates all this is going to be the personalized data.
27:50The first-person data approved by consumers, no doubt. We'll get into that. In our pre-prep meeting, we talked a little bit about that issue. But I think that's the core skill. And then it's going to be about understanding. Well, agility is really important. So managing an organization extremely flexibly and responsibly. I mean, every conversation I have with somebody in the marketing fashion doesn't have to be the CMO or the CSO or the CIO complains about the fact that they don't move fast enough, they don't have enough control, and that the first-party data assets are very difficult to bring together.
28:31So that latter point is going to become absolutely critical. Oh, makes so much sense. Hugely, hugely important. Well, anyway, I thought I'd experiment with AI, obviously, with this conversation, so I asked it a few questions. Which one did you ask? ChatGPT, actually. Yeah, ChatGPT. So I said, give me some questions for Sir Martin Sorrell. The first one I thought is... They said who? Who? Exactly. Remind me. Anyway, first one. What's the best question for Sir Martin Sorrell? Were you to interview you, right? Now, I think this is a bit obvious, and you may have already answered this, so they get more interesting as they go along.
29:05The biggest disruption to our industry in the next 10 years... So I'll tell you what, I'll put a twist on it. You can't say AI. So beyond AI, biggest disruption to our business. There are two. I wouldn't say just one. One is geographical, so fragmentation. Different power bases, you know, the rise of Latin America, the rise of the Middle East, the rise of India, and in Asian context, not just India, Vietnam and Indonesia and Thailand and Philippines and Malaysia and Singapore. That doesn't mean old Asia, meaning Japan and Australia, New Zealand are not going to continue to be important, but the big question in Asia is China.
29:44Do you extend your business in China? If you have a big share, and I define big as, you know, China is 18 trillion out of 100 trillion GDP, so logically it should be around 20%. If you have 20%, maybe you stick because you're worried about Taiwan, supply chains, you know, Apple and Tesla going to Mexico, et cetera, for supply chains. If you're, you know, like, I think Unilever has 7 % of its revenue in China. You know, Procter went into China and Unilever went to India, so you want to up the ante in China. So we have a small business, a very good business. As my mother said, good things come in little packages.
30:24Our Chinese business is very strong, but we have to be bigger. And Chinese brands have been very expansive at the minute. And then outbound Chinese, what people don't understand is the platforms, in many cases, so for Alphabet, for Amazon, for Meta, their second big profit unit is outbound Chinese. So these are Chinese firms that are building their businesses internationally. So geographical fragmentation and the outlook for Europe. I hate to be depressing in France, but here goes. I think France, Germany, Italy, Spain, and the UK are going to have... Talking to clients, it tends to be... It's difficult to get growth in those markets, so we're very focused on efficient cost.
31:05So one thing is changing... So it used to be globalization. You can say it's deglobalization if you want, but it's certainly fragmentation. So picking your battlegrounds, before it didn't matter where you were, as long as the demographics were fine, free trade, always operated to help you. Now there are barriers. Make America great again, nearshoring, onshoring, whatever, makes it much more difficult. That's one thing. The second thing, and AI comes into this, is because GDP growth is going to be lower than it was and interest rates and inflation higher than they were and interest rates will be higher for longer, I think clients are going to find growth very difficult and margins will come under pressure.
31:53And as a result, they're going to be looking for efficiencies. And those efficiencies will be driven by technology, not just AI, but blockchain and metaverse too. next question i asked chat gbt give me the most surprising question for sir martin now the most surprising question according to chat gbt was if you could go back in time what advice would you give yourself you know when you look back on things you if you spotted something you you never do you never this is not a new thought because bill gates has said this i think on many occasions You never jump in. I mean, you may spot a change, but you never execute as quickly or as expansively as you should do.
Read the full transcript
32:40So if I think back to WPP in 1997, I was interviewed by the Harvard Business Review. I waxed lyrical about the importance of the Internet. And we really didn't go as fast as we should have done. I think when I exited about 40 % of WP's revenues, we calculated, and we used to look at it every quarter and every year, every half year and every year. It was around 40%. And I don't think we went fast enough, with the benefit of 2020 hindsight. So I would say the mistakes you make are not, if you spot trends, is to not, particularly if you have analogue businesses or you have established businesses, so there's a resistance to change anyway.
33:29You never go fast enough. So that's what we want. So to flip the line's head, what is... Yeah, go on. What is the secret to going faster? So if the first step is... Well, the secret to going faster is not having any blockages in the system. And, you know, unfortunately, analogue businesses have blockages. You know, you have an analogue thing that's producing the profit. You remember the early days of the internet, you know, should you build something separately? Should you make it part of the core? And most people, I think, thought you'd keep it separate because the core reacts. You know, the other thing is, you know, performance is always based on short term.
34:08I mean, at the moment, I mean, the other thing that's happening at the moment is because the economy is under pressure, because GDP growth is less and inflation and putting it under pressure as well, And, you know, people are very focused on short-term results. So going lower down the funnel is really activation and performance is super important. And, you know, I hear a lot, particularly of new CEOs coming in or being promoted, saying to CMOs, you know, what the hell are we doing with this upper funnel stuff? You know, which is anathema here because, you know, people want to build, you know, big brand campaigns.
34:45but it doesn't mean that you can't build big ideas around short-term performance. And I think, like it or not, particularly in 23 and 24 and maybe even beyond that, after the US presidential election in 24, I think activation and performance is going to become even more important. Again, anathema here because people are looking for big Manhattan landing rather than that poster ad, I think probably would be the thing. Is there a risk of being over, an over reliance? There's always a risk of it, but look, it's a fact of life. And the average life of a CEO is probably, it's getting shorter. And it's probably maybe four or five years.
35:29The average life of a company, I think, in the S &P 500 or the FTSE is like 12 years or 13 years. I think McKinsey had a statistic for that a little while ago. So the answer is attention spans consumers are getting shorter. You know, Facebook tells us initially a few years ago that the average Italian woman spends two seconds on a post. Our response is to create a two-second ad, right? It's not a 15-second TV ad. Yeah. So I think you have to acclimatize. And I think life has to become much more short-term. It's much more volatile. When my dad said to me, you know, build a brand, he believed in a long-term brand building.
36:08Again, it's an affamant to say this, but I'll say it. I'm not sure that that's as relevant today as it was historically. So attention spans are shifting, are shortening. Attention is shifting all the time. We're being bombarded. And the volatility in the environment geographically and technologically is so violent that it induces huge changes. You know, look, NVIDIA goes from half a trillion or whatever it was to a trillion. on thematics, right? Yeah. I mean, this is on a belief. I mean, the valuation multiple looks extraordinary, but, you know, or Tesla, another good example. The valuation on Tesla, despite all the bumps, continues to defy gravity or normal gravity.
37:00So I think we live in a very different world where, you know, the private equity model is probably the best model because what's their time frame, four or five years? It is usually, yeah. All right. So exactly, so really good example. I won't say what it was. This afternoon I heard that a digital company had run into a major Me Too problem. It is owned by a private equity company. Okay. Nobody knows it. It was written up in the press today. Don't want to say where and when, but it was written up and it didn't mention at all that the ownership of that company is by one of the major private equity companies, which is really interesting because if it had happened, you know, think about Anheuser-Busch, right?
37:47Bud Light, nanosecond, boom. It would be everywhere, yeah. This, it was written up in a major European newspaper, one country in Europe, and it hasn't seen the light of day yet. Maybe it will. Maybe as a result of this podcast it will. Yes. But it's really interesting, you know, private equity is insulated. And when you say that to the private equity people, they say, no, no, no. But it is. Because they're not in the public gaze. And so it's real, that's a... I briefly worked in private equity. And I remember the owner saying, it's called private for a reason. And we want to keep it that way. Yeah.
38:25It's like, you know, WPP sole control of Kantar. And Bain Capital, from what we can see from the published data on the Kantar website, is doing much, much better. And, you know, I look at that and I'm particularly irritated by it because, you know, why didn't we manage when we owned Kantar? I thought it was a bloody good idea to own it and to have it as part, but we didn't manage to integrate it or run it as well as being capital. And maybe doing it in the private lens that, you know, clearly there was a big cost structural issue in France and Germany, Italy and Spain. And obviously it's more difficult to do restructuring in those markets that tech companies have found out recently.
39:07But in a private atmosphere, it's much easier to do than if you've got, you know, BBC or... 100%, yeah. Everybody else breathing down your neck. So the next question I asked, ChatGPT, was give me the most controversial question for you. Now, this is where it gets interesting because it responded to say, when asking a controversial question, Sir Martin, you should make it thought-provoking but respectful. it appears chat gpt's even giving advice on how to deliver a question um but but what it came up with what are the ethical considerations when looking at how advertising uses our personal data yeah listen i think it's not an easy answer that but i think as long as the consumer knows what he or she is signing up for it's it's fine but you know we are bedeviled by you know when you try to sign up for a website, the agreement is like 16 pages long.
40:02Have you ever read it? Have you ever read it? No. It's extremely tiresome. And I actually came into contact with a third-party data company that we were looking at many years ago and I didn't realise that I'd signed up on American Express actually, that I'd signed up for what they were using the data for. But I think really, and I can remember going back, we had Siegel and Gale as part of WPP at some point in time I think it still is anyway, but what they did was they simplified the language for applying for a passport and the language, the immigration form, and they simplified the language, and it's exactly the same I mean it was complex and you had to have a PhD to figure it out, what you do is you simplify it and I think as long as the consumer knows and maybe you know the option give the option of the consumer to control the data yeah that he or she has you know which he or she could sell if they wanted to so as long as they know and they're conscious of it that's fine but if they don't know what they're signing up for that's a problem so I think simplifying the execution is critically important.
41:22So next question I attempted, give me a question you've never been asked. Now, I think you've had been asked this, but anyway, we'll go with this. What's the decision you've made in your career that you most regret making? Yeah, well, I've been asked that. It's always the answer is 89 Ogilvy deal, convertible preferred stock. It was a 7.6 % net coupon, which you couldn't deduct for tax so basically it cost you double that that type 13 % or so and it made us too highly levered you know with Thompson we did half shares half cash and then we sold off the Japanese property for virtually you know half of the purchase price and the incumbent management and actually it was Morgan Stanley who's the defending bank never twigged that they valued at 30 million, we sold it for 205 million, really, yeah.
42:16But with Ogrevy, we did half debt and a half convertible preferred. And I forgot that in a bear market, a convertible preferred is not equity, it's debt. So I think that was the biggest mistake. And what's the implication of that mistake on you? Well, the implication was we ran into difficulties in the early 90s, 91, 92 recession, and we had to restructure the company. We had to do two debt restructuring. So in 1990, we focused on organic growth and grew the business and did very well. And then in 2000, we merged with Y &R, which really a takeover of Y &R, and then Gray in 2004. No, I mean, it was fine in the end, but it was a pretty fraught.
43:00It was a mistake. Yeah. Talked a lot about WPB, obviously, and hugely successful. Just one question on that part I'd love to ask you about S4 is What was the secret to that growth over so many years become the biggest holding? Well, we had phases. I mean, we had the initial growth phase from 87 to 85 to 89. JWT in 87, Ogilvy in 89, the hiccup, more than the hiccup, heart spasm in the 90s. Organic growth focus through the 90s. I think we did cotton on to the web fairly early, but we didn't go hard enough. Gray was a great deal. That worked out extremely well. We did the Kantar deal. With the benefit now of 20 for India, in hindsight, we didn't manage it as well as we should have done.
43:56But, you know, you see that with the package goods companies. Nestle sold off control of some of their ice cream businesses, Unilever, their tea businesses, and the private equity companies that bought them. PIA, I think, for the ice cream business at Nestle, and CVC for the tea business, they all seem to be doing extremely well in private equity hands. So it's about sort of focus. So we went through phases there. So there wasn't one consistent pattern to it. And S4 is the same. We've had a phase of very strong growth through mergers, as we call them, because it would be 50-50 deals in terms of cash and equity.
44:35and now we're in a consolidation phase. So you have different phases. I don't know if it's secretive success. I mean, the WPP model is a multi-branded model. I think that's not fit for purpose anymore. My own view is they should break WPP up because WPP is now valued at$12 billion. Publicis and Omnicom are valued at$19 billion each. And IPG is valued at$15. It doesn't make any sense at all. And people say, well, WPP's got more debt. but they've got 1.4 billion sitting in Kantar in their minority interest in Kantar on the basis of the valuations that people can impute and then about another 400 million in FSG, the PR company that they've sort of spun off a bit.
45:20So you've got sort of 2 billion that would take care of the debt. So it makes no sense to me and I think they're probably too fat and happy. one question I'm going to ask I'm being a bit naughty but I think I'm probably too fat and happy obviously huge success you know creating the biggest you know holding company in the world what motivates you to start again and build I don't plan to play golf I don't like playing golf you don't like being ball I did work for Mark McCormack and I did work you know for Arnold Palmer and Gary Player and Jack Nicklaus and Arnold and Tony Jacklin and Peter Oosterhouse and Clive Clark and people like that so I saw gold I don't want to play golf.
46:03It's an old man's game. I prefer to play cricket. As we started out. Yeah, although it's not a great thing to say having lost by two wickets yesterday. That's a bit galling. Well, I've got a few quick fire questions. I thought it would be fun to hit you with some unusual different questions as well. I've just finished watching Succession. It was incredible. It appears to be based fairly closely on the Murdoch empire. How close to real life do you think it is? I think it's pretty close. I mean, I remember the woman who was responsible for the scripts, you know, there's a big team, and she described on Radio 4 how they all get together for 30 days and sit in a room and bounce ideas off one another.
46:45And she said, you know, the fact that they say they don't watch it is indicative of how close, near to the knuckle it is. I found the actors who played Ronan and Shiv and whatever, because I know a little bit, not very well, but I know Lachlan, know James, know Rupert and Elizabeth. You know, it didn't strike me. Brian Cox doesn't strike me, being Rupert. And, you know, I don't think the three kids, the three Murdoch kids. So I think there's probably, there was a dissonance there. Having said that, the plot, you know, I thought, I wasn't so keen on series one, two and three, but I thought four was pretty good.
47:30Yeah, it was a pretty good one. And the final episode is set up for a sequel, but they tell us, I would bet it'll come back. Of course it will. They all say that, don't they, just to keep you watching. Tell me something you've never told anybody else. I was not. I told you... You did tell me this morning, by the way. Yeah, I said that. But we'll pretend that didn't happen. Well, OK. So, well, I was talking about... I was in Amsterdam, and somebody asked me, one of the monks, I saw the monks in, the media monks in Amsterdam and Hilversum. We have about 750 that sit there in Amsterdam and Hilversum.
48:05And one of the questions they asked me is, you know, what does nobody... So I wear what is... I'm Jewish and I wear a titzis, right? And titzis has fringes. I mean, the central prayers say you should have fringes on the corner of all your garments. So instead of having a fringe on the corner of every one of our garments. We have a garment we wear underneath, which have fringes on them. So I wear a tits, which happens in my dad's tits. So that's sort of, I'm not orthodox. You know, I'm probably a three-day-a-year Jew, which means Rosh Hashanah and Yom Kippur. But having said that, I do do that.
48:44So that's sort of something that hasn't been publicized until now. Yes, there you go. We're exclusive on this podcast. Of course. If you were to, and this might be a bit close to what you are doing, but if you were to build a fantasy agency, like a fantasy football team where you could pick full service agency, you could build it from scratch, money's no object, what would you, who would you, how would you put it together? Well, I'd have, sort of have elements of it. You know, if I look at our competition, you know, I always come back to Accenture. I don't get the feeling that Accenture are as enthusiastic as they were about the area that we're in.
49:29When I say we're the industry, it appears to be about, Accenture is 60 billion of revenue, it's huge, 800 ,000 people. and I think digital communications or the digital area that we compete with them is probably, I don't know, seven or eight billion of it. So it's pretty big. But I don't get the impression that they're as focused on it because if you have a$60 billion beast, to feed that beast you have to have big contracts, not the sort of contracts that we compete for, which are chump change in relation to what they need to feed their beast. piece. So one of the answers would be you'd have that digital piece, what is called Droga 5 or Song or whatever they call it.
50:19I think David Droga said everybody has to change their name for Song except Droga 5. And maybe the monkeys in Australia as well. So that would be one part of it. I would say there are bits inside WPP that I think are really interesting like AKQA and maybe a bit of VML, but more AKQA, I think, than VML, to be fair. And then inside IPG, there were bits RGA and Huge. They're not as good as they were, from what we hear. And Wyden would be another one, right? Which are super good bits. And then, you know, there are specialists. Oliver, that would be one, you know, which competes on the content side.
51:06Jellyfish, high volume, low profitability. I mean, Brandtech couldn't get that deal done. They couldn't raise the money for it, so they merged on the basis of equity just recently. It took them a long time to do that. So you've got sort of the consultant piece. You've got bits of the holding companies, the digital, you know, the essence media business is a really good media business. I don't think merging it with Mediacom made it better. It probably made Mediacom better, but not so much essence. So there are bits of the holding companies. And not, you know, Publicis Sapient, you know, that obviously has been helpful to them.
51:44And then there are sort of specialists. So if money was no object, and then the other area adjacent to Accenture would be companies like Globant, you know, which we had. So when I was at WPP, we bought 20 % of Globant at$11 a share. It went public at$22. they sold it they sold it broke my heart when they sold it for I think it was about 80 it got to 350 it's now about 180 it's now 180 with the market coming back but I mean it's gone from 11 to 180 even today super business and IPAM Indava ThoughtWorks you know those sorts of businesses are really interesting no fascinating look we've just run out of time but sir martin thank you so much thank you john you've been absolutely thank you and uh thank you everyone everybody else thought so too yes indeed thank you audience as well ladies and gentlemen i hope you enjoyed that conversation with sir martin sorrell and found plenty in there to get your head around if you like to get more content like that then please do hit the subscribe button wherever you get your podcasts if you're watching go over to youtube and hit subscribe there as well.
52:59If you'd like to follow me, I'm John at Uncensored CMO, or you can find me on LinkedIn under John Evans. It's been a pleasure to have you with me. I'll see you next time.
From the publisher
In this episode, I am talking to one of the titans of our industry, someone who I think has had a bigger impact on our industry than perhaps anybody else. He is Sir Martin Sorrell founder of WPP, the biggest holding company in the world.
He has since gone on to set up S4 capital, so now finds himself in the challenger position rather than the dominant player. I wanted to talk to Sir Martin about what he sees as the biggest challenges facing our industry today and what are the disruptions coming down the line that are going to shape our industry in the future?
What's his advice to CMOs? What does CMOs need to care about and what should they be doing? What skills they need to deal with the challenges coming at them in the world today. And because this is a special edition recorded live at the Cannes Lions Festival, I wanted to ask him about AI.
Timestamps
00:00 - Intro
01:11 - Background
07:18 - How do you assess the state of creativity now?
12:02 - what should CMO’s be concerned about?
16:08 - How real a game changer is AI?
18:34 - Do we lose creativity with AI?
26:19 - What skills do marketing teams need to make the most of AI?
29:01 - What will be the biggest disruption to our industry in the next 10 years?
32:08 - What advice would Sir Martin give his younger self?
39:35 - Ethical considerations about how advertising uses our personal data
41:26 - Biggest decision Sir Martin regrets making
43:01 - What was the secret to the growth of WPP?
45:33 - Why start again after exiting WPP?
46:21 - How close is Succession to the Murdochs?
47:34 - Tell me something you’ve never told anyone
48:50 - What would Sir Martin’s fantasy agency look like?
