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Podcast Notes: Uncensored CMO - Episode with Ken Muench
Episode Overview Title: Yum! CMO on cultural relevance, being innovative & creative risk-taking (Taco Bell, KFC, Pizza Hut) - Ken Muench Description: In this episode, Ken Muench, the CMO of Yum! Brands, shares insights from his journey in marketing and the importance of creativity and innovation at brands like Taco Bell, KFC, and Pizza Hut. He emphasizes the necessity for CMOs to take risks and foster cultural relevance. Ken is also the co-author of the book "R.E.D Marketing: The Three Ingredients of Leading Brands."
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Key Themes and Concepts
Ken Muench's Career Path
- Background: Transitioned from creative writing to marketing after accepting a junior copywriter position at an ad agency.
- Collider Lab: Established an agency that was later acquired by Yum! Brands, allowing him to integrate agency and in-house marketing strengths.
Cultural Relevance and Innovation
- Taking Bigger Swings: Emphasizes the importance of impactful campaigns that resonate culturally.
- R.E.D Marketing Framework: Co-authored by Muench, focusing on Relevance, Ease, and Distinctiveness as essential for QSR brands.
- Relevance: Understanding consumer identity and cultural engagement.
- Ease: Streamlining customer interactions and experiences.
- Distinctiveness: Utilizing unique brand assets for recognition.
Importance of Creativity
- Creative Risk-Taking: CMOs are encouraged to take risks with their campaigns to create memorable consumer experiences.
- Examples of Successful Campaigns:
- Doritos Locos Taco: Focused marketing efforts on engaging fans rather than the product itself.
- Live Mas! Strapline: Transitioning from "Think Outside the Bun" to "Live Mas!" to cultivate a broader cultural connection.
The Role of a CMO
- Ownership and Independence: Each CMO at Yum! operates independently, which promotes creativity.
- Smart, Heart, and Courage: Cultural values that guide decision-making at Yum!, emphasizing the balance of strategic thinking, empathy, and bravery in marketing decisions.
Innovation Strategies
- Multiple Avenues for Innovation: Yum! employs various strategies for product development, including collaborations with outside chefs and internal brainstorming sessions.
- Testing and Learning: Implements rapid testing of new products and marketing strategies across global markets.
Challenges in Marketing
- Cost of Change: Frequent changes in creative agencies can diminish the quality of marketing initiatives.
- Cultural Shifts: The evolution of consumer perceptions around food from "fuel" to "experience" necessitates ongoing innovation in marketing strategies.
Insights on Ease
- Untapped Opportunity: Many marketers overlook the necessity of making processes easier for consumers, which can drive significant growth.
Favorite Moments and Reflections
- Personal Highlights: Ken shares excitement about ongoing innovations and the desire to create a culture that embraces big risks.
- Innovators' Dilemma: Balancing the need for innovation with maintaining brand identity poses challenges, but is crucial for staying relevant.
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Takeaways
- Empowerment in Marketing: Granting autonomy to CMOs leads to greater creativity and ownership.
- Risk-Taking is Essential: Companies should foster a culture that encourages big swings and embraces the potential for failure as a learning opportunity.
- Cultural Awareness: Understanding and adapting to cultural trends is vital for successful marketing.
- Innovation as a Core Strategy: Constantly testing new ideas and approaches keeps brands relevant and engaging.
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Conclusion This episode with Ken Muench highlights the intersection of creativity, cultural relevance, and strategic risk-taking in modern marketing. His insights provide a roadmap for aspiring CMOs looking to drive innovation within their organizations while remaining connected to their consumers and cultural trends.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28Ladies and gentlemen, welcome back to Uncensored CMO. book that brings the theory and practice of marketing together. It's called Red, and I thoroughly recommend you reading it. Here it is, my interview with Ken Minch. So Ken, welcome to Uncensored CMO. Thank you very much for having me. It's really cool to be here. Really looking forward to this conversation, and thanks for hosting us in Taco Bell headquarters as well. That's right. So anyone watching on video will get a little glimpse of where we are. There you go, Southern California. Indeed. Yeah, happy to be here. Although I brought the weather with me, I was expecting.
0:55You did, you did. It was going to be sun and shining, the typical dry weather that we have, but actually we could have used the rain right now. So if there's ever a moment to bring the rain, then now's the moment. So thank you so much for hosting me. I'd love to know, how did you get into this career? Where did it start for you? And where did the connection with Yum first happen? Interesting. So I had never thought of marketing and advertising in my entire childhood career. I actually started, I was a creative writing major at University of California, San Diego. And I was going to be a, I don't know, remember novelist, poet, I have no idea.
1:30And I quickly realized there was no money in it whatsoever. And I got an offer to be a junior copywriter at an ad agency. And I thought, oh, what the hell, I'll do it for the summer. And then from there, it just sort of blossomed. I went from one shop to another shop as a creative, and then eventually got into strategy and then ended up running a big shop in Chicago with a few other heads of strategy, FCB in Chicago, reporting to a few great, great, great mentors. And then interestingly, we, what happened at that point? Oh, yeah, we moved out. We came to present to California. There was an issue with Taco Bell.
2:13They had several quarters of declining sales or something was going on. And we came out here and started working on their issues and they said, well, we really like what you're doing. I don't think we're going to continue a relationship with the agency, but it would be great if you came and work here or broke off and started your own shop. So that's what we did. We broke off and we started our own shop, a couple of folks, and we did a bunch of work for a bunch of brands. Eventually they wanted us more on KFC and more on Pizza Hut and more on KFC Global and all these. So it's a massive piece of business.
2:47We couldn't do it all. And we had other clients that were a lot of fun to work with. And so eventually, I think they got frustrated. And out of anger and spite, they acquired us. And then that way, we would just get rid of everybody else on our roster. And so we did. We were fortunate enough to work with them. It was a great, great move just because they're so exciting and intuitive marketers at Yum. And we did. So we came over. We were acquired, but they let us stay in our own little... At first they said, no, no, no, you got to move into the Taco Bell building. We quickly said, no, no, no, the whole benefit of this is to be outside and be in the real world.
3:26You should go to Collider offices that are nearby here. And so we did, we kept our own space and did our own thing. And eventually I became the CMO of Yum, but still run Collider. And Collider is now about 35 people or 33 people, something like that. And we do work in 165 countries around the world. Wow. I love that because the debate often in marketing is in-house versus external agency. And of course, in-house, you can be quick and you're closer to the customer and you understand what's going on. You can tap into the network. But the benefit of outside agency, of course, is you bring outside thinking in.
4:00The creatives are working on lots of different challenges, keeps them fresh. I guess in this case, you've probably got the best of both worlds in a way. So we quickly realized that first when we were acquired, we realized, you know what? If we stop doing all outside work, it's a disservice. And so we kept on doing work for key clients, just a few clients a year, no more than like say 20 % of what we did, external clients, and that just opened up the world to us, right? And so we do work with a pretty major airline and a bunch of other packaged food companies and a medical, and it just opens up your mind and keeps everybody fresh and young and interesting.
4:35And really, I think that's the key to our success is that we do a little bit of outside stuff. We act sort of independently, even though I am the CMO of Yum and we are all Yum employees. We are part of Yum. There's no question. But we just have a mindset of acting independently. So you get the best of both worlds. But it's a huge point. So let's say we've been doing this for 10 years. If this had been an external sort of company doing this, I mean, we would have probably fired them years ago. They would have left with all the data and all the know-how and all the learning. But now we have 10 years of an insane amount of learning and databases that go back 10 years in all these countries.
5:14So it is a huge benefit, as long as you can stay fresh and not get stuck in a mindset. As you just reminded me of something, we did this little bit of work last year called Compound Creativity. And we looked at 50 brands, and we looked over about a 10-year period at things like how consistent was the idea, how consistent was the execution, how consistent were the teams, and that sort of thing. And we actually looked at, this won't surprise you at all, but the more often you change your creative agency, the lower the work. And the more consistent you were with the creative agency, it was like this compounding effect.
5:45Not just that the work was better, but the work got better on being better, if you know what I mean. So the gap between not changing to changing, we call it the cost of change, cost of changing agency. I mean, sometimes you have to, right? But you need to build in the cost. Yeah, I fully know that. Do you know what I mean? And it's fascinating. In a way, you're getting that compound creativity with knowledge, expertise retained. Yeah. We don't do any creative. All we do is strategy, but the point remains. And I see that with our creative agencies around the world too. Anytime we have a big change, I cringe because I know it's going to take a hit.
6:15And when we have these long-term relationships with great agencies, the work does get significantly better over time because everybody challenges everybody. And there's a sense of I think what it is is you feel comfortable in the relationship and you can start, well, let me hold the bat a little bit looser and swing bigger and try to get a home run versus you're new. You're like, what do you want me to do? I'll do exactly as you say, and you're holding the bat tightly. That's a lovely phrase in the book, by the way. That was one of the things that stood out that I put a big kind of highlighter pen around.
6:44Explain that idea a little bit more because I think it's a very true point. Yeah, so I have no idea about most sports, especially baseball. But one of my bosses, actually a boss at FCB told me years ago, maybe it was 15 years ago now, he said, look, when you grip the bat too tightly in baseball and you swing, you're probably going to miss. And if you connect, the ball isn't going to go that far. It's not going to be a good hit. The best batters in baseball, they hold the bat lightly. And when you hold the bat lightly, you can swing much harder. You're swinging for the fences. And usually the same thing applies in business and in strategy and in marketing especially.
7:23When you hold the bat tightly and you're aiming carefully for that just perfect sweet spot, the campaign has to do X and Y and Z and you're holding the bat tightly, it's most likely going to be a fail. And the big home runs, even though you rewrite it later in history, the big home runs are much looser on the strategy. Much bigger swings come out of it. And so that's what we shoot for is those big swings. I love that. That makes a lot of sense. What was it about the collider, what you created that's so special? What was it about that time that kind of made Yum go, you know what, we've got to acquire this?
7:58So first of all, I think two things. We're really, really focused on culture, on what we call the culture code of whatever category we're talking about. So we're talking about fast food, obviously. Are you really doing research about what is in the consumer's mind and what the need that you're trying to fulfill is? And we said, look, most of that is irrelevant for marketing. Most of that is not really what you should be focusing on. You should be focusing on the culture of the category. Like what are people connecting to? What does this really represent in consumers' lives? Skip on the rational stuff.
8:32Skip on the deep, insightful stuff in the consumer's life. It's important to look at. Don't get me wrong. But the cultural stuff is where you're going to get your big wins. And that's really what connected. We launched, the first thing that we did for them was Doritos Locos Taco. So they said, hey, we have this product, Doritos Locos Taco. We think it's going to be a big success. What would you do from a campaign perspective? And we said, look, we would not talk about the Doritos Locos Taco at all. All we're going to do is we're going to talk about the fans of the Doritos Locos Taco. That's it.
9:03Your entire campaign is going to be about the fans of the Doritos Locos Taco. And, you know, it's kind of a bold move. This is a crazy innovation. You had taken a Doritos, turned it into a shell of a taco, and it was outstanding. It is delicious. You should try it if you haven't had it because it's an actual Doritos shell. It's not dusting. It's an actual – it was a feat of engineering. It's like space shuttle, Doritos Locos Taco. and this thing, they really wanted to talk about it. I mean, it's an amazing thing. And we said, no, you're just gonna have one shot a taco coming out of a Dorito bag.
9:36That's it. Everything else is gonna be about the fans. And the whole point of it is you're creating QSR culture. You're creating buzz around this. Had nothing to do with what consumer insight could there possibly be to come up with this innovation? Do you know what I'm saying? But there is a big cultural reason to do it. buzz, excitement. And back then, QSR wasn't buzzy at all. So this was, I would say, probably the first campaign that was all about buzz, buzz, buzz, creating culture. And so that's what they really dug. They liked that. They connected and we did that in a few places around the world.
10:12There's a real legacy to that, actually, because there's so, particularly in America, I think it's quite an American thing, but the amount of buzz around fast food launches and some of the stunts they, you know, different chains do. There's a lot. And the social media engagement, I mean, my daughter, Lillia, is just obsessed with a number of fast food chains. And when there's a new source out, you know, she'll be watching TikToks of people queuing up to try it. And what's their reaction? And, you know, she sends me a message whenever I'm over here to go, can you just go down and get this particular source for me?
10:42And there is a thing in culture with fast food now, but I didn't feel like, you know, when I was growing up. I honestly tell you that there was, we used to do crazy launches with Pizza Hut back in the day. So pizza had some of that going on. So we did a stuffed crust pizza and the Big New Yorker and there was interesting stuff. But it wasn't at this level. 2010, what happened, the real story of how it all started is Kogi. Kogi was a Korean taco truck and Kogi started in LA. And suddenly people got excited about food in a different way. wait, food can be rebellious, food can be cool, food can be buzzy.
11:22Before that, foodie-ism was really way up here at the Michelin star restaurant and it wasn't available to the masses and it wasn't a cool thing really. It was just a snobby thing. Kogi really started the whole movement. And so when that Kogi truck started, it kicked off this entire shift where lower price food could be cool. None of the fast foods picked up on it except Taco Bell. Taco Bell, especially with the launch, well, it was with the launch of Live Moss and the Doritos Locos Taco is when we queued right into that. And we said, that is the space that we're gonna own. We're gonna jump right into that.
11:59We're gonna play along with the Kogi truck. We're gonna be that buzzy, cool thing. And it took the other brands a few years to catch up, but it was a wild success, yeah. And you have this nice phrase in the book where you talk about food is fuel versus food is experience, which perfectly encapsulates that whole thing, doesn't it? Yeah, that was right. That was true. And it's, you know, there's this interesting, weird little book called Culture Code. And it was a French guy, Rapel or something. But he talks about the code of each category. And this is an old book from the 90s or 80s. I don't know.
12:33A lot of the things we completely disagree with, by the way. But it's just an interesting intersection. And he said food is fuel in the United States and a cultural code never, ever, ever changes in a category in a given country. It will be like that for the rest of eternity, which is completely wrong because, of course, I don't think he wrote it when the internet was around. And the internet changes a lot of things in a lot of countries. And so food had shifted. So what ends up happening is that Julia Childs realizes that American food culture is garbage. It's terrible. It's horrible. Nobody knows how to cook.
13:10Women don't know how to cook. Men don't know how to cook. Nobody knows how to cook. They'd gone through the sexual revolution and it had turned into kind of a sham because what ended up happening is women had to work and they had to come home and cook. And it was a mess. And so out of that mess, people start creating – that's where the TV dinners are born and all this. Julia Child comes in and goes, whoa, whoa, whoa, there's a better way to do this. Food is not just fuel. Food can be delicious and tasty and interesting. And so she teaches America how to cook. She starts it off. And then from there, it starts evolving.
13:43She kicks it off. There's this wonderful book. I think it's called Provence 1978. It's about Julia Child's meeting with key chefs in Provence for the summer. And that's where American foodism starts. And little by little, it evolves. And then Michelin star things start happening. High-end chefs start happening. Anthony Bourdain comes around. Big time cultural shift. And eventually it becomes really apparent that food is no longer fuel. Food is culture. Food is excitement. Food is rebellion. Food starts meaning all kinds of stuff, especially in the US. I think maybe if you had a deeper cultural context, if you were in a country like, I I don't know, France, where you have a thousand years of history around food, it wouldn't have shifted so quick.
14:29But the U.S. has no history. And so there was nothing to hang on to. So, of course, it shifts like the wind, whichever way the wind blows. The culture shifts in the U.S. And that's exactly how we end up with food as this sort of like interesting experience. Now, talking about the book, it's fascinating. You have this period at Yum of great success. I mean, talk about going, I think, six billion to ten billion. Is that total turnover? So huge, you know, years of huge success. And why did you decide to capture all that in a book? What kind of inspired that? You know, was it that you kind of wanted to record it or was there no other book out there that sort of quite encapsulated the approach that you had to uncover?
15:06Well, I think the official story is we have a lot of franchisees around the world. It's a huge system, 160 countries. And this is a great way to communicate with the franchisees and for them to understand that this is a valid approach to marketing. And so it's a way to internally influence everybody. That's the official story. The real story is that we're a bunch of marketing nerds and we're like, dude, this is cool. Let's write a book. And it was more the fascination out of like, what if we took Byron Sharp? And what if we, and then we started experimenting around world with all these things.
15:38And we just got really into it and really excited about it. Truly marketing nerds. And yeah, I don't know. CEO of Yum was David Gibbs. He's a daring kind of guy. and he said, yeah, sure, go for it, whatever. It's crazy. I don't know how many CEOs would have done that. And you co-raised it, didn't you? We were the CEO at the time. The CEO at the time, that's right. That's hugely credible. Well, I mean, he's also, they're both very bold. And so you come from a history of sort of bold, big swings, holding the bat lightly. That's what's nice about working here versus maybe some of the other clients that we had back then were very, very cautious or execute very slowly.
16:15I mean, what struck me, what I absolutely loved about the book is it's you have the theory clearly but you have the practice examples as well and i think that's a bit magic because you tend to read books either they're you know byron sharp very theoretical or they're sort of memoirs of you know looking back at and almost tell the historical story yeah but you've got both in there which is just absolutely amazing yeah that was the issue i think the um the publisher was interested in the practical side of it then the editor later said, you know what would be better is if we just had more memoir stuff, more like how I got to this part in my career.
16:48And I think, you know, Greg Creed, the CEO, and I were like, man, I don't know, that's so interesting. We really like the marketing thing. So we just made it. And then they said, well, you could make it theoretical. Look at these other books. They're really theoretical and smart and they are successful. Or you could make it this sort of practical thing, but the theoretical book, it'll be a little higher end. And we said, nah, that's not really what we want. So we ended up in this weird middle where there's clearly theory, but this is how you put it into practice. This is how you put it into practice in a big country and a small country.
17:17And we did that because it's what we deal with on a daily basis. We work with Thailand and we work with the UK on a daily basis. And so you need how to put it into practice here, how to put it into practice there. And the framework is really simple as well. And it's instinctively right. I mean, I know when I read it, I was like, yeah, of course. That makes total sense. But I hadn't maybe seen it in that way. But describe the kind of framework, the red framework. Yeah, yeah. If you will. So firstly, it was called the EDR framework, Ease, Distinctiveness, and Relevance. And then somebody at a conference raised their hand and said, why wouldn't you just call it the RED framework?
17:51Yeah. I love that. You know, hit your head against the wall. You should get Joey Malkinson. Yeah, exactly. No, so what it is, is if you think about one extreme, you've got like a Douglas Holt. And a Douglas Holt talks about how brands become icons, and it talks about cultural relevance. And what he says is absolutely true, which is the best brands in the world, have a confer a sort of identity, a belonging to its users. If you wear a Nike, you know, cool shoes, it says something about you. If you drive a certain car, it says every single choice you have says something about not who you are, but who you want to be and who you aspire to be and what group you want to belong to.
18:32That is true. I think every marketer can look at that and go, So yes, I buy that. I get to a shelf, I reach my hand out and I go, do I really wanna grab that pack? That's not who I wanna be. That seems a little dorky. That's a little too old school. Ooh, this thing is cooler. Can I take a chance? So it's identity, right? Meaning, but then on the other hand, you've got a Byron Sharp. And what Byron Sharp says is absolutely true as well, which is, look, this game is about top of mind awareness. And if you can create top of mind awareness, it makes large groups of people slightly more likely to buy something.
19:05That's all marketing and advertising is, slightly more likely to buy something. So they're both right. And we had examples in the system, because we have, again, 165 countries, where either one was working. We had ones where I would say Taco Bell was winning out of cultural relevance, right, with a Doritos Locos Taco, and everybody was like, wow, it's so cool. I want to be part of it. I wear a shirt. That was cultural relevance. But then we had other markets where it was just incredible presence and cultural relevance. Probably a KFC China was just super, super present. And it was, you know, the stores are everywhere, the ads are everywhere, it's unmissable.
19:44And so it's just becomes the automatic place that you go to. And so if both are true, how do you go around teaching it? You just like, well, it depends what CMO is in the country. And some would be like big fans of cultural relevant. So we decided us to merge because that's the truth. The truth is you have to have a base of top of mind awareness. But if you really are a good brand, you're gonna have cultural relevance too as well. So it's a combination of those two. It's funny, we talked to Douglas Holt and we said, hey, what do you think about Byron Sharp? And he said, Byron Sharp is wrong. You can print that.
20:21We didn't print it because we're not here to start a beef, but it's an interesting point. I don't think Byron Sharp is wrong. I know Byron Sharp is right. We have the data to prove Byron Sharp is right. But I also know Douglas Holt is right. I also know that it does matter if you aspire to belong to a group that the brand represents or you're ashamed of it. Of course it's going to have an impact for a smaller number of brands, for the best top brands, for the base level brands out there. It's 100 % how brands grow. And I think some of the tension here is actually what Byron does and how brands grow is actually why brands have grown.
20:59And it's kind of looking at the evidence. You know, they've got more availability. They've got more mental awareness, right? But the sort of stuff you're talking about is how they grow in terms of how they get to that mental availability by being culturally relevant. Yeah, that's true. So I think some of it is the how versus the why. Yeah, yeah. And that's where we get kind of like everyone gets kind of all knickers in a twist. Yeah, yeah, yeah. So we spend very little time going through the theory in the books or whatever. What we do is really say, okay, if it is mental availability and it is cultural relevance, how do you do that?
21:27And what we do is we say R is cultural relevance, but R we also throw in there sort of a functional relevance, which is your category – what we call category use occasions. You've just got to be known for those category use. You've got to have those category use occasions. But that big cultural relevance. Then we also have ease, the middle part, which is easy to notice, easy to remember, easy to access. All those are critical. I mean, we had markets, to be honest with you, that maybe the brand wasn't at all culturally relevant. But it was so present that it was ease blew away everything. And that's what we were talking about earlier.
22:03Adam Ferrier talks about when you have – what is it? What was it? Isn't it action? Yeah. Yeah, attitudes change behavior, but actually behavior changes. Behavior, yeah, exactly. So behavior changes attitudes faster than attitudes change behavior, exactly. Which really puts it in, you think, oh, yeah, that makes sense. Now think about it. If you experience something, you change how you feel. Of course, because you can't handle those things in your mind, whether it's cognitive decisions. You can't convince people without trying it. Yeah. Oh, don't worry, you know, it would change your perception, then you'll try it.
22:36Yeah, that's true. And I think a lot of that happened with Doritos Locustaco. I think people, a lot of people in the US heard about it in 2011 or 2012 whenever it was launched it. And everybody wanted to try it because it was cool. And the advertising made it seem like it was the coolest thing since sliced bread. And so they did. They tried it. And what we saw, we saw all of our scores go up. I mean, we saw health scores go up. We saw likability scores grow up. We saw every single metric in the book went up. Metrics that were completely unrelated to the product. because of that point. They went, they tried it, they experienced it.
23:14And of course, they are now going to feel better about the brand. Not because they had a good experience, simply because they did it. And they have to sort of connect the dots in their mind and say, well, yeah, I wouldn't have done it if it were a bad company. You know what I mean? So anyway, there's a marketing nerdyism here. But that's the Daniel Kahneman thing, isn't it? Of course, of course. If you're familiar with something, if you've experienced something, if it comes to mind, you will feel better about it. So bigger brands create better feelings in people because of that experience they've had.
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23:44It's just sort of one of those laws. And that's another thing I think with, talking about bar and shop a lot, but how brands grow versus behavioral science. But behavioral science is the toolkit to help create the change that then ends up creating mental availability. Yeah, that's right. In the end of it, yeah, which is good. I want to touch on the ease for a second. So you've got relevance, ease, and distinctiveness. And I think the relevance and distinctiveness, I think marketers will debate till the cows come home. They probably spend most of their efforts in the relevance and distinctiveness box.
24:11But I think ease is like this untapped opportunity for most. Because, you know, whenever we sit and think about any other experience we have in our lives, it can be painful. It can be a consumer experience can be really difficult, right? But somehow when we get to our own brand, we just think it's amazing. Yeah. You know, I think when we first set out to sort of understand the state of marketing at Yum and we went to all these different countries and met with all these different marketers, very few marketers had truly understood that ease was their job. They were like, no, no, I'm gonna build this cool brand or I'm gonna make this top of mind brand.
24:46Yeah, but what about, especially now with the digital tools, what about where you're distributed and what about how quickly you make the ordering? All that I believe is on your plate is how do you make that ordering process as quick, as easy, as seamless, the payment process, all that is marketing. Back to the Adam Farrier thing, all that is marketing. And so we realized that we needed to make it officially the part of marketers' jobs. And look, the dirty secret is by far the most powerful thing that you can do in the world of marketing is increase ease. Yeah, that's it. If you can increase ease, it blows away any sort of cultural relevance, any sort of top of mind.
25:31Many people will argue top of mind is ease, but anyways. But physical availability blows away anything else, I would argue. 100%. And this is back to the Dan O 'Connor idea of actually thinking is hard for humans. Exactly. And therefore, you make it easy for someone to make the choice, and then bingo. Yeah, that's right. And so why wouldn't you put in the marketer's toolkit? Yeah. If your job is to increase sales by 10%, you can increase sales by 10 % by beating your head against the wall and creating the coolest advertising campaign in history with the best agency in the world and struggle. and maybe, maybe reach there, or you can make your product 10 % easier to get, and you got there.
26:08It's kind of how Amazon Prime is just insanely. It's 100%, yeah. It's just, you know, if I can avoid getting in the car, going down the road to pick something up from a DIY store, it can be there in a few hours just hitting a button. And the payment process as well, it's spooky. Like you just press on it, and it's like, buy now. You expect to have to enter some details, and it's just done. Whoa. It's a bit too easy, isn't it? Yeah, my chair broke at my home office literally Saturday. I was sitting there and I hit the floor. It broke. And I opened up Amazon, of course, and I clicked buy now. And it was delivered in two hours.
26:45That's insane. Isn't that insane? That is insane. Two hours. Insane. So I don't know. I guess I've seen an ad for Amazon at some point. Who cares? You know what I mean? Like when it's that easy and that present in your life, of course, that's what matters more than anything. I think it was about, maybe about 10 years ago, I had this idea of, and I think Amazon did do it a couple of years later, but the idea of having a panic button. So, you know, when you get home, you open the fridge and you're just not inspired. You preload your favorite pizza from the nearest pizza store and you just hit this button and it flashes and it doesn't stop flashing until the pizza is there.
27:19Oh, that's genius. Especially now with like connected fridges and stuff like that. Like a deal with Samsung that we should make. Like, we do have favorites and those get, especially in the Pizza Hut app, you load your favorites and those get used quite a bit for that exact same reason, which is I literally can't think. Click, let's go, I'm done. And it's almost like choice paralysis as well. There's so many places you could go in, just having the salient one on your fridge when you're in that moment, just boom, hit it, off you go. Yeah, it's brilliant. Pizza Hut is very good, by the way, actually.
27:51Yeah, it is. With a little thing that tells you it's in the oven. It's with the driver. So the Peasite app is great and it's getting even better. The digital and technology at Yum has just gone leaps and bounds. There's now a huge part of Yum is digital and technology. And the stuff that they're doing is just out of this world. It's all ease-based. These are smart people doing ease-based things. That's going to matter more than marketing, the truth is. You make your app easier to use, make it easier to buy, make it quicker to get. It's going to matter more than another$50 million thrown in advertising.
28:26Yeah, 100%. I couldn't agree more on the use point. And the distinctiveness as well, I think, is something that as marketers we sometimes forget is the power of distinctive assets. Because connecting what you see on TV or experience online, what you see in store, is so powerful, isn't it? Because we overload with so many messages that making something that means we connect that brand, I think, can be incredibly important. Yeah, that's another challenging one that we've had, especially at first, we had a lot of marketers in love with the idea of everything had to be started from scratch and doing everything from new.
28:56And, you know, in the end, what's the strongest, best, biggest assets that we have? We have a case of KFC, 11 herbs and spices, the kernel finger licking good, the red and white stripes. That still blows away anything out there. You know, it's top of mind, distinctive brand assets and they matter more than anything. Well, back to Ehrenberg Bassicle. They're the masters of this, aren't they? Yep. And that's also very, very true. So it always becomes a challenge. You know, those two things, the really interesting thing is that they fight and that's where it gets sticky. So you have a brand where it's losing cultural relevance and now your assets feel really tired, right?
29:34And so what do you do with those assets when they automatically recall something that's irrelevant? That's a tough thing. That is a tough thing, yeah. That's a really tough thing to do. And, you know, sometimes you got to pull the plug on it. And we moved away from a great tagline that we had at Taco Bell. We had Think Outside the Bun, which was ranked globally as like the number 24th most recognized tagline in the world, even though it was only U.S. And we moved to Liv Moss. But it was the same issue. Think Outside the Bun connected back to too clearly to a Taco Bell that people thought was only a late night kind of stoner brand.
30:12And Live Moss was a departure. Live Moss allowed people to think of it a little bit in a different way. But it took a lot of money to get that Live Moss up to where Think Outside the Bun already was. So that's a huge, challenging, scary decision. Compound creativity. You've got to keep consistent with that for many years to get to a point where it's then outperforming where you were before. How do you sell that idea? I mean, I love LiveMouse. It's so easy and obvious. But how do you sell that? Well, actually, I was still at the agency and we pitched the idea to, back then it was David Novak was the CEO of Yum.
30:46And he fortunately was a copywriter. He started as a copywriter before going over to Pepsi and before becoming the first CEO of Yum. So fundamentally, he loved creative ideas. And he just sort of got it. I think other people in the room did not get it. They were like, what's with the mace? what's, you know what I mean? But Novak got it right away, right? Of course, and of course, Greg Creed instantaneously, he bled purple like I was Taco Bell, you know, big time. And so they dug it and David Novak, you know, got it right away and got excited. And, you know, that's the thing of yum. Something like that at another company would have taken, I don't know, a year of pitching.
31:31It was 20 minutes. It was 20 minutes max. It was probably 10 minutes of like, hey, here's this cool thing. It's going to move us away from this late night thing. Cool. But wait a second. The other ones are 23rd most recognized tagline in the world. Yeah, but it connects back. What do you think? Let's go for it. All right, done. And so, yeah, it's fun. And also, even if you don't understand masters in terms of the words, it feels energetic. It does. Like more. It's funny. It actually reminded me of I shot an ad in Colombia years and years ago with this very long drive from Bogota to Villa de Leyva up in the mountains where we were shooting.
32:08And we were listening to Colombian radio. And the only bit I understood was the DJ in between would go, mass musica. And then he just stuck in my head. The entire trip, we just, every time we would capture something on camera, we'd go, mass musica is one. It became this kind of like, that's funny. Theme for the whole shoot was just mass musica. Just put the energy about it. So I heard that. I was like, yeah, that brings back the air. That's got energy. It's something about music, right? Yeah, it's something about more music. Yeah, that's right. Well, that's the gist. I mean, obviously, it means more in Spanish.
32:41But yeah, it just became an instantly recognizable tagline. And now it's all over culture, fortunately. And it took us a while to get there. But it's there. And it's exciting and good. And ethos of the brand kind of thing. Now, talking about all your brands, actually, innovation must form an incredibly important part of it. You're changing ranges all the time, introducing new things. You're trying things out. How do you kind of approach innovation? How do you know when you've got something that is going to work? Well, first of all, I think the heads of innovation in the world of YAM are special people.
33:15They really, truly are. They're not what you would expect to find. And you wouldn't find somebody like this at Liz or Taco Bell, you know, at a normal company because they are creative powerhouses. their brain is non-stop production of ideas and i mean i'll sit in a test kitchen with liz and you know she'll put four things on the table my mind's blown and she throws them all in the trash no let's try again let's try this and that what what that was genius oh my god but but it's just like this constant so so first of all innovation you have to have the right mindset and the right mindset is somebody that is insanely creative.
33:58I don't think it's always like that. I think oftentimes you're looking at a consumer insight and somebody that's cautious and somebody that's thoughtful and somebody that's, but in a place like Taco Bell, a place like fast food, I would argue anywhere, to be honest with you. I think creative powerhouses really drive the show. Now, on top of that, especially at Taco Bell, but we've got incredible innovation at Pizza Hut and incredible innovation at KFC Global, my God. But what they do is that they never have one avenue of approach. It's never, hey, we've got, you know, five food experts and they're going to create a new taco or a new chicken sandwich.
34:33No, what they do is they invite in a group of outside chefs. They create a challenge for them. They create a special dinner for them. They make it a whole week-long thing. And these are, you know, famous chefs. And then on the other hand, you're doing innovation with a couple of different innovation houses, or we're bringing in a bunch of, you know, we do these two or three day sessions at Collider where we, each room is a different country of inspiration, you know, that sort of stuff. But they do five, six, or seven different avenues at once. I'm not exaggerating. It is insane. They have something called Chef Ninjas, on and on and on.
35:06They have different programs that are all running at once. And at any given moment, one strategy works and something comes out and everybody goes, ah, there it is. But it's never the same strategy. It's never, oh yeah, it always works with the Chef Ninjas. I'm probably getting that one right. It might be Food Ninja, Chef Ninja, something like that. Sometimes it works with that one. Sometimes it works when we do the session at Collider. Sometimes it works when the internal kitchen. Sometimes it works because they took this incredible trip and they went to wherever. It's always a different thing that fires it out.
35:37So having that wide mindset is critical. And then from a marketing perspective, of course, this is where it gets challenging because we've talked about this, the Maya thing, you can go too far, too easily, too quickly. And when you go too far you lose it or you can go not far enough and it's not interesting so it's a constant struggle balance i think the my thing i only i came across it about a year ago actually um dave kaufman who works at meta was telling me about it when they were developing google glass i think he worked at google before and he's developing the glass and he said it broke the my principle because it was too advanced for people to on board and then And now he's at Meta and now he's developing Ray-Bans.
36:21So using Ray-Bans to make the technology feel familiar. And so, you know, kind of most advanced yet acceptable is the kind of idea. And it's really truism about innovation. And in fact, John Keiran that founded System One has this 80-20 rule, which is quite interesting, where things need to be about 80 % familiar and 20 % new. So, for example, when Uber launched, the idea of getting into a stranger's car is crazy, right? You don't know the person, you know, you could be kidnapped, right? So what they did is they overwent on here's the name, here's how far away the person is, here's the map, here's what the previous person gave as a review, you know.
36:57And all of that, you know, is designed to reduce the, you know. The weird feeling of like, I don't understand what this is. This is too dangerous, but actually by making it familiar and you've got the person's name and they've done X thousands of rides before with an average of 4.9 is all designed to bring that familiarity and make kind of acceptable, which is interesting. But it neatly actually connects back to. So I put some of your new product launches into our kind of system one test to see how they did. Fortunately, it got some pretty good scores. So this conversation could have gone a different way.
37:30All good. But I picked out the top four because I think it really actually lands the kind of 80-20. And interestingly, actually, it kind of picked up on all your three biggest brands. So what came out, number one, KFC, Original Recipe, tenders it's again an interesting one isn't it because the association with kfc so much is the bucket but actually just pivoting very slightly and putting it you know as a tender that smashed it got 5.8 star the second one pizza hut triple treat box i hadn't seen this one actually before but now i see it's so cool yeah it came out of a one of the i can't remember what country it was i want to say it was oh i can't remember if it was taiwan that first created that about five eight years ago.
38:09It's this cool tower of pizza boxes like drawers. And it's so cool. But yeah, what's inside each one of those drawers is a pizza, some breadsticks, you know, and a dessert. It's nothing crazy. It's nothing wild. But it's a home run. It's just like a reframing and just encouraging you to get the three together. The third one, interestingly, actually, which is also an interesting insight about price, with KFC $5 bowls, is actually price can be emotive. I discovered that actually we work with a lot of grocery retailers in the UK. And of course, all the time they're testing price points. And so we actually end up trying to test price points for emotional response.
38:48And sometimes kind of delivering quality and value at the same time actually kind of can be quite a compelling thing. You know what we found the secret with the$5 anything? Well, in our case, it started years and years ago with a KFC, frankly. They had a meal deals and everybody's got meal deal. They're like, oh, there's either you can get the number three or number two or number one. And what they did at KFC a few years ago is like, what if we threw them all in one box and call that a$5 box and everything was all inclusive? So what is that? It is emotional or whatever, but it's primarily it's ease.
39:24Yes. Because you walk in and you go take the$5 box. I'm done. I've got a drink. I've got a thing. $5 box,$5 box,$5. Everybody remembers that. Everybody did. Yeah. You got to be careful not to get too tied to the price point with inflation. But yeah, I think you're right. Do you know, you are right. It's the ease over the price in that situation. The price point is handy to remember because it's a round number, but it's the ease that's actually thinking. That's really interesting. The fourth one, probably my favorite actually, Taco Bell Nacho Fries came in with a 5.4 star as well, which just sounds delicious.
39:53Yeah, you've chosen some of the strongest stuff that we have in, yeah, nacho fries is great. So nacho fries, you know, a bunch of people here at Taco Bell had worked on them for years. Melissa Freeway, who's now CMO, Pizza Hut US, I think was one of the main architects of that. And they had tried fries for years and years and years because, I mean, how could you be fast food and not offer fries? Is that crazy? For 40, whatever, five years, they did not offer fries. And they kept on thinking, God, we need to launch fries. We need to launch fries. Greg Creed was always the guy that said, how does that make sense for Taco Bell?
40:33No, get out of here. He was totally right. Distinctiveness, right? He's totally right. The same thing. Creed, one time they came to him and said, look, ranch. Ranch sells like crazy. It sells like crazy. What do we do? How do we get there? Nope, nope. I'm not buying ranch. This is a Mexican-inspired food. What ranch? And then finally somebody from the innovation team said, what if we put some avocado in it and called it avocado ranch? Done. Sold. Boom. Number one, right? Well, the same thing happened with fries. They wanted to launch fries. and then Melissa, I'm sure, or Liz came in and said, well, what if we call it nacho fries and we use some of the nacho spices and the breading on it is gonna be, not just the typical stuff, but it's great, done.
41:16And it's a huge success, it's wild. And the biggest point, you don't dip it in ketchup, you dip it in nacho cheese and it's delightful. It's so good, it's so good. Back to our 80-20, right? You're taking 80 % familiar. It's the familiarity with the brand, with a little twist. What happens when it goes wrong? I'm sure with the amount of innovations you do, you must have the odd one that goes wrong. Yeah, so here's one that I'm sure it's okay to talk about because I'm trying to think of the – Breaking news. If the responsible parties can track me down and get angry at me. But it was about 10 years ago, and we knew nuggets were a big deal, obviously, in fast food, right?
41:55Right. Taco Bell, what is, you know, it's the same thing as ranch and the same thing as, as, as anything else or as, as fries. Like what does Taco Bell have to do with that? And so what they did is they said, well, nuggets, I know what we can do. Let's, let's squish the nugget down and let's make it flat and let's make it triangular into the shape of a nacho fry. Right. A piece of tortilla that's fried in case your listeners don't know what a nacho fry is. And so it would be a flat piece of chicken that's breaded and fried in a triangle. It was delicious. And it was a complete fail. Because that was 80-20, the wrong way.
42:36Wait, wait, wait, it gets better. Then we called it naked chicken chip. Oh. I thought in my head I didn't. Naked chicken chip. What on earth is a naked chicken chip? So yeah, of course, you swing wildly. There was a creative in Argentina that I used to love. And he said, look, marketing and advertising is a tennis game. and in a tennis game, when you lob it right down the middle of the court, nice and slow, safe plays, nobody's gonna say anything. Nobody's gonna lean in. Nobody's gonna go, ooh, ah. When you hit that ball hard and fast and it goes right on the line, that's when the crowd goes crazy.
43:11And that's your job as a marketer. Your job is to get the crowd to go crazy. But sometimes you're gonna go over the line and you gotta have that safety. It's okay. Nobody got fired for naked chicken chips. It was a lot of money, I'm sure. But there's a lot of innovations that don't work. But that's just the culture that you have to create. Like swing big, swing for the fences, or in this case, hit that ball down as hard and as fast as you can right at that line. It's okay if you go over. If you're not comfortable doing that, you shouldn't be in the world of marketing. Or you shouldn't be in charge of marketing.
43:43Or you shouldn't be a CEO that's commenting on marketing. You need to be able to aim that ball as hard and as fast on that line and sometimes go over. That's a brilliant analogy. Isn't it great? It's absolutely spot on. You're right, because that's where the tension is. That's where the engagement is. Like you say, right on the line. That's really good. You know, a lot of innovations has to obviously, you know, you're working within the brand frame. It's a KFC, right? You know, so much history, so many associations. You know, you can't go too far out the line. But I was really fascinated by KFC source or saucy by KFC.
44:17So that's probably a bit of an innovator's dilemma here. What do you do when you kind of like need to innovate for the brand, but it's taking you possibly outside that line? Yeah. So Saucy is a really interesting one. We have two of those kind of things going on right now. We have more in other countries, but Saucy for KFC and we have a Live Moss Cafe, which is a drink concept for Taco Bell in San Diego, both of those. And that's a little bit of like, look, take the shackles off. Let's pretend there's no rules. You're your own brand manager. You report to nobody. And literally, by the way, that's how we set it up.
44:54People report to nobody. They can do whatever they want. Literally nobody. Literally. Well, they report to David Gibbs, of course. But David Gibbs wants everybody to swing big. So he's not going to stop. Really, he won't stop anything. He's like, look, if it's a big swing, go for it. And in the case of Saucy, it's Christophe Poirier, who used to run KFC France, did a great job. Then he was Pizza Hut Global CMO. CMO. And then they said, why don't you just let's try something crazy. Let's try something wild. And they did this saucy concept out in Orlando. And yeah, you can break the rules. And just to experiment, just to see what happens.
45:30Which way does it go? What happens? How do people react? What does the brand do? And it's a really interesting, we're excited and hopeful for it. But yeah, it's a big departure, right? Because there's pink in there. It says saucy by KFC. So It could be a sub-brand. It's an experiment, and it's a lot of fun. Yeah, and describe it for anyone who hasn't come across it yet. Yeah, so Saucy by KFC, what it is, is a beautiful restaurant. It's just a single concept right now, or a single restaurant. But what it is, is imagine that it's a glass, lots of plants, super cool, pink, feels very Gen Z. It's got a little splash of KFC in there.
46:10It's got some KFC colors. It's got 11 herbs and spices. It's got a few elements of KFC in there, but it's a big departure. As a matter of fact, we said the brief to the creatives was what if the colonel's granddaughter took over? That's exactly how we briefed the creatives. And this is the concept they came up with, which was saucy by KFC. Well, we actually created the name ourselves. But what they sell is chicken strips, tenders, and sandwiches and dips. and the saucy is 11, back to the 11 herbs and spices, it's 11 different sauces. And they're just way out there sauces. Some are close in, some are far out.
46:48To hit that 80-20, that's probably about the ratio, by the way. If I think about the percentage of saucies that are way out there and the percentage of sauces that are way in. So we've got ranch. I think we call it ranch something. But we've also got crazy, you know, lemongrass, whatever. But you need that for the virality, don't you? For people to go, oh my God, I came here and look what I tried. Yeah, and it's also just, just delicious, you know? And so you've got just a very few items. We have saucy soirees, Friday nights get together that we bring in new artists and have really cool events, fills up with new artists and buy colleges.
47:21It's a very cool concept. It's a lot of fun. And what's the plan? Is it tested and then roll out if it works? Or to apply the insights to the brand? I think that everything's on the table right now. Yeah. Everything's on the table. But for now, it really was sort of a brainchild of, you know, David Gibbs of saying, hey, what if we tried something new and tried something different and didn't have any shackles and let's test and learn and see what happens, which I think is an important part of it, isn't it? I don't think a lot of companies do that, but I think it's cool. It's really important cultural insight as well, isn't it?
47:52I mean in terms of inside you, I'm giving permission to go and do that is enormous, isn't it? Because in a normal organization, that would never happen because there'd be 18 months of procedure and process and sign-off and alignment with stakeholders, that kind of thing. I mean, it's classic Innovator's Dilemma, isn't it? The best way to innovate when you're outside the 80-20 is to kind of create a separate team that are given permission to kind of go create. Yeah, so that is, yeah, Innovator's Dilemma, right? And it's exactly right. Innovator's Dilemma, you know, we had a professor, we brought in a professor to talk at Yum.
48:27We had a little event for leaders at Yum that we did in LA over two or three days. Collider, we put these sort of like, we call them rumbles that are two or three day rumbles where we sit down with key people and we bring in speaker after speaker after speaker after speaker, just crazy amount of speakers. Anyways, one of the speakers was a professor from Harvard, Scott Anderson. And he came in and said, look, the main problem in companies is that you have the ghost of the past, ghost of the present and ghost of the future. These three ghosts and they're ghosts because you can't see them, you can't recognize them is they force you to act the way you've always acted.
49:02Well, we tried that in the past is the ghost of the past and it didn't work. or ghost of the present. No, no, no, that's not the way we do things here or ghost of the future. Well, what do you mean? If I don't have this, who will I become? And so these three ghosts control your decisions. Your challenge is to break free from those three ghosts. And how do you do that? Is usually you create a separate structure with what we would call, or at least I call, a cultural rebel. And that has to be somebody that is an out there thinker and is rebellious by nature and is a disruptor by nature and won't follow rules by nature.
49:36And those guys are gold. You can't have too many, I think, in a company or the company implodes, but you need a few. And they can get rid of the ghosts or they can avoid the ghosts. I mean, this won't surprise you given I'm coming from the UK, but when I chatted to Meg Farron a couple of years ago on the podcast about her, in fact, she was just about to take over as general manager, I think, for the UK, having been the CMO. And she talks about the chicken shortage. which is just the most crazy scenario, right? KFC ran out of chicken in the UK. And I think within hours, she'd gone out there with the FCK apology, which, I mean, that's brave, right?
50:15Because I can imagine a lot of people must have looked at that and go, really? Yeah. You know, the funny thing is about, a lot of great stories about Meg. Meg is great. But the interesting part is that she didn't get a single approval. Like she did anything, she did it all herself. And she worked with the agency, Mother London, I'm pretty sure. and they just came up with this idea and they ran with it. And yeah, I think there was a lot of late night calls going, oh, wait a second. What just happened? Wait, I don't know if we should launch. Oh, you already launched it. I see. Oh, okay. Well, that's interesting.
50:49I'd love to repeat that. You know, there was no complaints, interestingly. But they were ready for complaints and, you know, the system was ready for, hey, this is somebody that's brilliant, that's going to take a chance and we're going to back them up. And Meg is now president of Taco Bell US. us well yeah well that says a lot it says a lot that's the point that's the point it's like when you take chances yeah you know you got to have a good hit rate too you know we're also back to your copywriting you know uh that you talked about earlier that was brilliantly copywritten and so when you read that it was very empathetic to the situation it was really really brilliant i mean the headline was obviously there to catch your attention but actually your copy was yeah it was brilliant it was very well done it was an interesting it was just a terrible situation 900 stores, no chicken.
51:32The franchisees must have been out. Oh, my God. I don't think people slept for a solid three months. It was not a fun time in Yum! history. But, man, talk about creating a powerful team, structure, culture, excitement, and fixing a problem. People really came together. It was amazing to watch. Yeah, that's pretty awesome. What would you pick as your kind of favorite moments if you look back? In Yum! history? Yeah, the big, the things that maybe have surprised you all. Certainly the Doritos Locust Taco is great, but I would say where we are right now, both on the Taco Bell and the US side with some big swings and big transitions and this desire that you're part of this whole session right now too, which is we want big bets.
52:19And it just is the, it's electric. You know, it's exciting. It's electric. People are willing to take big swings. And it just feels like there's so much opportunity just floating there in the air. And people, all they're doing is empowering you. That's why sauce, it's no coincidence that in this culture, Saucy is created, Live Moss Cafe is created. Got a bunch of stuff coming out with Taco Bell. Got a bunch of stuff coming out with KFC on the global side, even the US side. Pizza, it's got stuff in the hopper. So it's just a moment of excitement. Yeah. Yeah. It's just fun to be part of it. As a marketing nerd and as a creative and somebody that likes to have exciting times, this is, it just feels like right now it's electric, more electric than it's ever been.
52:59And it's always been kind of fun, you know, seriously fun. Yeah. I mean, they're great brands to work on. Yeah. There's a lot to work with there. But I mean, pivoting just a little bit, because I wanted to talk about what your approach as a CMO is that, because you're leading an enormous organization, global, many, many markets. You know, you've got people making decisions locally versus centrally. So how do you manage the kind of your role as a CMO? Okay, so that's an interesting point. So that's a really interesting point. Each CMO is entirely independent. Back to taking big swings and having things.
53:27So Val on the, Val Kavisniak is leading KFC Global. She reports literally to nobody except the CEO of KFC. We don't have dotted lines. We let people run with their own. because if you are operating an organization this size through a committee, you're gonna end up in a bad, bad place. And so each CMO has their own independence. And each CMO in the country has a lot of independence too. Way more independence than you would at a multinational where they've got to report back to headquarters and headquarters is gonna say no because the copy point B says C. So none of that happens. And so there's a lot of independence in the world.
54:10So more than anything, it comes down to smart heart and courage is what we call it. It's our culture, and it's a belief system within the world of young. Smart, you're making smart strategic choices. Heart, you're doing the right thing for the people, for the planet, for all stakeholders involved. And then courage, you're taking big chances. And so it's about creating the culture and having a loose structure. It is not the other way around. It is not a very tight structure where you've got multiple reporting lines and then there's a little culture splashed in. This is the other way around. It is smart, hard, and courage first.
54:49And then we've got a little bit of a loose structure that, by the way, we can break as necessary. That's really smart. I get that because then you feel ownership, don't you? There's nothing worse than thinking I'm just a pawn in the game here and I just have to do what health says. You're much more likely to care, take the jumps that you've talked about, and also care about the execution. because once you have ownership, once responsibility is pushed down in that sense, you can't mess it up then because it's on you. Whereas when it's been given to you, like, well, it's just head office, what do they know?
55:19Yeah, that's right. That's right. 100 % ownership. You dedicate responsibility. Yeah, I mean, I'm sure that when Meg launched that FCK ad, she launched it and she probably didn't sleep that night and she was, you know, turning to the many gods and the phone on. But it was on her and she felt that responsibility. It wasn't on head office. It was on her. And that was exciting and, you know, career enhancing and personally enhancing. And yeah, that's right. It's ownership. You do have ownership and responsibility. And building on that, what would you say kind of the main, you know, markings of a great CMO?
55:53What are the kind of things that really set apart the successful ones within the organization? Yeah. The truth is if the CMO is not leading through ideas, then it's never going to work. And what do I mean by that? I mean that a true CMO in my book is somebody that doesn't have to author the idea, but can identify a good idea and champions that idea and runs with that idea and breaks down barriers with that idea. It's an idea-driven individual. That's what I think. There are CMOs out there that are political or maybe they are more about organization, more about culture, which I just said culture is important.
56:36But the culture is important in order to empower a CMO to be an independent thinker and to have that vision. If you don't have the vision, don't be a CMO. That's really the key. If you're just going to come in here, political whatever, move, it's not going to work. our best CMOs, Taylor, Taco Bell, you know, I can name every single one right now across the board is gonna be idea-driven. They're gonna, if you have a conversation with them in an elevator, they're gonna shout about their ideas. It's gonna be loud. It's gonna be obnoxious because they're gonna be super excited about an idea that they're championing.
57:14And so that's the primary thing. You have to be idea-driven and not everybody is. And in my book, you shouldn't be a CMO if you're not idea-driven. Maybe it's because I came from creative or maybe this came from the agency side, but it is about idea-driven. Secondly, I think you need to create a culture of courage and driving that courage and pushing that courage and emboldening others. And then third, I would say that there is a left-brain part of this equation. I mean, we just talked about Red and how nerdy that book is, but it is, you know, if you don't know the Byron Sharps and the Douglas Holtz and the Adam Ferriers, and if you haven't read the books, and if you don't study how human mind works and you don't know who Kahneman is, then it's a problem.
57:58Because the answers of how to change people's opinions and convince people are there. So you've got to have that left side of the equation. So it's a weird mixture, right? You're idea-driven, but you're also, hey, you're powered by the smart stuff. Well, that's what makes the ideas work, isn't it? Because the idea is always in the context of changing a consumer behavior and delivering a vision or a goal you have as an organization. It's combining those things together, right? Exactly. And the marketer has to connect those dots. If one of those things isn't working, you're going to go off on that.
58:29You have a great idea that destroys the business, right? Yeah. If it's not rooted in a consumer truth or consumer behavior and aligns the goal of the business. Yeah, 100%. And the marketer's always trying to balance those things out. Yeah, yeah, that's right. And you can be too left-brained. And if you're too left-brained, then it doesn't work. Because you can be like, wait, is this, there was a great, Chad Kinchcliffe right now, He's the CMO of Habit, our fourth brand that we just acquired a few years ago. And I think you probably know Jack. Yeah, I know Jack. Yeah, KFC UK. Jack has a line that I think one of his agencies gave him.
59:01He said, when you evaluate creative, first thing you look at is creative. And it's like, do you feel something? Is it, and you're excited about it? The second thing is, is it on strategy? And then the third thing is, does it matter if it was off? Isn't that smart? I like that. Yeah. We do tie ourselves up, don't we? You do. Well, it didn't precisely meet, you know, the 14th bullet point in the brief, right? Right. But it's bloody good. That's right. Oh, yes. And being in this position, I see a lot of briefs and a lot of post-rationalized stories, which I know are wrong. I know that's not how it actually happened.
59:37Somebody swung big for the fences with a creative idea that they fell in love with or a crazy concept that they fell in love with or a crazy product that they fell in love with. Was it on strategy? No. Yeah. It wasn't on strategy, but it didn't matter. They took that. So that's why I'm saying you can be too controlled by the left. Then later, of course, then they wrote the FE or wrote the case study or told their boss about it. Suddenly it was on strategy. We're all genius in retrospect. Yeah, yeah, in retrospect. But the truth is, yeah, I think you can be – that's probably my main complaint, if you will, or my main thing that I'm cautious of is people that are too far on the left side of the equation when it comes to marketing.
1:00:13Actually, you triggered something. there because I think there's a pragmatism about being a CMO as well that can hold lightly I guess the bat in a way yeah that's stretch the analogy a little bit there because you could be theoretically slightly wrong but absolutely right from a business sense yeah you need to know when to let go of the sort of the right answer yeah a little bit for the sake of a brilliant idea rather than stick to the right answer and end up with an average idea that's not going to yeah that's right and that judgment is is is super important i see people getting really anxious and tied up the basis not totally aligned with the theory yeah and then you realize you know the pragmatism about just you know the instinct to put it all together is is is key yeah well you i mean you don't even have to go very far to find cases you know post-it notes that's that was supposed to be a glue right that didn't work and it was a failure and it'd be i mean endless stories of these that that you had set out to do X and then you realize that you discovered Y or you had created a strategy that had to be, you know, connect with the consumer at this level, but then suddenly you discovered a much bigger idea.
1:01:17I think if you're too, too far left brain controlled, you'll kill it and you'll go back to this and you'll end up in that, you know, boring mid. But if you've got a little bit of, you know, courageous in you, a little bit of rebellious in you, you'll say, you know what, that's a better idea let's go i'll rewrite the case later the other thing i learned actually along the way linked to that is you're better off getting the idea out the door quickly seeing how it does learning from that and and if you need to tweak tweak it right or doubling down next it's working whereas i've seen so many organizations where they're in search of perfection that they spend so long on it the competitors out there way ahead of them and then they end up losing just because they're waiting forever to get the perfect answer yeah so back uh i i won't say the name of the client, but we had a frozen food client reach out to us and say, hey, would you guys like to work?
1:02:07Sure, sure, sure. They had a really big brand that was, it was a lower calorie option. And so they said, help us kind of position it. And we said, well, you know, the culture around women and eating, it's really turning into more about strength and not so much about skinny. Anyways, it took them several years to get that out the door. Not that they had to change the product, just the campaign. And by the time they launched it, that was kind of on the way out. So yeah, we absolutely agree with that. The best of our marketers will swing big and swing fast and get it out there. And guess what? If it fails, do it again.
1:02:44That's the nice thing about QSR, by the way, which I admit is easier than packaged goods. QSR, you have 10 swings a year or 12 swings. These are our windows, our advertising windows. You have 10 swings. It didn't work in January? Okay, don't worry. Mid-February, you're going to have another swing. Oh, it didn't work? Don't worry. You have another one in March. Oh, home run. Great. Now you found your gist. And so that's the nice thing about QSR is that we do get multiple swings. I know that if you're packaged goods, most likely. But even packaged goods, you can find a way to rapid prototype, test it in a small market.
1:03:15I mean, in the UK, we often use like Northern Ireland, for example, go and launch it in a local retailer there, see if it works and roll it out. Yeah, that's true. And we do, by the way, we do exactly the same thing. We've got tens of thousands of restaurants around the world. We're constantly testing every kind of crazy idea that you could possibly imagine in one or two or 10 or 15 of those restaurants. So yeah, we do that as well. Anytime you can be testing. But I mean, even with full marketing effort, full campaign, spending a chunk of your money, we still have 10 swings a year. So that's kind of the unique thing is that, okay, well, I'm gonna go big and I'm gonna try it in February with the whole thing with I'm gonna do TV, I'm going to do social.
1:03:52I'm going to do out of home. I'm going to do product. I'm going to do store. Oh, hmm. That was okay. It didn't quite work. Let's try something else for February. You know, that's kind of cool. I think I have to call this podcast, Hold It Lightly and Swing Big. There you go. That's the kind of theme for this, isn't it? That's right. Ken, it's been amazing to talk, mate. Thank you so much for sharing so much wisdom in there, you know, from your time. And big call out for your book as well. Oh, thank you. It's brilliant. So yeah, go and order it on Amazon Prime. Get it in a few hours. Well, thank you for coming.
1:04:20Thank you for doing this podcast. I love the podcast, by the way. I think you're brilliant. I think it's fun, funny, entertaining. It's always like, goes by so quickly when you're in these conversations. Oh, thanks, man. I really appreciate it. That's what I try and do. So cool. Thank you, mate. All right. Thanks a lot. Thank you very much for listening or watching Uncensored CMO. I hope you enjoyed that. If you did, please do hit the subscribe button wherever you get your podcast. If you're watching, hit subscribe there as well. I'd also love to get a review. Reviews make a big difference on other people discovering the show so please do leave a review wherever you get your podcasts.
1:04:57If you want to contact me you can do. I'm over on x at Uncensored CMO or on LinkedIn where I'm under my own name John Evans. Thanks for listening and watching I'll see you next time.
From the publisher
This episode is a QSR masterclass. Ken Muench is the CMO of Yum! brands, who own Taco Bell, KFC and Pizza Hut. I speak to Ken about how he started the agency that got acquired by Yum! (The Collider Lab) and his journey to being the CMO of such a large group of brands. We also talk about how all CMOs within Yum! are encouraged to swing big to make impactful campaigns and drive innovation within their brands. Ken is also the co-author of "R.E.D Marketing: The Three Ingredients of Leading Brands" which breaks down why Relevance, Ease and Distinctiveness are essential for QSR brands.
Timestamps:
- 00:00 - Intro
- 01:07 - Ken’s career background
- 03:44 - In-house vs agency creative
- 06:39 - Taking bigger swings
- 07:46 - The secret to the success of The Collider Lab
- 12:06 - Food is fuel vs experience
- 14:42 - Why Ken wrote the book: R.E.D Marketing
- 17:29 - The R.E.D framework
- 20:51 - How brands grow
- 23:58 - Why “ease” is an untapped opportunity for marketers
- 28:26 - The power of distinctive assets
- 30:31 - Changing the Taco Bell strapline to Live Mas!
- 32:52 - How Yum! brands approach innovation
- 37:14 - How Yum! brands innovation scored
- 41:29 - What happens when innovation goes wrong
- 44:10 - Saucy by KFC
- 47:47 - The innovators dilemma
- 49:44 - Taking chances: KFC FCK campaign
- 51:48 - Ken’s favourite moments as Yum! CMO
- 53:01 - How to be a successful CMO at such a large brand
- 55:44 - What makes a great CMO
