In short
Sally Wainwright discusses her BBC BritBox drama Riot Women, about five midlife women who form a rock band to cope with menopause and the pressures of caring for kids and ailing parents. The episode also covers how she writes real female characters, why midlife mental health changes are often unrecognized, and her approach to portraying HRT, libido, grief, and rage without “whiny” tone.
Guest backgrounds
Sally Wainwright (born in Huddersfield; grew up in West Yorkshire/Halifax; studied English literature at York; moved to London). She’s creator/producer behind Happy Valley, Gentleman Jack, Last Tango in Halifax, Scott and Bailey, and Unforgiven. She’s also a writer-director-executive producer who writes and edits her shows.
Key claims
Menopause/perimenopause affects joy, motivation, brain fog, and identity; women need language and medical support. HRT can help quickly; cultural portrayals are often comedic and incomplete. Women are more interesting to write because they carry more to deal with emotionally.
Notable examples
Riot Women’s characters Beth and Kitty begin suicidal (without spoilers) and “rescue each other” through music; the show openly includes going to the GP for HRT and shows improved functioning after about six weeks. The band’s songs were informed by Wainwright and a punk band (Arcs), including a menopause-themed line suggested by a police advisor.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOExploring Riot Women and Midlife Challenges
0:45 to 2:38
Discussion of the new series 'Riot Women' and its themes related to midlife struggles.
“who have lived entire lives before we ever meet them.”
Sally Wainwright's Journey as a Writer
5:01 to 6:15
Sally shares her background, influences, and early writing experiences.
“Well, I was born in Huddersfield in West Yorkshire, and I grew up in West Yorkshire.”
The Evolution of Writing in Television
6:15 to 9:01
Discussion on the writing process for TV shows and the role of a showrunner.
“Because whenever I read a novel, I thought all the other stuff was boring, all the descriptions.”
Personal Experiences Influencing Riot Women
9:01 to 11:33
Sally discusses the personal inspirations behind the characters in 'Riot Women'.
“I can actually write anywhere, I've realized.”
Exploring Menopause and Emotional Challenges
14:01 to 15:20
Learn about the emotional impacts of menopause and the loss of joy in life.
Women’s Representation in Media
15:21 to 16:41
Discover the challenges of representing women authentically in television.
“through some of it myself, the amalgamation of the patient experience of a loss, a feeling of invisibility, a feeling of overwhelm, a loss of resilience, where they could, they had their lives managed.”
The Complexities of Female Characters
16:42 to 18:39
Understand the depth and challenges faced by multi-dimensional female characters.
“You want to do a show about, I mean, you're a champion at the BBC.”
Challenging Perceptions of Aging Women
18:40 to 20:13
Examine societal views on aging women and their portrayal in media.
“She's menopausal with a mother with Alzheimer's, with a son who's struggling with, you know, all the normal things that my patients, my followers are going through.”
The Heroism of Women
20:14 to 21:44
Learn why the speaker believes women are more interesting and heroic than men.
“You know, like what happens to Kitty in episode four.”
Writing About Midlife Experiences
25:00 to 26:48
Understand the motivations behind writing about midlife and women's experiences.
“Visit IXLlearning.com slash audio to get the most effective learning program out there at the best price.”
Show all 22 chapters
Research and Authenticity in Riot Women
26:49 to 28:00
Learn about the research process for creating authentic characters in Riot Women.
“that I knew what I was gonna do and I did actually go on to do it yeah it was a kind of guiding light And you got to bring that full circle to write the script.”
Bonding Through Music: The Actors' Journey
28:00 to 29:52
Learn how the actors bonded through the process of learning and performing music for their roles.
“And apart from Rosie, who plays Kitty, who could play guitar, none of them played their instruments at all.”
Menopause: Identity Theft and Its Impacts
29:52 to 31:04
Explore the complex emotions women face during menopause and the impact on identity.
“I think there's this common thing that women go through when they're, I did, and I've talked to other women about this.”
Understanding Menopause: Myths and Realities
31:04 to 33:15
Discover the misconceptions surrounding menopause and the importance of understanding its symptoms.
“I was at a conference in Oxford on Saturday, a menopause thing.”
Riot Women: Addressing Serious Themes
33:15 to 35:39
Delve into the storyline of 'Riot Women' and its approach to serious topics like suicide and friendship.
“But like one's going out like a lamb and one's going out like a lion.”
Breaking Taboos: Menopause in Media
35:39 to 38:05
Discuss how menopause and related issues are portrayed positively in media, breaking common taboos.
“I'm astounded you got this past people funding the show.”
HRT: The Journey to Understanding
38:05 to 40:09
Examine the journey of understanding Hormone Replacement Therapy (HRT) and its portrayal in the show.
“I've never seen this before, ever, is you openly talk about HRT on the show, going down to the doctor to get sorted.”
Responses from Viewers: Impact of the Show
42:00 to 43:28
Discover how viewers are responding to the show and feeling represented.
“In a classroom of sodas, most stay quiet.”
Navigating Grief and Caregiving
43:28 to 46:24
Explore the personal experiences of grief and caregiving for aging parents.
“But my mom lived with dementia for about six years.”
The Positive Shift in Midlife Perspectives
46:24 to 48:35
Learn about the cultural changes surrounding women in midlife and their newfound freedom.
“So my way of dealing with it was creative, which is kind of the message of the show.”
Challenging Misconceptions About Women and Aging
48:35 to 51:09
Understand how media and society have misrepresented older women and their experiences.
“So I'm seeing, you know, when I was 30, when I thought about 60, I thought gray hair grandma and slowing down and becoming quiet and invisible and being a family supporter.”
Female Identity and Historical Narratives
51:09 to 53:16
Dive into the historical context of women's identities and how they have been shaped.
“And even to the point where when it was written by women, women also bought into those female, those male constructs of what women should be.”
Transcript
Automatic transcript. May contain errors.0:09Dr. Mary Claire Haver:Today's guest is someone whose creative work has shaped the way millions of people see women on television. Not young women, not simplified Hollywood versions of women, but real women, older women, complicated women, angry women, brave women, women breaking rules. Women who don't tidy up their emotions for anyone. Sally Wainwright is the creator and producer behind some of the most acclaimed British television dramas in the last 20 years. Happy Valley, Gentleman Jack, Last Tango in Halifax, Scott and Bailey, and Unforgiven. Her stories introduce us to characters who have lived entire lives before we ever meet them.
0:50Dr. Mary Claire Haver:Women who carry grief, desire, sexuality, rage, intelligence, love, courage, exhaustion, trauma, and resilience in bodies that reflect actual lived experience. Now, Sally has a new six-episode BBC BritBox drama called Riot Women. It's a series about a group of five women in midlife who escaped their complicated lives filled with caring for kids and ailing parents and dealing with menopause by forming a rock band. I just finished watching it and I was hooked within minutes. I cried in the first 10. I laughed hysterically in the next 10. She hits so many of the issues I hear from women every single day in my clinic, in my DMs, and in their whispered questions and late night fears, body changes, aging parents, loneliness, isolation, mental health shifts, feeling invisible.
1:50Dr. Mary Claire Haver:The emotional freefall of midlife that no one prepares us for. These characters are multidimensional, complicated women dealing with the issues my patients walk into my clinic carrying every day. And Sally puts all of it on screen with honesty, ferocity, and humor. The tenderness, the rage, the absurdity, and the heartbreak. It feels like someone in entertainment is finally telling the truth. I'm Dr. Mary Claire Haver, a board-certified obstetrician and gynecologist and certified menopause practitioner. I'm also an adjunct professor of obstetrics and gynecology at the University of Texas Medical Branch.
2:28Dr. Mary Claire Haver:Welcome to Unpaused, the podcast where we cut through the silence and talk about what it really takes for women to thrive in the second half of life. Unpaused is supported by Claude from Anthropic. Midlife comes with questions that deserve more than surface level searching. Maybe you're trying to make sense of conflicting research on hormone therapy, or you've got a stack of lab results and want to understand what your numbers mean in context, not just whether they're in range, but what the patterns might suggest over time. Claude is an AI that thinks through those questions with you. It doesn't just hand back a summary.
3:07Dr. Mary Claire Haver:It helps you dig into the research, pushes back when the evidence is mixed, and cites its sources so you can see the receipts and where the info was pulled from. You can now even connect your Apple Health data to Claude, which means Claude can help you understand fitness patterns, track progress towards goals, and visualize trends with native charts. So when you're prepping for an appointment or just trying to figure out why your sleep has been so off the past week, Claude has the full picture, not just the first Google result.
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5:00Dr. Mary Claire Haver:Tell me a little bit about your background. Like, where are you from? Well, I was born in Huddersfield in West Yorkshire, and I grew up in West Yorkshire. I grew up kind of in Halifax. I went to university in York, which is North Yorkshire. And then I finally went to live in London because at that time people said, if you want to be a writer, you've got to live in London. And that was always your dream? Oh, yeah. I really wanted to get away from, like a lot of people where you grew up. It was like the back of beyond and I wanted to be where it mattered. Were you writing your whole life? Always writing, yeah.
5:30Yeah. I never stopped writing. You know, when you're a little kid, you write. So me and my sister used to write stories and draw cartoons and that kind of thing. and I remember when I was about like 10, 11, 12, me and my sister used to write plays together and it got to a point where I knew she was doing it to humor me and she was getting too old to do this. She kind of outgrew it and stopped and I just never stopped. I just literally never stopped. So you did it all through secondary school and university?
6:00Dr. Mary Claire Haver:Yeah, completely, yeah. What did you study in university? English literature. I wrote dialogue from being about 11 because I kind of thought it was the most important thing. When I read novels, I'd never seen a play written down, but I was writing dialogue before I kind of knew what a play was. Because whenever I read a novel, I thought all the other stuff was boring, all the descriptions. But you didn't need that. You just need to know what people are saying. Yeah. So that's what excited me most. I realized I was a sort of dramatist without even realizing I was. And then your first job was a bus driver?
6:33Yeah, as I say, I went down to London because people said, if you want to be a writer, you've got to go and live in London, which isn't true anymore, but it was then. And I didn't have any money, didn't have a job. I managed to get a room in a house with a friend from university. One friend said to me, oh, you should apply to join the civil service. And another friend said, oh, you like driving, why don't you apply to be a bus driver? They also need bus drivers. So I applied for both and I got offered jobs from both on the same day. And I decided that being a bus driver was more compatible with wanting to be a writer because it seemed more wacky.
7:02It would leave my brain free to think about drama and think about writing. And did you? And it was a good experience. And there's so many different people getting off and on the bus. Yeah, exactly. I mean, three years at university didn't teach me very much, whereas 18 months as a bus driver,
7:16Dr. Mary Claire Haver:kind of really, you had to grow up, you know. When did it become, you are a writer and now you're going to make your living as a writer? Well, I took a play to the Edinburgh Festival when I was at university. I wrote to a lot of exec producers whose names I'd seen on TV and agents. and nobody came to see the play. But one agent wrote to me and said, I can't come but will you semi-copy the script? And she took me on as a young writer, you know. And she got me a job on a radio soap called The Archers, which is the longest running soap in the world. It was started in the 1950s in England. And so I wrote The Archers for a couple, which Tamsin Gregg was in, who plays Holly in Riot with me.
7:54Yeah, yeah. Yeah, that was my big... I started off writing The Archers and I moved on to soaps like Coronation Street and then finally got my own original drama away in 1999 with a show called At Home with the Breathwrit, which was nominated for an Emmy, which was the first time I came to New York.
8:10Dr. Mary Claire Haver:Wow. So I just have this vision of, you know, there's been a few shows in the U.S. where they show writers' rooms, you know, for, you know, they're dramatizing, you know, a TV show and you'll walk into a room and there's like a conference table with like eight people. Is that what writing was like in those early days? It was like that on soap operas like Coronation Street and EastEnders, that kind of thing. But on hour-long dramas, we don't tend to do that the same way in England, largely because it's money. We can't afford to do it in the same way that it's done in America. Often a show like that will be run by one person.
8:44And I think the model's changing now with streaming. There are shows where you will have big numbers, like Doctor Who, which is such a big operation. They'll have, you know, any number of writers involved in something like that. But on the whole, it still tends to be sort of author-led or writer-led. Where do you write? Where do I write? I've got an office in my house. I can actually write anywhere, I've realized. But I know I'm a workaholic. This morning I was thinking about where can I write? Where can I sit down? There wasn't a desk in my room at the hotel. I was like, what am I going to do?
9:16So you have your laptop and you just start dreaming up ideas? I think I'm a workaholic. My brain never actually stops. People think I must be very disciplined and I'm not. I'm not at all disciplined. It's just like, I have to work. It's internal drive. And you have two sons? Yeah, I've got two boys who are in their 20s. And then do they live close or? They live with me. Oh, good. Me and my husband split up about five years ago. And yeah, the boys are still at home. They both work. Yeah. It suits us all at the moment.
9:48Dr. Mary Claire Haver:Yeah, no, it's great. This is so curious. This whole world of, you know, I'm a doctor. Most people I say, I'm a doctor. And everyone knows what that is, right? but what is a showrunner you're described as one of the most prolific showrunners like in the history of the bbc it's kind of a misnomer because i'm not sure because what i think a showrunner is in is is it is an american thing and it's somebody who has invented the show has a lot of experience is usually a writer and has a group of other writers with them who they sort of are in charge of and they uh they run the room where the the writer's room and then they are they also act as a as an exec so i don't do that bit of i don't run a room i tend to write all my shows myself but then the other aspect of being a showrunner which i do do is i'm an exec on the show as well so i'm across all the decisions that i made about casting heads of departments you know what the show looks like, what it feels like, what the ethos of the show is, how it comes across on screen.
10:50And I also direct my own shows. I was wondering. Again, that's not what usually a showrunner does. A showrunner would usually be across who all the directors are and I assume be on set with them. And again, it's about the look and style of the show. So I'm kind of a showrunner in that I exec and I direct. So I'm very much across what the show is. It's probably different to what people generally...
11:12Dr. Mary Claire Haver:Do you do the editing, everything post-production? Yeah, I'll be in the edit. Yeah, yeah, yeah. How long does that take? Well, Riot Women, I started writing in the January of 2023. Okay. And I finally finished in the edit of July this year. So it's been two and a half years. Yeah, yeah. Yeah, so it's a big undertaking. Amazing. It seems like listening to, you know, reading about you, that you are drawing from your own life for a lot of the characters. Riot Women was really personal. It was a really personal show. I don't know whether it was conscious when I started, but it was kind of my own response to realizing that I was starting to go through the menopause.
11:53And when was that? The idea of it came to me about 10 years ago. There are a number of things that brought it about. First, the show is a conflation of two ideas. It's a female rock band, and it's about, I hesitate to say it's about the menopause. It's more about the female experience when you get to 50.
12:11Dr. Mary Claire Haver:No, I think you're totally right. Right. Menopause is part of the story. Yes, exactly. As is menopause is part of every woman's story if she lives long enough. Yeah. But it wasn't the star of the show, right? No, exactly. Like the women in their lives. It's kind of touched on and it's an aspect of what these women are dealing with. But really it's about everything that women deal with when you get to a certain part of your life. And it doesn't have to be 50. It can be earlier or it can be later. But for me it was personal on a number of levels. The idea started basically when my mum was starting to develop dementia.
12:44And she lived to, I live in Oxford and she lives in Yorkshire, so it was like 200 miles away. And she was starting to be forgetful and starting to experience things that were a problem for me and my sister who just didn't live close to her. At the same time, I'd got two teenage boys. My marriage wasn't as good as it had been. I had a huge amount of pressure at work. um you know being across several shows at the same time and being pulled in lots of different directions there and you get to this age where you kind of feel you are capable of dealing with these things because you always have done because you're somebody who's always prided yourself on dealing with stuff and in the middle of all that I started to feel that I was disappearing it's like everybody needed a piece of me you know that's all the adage about you know if you want something doing ask a busy woman right and you I felt like oh it's me I'm the person who's being asked things off and in the middle of that I started to sort of kick back a bit and be quite angry and in a way that was not always appropriate and you don't quite realize what's happening to you and starting to feel um I started to get quite low moods brain fog and the big one uses their brain yeah so much yes and being worried you know when you write a script you're using your brain in a thousand ways a second you know a thousand different ways a second you're constantly thinking about patterns and connections and how things work you know the structure of telling stories is so complex if you want to get it right which I always want to do so you start to worry that oh well if this isn't working anymore what we're going to do the other big thing that struck me uh as I was starting to develop the show more was something I started to experience which was quite shocking was um this feeling that all the joy had gone out of life and losing motivation to do anything and it was you know it's a real shock when that kicks in and if i'd known that was part of the menopause how much happier i would have been but i didn't i just thought it was me being miserable and depressive and the problem is when you get into that you start you don't want to tell your friends you don't want to talk to your friends because you don't want to be the miserable one yeah who's offloading all the time so you kind of keep it to yourself so it seemed to me that I needed it was my own therapy to be able to write about this so the character of Beth who Joanne Scanlon plays beautifully so beautiful um it's it's really personal it's kind of that kind of is as sort of autobiographical as I've ever been um and I'm not saying I was suicidal in the way that she is when the show opens but I've certainly been low where I've thought about
15:16Dr. Mary Claire Haver:nobody'd notice if I wasn't here my patients admit the same thing you are describing and I've been through some of it myself, the amalgamation of the patient experience of a loss, a feeling of invisibility, a feeling of overwhelm, a loss of resilience, where they could, they had their lives managed. They had the sick parents, they had the teenagers, they had all of that was managed. And then all of a sudden, they're struggling to manage. And then they're having reactions to things that were different, like rage or anger or severe sadness. Or like you said, in medicine, we call it anhedonia, which is loss of joy.
15:56Dr. Mary Claire Haver:Oh, there's a medical term for it. So it's not that you're depressed or so low, but you can't get motivated or have joy. You've just lost the joy in everyday things. And so we see it in the patients all the time. And that's why I'm so excited about this show, because I think shows are starting to mention menopause more. but this one really gave such a realistic portrayal. Yeah, yeah. Well, I think that's the show was originally called Hot Flush, or Hot Flash, as you say here. And the menopause doctor I was working with in England said, I really don't think you should call it that. And we pushed back against it eventually, even though I think the BBC liked it because it was clear what the show was if you called it Hot Flash.
16:38Dr. Mary Claire Haver:I have a question, though, about did you get pushback? You want to do a show about, I mean, you're a champion at the BBC. No, no, I didn't. But I think it's an interesting question because I think because I've got a certain status, they would accept it. Like had you been an unknown? Yeah, I think it's probably less likely. But also just getting funding for it, it wasn't as easy as you might think. Because it's not the usual staple of men with guns saving women, which is what 95 % of television is. And even when we do see women playing lead parts in shows, it's often a male version of what women are.
17:16Women on TV are so poorly represented. They're often impossibly glamorous. They usually stick thin. They're usually under 30. That's what we normally get as role models for what women are like.
17:28Dr. Mary Claire Haver:The line from First Wives Club that said, women have three ages in Hollywood. Babe, district attorney, and driving Miss Daisy. Those are the big three. and I'm like, you found the sweet spot. You found the actual real women living real lives. Well, I think there's so much drama in women who've got history. There's so much drama in stories that begin 60 years ago. When I wrote Last Tango, it was a story that started 60 years ago. Riot Women is a story that starts a number of years ago because the women have all got life experience. And that's interesting. It makes them rich. It makes them complex.
18:07It makes them layered. and it makes them interesting
18:10Dr. Mary Claire Haver:because they don't take crap off people anymore. The character Kitty, I didn't want to like her. She was hard because she was an opening scene. She's a challenge and at the end of course I absolutely fall in love with her. She's probably one of my favorite. They're all fantastic. Your sweet spot seems to be this multi-layered, complex woman who's going through 10 ,000 things at once. I love that. you didn't just take it down to one dimension. She's just menopausal. She's menopausal with a mother with Alzheimer's, with a son who's struggling with, you know, all the normal things that my patients, my followers are going through.
18:50Dr. Mary Claire Haver:I really think, how did the show do in the UK? It's done really well. I mean, it's certainly hit its target audience, but it's gone beyond that as well. It got really good viewing figures. You know, we've had so many comments from women, predominantly saying, I feel seen. I feel this really reflects what I'm going through and I've not seen it on screen before. We got a lot of really nice comments from men, which really delighted me. And it was interesting actually when we were thinking about the show, who will watch this? Will men watch it? And it's interesting because people never ask, if you make a Western, nobody says, oh, will women watch this?
19:26That question is never asked, is it? But obviously it's about, it's niche because it's about women. It's even more niche because it's about middle-aged women. It isn't. It's for anybody who likes being told a really cracking story, I think. However, I have to say, we did get a handful of really small-minded comments from some men who had comments like, there are no nice men in it, and Sally Wainwright doesn't write men nicely or something. And it's like, hello, there are no nice women in it, actually. There are complex, interesting women in it. But the whole, you know, the point of the show really was about the female experience.
20:04And a big part of the female experience is the way men look at women or the way men treat women. Or the way women feel at this age that they're either made to feel invisible or they're often the target of disparaging comments. You know, like what happens to Kitty in episode four. We had a really interesting storyline meeting where all the women in the room talked about how they'd had nasty little sexual comments whispered in their ear or shouted at them across the street. You know, sexualized put-downs that are intended to show power, sexual power. And we all like to think, oh, it's water off a duck's back, but actually it isn't.
20:55It boils into your brain and spoils your day. You know, every woman in the room, even me, had experienced that kind of behavior. 100%. And then I get criticized because I don't write nice men. It's like, watch 95 % of telly if you want depictions of nice men, you know. But I'm not, you know, I'm doing something else. And it's interesting when you think about that because it's so common. I don't know, I say every woman I've ever spoken to has experienced that. At some point.
21:26Dr. Mary Claire Haver:At some point, yeah. So there's a quote you have, which I love. I find women just more interesting than men. I think women are more heroic than men because they have more to deal with. I think women are more emotionally articulate than men. So it's easier to write them having difficult times and being articulate about it. So I really think you captured that well.
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22:35Dr. Mary Claire Haver:Don't miss The Lady, streaming March 18th, only on BritBox. Watch with a free trial at BritBox.com. Perimenopause is not early menopause. It is its own distinct biological phase. And it has been largely ignored. My new book, The New Perimenopause, is about the 7 to 10 years before your period stopped. A transition that is anything but gentle. Hormones fluctuate wildly. And for many women, this is when the anxiety, brain fog, sleep disruption, weight changes, mood shifts, joint pain, and that unsettling feeling of, I don't feel like myself anymore, begin. Long before anyone says the word menopause.
23:21Dr. Mary Claire Haver:Perimenopause often starts quietly. It shows up in the brain first, then the body, then everywhere else. And too often, women are told, nothing is wrong. I wrote the new perimenopause because you deserve answers before things spiral. You deserve care before burnout. And you deserve a clear roadmap for a transition that medicine has ignored for far too long. The new perimenopause is now available for pre-order everywhere books are sold. Learn more and pre-order your copy at thepawselife.com. Testing season is right around the corner. And this is when confidence really matters. When kids take time to review key concepts and strengthen their skills before assessments, it can make all the difference.
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25:13Dr. Mary Claire Haver:What made you decide that midlife and that all that comes with it for women would be, why this why now well again i tend to write about women who are my age i've realized yeah i don't think as you get older the characters all my shows across the last kind of 25 years i've realized that the man the person who is the most in the people who are the most interested in me are people my age like i guess all writing is by autobiographical at some level not always consciously so did you start with an idea of they're going to have a rock band yes as i say What I wanted to do was try and find a way to write about this part of women's lives and the experiences that go through this time without being whiny women.
25:55I wanted to find a way of creating a show that people would think, oh, that looks interesting, that looks exciting. And then by stealth explain to them about the midlife experience. so it was conflating the idea of a punk rock band a female punk rock band with um women who are at this age where you're doing a lot of stuff you're juggling a lot of life's difficult things i'd wanted to write about a rock band since i was 13 there was a show on telly in england when i was 13 called rock follies it was actually rock follies of 77 so i was 13 in 77 and it was about a female rock band and it totally changed my life it was like watching this show it was it was like something had happened to me it wasn't just like watching telly it was like something had actually happened to me yeah watching this tv show and I remember really tangibly thinking oh that's what I'm gonna do I'm gonna I'm gonna make television I'm gonna write television so I was lucky at 13 that I knew what I was gonna do and I did actually go on to do it yeah it was a kind of guiding light And you got to bring that full circle to write the script.
26:58Yeah, it felt like it was, it was like my homage, really, writing Riot Women to Rock Follies.
27:03Dr. Mary Claire Haver:And you have, so some of the characters are in their late 40s. Some are definitely, they say their ages a couple of times. But you actually have characters in their 60s. The Kitty's 44. But the other four women are around 60. They're either just, I think they're all just under 60. One of them's just over 60. Yeah. What kind of research did you do for the show? I know you had a medical advisor on the show. We had a doctor who specializes in menopause on board. But the most research for the show was the music. That was the biggest kind of... So it's obvious that Katie's character was singing her own voice, which is phenomenal.
27:39But she's a big West End star. She's not particularly big on telly, but she's massive in the West End.
27:43Dr. Mary Claire Haver:So West End, for our US listeners, is like Broadway. Broadway, yeah. So she really was acting in the show. Oh my God, yeah. And then they're playing instruments. Were they really playing? Yes, they were, because I wanted them to, I didn't want it to look like they weren't doing the real thing, the real deal. So I asked them to, if they would, when we offered them the parts, we asked them if they would also learn to play the instruments. So they had five months to learn. Wow. And apart from Rosie, who plays Kitty, who could play guitar, none of them played their instruments at all. So they had five months.
28:16Dr. Mary Claire Haver:Even Beth? Beth's character? No, no, Beth. She couldn't keyboard at all? Joanna. I think she did a little bit, but not in any way that she felt confident with. Yeah. So they did all learn. They all had tutors. And then they all came together. Lorraine, who's the drummer, Jess, had even less time because she couldn't get on board. She was busy. So she had even less time to learn than the others. And I learned to play the drums, especially as research for this. And I know it's hard, like learning any instrument. And then they all came together for two weeks rehearsal. One was for the scenes and one was for the music and it's that that's a real achievement yeah and you know the wonderful thing was it really bonded them you know like when you rehearse with actors they bond anyway because they're all putting their hearts and souls on the line but actually asking them to play music together it really gave them a real buzz there was real adrenaline in the room you could feel it in the show and you can see how nervous like the Tamsin Craig character was on the bass like how unsure she was that came across as I was like well I think she's really playing well Tamsin would tell you she was acting at that point because she actually got better as tamzin than she was supposed to be as ollie when she was practicing when you know she'd learned so much but they had to play two gigs one is at the concert in episode four and then one is at the festival the festival in episode six because of the magic of telly we had to um put the music on top afterwards in the edit but they were actually playing properly so when they came off stage they were just they were saying that i can understand why you do want to go back and smash your hotel room up they got so I'm not sure.
29:48Happy you're done.
29:49Dr. Mary Claire Haver:Energy and adrenaline flowing, yeah. You've called menopause identity theft. I like that term. I think there's this common thing that women go through when they're, I did, and I've talked to other women about this. When you get to 40, you go through a phase of thinking, oh, I don't care anymore. And this is me. That's the best part to me. Yeah, it is. It's wonderful. Where you stop worrying about all the silly little things that people might think about. And you just think, or if you've said something a bit silly and you're used to agonize about it. You get to 40 and you think, oh, they know what I meant.
30:19They won't misinterpret it. You get so confident about all the silly little things that used to worry you. And then I got to, as I say, 50 and all those little doubts seemed to creep back in again and snatch away this thing that you'd achieved where you felt, I'm okay now, I've arrived. I am who I want to be kind of thing. So that's what I meant by that, that it did. It's not just the sort of joylessness that seems to take over and the brain fog And it was like you do become a, you feel like you're not the person you thought you were.
30:50Dr. Mary Claire Haver:Do you feel like if you would have known, if someone would have prepared you, that these things might happen, you may have these symptoms, these mental health changes, the brain fog. If you were like, oh, that's what, this is what this is. Definitely would. Because, you know, if you can give something a name, it means it exists and it's not just you. I was at a conference in Oxford on Saturday, a menopause thing. I think I'd been at it as long as the light relief. there were some professors who three women who specialise in studying the menopause and one of them does work with well all different kind of communities all over the world and she was saying in some cultures there is no word for menopause so how do you go and talk to the doctor about it if there's no word for it you just describe a collection of symptoms and you don't necessarily know it's this one thing so of course well in the US and I think in the UK for decades, you know, menopause, the menopause was only defined as absence of period.
31:49Dr. Mary Claire Haver:So most women can identify that and maybe some hot flashes. But this whole, like you said, the list of 35 that you saw, I was never taught that in any of my training. This is something that I learned in the last five years, you know, becoming a menopause specialist. Well, I wasn't, I mean, my only knowledge of the menopause was what my mom told me, essentially. What did she tell you? My mom told me that she laughed her way through the menopause. Oh, amazing. But she didn't. This is the thing this is what she told me and I kind of believed her because she was a funny woman very clever very funny and she she said oh I laughed my way through it and I and I believed it just because she said it and I believed everything my mom said but now I look back and I don't think she was I think she was actually quite depressed then and I didn't see it I certainly didn't see it as being part of the menopause because I didn't have a clue um I just thought she was depressed but when it came to the menopause she laughed her way through it I didn't connect the two.
32:39And now I realize she wasn't at all laughing her way through it. It was just her generation didn't acknowledge the menopause. It's like, oh, that's not going to touch me. I can deal with things and I'll deal with that. So I just thought the menopause was your period stopped. Good. Tick. And you laugh your way through it. Good. Tick. So when these things started to happen to me, I didn't connect them. I hadn't even heard of the perimenopause.
33:03Dr. Mary Claire Haver:Yeah. Perimenopause, I learned how to pronounce. I want to go back to Riot Women and talk about Beth and Kitty in this opening scene, which like grabbed me by the breasts. You know, we can't say grabbed me by the balls because I don't have any. But I guess grabbed me by my ovaries, which have shriveled up and died. But so they're both suicidal. Yeah. I don't want to give it away. No. And make it seem like a downer. But like one's going out like a lamb and one's going out like a lion. I think that's a quote from you. Well, I said one's going out with a bang and one's going out with a whimper. Yeah.
33:33Dr. Mary Claire Haver:But I mean. Was that important to you to include that in the story? Because. Yes. Yes, statistically, the most likely time a woman will commit suicide or complete suicide is between the ages of 45 and 55. No coincidence. Yeah. I wanted them to rescue each other. Basically, they can come to each other's rescue. It's like these two very unlikely women. You would never imagine being friends. And they find this very unlikely connection. And it becomes a very creative connection. And then it becomes even more of a connection than they've realized, which I can't give spoilers away, but you know what I mean.
34:04So I had to start off with them being low to show how they rescue each other. And now they find... And the whole thing about what's, I hope, joyous about the punk rock band is they start writing songs about the stuff that bothers them. They're great. Did you write the songs? No, I didn't. No, we got a punk rock band called Arcs on board. It's these two brilliant young women who live in Brighton. It was so wonderful. But we would give them ideas. We'd send them basically what the song should be about. So Seeing Red, definitely about the need for HRT. So we sent them lots of ideas for lines, ideas for the theme of it, ideas for...
34:41I think I came up with the drumbeat for that, in fact. But interestingly, the first line, which is, I'm so depressed, I can't get dressed, that came from my police advisor. She came up with that when we were just chatting about things. So that's quite joyous.
34:54Dr. Mary Claire Haver:Two of the main characters are police officers. Well, one. One, yeah. And then the side character. Oh, that's right. Nisha, of course. Nisha. Yeah, yeah. Yeah, so you'd have an advisor for that. So yeah, I did have my police advisor from Happy Valley a lot. And she came up with that first line for the song about menopause. Typically, we're playing catch up in popular culture. And the way menopausal women are portrayed, it's usually comedic. Oh, yeah. Which can be funny. So much of menopause is kind of funny and you do a good job with that. That's what I was saying earlier about why I moved away from Hot Flush being the title.
35:28Because that's what menopause gets reduced to. and of course the more I learned about the menopause the more I realized how much more there is to it and how much more I was experiencing that was the menopause
35:38Dr. Mary Claire Haver:when you were researching like all that's you're having like aha moments like wait wait wait that that was me you know yeah yeah you know just thinking about all the brain fog worrying that I'd got dementia all that kind of thing I just realized this I can't call this hot flush it's so much more yeah to it and I didn't want it just to be about the menopause either so you were able to incorporate, I mean, in six episodes, HRT, libido. That was super fun. Feeling of invisibility. I'm astounded you got this past people funding the show. I just, you know, I just imagine the walls you must have hit when you're like, we're going to do this show and it's five women in their fifties and they're having libido issues and they're having heavy bleeding.
36:22Dr. Mary Claire Haver:You did a great job with Kitty's character having in medicine, we say menorrhagia, even like sure we're getting off the couch in like a puddle, you know, of blenum. This is very, very real stuff that's happening. So I've never seen that integrated into a storyline. And I just, you know, no pushback. No, no, I think not. Because I think, I think after I'd written Happy Valley, which did hugely well in England, I think it went down pretty well in America as well. I think people attributed me with knowing how to tell a good story. So I think, I hope that's what it was, that people knew whatever it's about it will be entertaining it will be fun to watch it'll be it'll have layers it'll be interesting it'll be saying something and it'll be fun it definitely had funny parts to it which were all appropriate when you handed the script so you picked your actors who were incredible incredible incredible fantastic and they're reading these parts like what was their reaction to the character were they identifying i think they loved it i mean we didn't We weren't, you know, they were very happy to come and do it.
37:22They were all pretty eager. And I think, you know, what is really interesting is they all got on really, really well. They had a fantastic friendship group off screen and it was a really happy shoot. There was a really nice atmosphere. And one of the interesting things, as I said on Saturday at this conference I was at in Oxford, was how important female community is in menopause, how we often all support each other. through it we talked to each other about it and um that came that was really apparent i think within their responses to the script that they understood that this was something important to talk about that they hadn't quite seen before yeah and the way they you know they were dramatized through the you know the very vivid characters that they were all playing i mean that any one of those five women would play the lead in yeah any show and so the fact that they were all happy to come and kind of be an ensemble was a bit of a win.
38:18Dr. Mary Claire Haver:Yeah, no, it was great. I've never seen this before, ever, is you openly talk about HRT on the show, going down to the doctor to get sorted. And it was like, no big deal. You know, I'm going to take you to whatever you call it in the UK. To the GP, yeah. To the GP and go get yourself sorted. And then the story flashes forward about six weeks or so. I mean, their lives aren't perfect, but they're just feeling so much better. and able to manage. And one of them even has her libido back and they're kind of joking really nice about that. And I have never seen that talked about in such a positive way.
38:55Dr. Mary Claire Haver:Oh, good. I'm pleased. Or in any way really at all, you know, there's usually hot flashes and the joke stops there. Yeah. And maybe she's making an appointment to go to the doctor, but never like the aftermath. So of how a woman can kind of get some of her resilience back and be able to function and take on those challenges that were stumbling her. before so kudos to you thank you well it was kind of important for me to do that because i i resisted going on hrt why because i still was under the impression that it causes breast cancer which i now know it doesn't and i know if you have breast cancer you can't go on hrt right but if you haven't got breast cancer it's it is not it doesn't cause breast cancer right and i didn't know that because there was the report that was about 20 years ago.
39:43Dr. Mary Claire Haver:And, you know, most women were working on it to spread that message. But that is the prevailing thought in most women. And I love that you didn't even have to go there. You didn't even talk about the breast cancer risk or any of that. You just, they went to the doctor, they got what they needed, and now they're back on track with their lives. And I also thought that I don't need to take. That's why my mom, I got this thing I thought from my mom, you know. You know, I don't take anything I don't need to take. and I didn't understand I just didn't understand that you know you don't get through the menopause you stop having you stop creating those hormones and once they've gone they've gone you don't get through it it just stops it's your postmenopausal forever the doctor we worked with has worded me to start trying HRT and I did and it did about three months oh for yourself yeah so because I said brain fog joylessness depression and I just accepted those things I thought it was part of the human condition that I should feel like this I thought it was because I was a writer I should be miserable
40:41so you're just more emotional than most people and after about three months it really kicked in and made a difference and I wanted to reflect that in the show it happens quite quickly in the show, well it's six weeks and I know it's different for everybody how soon it does actually start to kick in but it certainly made a big difference to me it certainly affected the joylessness, that kind of really disappeared and the lack of motivation, the lack of feeling like you just don't really want to do anything.
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42:00Dr. Mary Claire Haver:In a classroom of sodas, most stay quiet. Then there's Mr. Pipp, sweet cherry, bold outbursts, the kind of flavor that gets attention. Bold kick of cherry. Hey, yo, Mr. Pipp. What have the people who've seen the show, what kind of responses as far as are they telling you it's changing their life? Or you said they feel seen. Yeah, I think a few people have, again, it's just talking about it and people knowing that these things are part of the menopause. I think that's what the response is. I've had so many messages on Instagram and that kind of thing. The BBC have had more letters about this than, I saw our exec from the BBC last week and she said normally when people write to the BBC it's to complain.
42:49So it's been kind of refreshing for them to get a whole bunch of letters that are saying, well done, thank you.
42:56Dr. Mary Claire Haver:Well done. This is interesting. You're helping me. You know, this has helped. So you also have a lot of personal experience with grief, dealing with your parents' dementia. Both of your parents? Both my parents died with dementia, yeah. And were they very close together? No, my dad died 25 years ago. Okay. And he had quite early onset. Well, he was 17 when he died. And then my mom was 93. Wow. So my dad's dementia was, there were kind of different forms of dementia. But my mom lived with dementia for about six years. It was like a slow process. That's where my mom is right now. Right. Good days and bad days.
43:39Dr. Mary Claire Haver:Yeah. She fell and broke her hip. So she's wheelchair bound. and just all of the, you know, I cried in those first few minutes, the suicide, but then you quickly touched, she answered the phone with her brother in that first scene and he was arguing with her about the dementia care and Beth's character. And that made me cry because I've been through that. And it's also like my sister lives close to my mom. And so we're the eldest daughters and she's really bearing the brunt of the day-to-day decisions. and I feel so guilty about that you know because I'm a state away you know I'm 400 miles away 300 miles away and you know super busy and in traveling and doing all this stuff and she is really managing the day-to-day stuff it's so hard it is hard and it tends it does tend to fall to one yeah child to do it because she it's like a logistic you know reality of her choosing to stay close to you know where we grew up and it's fallen on her yeah you know I want to die like a man you know but my dad literally lived his best life he had some slow down that last month we were all gathered around we loved on him and he died peacefully at home with all of us there it was great and after a long wonderful life in his 80s and you know the women it's forever it's horrible Well, I say my mum lived for six years in a care home.
45:05I mean, it got to a point where she needed 24-hour care. Yeah, that's my mum's in a care home too. Which I wasn't going to give my career to do that. I couldn't have done it. Even if I had, I don't think it would have been feasible. I don't think I could have physically done it. And I think one of the sadnesses that I've tried to reflect in the character of Beth is watching what your parent goes through in those six years and having to witness things that you kind of feel a child should never have to witness their parent going through. But you do. You do have to witness it because it's happening.
45:40Yeah. And you have to be there and you have to, you know, see them go through things that you know they would not want themselves. That.
45:48Dr. Mary Claire Haver:Or that they never plan for that to be your life. No, because we don't plan. We don't plan for it. We don't plan for dementia. Nobody does. you know because you kind of you know you hope it's not going to happen because it doesn't always happen I wouldn't wish it on anybody and I do feel like a different person because of that yeah and and at the same time as all the menopausal changes are happening to you as well at the same time and you had teenagers you went through a separation you're divorced now is that you know was all that happening at once yes yeah yeah but as I say my therapy really was writing this show So my way of dealing with it was creative, which is kind of the message of the show.
46:29It's my message for the show is if you're struggling with the menopause, join a rock band.
46:34Dr. Mary Claire Haver:Well, the characters you've written have this truth that I'm seeing over and over again on, you know, my direct messages on social media and in my clinic of the positives of this age. The biggest one is that loss of caring about the small stuff. And just feeling like you now have permission to live your best authentic life. Because if you don't, no one's coming to save you. You know, you really have to circle the wagons around yourself. So not really caring what people think or what you're wearing or what, you know, all these things you would fret about before. For me, and you deal with some parent-child relationships in the show or the younger, you know, the Tom, is it Tom?
47:21Dr. Mary Claire Haver:Yes. The son. And then the other kids of... Oh, Jess's kids. Yeah, Chloe. So, you know, I'm so focused on like, how do I figure out this adulthood with my daughters? And like, not mothering, but I'm still the mom, but I want to let them be independent. So I have to like, shut my mouth, you know, like remind myself, don't talk or comment on their clothes or what they weigh or what their choices and decisions are. Because I want them to remember me happy. You know, in a good way. and it just makes me think about you know all the the comments so i think you did a really good job with that too showing how difficult those relationships can be of being a mother but not mothering well the show really letting them be who they are it's about that what tamzin greg very eloquently calls the middle squeeze where you are you know you've got elderly parents you're dealing with them but you also got adult kids who've often got kids of their own so your grandma are as well.
48:17And you are somehow in the middle, you're kind of the matriarch, you're in the middle of all this. You're the one who's there for stability for everybody. So I kind of wanted to dramatize that. Yeah, you did a great job. So it seems though we're having a cultural moment.
48:31Dr. Mary Claire Haver:Women of a certain age in their 50s and 60s are really, you know, we're done with the Golden Girls, though they were fabulous. I have to say I love that show. But I feel like there is a renaissance. So I'm seeing, you know, when I was 30, when I thought about 60, I thought gray hair grandma and slowing down and becoming quiet and invisible and being a family supporter. I never imagined at 57, I would start a company or 55, 50, whatever I was, you know, start a podcast, you know, start a social media channel, step away from my like safe, guaranteed job of delivering babies, which was beautiful and I'm glad I did it, and like open a rogue menopause clinic.
49:12Dr. Mary Claire Haver:It's a pretty interesting time of life. And I think you're capturing that so well. What was 30-year-old Sally thinking about 60-year-old Sally? Or did you think at all? I don't think I was thinking about me at all at that age. I couldn't imagine. I thought about my sons being bigger. You know, my sons were tiny boys. I wondered what they'd be like when they were 27. But I never thought about myself. Yeah. Would you imagine you'd still be like producing some or you'd be producing some of the most successful shows no i didn't i just didn't project ahead i didn't imagine what i would be like um but i think it's interesting to talk about the plus side of menopause that you you know you you do i love it you know you know you know there are cultures like maori culture where people women are celebrated well and they call it second spring in china yeah you know it's you know they've achieved they've achieved wisdom yeah and they're retaining their blood because it is now part of their wisdom yeah different cultures do celebrate and that the women are the wisdom keepers yeah and they hand down their traditions and they are and there's you know there's some anthropologic theories of menopause some of them are bunk um and purely patriarchal but one that i kind of like is that you know we if we just kept having children like other mammals they have most mammals can breed till they die but women get this break so that they can pass on the history, the generations, the teaching.
50:35Dr. Mary Claire Haver:Yeah. That doesn't mean they're the caretakers or the babysitters, but they are the source of wisdom because the men still have to go out and hunt and gather. Yeah. So I do love that part of it. So what do you think that television has historically kind of gotten wrong about our age? I think it's just the invisibleness of it. It's the myth that, well, the myth that women aren't interesting at all, really, except how they relate to men, which we've suffered with for quite a long time on television. You know, we've suffered for quite a long time on television with women being female constructs because all telly was written by men for so long.
51:08Forever. And even to the point where when it was written by women, women also bought into those female, those male constructs of what women should be. In the same way that men have designed women's bodies for so long with, you know, the invention of corsets and high heels.
51:25Dr. Mary Claire Haver:You know, women didn't invent those, men did. So I had a conversation with Dr. Elizabeth Komen. She's an oncologist. So she does just breast cancer. But she studied medical history as an undergrad at Harvard. And she talks about the evolution of plastic surgery. It started with men getting their faces shot off in wars. And then once they figured out anesthesia and they could do this painlessly, surgeons became not just butchers chopping off limbs, but they could put someone's face back together. And that kind of evolved into, well, can we take women who are not attractive and make them more attractive?
51:59Dr. Mary Claire Haver:Because not being attractive to a man is a mental problem. And we can make them mentally more happy. And so all of the, originally, there's some great female plastic surgeons, but when the field developed, it was all the male gaze. Like women were not coming in asking for breast implants. Men were telling them in the beginning that you have micromastia, small breast, a medical condition called small breast. That's making you unhappy. If we make them bigger, you'll be happy, which just absolutely blows me away. Fascinates me. That'd be a good show. It's shocking, isn't it? On TV, it's about women writing about women and being honest about women.
52:37You know, historically, when you think about Charlotte Bronte, when she wrote Jane Eyre, the reason that was such a big part, a big part of why that was such a big hit when she wrote it, because it was the first time there was some literature that was genuinely about the female experience as a governess, a working class woman, writing about what it was really like to experience what she went through as a woman. But I think that's what we've got wrong for so long is that men have written women. The way that they thought. We've bought into what women should be
53:13Dr. Mary Claire Haver:because of what we've seen on screen. We see the same thing in medicine. So forever, medicine doctors were men, you know, nursing didn't become a profession until, you know, there were nursing type things, but they weren't writing books and papers and teaching until, you know, the last 100 years or so. And forever, like the male body, the white male body was the default and anything else was atypical, abnormal, you know. So that first generation of female physicians coming through, which was amazing, were biased by what we were taught. So some of the people I've had on the podcast who trained a generation above me talk about how you just fall into the trap because that's what you know and it's what is taught to you as normal.
53:53Dr. Mary Claire Haver:so those you know until and it's now that we're like wait a minute these studies were never done for us in women this yeah we're not reflecting the true female body in this study or this experience so yeah we have the same thing okay well i love the show thank you i can't wait for everyone to see it it's coming out in the u.s i just loved it so i did get to see it unofficially um your producer sent me thank you access yeah i binged all six episodes fantastic such a beautiful portrayal. I can't wait for it to come out in the U.S. Thank you. Sally's new series, Riot Women, is premiering on BritBox January 14th.
54:33Dr. Mary Claire Haver:You can also find Sally on Instagram at Sally Wainwright Official. You can find full episodes of Unpaused on YouTube at Dr. Mary Claire. I'd love to hear from you about this topic and anything else that's on your mind. You can find me on Instagram at Dr. Mary Claire and get honest, accurate information on health, fitness, and navigating midlife at thepawselife.com. My upcoming book, The New Perimenopause, is available for pre-order on Amazon. If you're loving this podcast, I have an important request. Please take a moment to follow Unpaused on your favorite podcast app. Following and listening is what pushes this information to more women who need it.
55:16Dr. Mary Claire Haver:So if this podcast has helped you feel seen, understood, or supported, hit follow right now so you never miss an episode. Thank you for being here with me. Let's keep going. Unpaused. Unpaused is presented by Odyssey in conjunction with Pod People. I'm your host, Dr. Mary Claire Haver. The views and opinions expressed on Unpaused are those of the talent and guests alone and are provided for informational and entertainment purposes only. No part of this podcast or any related materials are intended to be a substitute for professional medical advice, diagnosis, or treatment. The UPS Store is making packing and shipping Easter gifts quicker than ever this year with UPS Air.
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From the publisher
Award-winning British television creator Sally Wainwright joins Dr. Mary Claire Haver to discuss her groundbreaking new BBC series Riot Women, a drama about five midlife women who form a punk rock band while navigating menopause, aging parents, and the complexities of life after 50. Sally, the creative force behind acclaimed series including Happy Valley, Gentlemen Jack, and Last Tango in Halifax, shares how her own experience with perimenopause and menopause inspired the show and why she calls this life stage "identity theft."
The conversation explores Sally's journey from bus driver to one of British television's most celebrated showrunners, her commitment to portraying authentic female characters who carry grief, desire, sexuality, rage, and resilience in bodies that reflect actual lived experience, and how brain fog, joylessness, and depression led her to finally try hormone replacement therapy after initially believing outdated myths about breast cancer risk, and how that decision transformed her wellbeing.
Dr. Haver and Sally discuss the critical importance of naming menopause symptoms, from the devastating loss of motivation and confidence that can accompany hormonal changes to the sandwich generation pressures of dementia care for aging parents while raising teenagers. The episode examines why female stories, particularly those featuring women over 50, face funding challenges in entertainment, how male writers have historically constructed female characters through the male gaze, and why Sally believes women are more heroic and emotionally articulate than men.
They explore the revolutionary aspects of Riot Women, including its honest portrayal of sexual health, libido changes, medical gaslighting, and the transformative power of HRT, rarely if ever depicted on screen with such nuance and optimism. Sally discusses audience response to the series, including an unprecedented volume of thank-you letters to the BBC from viewers who felt seen for the first time, men's surprising embrace of the show despite its focus on female experience, and a handful of critics who complained about the absence of "nice men" despite the show's ensemble of complex, flawed characters of all genders. This conversation offers validation for anyone navigating the physical and emotional challenges of perimenopause and menopause, inspiration for creative midlife reinvention, and hope that entertainment is finally beginning to tell the truth about women's lives with the honesty, ferocity, humor, tenderness, and rage they deserve.
Guest links:
Sally Wainwright (Instagram)
Sally Wainwright (IMDB)
Articles
Menopausal Hormone Therapy and the Breast: A Review of Clinical Studies (Breast Care)
Anhedonia: A Concept Analysis (Archives of Psychiatric Nursing)
Other Resources
Primary Ovarian Insufficiency in Adolescents and Young Women (American College of Obstetricians and Gynecologists)
Riot Women (BBC)
Clips from Riot Women:
251105_RiotWomen_Ep1_Clip_Satisfaction_Bug.mp4
251105_RiotWomen_Ep1_Clip_WithAttitude_Bug.mp4
251105_RiotWomen_Ep1_Clip_RiotWomen_Bug.mp4
251105_RiotWomen_Ep1_Clip_OneMenopausalWomanToAnother_Bug.mp4
251105_RiotWomen_Ep1_Clip_ForTheRefugees_Bug.mp4
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