In short
Podcast Summary: Boardroom with Rich Kleiman
Episode Title
Andrew Ross Sorkin on Oprah, Elon Musk, AI, and the Next Big Stock Market Crash
Episode Overview In this episode featuring Andrew Ross Sorkin, journalist and creator of DealBook, Rich Kleiman delves into Sorkin's multifaceted career, the financial landscape, and the narratives that shape markets. The discussion ranges from significant historical financial events to contemporary issues such as AI's impact on the economy and the stock market.
Key Themes and Discussions
- Market Predictions and Corrections
- Impending Crash: Sorkin expresses certainty about an upcoming major correction in the stock market, drawing parallels to previous financial crises.
- Narrative Influence: The discussion emphasizes how narratives in media and public perception can drive market behavior and influence stock prices.
- Sorkin's Background and Career Path
- Unexpected Journalism Journey: Sorkin shares his unconventional entry into journalism, highlighting how a chance encounter led to his career at The New York Times.
- Creation of DealBook: He discusses the inception of DealBook in 2001 and how it filled a void in business journalism by providing accessible and direct content to finance professionals.
- Interview Techniques and Insights
- Interviewing as a Dialogue: Sorkin likens interviews to a tennis rally, emphasizing the importance of active listening and adapting to the conversation.
- Elon Musk Interview: He recounts his experience interviewing Musk, highlighting the complexity of Musk's persona and the challenge of capturing authentic moments.
- Reflections on Historical Financial Events
- 1929 Stock Market Crash: A detailed analysis of the 1929 crash showcases the risk factors involved, such as rampant speculation and lack of regulation.
- Comparisons to 2008 Crisis: Sorkin reflects on the similarities and differences between the 1929 crash and the 2008 financial crisis, noting the lessons learned.
- The Role of AI and Future Economic Outlook
- AI's Potential and Risks: The conversation addresses the rapid rise of AI technologies and the potential for a significant economic impact, including job displacement.
- Optimistic Skepticism: Sorkin maintains an optimistic view of long-term economic growth while acknowledging the need for caution due to potential market corrections.
- Music and Entertainment Industry Trends
- Live Events Dominance: Sorkin predicts that the future of the music industry will center around live performances, despite challenges in streaming revenues.
- Content Overload: The podcast discusses the oversaturation of media content and its implications for viewership and engagement.
Key Takeaways
- Market Dynamics: Understanding the narrative behind market movements is crucial for predicting trends and potential corrections.
- Career Insights: Sorkin's journey illustrates the importance of seizing opportunities and being adaptable in one's career.
- Interviewing Philosophy: A successful interview hinges on active listening and creating a comfortable environment for the interviewee.
- Historical Context: Drawing lessons from past financial crises can inform current economic strategies and decisions.
- Future of Employment: The rise of AI could lead to significant changes in the job market, necessitating a reevaluation of workforce strategies.
Conclusion This episode of Boardroom with Rich Kleiman provides a comprehensive look at Andrew Ross Sorkin's insights into finance, storytelling, and the evolving landscape of journalism. Through discussions on market predictions, historical events, and the influence of technology, listeners gain a deeper understanding of the interconnectedness of economics and narrative.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00There is no question that there is going to be some kind of crash or major correction in the stock market. Look, the thing about gambling on sports, people are betting on everything from politics to, you know, when Taylor Swift and Kelsey are going to get married. At some point, the florist is going to know when they're getting married or where they're getting married. Where do you see the business of music going? Live, live, live and more live. Elon is three or four people. I did not know that we'd get there as quickly as we did. Somebody's going to try to blackmail me with advertising? Blackmail me with money?
0:32Go yourself. Hey, I'm Andrew Osorkin. This is Boardroom's Cover Story.
0:45What's up, everybody? And welcome to the October Boardroom Cover Story. Today, I am sitting with best-selling author, host of Squawk Box, creator of Dealbook, and my co-host for Gameplan, and my friend, Andrew Sorkin. Welcome to the show. Thank you for having me. How does it feel to be interviewed? A little weird. I'm usually on the other side of this, so I'm excited and slightly nervous. I tend to think that I have a good gauge on people that are resonating loudly in the zeitgeist. And you resonate even beyond this zeitgeist that I speak about. But lately, it feels like you have become completely acknowledged across the board for this space that you're in that nobody else is in.
1:36That I think you do better than anyone. And it seemed to have culminated with the release of your book and the press you got about your book. But it made people start to ask a lot of questions in my world about just like, how does he do it all? How does he wake up every single morning to host Squawk Box? Not well. Run Dealbook, host one of the biggest conferences in the world in Dealbook, and now write a book that looks like it's 10 ,000 pages. I like to do a lot of things. I really do. I think it's like I sort of have an insatiable curiosity to see what's possible. So what does a day in the life of Andrew Sorkin look like?
2:20Oh, God. Okay, so I wake up about 4.30-ish, which, by the way, is late, apparently, in morning TV land. Okay. Show starts at 6 a.m. I usually spend half hour, 40 minutes actually going over Dealbook, which is the newsletter that's going to come out later. Then taking a shower, racing to the studio. I do the makeup like it's NASCAR. Do the show, 6 to 9. 9 o 'clock rolls around. Then I usually do Morning Joe. Then I usually have a bunch of meetings. Start prepping the next day's Dealbook. Maybe go to a lunch meeting. Maybe either more meetings, podcasts, other things in the afternoon. and then writing again to get the next day's deal book rolling.
3:06And hopefully in between, I got three kids, maybe having dinner with them, seeing everybody, if I can sneak a gym session in. That would have to happen in the morning. That would have to happen after. Not before Squawk. No, no, after Squawk. That would be like a 10 o 'clock thing. If I could squeeze an hour, because if I can't get it done then, by 4 o 'clock, I'm fried. There's no way that's going to happen. and then sometimes back out again because there's all sorts of stuff happening in the city. All sorts of stuff happening. Is DealBook a big team at this point? Not a huge team. No, it's about a half a dozen of us.
3:39And then we have a team that works on the event as well. So, you know, we're sort of a SWAT team of folks. And that grows sort of accordion style as we get closer to the event typically. To the event. And DealBook you created when? 2000? 2001. In fact, we were supposed to publish the week of 9-11. I was actually working on the prototype, sort of one of the planned newsletters, just to see if we could pull it off. And then we pushed it for a couple weeks, but then we went through it. And so 2001, the world isn't saturated with newsletters. There were none. Yeah. We were one of the first ones doing it.
4:18The idea was I was working at the New York Times. I was covering business and meeting all sorts of Wall Street bankers and people in the business. And the truth was, a lot of them would say to me, Sorkin, you seem like a nice kid. We get the Times at home, but I read the front page, I read the sports page, and then I take the Wall Street Journal with me on the train to work. And that was like dagger to the heart. I was like, ugh. And so I thought, okay, how am I going to get in front of these people? Newsletter. going to go straight direct inside their inbox. And I'm going to show them what we're writing, show them we're competitive, and then not just that we're competitive, I'm actually going to show them all the other articles that everybody else is writing.
5:02And back then, nobody was doing that. I mean, the idea of linking to a competitor was like anathema. I remember people at the Times thought it was wild that we were going to basically be promoting in their mind, you know, an article from the Wall Street Journal, the Financial Times or something. that's crazy and the new york times at that point saw your vision they didn't see your vision they saw the vision i don't think they saw it the same way i saw it yeah i thought there was a huge market i think they told me that they thought that there was probably a 30 000 people that we were going to reach and we've got you know a million plus now so did you growing up have this desire to A, be on television and B, a writer and a personality?
5:46And did you B, have this fascination with CEOs and business minds and world leaders like you seem to, obviously? Okay, so I was always fascinated by business. Totally. I always thought if you could follow the money, not in a cynical way, you could understand everything. Not just business, you could understand politics, you could understand sports, you could understand art. I never wanted to be a journalist. That was like so far from what I wanted to do. I had started a sports magazine, though, which you'd appreciate, when I was 15 years old. Wow. It's called the Sports Page Magazine. And I was building this magazine because I liked sports, but that wasn't really it.
6:23I thought I could sell advertising to young men. At the time, Seventeen Magazine could get you advertising to girls. Advertisers really wanted to get teenage girls. They couldn't get to teenage boys. and I thought I could do a sports magazine and that's how I'd make it work. And I used to, my mother would drive me to the city. I'd go to advertising agencies, try to sell my ads. But I was much more interested in that than I was necessarily being a writer. I always found writing hard. You know, I think some people have the visions of a writer like playing the keyboard like a piano with a smile. That's not, I still don't do it like that.
6:56Yeah. And then I got lucky. I was 18 years old. The New York Times had actually written a small little story about me and my magazine and I got an internship at the time. five weeks for free, supposed to Xerox, Staple, get coffee. And by the way, I was so happy doing that. Yeah. And there was a woman who had no idea how old I was. I had a suit on with a tie. And she overheard me talking about this thing called the internet in 1995. We'd write modem, comma, a device that transmits data over a phone line. And she asked me to write a story. And that's how my career began.
7:33so deal book now has a million subscribers yes the business is paid subscription and advertising not paid subscription we for free always always i've always wanted to have the right subscribers and i always felt like you know what we'll do better this way we've we've always had uh advertising has driven the business so how do you know you have a million of the right subscribers oh if you look at the list you'd be shocked if you're on the list the list is crazy The list is the craziest thing. I mean, and not just the list is crazy. The replies I get in the morning are crazy. I can't get over the fact that you'll be getting emails from the White House, from the biggest banks, the biggest tech companies.
8:13They respond to the DealBook newsletter? It is the craziest thing ever. And it's been like that for close to 25 years. Sometimes you know more about this. I can't believe you wrote that. Did you, you know, have you talked to so-and-so? So by the way, you should be looking into this. This other thing may happen tomorrow. You should check that out. All of those kind of things. So and how many of them are followed up by like, call me right now? People used to reply mostly the email. Now a lot of people are texting on top of that. And then you have this conference that you do at Lincoln Center. Every time I leave there, I call my wife, my closest friends, and I say, I don't understand how he does this.
8:55I rarely marvel at a feat. What you do that day is like MJ Game 6, where you'll go from CEO to celebrity of the moment to world leader to a head of a military in a time of war. Back to back to back to back. How do you do this? What thrill do you get out of this moment? and tell me a bit of how that then was created off of the success of the newsletter. I get such a thrill off of it. I mean, it's like it's my Super Bowl. It's what we do every year, and it just keeps getting bigger and better every year. You know, in terms of prep for it, it is like I'm no athlete, as you can tell, but it feels like whatever an athlete must do to prep.
9:48and the amount of time that I take for months often ahead of it to really be thinking through various questions. I mean, I'm always sort of creating this sort of like decision trees about places I can go. You know, I think the trick, and you're very good at this, is listening. So you can have all the lists of questions you want, but it's really the listening that matters. But I always feel like I, you know, I know that I'm starting at JFK and I'm going to end at LAX and I'm probably going to stop at O 'Hare and Denver and Dallas and Atlanta or whatever it is. But I also know the weather is going to change up there.
10:25And so we're going to have to flip this around a lot. So it's a lot about just sort of being prepped and then hopefully listening for some moment where you can go, oh my, now we can actually really take the plane somewhere else. deciding who speaks at the conference is completely your decision. Yep. How many years have you been doing it now? We've been doing the conference 14 years. Next year will be 15. Is there a guest that you still haven't booked that keeps you up at night? I've talked to Oprah a lot about doing it. It's cool to me that I can even say that I've talked to her, frankly. That was a good flex, man.
11:02It's not a flex. I can't even believe it myself. But I haven't made it happen yet. I hope I'm going to make it happen one day. She's the GOAT, though, to me. I mean, she's the – look, I grew up watching her do this. Yeah. And talk about an interviewer. Like, she, to me, not only figured out how to do this piece of it, but obviously created this, you know, multi-billion dollar business. And the ability to speak to anyone from anywhere in life. Anyone, yeah. What was the Elon Musk interview like? I was there for it. It was wild. So I think a lot of people thought it was wild from the outside. And I don't want to say I didn't think it was wild.
11:37I recognized it was wild. I wanted to show the true Elon. I wanted you to see Elon the person. Because Elon is three or four people. And I thought, okay, Walter Isaacson had just written a biography of him. And I thought, we're going to do this in real life. People are going to see all the different versions of Elon over the course of an hour, hour and a half period. And even when he was upset, I thought maybe we'd get to that towards the end. I did not know that we'd get there as quickly as we did. If somebody's going to try to blackmail me with advertising, blackmail me with money, go f*** yourself.
12:21But go f*** yourself. Is that clear? And so in that moment when he's cursing about the advertisers, I you know some people were very upset with him they couldn't believe he was saying I didn't feel the way at all I felt like okay I could I've known him for a long time I felt like just coming from sort of a tough place he was so upset and I I like to think I'm very empathetic I mean I'm always trying to put people myself in other people's shoes and I thought okay we're going to take this and we're going to figure this out we're going we are going to make this work now and And in that moment, it was like, how can I meet him where he is?
13:04Not where I want him to be, maybe where the audience wants him to be, but it's my job in this moment to meet him where he is and figure this out. There was a pivot. We sort of turned in that moment to talk about, and this goes a little bit to the prep. I had found this quote where he had said that his mind was like a storm. And I thought, okay, this is the moment I drop that in the conversation. He was frustrated. He was upset. I thought I could actually bring him back by saying, OK, look, I remember you said at one point that your mind was like a storm. Let's talk about that. He said my mind is a storm.
13:41I don't think most people would want to be me. They may think they want to be me, but they don't know. They don't understand. What did that mean? And actually, in a weird way, it sort of settled him. And then it became very introspective very quickly, where all of a sudden he actually was, he got into what that even meant. When people try to really understand you, I think that there's a lot of this comes from some other place. And I want to talk about that. What do you think that is? It was like a psychiatrist's couch or something. And you gave the audience an opportunity to empathize a bit. In a weird way, right?
14:16Yeah. You explained him or gave some context to him. Look, that's what I'm listening to. Look, we're all humans. and I think like the news business across the board oftentimes everybody feels like a character they feel like it's black or though it's white yeah everything's gray everybody's got their own demons everybody's got all sorts of things going on inside and I think if people can see the other person as a person and not some big powerful anything by the way most powerful people that you know, I think, don't think they're powerful. No, a lot of them have an imposter syndrome. But I also think that what you have an incredible gift of doing with some of these, like, business titans and world leaders is similar to what some of the great music and sports managers understand, which is that there's something very lonely about a lot of these, like, iconic figures.
15:14Yeah. That the conversations they have with people are very rarely human. Yep. and people are very guarded or nervous around them and that permanates and then they're uncomfortable and I think the fact that you are able to relate and know this about some of these people give them this ability to feel so safe there like I remember watching the way Jeff Bezos sat with you it was like he was sitting like his living room like he couldn't have been more at ease speaking to you and the same thing happens with everyone you speak to on Squawk Box every morning look I don't know why that is but I like to believe it's because I think the other person knows that I want them to hit the ball back I'm not trying to strike them out I'm not trying to ace them now I might try to place the ball in the corners because I think the audience wants to see them run but I'm but I am I'm hoping they hit the ball right I want them to hit the ball it's better if we're rallying back and forth yeah that approach even when I'm asking tough questions is different than some other people who are in journalism who I think would prefer to ace them.
16:19But that's because I love this stuff. That's because I've spent my whole life just studying this stuff, talking to them. I mean, I find these people and what they do to be the most fascinating thing in the world. Like, for real. It's as genuine as genuine could be.
16:36All right, let's get to your books for a second. You do like writing, clearly now, to write books that, no joke, it's this thick. It's this thick. But hopefully a bee tree. No joke. I want you to read this book and think cinematically like it's a bee tree. That's literally the intent of that book. You wrote your last book a year after the housing market crashed, right? Yep. 2008, the crisis happened. Lehman Brothers, the banks all are falling apart. The bailouts are happening. And the book was out literally October 2009. It was like a sprint. It was like sprinting a marathon. I was working at the New York Times, writing the front page story in 2008 when everything went down.
17:19I went home. I woke up my wife. It was 2 o 'clock in the morning. I said, you're not going to believe what just happened today. Lehman Brothers filed for bankruptcy. Merrill Lynch was sold to Bank of America. AIG is about to fall apart. All the taxpayers, all of it. And I looked at her and I said, it's like a movie. It's crazy. It's like a movie. And she said, no, no, it's like a book. You've got to go write the book now. So this is this because for years I thought, oh, I should try to write a book again. Like on my bucket list. Could I ever could I even write a book? I had never written more than a couple thousand words in my life.
17:54By the way, when they gave me the advance, I used to tell my wife we're going to have to give it back. I didn't think I'd be able to do it. So but then I thought this book has to come out quickly because also there was a lot of competition. A lot of people running around trying to write books like this. I thought I got to get there. That was a reaction to this insane moment in history. This you've been writing for eight years. Eight years. And it just so happens to line up with an insane moment in history. Right. Totally. You started this in, that means 2017. So Trump was in office. Yes. But the economy was healthy at that point.
18:33Yeah. No, I was not thinking about today. You weren't thinking about how this. No, no. What was happening was I would go meet people who had read Too Big to Fail, and they'd say, Sorkin, so how did 2008 compare to 1929? And I never had a good answer for them because I didn't know much. All I knew was that something terrible happened in 1929. It led to the Great Depression, at least I thought. I thought, I've got to get smart on this. So I started reading about it. I thought, wow, these people are really interesting. But nobody had done a book that I thought really brought you inside the room where you could see the characters not as black and white, but you could actually see who they are and what were their motivations and their incentives and who they're having affairs with and what were they saying to their wives and their husbands and like what was going on literally inside the White House and how did they all interact?
19:22And I thought, that's like a soap opera to me. And for whatever reason, nobody had really written that book. In large part, by the way, I think I understand now. Because to find the material, the granular material that would get you like the quotes. And everything has to be real. Can't make any of it up. There wasn't like an archive or two or three. That's why it took eight years. It was like finding all of these disparate pieces from all over the country. And very few people, if no people, that you could probably speak to actually. Everybody was dead. And mostly even the family members, we were talking about, they weren't even children, sometimes grandchildren or great-grandchildren.
20:03I needed to find these letters and these memos and board minutes and all of this stuff so that you could be right there with them. Totally changed my whole perspective on it because I thought there was like one day there was a crash. You heard people talk about like a Black Tuesday or Black Thursday. By the way, it was multiple days. And then it was like dominoes. And it wasn't that there was just a crash. It was then the crash was sort of the first domino of all these other things that were happening in Washington where then Hoover and others just made mistake after mistake after mistake. It was not preordained.
20:37You could have had a crash in 1929 and not had the Great Depression. But it was sort of the combination of sort of all of these things that were happening that led to this terrible moment where we had 25 percent unemployment in the United States, which is incredible to think about. That's insane to think about. Twenty five percent unemployment? Unemployment. So the unemployment rate in 1932 was 25 percent. 9000 banks failed. There were these things called Hoovervilles, basically tented camps. People had set up camps in the middle of Central Park to live because they had no money. People had mortgaged their homes.
21:19They didn't have homes. I mean, it was completely other level. I mean, 2008 financial crisis, we got up to about 10 percent unemployment. And that was for like a year. This was like a whole different situation. So if you went to bullet point and clearly streamlined what happened in 1929, What would you say? So what happened was you had an entire country that had turned stock trading into a national pastime. Everybody was buying stocks. There were brokerage houses popping up on the streets like Starbucks, literally. And you could walk in and they would loan you money to buy stocks. So you would give them a dollar.
22:03They would give you$10. Nobody had ever done this before. So this is their sort of first time doing it. And the stock market is going up like at crazy rates. So from 1928 to September of 1929, the stock market was up 90%. This is the first time most Americans – so they thought – everyone thought they were completely so rich they couldn't even believe what was happening to themselves. In October of 1929, the whole situation broke. And because so many people had taken such big loans, it wasn't just the stock fell 10 or 20 points. It was that then they owed like quadruple that. And so all of a sudden, to pay back the bank, they were either taking mortgages out on their homes or literally losing their homes.
22:53And was it because, similar to most bubbles, these companies were not anywhere near the value of these stock prices because of the access that everyone had? Completely, because what had happened, and this is a whole 1920s, there was a euphoria around all this new stuff. So automobiles are a thing for the first time, really. How many companies are even on the New York Stock Exchange at that point? Oh, there were, I believe, hundreds of companies. But, you know, the big stocks were telecommunications companies. The hottest stock was RCA. Not records, but radio. RCA. The ticker was radio. It was the NVIDIA of its time.
23:36It was a meme stock. And everybody wanted to own RCA. And RCA did not make any money. But it had patents on television. So it was the future. It was like AI. It was the future. It just, there was, the economics weren't there yet. You mentioned AI. Did it scare you writing this book to think about not similarities, but how this could easily happen on an even grander level? Well, so I'm hopeful that it actually, I'm praying that it can't happen on an even bigger level, like that we're not going to have another Great Depression. Because there are a lot of things that are different. There was no SEC.
24:15You could, by the way, insider trading was legal back then. You know, there was there was there's no rules around banks. There was no disclosure on anything. I mean, you know, there wasn't a prospectus for a stock. There was like a leaflet. Maybe that's how you you'd get the information. So I like to think that we're hopefully not going to go that far. But as I was writing the book, yeah, there were things I'd go, oh, my God, this seems very similar to 1929. And by the way, in the 1920s, they all talked about democratizing finance. The elites had access, and this was like a big opportunity for the rest of the world to get their shot at the lottery ticket.
24:57I think a lot of that's happening now. Like in crypto, people want the lottery ticket. Yeah. And, you know, sometimes I go on TV and I'm like cautioning people. Oh, goodness. You know, GameStop. Be careful. Be careful about this. Be careful about that. And what's so interesting is people send you notes and they say, Andrew, don't don't try to protect me. I don't want to be protected. And by the way, you're not really protecting me. You're protecting the man. You saying that actually does impact them monetarily speaking as well. Oh, totally. Look, I mean, it's a huge responsibility. I would say actually that, which I do think I learned probably in my early 20s, that I could write an article or say something on TV and you could move a stock by, in some cases, billions of dollars, which is an incredible and scary thing.
25:46Are there limitations to what you can say from that standpoint on CNBC? There must be, right? The answer is to be as responsible as you humanly can. And, you know, I'm not allowed to buy individual stocks, for example. So, you know, the whole idea is that I can be a true sort of independent voice on these things. I can own mutual funds and things like that. But no stocks. And by the way, this kills my children. I got kids. I got 15-year-old boys. And they're like, Dad, come on. I want to be able to buy this. They want to buy it. And I'm like, you can't. Your kids can't? Well, because I'm always worried.
26:20What happens if they buy shares in Apple? and then somehow I, and let's say they buy shares of Apple tomorrow and that somehow that I know in advance that Apple's going to go have this for their earnings or that Apple's going to go do this merger. And I never might have talked to the kids, but I don't want anyone to ever say that something weird's going on. This is, by the way, what happens in Congress. Yeah. But I don't think if I did it with you, no one would say anything was weird. You know what I'm saying? Like we could potentially invest together. Right? We're going to get arrested. I don't know.
Read the full transcript
26:55You know, you say that there's the SEC now. The only difference is the amount of money. There was no private equity back then. So the bubble could come in the form of the amount of private equity money right now being invested and deployed in AI stocks across the board at insane valuations. Predictability stocks. These valuations are the valuations of public companies times 10 back then. And you said on 60 Minutes that you did fear a crash was coming. So that's obviously how you feel. Oh, by default, there is no question that there is going to be some kind of crash or major correction in the stock market.
27:34What's the best case scenario example of that? Best case scenario of that is that a year or two from now, investors wake up one morning and go, you know what? We're a little bit more nervous about AI than we thought in terms of just like how quickly they're ever going to make money. Some of these guys are not going to be able to pay their bills. And you see a correction of 10 or 20 percent, hopefully not 50 percent. And the issue would be if it's 20 or 30 percent, and people have levered themselves up, and some of these AI companies have levered themselves up, but individuals have levered themselves up, and maybe some of the folks in crypto have levered themselves up, and that's also connected to some of their investments in the stock market, that if you have all that happen at one time, it can create its own little panic.
28:22But it's scary how much of it can be dictated by the narrative. It's like – It is. Related in sports as well. It's like, you know, Kevin and I have this conversation a bit about like when you rank the best NBA players of all time, now there's almost two ways you rank them. It's like do you rank them based on the story, the statistics, or do you base them on like the reality? And the story plays a big part in it, right? So like for someone to say they wouldn't question Kevin's championships because he chose to go with the super team means that this entire generation questions it. Some of them do.
28:59But then the truth is basketball people know the reality of it. Is that scarier now than it ever has been that the social media zeitgeist can actually like dictate some of reality? Well, so it feels like right now all of these stocks are what they call story stocks. It is the narrative. The narrative will, the rubber will meet the road when one of these companies can't pay the bills. So there's a lot of AI companies that effectively have committed to buy either lots of NVIDIA chips or leased data centers or whatever. There will be a moment where one or two of them literally will not be able to pay the bill.
29:38And when that happens, then people will say to themselves, oh, goodness, maybe the story is a little bit different. Why doesn't private equity and venture know? Like when I think about the analogy to the internet or any other time, isn't it pretty clear that there'll be like five or six true champions? Right, but you never know which of the five or six are going to be the true champions. That's the complicated part. And so a lot of people are almost indiscriminately betting on a lot of things and praying that one of them is going to be the winner. And by the way, one of them will be the winner.
30:13And that's why I was saying this could be like the internet. The internet had its correction. That bubble burst in 2000. It did. We all saw it. But the internet's here. It's a huge part of our life. So AI will be here. It'll be a huge part of our life. But along the way, could there be a hiccup or even a big hiccup? More than that? Sure. By the way, the thing we haven't talked about that worries me possibly even more than all of this is if AI is actually successful. If AI is as successful as we want it to be, if all these valuations are actually to be believed and be true, it ultimately means a lot of people have to be out of work to make the math work.
30:54Well, hopefully they've all made their money on it.
31:01when i hear about like 1929 and you think about like the cold war a lot of things happened in generations before us that seemed like they were so far-fetched or seemed like they were so in the past so the idea of it happening now and i think this happens every young person growing up i don't think my kids live in fear of the same things the way i didn't at that age then you get to this age and you start to see it, now you see it in bold color. You hear about it every day on every device and every distribution platform that the world is ending, the environment's ending, AI's going to take over, there are wars all over the place.
31:35But then I sometimes level myself by going, shit, a lot of this stuff had happened in time. Do you feel like this is that, or is there an alarm bell that goes off in your head knowing how much you know about so many things, It's just about the overall state of the world. So here's the complicated part for me. I think you actually know this about me. I'm actually an optimist about the world, about life. And I think actually it's paid from an investor perspective to be an optimist. You know, over time, over the last hundred years, if you actually had basically sat on your hands or put your cash in your mattress, you actually would have not won the game.
32:16You would have lost the game. But part of my job, in a way, is to be like a professional skeptic, in a way. And so I'm always sort of looking for what are the little problems. But I also know that on the whole, I like to believe things will get better. So again, I do think like there will be hiccups. There might even be crashes. There might be panics. But I also think I'm hoping for our sake, everyone's sake here, that 10 years from now is going to be better than today and 20 years from now is going to be even better than that.
32:54Do you think that valuations will continue to rise across the major sports leagues, or do you not? Long horizon, yes. Do I think that there'll be, I don't know if I'd call it a crash, but some hiccup along the way? I do. And the reason I think that is because, think about the media landscape, for example. You know, there was a period of time where, you know, the media, all the media stocks were flying high. And we're now getting into a period of time where there's just such a supply, almost an oversupply of content. There is. And even if you think that sports are the coolest things to watch, there's still an oversupply of all of this stuff.
33:35And so at some point, just like there was a massive Netflix correction at one point, I don't know if you remember. you know everyone was chasing the eyeballs and they said maybe this doesn't work and then netflix fell and everything else fell now netflix is by the way back and is doing great i just think at some point in the sports ecosystem you know what goes up always has to come down at least a little bit temporarily for some moment so that's probably my glass hopefully half full yeah perspective Yeah, I tend to think not in the short term. And I think that there's a potential that in the short term, the revenue generation can evolve in a way that an asset like the Lakers for$10 billion can make sense.
34:21Because when you think about it as a brand and what you can generate, Lakers Hotel, Laker Experiences, all of these things could start to make those valuations, A, very tangible, and then B, have potential for growth. But see, you're actually thinking about taking the Lakers and using that brand in a really large way. I think that's the only way you start to warrant these valuations. So, yes, that's what I was going to say. If that's the case, if you can take the Lakers and the Knicks and a couple of these other teams, but I don't know how many of the teams you can actually do that. Well, the Atlanta Braves just built this incredible real estate development, entire community around their team.
34:57I think you can do it relative to each community. Now, the emerging sports leagues and teams, which we've spoke about a bunch as well, A, there's been less. I think there was this gold rush of these opportunities. That has slowed down. What's your feeling on some of these other leagues that have been started? I think some are going to be great and some are not going to be great. I mean, here's the thing that I think about. So if I click and just land on drone racing on TV, I will actually watch. Yes. I find it bizarrely fascinating, addictive. You just sort of you can't believe what's happening.
35:33But if you said to me, would I ever remember next Saturday at 2 p.m. to tune in to the drone racing, I'm not sure. And that's the question. So football, yes. Basketball, yes. Baseball, yes. Tennis, you know, I love tennis. The question is, can some of these leagues emerge not just so when you click on them, you watch, but that you actually want to keep coming back to watch more? Yeah. And I think similarly, can they create a model that doesn't replicate traditional professional sports? I think that's the biggest downfall of some of these leagues is when you get on the phone with them, they start talking.
36:13This is my media rights deal. This is my sponsorship. And I think you have to evolve that entire concept to make one of those sports work. I think pickleball is actually doing a really good job of realizing, while the traditional business model may not be what grows this entire ecosystem, but there's a business here. But look, every league is looking for their own MJ. Like, when there's an MJ, a pickleball, who's doing all sorts of crazy things, people are like, oh, I gotta see that.
36:45Music industry, the business of music. That I'm fascinated by. Where do you see the business of music going? Live, live, live, live, live, live, live, and more live, is what I imagine is where the money is going to be. Unless you think that Spotify has somehow cracked the code, but I'm not sure. It's not that I'm, I think Daniel is amazing. And even the Apple Music guys, I think have done a great job. But I can't figure out long term in an age when you can listen to this music, advertising supported even on YouTube, whether that's going to, again, this is a supply issue. There's like almost an oversupply of stuff.
37:19Yeah. And so how do you make the economics of that work? And therefore you get to live. The problem with live is it doesn't feel like a scale. It's a scalable business for, you know. Right. But it's not a scalable business for everybody. And it's not even a scalable business for Beyonce because she has to actually, like an athlete, go out and hustle each night, you know, to get everybody in the stadium. There's no going back from all of us having access to everything at all times from a music standpoint. You're saying that you think that that potentially could be free at some point. I think it eventually goes free or something like that.
37:54And therefore, the economics of that part of the business become even tougher. And therefore, the live experience becomes it. Or that there's also maybe even paid digital experiences where people actually pay for sort of inside access to musicians. Well, Travis has cracked that code a bit in terms of like album plus. Right. Album plus product. Album plus product plus experience. Last question, the streaming media landscape, also insanely saturated. Completely. Content overload. Hard to remember what you've watched, know what to watch, and know what to find. Do you see that whole industry consolidating and bundling more and more and more?
38:37Is that what the next five years look like? I think the next five years are lots of mergers, and lots of bundling, and ultimately, crazily, I think it looks a lot more like cable television. circa 10 years ago, or maybe even longer now. Yeah, circa like 30 years ago. 30 years ago than it does these last couple years. I actually think this last decade will seem like a historical aberration when it's all over. I think ultimately all of this stuff will get like tokenized into different social media platforms, and you'll effectively be watching actual TV shows and movies on Instagram. So Too Big to Fail obviously was turned into a movie.
39:18One of the greatest experiences of my life. I learned so much. Curtis Hanson was our director. I'd worked with Peter Gould, who was the screenwriter of that film. At that time, was in the writer's room of Breaking Bad. Goes on to co-create Better Call Saul. It was just an all-star group of people. We had such a ball and so much fun putting it together. And you also created another incredible project. one of the more culturally relevant series of the last few decades and billions. Thank you. I thought, you know, nobody really put the world of hedge funds on their feet on TV before. And the truth is, I'd actually gone out to L.A.
39:54I sort of had a little pitch, and I talked to my agents at CAA, and they said, Andrew, nobody likes hedge fund guys. They hate Wall Street. It's like this whole world that I really hate it. And I came home, and my wife was watching a rerun of Law & Order. And I was like, okay, what happens if you could pit this hedge fund world, which apparently everyone hates so much, with the legal world and you could set the two characters against type so that maybe you actually fell in love with the hedge fund guy and maybe you thought that the prosecutor wasn't always doing everything in the name of right.
40:27And that was sort of, for me, like a eureka moment in terms of sort of crafting a conceit. And I got this amazing call from my agent saying, there's two guys who wrote a movie called Rounders. You ever see Rounders? I said, Rounders, that's a great movie. They just called me, and they have an idea in the legal space. You should get in a room with them. And this is Brian Koppelman and Dave Levine. We got in the room together, and we wrote the pilot, and the rest was history. The rest was history.
40:57A major story broke out in the sports world involving sports gambling and the poker ring. I think in general, the gambling companies clearly have the right infrastructure around responsible gaming in place or these things wouldn't be flagged. But what was your feeling and how do you see this unfolding a bit? Look, the thing about gambling on sports to me is a little bit of the equivalent of like insider trading. There's always going to be some bad apple and some group of people who are trying to find an edge or figure something out. And in sports, you can actually like demonstrably affect the outcome if you want to.
41:37The question I've always had from the moment that a lot of the big leagues said, let's totally go into the gambling space, the betting space. They have a lot of players, a lot of coaches. There's a whole ecosystem. And it's at scale. And so how can you monitor your people to prevent this kind of thing from happening? And then the question becomes, how much does the fan base say, OK, I think this whole thing is a scam or not. But I think we're going to have to watch to see, you know, if you have, you know, a string of these things happen, that's when this is all going to get a lot more complicated.
42:12Yeah. These things have happened in the past, like all the way back to the Chicago Black Sox, right? All the way back. And I think the analogy you gave about insider trading, I don't know if anyone's going to go out on a limb to use that reference. But when you think about it in that way, from that perspective, this is bound to happen. It's bound to happen. It's always happened. It's bound to happen. If it's true. And by the way, it gets much – where I think this gets even more complicated is almost outside of sports. So right now you have the sort of emergence of the prediction market where people are betting on everything from politics to when Taylor Swift and Kelsey are going to get married.
42:51And at some point, the florist is going to know when they're getting married or where they're getting married or whatever. And how do you make sure that they're not sharing that information and all that? That's where this is. It's a difficult game. It's a wild game. Look, I think the prediction market is going to be a real and demonstrable thing. I think actually in the news business, prediction markets are going to become important. It's going to become another signal in terms of how people are thinking about things. I'm going to let you go because you just wrote a 10 ,000-page book, a New York Times bestseller.
43:23Congratulations. Thank you. So you've got to be up at 4.30 tomorrow morning, and your conference at DealBook is in two months. Andrew Sorkin, this has been a pleasure. It's been a ball. It's incredible to watch you perform at a high level. Thank you guys for tuning in to Boardroom's October cover story with Andrew Sorkin. Subscribe on Boardroom.tv. Appreciate you guys.
From the publisher
Andrew Ross Sorkin has spent his career following the money to understand everything — from Wall Street to Silicon Valley, from media to AI. A journalist who never set out to be one, Sorkin built DealBook into the Super Bowl of business journalism, turning curiosity into empire-building. In Boardroom's October Cover Story, he shares how an overheard word such as “internet” landed him at The New York Times, how he approaches interviews like a tennis rally rather than a serve, and why Oprah remains his white whale. Through stories of Too Big to Fail, the 1929 crash, and the coming AI reckoning, Sorkin unpacks how narrative drives markets, crashes, and comebacks alike. From Elon Musk’s many personas to the billion-dollar game of sports, streaming, and live entertainment, this is Andrew Ross Sorkin: journalist, storyteller, dealmaker — chasing what feels impossible, one conversation at a time.

