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Podcast Episode Notes: Broken Record - Chris Robinson

Episode Overview

  • Podcast Title: Broken Record
  • Episode Title: Chris Robinson
  • Hosts: Rick Rubin, Malcolm Gladwell, Bruce Headlam, Justin Richmond
  • Featured Guest: Chris Robinson of The Black Crowes
  • Release Date: [Insert date here]
  • Episode Description: Discusses the long-awaited new album from The Black Crowes, "Happiness Bastards," and Chris Robinson's journey as a musician, including his relationship with his brother Rich, their upbringing, and the evolution of their musical influences.

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Key Themes and Topics Discussed

  1. The Black Crowes' Reunion and New Album
  2. Long Hiatus: 16 years since the last album of new material.
  3. Current Album: Introduction of "Happiness Bastards."
  4. Relationship Dynamics: Explores the longstanding competitive and collaborative relationship between the Robinson brothers.
  1. Early Musical Influences
  2. Georgia Roots: Discusses their upbringing in Georgia and familial influences on their music.
  3. Father's Career: Their father's rockabilly music career and its impact on them.
  4. Introduction to Various Music Genres: Chris mentions his eclectic tastes including Sudanese, Sufi, and blues music, drawing from diverse cultural backgrounds.
  1. Personal Growth and Change
  2. Transition in Lifestyle: Shift from indulgent road habits to more reflective practices, like reading Herman Melville.
  3. Travel Experiences: Chris shares insights on how travel continues to inspire him and shapes his worldview.
  1. Creative Process
  2. Writing Songs: Discusses the emotional and psychic energy involved in the songwriting process with Rich.
  3. Importance of Authenticity: Emphasizes sincerity in music creation and how it shapes their sound.
  1. The Impact of Adversity
  2. Acknowledgment of Challenges: Reflects on how adversity shapes not just personal lives but also influences creativity in music.
  3. Perspective on Age and Creativity: Chris expresses that age does not diminish passion for music and creativity.
  1. Touring and Performance
  2. Excitement for Touring: Chris shares his continued enthusiasm for performing live.
  3. Balancing New and Old Material: Discussion on the importance of respecting audience expectations while introducing new music.

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Key Takeaways

  • Enduring Passion: Chris Robinson's love for music and touring remains intact, rejecting the notion that artists become bored with their craft.
  • Cultural Reflection: His insights on the cultural significance of music, particularly derived from the African diaspora, highlight the deep connections between history, culture, and sound.
  • The Role of Relationships: The dynamics between Chris and Rich Robinson reflect the complexities of familial relationships in creative fields.
  • Creative Authenticity: The importance of staying true to oneself and one’s artistic vision is emphasized throughout their discussions about the new album.

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Conclusion Chris Robinson's interview offers a rich tapestry of insights into the life of a seasoned musician who continues to evolve creatively. His reflections on personal growth, the impact of his upbringing, and the excitement of returning to music after a long hiatus provide listeners with a deeper understanding of both the individual and the collective journey of The Black Crowes.

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Additional Resources

  • Listen to the Episode: Available on platforms like iHeartMedia and Spotify.
  • Playlist of Favorite Songs: [Chris Robinson & The Black Crowes Playlist](https://open.spotify.com/playlist/2v1UNTOz7ps0xAdipPLRk9?si=412190f6a6c84e5)

---

Notes Prepared By [Your Name] [Date of Preparation]

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Transcript

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0:06Pushkin. This is an iHeart Podcast. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at Ooclas Speedtest. And they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S.

0:48where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025. Every great music conversation goes beyond the surface. The influence that shaped an artist's sound. The moment that changed their creative direction. The story behind the story that fans never hear. Claude helps you discover those deeper connections. Upload interviews, liner notes, or music journalism, and Claude reveals patterns across an artist's entire journey, showing how influences become innovations. Whether you're a music journalist, passionate fan, or someone who loves understanding creative processes, Claude matches your curiosity about what really drives great artists.

1:29Try Claude for free at claude.ai slash brokenrecord. This episode of Broken Record is brought to you by Chase Sapphire Reserve. Traveling is one of life's greatest joys. Honestly, can anything be more exhilarating? Well, actually, yeah, with Chase Sapphire Reserve. It's your gateway to the world's most captivating destinations. First, you will earn eight times points on all purchases through Chase Travel. And the card gets you into Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences. Whether you are booking a once-in-a-lifetime trip or your next weekend escape, Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve.

2:11Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval. Terms apply. 16 years have passed since the Black Crows last put out an album of all new material. The world's changed a lot since then, and it appears so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the group. They started together back in Georgia in 84 as Mr. Crow's Garden before moving to NYC, signing with Deaf American and changing their name to the Black Crows. The band's debut album, Shake Your Money Maker, set them up as torchbearers of Southern rock for the 90s and beyond.

2:51As you'll hear in our conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years, but now they're back united and seemingly in it for the long haul with their new album, Happiness Bastards. On today's episode, I talk to Chris Robinson about his growing up in Georgia with Rich, their dad's rockabilly career, his listening routine that includes Sudanese and Sufi music, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville. This is Broken Record.

3:29Line of notes for the digital age. I'm Justin Richman. Here's my conversation with Chris Robinson of the Black Crows. Is that a Gun Club, like the band shirt that you got on? Yeah, yeah, yeah. Oh, hell yeah. I love Gun Club, man. Jeffrey Lee Pierce, one of my faves. And it's funny because, you know, when we started, people would always say we sounded like, and we did. We had, you know, there was the jangle sort of indie pop thing. R.E.M. of course being the purveyors of that, but Let's Active and the DBs and then bands from California like Game Theory, we kind of were into this kind of jangly, 60s inspired.

4:06But we really sounded early days a lot like the Gun Club, you know, because Gun Club and X are very interesting to me in the early punk scene here in Los Angeles because they were the, well, I guess you could put the blasters and the plugs in there too. Blasters are from SF though, right? Oh, Blasters are a LA band too. Are they? Oh, okay, cool. They had those kind of rootsy things, you know? And it would be really early on that we would think like, okay, well, Jeffrey Lee Pierce is like a punk icon, but he plays a Robert Johnson song on the first record, you know? I mean, it doesn't sound like Robert Johnson, but needless to say, he found great inspiration and the mythology and the imagery and the vibration of like the blues and stuff, which other punk bands really didn't.

4:54Whatever music is happening in L.A., there's always some subset of it that countrifies it. It's like even with the birds, like Sweetheart of the Rodeo, like all that stuff, like the birds got into that. And I don't know, you can even feel that with Buffalo Springfield. I mean, I know Neil's from Canada or whatnot, but they're making music here. Of course, of course. Well, I mean, while that's going on, Tim Buckley's here. And you know what I mean? And while that's going on, you have bands like the Chambers Brothers. Yeah. Eric Burden leads the animals, a northern English white band playing blues music, and then he's the lead singer of War.

5:30Of War. War is like such a quintessential L.A. Long Beach, in fact, group, you know? I mean, I think, obviously, their subsequent most famous records don't include Eric Burden. And it's funny, it also just goes to show how that's just how music is, isn't it? You know what I mean? I mean, I guess you obviously you can make examples of things that seem heavy handed or things that don't contain a certain authenticity. But I mean, that was a big deal when I, you know, talking about growing up in a band, being from Atlanta, being like in arguably the most progressive city in terms of race relations in if not America and maybe globally.

6:14That's interesting. It probably has to be. I mean, I might have been tempted to say New Orleans, but I think when you kind of look at the musical legacy of Atlanta over the last... I mean, New Orleans most definitely, but Atlanta is different because of the black universities. Yeah. Like, kind of concentrated there. And Atlanta having Maynard Jackson as the first black mayor, the first black police chief, the first black police force in the Deep South. When I first landed in Atlanta, I got to say, coming from L.A. because I grew up in L.A., Then when I first landed in Atlanta and I'm in the airport, I'm like, where am I?

6:46The whole airport is black. It was the weirdest experience for me. That's funny. And as I said, I'm a third generation Atlantan and I don't really make the connection of being like, I'm a Southern person, but my connection is with Atlanta. And so it's funny because Maynard Jackson's the guy who when Hartfield International Airport becomes an international airport, he's the one who's like, We're not doing anything unless black business owners are recognized and have a piece in this and what that can mean for the community. Something very subtle like that still reverberates, I think. And besides the culture, because you start to see Atlanta also be a city famous for the musicians and the hip hop and the athletes that all move there.

7:34But the reason that becomes attractive is because of decisions like that and the hard line that someone like Maynard Jackson would take and how Atlanta had been pried open. Of course, having the great reverend be from there, you know, gives Atlanta a different perspective. But I don't know. It's a unique place in that way. And it's funny, like I speak on it from the past because I really left. First check I got in the Black Crows, I moved to New York. Being in a band to me was like, you know, shooting an arrow over the mountain. I wanted to get out in the world. Had you been to New York before you moved there?

8:10Yeah, yeah. Actually, you know, our dad, Rich and I's dad, was a singer. He had a top 40 rock and roll hit in the 50s called Booma Dip Dip. You can check it out on Spotify. I've listened to some of that stuff. It's really good, man. It's really good. Yeah, it's a good song. and so I really happened and went to New York and he was like you know into the theater and music and acting and dance you know so he wanted that too at a certain time in his life and he was in New York and um and it's funny my mom was a flight attendant for the old eastern airlines and you know it's funny she told me she goes oh I served Dr.

8:51King many times on flights out of Atlanta Wow. Which I always really blew my mind as a kid. Of course you did. I mean, how many flights out of Atlanta must he have taken? Yeah, I mean, all the time. I moved to New York first, and I still love New York. And some of my deepest connections and friendships are there. My wife and I just got back from there yesterday. But I came to Los Angeles, and I don't know, it was farther away. From Georgia? Yeah, from everything. I mean, California has an idea. California, later I would get to know far more about this state. And I lived up north for six years, and I was in this little hippie band.

9:34And we started, we did nine weeks just up and down California in a van, playing all the little beach towns and hippie towns. And, you know, I got a real appreciation for, do you remember Huell Houser? Oh, come on, man. California's gold, baby. I was like the psychedelic Huell Houser. You know what I mean? you know, Hulhauser was always like, so this is an adobe wow, he was amazed about everything he's like, so this is a bowl of menudo I love Hulhauser R.I.P. the late great man the late great Hulhauser man I love, and you know what he was always so excited he saw every mission from San Diego to like, you know, the Oregon border so this is the mission You're like so excited.

10:24Everything was ecstatic to him. It was crazy. It was so, that was a funny show to watch, man. I loved it. When I moved here, I was like, what is this? This is fantastic. I also am lucky that when I'm, so I moved here in 91, early 92. That was the golden age of public television. Yeah. The weirdest, weirdest of the weird stuff would come on TV, man, on the couple of public stations on your cable like channel 6 and channel 14 or whatever the most unimaginably i mean obviously like tim and eric i don't know if you ever got into tim and eric oh yeah oh yeah tim and eric like take the inspiration of that into their twisted world for that series which is still some of my favorite stuff you don't need a chinese massage you need an italian massage it was fantastic you know what i mean and and you know the other thing about things that were really I've always been interested in outsider culture you know when those would be like driven by like this but but because it's Hollywood it made it even weirder like I'm on TV now I'm famous too you know what I mean it's kind of predated the psychosis that has become social media you know yeah yeah people always describe LA when they come to LA as being closer to the industry as being closer to things but I also find that you can find your your niches and stay way out of the way of the industry if you want.

11:47I did it, yeah. I mean, when I moved to Topanga Canyon at a certain point, I moved to Topanga because I have these romantic notions of what Northern California, and why I've been to Northern California, but what it might feel like not to be in LA, but to still be able to be in LA for different reasons. I'm of the firm belief that Los Angeles is one of the great cities in the world, which is also unique because of how new this city is comparatively. In 1860, there's 5 ,000 people living here. That's wild. Ranchers and spread out, and it's just come over from Mexican rule and stuff, from that government, and they had, you know, gave everyone deeds to these massive fincas and ranches and things that were all of California, you know.

12:35So it's not that old in the big scheme of things. But the other funny thing is when I came here, I was I laugh all the time because like growing up in Atlanta whatever in 19 I had my first sushi in 1989 my guy wanted ended up being our manager like took me and Rich with some friends to get sushi and uh that place was called Imperial Gardens whatever it was right there on sunset it's now like an aqua place or something but it was the Roxbury later but anyway we're sitting there and like, of course I know what it is, but I've, you know, Stan and Nancy Robinson in Atlanta, we didn't do, you know what I mean?

13:18Like, I remember being 16 and telling my dad, like coming downstairs one day, I was like, why have we never had Indian food? My dad was like, you're right, we should go get it. And I was like, we all drove to the one Indian restaurant, you know, and it was amazing. Wow. But when I'm here in 1989, I'm still working on the first album and I'm a kid from Atlanta. But the cool thing is it's a mentality. You get farther away from where you come from. And like anything else, you figure out what's delicious about it and what's special about it. And now it has a place in your culinary thing. Tonight's sushi.

13:54We want to go. And you know what I mean? And then you can enjoy it on the level. But there was one time where I come to L.A. I don't know anything about anything. And I don't even know what this is. How far removed from Atlanta do you feel now? Do you feel like an Atlantan? I mean, not especially. And none of that is to be taken as if Atlanta has feelings. I do love Atlanta more than ever, but it's also, I like the remnants of the Atlanta that I remembered. So when you go back, you don't see the... I mean, man, it's changed. There was this thing on Pete Street called the Darlington Apartments, and there it used to have this digital thing, and it would be like 2 ,900 ,000 ,000 ,000, you know what I mean?

14:37It was the population and it got older with the population sign. It got bigger and it went to 3 million in 1990. We used to hang around this monthly thing called the Mud Shack at this after hours Mexican burrito place and it was a poetry reading and just the poet would get on stage like, I live in a city of 3 million people as if it was like, you know, this Atlanta. I was, it's almost 8 million people now. Yeah, right. That sounds about right. It's huge. So we're not there. I mean, of course I love it, but most, a lot of the Atlanta, you know, the house where we used to rehearse and have parties is now the Federal Reserve.

15:18The club that we based all our rock and roll dreams and mythology on is now a place where people go get stitches or whatever. You know what I mean? Like all of that kind of stuff from back in the 80s whenever the world was new and music was all our career was ahead of us, that's all kind of gone. You can see the skeleton of it, you know what I mean? Yeah. We'll come back with more of my interview with Chris Robinson after this quick break. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that.

15:59They're now the best network, according to the experts at Oocla Speedtest, and they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. With Supermobile, your performance, security, and coverage are supercharged. With a network that adapts in real time, your business stays operating at peak capacity, even in times of high demand. With built-in security on the first nationwide 5G advanced network, you keep private data private for you, your team, your clients. And with seamless coverage from the world's largest satellite-to-mobile constellation, your whole team can text and stay updated even when they're off the grid.

16:44That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S. where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025.

17:20nations. Travel is its own reward, you know. You're out there having experiences you can't have any other way, and with your Chase Sapphire Reserve card, you're also being rewarded. You earn eight times points on all purchases through Chase Travel. So let's say you book a trip to Hawaii, you go surfing at Sunset Beach, you go hiking on a volcano, and you go out to dinner. With the Chase Sapphire Reserve card, you're actually earning points for going on a grand adventure anywhere you go, any trip you take. And that's not even mentioning how the card gets you into the Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences like music festivals and sports events.

17:58Whether you're booking your next big trip or we can escape, Chase Sapphire Reserve makes travel more rewarding. Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve. Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval, terms apply. Imagine that you're on an airplane and all of a sudden you hear this. Attention passengers, the pilot is having an emergency and we need someone, anyone to land this plane. Think you could do it? It turns out that nearly 50 % of men think that they could land the plane with the help of air traffic control. And they're saying like, okay, pull this, pull that, turn this.

18:39It's just like doing my eyes closed. I'm Manny. I'm Noah. This is Devin. And on our new show, No Such Thing, we get to the bottom of questions like these. Join us as we talk to the leading expert on overconfidence. Those who lack expertise, lack the expertise they need to recognize that they lack expertise. And then as we try the whole thing out for real. Wait, what? Oh, that's the runway. I'm looking at this thing, see? Listen to No Such Thing on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. we're back with chris robinson do you get excited to tour these days like can you still get excited about it i do i do it was funny i've done a couple of interviews for this project and i'm like shocked that the people have said you're the first musician who says they still find inspiration doing what you do and being on tour they say is so boring i'm like i've never lost the dream and again i've never been bored you know what i mean even as a kid like with my mom and dad go to your room i'd be like i'm amazing that's all i want to do records are in there the books i'm reading are in there i can draw i can dream you know what i mean daydream i mean i was somewhere there's a permanent record of me and all it says is prone to daydreaming not very good at math yeah right But I was saying, I mean, it's just the way it is.

20:06I mean, is it tedious sometimes? Fuck yes. I'm 57 now. Airports fucking suck. Yeah. Not every gig is a magical experience. But you never know who you're going to meet. And it could be anyone. It could be the Guyanese Uber driver who picked you up in St. Louis, who's fucking hilarious, an amazing, soulful person who's left a life behind to try to eke out something better. and is so brave and courageous. And you're only with this person eight minutes from the airport or whatever. And you're just two people in the world laughing in a car. But that little thing, that doesn't even necessarily have to be a part of the narrative.

20:48It just has to be a part of that you still believe that there's dynamic in meeting people and talking and laughing and sometimes crying. But I'm just naive enough to still see it as in the same way that I wanted. I picked music on a lot of levels because I knew it was the one thing that I would travel all the time. Yeah. And then you set up your little thing and then you put your vibes out there, you know? That is pretty weird. I feel like listening to you talk, the only other person who has had a level of success that you've had and tours as much as you do and travels as much as you do, that seems to still love it.

21:26I got lucky. I met Quincy Jones in Havana maybe 10 years ago. Wow. And the joy he has to like travel and just talk to anybody. It's like, he's like, yeah, he'll tell Sinatra stories. And I'll tell the story about like the cab driver and like Memphis. And he's like, he, everything is like new and fun and interesting and every person and everything and every sound and every, there's a particular joy that you don't find in a lot of, a lot of people. Like I said, I understand. And, you know, you get older. it also helps in my life that after all the rock and roll and all the experiences that i found camille my wife because i found someone who she understands that some of that is problematic and some of it's a pain in the ass and some of it's like can't we just be nor do normal something and like by the way we can talk about that and uh do our best but then she also realizes like She's an artist and she's a Pisces queen, moonstone child out in the world who wants to feel these things too.

22:33My thing is the pandemic was such a fucking head trip. Personally, I didn't really find it creative. I found it stifling, but we were lucky enough to live out in the wilds of West Marin and then we were in Southwest Colorado. Amazing. Yeah, which was really, really hell. but one thing i thought i would really flip out on was it was the first time since i was basically a teenager where i wasn't working and touring and singing and playing and doing the whole spiel and you know what it was rad really you liked it well my head didn't fall off you know the our lives didn't you know disintegrate into nothing it was nice i had time for a lot of other things and it's funny the travel part of it i was just talking to my manager mark last night about how at a certain point it would be nice to bow out from performing the way we perform before i can't because i love the travel and we fit in the things that we want to but it's different to be in a place for you know we're going to paris i'm going to see my friends i know all the restaurants i want to go to i know all the things i want to do ah but you got to leave in two days yeah yeah and you have a show when i was a kid i didn't care we would just party go out champagne drugs this that two days do the gig go that do it again do the gig you know like it's all one thing it wasn't when you're young you can do it you know what i mean yeah i don't feel that now i'm really happy being in the black crows and really fulfilling and satisfying and gratifying but at a certain point, I just want to take my wife and go to Sicily and eat linguine and clams and drink wine and read Moby Dick for the third time or whatever.

24:29You know what I mean? I just want to just be a part of everything going on. There's lots of places I haven't traveled. I haven't been to Africa. I've always wanted to go to Africa. You know what I mean? That would be nice to have some time to do that because Africa is such a huge thing. I'm really interested in West Africa. I'd like to go to North Africa. It'd be cool to see East Africa. You know what I mean? What interests you in West Africa? I don't know. I think maybe it has something to do just with the, I mean, I love North African music, but there's, you know, a lot of those West African music could be because of the horrors of mankind and the horrors of the slave trade.

25:08Human beings found a way somehow through the vileness of that to communicate and share things in art and music, cuisine. So many African parts, especially in the Deep South, and people don't even know they're under-educated anyway. But with these things, it's like, oh, every Southern person loves to eat fried okra, but okra came over from Africa. Right, right, right. Before that, okra came from India to Africa. So just dumb things like that, plants and fruits, vegetables, natural things and supernatural things that were brought over that could never be extinguished. And I just have some sort of, and I don't even know what it is because I'm not obviously that knowledgeable as other people, but I can put a few things together and realize, you know, so much of the music, singing, rhythm things, guitar things, especially string things come from a West African musical tradition that represents like this African mysticism and magic as well that manifests when people express themselves vocally and rhythmically and with melody and things, you know, like a, simple as something like a string guitar.

26:24And that is something that would draw me there first. Amazing. I see that in a first person and see what it feels like for me as a real outsider. Yeah. Outsider culture is important to me just because of whether my dyslexia or just whatever my tastes and where I would find the things in life that are interesting, that make me happy, things that I can understand or help me for things that I don't understand to understand. So a lot of that you have to kind of just vibe out viscerally fine. And I would be curious to see what it feels like. Yeah. Wow. We've gone from like psychedelic Hulhauser to like psychedelic Anthony Bourdain or some shit.

27:03We've gone global now. Call my agent. I'm down to do this job. That's amazing, man. I want to check out like Robert Plant goes to Morocco. Yeah. He loves the Sufi music and the North African music. Yeah. And it's funny because I have this app where you can listen to radio stations all over the world. But it's like, wow, right on, man. I want to listen to some rad Cambodia music. It's like, oh, it's Nicki Minaj, like everywhere else. I know, that's kind of a bummer about radio. I mean, it's like, which is cool. I'm not bagging Nicki Minaj, but I'm like, I'm thinking I'm going to get hip to some thing I've never heard, some regional vibes or whatever.

27:43And it's like, oh, it's the same shit they're playing here. Is it that radio app? Yeah, yeah. It's so cool. But there's some in Morocco, and then there's a certain kind of music that the horrors of things. There was a slave trade in Africa for a long time, too. Within. And they're bringing sub-Saharan Africans to North Africa. But a great musical art form is born from it that still exists today, and there's whole radio stations that play it, and they're basically a living blues. It's the same tradition of the pain and suffering of the blues that these people brought with them. It still lives today and is now celebrated as rebel songs almost.

28:22Yeah. It's like those North African guitar, I don't know how to pronounce their names. They're Narwin. Tito Narwin or something. Yeah. Right. I saw their first show in New York many years ago. Really? I love that music and I love Sudanese music. And then you go over, I love Persian classical music. I love music from Afghanistan and I love Turkish music. You know, I really have a lot of diverse interests in things like that. After this last break, we'll be back with more of Chris Robinson. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal.

29:05T-Mobile knows all about that. They're now the best network, according to the experts at Oocla Speedtest, and they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. With Supermobile, your performance, security, and coverage are supercharged. With a network that adapts in real time, your business stays operating at peak capacity, even in times of high demand. With built-in security on the first nationwide 5G advanced network, you keep private data private for you, your team, your clients.

29:43And with seamless coverage from the world's largest satellite to mobile constellation, your whole team can text and stay updated even when they're off the grid. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S. where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025.

30:27nations. Travel is its own reward, you know. You're out there having experiences you can't have any other way, and with your Chase Sapphire Reserve card, you're also being rewarded. You earn eight times points on all purchases through Chase Travel. So let's say you book a trip to Hawaii, you go surfing at Sunset Beach, you go hiking on a volcano, and you go out to dinner. With the Chase Sapphire Reserve card, you're actually earning points for going on a grand adventure anywhere you go, any trip you take. And that's not even mentioning how the card gets you into the Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences like music festivals and sports events.

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31:05Whether you're booking your next big trip or a weekend escape, Chase Sapphire Reserve makes travel more rewarding. Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve. Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval. Terms apply. Imagine that you're on an airplane and all of a sudden you hear this. Attention passengers, the pilot is having an emergency and we need someone, anyone to land this plane. Think you could do it? It turns out that nearly 50 % of men think that they could land the plane with the help of air traffic control. And they're saying like, okay, pull this, pull that, turn this.

31:47I can do it with my eyes closed. I'm Manny. I'm Noah. This is Devin. And on our new show, No Such Thing, we get to the bottom of questions like these. Join us as we talk to the leading expert on overconfidence. Those who lack expertise, lack the expertise they need to recognize that they lack expertise. And then as we try the whole thing out for real. Wait, what? Oh, that's the runway. I'm looking at this thing, see? Listen to No Such Thing on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. we're back with the rest of my conversation with chris robinson within the crows like maybe like with your brother for instance does he have a similar musical palette i think he has an appreciation i don't think his palette is as wide as mine and he would admit that i'm not you know he always said like growing up like chris would bring back way more records than i would listen to or some I wouldn't be interested in, but I got to, he could be able to cherry pick what he liked.

32:52And he loves classical Indian music. I listened to like Mesopotamian sheepherder music and stuff. You know what I mean? Like I really into a lot of different things. Do you listen to that stuff more than like rock and roll? Like you'd rather reach for that than a Stones record? No, I listen to things all day long. Like I like to start the morning with something mellow. We'll listen to a lot of Indian classical music or personally I like to start my mornings with the late great Ben Webster or something Lester Young I love the Prez you know but we also love Rahsaan Roland Kirk and we love Thelonious Monk and we love Bobby Timothée Bud Pound we listen to a lot of jazz we listen to a lot of blues country R &B funk soul rock and roll punk music post-punk music electronic music new music, Rasta music.

33:44Share your Spotify right now. Share that Spotify account. I'm trying to plug in, man. Don't have Spotify envy, man. I'm just obsessed. You know what I mean? And my obsessions maybe made me way more difficult as a youth in the music business because I also associated a certain authenticity, passion, and purity to my obsessions and what I wanted to say. But I also have a waking life with music that has nothing to do with me making music or being a musician. Yeah. Those things are simpatico, but I'm sure it's annoying. I'm the guy who, I get in the car to drive down to eat dinner in West Hollywood.

34:23I'm like, hey man, can I play the Spotify? Oh yeah, in the car. Dude, I got us kicked out of a sushi spot one time because I asked them to change the music. And then they opened the same sushi spot across town. So when we tried to go there a year and a half later, it turns the same lady was serving us. She's like, You look familiar. I was like, I don't know. I don't know. No, no, no. I wasn't. So did you ask me to turn off the music one time? I was like, no, no, no, no. It must have been my brother. I don't know. It wasn't me. Like, hey, DJ Soy Sauce. You're not coming in here. You know what I'm saying?

34:52They weren't happy, man. I was like, just change this. I could tell it wasn't like pre-programmed. It's like, you're on Sirius or some shit. Just change the stage. That's all I'm asking. I'm just always, you know what I mean? I've just been adventurous and things. I can access what makes things interesting to me. but I do that with a lot of art I do that not with music but with literature cinema most definitely comedy as well So is all that going through your mind as you're writing lyrics for the Crows or for your other groups? I imagine it's something it's all in there but I think when it's time to focus on writing a lyric or whatever I've written songs with other people I've written many songs on my own the thing that is the Black Crows is Rich and I's contribution together.

35:41Rich, whatever he's coming from, will play me something. There's a lot of psychic energy involved in it as well. And music is a great conduit to open those kind of psychic channels. And do you go into it with that intention? Do you have to set out to do that or does it happen? I think there's other musicians who can do the fucking math and know all the shit and they do another thing. I've only ever been able to access it this way. Got it. This is my process because of however, because we didn't learn music, we don't know shit about music. I don't read music. Rich doesn't read music. But we know what it feels like and we know what sounds right.

36:17And then you keep doing that. Of course, through that, your vocabulary is bigger. But we maybe are using different words than people who are more knowledgeable about the inner workings in mathematics. The arithmetic of music is something that has escaped us. but I think it's also in our that makes it folk you know what I mean there's some sort of that's why we look at it more and like it's kind of magic when a song happens out of the blue one minute there's nothing one little thing like this and then I get an idea and then that changes what Rich is doing and then it's all dictated by whatever the vibe is that Rich plays me there's an emotional ingredient to what he plays me like our most famous song is She Talks to Angels he wrote that song he was very young with the riff and then we probably didn't get to it till like a year later when but we would be playing things around mom and dad's house because he was like 17 when he wrote that yeah 17 i would be 19 so there's something about the way he pulls that first that would just put me in a place to write a song with that kind of dark romantic melancholy imagery but we do that today and we do that i think especially if we get around to like where we're going right now with this happiness bastards record and stuff i mean i think that's that's exactly what we've done with this i mean there's a lot more rock and roll on it there's a lot more water under the bridge we've lived a lot we've personally i'm one of those people and i have two children and we want everything to be the best but i'm also not afraid of adversity because i don't think you should be afraid of something that you have to find acceptance with you know what i mean because it doesn't matter who you are what you do if you do it to yourself if someone's doing it to you if you have the means if you don't have the means no one escapes adversity and it changes us you know what i mean how we deal with it the great energy and power of youth and where we came from in rock and roll was the anger the fuck you part of it yeah even with each other yeah yeah but that boils into that yeah i mean it's like live fire you know and like but it's also a great you know if you can get that in the food and you can get in the studio and get it on there you know we weren't clever enough to do the math we were only clever enough to wear our emotions on our sleeves did your parents pick up on your guys's tension i guess i mean fuck i i mean even more so probably the older we would get but they weren't around when it was like for some reason you know we he had his own bedroom i had my own bedroom when we lived in the suburbs and i had like a twin bed and a desk stereo whatever rich had like a queen-size bed in his room for some reason i don't know why he ever got that but it was funny because when we were kids and it would be like if we started getting annoyed we'd have this game where we'd both get on the bed and he'd be like i'm mad max and i'm like i'm snake plissken and then we would like see who could who would win in a fight mad max or snake plissken and like Whoever could like fucking throw the other one off the bed was like the winner.

39:24Listen, Snake always wins in that matchup. Got a badge on the eye, fucking cool outfit. I was like, what's my motherfucker there? But like dumb shit like that. And then we've said it before, but we fought brother's fight. But we would never punch each other in the face. We would hit each other, body jobs, throw shit at each other, try to strangle each other. Nothing from the neck up. It was weird. I don't know. That rule always applied. unspoken unwritten just existing as if that makes it worse than all the other cruel shit I love it man I love it yeah Snake doesn't need muscles though just being a pure badass is sometimes enough yeah they couldn't stop him you know what I mean the crazies come out from under the street he gets away from all of them didn't matter great soundtrack great soundtrack to that amazing soundtrack John Comberter is always my favorite one is a movie he made called is it called the prince of darkness you know that movie i don't know that one part of the trilogy he did that i i think that escape from new york prince of darkness and maybe they see or whatever i think those are like a trilogy he made but prince of darkness is a really cool movie like in this weird church in oakland or whatever is like where evil is and like this liquid container and like these people fight it's really deep man but the soundtrack that one's real i listen to it all the time i missed that one i like i like assault on precinct uh 13 that soundtracks amazing very far ahead of his time actually way ahead of his time it sounds like what's you know like a lot of like electronic composers would now go for is he from kentucky i think he originally was from kentucky it's like if tangerine dream were from kentucky yeah yeah right tangerine dream is from kentucky Maybe they just call that like pineapple upside down cake dream or something.

41:15I don't know. How do you feel about the new record? I think it sounds amazing. Yeah, we're very happy. I think we were really focused on what we wanted the record to be. Touring the last few years and doing the Shake Your Money Makers show, at first I was a little bit, I had a little trepidation about it just because I was like, oh, isn't that what other bands kind of get into sometimes is playing their most popular record or whatever. yeah but once i thought about it and i thought yo don't think about it just do it this is important to you know this is where it all begins for us and let's revisit it let's see what happens if we remove ourselves from the way of thinking before you know why did i think that was dumb maybe it's not dumb maybe there's something there and i think part of where the black crows are today is getting out of our way and you know don't think it do it and then you'll have more information about what works and what doesn't.

42:09And it was fantastic. And that was kind of the impetus to get us to like a real focused, up-tempo, rock and roll record that hits all the notes, I think, that we finally can have the perspective to know what the Black Crows sound like. And to me, Half of Those Bastards is like an arrow pointed towards the future for us of what the Black Crows could be. And once we work with a guy like Jay Joyce, who produced the record, who's very successful, popular producer. We've never really worked with a super producer like that. And we met so many talented people and had so many great conversations. There was just something about Jay.

42:51Well, first off, we felt like this guy, not only can we get him, but he can get us. And we're incapable of doing something that we don't feel is sincere. Sincere to us of what we want to do and how it sounds. And of course, when he comes on board, he starts to help shape the songs as well. Like, we have a discussion about what I think the record should be. What's the concept in a sense? I mean, you can't do it 100 % because it's music and things change. But if that's what we're going for. And so we have a bunch of songs. He comes in, tells us what he likes about these songs. We go back, work on some songs, write some new ones.

43:31but again as we're in the studio making the record we it only took us two and a half weeks to make the record that's quick yeah yeah it has an energy it has to be that way like i said we're not the kind of people to what are we doing you know and what are we selling what do we want people to get from this what are we putting out there in the world and we haven't made a record a long time basically you gotta like you know put your money where your mouth is and if you're gonna say this is what you are then it better fucking sound like that yeah and i've made a record in so long and we've been talking about it we've been proving it every night on tour of like what the presentation is what the vibes are what the band sounds like where rich and i are but we're playing old songs and we're playing songs people know and now to do it with something new but after all the talk about we're a rock and roll band this is where we're doing this we're in a good place we're creative but then you have to do it.

44:27Yeah. Do you think you could go out and play when you go out on tour, you're going on tour soon, could you play a lot of this album or do you feel you have to do a lot of the old stuff? I mean, that's the purpose of the tour and we've gone from bigger venues to a little smaller because we know, you know, there's always going to be someone like this is our new single and they go to the bathroom or whatever. Yeah. Well, you want to play the new record. Like, that's the point of this. Yeah, well, we feel that it's right there with the best of everything we've done. And as we move on from this new record and being able to focus on it for this period, of course, we have to play She Talks to Angels, Hard to Handle, Jealous Again, Twice as Hard, Thorn in My Pride, Remedy.

45:08We know there are certain things, Wiser Time, Soul Singing, whatever. We know there are certain songs. I think when we were younger, we were more arrogant and we didn't want to play along. We wanted to push people more into, we're more than just these hits. songs and that was our right and we did it and we felt there was some importance there that wasn't just egocentric yeah but i think now we realize and that oh we we can we can say the things we want to say but we also have to respect our audience and know that somebody's going to be mad if you don't play she talks to angels yeah yeah and by the way i look at she talks to angels or hard to handle or whatever now in such a different light because I realize how special it is to have those songs in your catalog.

45:58You know, to have songs that we play for people, but that after almost soon it'll be getting near 40 years that have been in people's lives. And it's important to them too. And they want to hear it. And they want to hear you do the best you can do. Yeah. And make it special and have that relationship with the audience. Yeah. You said you feel like this is like an arrow pointing to the future. Like you want to do more Black Crow's music. Yeah. You know, I mean, I know it sounds weird to like, you know, start wrapping up my 50s and talking about it. But then again, you know, there's so much about what we are as a band and as artists and as people.

46:40It looks like one thing on the surface, but it's not underneath. You know, in the same way that it breaks my heart a little bit to hear like people, musicians say that they are bored or listless or not inspired. And I'm like, well, I don't feel that way. And this record is really even greater sort of proof that I don't have to give up on my passion, on my creativity. I can put it all in the correct order. and we can continue to move on. We don't have the same expectations that you had in 1995 when you made a record, when you're spending a million and a half dollars on a record and they want you to go out and sell fucking 10 million records and have four hit singles and everybody's trying to do that and the radio is pumping your songs all day long and that's how it used to work, kids.

47:28They play your records all the time on the radio and people would go buy your record. That's how it works. So even though that's gone, that doesn't mean we we don't see or feel there is still some importance in that and i i don't feel that making albums is that antiquated or archaic or anything no people say you know you go to fucking amoeba man you're gonna wait in line to pay for your shit it's not like there's humble weeds blowing through a record store or something it's true there are fewer around but you know like yeah go to freak deep in the valley there's people in there you know and they have great records in there it's like anything else the media doesn't cover it because it would take too much imagination and interest in something that isn't status driven in something that is collectively uh more dynamic that contains more soulful information or something of a cultural reality that's not just reality tv and going to the gym or whatever yeah yeah and so you do feel like there's an arrow pointed in the future you want to make more music but you mentioned earlier maybe less touring at some point.

48:37Is this a deposition? I have to give you a date? I don't know. I'm just curious. No, I'm just curious. I don't know. I'm just curious. Just trying to figure out where you're at here. I'm going to be answering a grand jury. I'm going to play this back to you. Remember you said it. Jesus, you're fucking Miranda rights, man. Come on. Yes, there will come a time. It's not in the near future, but maybe, you know, give me another uh i don't know it's hard to say you know what i mean because getting a bit older is weird because i don't feel older but like oh fuck my knee hurt or whatever yeah okay it doesn't dictate my dreams and passions uh my age but no for the near future and i think you know it would be pretty safe to say for the next decade of life i want to keep doing it while i can yeah that was another thing about the record like let's make a fucking rock and roll record while we can still fucking rock and roll man you know what i mean because a certain point it's gonna be a little like you thank you rock and rolling but it is intensity level comes down which is totally normal and fine but rock and roll is specific to a certain energy that you need there's all sorts of things that you can be passionate and you can again have that kind of emotion and and there's still a smoldering intensity to those things but i think if you want to get out shake your ass a little bit put on a rock and roll show hopefully people still get up and dance and that's what it's about incredible man well look man thanks for thanks for taking the time to talk i love the new album excited to see you play it and fun talking to you man you got a lot to say i love it all right i appreciate it thanks to chris robinson for hanging out and talking about his career along with the Black Crow's new album, Happiness Bastards.

50:28You can hear it along with our favorite songs from Chris on a playlist at brokenrecordpodcast.com. Subscribe to our YouTube channel at youtube.com slash brokenrecordpodcast where you can find all of our new episodes. You can follow us on Twitter at Broken Record. Broken Record is produced and edited by Leah Rose with marketing help from Eric Sandler and Jordan McMillan. Our engineer is Ben Tolliday. Broken Record is a production of Pushkin Industries. If you love this show and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin Plus is a podcast subscription that offers bonus content and ad-free listening for$4.99 a month.

51:07Look for Pushkin Plus on Apple Podcast subscriptions. And if you like this show, please remember to share, rate, and review us on your podcast app. Our theme music is by Kenny Beats. I'm Justin Richmond. This episode of Broken Record is brought to you by Chase Sapphire Reserve. Traveling is one of life's greatest joys. Honestly, can anything be more exhilarating? Well, actually, yeah, with Chase Sapphire Reserve. It's your gateway to the world's most captivating destinations. First, you will earn eight times points on all purchases through Chase Travel. And the card gets you into Sapphire Lounge by the club at select airports nationwide.

51:47and access to one-of-a-kind experiences. Whether you are booking a once-in-a-lifetime trip or your next weekend escape, discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve. Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval, terms apply. Why are TSA rules so confusing? You got a hoodie on, take it off! I'm Manny. I'm Noah. This is Devin. And we're best friends and journalists with a new podcast called No Such Thing. where we get to the bottom of questions like that. Why are you screaming at me? I can't expect what to do. Now, if the rule was the same, go off on me.

52:25I deserve it. You know, lock him up. Listen to No Such Thing on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. No such thing. This is an iHeart Podcast.

From the publisher

16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes.

The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards.

On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.

You can hear a playlist of some of our favorite songs from Chris Robinson & The Black Crowes HERE.

See omnystudio.com/listener for privacy information.

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