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Podcast Summary: Broken Record - Daron Malakian
Episode Overview In this episode of Broken Record, host Leah Rose interviews Daron Malakian, the guitarist and songwriter of the acclaimed band System of a Down. The conversation dives into Malakian's career, his artistic journey, the release of his new album with Scars on Broadway, and his personal insights into music and performance.
Key Highlights
- Background and Career:
- Daron Malakian gained fame as the enigmatic guitarist for System of a Down, which released five albums from 1998 to 2005, three of which debuted at number one on the Billboard charts.
- Following the band’s hiatus in 2006, Malakian launched Scars on Broadway and released their debut album in 2008.
- After reuniting with System for live performances, he is now releasing Addicted to the Violence, his third album with Scars on Broadway.
- Artistic Insights:
- Malakian feels he was destined to be a rock star, a belief shaped by his parents' journey from Baghdad to Hollywood.
- He emphasizes that he writes songs for his own satisfaction, rather than for external validation.
- Reflects on the profound impact music has had on him and how writing songs serves as personal therapy.
- Performance Dynamics:
- Discusses the dichotomy between his on-stage persona and his true self, explaining that performing brings out a more confident version of himself.
- He considers his stage presence as a natural and integral part of his artistic expression.
- Songwriting Philosophy:
- Malakian differentiates between writing songs and creating albums, stating that he focuses on individual songs which may or may not form part of an album.
- He draws inspiration from various genres and artists, noting that the guitar serves as a tool for songwriting, rather than the main focus.
- Album Themes:
- The album Addicted to the Violence encapsulates themes that resonate with contemporary chaos, though many of the songs were written years earlier.
- He discusses the evolution of his songwriting style, leaning towards a more rock-oriented sound within Scars on Broadway compared to System of a Down.
- Cultural Reflections:
- Malakian shares experiences from his visits to Iraq, contrasting his childhood understanding of the country with the realities he encountered.
- He reflects on the cultural significance of music and how it transcends borders, connecting people across generations.
- Future Outlook:
- While fans express a desire for new material from System of a Down, Malakian communicates a sense of contentment with both his past successes and current endeavors with Scars.
- He acknowledges the complexities of band dynamics but emphasizes the friendship and respect he shares with his bandmates.
Key Takeaways
- Art as Expression: Malakian views music as a personal outlet and a means of connecting with others, disregarding genre constraints and focusing on emotional authenticity.
- Duality of Identity: There's a stark contrast between Malakian's energetic stage persona and his more reserved off-stage self, which he embraces as part of his artistic journey.
- Cultural Identity: His Armenian heritage and family history significantly influence his music, providing depth to his songwriting.
- Creative Evolution: With every album, Malakian seeks to grow as an artist, signaling a willingness to explore new sounds while staying true to his roots.
- Fan Connection: The passion of fans, especially in South America, reinforces the idea that music is a powerful, unifying force across cultures and generations.
Conclusion Daron Malakian's insights reveal the complexities of a musician's journey through fame, creativity, and personal expression. As he prepares to release Addicted to the Violence, he continues to navigate the landscape of music with authenticity and passion, cherishing both past accomplishments and future possibilities.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:06Pushkin.
0:10Darren Malakian first made his name as the enigmatic guitarist and songwriter behind System of a Down. Between 1998 and 2005, the band released five albums, three of which debuted at number one on the Billboard charts. In 2006, System announced an indefinite hiatus. Eager to keep creating, Darren launched a new project, Scars on Broadway. Their debut album arrived in 2008 to critical acclaim. Since then, he's reunited with System for a series of live performances, including a recent South American tour that drew massive crowds. Their final stop in Sao Paulo, Brazil, attracted an estimated 75 ,000 fans.
0:51Now, after seven years in the making, Darren is releasing Addicted to the Violence, their third Scars on Broadway album, featuring what he considers some of the best songs he's ever written. On today's episode, Leah Rose sits down with Darren to talk about why he believes he was destined to be a rock star and how his parents' journey from Baghdad to Hollywood help make that dream possible. He also explains what people often misunderstand about his relationship with system frontman Serge Tonkian and reveals the surprising contrast between his outrageous onstage persona and who he really is offstage.
1:27This is Broken Record. Real musicians, real conversations.
1:35This is an iHeart Podcast. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at Ooclas Speedtest, and they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S. where you can see the sky.
2:16Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025. Every great music conversation goes beyond the surface. The influence that shaped an artist's sound. The moment that changed their creative direction. The story behind the story that fans never hear. Claude helps you discover those deeper connections. Upload interviews, liner notes, or music journalism, and Claude reveals patterns across an artist's entire journey, showing how influences become innovations. Whether you're a music journalist, passionate fan, or someone who loves understanding creative processes, Claude matches your curiosity about what really drives great artists.
2:56Try Claude for free at claude.ai slash brokenrecord. This episode of Broken Record is brought to you by Chase Sapphire Reserve. Traveling is one of life's greatest joys. Honestly, can anything be more exhilarating? Well, actually, yeah, with Chase Sapphire Reserve. It's your gateway to the world's most captivating destinations. First, you will earn eight times points on all purchases through Chase Travel. And the card gets you into Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences. Whether you are booking a once-in-a-lifetime trip or your next weekend escape, Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve.
3:38Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval. Terms apply. Here's Leah Rose with Darren Malakian. Let's talk about this new album. So Scars on Broadway album. It's called Addicted to the Violence. It's your first album in seven years. and I was curious like since it sounds like you've been working on the songs for a little while and I was curious if in that process because we live in such a tumultuous time just every day just bring something new something different something that is you know more shocking than maybe the next day did any of those songs that you were writing did the meaning sort of change for you the thing is I didn't write these songs necessarily during these times some of these songs I wrote many many years ago but they still kind of relate to the world we live in I think there's always some kind of chaos in the world whether it was 20 years ago 10 years ago five years ago I think a hundred years ago so I think chaos and I think that's something that's been kind of that's always been there during mankind so that's why I think but you know not all my songs are about chaos but um you know the the title track is called addicted to the violence but I can't sit there and say every song on the record is about the same thing and is about there was this theme because I write songs.
5:21I always tell people I write songs. I don't write albums, and those songs end up on albums, but I wasn't writing those songs for an album. That makes sense. So at some point when I get off my ass and I'm like, Let me record some of these. I play around them. I entertain myself with my songs. I don't really write them for anybody else. The fact that anybody else outside of me likes them is a complete bonus. They're usually just for me to begin with. The last thing I think of when I write a song is, I can't wait until everybody hears this. it's just completely if I didn't have scars if I didn't have system I would still be doing this do you do you remember the first time you saw somebody react to something that you wrote it was when I was a teenager I used to have a group of friends that were because I wrote songs when I was like 13 14 you know I started playing guitar when I was like 12 and I started writing my own songs at around 13, 14, 15 years old.
6:40And my group of friends, they were not and still aren't. All my friends are plumbers. They're all because they're all my old high school friends and all my old high school friends weren't musicians. They were more kind of tough guy, kind of, you know, that's the kind of crowd I hung out with was like, we fought a lot in high school. We were those guys. Yeah. So we'd get together, group of friends, and I'd play my songs, original songs that I had written when I was like maybe 14 years old. More kind of folky, sometimes ballady type. Lonely Day, you could say, is a song that is kind of in that world of the type of songs I used to write at that time.
7:28and um sometimes one of my friends who's probably somebody that you wouldn't see get very emotional or you know that's just kind of the group that i was in would like get emotional after i sang one of my songs at like a get together or a party or whatever and and i could see that like my song touched them. And it was then that I realized, yeah, I love music. I've always loved music. I started collecting records when I was like four or five, really young. But it was then that I realized that what my path in music was. It wasn't about being a shredding guitar player. It wasn't about even an instrument at the end of the day.
8:19I realized the instrument is just a tool to bring out these songs. Writing songs is my strength. This is something that I can do and I love to do and I do it myself, but it seems to touch other people as well, even though that's not why I wrote those songs, but it does. And that's how I kind of, that's my focus kind of stayed through all these years. like even if you you know read my interviews from 20 years ago i'd always say that i i'm a song writer i i write songs i compose songs uh that's what i did for system so i do for scars that's my you know in music you got a lot of different you got the people who are technical musicians you got the composers you got producing and there's so many musicians that are just better musicians than I am but if you put me in a room with musicians I can make those musicians sing together with my song because you guys you got guitar players who are amazing guitar players but they can't write songs do you like amazing guitar players like do you like super technical players I appreciate it but it's not what I want to do or even I have moments where I'll listen to somebody like that but if I want to talk about like my I was always into drums more than I would drums and vocalists than I am into guitars but if I had to pick like guitar players I like I like Roy Buchanan I like Jerry Garcia oh nice just uh dudes that aren't necessarily but you know growing up I used to really love Randy Rhodes but as I got older the guitar players I enjoy listening to are not necessarily shredders there and when i do a guitar solo in a song it's usually kind of melodic i like the melodic kind of guitar players um so yeah i mean but the guitar for me is just a tool to write songs i've written plenty of songs on synthesizers and yeah uh just maybe a vocal comes out first never really focused on it being you know the guitar being like i really have to perfect this instrument or anything like that.
10:41Yeah, it's so interesting. Does it feel for you like when you're up on stage, is it an outlet to get something out and to express something? When I'm on stage, there is a personality that comes out of me. I don't fake it. It just comes out. And that dude, that dude is really different. Like, I don't know how to explain it. But the second I walk onto that stage, you put a microphone and the guitar on my shoulders and I start turning into a much more confident version of myself. And, uh, I'm comfortable up there. I've always loved performing. Performing is also something that, you know, aside from the song writing, I consider myself a performer as well.
11:27And, but it's, it's, it's something that is just, all of it has just come natural to me it's never been something that uh I think about too much it just happens I get on stage and I say shit that I would never say in real life I do things that I would never do in real life my I could see like when I see pictures of me I see the way I am on stage you know that guy dances that guy screams that guy yelled that guy does all these things I don't dance. I'm kind of really kind of mellow most of the time. It's almost like that guy is not a good representation of who I am in real life. But that's who comes out.
12:16That's who comes out when I walk onto stage. And that's cool. But, you know, I'm glad he stays there. Is it therapeutic for you? Like, does it achieve something, help you work through something? Whereas I'm thinking of your friends, like your friends maybe aren't as vulnerable and expressive as you. Like, I feel bad for people who don't have that outlet. Like, you have this amazing outlet. Me too. No, it is therapy. Look, I'm sure everything that's there is here, but I can't express it here the same way, you know? And it feels comfortable to let loose and be angry. Sometimes I'm completely stupid.
13:03I say some stupid shit up there. Sometimes I'm funny. like uh you know serge will serge will come to me after the show and he's like dude you had me laughing the whole time like i could barely fucking sing out laughing you know that's so cool and the rest of the band you know they they have like i turn i say something i turn to my band and they're all like laughing because they didn't know i'm gonna say that i didn't know i was gonna say that and it just you know i'm the audience doesn't know what's about to happen and um there's just different sides of you know and even in my the songs that i write yeah i can't sit there and say that you know whether it's system or scars that it's just like pure heavy metal because it's not no it's not and it changes it's changed a lot there's all kinds of emotions that human beings go through yeah uh you have your like i said you had your funny times you have your stupid times you have your sad times, you have your angry times, you have your times that you're concerned about society.
14:10And you're this person, and you're living in this world. And for me to just be like, well, I write angry music, and it wouldn't seem honest to all of my emotions and all of the human emotion that's out there. And so when I'm writing songs, I never put a wall and say, well, that doesn't fit in this rock metal world. And then sometimes I'm expressing, like Killing Spree, for example, the song. It's a very heavy riff, kind of drivey song. but if you listen to the way I'm singing the song, it's very cartoon-like. You know, raw, raw, pow, wow. There's all these. And so there's like this, and the topic is maybe something that's kind of serious.
15:10The song is kind of heavy, but the emotion that I'm singing with is kind of like not heavy, not serious. It's cartoon-esque. Yeah, I love that. Yeah, I was thinking one song that stood out to me was The Shame Game. Oh, cool. Yeah, I like that song. I love that song. Yeah, I think that might be, that's one of my favorites on the album. But that, like how you were saying it's not all heavy, it's not all metal, that's definitely a different sound. Kind of psychedelic. It's like, exactly. Yeah. That's what I thought. It feels sort of like, I mean, it's hard to classify, but I was thinking kind of like 90s, kind of psychedelic.
15:53but that song I think that song is going to sound super good live thank you yeah proud of that one you know I tend to really enjoy this those type of songs and I feel like as I go into my writing I kind of write more of those type of songs these days than I do the heavier stuff um and scars kind of system has that stuff too like I wrote when I wrote aerials of you know a song like Atois has both of those things in it like this the verses are very kind of you could say Everly Brothers Simon and Garth then we go into you don't care about how I feel and it turns into this metal thing and goes in and out of that lonely day lost in Hollywood so yeah lost in Hollywood for sure scars kind of especially the first album kind of has more of that kind of stuff in there.
16:56If people ask me to compare Scars to System, I would always say Scars kind of moved into a more rock direction and you'd have those dark, moody more of those dark, moody mid-tempo kind of songs songs like Insane on the first record Babylon. I love Babylon like system which didn't make any more records but I was still going into that direction and you can see it and mesmerize and hypnotize that direct so if if system continued to make records I could see that system would have moved into that direction but since there we kind of took the hiatus and didn't make the records anymore scars took me into that direction right And so that's why you hear it moving into a more rock direction.
17:56Babylon is – my family was in all the wars in Iraq during the first bush, the second bush. They were there during Iran-Iraq war. So it's kind of a song about me and my family and my connection to my family in Iraq and my concern running to Babylon. And then there's a line that's like, I like the way we slept on rooftops in the summertime. time if we were and so that line comes from when I was a kid my parents would always tell me in the summer people because it's so hot people would sleep on the roofs you know and when I went to I went to Iraq when I was uh in like 14 years old and it was in the summer oh and and I was like I would like to sleep on the roof because I always I always heard about that from my family.
19:05So I did. And so a few nights at my, I think it was my uncles or my aunts. I can't remember, but we slept up on the rooftop in the summertime. So that was like a lived experience that I had that I, you know, was in the lyrics of the song. Yeah. Yeah. How was Iraq different than what you had imagined it would be? Like when you were living in Hollywood, you're living in LA and you imagine what life was like there, how was it different actually being there than what you thought it would be like? Well, I had probably the same perception as most Americans would. Maybe a little different because my parents were from there.
19:50But I thought I'm going to a place where it's like sand and camels, honestly. but no it was a city there was cars a very different kind of city a very different kind of vibe obviously because of Saddam and all that stuff but like it was just not as modern as where I was used to growing up more modern than I thought it would be at the end of the day do you remember questions people asked you about hollywood or about la it was like i was 14 years old yeah yeah totally but i remember you know i had all my metal cassettes and all the stuff because that's you know i would i would just i took a bunch of like rock magazines metal magazines and i took a bunch of my cassettes and i would listen on my headphones i just remember when i I would like show and Slayer was extreme for that time in the United States.
21:02In 1989, you know, there was like pretty extreme for your average metal guy at that time. But I would show them Slayer, show no mercy. And they would they would almost like question. It's like, is this even music? What is this? It was even, like I said, it was even extreme for the United States at that time. We'll be back with more from Darren Malakian and Leah Rose after the break. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at an OOCL speed test.
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22:31That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S. where you can see the sky. Best network based on analysis by Ookla of Speedtest Intelligence Data 1H 2025. The greatest music stories aren't always in the songs themselves. They're in the late night studio sessions, the chance encounters, and the cultural moments that shaped entire movements. For music lovers who find themselves going down rabbit holes about their favorite artists, Claude, an AI thinking partner, helps you explore those deeper questions.
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24:59Find the one with BetterHelp. Our listeners get 10 % off their first month at BetterHelp.com slash broken. That's BetterHelp.com slash broken. Do you still listen to hard music? Like, do you find that as you've gotten older, has your music taste, has it gotten a little softer? Or can you still listen to hard music? I've always listened to all kinds of music. I could, there isn't much that's new in metal that I'm really gravitating to. Like I don't, I don't, I don't, I mean, I'm, I don't, I'm not talking shit about any of the bands, but it's just, I don't know. It's, it's not turning me on. Yeah, yeah, yeah.
25:45No, I get that. But, uh, I've always had, my taste in music has always been, like this place that place it was just it's always been all over the place um i you know when i was a teenager yeah i was more metal but as i got older but when i say older 18 19 20 21 i started listening to bowie the beatles grateful dead stuff that wasn't stuff that people turned me on to yet at that point in my life or i didn't get turned on to yet yeah and the thing about me is i just i go through i mean so many different kinds of music every other week like this week i'm into like or this five months or six months dub reggae oh cool yeah like uh and then like i go through phases of like Miles Davis and you know it's these phases that I've always gone through in my life you know my 20s like the goth bands that I was listening to early 80s got when I was writing Mesmerized and Hypnotized back in the day I was really into a black metal Norwegian and I have to say if I listen to heavy music or metal music if you want to you know it's usually my go-to is black metal i i there's melody in the music it's it's there's just something that i really love about black metal music when it comes to what i listen to if i thought was to you know i'm gonna turn on something heavy You know, it would be Dark Throne, Satyricon, Immortals.
27:41Cool. Have you ever met any of those guys? Like, have you been over to Norway and like played with any of those guys? I'm very close friends with Satyr from Satyricon. I have been for probably 25 years now. We still keep in touch. I don't really have that many friends that are in bands. I have acquaintances, but nobody that I really regularly keep in touch with. Joey from Slipknot was a friend of mine, and it was tough to lose him. Every so often, Ben from Dillinger Escape Plan and I kind of talk, but Satir from Satircon is somebody that I really keep in touch with, or our friendship is a little closer and more personal, and I really respect his band.
28:33I love his band. I'm a fan of his band. And that whole scene to me is one of the last great metal, if not the last great metal music scene that I can recall. And when were they active? Like around what years? 90s up until now. A lot of those bands, yeah, still. But early 90s. because there's two waves of black metal. There's the first wave with Bathory, Venom, Celtic Frost. That was in the early 80s. And then there was the second wave of black metal, which came in the early 90s with Mayhem, Dark Throne. Satiricon was part of that. A lot of great bands. A lot of people, they see the imagery and they see all that stuff.
29:28But the music, if you listen to the music, it's really melodic and it's kind of like classical music. Cool. There was a mood. There was a scene. Same with, like, I mean, I know a lot of people like to, you know, lump us in with nu metal. Yeah. But that is the scene that we came up in. And even in Los Angeles, you know, that kind of music, Korn, Deftones, when we first heard it and we were part of it, we were being honest. We were being original. We were, you know, it was something, it was a scene that I guess wasn't even meant to be a scene, right? it just accidentally happens that all these bands and they share these things in common they share a sound in common and then what ends up ends up happening is it becomes popular and when it becomes popular it starts becoming kind of cookie cutter something at that time I don't know labels these days don't even exist or they don't but like at that time the label wanted the next system of a down and I was like that's funny because none of you motherfuckers wanted to sign us yeah right you know but now that we're thing you know being armenian is really cool now isn't it like when we were coming up there like well you guys are armenian i don't know if anyone's gonna get what's an armenian you know and now that we were signed if there was funny because at that time not anymore but like people were looking for oh is there an armenian member in that band really yeah it became kind of funny man but all of these bands i just mentioned the the original ones the ones that were the first were not cheesy we're not we're doing something unique i remember when i first started the first corn album i was like dude this is fucking different it's heavy yeah the way that it sounds is even different the way that it's produced is different um it was like something i'd never heard before but then 10 000 bands came out copying corn and that's what turns it into oh and then it gets labeled as a genre yep few metal like we never called it that and i hate genres to me all music is the same i know but the thing about the genres though like I understand that because I hate genres too, and I know musicians hate genres.
32:10But if you're like a journalist or you're trying to write about this stuff, it's helpful just in those terms. Look, the notes on a piano or on a guitar are all the same. It's like a cow. And a cow has beef. And I give beef to the guy who makes Mexican food, and he's going to make Mexican food with the beef. and give beef to the guy who makes Armenian food. He's going to make Armenian food with the beef. And so it's how the music is presented. And I guess it turns in, I don't know, it's kind of weird music turns into how Mexican food, Armenian food, you know what I mean? But for me, I don't know, man.
32:55The kind of music I write, whether once again, System of an Oun, Scars on Broadway, I feel weird being put into a genre because yeah there's heavy stuff that's going on but there's songs on the same album that don't even fit the genre like Killing Party and Shame Game. I don't feel like all my songs fit into the same place and so when you put me in a genre I'm like okay maybe you can put that one in that genre but how about that one? So that's why genres bother me because I don't feel like I always fit into them. I don't feel like all my songs fit into the same ones. Totally. I wonder, how has it been for you since you've had the experience of releasing albums that have been super successful through traditional record companies and also releasing albums through independent?
33:51Because you released it on your own label, right? Yeah. It's not really a label, just do-it-yourself kind of thing. Which do you prefer? Are there advantages to the major label system that you see now, or do you prefer just DIY? They were both fine because nobody ever told me what to write. Ever. Rick never did. the Columbia records never did we kind of did our own thing and I wrote the songs the kind of songs that I wrote and nobody ever like said well you gotta be more like Limp Bizkit because Limp Bizkit was so big when we were coming out so we were kind of coming out and just doing our thing and gaining and gaining and gaining and gaining and Rick told me a story where he went to the head of K-Rock once and I think he played them Chop Suey and the person that was the head of K-Rock at that time I don't know if he still is or she still is or isn't he told Rick that this song will never be played on this station and this band will never be played because they're not what we do.
35:24I guess soon after that, Chop Suey became the biggest song on K-Rock or on their station. We didn't do anything to conform to, oh, you know what? Yeah, that's real. I should write a song that you're going to feel like fits in. No, there's nothing like that song still. Yeah, thank you. But we never had to deal with. So when it comes to like major labels or radio stations or anything like that. So the difference is that there is like a machine that's pushing your shit. Yeah. That world at that time, you know, I haven't really dealt with the label for quite some time. So I don't think I don't know what kind of power or what kind of thing they have now.
36:15But at that time, they had power. yeah and uh they push your stuff and next thing you know their mtv at that time was still playing videos and they played chop suey and you know you get like crazy that video was always on yeah and so the machine was doing its thing when i'm doing it myself there is no machine uh i hire a publicist uh let's put some money into this you know and and the fans or the streams or people buying vinyls pretty much bring back and pay for the stuff that needs to be paid for. A video, you know? All these things cost money. Sometimes going on the road costs money because Scars doesn't get the same guarantees as system does.
37:08So we still need buses. We still need all this stuff. So this, what I do with Scars, it's kind of, yeah, I run it, but it's funded by the fans. Yeah. Yeah. And also, I mean, you have the benefit of when you go out with system, that can help fund it too. Sure. I have a separate thing that when Scars, any money comes in from Scars, I put it into that. and I'm like, this is the Scars piggy bank. Okay, that's cool. So you can actually see what's being generated. Yeah, and what I put back into the band and what I... Yeah. I guess tell me the story of Scars. When you started the band, I know the first album came out in 2008.
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37:56Where were you at professionally? Why did you decide that was the time to start the band? Well, I knew System was not going to be making records. I didn't know that we were never going to make records but at the time we were like okay we're taking a hiatus and for me I was like okay at that time I was used to like I have an outlet for my songs and my outlet for my songs was System so Scars kind of started even before I knew there was going to be a hiatus I was like I want to do this second band kind of thing. I tried out a lot of different renditions and different musicians and different things before I got to where I got on the first Scars record.
38:47But when System kind of took the hiatus, I was like, well, I got to do something here. I can't just sit here on my hands. I have songs. And so it just seemed like the natural thing to do It was like, okay, let's take this band that I was kind of working on already and put a little more focus into it. One last break and we're back with the rest of Darren Malakian. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at Ooclas Speedtest, and they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage.
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41:44Lexus is a company that believes in the importance of setting a standard, which I can appreciate as someone who holds themselves to lofty if not ridiculous standards, especially with the car I drive. The standard Lexus has set for themselves is to experience amazing. Lexus measures success by the feeling and emotions evoked in a driver, like exhilaration and joy. Amazing can only be achieved by knowing people on a deeper level. The standard of amazing results in a feeling in drivers that their car was built in anticipation of them. machines that make you feel more human. Because a car that doesn't make you feel something is a car that stops short of amazing.
42:21Experience amazing at your Lexus dealer. Do you think that the fact that your parents are both artists, how does that influence the way that you make your art? Do you think there's any connection to the way you approach your work as a songwriter, as a singer, as a producer? Did you inherit any approach from your parents? Is there any commonality? Well, I watched my dad paint paintings my whole life. And my dad has never done an art exhibition. He has a house full of hundreds of paintings that he paints, but he paints them for his. He's always trying to like find something new. But it's not about showing anybody else.
43:07And I think that's where I get my thing from is where I would do it regardless because I've seen him do it regardless. Yeah. I mean, the only thing that I'm the one that put his stuff on my album covers or system album covers. Oh, you did? Well, Mesmerize Hypnotize is my dad's stuff. Oh, wow. I didn't know that. All the Scar stuff is my dad's stuff. Oh, cool. But his stuff on his own is very different than that stuff. That's me pushing him in a direction because I'm like, it's an album because his stuff's very abstract. Okay. so his approach is my approach I mean that's just kind of watching the way he does it and it wasn't like well I'm gonna watch him and take that it's just in the house this was how we did things this is how it was my mom when she was in Iraq was a sculptor and she did but when she came to the United States my mom is the responsible one yeah in the thing so she was kind of like uh saving the money and working and my dad worked too but like um you know if it wasn't for my mom like we would have just been like homeless bro bohemian art family luckily she has a side to her that was very responsible and organized so she kind of had to leave her art to the side and uh but you know she's one of those people that will sit there and in like 10 minutes can draw your face wow very um she went to school for art that's another thing where it's a little different with my dad and my mom my dad never went to school for it i never went to school but my mom is more trained as an artist in that way um but through the years like she she is an artist but had to kind of put her art to the side for yeah you understand these people came from iraq with nothing yeah like nothing and uh coming from baghdad to hollywood yeah you know and uh so So they had to make some sacrifices.
45:31And I know this is a crazy fucking thing to say, but it's true, that since I was a kid, what I do now is what I always was like. Since I saw all the early bands that I was into, it was an obsession and it was something that I was interested in. And music was always a big deal in my life. And even as a kid, in my head, I was like, and I guess I had the maturity as a kid to think this way, but it was like I knew what kind of sacrifice my parents had made. I knew that my parents were both artists and it felt like this like was your like it's my destiny like to to become one of the like this musician or the whatever it is.
46:29and then as I got older you know 8, 9, 10, 11 years old I would start telling people like I'm going to be in a band one day I'm going to do this I mean as a really young child anybody who knew me at that time will tell you he's not fucking with me he said that and he kept saying it and as I got older people would say what are the chances that that's going to happen and I go In my head, I was like, this is why my parents moved here. Wow. That's how my head was thinking. This is why this was like, this is all supposed to fucking happen. And yeah, then when they would tell me, oh, that's a long shot, or you're Armenian, no Armenians ever made it, and that kind of thing.
47:22And I was like, just watch. I have this crazy confidence. like even in high school they sent me to a thing or it's like a prophecy it's weird it happened and when it happened I got like panic attacks because I was like Jesus this fucking happened until this day till this day I get on stage and we just went and played South America and it was like 60, 70 thousand people that was insane those crowds in South America yeah but till this day I'm like dude dude, that fucking happened. Who does that happen for? I mean, do you know how many people have that dream? You know, but that's crazy. Like what, how, what was your parents' reaction to your success?
48:09They'll tell you the same thing. They'll say he was always into this. He was always saying he's going to do it. And, and they're obviously when you're like 14 years old and you're telling, and you're dropping out of high school and you're failing all your classes and, you know, you run with a crowd that's like you know fighting and all this shit your parents and then you're telling your mom i'm gonna be a musician and these are two artists that are have been struggling artists their whole life so they know what the artist life is right yeah so they were worried and it's funny because me and my mom talked about this just two or three days ago she's like at some point she told me i realized that this is what you want this is what this is what you are and uh she said i would be be like she's you know she's religious in some ways she said like i felt like i would be like sinning if if if i stood in your way yeah what you felt like this was your calling in life you know your destiny she's like at some point i just let it go and i and i supported and she did i wouldn't be here today without my mom's support she's a good mom oh she's she's amazing uh i owe her everything like she would give me i didn't have a job i didn't have shit and uh when i was 16 i started playing in bands that we needed rehearsal studios you know and i would have to ask her and we weren't rich but she would give me rehearsal studio rent every month so i can do what i do she knew that i loved music so she would let me take her credit card and go to the record store and buy me records because she knows that all i did was sit in my room and listen to records yeah yeah and she supported that man and yeah and so so watching my dad as an artist shaped me in one way but my mother's support is like priceless yeah especially the armenian armenians you know and then at some point i started painting my hair fucking pink and wearing nails on and all this fucking shit these people are from iraq you know like that takes guts on your part though i was you know as an armenian guy there was and even my friends they didn't look like that they didn't yeah that so yeah i mean i just it felt natural to me it felt right uh you know the music i was listening to at the time was like you know in my 18, 19, 20 I was like loving a lot of goth like alien sex fiend and you know when you're young you're kind of looking at people I like that style, I like that that style and that style and that style kind of together and make my own little style I do the same with the songs I write, you know I take I like that Yeah, it's like a pastiche I think the bands that do something unique do that yeah oh even if you listen to like van halen for example you know you hear yeah it's rock it's shredding but like david lee rott's vocals are not your typical fucking rock yeah kind of you know he brought in a lot of different kinds of things in that style and that's part of the reason they're so good yeah and they so you mesh this mesh that mesh that and you make this new thing because everything is inspired by something yeah it's the bands that copy that are kind of like okay i could tell you listen to tool because you sound like tool you know yeah and but the bands that kind of bring their influences and worlds together and create this new thing and you're like well that sounds familiar but that mixed with that i never heard that before and so you make some new thing with that that's exactly what system was it was so new and so different yeah and and we all are very different people in system and i think that also kind of comes out yeah in in this in the dynamic in the band like it's the personalities in our band are completely not each one of us is nothing like the other that's cool i'm glad you guys are able to still tour and still do what you're doing and i know fans are so appreciative of it and you can see that in those massive crowds in south america that was what was that experience for you like being on stage with those crowds the response was going to South America you're always like dude those are probably the best fans in the world I mean the way they are so passionate yeah uh so before I went there I would always tell everyone like dude I'm going from this quiet life to like that and and when it comes to like there's like 200 300 people outside the hotel room really like the second and you stick your head out of the window, it's like, you know.
53:41Yeah, it's – That's like the stuff you'd see from like Madonna and Michael Jackson back in the day. It's like that. It is. It's like that. But this time around, because we'd been there before. Yeah. This time around, the crowd – so they would bring these flares and it was a lot of them. So I posted that and I posted, oh, check out the pyro. I wrote something like the pyromaniacs in Peru or something like that. But every show we did after that, it was like the crowd started one-upping each other with the players and the fires. And then they started seeing footage of people breathing fire into the thing.
54:23So then I made it a thing where I was like, because we never have pyro on stage. So I turned and said, you notice that we don't have any pyro on stage, but our fans, they break the fire. and uh and so by the time we got to that last show in sao paulo it was a it was a scene that i never seen that with my band or i never seen that anyone else's band i've never seen a crowd that big i mean i've seen crowds that big i just never seen that much fire yeah the fire and then It's smoky too, so it creates this really spooky ambiance. It's like you're in hell, but it's like a party. Yeah. It's crazy. I don't know, man.
55:11I mean, we haven't put out an album with the system in so many years. And it feels like when I go outside and I meet the fans, I'm not meeting people that are my age. I'm meeting people that are 18. Wow. four, 30, around that age where some of these people were not even born when our last album came out. That's crazy. So the fact that the music has still you know, it's still lived with people and some people are either rediscovering or just discovering it, you know, it means a lot to me, man. obviously as someone like I told you before dreamt from a really young age that this is my life this is what I'm going to do and it's still happening and I'm this many years in and I have I got two bands that seem like I get a response and we get a response with these bands And it's still something that, you know, sometimes people who do it as long as I've been doing it kind of be like, oh, yeah, that is what it is.
56:35But it's not like that for me, man. For me, I'm like, I still can't believe this is happening. That's so cool. So when you do run into people and you have more time to talk to them beyond like, hey, can I get a picture? What are people asking you about system? Like, what's the most common thing people ask? well when I meet them face to face like that they don't really ask me anything they're I mean South America they were shaking and crying wow and so I'm like I always have to be kind of like you know I would try to ask like what's your name personal make them realize that I'm a human being like because for them I'm like this feels like I'm some cartoon character you know that came to life in front of their eyes just you know try to put them at ease show them i appreciate them but obviously the question that comes the most when it comes to system is like are you guys gonna make another album and you know all that stuff and for now i'm happy we we got those albums like i said people have just discovered it people rediscover it or people have lived with it and it's become the fabric of some of their lives um and that's cool man and and so i don't really entertain the whole like if you talk to me maybe like 10 years ago i might have like a little bit more like oh i wish we should make more yeah how much time has passed i'm kind of like i don't know i i mean if it happens it happens i'm not really pushing for it so much yeah the thing is we really get along as friends.
58:22And we always have as friends. But then when band politics comes into the thing, that's when the resentments come in and all this shit comes in. And we're kind of like hanging out again as a band, which we hadn't done. You know, Serge and I hadn't really hung out that much in the last quite some time. Serge and I text each other. Serge and I see each other. Serge and I feel friendly and friends and have kind of reconnected that. I don't know. I don't want something. I'm enjoying that. That must feel so good. It does because I never hated any one of my band members. We each had certain issues with each other within the band.
59:14but take the band out of the situation I think we all really like each other as people and as friends that's why it's like some bands stay together and make records together but they can't stand each other through all the years we don't have that we've never been the guys that were like well I can't be in the same room with that guy it's never been that way with System and I think fans need to hear that because fans think that Serge and I hate each other and they pick sides. They're like, I'm on team Serge and I'm on team Darren. And it's like, you guys don't realize that we love each other. Like we don't hate each other.
59:59You guys don't need to get on teams. You guys like us both. Yeah. People love conflict. and it becomes the that's the sad thing for me is because it becomes clickbait and it becomes all this crap and i'm like it's not really showing an accurate picture of what we're really like and how we really feel about each other yeah well i'm happy to hear that i'm happy there's love there and that you're reconnecting and i don't know that sounds like a step in the right direction Maybe something will happen. If it doesn't, it doesn't. I mean, you have you're you have a whole nother outlet. And, you know, you've made do.
1:00:42yeah and another thing is when there's so much of a gap between that last record and then something if we it just for me i like to see evolution and when we stopped scars became my new evolution yeah with my writing and those albums will be those albums and they've lived with people for such a long time that anything we do it feels like might even be criticized and be like well it's not as good well it's different time it's going to be compared for sure like there's something nostalgic about the old stuff and you can't fuck with nostalgia yeah no i know it means so much to so many people years have gone by and years of people living with that and so you can't just make up years that that's something that is just organic and in a natural way that things moved you know yeah but you guys have always been so authentic like whatever comes out will be authentic i'm not saying it would suck yeah it might be fucking good it might be i have so many songs that if the band wants to do that yeah i have music that i already know would be on that that's not going to happen I will take that music and put it onto a scars record and the the two songs that we did a few years ago protect the land uh well protect the land was supposed to be on addicted to the violence oh but because there was uh the war in arts off yeah and we wanted to say something because we had a platform and nobody was talking about it so we all got on the phone and we're like well maybe we should release two songs and i was like i have a song that's about that like and i didn't even and i wrote that song before the conflict happened it's just weird yeah that is weird um and so uh out and so i was kind of like willing like okay i'll take that song off the scars record and well we had it recorded i had all my vocals on that song are from my Scars recording.
1:03:05We just had John play the drums and Shavo play the bass and Serge kind of sang with me. But my vocals from that track are all from my Scars session. So the song was pretty much the same. Yeah. Except we brought in different people to perform it. Yeah. You know, I'm proud of that. it's cool that we did that but if i didn't take that to system it would have been a scar song if mesmerized and hypnotized never became system records lost in hollywood lonely day maybe i mean by all of that shit would have been scar stuff i want to ask you speaking of of those albums i want to ask you about soldier side yeah was there a read that's such a beautiful song was there a reason you put that just thinking about the track list was there a reason you put that as the last song well the intro of soldier side comes in in the beginning of mesmerize and then the rest of the song is the last song we didn't know that it was going to be a double album when we were in there recording the songs neither and i didn't know that when i was writing the song i the thing with me is I always brought in a lot of songs to those sessions.
1:04:27Toxicity had Toxicity, but then we had Steal This Album, but all the Steal This Album stuff was from Toxicity sessions. And that's just because I would just bring in so many songs because for me, I was like just writing like crazy, focused, and here, guys, and let's pick the best ones, you know? yeah and um so same with mesmerized hypnotized i came in with like 30 songs or more then we still have stuff that we hadn't even haven't even released off mesmerized and hypnotized that nobody's heard that we listen back to we're like shit we forgot we had this um put it out uh well there you go you got a little at least an ep maybe put that out that's peak system we'll see it's some of it i felt like just wasn't good enough to be on the record you know yeah you know the what we did with steal this album was those songs we felt like weren't as good as maybe the ones on toxicity but then somebody leaked them and they were they were leaked in a way that we're like well we didn't want them that way so what we did was go back in the studio and make them as good as what should have been on toxicity so we rearranged we did that so if we ever did that with the mesmerize and that's something we would have to do with those songs as well because there's something i don't know i look at them and i'm like ah this could be better that could be better so they need to be redone if that's ever gonna happen but going back to the soldier side thing so we have the thought of making a double album came up along the way and so in my head i was like why don't we use the intro portion of soldier side as the intro for mesmerize and then end the album with the song and it yeah yeah yeah yeah so when if you heard both records and then you listen hypnotize and that comes back at the end the way it started in the beginning it just bookended both of the records in a kind of creative in a very if i was a listener i would be like wow that that just came back from that like you know and and the records were also not released together there was months or I don't remember how yeah they were apart so I just thought it was just this cool emotional thing that would happen to the listener yes if if they if it all comes back at the way end of the second one you know I love when artists are thoughtful like that you know because there are a lot of listeners who appreciate that well you're creating a painting at the end of the day and once again going back to my dad and how i see records and how i see albums you're creating this work it's not just okay individual songs but it's this it's an album yeah and i know people nowadays don't have attention spans on but i still make albums I want the album to flow song into song into song, and there's a reason why I ended it that way.
1:07:59Addicted to the Violence is the last song, the title track, but it's the last song on the record. And it's this really kind of, for me, the song has this epic, the keyboards and the mood, but the way the song ends, and it just goes, boom. And it reminds me of the day in the life of the Beatles, where it just kind of ends. And it feels like an ending, like da-da. Yeah. And I wanted the album to end with that vibe. It felt, I don't know, that's just the picture I wanted to paint. Yeah, no, that's cool. We've been thinking about this just at Broken Record, talking to other people I work with, and this is a random question, but curious where you'll go with it.
1:08:46who do you think are the best like the five best american bands jesus van halen for me i i love van halen and it ain't because like it ain't because my favorite part of van halen is alex and dave to be honest and that's weird coming from a guitar player yeah I love Alex Van Halen. I'm a huge fan of his drumming. And David Lee Roth as a vocalist. And it's just, to me, it's such a complete rock. It's what a great rock band should be. It's that energy of all the David Lee Roth stuff. That's a good pick. But then, you know, Grateful Dead. I love the Grateful Dead. Me too. Shit. Even people ask me questions like this.
1:09:43I always walk away and I'm like, shit, I should have mentioned that guy. Yeah, no, it's hard to be put on the spot. But it's also kind of like, yeah, it's an interesting thing because a lot of you go to like British bands usually. But American is a whole different thing. Yeah. Fuck, man. I didn't expect the question. I know. No. And then you could think like, you know, do the Beach Boys count? Oh, yes. Thank you. I don't know do they they do yes they do okay so the Beach Boys and then what about newer bands um does Nirvana is Nirvana one of the best Guns N' Roses you know there's so many places you can go with it Sly and the Family Stone yeah uh Earth Wind and Fire do they count yeah all count yeah I mean I mentioned there is is good stuff it's great but you know everyone has their taste on you know who they think is the best like uh you know nirvana was a great band but yeah did they impact me as much as you know some other people you know i don't know did you great you know but yeah do you go to dead shows did you used to go to dead shows not a lot i wasn't like following them but i would i saw them at the la sports arena when jerry garcia was still alive on and i was on mushrooms so it was really good they're so good they're just like a good band to have just playing in the house like throughout the day american beauty is one of the just one of my favorite albums man yeah from top to bottom is uh i know they're known as a jam band but yeah Those songs on those records, Ripple, Box of Rain.
1:11:33Yeah. Oh, I love that you love that. That's so nice. I wouldn't have expected that. Great, great songs. Some of my favorite songs. But you said the Beach Boys, you know, early Beach Boys. I love the 2020 album is such a good fucking album. I loved it. I know Pet Sounds is the one that everyone talks about, but there's more to the Beach Boys than just Pet Sounds, man. Yeah. Vocal harmonies. I don't know, great bands. I don't know. The Everly Brothers get considered as a band. I don't know. They inspired so many people. Like those, you know, aside from bands, you have just a lot of individuals in American rock that, obviously Elvis Neil Young he's Canadian though when people ask me about some of my favorite guitar players I always bring up Neil Young he's not a shredder he does his thing but I love that thing oh let's not forget the Ramones should be yeah the Ramones are so awesome Ramones definitely should be mentioned in that they're so awesome I love them a lot of great punk bands the Dead Boys the misfits all american bands uh bad brains yeah were you into like hardcore like new york city hardcore or the bands coming out of dc were you into that too sure uh like minor threat yeah like fugazi and all that i love fugazi oh cool um was there anything else you wanted to say or talk about with a new album that we didn't cover?
1:13:17You know, it's just, I don't put out albums a lot, but when I do, it's something I really believe in. Like, for example, if 10 years down the line, people ask me, well, what are some of the most proudest moments you've had as a songwriter? The song Addicted to the Violence will come up, just like aerials or just like anything i've done with system just like babylon is one of those songs uh there's a song called till the end on the second scars record these songs that i i've had these moments where i'm very kind of you know you have a lot of children but some of your children kind of you have this pride i don't have any children but i'm saying but i'm saying if people who have a lot of children you know you have some that you might be a little bit more proud of than so there's stuff on this record like shame game or addicted to the violence or um it's just if you ask me 10 years from now I guarantee I will tell you that those songs will fall into the group of songs that I'm very very proud of in my history or in my you know discography or whatever that's awesome it's awesome you can still do it and that you still have this band and that you have you have so much pride in in the new music that you're making I wouldn't put it out if I didn't have that I second guess myself constantly and I'm very picky about what I put out there dude I have a rolodex of songs I have albums worth of songs that I'm still tinkering with playing with people are like well it takes forever for you to take put out albums and i'm like well when i put out an album that album is forever yeah no that's real so i will take forever to make sure that that song is finished or you know you're cooking food it's ready to eat yeah you know it's it's not half baked it's a It's ready to go.
1:15:50It's ready to be absorbed, taken. And, and I make that decision. Yeah. I see it and I see, well, it's finished and it's ready to record. And if it takes me forever to do it, I will take forever to do it, to put out something that's going to be forever out there. Makes sense. Yeah. That makes sense. Cool. Thank you so much for your time. I appreciate you talking. It's been so nice. Yeah. I appreciate you doing this.
1:16:49Our engineer is Ben Tallade. Broken Record is a production of Pushkin Industries. If you love this show and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin Plus is a podcast subscription that offers bonus content and ad-free listening for$4.99 a month. Look for Pushkin Plus on Apple Podcast subscriptions. And if you like this show, please remember to share, rate, and review us on your podcast app. Our theme music's by Kenny Beats. I'm Justin Richman.
1:17:23The more you learn about your favorite artists, the more you want to know. Claude helps you keep digging, finding new threads and rabbit holes to explore. Whether it's discovering deeper meaning behind a detail in an interview or figuring out the influence behind an artist's particular era. Claude thinks with you to find the next clue. If you can't get enough of the stories behind your favorite music and artists, Claude will help you discover new layers you didn't know existed. Try Claude for free at Claude.ai slash Broken Record. This episode of Broken Record is brought to you by Chase Sapphire Reserve.
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From the publisher
Daron Malakian first made his name as the enigmatic guitarist and songwriter behind System of a Down. Between 1998 and 2005, the band released five albums—three of which debuted at number one on the Billboard charts. In 2006, System announced an indefinite hiatus.
Eager to keep creating, Daron launched a new project: Scars on Broadway. Their debut album arrived in 2008 to critical acclaim.
Since then, he’s reunited with System for a series of live performances—including a recent South American tour that drew massive crowds. Their final stop in São Paulo, Brazil, attracted an estimated 75,000 fans.
Now, after seven years in the making, Daron is releasing Addicted to the Violence, the third Scars on Broadway album—featuring what he considers some of the best songs he’s ever written.
On today’s episode, Leah Rose sits down with Daron to talk about why he believes he was destined to be a rock star, and how his parents’ journey from Baghdad to Hollywood helped make that dream possible. He also explains what people often misunderstand about his relationship with System frontman Serj Tankian—and reveals the surprising contrast between his outrageous onstage persona and who he really is offstage.
You can hear a playlist of some of our favorite Daron Malakian songs HERE.
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