In short
Broken Record Podcast Episode Summary
Podcast Details
- Title: Broken Record
- Hosts: Rick Rubin, Malcolm Gladwell, Bruce Headlam, Justin Richmond
- Description: Musicians discuss life, inspiration, and craft, followed by musical performances.
- Episode Title: Rewind: Chris Robinson
- Episode Description: The episode revisits Justin Richmond's 2024 conversation with Chris Robinson, lead singer of The Black Crowes, in light of their 2026 Rock and Roll Hall of Fame nomination.
Episode Highlights
The Black Crowes and Their Legacy
- Impact: The Black Crowes are heralded as one of the great rock bands of the last 30 years.
- Recent Recognition: Nominated for the 2026 Rock and Roll Hall of Fame alongside notable artists like Lauryn Hill and Phil Collins.
- Album Release Context: The conversation took place around the release of their album *Happiness Bastards*, marking the band's first album of new material in 16 years.
Early Life and Musical Influences
- Growing Up in Georgia: Chris discusses his childhood in Georgia with brother Rich, including their father's rockabilly career.
- Musical Roots: The Robinson brothers’ early influences included a blend of Southern rock, punk, and various genres from their father’s musical background.
Changes in Lifestyle
- Road Life: Chris reflects on how life on the road has changed from indulgence in alcohol and substances to more intellectual pursuits, such as reading Herman Melville.
- Joy in Touring: Despite the challenges of touring, Chris expresses an enduring excitement about performing and meeting new people.
Musical Palette and Inspirations
- Eclectic Taste: Chris shares his wide-ranging musical influences, from Sudanese and Sufi music to jazz and classical Indian music.
- Creative Process: He describes the songwriting process with Rich as a blend of shared experiences and emotional connections, often shaped by the musical ideas introduced by Rich.
Reflections on Aging and Future Directions
- Artistic Passion: Chris emphasizes the importance of maintaining creative passion and the drive to continue making music.
- Looking Ahead: While recognizing the inevitability of aging, he expresses a desire to continue touring and creating music for the next decade or so.
The New Album
Happiness Bastards
- Creation Process: The album was produced with a focus on authenticity and energy, reflecting both personal and collective experiences from the band.
- Musical Direction: The new record is described as an "arrow pointed towards the future" for The Black Crowes, with a commitment to rock and roll's energetic essence.
Personal Anecdotes and Humor
- Sibling Dynamics: Chris shares humorous stories from his childhood with Rich, including their playful fights and early creative expressions.
- Cultural Reference: The conversation spans various cultural topics, including cinema and unique experiences that shaped their artistic outlook.
Key Takeaways
- The Importance of Legacy: Chris believes in the significance of The Black Crowes' music in the cultural landscape, noting how their songs have impacted listeners over the decades.
- Ongoing Exploration: He continues to explore new musical landscapes and cultures, reflecting a deep curiosity and respect for diverse art forms.
- Emotional Authenticity: The band aims to create music that resonates emotionally, valuing sincerity in their artistic expressions.
Conclusion This episode provides a rich exploration of Chris Robinson's experiences as a musician, highlighting the evolution of The Black Crowes and their ongoing relevance in the rock music scene. The conversation encapsulates themes of nostalgia, growth, and the enduring power of music to connect and inspire.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Black Crows and Their Journey
2:22 to 3:10
Explore the history of the Black Crows and their new album.
“16 years have passed since the Black Crows last put out an album of all new material.”
Growing Up in Georgia and Early Influences
3:10 to 4:00
Chris Robinson discusses his upbringing and musical influences.
“their dad's rockabilly career, his listening routine that includes Sudanese and Sufi music, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.”
The Evolution of the Music Scene
4:00 to 5:00
Discussion on the music scene in LA and its diverse influences.
“we kind of were into this kind of jangly, 60s-inspired.”
Atlanta's Unique Musical Legacy
5:00 to 6:10
Chris shares insights on Atlanta's impact on music and culture.
“War is like such a quintessential LA Long Beach, in fact, group, you know?”
Reflections on Moving to New York and LA
6:10 to 7:40
Chris discusses his experiences moving from Atlanta to New York and LA.
“I mean, you might, I might have been tempted to say New Orleans, but I think when you kind of look at the musical legacy of Atlanta over the last.”
Culinary Discoveries in LA
7:40 to 9:20
Chris talks about his exploration of different cuisines in LA.
“Of course, having the great reverend be from there, you know, gives Atlanta a different perspective.”
Cultural Changes and Identity
9:20 to 10:40
Discussion on identity and changes in Atlanta through Chris's eyes.
“California, later I would get to know far more about this state.”
The Impact of Music and Media
10:40 to 12:40
Exploration of the relationship between music, media, and culture.
“People always describe LA when they come to LA as being closer to the industry, as being closer to things.”
Nostalgia and Changes in Atlanta
12:40 to 14:03
Chris reflects on the nostalgia and evolution of Atlanta over time.
“But the other funny thing is when I came here, I laugh all the time because it was like, growing up in Atlanta or whatever in 19, I had my first sushi in 1989.”
Reflections on Atlanta's Changes
14:03 to 15:45
Chris Robinson discusses his feelings about the changes in Atlanta over the years.
“I don't know anything about anything, and I don't even know what this is.”
Show all 24 chapters
Excitement for Touring
18:50 to 21:45
Chris Robinson shares his ongoing excitement for touring and meeting people.
“Complete disclosures available at public.com slash disclosures.”
Life Reflections and Pandemic Experience
21:45 to 24:19
Chris talks about life changes, the pandemic, and his desire for more leisure travel.
“Personally, I didn't really find it creative.”
Connection to African Music Traditions
24:19 to 26:07
Chris discusses his interest in West African music and its cultural significance.
“And because Africa is such a huge thing to, you know, I'm really interested in West Africa.”
Global Music Influence and Exploration
26:07 to 28:00
The conversation explores Chris's diverse music interests across cultures.
“I see that in a first person and see what it feels like for me as a real outsider.”
Exploring Diverse Musical Interests
28:00 to 28:31
Chris Robinson discusses his diverse musical tastes and influences.
“I don't know how to pronounce their names.”
Transition Back to Conversation with Chris Robinson
30:37 to 31:37
The podcast returns from ads to continue the conversation with Chris Robinson.
“Visit auraring.com forward slash decoding to get 10 % off the new Aura Ring 4.”
Creative Process and Psychic Energy in Music
31:37 to 35:39
Chris Robinson shares insights into the creative process behind songwriting with his brother.
“by Open to the Public Investing, Inc., member FINRA and SIPC.”
Sibling Dynamics and Musical Tension
35:39 to 38:11
Discussion on the relationship dynamics and tension between Chris and his brother in their musical journey.
“But we know what it feels like, and we know what sounds right.”
Cinematic Inspirations and John Carpenter's Influence
38:11 to 40:41
Chris Robinson discusses his love for film soundtracks and the influence of John Carpenter.
“And then we would like, see who would win in a fight, Mad Max or Snake Plissken.”
Reflections on the New Album and Musical Direction
40:41 to 42:00
Chris discusses the creative direction and focus for the Black Crowes' new album.
“pineapple upside down cake dream or something.”
Collaborating with Jay Joyce: A New Sound
42:00 to 43:19
Learn how Jay Joyce's production influenced the band's creative process.
Balancing Old and New Music on Tour
43:20 to 45:39
Discover how the band balances playing new songs with fan favorites during tours.
“We feel that it's right there with the best of everything we've done.”
Reflections on Legacy and Audience Connection
45:40 to 46:44
Explore the band's evolving relationship with their audience over decades.
“And make it special and have that relationship with the audience.”
Passion for Music and Future Aspirations
46:45 to 49:18
Listen to Chris Robinson discuss his ongoing passion for music and creativity.
Transcript
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1:50Pushkin.
1:55The Black Crows are one of the great rock bands of the last 30 years, and they've just been nominated for the 2026 Rock and Roll Hall of Fame, alongside nominees like Lauryn Hill, Phil Collins, Wu-Tang Clan, and Oasis. All acts I'd vote for if I were a voting member, by the way. But instead of voting, we figured we'd honor the Black Crows nomination by running back my interview with their singer Chris Robinson from when they released their album Happiness Bastards. Enjoy. 16 years have passed since the Black Crows last put out an album of all new material. The world's changed a lot since then, and it appears so have the Robinson brothers.
2:32Chris and Rich Robinson are, of course, the backbone of the group. They started together back in Georgia in 84 as Mr. Crow's Garden before moving to NYC, signing with Deaf American, and changing their name to the Black Crows. The band's debut album, Shake Your Money Maker, set them up as torchbearers of Southern rock for the 90s and beyond. As you'll hear in our conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years, but now they're back united and seemingly in it for the long haul with their new album, Happiness Bastards.
3:09On today's episode, I talked to Chris Robinson about his growing up in Georgia with Rich, their dad's rockabilly career, his listening routine that includes Sudanese and Sufi music, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville. This is Broken Record, liner notes for the digital age. I'm Justin Richman. Here's my conversation with Chris Robinson of the Black Crows. Is that a gun club like the band shirt that you got on? Yeah, yeah, yeah. Oh, hell yeah. I love Gun Club, man. Jeffrey Lee Pierce, one of my faves. And it's funny because when we started, people would always say we sounded like, and we did, there was the jangle sort of indie pop thing, R.E.M., of course, being the purveyors of that, but Let's Active and the D.B.s and then bands from California, like Game Theory, we kind of were into this kind of jangly, 60s-inspired.
4:08but we really sounded early days a lot like the gun club you know because gun club and x are very interesting to me and the like early punk scene here in los angeles because they were the well i guess you could put the blasters and the plugs in there too blasters are from sf though right oh blasters are la band too yeah are they oh okay cool they had those kind of rootsy things you know And it would be really early on that we would think like, okay, well, Jeffrey Lee Pierce is like a punk icon, but he plays a Robert Johnson song on the first record. I mean, it doesn't sound like Robert Johnson, but needless to say, he found great inspiration and the mythology and the imagery and the vibration of the blues and stuff, which other punk bands really didn't.
4:55Whatever music is happening in LA, there's always some subset of it that countrifies it. you know it's like even with the birds like sweetheart of the rodeo like all that stuff like the birds got into that and you know i don't know you could even feel that with buffalo springfield or i mean i know like neil's from canada or whatnot but they're making music here you know of course of course well i mean you know i mean while that's going on tim buckley's here and you know what i mean and while that's going on you have bands like the chambers brothers and eric burden leaves the animals and a northern english white band playing blues music and then And he's the lead singer of War.
5:31Of War. War is like such a quintessential LA Long Beach, in fact, group, you know? I mean, I think, obviously, their subsequent most famous records don't include Eric Burden. And it's funny, it also just goes to show how that's just how music is, isn't it? You know what I mean? I mean, I guess, obviously, you can make examples of things that seem heavy-handed or things that don't contain a certain authenticity. But I mean, that was a big deal when I, you know, talking about growing up in a band, being from Atlanta, being like in arguably the most progressive city in terms of race relations in, if not America, and maybe globally.
6:16That's interesting. It probably has to be. I mean, you might, I might have been tempted to say New Orleans, but I think when you kind of look at the musical legacy of Atlanta over the last. I mean, New Orleans most definitely, but Atlanta is different because of the black universities. Yeah. like kind of concentrated there in Atlanta having Maynard Jackson as the first black mayor the first black police chief for black police force in the deep south when I first landed in Atlanta I gotta say coming from LA because I grew up in LA when I first landed in Atlanta and I'm in the airport I'm like where the where am I like how the whole airport is black this is crazy it was the weirdest experience for me funny that's funny and as I said I'm a third generation Atlantan and I don't really make the connection of being like i'm a southern person but my connection is with atlanta yeah and so you know it's funny because maynard jackson's the guy who when hartfield international airport becomes an international airport he's the one who's like we're not doing anything unless black business owners are recognized and have a piece in this and what that could mean for the community something very subtle like that still reverberates i think and besides the culture because you start to see Atlanta also be a city, you know, famous for the musicians and the hip-hop and the athletes that all move there.
7:36But the reason that becomes attractive is because of decisions like that and the hard line that someone like Maynard Jackson would take and how Atlanta had been pried open. Of course, having the great reverend be from there, you know, gives Atlanta a different perspective. But I know it's a unique place in that way. And it's funny, like, I speak on it from the past because I really left. First check I got in the Black Crows, I moved to New York. Being in a band to me was like, you know, shooting an arrow over the mountain. Like just, I wanted to get out in the world. Had you been to New York before you moved there?
8:11Yeah, yeah. Actually, you know, our dad, Rich and I's dad was a singer. He had a top 40 rock and roll hit in the 50s called Boomadipdip. You can check it out on Spotify. I've listened to some of that stuff. it's really good man it's really good yeah it's a good song and so i really have it and we'll be in new york and he was like you know into the theater and music and acting and dance you know so he wanted that too at a certain time in his life and he was in new york and um and it's funny my mom was a flight attendant for the old eastern airlines and you know it's funny she told me she goes oh i served dr king many times on flights out of atlanta wow i always like really blew my mind as a kid you know of course you did i would make i mean how many flights out of atlanta must he have taken yeah i mean all the time you know you know so i moved to new york first and i still love new york and some of my deepest connections and friendships are there my wife and I just got back from there yesterday.
9:18But I came to Los Angeles, and I don't know, it was farther away. From Georgia? Yeah, from everything. I mean, California has an idea. California, later I would get to know far more about this state. And I lived up north for six years, and I was in this little hippie band. And we started, we did nine weeks just up and down California in a van, playing all the little beach towns and hippie towns. And, you know, I got a real appreciation for, do you remember Huell Houser? Oh, come on, man. California's gold, baby. I was like the psychedelic Huell Houser. You know what I mean? You know, Huell Houser was always like, so this is an Adobe.
10:00Wow. He was amazed about everything, too. He's like, so this is a bowl of menudo. I love Huell Houser. R.I.P. The late great, man. The late great Huell Houser, man. I love, and you know what? He was always so excited. He saw every mission from San Diego to like, you know, the Oregon border. So that is the mission. He's like so excited. Everything was ecstatic to him. It was crazy. It was so, that was a funny show to watch, man. I loved it. When I moved here, I was like, what is this? This is fantastic. I also am lucky that when I'm, so I moved here in 91, early 92. that was the golden age of public television yeah the weirdest weirdest of the weird stuff would come on tv man on the couple of public stations on your cable like channel 6 and channel 14 or whatever the most unimaginably i mean obviously like tim and eric i don't know if you ever got into tim and eric oh yeah oh yeah tim and eric like take the inspiration of that into their twisted world for the series which is still some of my favorite stuff you don't need a chinese massage you need an italian massage it was fantastic you know what i mean and and you know the other thing about things that were really i've always been interested in outsider culture you know when those would be like driven by like this but but because it's hollywood it made it even weirder like i'm on tv now i'm famous too you know what i mean it's kind of predated the psychoses that has become social media, you know?
11:35Yeah. Yeah. People always describe LA when they come to LA as being closer to the industry, as being closer to things. But I also find that you can find your niches and stay way out of the way of the industry if you want. I did it. Yeah. I mean, when I moved to Topanga Canyon at a certain point, I moved to Topanga because I have these romantic notions of what Northern California, and I've been to Northern California, but what it might feel like not to be in LA, but to still be able to be in LA for different reasons. I'm of the firm belief that Los Angeles is one of the great cities in the world, which is also unique because of how new this city is comparatively.
12:17In 1860, there's 5 ,000 people living here. That's wild. Ranchers and spread out, and it's just come over from Mexican rule and stuff from that government. and they had, you know, gave everyone deeds to these massive fincas and ranches and things that were all of California, you know. So it's not that old in the big scheme of things. But the other funny thing is when I came here, I laugh all the time because it was like, growing up in Atlanta or whatever in 19, I had my first sushi in 1989. This guy ended up being our manager, took me and Rich with some friends to get sushi. And that place was called Imperial Gardens or whatever.
13:03It was right there on Sunset. It's now like an aqua place or something. But it was the Roxbury later. But anyway, we're sitting there. And of course, I know what it is. But Stan and Nancy Robinson in Atlanta, we didn't do sushi. You know what I mean? I remember being 16 and telling my dad, coming downstairs one day, I was like, why have we never had Indian food? My dad was like, you're right, we should go get it. And I was like, we all drove to the one Indian restaurant, and it was amazing. But when I'm here in 1989, I'm still working on the first album, and I'm a kid from Atlanta. But the cool thing is, it's a mentality.
13:43You get farther away from where you come from, and like anything else, you figure out what's delicious about it and what's special about it. And now it has a place in your culinary thing. Tonight's sushi, we want to go. And you know what I mean? And then you can enjoy it on the level. But there was one time where I come to LA, I don't know anything about anything, and I don't even know what this is. How far removed from Atlanta do you feel now? Do you feel like an Atlantan? I mean, not especially. And none of that is to be taken as if Atlanta has feelings. I do love Atlanta more than ever but it's also I like the remnants of the Atlanta that I remembered So when you go back you don't see the I mean man it's changed There was this thing on Pete Street called the Darlington Apartments and there it used to have this digital thing and it would be like 2 ,900 ,000 you know what I mean and it was the population and it got older with the population sign it got bigger and it went to 3 million in 1990 deep.
14:48You know, we used to hang around this monthly thing called the Mud Shack at this after hours Mexican burrito place. And it was a poetry reading and just the poet would get on stage like, I live in a city of three million people as if it was like, you know, this Atlanta. It's almost eight million people now. Yeah. Yeah. Right. That sounds about right. It's huge. So we're not there. I mean, of course I love it. But most a lot of the Atlanta, of you know the house where we used to rehearse and have parties is now the federal reserve the club that we based all our rock and roll dreams and mythology on is now at a you know place where people go get stitches or whatever you know what i mean like all of that kind of stuff from back in the 80s whenever the world was new and music was all our career was ahead of us that's all kind of gone yeah you can see that the skeleton of it you know what i mean yeah we'll come back with more of my interview with Chris Robinson after this quick break.
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18:32We'll be right back. an uncapped 1 % bonus when you transfer your portfolio. That's public.com slash podcast. Paid for by Public Investing. Brokered services by Open to the Public Investing, Inc., member FINRA and SIPC. Advisory services by Public Advisors, LLC, SEC Registered Advisor. Generated Assets is an interactive analysis tool. Output is for informational purposes only and is not an investment recommendation or advice. Complete disclosures available at public.com slash disclosures. We're back with Chris Robinson. Do you get excited to tour these days? Can you still get excited about it?
19:01I do. I do. It was funny. I've done a couple of interviews for this project and I'm like shocked that the people have said, you're the first musician who says they still find inspiration doing what you do and being on tour, they say is so boring. I'm like, I've never lost the dream. And again, I've never been bored. You know what I mean? Even as a kid, like with my mom and dad, go to your room. I'd be like, I'm amazing. That's all I want to do. records are in there the books i'm reading are in there i can draw i can dream you know what i mean daydream i mean i was somewhere there's a permanent record of me and all it says is prone to daydreaming not very good at math yeah right but i was saying i mean it's just the way it is i i mean is it tedious sometimes fuck yes i'm 57 now airports fucking suck yeah not every gig is a magical experience, but you never know who you're going to meet.
20:01And it could be anyone. It could be the Guyanese Uber driver who picked you up in St. Louis, who's fucking hilarious and amazing, soulful person who's left a life behind to try to eke out something better. And like, it's so brave and courageous. And, you know, you, and you're only with this person eight minutes from the airport or whatever. And you just, two people in the world laughing in a car, you know, But that little thing, that doesn't even necessarily have to be a part of the narrative. It just has to be a part of that you still believe that there's dynamic in meeting people and talking and laughing and sometimes crying.
20:38But I'm just naive enough to still see it as in the same way that I wanted. I picked music on a lot of levels because I knew it was the one thing that I would travel all the time. Yeah. And then you set up your little thing and then you put your vibes out there, you know? That is pretty weird. I feel like listening to you talk, the only other person who has had a level of success that you've had and tours as much as you do and travels as much as you do, that seems to still love it. I got lucky. I met Quincy Jones in Havana maybe 10 years ago. Wow. And the joy he has to, like, travel and just talk to anybody.
21:13It's like, he's like, yeah, he'll tell Sinatra stories and he'll tell the story about, like, the cab driver in, like, Memphis. And he's like, everything is like new and fun and interesting in every person and everything and every sound and every, that's a particular joy that you don't find in a lot of people. Like I said, I understand. And, you know, you get older. It also helps in my life that after all the rock and roll and all the experiences that I found Camille, my wife. because I found someone who she understands that some of that is problematic and some of it's a pain in the ass and some of it's like can't we just be nor do normal something and like by the way we can talk about that and uh do our best but then she also realizes like she's an artist and she's a Pisces queen moonstone child out in the world you know who wants to feel these things too And, you know, my thing is the pandemic was such a fucking head trip.
22:18Personally, I didn't really find it creative. I found it stifling. But we were lucky enough to live out in the wilds of West Marin. And then we were in Southwest Colorado. Amazing. Yeah, which was really, really hell. But one thing I thought I would really flip out on was it was the first time since I was basically a teenager where I wasn't working and touring and singing and playing and doing the whole spiel and you know what it was rad really you liked it well my head didn't fall off you know our lives didn't you know disintegrate into nothing it was nice I had time for a lot of other things and it's funny the travel part of it I was just talking to my manager Mark last night about how at a certain point it would be nice to bow out from performing the way we perform before i can't because i love the travel and we fit in the things that we want to but it's different to be in a place for you know we're going to paris i'm going to see my friends i know all the restaurants i want to go to i know all the things i want to do ah but you got to leave in two days yeah yeah and you have a show when i was a kid i didn't care we would just party go out champagne drugs this that two days do the gig go back do it again do the gig you know like it's all one thing it wasn't when you're young you can do it you know what i mean yeah i don't feel that now i'm really happy being in the black crows and really fulfilling and satisfying and gratifying but at a certain point i just want to take my wife and go to sicily and eat linguine and clams and like, you know, drink wine and, you know, read Moby Dick for the third time or whatever.
24:09You know what I mean? I just want to just be a part of everything going on. There's lots of places I haven't traveled. I haven't been to Africa. I've always wanted to go to Africa. You know what I mean? That would be nice to have some time to do that. And because Africa is such a huge thing to, you know, I'm really interested in West Africa. I'd like to go to North Africa. It'd be cool to see the East Africa. It'd be cool. You know what I mean? What interests you in West Africa? I don't know. I think maybe it has something to do just with the, I mean, I love North African music, but there's, you know, a lot of those West African music could be because of the horrors of mankind and the horrors of the slave trade.
24:48Human beings found a way somehow through the vileness of that to communicate and share things in art and music, cuisine. so many African parts especially in the deep south and people don't even know they're under educated anyway but with these things it's like oh every southern person loves to eat fried okra but okra came over from Africa before that okra came from India to Africa so just dumb things like that plants and fruits, vegetables natural things and supernatural things that were brought over that could never be extinguished. And I just have some sort of, and I don't even know what it is because I'm not obviously that knowledgeable as other people, but I can put a few things together and realize, you know, so much of the music, singing, rhythm things, guitar things especially, string things, come from a West African musical tradition that represents like this African mysticism and magic as well that manifests when people express themselves vocally and rhythmically and with melody and things, like a simple something like a string guitar.
26:03And that is something that would draw me there first. Amazing. I see that in a first person and see what it feels like for me as a real outsider. Yeah. Outsider culture is important to me just because of whether my dyslexia or just whatever my tastes and where I would find the things in life that are interesting, that make me happy, things that I can understand or help me for things that I don't understand to understand. So a lot of that you have to kind of just vibe out viscerally fine. And I would be curious to see what it feels like. Yeah. Wow, we've gone from like psychedelic Hulhauser to like psychedelic, like Anthony Bourdain or some shit.
26:43We've gone global now. Call my agent. I'm down to do this job. That's amazing, man. I want to check out like Robert Plant goes to Morocco. Yeah. Yeah, he loves the Sufi music and the North African music. Yeah. And it's funny because I have this app where you can listen to radio stations all over the world. But it's like, wow, right on, man. I want to listen to some rad Cambodia music. It's like, oh, it's Nicki Minaj, like everywhere else. I know, that's kind of a bummer about radio now. I mean, it's like, which is cool. I'm not bagging Nicki Minaj, but I'm thinking I'm going to get hip to some thing I've never heard, some regional vibes or whatever.
27:22and it's like, oh, it's the same shit they're playing here. Is it that radio app? Yeah, yeah. It's so cool. But there's some in Morocco, and then there's a certain kind of music that the horrors of things. There was a slave trade in Africa for a long time, too. Yeah, within. Within Africa, and they're bringing sub-Saharan Africans to North Africa, but a great musical art form is born from it that still exists today, and there's whole radio stations that play it, and they're basically a living blues. It's the same tradition of the pain and suffering of the blues that these people brought with them.
27:57It still lives today and is now celebrated as rebel songs almost. Yeah. It's like those North African guitar. I don't know how to pronounce their names. Tintin Arwen. Tintin Arwen or something. Yeah, right. I saw their first show in New York many years ago. Really? I love that music and I love Sudanese music. And then you go over. I love Persian classical music. I love music from Afghanistan and I love Turkish music. You know, I really have a lot of diverse interests in things like that. After this last break, we'll be back with more of Chris Robinson. Small businesses are the pulse of every community.
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31:37We'll be right back. by Open to the Public Investing, Inc., member FINRA and SIPC. Advisory services by Public Advisors, LLC, SEC registered advisor. Generated assets is an interactive analysis tool. Output is for informational purposes only and is not an investment recommendation or advice. Complete disclosures available at public.com slash disclosures. We're back with the rest of my conversation with Chris Robinson. Within the Crows, like maybe like with your brother, for instance, does he have a similar musical palette? I think he has an appreciation. I don't think his palette is as wide as mine.
32:05and he would admit that i'm not you know he always said like growing up like chris would bring back way more records than i would listen to or some i wouldn't be interested in but i got to he could be able to cherry pick what he liked and he loves classical indian music i listened to like mesopotamian sheepherder music and stuff you know what i mean like i'm really into a lot of different things do you listen to that stuff more than like rock and roll like you'd rather reach for that than a Stones record. No, I listen to things all day long. Like, I like to start the morning with something mellow.
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32:42We'll listen to a lot of Indian classical music. Or personally, I like to start my mornings with the late, great Ben Webster or something. Lester Young, I love the Prez, you know. But we also love Rahsaan Roland Kirk, and we love Thelonious Muck, and we love Bobby Timmy, Bud Pound. We listen to a lot of jazz. as we listen to a lot of blues, country, R &B, funk, soul, rock and roll, punk music, post-punk music, electronic music, Rasta music, you know. Share your Spotify right now. Share that Spotify. I'm trying to plug in, man. Don't have Spotify envy, man. I'm just obsessed, you know what I mean?
33:23And my obsessions maybe made me way more difficult as a youth in the music business because I also associated a certain authenticity, passion, and purity to my obsessions and what I wanted to say. But I also have a waking life with music that has nothing to do with me making music or being a musician. Those things are simpatico, but I'm sure it's annoying. I'm the guy who I get in the car to drive down to eat dinner in West Hollywood. I'm like, hey, man, can I play the Spotify? Oh, yeah, in the car. Dude, I got us kicked out of a sushi spot one time because I asked them to change the music. And then they opened the same sushi spot across town.
34:04So when we tried to go there a year and a half later, it turned the same lady was serving us. She's like, you look familiar. I was like, I don't know. I don't know. No, no, no. I wasn't. So did you ask me to turn off the music one time? I was like, no, no, no, no. It must have been my brother. I don't know. It wasn't me. Like, hey, DJ Soy Sauce. You're not coming in here. You know what I'm saying? They weren't happy, man. I was like, just change the show. I could tell it wasn't like pre-programmed. It's like you're on Sirius or some shit. Just change the stage. That's all I'm asking. I'm just always, you know what I mean?
34:30I've just been adventurous and things. I can access what makes things interesting to me. But I do that with a lot of art. I do that not with music, but with literature, cinema, most definitely. Comedy as well. So is all that going through your mind as you're writing lyrics for the Crows or for your other groups? I imagine. Yeah, I imagine it's something. It's all in there. But I think when it's time to focus on writing a lyric or whatever, I've written songs with other people. I've written many songs on my own. The thing that is the Black Crows is Rich and I's contribution together. Rich, whatever he's coming from will play me something.
35:12There's a lot of psychic energy involved in it as well. And music is a great conduit to open those kind of psychic channels. And do you go into it with that intention? Do you have to set out to do that, or does it happen? I think there's other musicians who can do the fucking math and know all the shit, and they do another thing. I've only ever been able to access it this way. Got it. This is my process because of however, because we didn't learn music, we don't know shit about music. I don't read music. Rich doesn't read music. But we know what it feels like, and we know what sounds right. And then you keep doing that.
35:47Of course, through that, your vocabulary gets bigger, but we maybe are using different words than people who are more knowledgeable about the inner workings in mathematics. The arithmetic of music is something that has escaped us. But I think it's also in our, that makes it folk. And that makes, you know what I mean? There's some sort of, that's why we look at it more in like, it's kind of magic when a song happens out of the blue. One minute, there's nothing. One little thing like this, and then I get an idea. And then that changes what Rich is doing. and then it's all dictated by whatever the vibe is that rich plays me there's an emotional ingredient to what he plays me like our probably most famous song is she talks to angels he wrote that song he was very young with the riff and then we probably didn't get to it till like a year later when but we would be playing things around mom and dad's house he was like 17 when he wrote that yeah 17 i would be 19 so there's something about the way he pulls that first that would just put me in a place to write a song with that kind of dark romantic melancholy imagery but we do that today and we do that i think especially if we get around to like where we're going right now with this happiness bastards record and stuff i mean i think that's that's exactly what we've done with this i mean there's a lot more rock and roll on it there's a lot more water under the bridge.
37:09We've lived a lot. We've personally, I'm one of those people and I have two children and we want everything to be the best, but I'm also not afraid of adversity because I don't think you should be afraid of something that you have to find acceptance with. You know what I mean? Because it doesn't matter who you are, what you do. If you do it to yourself, if someone's doing it to you, if you have the means, if you don't have the means, no one escapes adversity and it changes you know what i mean how we deal with it the great energy and power of youth and where we came from in rock and roll was the anger the fuck you part of it yeah even with each other yeah yeah but that boils into that yeah i mean it's like live fire you know and like but it's also a great you know if you can get that in the food and you can get in the studio and get it on there you know we weren't clever enough to do the math we were only clever enough to wear our emotions on our sleeves did your parents pick up on your guys's tension yes i mean fuck i i mean even more so probably the older we would get but they weren't around when it was like for some reason you know we he had his own bedroom i had my own bedroom when we lived in the suburbs and i had like a twin bed and a desk stereo whatever rich had like a queen-size bed in his room for some reason i don't know why he ever got that but it was funny because when we were kids and it It would be like, if we started getting annoyed, we'd have this game where we'd both get on the bed and he'd be like, I'm Mad Max.
38:41And I'm like, I'm Snake Plissken. And then we would like, see who would win in a fight, Mad Max or Snake Plissken. And whoever could fucking throw the other one off the bed was the winner. Listen, Snake always wins in that matchup. Got a badge on the eye, fucking cool outfit. I was like, what's my motherfucker there? But dumb shit like that. And then we've said it before, but we fought brothers fight, but we would never punch each other in the face. We would hit each other, body shots, throw shit at each other, try to strangle each other. Nothing from the neck up. It was weird. I don't know. That rule always applied.
39:19Unspoken, unwritten, just existed. Yeah, don't fake punch. As if that makes it worse than all the other cruel shit. I love it, man. I love it. Yeah, Snake doesn't need muscles, though. Just being a pure badass is sometimes enough. Yeah, they couldn't stop him. You know what I mean? The crazies come out from under the street. He gets away from all of them. Didn't matter. Great soundtrack. Great soundtrack to that movie. Amazing soundtrack. John Cumberter is always. My favorite one is a movie he made called, is it called The Prince of Darkness? You know that movie? I don't know that one. Part of the trilogy he did that I think that Escape from New York, Prince of Darkness, and maybe They See or whatever, I think those are like a trilogy he made.
40:00But Prince of Darkness is a really cool movie. like in this weird church in Oakland or whatever is like where evil is and like this liquid container and like these people fight it's really deep man but the soundtrack that one's real i listen to it all the time i miss that one i like i like assault on precinct uh 13 that soundtracks amazing very far ahead of his time actually way ahead of his time it sounds like what's you know like a lot of like electronic composers would now go for is he from kentucky i think he originally is from Kentucky. It's like if Tangerine Dream were from Kentucky. Yeah.
40:36Yeah, right. If Tangerine Dream is from Kentucky, maybe they just call that pineapple upside down cake dream or something. How do you feel about the new record? I think it sounds amazing. Yeah, we're very happy. I think we were really focused on what we wanted the record to be. Touring the last few years and doing the Shake Your Money Makers show, at first, I was a little bit... I hadn't a little trepidation about it just because i was like oh isn't that what other bands kind of get into sometimes is playing their most popular record or whatever yeah but once i thought about it and i thought yo don't think about it just do it this is important to you know this is where it all begins for us and let's revisit it let's see what happens if we remove ourselves from the way of thinking before you know why did i think that was dumb maybe it's not dumb maybe there's something there and I think part of where the Black Crows are today is getting out of our way and you know don't think it do it and then you'll have more information about what works and what doesn't and it was fantastic and that was kind of the impetus to get us to like a real focus up tempo rock and roll record that hits all the notes I think that we finally didn't have the perspective to know what the Black Crows sound like and to me happens bastards is like an arrow pointed towards the future for us of what the black crows could be and once we work with a guy like jay joyce who produced the record who's very uh successful popular producer we've never really worked with like a super producer like that yeah and you know we met so many talented people and had so many great conversations there's just something about jay well first off we felt like this guy not only can we get him but he could get us and we're incapable of doing something that we don't feel is sincere yeah sincere to us of what of what we are wanted to want to do and how it sounds and and of course when he comes on board he starts to help shape the songs as well like all right we have a discussion about what i think the record should be what's the concept in a sense i mean you can't do it a hundred percent because it's music and things change but if that's what we're going for and so he you know we have a bunch of songs he comes in tells us what he likes about these songs we go back work on some songs write some new ones but again as we're in the studio making the record we it only took us two and a half weeks to make the record that's quick yeah yeah it has an energy it has to be that way like i said we're not the kind of people to what are we doing you know and what are we selling what do we want people to get from this what are we putting out there in the world and we haven't made a record a long time basically you gotta like you know put your money where your mouth is and if you're gonna say this is what you are then it better fucking sound like that yeah and i've made a record in so long and we've been talking about it we've been proving it every night on tour of like what the presentation is what the vibes are what the band sounds like where rich and i are but we're playing old songs and we're playing songs people know and now to do it with something new but after all the talk about we're a rock and roll band this is where we're doing this we're in a good place we're creative and but then you have to do it yeah do you think you could go out and play when you go out on tour you're going on tour soon could you play a lot of this album or do you do you feel you have to make like do a lot of the old stuff i mean that's the purpose of the tour and we've gone from bigger venues to a little smaller because we know you There's always going to be someone like, this is our new single, and they go to the bathroom or whatever.
44:19You want to play the new record. That's the point of this. We feel that it's right there with the best of everything we've done. As we move on from this new record and being able to focus on it for this period, of course, we have to play She Talks to Angels, Hard to Handle, Jealous Again, Twice as Hard, Thorn in My Pride, Remedy. We know there are certain things, Wiser Time, Soul Singing, whatever. We know there are certain songs. I think when we were younger, we were more arrogant and we didn't want to play along. We wanted to push people more into, we're more than just these hit songs. And that was our right.
44:56And we did it. And we felt there was some importance there that wasn't just egocentric. Yeah. But I think now we realize that, oh, we can say the things we want to say, but we also have to respect our audience and know that somebody's going to be mad if you don't play She Talks to Angels. And by the way, I look at She Talks to Angels or Hard to Handle or whatever now in such a different light because I realize how special it is to have those songs in your catalog. To have songs that we play for people, but that after almost soon it'll be getting near 40 years that have been in people's lives. And it's important to them too.
45:38And they want to hear and they want to hear you do the best you can do. Yeah. And make it special and have that relationship with the audience. Yeah. You said you feel like this is like an arrow pointing to the future. Like you want to do more Black Crowes music. Yeah. You know, I mean, I know it sounds weird to like, you know, start wrapping up my 50s and talking about it. But then again, you know, there's so much about what we are as a band and as artists and as people, it looks like one thing on the surface, but it's not underneath. You know, in the same way that it breaks my heart a little bit to hear like people, musicians, say that they are bored or listless or not inspired.
46:19And I'm like, well, I don't feel that way. And this record is really even greater sort of proof that I don't have to give up on my passion, on my creativity. I can put it all in the correct order. yeah and we can continue to move on we don't have the same expectations that you had in 1995 when you made a record when you know you're spending a million and a half dollars on a record and they want you to go out and sell fucking 10 million records and have four hit singles and everybody's trying to do that and the radio is pumping your songs all day long and that's that's how it used to work kids used to they play your records all the time on the radio and people would go buy your record yeah so even though that's gone that doesn't mean we we don't see or feel there is still some importance in that and i i don't feel that making albums is that antiquated or archaic or anything no people say you know you go to fucking amoeba man you're gonna wait in line to pay for your shit it's not like there's humble weeds blowing through a record store or something it's true there are fewer around but you know like yeah go to freak beat me in the valley there's people in there you know and they have great records in there it's like anything else the media doesn't cover it because it would take too much imagination and interest in something that isn't status driven in something that is collectively uh more dynamic that contains more soulful information or something of a cultural reality that's not just reality tv and going to the gym or whatever yeah yeah and so you do feel like there's an arrow pointed in the future you want to make more music but you mentioned earlier maybe less touring at some point it's a deposition i have to give you i don't know i'm just curious no i'm just curious like i don't know like I'm just trying to figure out where you're at here I'm gonna be answering a grand jury I'm gonna play this back to you Remember you said it I'll be like Jesus Yes there will come a time It's not in the near future But maybe you know Give me another I don't know It's hard to say you know what I mean Because getting a bit older is weird Because I don't feel older but like oh fuck my knee hurt or whatever yeah okay it doesn't dictate my dreams and passions my age but no for the near future and i think you know it would be pretty safe to say for the next decade of life i want to keep doing it while i can yeah that was another thing about the record like let's make a fucking rock and roll record while we can still fucking rock and roll man you know what i mean because a certain point it's gonna be a little like you thank you rock and rolling but it is intensity level comes down which is totally normal and fine but rock and roll is specific to a certain energy that you need there's all sorts of things that you can be passionate and you can again have that kind of emotion and and there's still a smoldering intensity to those things but i think if you want to get out shake your ass a little bit put on a rock and roll show hopefully people still get up and dance and that's what it's about incredible man well look man thanks for thanks for taking the time to talk i love the new album excited to see you play it and fun talking to you man you got a lot to say i love it i appreciate that thanks to chris robinson for hanging out and talking about his career along with the black crow's new album happiness bastards you can hear it along with our favorite songs from chris on a playlist at broken record podcast.com subscribe to our youtube channel at youtube.com slash Broken Record Podcast, where you can find all of our new episodes.
50:09You can follow us on Twitter at Broken Record. Broken Record is produced and edited by Leah Rose, with marketing help from Eric Sandler and Jordan McMillan. Our engineer is Ben Tolliday. Broken Record is a production of Pushkin Industries. If you love this show and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin Plus is a podcast subscription that offers bonus content and ad-free listening for$4.99 a month. Look for Pushkin Plus on Apple Podcast subscriptions. And if you like this show, please remember to share, rate, and review us on your podcast app. Our theme music's by Kenny Beats.
50:46I'm Justin Richmond.
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52:30So visit us at cvs.com or just come by our store. We can't wait to meet you. Store hours vary by location. This is an iHeart Podcast. Guaranteed human.
From the publisher
The Black Crowes are one of the great rock bands of the last 30 years, and now they're finally getting their flowers: a 2026 Rock and Roll Hall of Fame nomination, alongside Lauryn Hill, Phil Collins, Wu-Tang Clan, and Oasis. To mark the occasion, we're re-running Justin Richmond's 2024 conversation with lead singer Chris Robinson, recorded around the release of their album Happiness Bastards.
In the interview, Justin and Chris get into what it was like growing up in Georgia with his brother Rich, their dad's rockabilly career, and how life on the road looks a little different these days — less champagne and substances, more Herman Melville.
You can hear a playlist of some of our favorite songs from Chris Robinsons HERE.
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