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Podcast Notes: Broken Record - Episode: Sonny Rollins

Podcast Overview

  • Title: Broken Record
  • Hosts: Rick Rubin, Malcolm Gladwell, Bruce Headlam, Justin Richmond
  • Description: Musicians discuss their life, inspirations, and craft, featuring a blend of storytelling and music.

Episode Details

  • Title: Sonny Rollins
  • Description: In celebration of Black History Month, the episode revisits the life and career of jazz legend Sonny Rollins, regarded as one of the greatest tenor saxophonists and improvisers of all time.

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Key Themes and Topics Discussed

Sonny Rollins

The Saxophone Colossus

  • Background: Sonny Rollins is celebrated for his profound influence on jazz.
  • Achievements:
  • Grammy Award for Lifetime Achievement
  • National Medal of Arts
  • Noted as one of the greatest living improvisers.

Early Career Highlights

  • First Gig: Rollins reflects on his first professional performance at 18 in 1949 with Babs Gonzalez.
  • Collaborations: Played with jazz greats like Bud Powell and Fats Navarro during his early years.
  • Self-Perception: Rollins mentions feeling less nervous due to his youth, believing his presence on stage was warranted.

Personal Reflections

  • Recollections of Legends: Shares anecdotes about musicians such as Lester Young, who greatly influenced him.
  • Philosophy on Life: Discusses concepts of reincarnation and the lessons learned from life's experiences.

Struggles with Addiction

  • Turning Point: Rollins recounts how playing alongside Charlie Parker led him to confront his drug use and ultimately clean up his life.
  • Rehabilitation: Details his time in a rehabilitation facility, coinciding with Parker's death shortly before Rollins' release.

Musical Innovations

  • Pianoless Trio Concept: Rollins discusses his preference for smaller ensembles, allowing for greater freedom and creativity in his playing.
  • Albums: Highlights significant works such as "Saxophone Colossus," "Tenor Madness," and "Brilliant Corners."

Impact of Personal Loss

  • Clifford Brown: Reflects on the devastating loss of Clifford Brown and Richie Powell in a car accident, and how their friendship and musical bond influenced him.

Contemporary Views on Music

  • Listening Habits: Rollins admits to not actively seeking out music in recent years but still enjoys listening when it comes across him.
  • Musical Imagination: Even unable to play due to health issues, he continues to envision music in his mind.

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Key Takeaways

  • Legacy of Sonny Rollins: His journey from a young musician to a jazz icon illustrates the dynamic evolution of jazz music itself.
  • Candid Reflections: Rollins' honesty about his struggles, particularly with addiction, offers a deeper understanding of the personal challenges faced by artists.
  • Influence on Future Generations: His insights into music and life resonate not only with jazz enthusiasts but also with aspiring musicians seeking inspiration and understanding of their craft.

Conclusion The episode is a profound homage to Sonny Rollins and his contributions to jazz, reflecting on his journey, struggles, and the rich history of American music. The discussion serves as both an educational piece and a celebration of a legendary artist who continues to inspire.

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Further Exploration

  • To hear favorite songs by Sonny Rollins, check out the playlist at [brokenrecordpodcast.com](http://brokenrecordpodcast.com).
  • Subscribe to the podcast for more episodes discussing influential artists and their impact on music history.

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Transcript

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0:06Pushkin. This is an iHeart Podcast. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at Ooclas Speedtest. And they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S.

0:48where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025. Every great music conversation goes beyond the surface. The influence that shaped an artist's sound. The moment that changed their creative direction. The story behind the story that fans never hear. Claude helps you discover those deeper connections. Upload interviews, liner notes, or music journalism, and Claude reveals patterns across an artist's entire journey, showing how influences become innovations. Whether you're a music journalist, passionate fan, or someone who loves understanding creative processes, Claude matches your curiosity about what really drives great artists.

1:29Try Claude for free at claude.ai slash brokenrecord. This episode of Broken Record is brought to you by Chase Sapphire Reserve. Traveling is one of life's greatest joys. Honestly, can anything be more exhilarating? Well, actually, yeah, with Chase Sapphire Reserve. It's your gateway to the world's most captivating destinations. First, you will earn eight times points on all purchases through Chase Travel. And the card gets you into Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences. Whether you are booking a once-in-a-lifetime trip or your next weekend escape, Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve.

2:11Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval. Terms apply. Hey, everyone. Today we're continuing our celebration of Black Music Month with one of my all-time favorites, jazz legend Sonny Rollins. Rollins is dubbed the saxophone Colossus. He's an American tenor and composer who is widely regarded as one of the most influential jazz musicians ever. With several awards under his belt, a Grammy Award for Lifetime Achievement and the National Medal of Arts, to name a few, some even venture to call him the greatest living improviser. Sadly, now at 91 years old, Rollins no longer plays as a result of pulmonary fibrosis.

2:57But he is able to look back at an eight-decade career that took him all the way from the beginnings of bebop to playing with the Rolling Stones and all over the world. On today's episode, I spoke to Sonny Rollins by phone about one of his first big gigs at 18, way back in 1949, playing alongside other jazz icons like Bud Powell and Fats Navarro. He also explains why he no longer actively listens to music. And for the first time ever, how Charlie Parker is the reason he kicked drugs. This is Broken Record. Liner Notes for the Digital Age. I'm Justin Richman. Here's my phone conversation with the great Sonny Rollins.

3:40I want to talk about early in your career. You were 18 years old in 1949. That was your first professional date. And the first that I can figure was with Babs Gonzalez on St. Louis Blues. Does that seem true? I know that I began recording in the late 40s. So I would imagine that that might be true. I can't verify exactly. Do you remember Babs Gonzalez pretty well? Oh, sure. Babs Gonzalez was like a character. You know, I remember Babs very well. Babs liked my playing a lot. And I used to make some of these gigs that Babs and Gonzalez had, pile up a lot of resistors in the club, and we'd go down to Philly, or we'd go up to Boston, or places in the immediate area, and play.

4:45so I got a chance to play with some of my idols. I got a chance to play with Fats Navarro. I want to bring that up. The same year when you're still 18, you got to play on some pretty incredible Bud Powell records. Whale, Bouncing with Bud, 52nd Street theme, Dance of the Infidels. I mean, just real, real classics. And you're playing on there with Fats, with Fats Navarro, the amazing trumpet player. It's insane. Yeah, I know. I mean, I guess I had too many thoughts in my head to even stop and realize what I was doing. Oh, but, you know, so this is, I credit Vam Gonzalez for doing that. With getting me on a lot of jobs with, first of all, I think.

5:38I'm sorry, I can't remember something, but some of the best players around played with some of these young. And I was a young, young kid. And having an opportunity to play with them was tremendous. At 18, playing with people like Bud Powell and Fats Navarro, were you nervous at all? Well, I was too stupid to be nervous. That might be a good thing. I always felt that if they wanted me there, then I'll just, you know, that I should be there. I was never really one of these guys that felt intimidated. I just felt, well, look, if they want me to be here, then I'm just, you know, I guess I'm supposed to be here.

6:33So it wasn't bad. So I went on and did what I did. But it was certainly not on the level with J.J. Johnson and all of these people that I was playing with when I was a teenager. Right. I mean, Roy Haynes, who we thankfully, just like you, we still have around these days. He was on those Bud Powell sessions as well, the drummer Roy Haynes. Do you ever have the urge to call someone like that these days and just sort of confirm that these things actually happened? I called Roy up on his birthdays, and I always call him up and we talk about things that we can both remember. So Roy, I know Roy, we know we were a bunch of young kids wanting to play music, and Roy moved up in our neighborhood up on Silver Hill, they call it.

7:35We all knew him, and then Roy was playing with Lester Young. You must have loved Lester. I mean, I can imagine Lester must have been an inspiration for you. Lester Young was God, you know? And it was so good to get to know Lester Young and to know that Lester Young liked me because we used to be up in Lester's apartment at the Alvin Hotel up on Broadway, and guys would be less than look out the window and if were some guys coming musicians, he would call down and tell the guys, no, say I'm not home. So a lot of people came to see him, but he didn't abide everybody. And he liked me. He liked me and Max Roach used to come by there.

8:28and I got a good friendship with the great prayers. And that gave me a lot of validation that I was doing something right. Yeah, absolutely. I'm realizing Rory has a birthday coming up in a few days here, so I guess you'll be probably calling him, huh? Oh, yeah. I didn't know it was coming up here. I'll find out about it. And I will definitely call him. Definitely, yeah. Yeah. Man, Roy will be 2097. You're 91 now. How long ago does an experience like that feel at this point? Like, does it even feel like it was in the same lifetime? Well, yes and no. You know, it was, no. No, that's a tough question because a lifetime means, you know, last week could be a different lifetime in a way of speaking.

9:31Yeah, sure. In a way, it's a different lifetime, yes, but still it was a lifetime which I was involved in, so it's not that different. But, yes, it was different in so many ways, different musicians around, different venues around. You know, so lifetime is a difficult word. Since I believe in reincarnation, I accept reincarnation. So maybe when you say it was a different lifetime, it brings up too many contradictory things to be able to answer that precisely. No, I see what you mean. I see what you mean. I was watching an interview you did the other night in 1962 on Ralph Gleason's show that he used to have, Jazz Casual.

10:21You were the same age during the filming of that that I am now. You're 32. And you were referring to yourself as old in that taping. You refer to yourself as kind of like an old cat now. I'm curious what advice you might give yourself at 32 now. You know, I've made so many mistakes in life. I've done some good things in life. You know, I was learning. It was a learning experience. I think I was born a fairly positive person. He used to call me the jester when I was a little boy and playing. So I think I had a positive personality all through my life. You know, that's what we think, and it's good, but things happen to us.

11:15We get tested in life, and it's a long trip, you know, and I've known so many people that didn't make it all the way and ended up in terrible situations. I was talking about my friend who's a great drummer from Chicago named Ike Day. I played with Ike Day when I was in Chicago, back in 1949. He was strung out on drugs, and I was sort of strung out on drugs at the time. So that was a different world, but it was one of those rivers I had to cross. so that it's hard to look back. You know, I made a lot of mistakes in life. I did some things in life, like my music. I was always trying to get better.

12:16But as I said, I was a guy that wasn't afraid of trying to do something and playing with superior musicians and all of that. No, you definitely did. Because, you know, I thought that I should be there. They wanted me to be there. We have to learn. We have to try to be the golden rule and all that stuff. Got to try to do it. We don't get it now. We have to try it again. Like they said in the TV commercial, pay me now or pay me later.

12:52I'm going to start quoting that. Yeah, man. You got to get it right. you can't do anything and get away with it you gotta get it right you don't get it right now you're gonna have to get it right later because you reap what you sow see some of these things are very important to remember that what life is about life is to find out the reason for life what does it mean and that goes on and on man And who knows how many lives we have to live? Could we be a billion trillion? Who knows? I don't know. But I know that you can't get it generally in one lifetime. Some people are really advanced that I read in life.

13:44I say, wow, their journey, they know a lot more than I do. Then some people, I'm ahead of some other people in their journeys. I say, wow, I've learned some things this guy hasn't learned, or this girl hasn't learned. All of these things mean something. We're going to take a quick break here, but we'll be back with more from Sonny Rollins. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at Oocla Speedtest, and they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage.

14:36With Supermobile, your performance, security, and coverage are supercharged. With a network that adapts in real time, your business stays operating at peak capacity, even in times of high demand. With built-in security on the first nationwide 5G advanced network, you keep private data private for you, your team, your clients. And with seamless coverage from the world's largest satellite-to-mobile constellation, your whole team can text and stay updated even when they're off the grid. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S.

15:17where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025. The greatest music stories aren't always in the songs themselves. They're in the late night studio sessions, the chance encounters, and the cultural moments that shaped entire movements. For music lovers who find themselves going down rabbit holes about their favorite artists, Claude, an AI thinking partner, helps you explore those deeper questions. Whether you're wondering about the connections between different scenes, trying to understand what drove a particular creative period, or exploring how social movements influenced sound, Claude works through these complex cultural puzzles with you.

15:58It's built for people who know that understanding music means understanding the human stories behind it. Claude doesn't just compile facts. It helps you see patterns across decades of music history, ask the kinds of follow-up questions that reveal deeper truths, and works through the nuanced relationships between artists, movements, and moments. Whether you're a music journalist, industry professional, or someone who just lives for understanding the stories behind the sounds, Claude matches your level of curiosity about what really drives great art. Try Claude for free at claude.ai slash brokenrecord and see why the world's best problem solvers choose Claude as their thinking partner.

16:35This episode of Broken Record is brought to you by Chase Sapphire Reserve. Everybody loves to travel, right? We can getaways, a once-in-a-lifetime vacation, all of it. And no matter where you're going, Chase Sapphire Reserve is your gateway to the world's most captivating destinations. Travel is its own reward, you know. You're out there having experiences you can't have any other way, and with your Chase Sapphire Reserve card, you're also being rewarded. You earn eight times points on all purchases through Chase Travel. So let's say you book a trip to Hawaii, you go surfing at Sunset Beach, you go hiking on a volcano, and you go out to dinner.

17:11With the Chase Sapphire Reserve card, you're actually earning points for going on a grand adventure anywhere you go, any trip you take. And that's not even mentioning how the card gets you into the Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences like music festivals and sports events. Whether you're booking your next big trip or a weekend escape, Chase Sapphire Reserve makes travel more rewarding. Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve. Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval.

17:45Terms apply. We're back with more from Sonny Rollins. You know, I'm thinking about what you've sowed musically, and that certainly is more than I think many people, you know, whatever contribute to one lifetime. And I was thinking about the year, in particular, 1956 for you. That year, you played a date with Miles Davis that included Charlie Parker. Do you remember that date? Oh, yeah. Collector's items. Collector's items, exactly. You played Serpent's Tooth. Did you interact with Bird much on that session? Well, Bird was another one of my gods. So, of course, there was a lot. Well, there were some other things happening on that particular session.

18:31And, well, I guess I might as well say it. At that time, I was still on drugs. So I hadn't seen Charlie Parker in a while. So he said, oh, I said, so, sonny. So I told him, I think he said, yeah, how are you doing? I think he meant I've got my life together. And I told him, oh, yeah, yeah, man, I'm doing good, you know. So I lied to him. I wasn't doing good. And some guys in the band, later on during the session, they ratted on me. They said, oh, man, Sonny was out getting high with us last night. So anyway, later on in the session, after he found out that I had lied to him, I noticed something in him.

19:20how destroyed he was, how despondent he was to know that I had. And not just me, then I realized, man, Bird was so involved with all of the young musicians trying to follow his music and his lifestyle. Yeah. It was killing him. The drugs and all that, yeah. Yeah, knowing that all these young guys were using drugs. It was killing him. It was killing him, and I saw that at that session. So, you know what? I said, okay, that's it. I said this to myself. I'm going to get off of drugs and show Charlie Parker that he shouldn't be so down because some people are following his positive effect on their life, not the negative effect.

20:17and that's when I made my decision to get off of drugs. Wow, I didn't know that. I had no idea. Yeah, well, that's part of this life that I'm living here. Yeah, yeah. So actually, you know what? I got off of drugs. I didn't know whether you need to know all of that, but it wasn't easy. It's very fascinating. Did you ever get a chance to tell Charlie that you got clean? Okay, well, what happened was this. There was a drug rehabilitation place in Lexington, Kentucky. It was the first place where it was like the Betty Ford Clinic, before the Betty Ford Clinic. And a lot of people were there, people that were into drugs, movie stars were there.

21:06We were treated like patients, not as criminals. anyway so i was there for the cure the cure was i've been four months i i left lexington in 55 55 that's when i was uh discharged or whatever you want to call it but the uh unfortunate that maybe so, maybe not. Part of it was that Charlie Parker passed away one month before I got out of Lexington, Kentucky. So I never got the chance in which I was waiting to do growing up in Burris. Hey, man, I'm straight, Charlie, I'm straight, man. I would convince him or he would know that I was so anxious because I was so ashamed of lying to him earlier on this record date he just recalled.

22:11So I was so anxious for this to happen. I would be able to see him and convince him that I wasn't going to disgrace him anymore. But unfortunately, that word denied me. however i do believe in things like the afterlife and all that stuff so i think charlie parker knew wherever he was at that oh sonny got my message yeah no definitely and it you know really when you think about it too it's pretty great timing that you got clean in 55, because I mean, in 56, your career is really insane. Your output. I'm thinking about, you know, you do Saxophone Colossus, Tenor Madness. You do Brilliant Corners with Delonious.

23:04You do a lot of your work with the Max Roach and Clifford Brown quintet. Just really incredible stuff is happening. I wanted to ask you that Brilliant Corners album with Delonious Monk, that record really blows my mind when I listen to it. It's like spectacularly complex, especially that title track. Do you remember, was that a tough session? A tough couple of sessions? Oh, it was a very tough session. Yeah. A very tough session. It was a little different than the music that Monk had played before, as I remember. It was a totally tough music, tough music. But everybody liked that record a lot.

23:39They always mention that when they're talking about Monk's accomplishments. Yeah. Did you enjoy playing on it? I think so. I think so. It was a hard record to make. You know, it was hard. Everybody didn't get it the first go around. But yeah, sure, it was playing with Monk. Playing with Monk was a celestial experience, whatever came out of it. And I had that experience. And everybody liked that record a great deal. I know Ernie Henry, another tenor player, he ended up leaving, I think, one of the sessions. and then Clark Terry came in to sort of play. Did you ever feel like leaving? Oh, no, no, no.

24:24Maybe if they kicked me out, but I'm not leaving on my own, no. You're not quitting. No. They'd have to show me the door. There was a lot of great people on that record. There was Oscar Pettiford was there, Max Roach, I believe, and Monk played the Chalet. I forget everybody that was on the record It was great It was a little different than some of the music You had done before So it was quite a Quite a landmark Yeah Can you tell me about playing in the Max Roach Clifford Brown quintet with yourself And George Morrow and Richie Powell It sounds to me like you guys had Incredible chemistry Did it feel that way to you at the time?

25:13Of course, I had played with Max a couple of times in New York, but when I was there, the band was Clifford, and he, it was different. I was doing more. I think I played as a sideman or something on some record with Max Rhodes in New York. But when I played with the band, that band, it was really, I don't know, I'm glad it sounded like that because I had a great experience playing with Clifford Brown. And Clifford was such a straight-up guy, was such a straight-up player, one of the best players as we know. When I look back today and I talk to different guys, all these young guys, Clifford Brown was their favorite trumpet player.

26:10So he was quite a guy, but he was also a great person. And I learned a lot from Clifford because Clifford was playing all of this music, but he was not a guy that was messing around with drugs. He wasn't that, you know? So I said to myself, wow, man, listen to all this music he can play, and it had nothing to do with his personal life. So you don't have to be using drugs or drinking a lot or anything like that to play as much music as he did. And that was inspirational to me, and I really learned that. that I said, wow, man, if Clifford can do it, man, all his music he's playing, I can do it. You don't need drugs to play.

27:05So he was a great, and we were good friends. I mean, you know, I was really close. After he passed away when we were playing in the band, and sometimes I channeled Clifford. I said, hey, Clifford, man, what should we do right here? I mean, I talked to him like that about the music. Wow. And then he'd answer me. And that went on for a while before that band broke up. Max got out the trumpet players, of course, but that happened for a while. And then after a while, I stopped channeling Clifford and let him go on his journey, his life journey. But I channeled him for a long time after he passed. And then, you know, we had to play the same music, a lot of the same music.

28:10We'll be right back with more from Sonny Rollins after a quick break. In today's super competitive business environment, the edge goes to those who push harder, move faster, and level up every tool in their arsenal. T-Mobile knows all about that. They're now the best network, according to the experts at an OOCL speed test. And they're using that network to launch Supermobile, the first and only business plan to combine intelligent performance, built-in security, and seamless satellite coverage. With Supermobile, your performance, security, and coverage are supercharged. With a network that adapts in real time, your business stays operating at peak capacity, even in times of high demand.

28:54With built-in security on the first nationwide 5G advanced network, you keep private data private for you, your team, your clients. And with seamless coverage from the world's largest satellite-to-mobile constellation, your whole team can text and stay updated even when they're off the grid. That's your business, Supercharged. Learn more at supermobile.com. Seamless coverage with compatible devices in most outdoor areas in the U.S. where you can see the sky. Best network based on analysis by Ukla of Speedtest Intelligence Data 1H 2025. The greatest music stories aren't always in the songs themselves.

29:36They're in the late night studio sessions, the chance encounters, and the cultural moments that shaped entire movements. For music lovers who find themselves going down rabbit holes about their favorite artists, Claude, an AI thinking partner, helps you explore those deeper questions. Whether you're wondering about the connections between different scenes, trying to understand what drove a particular creative period, or exploring how social movements influenced sound, Claude works through these complex cultural puzzles with you. It's built for people who know that understanding music means understanding the human stories behind it.

30:09Claude doesn't just compile facts. It helps you see patterns across decades of music history, ask the kinds of follow-up questions that reveal deeper truths, and works through the nuanced relationships between artists, movements, and moments. Whether you're a music journalist, industry professional, or someone who just lives for understanding the stories behind the sounds, Claude matches your level of curiosity about what really drives great art. Try Claude for free at Claude.ai slash Broken Record and see why the world's best problem solvers choose Claude as their thinking partner. This episode of Broken Record is brought to you by Chase Sapphire Reserve.

30:45Everybody loves to travel, right? We can getaways, a once-in-a-lifetime vacation, all of it. And no matter where you're going, Chase Sapphire Reserve is your gateway to the world's most captivating destinations. Travel is its own reward, you know. You're out there having experiences you can't have any other way, and with your Chase Sapphire Reserve card, you're also being rewarded. You earn eight times points on all purchases through Chase Travel. So let's say you book a trip to Hawaii, you go surfing at Sunset Beach, you go hiking on a volcano, and you go out to dinner. With the Chase Sapphire Reserve card, you're actually earning points for going on a grand adventure, anywhere you go, any trip you take.

31:24And that's not even mentioning how the card gets you into the Sapphire Lounge by the club at select airports nationwide and access to one-of-a-kind experiences like music festivals and sports events. Whether you're booking your next big trip or a weekend escape, Chase Sapphire Reserve makes travel more rewarding. Discover more with Chase Sapphire Reserve at chase.com slash sapphire reserve. Cards issued by JPMorgan Chase Bank and a member FDIC. Subject to credit approval. Terms apply. We're back with the rest of my conversation with Sonny Rollins. Do you remember where you were when you found out Clifford and Richie Powell passed away in that car accident?

Read the full transcript

32:04Well, the band was in Brownie and Richie were in Philadelphia where they lived. Richie lived in Willow Grove, a sort of suburb. Brownie was in Philly. So we had been on the road. The band had been on the road. So we had a little time off before we went. I think we were going out to California. But on the way, we were going to play in Chicago. So anyway, the days we had off, Max and myself came to New York. And George Amaro came to New York. The next job was Chicago. and we left Chicago traveling by car and Brownie and Richie Powell left Philadelphia traveling on the Pennsylvania turnbite by car.

33:02Max and I and George Martin, we got to Chicago and we, you know, waiting around there. I remember Miles was playing at a club right down the street on 63rd Street. So while we were waiting for Clifford to arrive in Chicago, we got the bad news. It was a shocker. I mean, we were crying like babies. And it was, you know, it was a big event because everybody loved Brownie. Yeah. I mean, Richie, too. But Brownie was, you know, Brownie was the leader. and gotten more accolades than Richie. You know, Richie was sort of... Richie was making his name at the time, really, huh? He was making his name at the time.

33:57Yeah, incredible player. And Brownie had made his name, really. Did you see Bud Powell in the sort of aftermath of that or ever get a chance to talk with Bud Powell, who was Richie Powell's brother? Do you know how he took that? I don't know how he took that, no. Okay, I'm just curious. No, I don't know. Did you feel like that band had more yet to do? I think so. We think, you know, Clifford and I used to practice together all the time. And besides the gigs, but we were trying to get closer, you know, as to musicians playing saxophone and trumpet. So we were trying to get closer, trying to get tighter with our things.

34:42We had to play ensemble and everything. And I was new in the bands. I was trying to learn the book and all of this stuff. But besides that, it was just besides the repertoire I was playing with Clifford, that he and I tried to always get closer. so yeah I think we had a lot to do yeah do you think that had anything to do with you sort of stripping things back and going to like that trio format the next year just you on sax and then bass and drums was that related musically at all I don't remember when I did the first trio albums that would have been 57 yeah maybe 6 months later 8 months later would have been just yeah I don't know if it, no, I don't believe so because I had always enjoyed the smaller instrumentation.

35:46You know, in fact, when I first met Miles Davis, I was playing trio and we were playing opposite Miles. You know, Miles was the first stars, and we was a low-cut band. And I think I was playing trio at that time. So, no, I think the trio idea didn't stem from the Clifford Brown period. Were you surprised how curious people found that idea of you just playing in that small trio, you-based drums, like you did on Way Out West or Night at the Vanguard? I hoped that it would be received well. Well, I think it was. I think it absolutely was. I mean, those seem to have really stood the test of time in an incredible way.

36:39But it's funny also just in a way how curious people find that, you know, that it's like, oh, whoa, this is this pianoless trio, you know, it seemed to sort of. Well, I always liked that. And I thought he was a great piano player, so it's no reflection on piano. But I like the idea of just a rhythm section and allowing me to sort of be free, you know, completely free, just compose things in my own mind and create the harmonies and the musical situations that just came to me. I had a rhythm behind me. I had the bass and I had the drums to keep things moving. And I had the freedom to conceive of all of these things.

37:36So that's why I like playing like that. It had nothing to do with anything else. I got you. There's some wild playing on those records from you. And even some incredible, you know, even from the other cats, You know, like Night at the Vanguard, there's a couple of bass solos on that record that are great as well, you know? Yeah, I tried to get those guys that weren't afraid to play without a piano. Yeah. So a lot of guys just, you know, would be reticent to do that. Well, yeah, you know, because the piano fits right in with a bass, you know, like ham and eggs. Yeah, yeah, yeah. See, I mean, that's all wild.

38:23Piano and drums, bass, yeah. play in Israel. You know those guys can wake up in the middle of the night and be right in tune to the next note. So it was something which you know was somewhat of a challenge to them. It was Wilbur Ware by the way. Wilbur Ware. We used to have a joke about Wilbur. We used to call him

39:01That's great. Elvin Jones also on drums on that, just so he... Elvin Jones. Let everyone know. Yeah, incredible, incredible trio. Man. And then I had some other guys on that, on other parts of the record. I had Pete LaRocca and another guy from Baltimore. Donald Bailey. Who is Donald Bailey? I can't figure out who this Donald Bailey bass player is. I know there's a drummer, Donald Bailey. Donald Bailey, right. But there's a drummer, Donald Bailey, but is there also a... But I can't find anything out about a bass player, Donald Bailey. I know, I know. He was very under-action for musicians. Nobody knew much about him.

39:42How did you know him? My good friend went to school down there at a black college. I forget what it was, which is you have to forgive me, you know. It's okay. When you get at a certain age, your memory, you know, your short-term memory goes, you know. Your memory's better than mine. I'll think about it like 10 minutes from now, but I need it now. It's fine. It's fine. But anyway, no, he was known in the area, you know, and he's a good player. You know, he played good. I liked him on those things. I always thought maybe it was someone that, like, just couldn't say, like, you couldn't say who it was for some contractual reason or something.

40:34Because I was like, I can't figure out who this guy is. Yeah, I can't figure out who this guy is. I know. Donald Bailey. And unfortunately, he passed not too long after those records came out. But they did a great job of accompanying me on that. Yeah, absolutely. Did the record Sunny Side Up that you did with Dizzy Gillespie and Sonny Stitt in 59? Oh, yeah. How did that come together? Well, it came together through Norman Granz. Okay, of course, of course. Do you know who Norman Granz is? He did jazz at the Philharmonic, right? he put on all those shows he was a promoter discovered Oscar Peterson yeah he did a lot of promotion of different people and and his crown achievement was jazzed to follow him on it but he was a big time jazz promoter I he heard me playing someplace he got to be a big fan of mine And then he was his date.

41:37I mean, he arranged a date. That's how it turned out to be Sonny and Sonny and Dizzy. Yeah. Were you friendly with Dizzy at that time, or did you know him decently well or at all? Yeah, I was friendly with Dizzy. You know, if you know Dizzy at all, you've got to be friendly with him. Hard guy not to let him. Because he's just that type of guy. I mean, there's always going to be something light and amusing that becomes part of the conversation. And, you know, Desi was a wonderful guy. Desi was a guy that always was teaching people stuff. You know, he'd always be a young musician. He'd be around, and he'd come in, and, you know, after a show, he'd get up on the piano and show the piano players some chords and sense chords, you know, stuff like that.

42:37He was a great natural teacher. I mean, he wasn't trying to diminish the guy. I don't mean like that. I mean, we were happy to have Dizzy Gillespie there. That was his want. He wanted to teach, you know, not to despise the other guy at all. Not in that sense, in the least. Just everybody was listening to what he was doing, saying and playing. That record, Sunny Side Up, was kind of an anomaly, I feel like, in your catalog. At least, you know, at the time, it felt maybe much more like a dizzy record than anything else, which I think is probably only natural. I think it was a Disney record, was it?

43:21Yeah, I mean, it's kind of like the three of you guys. I mean, you know, it's named Sunnyside Up, so it's named after you. I mean, it was Disney Gillespie. It was his session, I mean. Yeah, yeah, no, no, no, that's fair. That's fair. That's such a cool record. Yeah, some people liked it a lot. Some people, musicians, really thought that that was one of my best records. Yeah. Well, you know what? You recorded that 57, but it comes out 59. The next year, 1960, Lee Morgan quoted you on a Jazz Messengers record. He did your little... Just this little phrase that you do. Oh, really? And Lee quoted you on this song called The Opener on a Jazz Messengers record.

44:10Just the next year. Oh, that's good. Yeah, Lee was a great player. Yeah, Lee used to come, when I was playing with Max and Clifford in Philadelphia at a club there, Lee would come by, you know, to hit Clifford. I mean, that's another guy, I mean, a young guy, they all love Clifford so much. So anyway, that's when they met Lee and he used to play outside the club with his mouthpiece alone. He would show me what he could do just playing his mouthpiece. He knows who I'd say, I'd say, hey, man, that's good, yeah. Lee Morgan, I mean, but he's great, man. He's a great player. You never got to play with him, did you?

44:58I don't think so. Oh, man. I don't think so. No, I think that's one of the trumpet players that I missed. Would have been great to hear you guys together, man. Yeah, I wonder why Getson must have been. Yeah, I'm sure I would have been inspired, yeah. Yeah, yeah. I'm curious, is there anyone you admire outside of jazz in terms of musically? Oh, yeah, I admire all of the great musicians from the centuries. I like J.S. Bach. I like Brahms. David C. Revelle. I like Fats Wauer. Lewis Jordan, of course. Man, Lewis Jordan. One of my favorite. You know, I like everybody. Incredible. Yeah, I appreciate all kinds of music.

45:52Great. Do you listen to music at all still these days? Excuse me? What do you listen to? What are you enjoying listening to now? I don't listen to too much music. It's strange. I've listened to so much music in my life. I still think music all the time. I'm still playing my horn, even though I can't play my horn anymore. I'm still imagining passages that I would be fingering on my instrument, although I can't do that anymore. so i mean listening to music i love music and occasionally i get to hear music on some of the uh uh radio stations i have on i hear some music and i love it but i don't go out to listen to music anymore i don't mean go out in the street i mean i don't seek out uh-oh music anymore.

46:55Is it frustrating to hear it in a sense, since you can't just pick up your horn and play some figures or anything? To a certain extent, I wouldn't look at it completely as frustration, but that's part of it, because I hear something and I fear what I would be doing, what I can do. So in a sense, I would say, it's not all frustration, because I love music, and listening to somebody that I admire is great. It's a great feeling. So frustration might come a little bit because I can't contribute being the guy that was part of the scene. Sonny, it is a pleasure and an honor speaking with you. I hope we get to do it again.

47:47Okay, man. Take it easy, and God bless. You as well, sir. All right, man. All right, bye, Sonny.

47:58Thanks to Sonny Rollins for taking us back to some of the earliest, most important moments in American recorded music history. To hear our favorite Sonny Rollins songs, check out the playlist at brokenrecordpodcast.com. Be sure to subscribe to our YouTube channel at youtube.com slash brokenrecordpodcast, where you can find all of our new episodes. You can follow us on Twitter at Broken Record. Broken Record is produced with help from Leah Rose, Jason Gambrell, Ben Tallade, Rick Sandler, and Jennifer Sanchez with engineering help from Nick Chafee. Our executive producer is Mia Lobel. Broken Record is a production of Pushkin Industries.

48:36If you like this show and others from Pushkin, consider subscribing to Pushkin Plus. Pushkin Plus is a podcast subscription that offers bonus content and uninterrupted ad-free listening for$4.99 a month. Look for Pushkin Plus on Apple Podcasts subscriptions. And if you like the show, please remember to share, rate, and review us on your podcast app. Our theme music is by Kenny Beats. I'm Justin Richman.

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From the publisher

For the last installment of our Thursday Black History Month drops, how could we not revisit our episode with the incomparable Sonny Rollins? Listening to Sonny is like history coming right off the page. He’s living, breathing black history and one of the greatest tenor players of all time.

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