The Thursday Show: Inside Studio McGee's next big move. Plus: Designers Guild nears bankruptcy

24 Sep 2026 · 1 h 5 min · 24 chapters

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In short

Business of Home’s Thursday Show covers retail/design industry news (Fed rate hike; Designers Guild nearing bankruptcy; Ethan Allen CEO succession fight; MillerKnoll/Holly Hunt earnings and cost cuts; a viral designer-client privacy fee debate) and then interviews Shea McGee (Studio McGee) about Studio McGee’s first store and retail strategy.

Guests

Fred Nikolaus, Executive Editor at Business of Home; Shea McGee, Chief Creative Officer at Studio McGee.

Guest backgrounds

Nikolaus is a long-time editor covering home furnishings and retail; McGee is the creative leader behind Studio McGee, a personality-led design and e-commerce brand expanding into brick-and-mortar.

Key claims

Designers Guild filed a “notice of intent to appoint an administrator” (not yet bankruptcy) and has shuttered its London flagship; Brexit and soft UK/Europe demand plus licensing impacts are hurting. Ethan Allen is facing an activist investor (Doug Bergeron) pushing CEO Farouk Kothwari’s ouster; shareholders vote later in Oct/Nov. The privacy debate: designers may require clients to allow photography; some charge large “opt-out” fees (reported $300–$50,000). McGee says retail is driven by demand for real-life experiences amid AI-driven change; Studio McGee is shifting to primarily self-manufactured, developed products.

Notable examples

Studio McGee’s Salt Lake City store opening near a Kohler showroom; Designers Guild license partner Ralph Lauren Home pausing new sales; Holly Hunt closing a Minneapolis showroom and favoring sales reps; Alexa Hampton’s “salon” idea for private viewing; influencer showing her kitchen after criticizing the fee.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Dennis Does Dallas Recap

0:45 to 5:10

Dennis shares his experiences at a recent event in Dallas, including notable attendees.

“I mean, the heat is not exaggerated, but it was a great event, and I thank the Laloys for having me.”

Insights from Wayfair CEO Interview

5:10 to 6:57

Discussion on the key takeaways from the Wayfair CEO interview, focusing on retail strategies and market challenges.

“I hope that people enjoy the conversation.”

Insights from Wayfair CEO Interview

7:01 to 8:00

Discussion on the key takeaways from the Wayfair CEO interview, focusing on retail strategies and market challenges.

“For 10 years, interior designer and retailer Jamie Merida has been creating pieces for Chelsea House with a simple advantage.”

Economic Challenges and Designers Guild

12:30 to 14:00

Hosts discuss the economic implications of rising interest rates and the challenges facing Designers Guild.

“But they cut a deal that they, I think, were hoping was going to work out much better than it has, unfortunately.”

Update on Designers Guild's Situation

14:00 to 14:15

The current status of Designers Guild's business situation and its implications.

“any of their sub-brands, it would be a good idea to check on it and see what the status is, because this is affecting their business, and we'll certainly keep you posted on what happens next week.”

Ethan Allen's CEO Succession Drama

14:15 to 14:37

Discussion on the unfolding drama regarding Ethan Allen's leadership changes.

“A storied brand, and as you say, designers just need to check in on the regular, no doubt.”

Activist Investor's Influence

14:37 to 15:36

Exploring the impact of Doug Bergeron's plans to take control of Ethan Allen.

“Can we count this as influenced by Dennis Scully?”

Farouk Kothwari's Legacy and Challenges

15:36 to 16:03

Insights into Farouk Kothwari's contributions and the challenges facing Ethan Allen.

“and who gets to take over after Farouk leaves.”

Miller Knoll's Mixed Earnings Report

16:03 to 17:21

Analysis of Miller Knoll's latest earnings and its implications.

“The question is, do shareholders want that?”

Holly Hunt's Transition and Future

17:21 to 19:39

Discussion on Holly Hunt's changes and future direction within Miller Knoll.

“And perhaps that's also the case with this next story, which is Miller Knoll.”
Show all 24 chapters

Challenges in the Office Furniture Market

19:39 to 21:45

Exploration of the ongoing challenges faced by the office furniture sector.

“And we'll have to see what's happening as it's sort of in the belly of this big publicly traded beast.”

The Privacy Debate in Design

21:45 to 27:33

Analysis of the viral privacy debate sparked by a designer's photography policy.

“In a recent piece for House Beautiful, Alyssa Kahn wrote about a viral debate over one designer's photography policy.”

Understanding Privacy Fees in Design Contracts

27:33 to 28:00

Discussion on the implications and perceptions of privacy fees in design agreements.

“that you're going to have to coach them through because it's not a typical consumer experience.”

Navigating Client Expectations in Design

28:00 to 31:00

Learn the importance of upfront conversations and privacy fees in design agreements.

“So there's a lot of like, it depends in this conversation.”

Shea McGee on Studio McGee's Retail Expansion

31:39 to 37:58

Explore the journey and strategies behind Studio McGee's retail growth and new store openings.

“I'm joined now by the chief creative officer of Studio McGee, the one, the only, Shea McGee.”

Evolving Business Strategies Post-COVID

37:58 to 42:04

Understand how Studio McGee adapted its business model and product offerings after COVID.

“And that's, I think, what people seem to be longing for and are really hungry for.”

Transitioning to Exclusively Developed Products

42:04 to 43:59

Learn about the risks and opportunities in switching to a wholly developed product line.

“So we started as a brand that did a few of our own things.”

Maintaining Control as a Designer

44:01 to 46:38

Discover how a designer balances control and delegation in a growing brand.

“I like to, I'm involved, heavily involved in everything.”

The Size and Structure of the Design Firm

46:39 to 49:45

Explore the operational structure and project management in the design firm.

“Well, and I'm glad that you mentioned that.”

Lessons Learned from Merchandise Creation

49:46 to 52:19

Understand the challenges and insights gained from developing a merchandise line.

“And that's what allows me to still feel very much a part of that process because I'm not at a place where I want to step out.”

Anticipation for the Grand Opening of the Store

52:20 to 55:50

Hear the excitement and concerns leading up to the store's grand opening.

“We've had those discussions on what to do, but there's question marks there.”

Studio McGee's New Store and Vision

56:00 to 1:01:59

Learn about the upcoming grand opening of Studio McGee's retail store and its innovative approach to design and community.

“And it sounds like they're investing a lot in development and really doing a lot of building and construction, so it seems vibrant.”

Industry Highlights: Modsy's New Direction

1:02:00 to 1:02:20

Discover the latest moves in the design industry, including Modsy's founder's new startup Geome.

“Congratulations, as I say, on everything.”

Upcoming Events and Closing Thoughts

1:02:20 to 1:04:48

Listen to Dennis share upcoming events and wrap up the episode with key takeaways.

“We're getting to the end of the show here.”
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Transcript

Automatic transcript. May contain errors.

0:06This is Business of Home. I'm Dennis Scully and welcome to The Thursday Show. Later on, I'll be speaking with Shea McGee about Studio McGee's first store. But first, we're going to catch up on the news, including Ethan Allen drama, why Designers Guild is eyeing bankruptcy, and a viral debate over client privacy. To do all that, I'm joined by Business of Homes Executive Editor, Fred Nikolaus. Hi, Fred. Hi, Dennis. How's it going?

0:34Fred Nicolaus:Pretty good. How are you doing? I'm doing good. Welcome back from Texas. How was Dennis Does Dallas? Did you survive the 110-degree heat? It was pretty intense, I gotta say. I mean, the heat is not exaggerated, but it was a great event, and I thank the Laloys for having me. We had a really fun time. They had to do it, the Laloys. They know how to entertain and take care of people. I know Joanna Gaines was there, but how is the real celebrity, Irv Blumpkin, Nebraska Furniture Mart? What was it like to be in the presence of that much star power? Well, exactly. I mean, here's Joanna Gaines sitting right next to me.

1:10But really, it's all about Irv Blumpkin, who grew up eight years old. He started working for the Nebraska Furniture Mart. and Warren Buffett is one of his great mentors as Berkshire Hathaway acquired the company when he was young. And so it was great to get to meet him and absolutely want to get him on the show.

1:31Fred Nicolaus:Irv, if you're listening, and I know you are, come on the show. Well, you missed a heck of a what's new, what's next. I know, heartbroken. I know, everyone there was asking about you, which was a little rude of them to do while I was hosting a panel. But no, but it was too bad not to have you there, but it was a great event and a fun time. And thank you to Syria for putting up our panel on AI in their showroom. It was good fun. Everybody was raving about it. And it sounds like you had a great panel and a huge turnout, it looked like. It was a good turnout. AI was definitely a hot topic. I was walking up to the showroom with someone who works with us here at Business of Home, Ellie.

2:05Fred Nicolaus:And as we were walking, there was somebody filming a video about AI in the hallway. We got up, we did the AI panel. I went to Caitlin Peterson, our editor-in-chief's panel. They were talking about AI. It was very, something has changed. in between last year and this year. It was a very, very hot topic, and I suspect that will not change in the near future. So as long as Claude cannot host these panels, I have a job for the next year. But let's quickly look back on Monday's episode, a conversation with Wayfair CEO Neeran Shah, a conversation a long time in the making. Glad we finally had it. I am too.

2:34I'm glad that he finally came on, and we had a great conversation. It's an interesting time for Wayfair, very focused on opening retail locations, lots of conversation around Paragol, their higher-end brand. And I want to get your reaction, and then I want to talk about one of the things I think he did very cleverly in the conversation.

2:57Fred Nicolaus:But what did you make of the conversation? Well, I just thought it was interesting to hear from him. You know, we've wanted to interview him for a long time. Wayfair is obviously such a power player in the industry. I did like how you talked about how, you know, he had been thrown out of more high-point showrooms than anyone else because it took a long time for, you know, the old guard of the industry to accept him. but except, and they have. And I love how you talked about the high end. You know, Wayfair is making a lot of moves with Paragold on their own side. I have to, you know, pick a bone.

3:24Fred Nicolaus:He did say something like, well, more and more designers are abandoning the markup. And I was like, eh, not sure that's true. But I do think there is an opportunity for them to make some waves at the high end, and I think they're working on it. So a lot of good takeaways. But what was your, what did he do that was very clever? Well, and I'm so glad you mentioned that about markups, because I think that many companies think that designers have abandoned the markup. And I would say, really, talk to some more designers, is what I say to that. But interestingly, when I asked him about RH, because you come on the show, assume I'm going to ask you about RH in some capacity, and he very cleverly, very diplomatically said good things about RH.

4:02And then he just suggested that, but really, once these high point brands come on and you see the quality level of what they have to offer, what more do you need to say? And he sort of left it at that.

4:15Fred Nicolaus:Yeah, that was a very subtle little thing. I enjoyed that as well. I also enjoyed, while we're breaking this down line by line, like this is a football replay, I did enjoy how you were like, some people accuse you of not being profitable. I'm like, are some of those people Dennis Scully? Because I'm pretty sure you've said that before on the podcast. But anyway, it was a good conversation, top to bottom. So, you know, head on over and check it out. I think I described myself in that interview as the peanut gallery. Yeah, some people at the peanut gallery might have said this. But yeah, listen, I think it was great that he finally came on, and I hope it is the first of many conversations that we get to have because I do think he is the on-ramp for a lot of the high-point brands to have an e-commerce strategy.

4:55And we did talk about that, and I talk about that with CEOs repeatedly at high-point. So I think that's going to continue to play out, and the growth of Paragold I think is going to play a huge role in the future of where these brands are sold. So a lot more to talk about. I hope that people enjoy the conversation. And as I say, I hope he comes back in the future so that we can talk some more. Okay, we're going to get to the news in just a minute. But first, a quick break.

5:27This podcast is sponsored by Hickory Chair. Since 1911, Hickory Chair's mission has been to combine the authenticity of classic craftsmanship with the efficiency of modern lean manufacturing. Over its remarkable 115-year history, the company's collection has evolved to include timeless, modern, and classic designs inspired by significant periods and places, as well as collaborations with some of the world's most respected designers, including Suzanne Kassler, Ray Booth, David Phoenix, Susan Habel, Kim Scodro, and Mariette Himes Gomez. Working with interior designers, trade showrooms, and fine high-end boutiques, Hickory Chairs' talented craftspeople bring each designer's vision to life, creating bespoke wood furniture and upholstery from the finest materials for clients around the world.

6:23Nearly every detail can be customized from size and wood species to an extensive range of configurable options, COM fabrics, match panel finishes, and even customers' own hardware. The result is furniture that is truly made to order and made for you. Hickory Chair's hallmark is luxurious yet livable furniture made to order and built to last. The company is proud that the vast majority of its furnishings are made by hand in its Hickory, North Carolina workroom. This podcast is sponsored by Chelsea House. For 10 years, interior designer and retailer Jamie Merida has been creating pieces for Chelsea House with a simple advantage.

7:08He knows what designers actually want because he's one of them. This October, Chelsea House celebrates that decade-long collaboration with the Jamie Merida Edit, featuring more than 60 new designs shaped by Jamie's distinctive point of view and his passion for creating interiors with personality, sophistication, and a sense of the unexpected. A gentleman's take on classic design, duly shaken. Discover the Jamie Merida edit this fall in the Chelsea House showroom at 200 North Hamilton in the Hamilton-Ren Design District.

7:50And we're back.

7:51Fred Nicolaus:First up, Fred, we have to talk about interest rates. We said it was going to happen, and it did happen. Last week, the Fed increased interest rates by a quarter percentage point for the first time in three years. They're going the wrong direction, Dennis. Weren't they supposed to go down? They're going up now. They are going in the wrong direction. And as we come on air, Fred, honestly, they're going in the wrong direction pretty fast. Rates are going higher. There's no question. Yeah, we've talked about this on the show before, but there's an obvious corollary between the key rate and how much they charge for a 30-year fixed rate mortgage.

8:22Fred Nicolaus:And a lot of people speculate that housing market is going to restart once that number gets to 5%. And it's been stuck around 6 % for a while. Well, now it's above 7%. So it's going exactly the wrong direction. which as a direct result of this move, you know, the Treasury market also is going higher as well. But this is all about inflation, right? I mean, as much as we want, you know, the housing market to get better and mortgages to get cheaper, we're also really concerned about inflation, and the Fed is clearly concerned about inflation, and that's what this move is a reaction to. So, you know, while this may not be great news for people listening to this podcast, this may be simply what they have to do to get inflation under control.

8:58Absolutely. And part of the irony of this is that rates are actually moving higher in part because the economy is turning out to be so much stronger than people imagined. And so you're seeing a lot of these inflation numbers come in hot, but you're also just seeing a lot of signs that many areas of the economy are doing much better than people had anticipated, and that is also leading rates to go higher. So, I mean, it's a good news, bad news kind of thing, and isn't that great that the economy is doing better? But also, it's raising key borrowing costs for a lot of people, including people who would love to buy a home.

9:37And also, we talk a lot about the renovation market, and that usually heats up when people can take cheap home equity loans, and those rates are also going higher. So it's going to be challenging for the housing market.

9:52Fred Nicolaus:Yeah, this isn't great for the housing market. It's not great for anyone who wants to borrow money. And as we talked about last week, I feel like we need some sort of index, the client vibe index. You know, financial markets are weird. Affluent people may be kind of looking at that and sort of wondering what comes next. But, you know, the sky is not yet falling. They did the thing they haven't done in three years. So we'll wait and see what it looks like in a few months. But stay tuned because once that number gets down to five in 2030, everything's going to be great, Dennis. Survive and thrive to 2030.

10:21Is that what we need to say?

10:22Fred Nicolaus:Yeah. You get a lot of hurdy on the way to 2030 is where we're at. No question. Unfortunately, in the short term, rates are going higher is the takeaway, and we'll see where it all goes from there. Moving on, let's talk about Designers Guild. The UK-based home goods brand is facing some serious challenges of its own at the moment. Fred, you did a story about this. Tell us what's going on. Yeah, I mean, I think we should start with Designers Guild itself. I mean, were you familiar with this company, Dennis? Is this a known name to you? It is a known name to me, yes. I visited Designers Guild many times and knew some of the folks involved years ago.

10:58Fred Nicolaus:Yeah, so it's a UK-based brand. Like a lot of British companies, they do a lot of different things. I think it's more common there for these kind of companies to do furniture and upholstery and decor and stuff. In the US, it's mainly known as a fabric brand. They have a license with Ralph Lauren Home, or they have the license for Ralph Lauren Home. They do Christian Laquamaison, and they also have a collaboration with John Darien, as well as their own fabric. So it's a fabric provider here in the U.S., but it's this kind of venerable company. It was founded in the 1970s. They have what's called the Royal License, so they have a collection called the Royal Collection, and a very well-known company at the high end over in the U.K.

11:35Fred Nicolaus:I want to be really precise about what exactly is happening because they have not yet filed for bankruptcy. They've done what's called a notice of intent to appoint an administrator, which is something you can do under British law that basically shields you from your creditors and buys you some time while you work with a firm to sort of walk you through bankruptcy. if it comes to that. It hasn't yet come to that, but certainly that is often a preliminary step towards bankruptcy or some kind of last-minute sale to rescue them. So at the moment, there's a lot of very clear signals that are running just up to bankruptcy but haven't hit that line yet.

12:05Fred Nicolaus:I don't know what you read on the situation, Dennis. Yeah, I mean, it's a complicated story, as you say. They made a deal to sell a bunch of the intellectual property, and they sort of split themselves up a little bit in the hopes that the retail operation and the trade operation would be able to sort of carry on on their own. But they're in a very challenging environment, and we'll talk more about that. But they cut a deal that they, I think, were hoping was going to work out much better than it has, unfortunately. Yeah, the situation is kind of murky. You know, according to this local news site, they've shuttered their London flagship store.

12:42Fred Nicolaus:They did not return our request for comment. You know, there's a sort of knock on effect, which is that in the US, Ralph Lauren Home, which, you know, they do the license for, has stopped or temporarily paused new sales on Designers Guild product while they figure it out. So to be clear, we don't really know exactly what's going on behind closed doors there. But there's a lot of things in the ether that makes it difficult for a business like Designers Guild to operate at the moment. Yeah, I mean, and again, it sounds like it sounds like there was going to be a deal. And then suddenly there wasn't.

13:11And so, as you say, we don't know exactly what's going on internally. What we do know is that they're in a challenging environment in part because the British market is very soft. We talked to lots of British brands who are desperately trying to come over to the U.S. because this is where the business is, and the business in Britain is very challenging. Additionally, for Designers Guild, a lot of where they sell outside of Britain is in the rest of Europe. And unfortunately, when Brexit happened, it made it far more challenging and far more expensive for them to be exporting to all of these countries where once they had very standardized shipping and tariff rates.

13:52And now, unfortunately, they clearly are one of the victims of the Brexit complexities.

13:59Fred Nicolaus:What designers need to know right now is simply that if you have an open order with any of their sub-brands, it would be a good idea to check on it and see what the status is, because this is affecting their business, and we'll certainly keep you posted on what happens next week. But it's a story in progress at the moment and not a happy one. Yeah, no, no, no. It's unfortunate. A storied brand, and as you say, designers just need to check in on the regular, no doubt. Bunch of DMs coming in about that, so do check up on that. Let's move on and talk about the big Ethan Allen drama, shall we, Fred?

14:31Fred Nicolaus:Yes. This week, the retailer announced it was developing a succession plan for CEO Farouk Kothwari. Wonder why? What's going on there, Dennis? Wait. Wait. He needs a succession plan? Who would have told him that? Who could have told him that? Yeah. I don't know. Can we count this as influenced by Dennis Scully? Because you have talked about the need for this several times on the show. And for this very reason. I didn't want him to have to face an activist investor, but that is absolutely how it's playing out. So let's give a recap of what is happening in the drama. Absolutely. This is an ongoing story.

15:05Fred Nicolaus:This is a saga. So earlier this year, this activist investor named Doug Bergeron announced he was planning to try and take over Ethan Allen basically by forcing out the corporate board, putting in his own board, and then forcing out Farouk Kothwari. And so there's going to be a big vote, I think, either later in October or November. And shareholders will vote on this and decide whether they want to go with Bergeron or stick with Kothwari. It's a complicated situation, right? because Doug Bergeron obviously wants a new CEO. And now Ethan Allen is saying they want a new CEO. It's just a question of the timeline at which that happens and who gets to take over after Farouk leaves.

15:39Fred Nicolaus:I do think, look, as much as people talk quietly behind closed doors about the need for change at Ethan Allen, Farouk is a very well-liked person in the industry, a legendary figure credited for saving the brand, running a profitable company, unlike a lot of his competitors. And so I think a lot of people would prefer him to have a very graceful exit and be allowed to leave on his own terms and help name his successor and be honored at high point. I think that's what the industry would certainly prefer. The question is, do shareholders want that? Well, exactly. And part of what's going to play out in all of this is we're going to discover how those shareholders really feel.

16:15Look, Farouk Khathwar has been paying out a very generous dividend for a long time. And so there are a lot of shareholders who may be unhappy to think that he's going to leave. And they're going to change that policy dramatically, which is certainly what Doug Bergeron has alluded to as part of his change for the future and making a lot more capital investment in the future and all of that. So we'll see. It's been a generous dividend. It's been a predictable, though, going nowhere in terms of real revenue growth kind of company. But for many, the widows and orphans who love a nice high-paying dividend stock, this has certainly been that for a long time.

16:48We'll have to see. But again, we don't really know how the shareholders are feeling yet. And they're going to tell us soon.

16:55Fred Nicolaus:Yeah, it's a big drama. And just in terms of not only the industry, but the way interior designers feel. I mean, I will say I posted something about this on my Instagram. And there were so many comments about, oh, Ethan Allen is a great brand. What are they doing recently? What's going on with them? I haven't been in the store for a while. So I think there's a lot of affection for the company. But there's no question that there needs to be changes to re-engage with designers and younger consumers. So whoever takes over is going to have to do that. So we'll see who it is in November. Yeah, yeah.

17:20Changes afoot one way or another. And perhaps that's also the case with this next story, which is Miller Knoll. The furniture giant released its latest earnings this week, and it was a mixed bag.

17:31Fred Nicolaus:Should we get into it, Fred? Yeah, there was some good, some bad. A mix of declining sales, but an improved operating margin. They, alongside every other publicly reported brand in the industry, got a tariff refund. I think it was around$10 million. They had some sales decline a little bit, nothing huge. The commercial side of their business went down a little bit. So, you know, a little bit of chop here and there. It wasn't an extremely positive quarter for Miller & Noel. What did you make of these numbers? Well, I was most keen to hear what they were going to say about Holly Hunt, right? So we've talked recently about big management change at Holly Hunt.

18:06They made some drastic cuts to the key creative person and the former president of Holly Hunt. And so now I was waiting to hear, OK, how is it all going? What's happening? Clearly, the message was we're cutting costs as best we can inside Holly Hunt. They announced the closing of a Minneapolis showroom, and they're just going to favor sales reps instead of actually having a showroom in that space. And clearly, the message was we're cutting costs. We're letting some more people go. and they tried to present some good news and that orders grew for the first time in four quarters at Holly Hunt. So that was something.

18:47Fred Nicolaus:Yeah, I mean, you know, we've talked about Holly Hunt at Miller Knoll for a long time. It is kind of a weird thing because of course it's a very big company with lots of different lines of businesses. And I don't think Miller Knoll lives or dies by how Holly Hunt does, but obviously it's the most relevant for our listeners. And it does seem like what's going on there is consolidation. And I wonder how that's showing up for their designer customers. You know, they put somebody from the industry, Tony Manzari of Meharam, in charge of the brand. And he's obviously a liked guy and I'm sure has smart ideas for where to go from here.

19:17Fred Nicolaus:But one of the problems that seemed like based on the last column, just general chitter chatter, was that the product wasn't really resonating or it wasn't as much of a hit as they wanted. And so they clearly need to invest in new product, which is hard to do when you're pulling back on your costs. So, you know, Holly Hunt is in a bit of a weird spot. I mean, it's a great brand. And I have no doubt there's a future for it, but it does seem to be in a period of transition. And we'll have to see what's happening as it's sort of in the belly of this big publicly traded beast. Well, exactly. And they're going through a CEO transition of their own.

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19:48As you say, I believe very strongly that what Holly Hunt needs is some exciting, dramatic new product. And I think everybody internally knows that that's the case. It sounds like the message that has been delivered to Holly Hunt is, OK, go find the money and you can have all that great new product. So clearly the cost cutting has to come first and then comes the great new product. Also the great new product takes a year or two to really come to the showrooms and to be made. So we'll have to see. But I would hope that we will get some dramatic announcements about new collaborations, new partners in the future, perhaps some great designers stepping in and saying, hey, we're part of the design team at Holly Hunt in the future.

20:34We'll see, because that's certainly what it needs. Otherwise, at the company, I mean, it's a challenging time for the office environment. That continues. So it's just they're doing the best they can in a challenging environment. Would you agree with that assessment?

20:49Fred Nicolaus:Yeah, I mean, I think just like little wins, little losses, nothing too dramatic on this call. I mean, Bill Arnall, like everybody else in the industry, is subject to both struggles in the housing market and struggles with the sort of complicated return to office that we've been talking about for the past few years. You know, they're a big company and there's a lot and they've got a global market, they've got a domestic market, they seem to be vulnerable to the Canadian tariffs because I think they manufacture on both sides of the border and do business on both sides of the border. So there was a lot of chatter about that.

21:17Fred Nicolaus:You know, I think at the end of the day, they're like a lot of companies, they're just trying to get through a weird time. It's funny, I had a lot of conversations like that at What's New, What's Next. When I was talking to executives, They were just like, yeah, just, you know, it's been about six years since we've had business as usual. So hopefully next year. And I'm guessing that that's kind of the chatter inside Miller & Oll as well. So here's hoping. Yeah, absolutely. And here's hoping for the best with all of that. It has been a challenging several years to be sure. Let's move on and talk about the juicy topic of the show, Fred, the privacy debate.

21:50Fred Nicolaus:A hot topic. In a recent piece for House Beautiful, Alyssa Kahn wrote about a viral debate over one designer's photography policy. But it wasn't just a designer's photography policy. It was a video an influencer made about it. Shall we hear what this influencer had to say about her designer, Dennis? Please. So there's like a clause in their contract. By signing the contract, that means that I am allowing them to take videos or photos of my home and use it on their social media or their website or whatever. And if I opt out of that, I have to pay like hefty fee. It was$300 just for them to not be able to like market my home, which I find quite insane.

22:32I'm a full paying customer.

22:36Fred Nicolaus:Full paying customer there, Dennis. Yes. So, I mean, I think this was a great article by Alyssa Kahn, just sort of touching on this, you know, drama that this kicked up where the influencer was complaining that she had to pay what she called the privacy fee for the designer not being able to, you know, take photographs of her kitchen. And, you know, some people were weighing in saying, like, you know, this is ridiculous. Of course, designers need to take photos. That's their main marketing driver. Other people were saying that's outrageous. It really became a huge conversation on her Instagram page, and it became a topic within the industry as well.

23:08Fred Nicolaus:I don't know. What'd you make of this issue, Dennis? Yeah, it was interesting to see how divided people were, though not too divided in my DMs, where I'm going to need a whole separate Instagram account now to just manage the DMs coming in from people about this topic. So I'm thinking, can AI help me to manage all the DMs? I don't know. But it's yeah, I mean, I think, you know, the reaction from the industry was pretty clearly on one side of this. I mean, you know, it's it isn't it's an interesting thing, like because obviously, you know, in the world that you and I live in, we obviously know that being able to take pictures of a project is huge.

23:48Fred Nicolaus:I mean, it's really what drives the next project. And, you know, many, many designers do a project simply because they know they can take photos. So the idea that that is of value is not a surprise to us. That's not some shocking thing. And I think a lot of designers were hopping onto this person's posts to sort of talk about that and try and explain it. But, you know, a lot of the people who follow her and were just, you know, people off the street were just saying, oh, it's ridiculous. Like privacy feed, that's crazy. How do they get away with that? So, you know, there's clearly, you know, a disconnect there.

24:18Fred Nicolaus:And I think, you know, I don't think an influencer is like the perfect messenger for, you know, a statement about privacy. Because this is someone who shares their life and gets money for it. So it was a little – there was an irony there that I think people are right to point out. But I do think this is a bigger issue in the industry. I don't know. What were some choice examples from your Instagram DMs, Dennis? What were people saying? Well, I mean, it's interesting because, as you say, people who are not in this industry had a very different response to it. But interestingly, one of the designers who was interviewed for this article, Ali Bergoon Nolan, wrote to me from Studio Bergoon saying, listen, I'm just a few years into my firm and I absolutely need photography as part of the marketing material.

25:04So I simply can't take on a project where you're not going to let me photograph because that is absolutely part of what I need to get the next client, to get the next project. So I completely agree. And Summer Thornton wrote in who has huge scale projects and said, absolutely, we have this discussion in great detail. And we sign NDAs. DAs, we're not going to let you know who the client is or where the client is, but we absolutely are not going to take on this great big project if we don't have photography. This is part of one of the most important parts of the value of taking the whole thing on.

25:43So I get that. Interestingly, you and I have talked many times about how many, particularly at the high end, designers can never reveal their projects. Alexa Hampton had suggested last time, I think she was on the show, let's create a salon where people can get together and designers can just show phone pictures to one another in a quiet room where nothing leaves this room because they know, she knows, how many of her projects will never see the light of day. Sometimes clients will agree years later when you're doing your book, they'll say, okay, I'll let you show the photography there. That feels different to many clients, and Jill Cohen has talked about that in the past.

26:26But many clients don't want you featuring their project on social media. Interestingly, in the case of this influencer, she said, well, I didn't hire a designer as a result of that terrible experience that I had with that$300 charge. So by the way, here's my kitchen and my home and much of the rest of what's going on. So many designers quickly wrote to me saying, wait, I thought you were all about privacy and you didn't want anything shown. And then she turned around quickly and showed her kitchen. So many thought perhaps it was that she didn't want anyone else showing her home or her kitchen.

26:58And there you have it.

27:00Fred Nicolaus:Well, first of all, Alexa, if you're listening, please invite me to the salon where you get to see these pictures. I would definitely love to go to that. Yeah. I mean, I think it's funny to talk about sort of the, you know, the ironies of this influencer, but the bigger issue is real, even if when it's, you know, not an imperfect messenger sharing this. And I think it's, it's complicated because, you know, look, I think it's completely reasonable for a designer to want to photograph their projects and for that to be, you know, said upfront that look, this is part of the contract for me. And this is part of the deal for me.

27:28Fred Nicolaus:But I also think it's reasonable to understand that for a lot of homeowners who're coming into this for the first time, that's not an expectation of theirs, or that's something that you're going to have to coach them through because it's not a typical consumer experience. You know, like when you go to Hermes, like it's not part of the deal that they have to be able to photograph you when you walk out with your Birkin. And I think that like, while it is reasonable and understandable and should be discussed, I think designers need to have an understanding of, okay, this is a, this is a conversation that could be, you know, sensitive and delicate.

27:56Fred Nicolaus:And in the case of billionaires, it just may just be a non-starter. They'd be like, okay, you take pictures. Great. I'm going to find a new designer. You know? So there's a lot of like, it depends in this conversation. You know, I think like the smartest thing you can do is just have the conversation upfront. I think if you take nothing away from this, other than that, it's important to have it, to know what you want and to get it, you know, to get some kind of an agreement at the very beginning. Because I think it's at the very end when you sort of find out that you can't take pictures that it becomes, you know, a heated topic.

28:22Fred Nicolaus:You know, this idea of having a privacy fee, I don't know, what do you think about that, Dennis? I've sort of like heard about it a little bit, but it doesn't feel like an industry standard to me. Maybe it's more common than I'm imagining. Well, interestingly, numerous people wrote in to me, many of whom didn't want to speak on the record about it, but they said$300, try$30 ,000, try$50 ,000. That's the fee that I'm charging or that my clients are charging. And clearly, it sounds like this is much more common than perhaps we had realized, that if nothing else, they raise the issue of, oh, well, if we can't, there is this giant fee.

28:59And the reason why is because it's a marketing hit. So whether or not it's couched as a privacy issue. I think it's much more of a hit to their marketing. And I find the privacy conversation very funny in this day and age. But some people, I think they use the word privacy. That's not exactly what they mean, as in the case of this influencer. I don't think she means privacy in the same way that you and I think about it. But to many, and we've talked about how many people at the high end are spending all sorts of money on security and are spending all sorts of money on privacy. So I get it. Every high-end designer will tell you that of course we're never going to release the names, the addresses, all of that.

29:41That's just de rigueur in the design industry. But it's funny that this became such a heated debate and obviously a huge boon for her social media following. Yeah, that's what this is really all about, yeah. Exactly. Denise McGehee from Dallas wrote in and said, Dennis, it's simply algorithm gold. So there you go. Well done. All right, that's it for the news, but there's plenty more to check out on businessofhome.com, including the latest showroom openings and the best debuts at Paris Design Week. We'll be back in a minute, but first, a quick break.

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31:39And we're back. I'm joined now by the chief creative officer of Studio McGee, the one, the only, Shea McGee. How are you, Shea? Thanks for having me. I'm so great. Right. Well, as we talked about just before we came on air, Shay is very kind to take some time away from, I don't know, opening a giant store in the middle of Salt Lake City, Utah. Last time I checked YouTube, the doors hadn't arrived. I don't know if that's changed. We're a little bit behind with - Okay, okay. You know, we have to document and then edit and then share and things happen within days. So So the YouTube is like half a beat behind what's actually happened, and we have in fact gotten the doors.

32:25And the store has been finished. It's been photographed. Awesome. And we're in a good place. Well, that's why you're in the calm state that you're in, and I'm so relieved. And I want to talk about this door, but last time I saw you, you were in New York City. You had a cookbook that you had done, and you were doing a little touring. around that. And you and I sort of had a fun chat about, man, is it a challenging time to be trying to run a design firm and you've got a huge e-commerce business. Tell me about the challenges of juggling all this, Shay. One of the challenges is staying focused because I think that right now in the landscape, there are so many advancements in technology and changes in how people are shopping and what they want to experience and what they're looking for and how they're even arriving at conclusions for their own home.

33:26And I think our heads are on a swivel right now trying to keep up with everything. And then we have to take a deep breath and say, okay, what's right for us? And we have a lot of initiatives, but even though it seems like a lot, that's actually quite narrowed down from maybe all that we could be doing. I think that as an entrepreneur, you have this mindset of like, I can do anything. Like when I first started, I did everything because I had to, I didn't have a choice. And so you want to believe that you can do it all. And even if you try, that means something has to give. And so right now, as we talk about moving into retail and opening this store.

34:09This is the beginning of opening a lot more stores, but I had to finish launching a book. So it's like one project to the next. So I can like hyper focus on that and then go into the next thing. Yeah. And I want to talk because as you say, this is the first of many that you imagine opening. And I want to discuss all of that. But you just made reference to how people are informing themselves about decisions that they are making, which seems very different from even a year or two ago. And I wonder what specifically you're referring to and tell us what you're learning about how people are informing themselves.

34:50Right. I think that there's so much information and there are a lot of people competing for our attention. And also, I think that we're seeing AI make such a big impact in all aspects of our lives. But what I'm finding is that because of that, people are craving actual real life experiences, like the total opposite of it. Yes. And so it's interesting because I think I'm very, as a business owner, we're very split between advancing technology and efficiencies and then also creating in-person experiences that we kind of lived in a middle space for quite a few years, I think. And now it's like drive things forward and then step back.

35:38And that's what we're trying to do as a business. And that takes very different skill sets. And yeah, I think that while it feels like there's so many opportunities, we're trying to take things and just be really mindful of what's right for us. And I think that that's the key that I've learned. I turned 41 this year. And I have this great sense of assurity that I maybe didn't have 10 plus years ago when I started my business before that. And I feel a lot more assured in just doing what's right for our business rather than paying attention to our competitors. Well, it's interesting that you mention AI in the context of retail because I think, as you were just outlining, there is this cultural shift.

36:35And I don't know how you personally feel about AI and the impact that you can see it having in the world, in media, in how people are discovering you and what it makes you think, how you're processing it. Well, I haven't focused on discoverability yet. I think that where we thrive is our content output. And there's a human component to that that I don't see leaving. And so when we are looking at AI for us, it's efficiencies to focus on what we're best at. And so discoverability for content, like I'm not going to use AI to create my videos of the store coming together, but could it help with the workflow and make it faster?

37:30Yes. Like we view that for our entire team. Like how do we free up space for you to do what's most valuable? Like there's so many, like you're copying and pasting that a hundred times a day. You don't need to be doing that. You're really good at this other thing. So let's make that efficient so you can free up time. And, you know, there's a hundred other ways, but that's the lens through which I'm approaching things with AI. Well, exactly. And that's, I think, what people seem to be longing for and are really hungry for. And the opportunity that I think you opening this new retail location and thinking about a broader retail strategy and where you want to go with this, I think you can deliver some of that.

38:20So tell me when you decided that you were going to take this on in a meaningful way.

38:29Fred Nicolaus:Because I know you did a retail experience years ago, and it sounds like you learned a lot from that. But it didn't deliver everything that you wanted it to, it sounded like. No. So we took over a 600-square-foot space as like a finish to a sublease. And so it was a short-term experience for us. It was an experiment, actually, for us to kind of see how this would work. And it was in Orange County. And we were days away from signing on a larger space when COVID hit. And we realized we should pause and wait things out. And so we took our time and said, OK, we're going to build e-commerce. We'd already been spending several years doing that.

39:13And so we continued to build and we wanted to see, you know, how are things landing? What is happening in this brick and mortar retail space? And then when we started to see kind of this pickup again of retail starting to have this resurgence, I knew it was close to time. And I am so fortunate to have this partnership with Kohler. and they were opening a flagship, not a flagship, a showroom in Salt Lake. And they were asking me about this specific location. And I was like, well, if I was to open a store, that's exactly where I would want to be. And then it turns out that a space that had been empty but not available for many, many years next door to Kohler was going to be available.

39:59And then they let us know. And so that kind of sparked this like, ooh, we should do this. And I'm grateful that we actually took that time so that I could feel clear in that vision. I think that previously we would have said, let's open a shop. And now it's like, let's open the retail arm of our business. And we, rather than going piece by piece and saying like, what store associate do we need to hire now? We hired an entire team that will handle the rollout of multiple stores, and they're ready for that. This is like their proving ground of getting things kind of sorted before then we open multiple.

40:47And if you had asked me years ago, that's not how we would have approached it. It would be like, we can afford this many team members right now. That's it. And that's just how it would have worked. So now we're in a better place. So there is value to waiting, even if it was hard. And I would have said yes to opening a store 12 years ago. Well, but as you just said, it might have been a shop. Whereas today, the vision is completely different. And let's talk about what McGee and company has grown into and what really drives the business today. because I think that also has dramatically changed what the store presence will actually be.

41:32And then I want to talk about Salt Lake City, Utah, which just sounds like the hottest area in the country. If I talk to one more company who tells me they can't wait to get there and open a space, which we'll discuss. But let's discuss what McGee became because you learned so much during COVID. The business grew in so many different ways. What's driving it? Yeah, so our business has become more focused and proficient at manufacturing our own pieces. So we started as a brand that did a few of our own things. And then we took a really big risk and invested into switching to primarily exclusively developed products across all home categories.

42:22Everything from furniture and lighting to dinnerware and accessories and outdoor. So that's a huge undertaking. It was a huge gamble on ourselves. Huge gamble on ourselves. If that went wrong, we were in a lot of trouble. And so we saw the opportunity, though, because we are designers and we get to hear what clients want. And I know what they want. And I also, beyond our clients, I have lots of fans who tell me what they want. Whether you like it or not. Whether I like it or not. I see it in the comments. I see it in the DMs. I see what they respond to. And all of that data is incredibly valuable.

43:11And so we continue to use that information and good or bad. We use that information and we've grown over. So starting in 2020, really starting and leaning into it in 2021, because things take, you know, 18 months to happen in our industry. We really started that. And so progressively over those years until now, it's been a transfer of us to creating our own retail brand and vision. And that allows us to differentiate ourselves and put our stamp on things and really have, I'm going to say it, I like control. You know, I've heard that about you. Oh, really? I've heard you like a little control. Just saying, yeah.

44:05I do. I like to, I'm involved, heavily involved in everything. Well, which is what I'm eager to understand better because there's no way, Shay, that you're going to be able to have the level of control that I know you want to have in all of this. So I'm wondering how you're thinking about that. Watch me. No, I'm just kidding.

44:29I think that let's not discount my incredible team. So I am very, very involved in setting the creative direction and edits. But then there is a point where that gets done and our team is responsible for capturing that vision and running with it. And there are a lot of things that happen between concepts, editing, sampling, and then bringing it to market. And I am involved in those creative assets for marketing because those are visual representations of our brand. I am involved in setting the direction for our highest tier projects. And then I have our licensing partnerships. But as I view myself as creative director, it also means that I have to have an incredible team that understands that vision and can capture it, knows our quality standards.

45:25And then we have to be organized as an organization to roll it out. And I have a lot of team members who really do understand that vision that I trust. I think that we can continue to build that, even though I won't have my fingerprint on everything. That vision can be carried through. And I think, you know, this, we're talking about retail, but this goes for design services as well. I mean, anyone who's running a design firm out there and, you know, you're trying to grow it and there are people that are making decisions on your behalf. It's hard to relinquish that. And also it's, it feels scary and you don't want any mistakes, but you kind of have to know when you're scaling that there are going to be a few mistakes.

46:13and then the best thing that you can do is course correct and learn from them so that it doesn't happen in the future. And we were forced to do that with Netflix because we were forced to be pulled out of the day-to-day when we were filming. Otherwise, I think it would have been a slower transition to that, but we had no choice and we were like, uh-oh, we have to instill some trust and implement training because we're gone. We're in a chair under bright lights. Well, and I'm glad that you mentioned that. And I want to talk about the design firm. But the point about the Netflix, I got the sense from what you later said in relation to that, that it pulled you away too much.

46:52It did. Yeah. Right? It forced us to do the step away, but it also meant that we stepped away. And we love being involved in the business. And I think as a personality-led brand that so much of our heart and soul goes into it. And I want to be a part of that as much as possible. And even if our team is growing and I'm stepping out of certain things, it was too much. Yeah, it sounded pretty intense. Yeah, but we did it. And I think you just have to kind of choose where you spend your time. And we have an appetite for success as entrepreneurs. I like that. Okay. An appetite for success as entrepreneurs.

47:39So two things that I want to come back to. One, let's talk about this big old design firm that you're also running and with lots of big projects going on. and I want to talk about, as you were just suggesting, how that informs so much of the look and feel of McGee and Co. So talk about what's going on with the design firm, how big your firm is these days. Yeah, you say big old design firm, but we actually keep it pretty tight. Well, it sounded like you had a lot of projects going on. We do. We have a lot of projects. The roster is full, but we are not at a place where we're like multi-city. We take projects on all over the country and even a few internationally, but I don't, we're not to that place.

48:30Will we be one day? Maybe. Um, I don't want to say never, but right now it's, um, we tier out our projects. So we kind of do tier one and tier two, and I oversee all of the decisions for our top tier projects. And then the second tier, and that's very clear when they sign on, is I don't want Shay actually involved in the smaller rooms or the basement because we don't want to pay for her. We want our budget to stay more manageable. And so that's kind of how we tier things out. And I have an incredible team of senior designers who have worked with me for a long time and lead the communication. We have operational team members that are really carrying that.

49:15And so that's how I'm able to bounce between the different initiatives. And so I think we're at maybe, I'm so bad at this because I will, like, I'll say like 18 team members and someone will say, actually, it's, you know, something else. But that's about where we're at. That's about where We have teams, so no one is working alone on a project. There's always a junior designer, and that's how we do training. Right. We could grow it, but it will be very like one person at a time needs to be a great fit. And that's what allows me to still feel very much a part of that process because I'm not at a place where I want to step out.

50:04Yeah. And I'm curious, you talked about taking this huge leap of faith and really creating so much merchandise that you had designed. And I know that that is extremely challenging. And becoming a savvy merchant, which is what that requires, is something that takes many seasons under your belt to really get expert at. How did it go? What did you learn? What worked? What didn't work? What did you walk away with from that whole experience? Well, I mean, we learned something works and doesn't work every season. And that's how merchandising goes. And something that you maybe didn't anticipate being the star ends up being the star.

50:49And sometimes I can call it and know exactly what people are going to want. And sometimes there's a surprise. And we learned a lot through the process. And I think that starting a company without all exclusives to begin with gave us that information to at least lay the groundwork to do that. We were manufacturing some things, but we weren't manufacturing everything. But we were dropshipping and doing things like that. And I don't recommend – I mean, it's so expensive to do that. And if we were stuck with that inventory, what were we going to do with it? But we felt really, really confident that we were going to force it to work.

51:37And I think that what we've learned is just every single season, it's like, take away from it. Our customer likes X, Y, and Z. Who is she? Like, what does she like to do? And I think that that's, I mean, that never ends. That's just a part of the process. You get that download every single season. And as you say, and it can be quite humbling. The things you thought were going to lead the way don't, and they're carrying the water for a surprise product that hopefully you can get enough of when you discover that suddenly that's what's selling. Yeah. Yeah. That is the joy of retailing. So let's talk about this retail store.

52:18September 25th, is that right? Is that the big opening date? That is the official grand opening. We had a soft opening, so we didn't tell anyone we just casually propped those doors open to have people wander in and you know workout kinks in our pos system and make sure like all of our ducks are in a row and so that's um how we soft launched into the big grand opening because i have no idea what to expect of course i have high hopes for um a big crowd but also i'm like not too big what what happens if we can't do crowd control or we have to do lines. We've had those discussions on what to do, but there's question marks there.

53:08And I have no idea what to expect. No, and you don't. But I assume that since you've been creating a lot of content around it, that the word has gotten out that the store will be open. and I'm imagining a great many people will show up. In part, as we were talking about earlier, I don't talk to anybody these days who doesn't suddenly mention Salt Lake City, Utah as just, right, this growing, vibrant economy and place. Tell me a little bit about that because you've obviously seen it grow and evolve quite a bit. Yeah, we have a lot of people moving from out of state to the area. And the thing about Salt Lake City is that it's quite sprawling.

54:00So you can live, you know, like even more than an hour to the south and kind of be part of the valley and like access Salt Lake City. There's just so much, so many towns that kind of like wrap around the mountains and out west and then also Park City and beyond. So there's, you know, Midway and Camas, and you have all of these other areas outside of Park City that are booming as well. There's a great entrepreneurial community here, and there's a great creative community. And so, and there's lots of opportunities for designers because people are building mountain vacation homes. And then they're also building their main residences.

54:47But for us, our primary business is actually the vacation home side of things. Out-of-state clients that are building... It's interesting because they'll build homes that are actually built bigger than their main home because these homes are to be the extended family hub. So it's like bunk rooms and places for the pop-up crib and the closet. So just so that like every single family can come and hang out and whether it's skiing, we have great summer weather. And so I think it's pretty cool to see, I mean, our traffic's getting worse and we don't have that many freeways. So that's been a thing. But it is like we're having lots of growth in the area and that's so, that's really cool.

55:39I mean, good for our store, of course, but also I'm just really excited that people are discovering it. And of course, there's a part of me that's like, well, I don't want too many people to discover it. I do like how peaceful it is, but yeah. You can see the traffic creeping up. I can, I can, but it's, it's a great place. Yeah. Well, it's, it's to your point. I mean, it seems like a lot of people are discovering that it is a really beautiful place to come and Utah is doing a great deal to make it very desirable and taxes are nice and they've done away with estate taxes, I gather, and they've made a lot of nice changes.

56:18There's a lot of incentive. A lot of good reasons to come. And it sounds like they're investing a lot in development and really doing a lot of building and construction, so it seems vibrant. How big is the first store going to be? Let's talk. Yeah, just under 7 ,000 square feet. so large enough for us to approach the retail store like a home where you walk through and you're living dining bedroom kitchen kids space and then there's like a design studio in within yeah i mean that's big i i think that it pushed us i think our team pushed us um to do that because you know it feels scary uh but now that we're in it's like what's been living in my brain for so long and you shoot products in a warehouse in the dark and then you go and you set them up for a couple of days in a set location and then you take it down.

57:20And so having something that's like living there that can transform with the seasons and really represent what the vision is for the brand, it feels like a very pivotal moment for us. Yeah, it certainly seems so. And do you imagine in having a lot of activations, activities, interactions? What's your thinking there? I definitely see us doing it. When you say a lot, I don't know what, you know, that's a relative term, but even, you know, for the grand opening, we have influencers flying in from all over the country and they, you know, we'll be doing an event with them to give them a preview of the store.

58:03And then we'll be doing press previews. And then from there, it's like, well, holiday, I want to do something. There was a reason that the kitchen isn't just for styling. It's a working kitchen because we could do food demonstrations or we could do floral workshops. I really want that aspect of a store to bring community and creativity together. And I don't want to lose that. But I think that I also have to temper it with, I got to figure out how to run the store. And we're already in the process of opening a couple more. And so I, yes. And so our team is amazing at the store and they've already done this before.

58:53And so we're, you know, we got to set that calendar and do plan those things. But I don't have plans of just like opening and having it just be like strictly retail because I do want to create inspiring experiences. Well, that's what I was imagining. I was imagining that you wanted to do a lot more and perhaps you don't even fully know all that you want to do. But I wonder, Shay, in thinking about all that the business has become and the many facets of the business and how you have grown as well, where do you want this to go? So we're imagining opening up X number of stores in the coming years.

59:41In the service of becoming what? What? I want to be the next great American home brand. And I think we have the potential to do that. I've assembled an incredible team who's very knowledgeable. And I feel like we have a unique perspective in the marketplace of where we land both style-wise and how we speak to our customers. And as a designer-led brand, we have a different lens through which we view homes and how we design the products that go in them. And I will always have design as part of what I do, and I plan to keep it there. But the plan is not to blow that out. In fact, my plan is to, at a very steady pace, continue to grow that if needed, but to take on those projects that keep inspiring and are great for our clients and then take the learnings from that and offer free design consultation services using that expertise that we have already in-house.

1:00:52That is not just like the basic recommendation engine. It's truly informed. so that's that's my focus right now and I want to be at the place where there's like no regrets to what we're doing when we open the store so that as we move forward I can confidently say like this is exactly how I want it done I I think I'm at the place in my career where I know that there's always going to be compromise as part of business that's that's how it is. But as we move forward, I don't want to lose myself. I just want to stay really true to who we are because that's our only differentiator is like just really staying true.

1:01:34And that doesn't mean that we stick to like what we did in 2012. It just means that we are always taking our own perspective and we're not chasing someone else. We are paving our own way. She's just turned 41. She's feeling confident. She's feeling like things are moving in the right direction. But right now, September 25th, grand opening. And we're going to learn a lot more. Anyway, Shay, it is a great pleasure to speak with you. Congratulations, as I say, on everything. And I really do wish you the best of luck with the store and everything else. And I hope that I get to come and see it in person one day soon.

1:02:11So thank you again for your time. Thank you. I hope so, too. Thank you for having me.

1:02:19And we're back. We're getting to the end of the show here. But before we go, we'd like to take a second to highlight anything going on in the industry that might have caught our eye. Fred, what caught your eye?

1:02:28Fred Nicolaus:Modsy caught my eye, or more specifically, Modsy's founder, Shauna Tellerman, caught my eye. Last we heard of her, she was working for Lenar, the giant home builder, as the chief product officer doing technology for them. But she got the entrepreneurial itch and is out on her own again with a new startup called Geome. I think I'm saying that right. Kind of interesting startup. It's about like getting from the, it's AI powered, of course, because it must be in this day and age. It's about sort of getting from the initial design phase of a home building project to the construction documents much quicker using AI.

1:02:58Fred Nicolaus:It's kind of for the home building industry, not so much for the high end, but a really interesting idea. And Shauna is a very smart person. And she made clear to me when we talked that it was like, one of the things I did not like about Monzi was running a big services company with a lot of employees. We're not doing that. We're going to make software for other people to use. We're not going to have our own firm. We're going to have other people's firms buy our software. So interesting idea, and I'm looking forward to see where it goes. Yeah, I was so glad to see the note from her. She is one of the really smart people in the industry, and I was sad when Modsy went away.

1:03:28So I'm glad to see that she's working on a fun new tool. What caught you eye this week, Dennis? Well, Fred, I am off. I'm on the road again, Fred. This time I am heading to St. Louis. So Monday morning I'm hopping on a plane. We're going to have a fun dinner and then 9 a.m. on Tuesday at the Shade Store that's at 9776 Clayton Road. Designers, please come. We're going to be doing a fun panel with a bunch of designers on hand. And I'm eager to meet a bunch of people, shake hands, and talk about the issues of the day. So please, if you're listening to this and you're in the neighborhood, come on by the Shade Store at 9 a.m.

1:04:12Tuesday morning. Look forward to it.

1:04:14Fred Nicolaus:How did we not get a Meet Me in St. Louis pond out of all that? Oh, my God. How did I not break into that song, frankly? It's a miracle. All right. That's all the time we have today. Thanks so much for listening. If you want to keep up with the latest news, browse job listings, or take a workshop, visit us online at businessofhome.com. If you want to get in touch with the show, write to us at podcast at businessofhome.com. This episode was produced by Fred Nikolaos and Caroline Burke and edited by Michael Castaneda. I'm Dennis Scully. Have a great weekend, and we'll be back with you on Monday.

From the publisher

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including Ethan Allen drama, why Designers Guild is eyeing bankruptcy and a viral debate over client privacy. Later, Later, Shea McGee joins the show to discuss her company's big push into retail.  

This episode is sponsored by Chelsea House  and Hickory Chair

LINKS
Studio McGee
Shea McGee
Business of Home


 

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