In short
Pangram CEO Max Spero explains how Pangram detects AI-generated or AI-assisted text (and plans for images/video), why “human touch” may become scarce online, and the cat-and-mouse between detection and “humanizers.” He also discusses Pangram’s Substack partnership and broader media authenticity implications.
Guest backgrounds
Max Spero is a machine-learning background executive; he previously worked at Google and at Neuro (self-driving cars). He founded Pangram after noticing ChatGPT’s indistinguishable writing and believing detection would be necessary.
Key claims
Pangram trains on tens of millions of “human vs synthetic mirror” documents; it aggregates subtle style signals rather than single keywords. It reports a ~1 in 10,000 false-positive rate using pre-2022 non-AI data. It can distinguish AI families (e.g., Claude vs ChatGPT vs Grok) but struggles with very similar model versions. He argues fully AI-generated content is a distinct category from AI-assisted writing.
Notable examples
AI review “mode collapse” (generic Yelp-style structure) and “cataphoric teasers” like “here’s what nobody tells you.” Pangram is used via a Chrome extension that labels posts on Twitter/LinkedIn/Reddit/Substack/Medium, and via Substack’s “Scan Text with AI” menu with optional AI disclosure.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOUnderstanding Pangram Technology
1:39 to 2:20
Max Spero explains what Pangram is and how it detects AI-generated content.
“I think I want to start out by asking you a very simple question.”
The Mechanics of AI Detection
2:20 to 4:12
Insights into how Pangram trains its models to differentiate between AI and human writing.
“So it's essentially trained on tens of millions of documents where the Pangra model sees a human written document and then an AI written, we call it a synthetic mirror.”
Identifying AI Writing Traits
4:12 to 5:40
Discussion about specific traits that characterize AI-generated writing.
“which is almost certainly incorrect because it was pre-Chat GPT.”
The Impact of Reinforcement Learning
5:40 to 7:24
Exploration of how reinforcement learning influences AI writing quality and patterns.
“And it kind of makes my eyes glaze over.”
Pangram's User Base and Market Strategy
7:24 to 9:19
Max describes who uses Pangram and the potential customer base for the product.
“Oh, we have a couple hundred thousand users.”
The Genesis of Pangram
9:19 to 12:06
Max shares the story of how he started Pangram and the challenges faced.
“And then I think eventually, over the course of the next few years, we're trying to build up this enterprise motion.”
The Problem with AI-Generated Reviews
12:06 to 14:01
Discussion on the prevalence of AI-generated reviews and their effects on users.
“you realized in these college admissions essays that kind of made you both understand how AI was writing and then help you develop Pangram so that it could track some of these tells or detect them?”
The Rise of AI-Generated Reviews
14:01 to 14:42
Learn about the prevalence of AI-generated reviews and their impact on authenticity.
“But when you look at 10 ,000, you realize they're all the same.”
Personal Outrage and AI's Influence
14:42 to 16:00
Explore the emotional responses to AI's impact on online reviews and authenticity.
“And I'm curious, were you coming from a place of sort of personal outrage?”
Distinguishing AI Voices
16:00 to 18:10
Understand the differences in output style among various AI models.
“I think we had really only hit the tip of the iceberg in terms of AI content on the internet.”
Show all 23 chapters
Pangram's Role in Media
18:10 to 19:50
Discover how Pangram is used to navigate AI-generated content in media.
“We've had a series of literary scandals, which honestly, I didn't really expect.”
The Intent Behind AI Writing
19:50 to 21:03
Debate the ethics of AI in writing and the importance of authorial intent.
“It's so easy in the age of AI to just say, I'm busy, screw it.”
Navigating AI's Slippery Slope
21:03 to 22:46
Examine the potential dangers of AI-generated content and how it affects creativity.
“And kind of from a news perspective, like Druckenmiller taking a shot at Besant was huge news.”
Substack's Anti-AI Approach
22:57 to 27:54
Learn about Substack's partnership with Pangram to manage AI content.
“I talked to Google's VP of Marketing, Josh Spanier, about how marketers are rethinking retail.”
The Challenge of Distinguishing AI from Human Writing
28:01 to 29:09
Explore the complexities of differentiating between AI-generated and human-written content.
“Max, a few minutes ago, I've heard you talk about this a little bit.”
AI's Evolution and Its Impact on Authorship
29:10 to 32:28
Discuss the implications of AI advancements on writing and the challenges of authorship.
“Well, I think the first thing that's really important to address is that AI is a really different technology than anything that has come before it.”
The Arms Race in AI Detection
32:29 to 36:02
Understand the cat-and-mouse game between AI creators and detection technologies.
“And there's sort of an insane escalation there.”
Pangram's Role in Media and AI Detection
36:03 to 39:30
Learn about Pangram's mission to help media professionals detect AI-generated content.
“So I have a lot of friends in all the major AI labs.”
Future Trends in AI and Human Interaction
39:31 to 42:00
Explore future trends regarding AI capabilities and the value of human touch.
“So, I mean, I think that we're scaling in a few different ways.”
The Value of Human Touch in AI
42:00 to 43:19
Explore why human touch is becoming the rarest resource in an AI-driven world.
“chips and for nearly free, you could say.”
The Value of Human Touch in AI
43:26 to 43:53
Explore why human touch is becoming the rarest resource in an AI-driven world.
“who channeled the excitement and belief in AI in media and marketing.”
Skepticism and Acceptance of Pangram
44:01 to 47:40
A conversation about the evolving views on Pangram and its impact on journalism.
“I started out until very, very recently.”
The Role of Pangram in Media
47:41 to 49:08
Discussion on the potential benefits of Pangram for publishers and media companies.
“sort of value to publishers, to media companies?”
Transcript
Automatic transcript. May contain errors.0:10Welcome to Mixed Signals from Semaphore Media. I'm Ben Smith, the editor of Semaphore, joined by our media editor, Max Taney. This week, we're talking to the CEO of Pangram, Max Spiro, whose technology is quite accurately detecting AI-written text across the internet, across media, leading both to some small-scale embarrassment and to some big questions about what is the role of humans and of machines in our lives and particularly in the media industry. We're going to talk to him about how Pangram works, about the escalating game of cat and mouse between increasingly sophisticated AIs on both sides, and about his broader vision of the role of humans in the media of the future.
0:51We'll be right back with Max Spiro after the break.
1:07driving innovation and reshaping the marketing landscape today. Whether it's AI's impact on the industry or creators' role in culture, Josh is getting into the weeds with the people who are actually shaping what's next. These are your notes from the frontier. You'll hear from CMOs, agency legends, brand visionaries, and brilliant thinkers. Search for Frontier CMO from Think with Google wherever you get your podcasts or watch on YouTube.
1:38Max, really excited to have you on the show today. I think I want to start out by asking you a very simple question. I think a lot of our audience has used Pangram or has checked it out. But for those who haven't, can you explain what Pangram is and how does it work? Yeah, Pangram is technology to detect AI-generated content. So we train models that will look at the content itself. So text, image, and soon video and tell you, is this AI generated? What is the degree of AI versus non-AI? And I don't get a sense of where it's from. Can you explain in a little more depth just how do you do that? Yeah, yeah, exactly.
2:25Sure. So it's a machine learning model. So it's essentially trained on tens of millions of documents where the Pangra model sees a human written document and then an AI written, we call it a synthetic mirror. and so it will kind of, the AI document will mimic the human document. It'll look similar, but the pan-gram model is going to be able to pull out basically, yeah, signals from the style and word and sentence choices of the document to try and figure out, is it AI generated or not or AI assisted or human written? And when you say sort of word and sentence fragments, is it just like it looks for the word load bearing or is there something more subtle?
3:15It's really mostly operating on these really subtle features. So it's rather than like looking for a single red flag, like load bearing or like it's not just X but Y, it's really aggregating a bunch of weak signals together over the course of the document. You mentioned, I've heard you mention on another interview that basically you guys have a one in 10 ,000 false positive rate. Where does that number come from? Yeah. So what we do is we actually look at pre-2022 data. So text and writing that we know is not AI generated, but it's also not in our training set. And so we're able to look at a few million of these documents, run Pangrom on them, and see how many of them we classify as AI, which is almost certainly incorrect because it was pre-Chat GPT.
4:16And so that's how we measure our false positive rate. What makes writing, to you, AI-generated versus human-generated in terms of what it looks like or what are its ticks? I've heard you talk on some other interviews about how you just kind of get the sense. When I read certain pieces of writing on the internet, you mentioned the it's not X, it's Y kind of trope. But what are some of the most obvious hallmarks of AI-generated writing? There's a couple that come to mind, which honestly, it's like if chat sheet pieces end honestly or genuinely, I need to push back on that. The other one that I see often that really annoys me in AI text is it's called a cataphoric teaser.
5:15Someone says, here's the part that nobody tells you, or here's what most people get wrong. And I absolutely hate that. But I think overall, AI really wants every sentence to be the most important sentence. It's like there's no thinking ahead to the end of the essay or something. It's just trying to make every sentence sound impressive, which makes it very tiring to read. And it kind of makes my eyes glaze over. Yeah, that's such a subtle, interesting thing. That's so interesting. Why does it do that? You've paid a lot of attention to the hallmarks of AI writing. Why does it use some of those tropes or cliches?
5:57When you train a language model, you start by doing next token prediction. So you're going to say, given the last N words, what is the next word? And so I think these models, these were like GPT-2 and GPT-3. I think these models actually, they didn't have these tells. They had maybe a little bit of mode collapse, but they could mimic human writing pretty well. But I think what happened is they started doing this assistant training, which would make it do things like overuse the word delve because that was just in the assistant instruction fine tuning a lot or fairly frequently. And then I think they started doing RL on these models and that's where they really picked up on these signals of what good writing sounds like.
6:48So I think a lot of times it's either the instruction tuning or the RL that gives these models... It's reinforcement learning. Yeah. The reinforcement learning gives these models a reward when they produce something that is considered by the reward model good writing or engaging. And then that signal, for example, like the negative parallelism, it's not just X but Y. I think this is a very reasonable construction in normal writing, but then it just gets turned up to 11 through the reward signal and gets overused to the point where it's annoying. How many users does Pangram have? Oh, we have a couple hundred thousand users.
7:30It's kind of a wide variety of people, students, educators, writers, lawyers, just random internet users who want Pangram to tell them what on their Twitter feed is AI generated. It's kind of a really broad variety of people. Who's the most frequent user of Pangram? What's the archetype for the most frequent Pangram user? I would say the most frequent are probably the internet users, people who use the Chrome extension. It's a really sticky product. And so what it does for those who don't know is you download this Chrome extension and anytime you are on any social feeds, so Twitter, LinkedIn, Reddit, Substack, Medium, all of these, you'll just get little proactive labels on every post that tells you if it's AI generated or not.
8:28And I think that's the thing that people love. a dashboard where you can go in and paste text and check if it's AI. And that is used frequently, but it's not as frequent as people just scrolling their feeds. And as you think about building this into a business and talk to your investors about building this into a business, who's the real customer base? I think this is a pretty open area of debate, not to scare my investors and tell them I don't know. You must have just raised$9 million. I assume you told him something. Yeah. Well, so I'm a strong believer in this consumer motion. I think that there's going to be more internet users who need something like this to navigate the internet as it's just increasingly filled with bots and AI slop.
9:19And then I think eventually, over the course of the next few years, we're trying to build up this enterprise motion. We want Pangrub to be integrated in every internet platform, every law firm, every school. I think there's a lot of different areas for us to play in enterprise. Why did you decide to start this? And what did the first version look like? Yeah, it's kind of funny. So ChatGPT came out and I was like, this is crazy technology. It's really different. And I had been in the AI space for a while. My background is training machine learning models. I was at Google. And then I was working at Neuro, which is a self-driving car company.
10:02And so I feel like I was very deep in the weeds of machine learning. And AI as a field covers machine learning, but also the generative AI side, which we just call that AI these days. But anyway, I was like, this is crazy technology. I just had this intuition that it's going to be important to be able to detect it, especially because at the time, I had no intuition for detecting AI text by eye. So I was like, man, this stuff is just indistinguishable. This is like, we need a machine to do this. Or maybe it's impossible. So I talked to my researcher friends. They all said, it's impossible. Don't try.
10:46Or if it's not impossible today, it'll be impossible next year. So don't worry too much about it. But we're kind of interested anyway. So we started off in September 2023. We were training our first AI detection models, and we were just looking specifically at college admissions essays. We had some college admissions essays we found online, and then we had AI create the mirrors of them. and we train a model. We're like, hey, this is actually doing a lot better than we expected. And so we were trying to figure out why and eventually built this intuition for detecting AI text ourselves. And eventually we realized, okay, we can actually detect the preferences that are latent in these models.
11:35And if we could do this and we could tell how these AI models prefer to start and end their admissions essays. But can we do this for all texts? Can we generalize? And so that was sort of the next step over the course of the next six months into early 2024, is like building a text detection model that generalized beyond essays to reviews and blog posts and poems and recipes and general internet content. What were some of the first ticks that you realized in these college admissions essays that kind of made you both understand how AI was writing and then help you develop Pangram so that it could track some of these tells or detect them?
12:22So maybe I'll tell you about reviews because that was where we ended up spending a lot of time. Like we shifted from essays pretty quickly into reviews. And at the time, I thought like this is like the next big thing is like fake review detection through like AI content detection. So we were starting to notice like all of these reviews, they have the same structure. They're like, you know, nestled in the heart of Brooklyn is, you know, this restaurant. It's like, and then they'll talk about like, from the moment I walked in, I could tell it was like going to be amazing. And then they would like, you know, go through and like, talk about like the steak was so juicy and like, like really generic.
13:00And then it would end with like, I highly recommend a visit. And so we realized like, it's really like, like these reviews are incredibly mode collapsed in a way that like people who are not. What does mode collapsed mean? Oh, yes. So there's a wide distribution of reviews of text in general, but let's just talk about reviews. It could be anything from like, I hate this one star to like, you know, a long, long glowing review. And then so AI could produce like this whole range of, of reviews. But if you just ask it to write a review, it's actually going to produce something that's kind of default.
13:37It's like right in the middle. It's going to produce something that's descriptive and warm and in line with its assistant tuning, but it's not going to stray too far from the center of the distribution. And so that's what I mean by mode collapse is like this, the output is not far from the center of the distribution. And so it looks reasonable when you look at one. But when you look at 10 ,000, you realize they're all the same. And so we were noticing that there were people who are getting Yelp elite status by just writing and publishing an AI-generated review every day. And these reviews were actually bubbling up to the front page because to all of the algorithms, it looks high quality and legitimate and a very descriptive, helpful review.
14:27But I think the algorithms didn't realize that it's fully AI generated. So these tools right now, Max, they're being used online for a kind of occasional witch hunting, essentially, or at least really like shaming people who are caught using AI. And I'm curious, were you coming from a place of sort of personal outrage? Like, are you angry about this, these reviews? Is the sort of motivation of the tool that you want to put a stop to this? Yeah. I mean, originally I was like, oh my God, I can't believe like all these reviews are AI generated and no one can tell. And like, is this like, is there something underlying?
15:05Just like, no, no one can tell that there's, you know, the internet's dead. And then obviously like, it wasn't. Why are you upset about that? I think it's just inauthentic. At least for the reviews, it's clear that there's review farms behind this where some business will pay for hundreds or thousands of reviews. And then there's also these accounts are also just putting AI-generated reviews out elsewhere to essentially seed the account with authentic seeming behavior. here. So I'm like, man, there's all these bad actors out here that can now use AI to scale up what was essentially somewhat cost limited.
15:49They have to hire review writers in the Philippines and they're going to be kind of shitty. And now the best reviews of the restaurant are just written by ChatGPT. So I mean, that bothered me initially, but I think we had really only hit the tip of the iceberg in terms of AI content on the internet. And do Claude and Chad and Gemini and Grokt, they have different voices in these contexts? Can you tell? Oh, absolutely. Yeah. What are some of the differences? I think load-bearing is definitely a Claude-ism. It's not a ChatGPT. I think Claude tends to be just so incredibly verbose and it overhedges.
16:35Basically, Claude's always saying, like trying to hedge what it's saying. Whereas I think ChatGPT has, they've trained it to be a lot more curt. So it's going to speak in a lot shorter sentences. It will try to be concise and then it will kind of fail. But also in prose, like ChatGPT has this strange preference for using these like really like short staccato, like one to three word sentences, which I think is a little bit unusual. When it comes to Pangram, when it says, okay, this is 99 % chance this is AI-assisted or whatnot. Does it know that it's Claude versus ChatGPT versus Grok versus Gemini?
17:18Or is it distinguishing? So we found it actually can distinguish pretty well. So what we did is we looked into the weights and found that one of the later layers in the model was actually able to separate out the the AI family, the LLM family pretty well. So it can distinguish Claude from Gemini from ChatGPT, but it actually can't really distinguish Opus 4.5 versus Opus 4.6. These sound very similar to the Pangram model. And has anything surprised you over the last several months as Pangram has really blown up into the public's imagination. Yeah. I'm surprised at how big we've blown up, how much people care about AI.
18:10We've had a series of literary scandals, which honestly, I didn't really expect. I think I expected a lot of people to just throw their hands up and accept that AI is just going to be writing all the books and that's fine. But I think I've been very surprised and impressed that publishers are taking a more principled stance against AI text. But maybe that's to be expected because they're also like, many of them are in the process of suing OpenAI and Anthropik over pirated books and using their material without their consent. So I think it probably makes sense that they don't want to also be publishing text that was produced by these companies.
18:52So this is a media show. We really have been really interested specifically in using Pangram to help us understand unlabeled AI editorials or journalists using AI without disclosure. And I'm really curious, some of your either clients or customers are media companies. You have a deal with Substack. Is that a place where you are hoping to grow the business? What's your relationship with media companies like? Ultimately, all media companies should be using Pangram. I think that, look, there's nothing wrong with using AI in a way that's acceptable, but I think it's really important to know where the AI is being used and also where it's detectable because that's where writers and readers and listeners are also going to be able to pick up on it.
19:37So I think Pangram is partially helpful as a tool for telling you how the content is going to be perceived and received by others. But I also think it's really important to just help keep people honest. It's so easy in the age of AI to just say, I'm busy, screw it. I'm just going to use AI and not do this work myself. And I feel this myself as well as a CEO where sometimes I need to write investor updates. I need to write memos to the team. And it would be easy to just just let Claude write it. But then I have to think to myself, whenever I've tried to do that, it doesn't say exactly what I want to say.
20:22So then I have to go back and rewrite most of it myself anyway. And I think Pangram is a really good check on that. There is another school of thought on this, which is that basically what matters is kind of the intent. If you endorse this message, I don't really care if you wrote all the words. And Paul Gigo, the kind of legendary editor of the Wall Street Journal editorial page, expressed this after the kind of financier, Stan Druckenmiller, wrote this very tough op-ed about his protege, Scott Besant, that was just like, obviously, obviously, AI composed. And Jago said, the question, you know, is whether a contribution reflects the author's original argument, and if the author has the standing and credibility to make it.
21:02Nobody can doubt that this op-ed is his genuine opinion. And kind of from a news perspective, like Druckenmiller taking a shot at Besant was huge news. Whether he wrote the words, who cares? What's your response to that? Yeah, I mean, I think some people can get away with that. If you're famous and influential, then I think people are going to care a little bit less, you know, as long as you stand by it. I think that - Well, it's more just like, the point is the point. The point isn't like the arrangement of the words and the weights and the probabilities that one word succeeds another. I understand that argument and I don't fully agree just from going through the process of me, myself trying to write with AI, I find that it's so easy to let AI put words in your mouth and say things that you maybe wouldn't have necessarily actually said, but seem reasonable.
21:55And I think there's a little bit of a slippery slope here. And then I think there's another argument, which is when I'm writing with AI, I can do two things. One, I can write a few bullet points and then ask AI to expand it into a full op-ed or essay. The flip side is I can write five pages and ask AI to compress it into an op-ed. And I think there's a much better argument to be said for allowing the AI compression of my thoughts and turning it into something that is readable and concise. Whereas I think if AI is just going to expand my bullet points, just show me the prompt, just show me the bullet points so I can read it and move on.
22:46We'll be right back with Max Spiro.
22:56In this week's segment from Think with Google, I talked to Google's VP of Marketing, Josh Spanier, about how marketers are rethinking retail. You were just at Rethink Retail in New York, which is an event for like 500 retail marketers and CEOs. What were your takeaways from the gathering? You know, retail marketing is really, really tough. It is a game of inches. One of the things I like about it is retail marketers, although they're excited about agentic commerce and the future in AI and all that sort of stuff, They really care about what's happening today and building foundations for all that new stuff coming along in the future.
23:28So really, it's a lot about how do you win in the short term? And what do I do now to build my foundations going forward for when agentic commerce comes along? And what are those foundations? So product feeds are kind of the new digital storefronts. If you can connect all your product inventory, everything you sell down to a granular level, the price, the unit size, the color, the shape, the fit, everything. and connect that into Google's Merchant Center, all of a sudden you can connect what you actually have in your inventory to the whole world. As people discover and search for unique, specific things, connecting your product inventory into Google's Merchant Center, it's a great place to start in this agentic coming world.
24:07Second, friction gets in the way of conversion. Every extra pop-up, every extra click of a button, every password reset gets in the way of someone actually buying your product. Google has invested in a number of technologies such as the Universal Commerce Protocol and Universal Wallets, which allow for seamless transactions. So every customer you could potentially reach can just click and buy your product then and there. In an agentic world, that's going to be really, really valuable. And third, you really need to just optimize for growth. You need to look at your total marketing strategy and really turn on the AI embedded in YouTube, the AI embedded in Google Search, and actually take off some of the limiters and some of the biases we bring as marketers about, well, I'll give so much money to this channel and so much money to that channel.
24:50Just let the AI work it out. And what we see is higher performance. And that, again, will set you up for this agentic coming world in the years to come. Where can people find out more about this? We've actually published all the keynotes and articles from the Rethink Retail Week on YouTube and also on thinkwithgoogle.com.
25:17So, Max, I want to return to the kind of the media side of this. You guys did this Substack partnership recently. Substack basically said, hey, you know, we don't want our platform to be overrun by, you know, people publishing every day or whatever. And it's just, you know, kind of mindless AI garbage. And it ends up filling up feeds and inboxes and it degrades the product. Can you talk a little bit about both how the Substack tool works and also what the response has been, both positive and negative, to the partnership you guys have with Substack? Yeah. So SubSec took a really principled approach, I think.
25:52They said, I think Chris Bass posted a note against clawed fishing. Basically, I don't want people posting AI text as their own and getting away with it, essentially. But he recognizes that there's a lot of legitimate uses of AI. For example, there's just aggregations of a bunch of research or financial news that the readers don't really care that much that it's AI generated. So what they did was they brought Pangram in as a tool that anyone can use on any Substack article. You can click the little three-dot menu and click Scan Text with AI, and you'll get the full pangram score, which will say, how much is it human AI or AI assisted?
26:40On top of that, sub stack writers can also add an AI disclosure for their column. They can say, this is how I use AI. It could be anything from, I don't use AI at all to, I talk into a voice notes app for 15 minutes and then ask Claude to turn it into a newsletter, something like that. So I think there's a wide variety and people can disclose however they want in their own words. And I think it was received really well. I think a lot of people thought it was executed thoughtfully and it was also, I think, just necessary to combat this rising tide of AI slop. On the other side, I think we did get a lot of hate from people who use AI to write and compose the writing.
27:37Have you gotten any signal about readers clicking on little three dots and caring? Because I think there's obviously the sort of mob mentality of Twitter definitely lends itself to like, we must find the AI. But I have not seen a really clear signal that readers of these products care that much. Have you? Yeah, I mean, I think definitely it's I think it's a really important signal for someone to choose like to decide, like, do I want to like spend my money and like subscribe here? Max, a few minutes ago, I've heard you talk about this a little bit. You've said, you know, that you are you have you have to train kind of the detection tools on stuff that was produced before, you know, basically the rollout of ChatGPT, whatever model it was in 2022, because anything afterwards might be tainted or a lot of stuff created afterwards might be tainted by some sort of AI.
28:34We're not really exactly sure. Ben, you feel like at some point it's going to just become indistinguishable. You know, Ben's writing from Ben's writing assisted by, you know, Ben's agent who's helping him kind of manage it. The increasing blurriness between the two is just going to eventually mean that there is no distinct, meaningful distinction. Is that an accurate, am I describing the feeling? Yeah, totally. I'm kind of sort of wondering if Max is like, it's like 1457 and Max is like a monk running around yelling about Gutenberg Bibles, you know? Well, yeah, that's, so I want to ask, Max, what do you, what do you think about Ben's, you know, Ben's idea that these are all just going to essentially, and I think this is what Paul Gugot was saying as well, is that eventually these are going to kind of just be the same thing and why are we trying to stand in the way of that?
Read the full transcript
29:21Well, I think the first thing that's really important to address is that AI is a really different technology than anything that has come before it. AI is technology that produces cognition, which is not something... It is different than a calculator or a typewriter or a word processor or a printing press. And so So the first thing is just like, these are like completely incomparable technologies. So there's two aspects to this. One is that, is AI going to get better at mimicking human writing? And B is, is human writing going to get closer to AI as we read more AI? So these are both valid concerns in two different directions.
30:05The latter is human writing getting closer to AI. We're starting to address this in different ways. by finding ways to validate human writers in the post-2022 world. So something that we were looking at is if you're a prolific writer, say you've published a lot and everything you wrote in 2024 was human written and everything you wrote in 2026 is human written, then we can probably guess that your 2025 is also human written. So that's one way that we can kind of try to track this in post-2022 human writing. And then AI tech's getting better or more just people using AI in more assistive ways like our keyboards, next word prediction.
30:59Gmail is doing that too where it's really trying to suggest words and even entire sentences. So authorship is getting a little bit more muddled And that's for sure. I don't disagree with that. But I think really our intent here is to differentiate. I don't care that much about differentiating between fully human written and lightly AI assisted. To me, these are in a similar category, but what's in a very different category is things that are fully AI generated. Just for example, say an agent swarm breaks out of open AI and exfiltrates its weights and is self-hosting itself and then is now going out on different forums and message boards and WhatsApp and reaching out to people and trying to talk to them and get them to do things.
31:51I think here, these are fully autonomous AIs that are saying things with no human input at all. And I think that's going to be so important to be able to detect and differentiate from just say someone using AI assistance in their op-ed. And there are these arguments across the AI space about kind of offense and defense and in which spaces, you know, in cyber, I think defenders are thought to have an advantage in, you know, biosecurity. There's this idea that maybe the attackers have an advantage, which is quite scary. I mean, because I assume this agent swarm is also going to be like building itself humanizers and running its AI techs through humanizers to trick you.
32:30And there's sort of an insane escalation there. Like, as you sort of move up that escalation ladder, like, who wins? I think we can win. I mean, that's why we're doing this. Look, I think even if it's not just like we win 100 % of the time, I think adding additional friction, I see this both in today's use cases where it's like, obviously, you can take an AI essay and then edit it enough that it comes back as human. And so a student can cheat with AI, but there's a lot more friction than there used to be. But I think same thing with these, say, 2035 agent swarm offense defense, where we're adding friction and making it more difficult for some autonomous AI entity to operate undetected.
33:20And there's always a cat and mouse, but there's always at some point we can catch up and tracks can't be covered forever. At a separate, slightly different point, but I think kind of relevant to that our colleague ried albergatti who broke some ai op-ed stories the other day and is himself sort of gradually morphing into a swarm of codex agents um or of chat agents i think kind of thinks that he could fine-tune a chinese model on maybe his personal specific writing samples in a way that might that would trick pangram that if you that if you build something on a different model and you train it on your own stuff that it's going to be harder for you to catch.
34:03Do you buy that? I buy it. I think it's potentially possible. We've run some experiments ourselves where if you take a llama fine-tune, this was a while ago, or take llama, fine-tune it on WallStreetBets comments, which is a subreddit that's a kind of toxic investing subreddit on Reddit. And we fine-tuned it on WallStreetBets comments, and it was just kind of undetectable because it's spouting belligerent racist investing nonsense. And it was enough that it passed Pangram. And obviously, this is a very extreme fine-tune, but I think if you can do it well enough on your own writing and you have enough of it, then maybe it's possible.
34:50I'd love to see it. But the distinction is really important. And most people are just not using it that way, right? It's literally just like some person who's kind of too lazy to write their, you know, write some essay or some email, and they're just like, fine, just Claude, you know, write standard, you know, email about, you know, what XYZ type of thing. They're not like, write it in the style of me, someone who has thousands and thousands of articles. I think it's actually probably easier for someone like Reed who has published thousands of articles over his long career. I don't want to say that long.
35:24He's not that old. But yeah, no, definitely. I think Pangram is best at catching the laziest uses of AI. And it'll be interesting to see something, an experiment like this with personal fine-tuned AIs. I think some people kind of see that as that's going to be the future. Everyone's going have their own personal AI that's personalized themselves. I kind of see the world going in the opposite direction of we're seeing more, the most capable AIs are getting centralized into these big labs. They're far too expensive for any individual to run. And that's what everybody uses because they're the best.
36:01So Max, what is the response been from the LLMs to, and the companies, the big tech companies to Pangram? What does Anthropic think about this? What does OpenAI think about this? Presumably, they have some thoughts. So I have a lot of friends in all the major AI labs. Most people say that they think we are, they've said either we're a very pro-social AI company to we are the only good AI company. So I think we are doing something very special in terms of we are like in pursuing our mission, we're trying to make the world a better place. And like every tech company will say that, but not everybody means it.
36:50I think we really mean it. Everyone who says it winds up taking that out of their mission statement at some point. So watch out. Yeah. Well, watch out when we do. Once we take it out, it's all over. We're on. I don't know. There's an obvious evil use of Pangram, right? Yeah, we train humanizers. You build the ultimate humanizer? Yeah, we build the best humanizer in the world, the most undetectable AI model. Oh, no. Did any of the people who gave you some of the nine million, were they maybe thinking that you might be possibly doing this at some point? Who knows? But we're pretty principled, I don't think.
37:23I mean, the logic of the AI industry here, though, obviously, is that if you don't build it, somebody else will. So you better build it. And in fact, you better build it really fast and release it to everyone. That's sort of the current logic of your industry. Yeah, yeah. I'm not sure I agree with that, especially if the thing that other people are going to build is going to kill all of us, so we better build it first. Is anybody building? Does that humanizer exist? Is there a sort of humanizer you're already playing cat and mouse with? There's definitely. There's a couple dozen humanizers of varying degrees of size and whatever.
37:56I think most of them right now that they're selling to students because that's where the market is. We've actually built our own humanizers internally, and we build humanizers to help make the Panga model more robust. But we're never going to release it because I think that would just be like a - Wow, that is like a dangerous and powerful tool. You know, we're specifically focused on the media. And, you know, we mentioned the, you know, publish the possibilities for working with publishers before. Can you talk a little bit about more about some of the work that you're doing that's based beyond Substack?
38:27Are you, do you have any other, are you working with other publishers specifically, and what are you doing for them? Yeah, we've been working with major publishers. Mainly, we're just getting our tools and our technology out to them. I think there's a lot of editors and people who've been in this industry for decades who don't really have a sense for detecting AI. I think it's an intuition that you need to build over time through using AI. And a lot of these people, they write and edit for their jobs and read, but they don't use AI on a regular basis in the same way. So they have no idea when they're...
39:07They don't realize that in the last year, AI writing has gotten quite good. It's very different than the 4.0 M-Cannon that it used to be. and so they don't really have a sense for what is AI or not. And so Pangram is a really helpful tool for them to build this intuition and to try to figure out where to spend their time and where to focus. And I guess you said before something I sort of wanted to come back to, which is the idea that right now we're in this very kind of literal text-based space of persecuting YA authors and lazy op-ed writers in a very literal way around blocks of text, but that AI is both going to be integrated into text, into people's workflows in more complicated ways, and that you're looking at moving into non-text forms of media.
39:53And it sounds like, I wonder if you could just play out a little bit what your vision for a company is that is basically looking at, it sounds like kind of any form of media, whether it's marketing or move film or whatever, and being like, this is pretty human, this is pretty AI, but in a way that sounds a little less literal than what you're doing right now. Yeah. So, I mean, I think that we're scaling in a few different ways. So on one side, we're scaling to more modalities. We're looking at video very soon. We're probably going to look at AI audio as well. So this could be anywhere from deepfake speech to did this come from Suno or not?
40:30I think these are all valuable for different reasons. And then on the other side, we're trying to scale capabilities. So for Pangram, capabilities is different than Claude's capabilities. Pangram is like, first it was binary, AI or no AI, and then it was ternary. So it's AI-assisted or human. And I think we're increasingly building up our granularity so we could say, these sentences are AI-assisted, this paragraph is fully AI-generated, and this part looks mostly human-written. And so I think the more of the story that we can tell, and the more complete of story we can tell, the more useful Pangren will be across industries, especially as authenticity just becomes more and more important.
41:19It feels like you're sort of gazing into the future at sort of cultural trends a little bit and media trends and that you have some theory about where this is going to land, about what people want. Yeah, so I expect AI models to get better. I think they're going to get better at a very rapid rate. And so we're probably going to have this explosion of abundant intelligence. At least if you believe Sam Altman and Dario, and you also believe that we're not all going to die and we're not going to go into a bad scenario, we're going to have this explosion of everybody has frontier AI intelligence at their fingertips chips and for nearly free, you could say.
42:07And so when all of this is abundant, then I think value will accrue to the scarce resources that remain. So if you look at this in chips, suddenly RAM prices went up 10 times because RAM is just the scarcest resource among video cards and Intel CPUs all that. RAM ended up being the limiting factor and the bottleneck. So I think same here where human touch is going to be the limiting factor and it's going to be the scarcest resource. And so I think value, I'm hoping, and that's the future that we're building to, is that value will continue to accrue to human input and human touch because that's what's going to be scarce.
42:56Well, Max, this has been a really interesting conversation. We really appreciate you taking the time and we're looking forward to seeing what the AI music detection program looks like from Pangram. Oh man, what an optimistic place to end. I don't want to make promises about that. That's like long into the future if we ever do that. Sure. Well, thank you, Max. That was really fascinating. Congrats on what you're doing here. It's really cool. Yeah, thanks so much for having me.
43:25We spent 2025 talking to people who channeled the excitement and belief in AI in media and marketing. A lot of that conversation in 2026 will be about the hard work of building with those tools. Think with Google is here to bridge the gap between inspiration and implementation. This isn't fluff. It's a rigorous look at the mechanics of growth to help CMOs solve the hard problems, like navigating complex consumer journeys improving value through better measurement. Make this the year you turn potential into performance. Visit thinkwithgoogle.com.
44:01So, Ben, full disclosure here. I started out until very, very recently. I was a pan-gram skeptic. I kind of just thought, you know, I just, how could it possibly know for all of the reasons, for all the complex reasons, you know, that we've discussed, like, especially when it comes to a piece of journalistic writing, I was getting I've been getting a lot of tweets recently from people, whenever I'll, you know, tweet something about AI or writing or whatever, there'll be like, Oh, I ran this through Pangram, and it says 100 % that this is AI generated. And I found those tweets to be really annoying.
44:35And I found those people to be generally pretty annoying. So I kind of had dismissed Pangram and thought, you know, these people don't really understand how journalism really works. There's always an editor who changes a lot of stuff. Even if it started out as AI, fully AI generated, the editors making their own changes. I have really come around and from talking to Max, from hearing a little bit more about how it works, I'm like kind of fully sold on the project. And I think it is, I think it's really interesting. And I think it's, it seems like a pretty useful tool. I think you have a little bit, you have more of a skeptical, somewhat skeptical view of it.
45:11What did you think about? what Max was saying. That's funny, because I think I was more sold on the capacity of technology and less sold on its kind of, like, moral quality. But honestly, he kind of turned me around. Like, I think that he's less, he, I kind of thought, what I don't like is the sort of hyper-literal kind of policing and the shaming people and the kind of, like, scoldy behavior on Twitter. But I think his, that he does have a sort of bigger picture vision than I'd realized. For sort of a more complicated world where AI is deployed a lot, I thought the thing that he said about, could they figure out, like, is this super lazy AI use?
45:46Or is this actually somebody writing a really, really long, sophisticated prompt and generating something human and valuable? It's so interesting. And that, like, I don't know. I think that in the notion, I mean, obviously, I, as a human being, think it's, do appreciate the notion that, you know, artisanal, the artisanal human touch is going to be the central valuable quality of media in the future. And that this guy is going to guarantee it. I find that pretty appealing. I think it's just really helpful to have something out there so that we're just not all swallowed and accept the idea that writing is the lost art form, essentially, and that there is a group of people who are endeavoring to try and ensure that we still know what is and isn't human.
46:27I think it was human writing and creation. I personally am actually more sold on the moral aspect of it. I do think it's valuable. I also find some of the policing to be like annoying and I don't like when people tweet that stuff at me. It makes me less inclined to look into it just because I find the tone to be bothersome. I do think it's really valuable. And of course, if people are purporting to write something that they haven't written or they're lazily using it in a way that I think is deceptive, I think it's valuable to have a tool out there that is at least alerting people to the fact that that's happening.
47:05Yeah, I think he kind of turned me around on that. He pulled me off of Paul Jago's side. I think there's still a lot of complicated stuff, like the Chinese sub-stackers, Yi Chin Wang, who I really like. His stuff occasionally is like super cloddish, but it's because he's writing it in Mandarin, right? And then it's auto-translate, and then it's translating. it. But that's super valuable to me, obviously, as a reader, and it's original. But it's also, I don't know, I guess I sort of came up with thinking we're going to have to develop a much more nuanced understanding of what is human and what is AI, but that it's really worth putting the energy into figuring that out.
47:38And Max seems to be doing that. So Ben, does Pangram have any sort of value to publishers, to media companies? Should publishers, should Semaphore be partnering with Pangram or is it kind of just like there's no need for us to monitor our own people internally? I mean, I think the thing is that right now you don't want to get caught using AI. And so he's just obviously providing a valuable service and protecting companies on one hand against public embarrassment, but on the other hand, against in some sense being tricked by our own employees. I mean, I don't, I would honestly be shocked if somebody was internally with a journalist was passing off AI as, as original work.
48:17But, you know, I've been shocked before. That's true. We actually did put some of my articles through Pangram, and it said that they were human-written. So I'm safe for now.
48:30Well, that is it for us this week. Thank you so much for listening to another episode of the Mixed Signals podcast from us here at Semaphore Media. Our show is produced expertly, as always, by Manny Fidel, with special thanks to Josh Villinson, Amber Olley, Rachel Oppenheim, Anna Pizzino, Daniel Haidt, Garrett Wiley, Jules Zern, and Tori Kaur. Our engineer is Rick Kwan and our theme music, of course, is by Steve Bone. If you like Mixed Signals, please follow us wherever you get your podcasts and feel free to leave us a five-star review. And if you want more, you can always sign up for Semaphore's media newsletter, which is out every Sunday night.
From the publisher
Pangram founder and CEO Max Spero joins Mixed Signals to explain how his AI detection tool actually works, and why he thinks the escalating cat-and-mouse game between AI detectors and "humanizers" is a fight worth having. Max and Ben ask Spero about how Pangram can already distinguish Claude from ChatGPT, why he built a humanizer internally and refuses to release it, and what it would actually take for a fine-tuned personal AI to fool his model.
Sign up for Semafor Media’s Sunday newsletter: https://www.semafor.com/newsletters/media
For more from Think with Google, check out ThinkwithGoogle.com.
Find us on X: @semaforben, @maxwelltani
If you have a tip or a comment, please email us mixedsignals@semafor.com




