In short
The episode is a “CTV bonanza” on using Vibe.co (streaming TV/CTV) to drive measurable growth for DTC, especially in sensitive categories like THC/hemp beverages. Arthur (CEO/co-founder of Vibe.co) claims Vibe differentiates by hyper-targeting using its own identity/audience data (“buys identity first” vs competitors buying inventory first), plus large inventory footprint and strong performance/ROAS dashboards. He says Vibe works directly with broadcasters/streaming apps and offers household-level targeting (age, kids, income, etc.) tied to device/identity. Adam (runs Cantrip, a THC beverage brand sold in retail and DTC) describes switching to hemp e-commerce in 2022, then starting CTV on Vibe in mid-2024. He reports early 300–400% ROAS, ongoing dashboard-based measurement, and retargeting via Clavio.
Notable examples
craft-beer-like audience targeting; AI/VO creatives (e.g., magician pulls a possum); 30-second ads outperforming 15-second.
Guests
Arthur (Vibe.co) and Adam (Cantrip).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOUnderstanding Vibe's Unique Targeting Strategy
0:00 to 0:53
Learn how Vibe differentiates itself through hyper-targeting and inventory strategies.
“What really differentiates Vibe from any other player is our ability to hyper-target.”
Introducing Adam and Cantrip
1:07 to 1:54
Meet Adam, the CEO of Cantrip, and learn about their THC beverage brand.
“Start with a little introductions maybe here.”
Cantrip's Marketing Journey and TV Ads
1:54 to 3:19
Discover how Cantrip transitioned to include TV ads in their marketing strategy.
“Has it something you did right from the beginning or like talk to me about your journey to use TV?”
The Impact of TV Advertising on Perception
3:19 to 3:34
Adam shares how TV ads enhance Cantrip's brand perception.
“It really gives the effect to people that like we're much bigger than we are when they see a TV ad.”
Evaluating Performance with Vibe's Dashboard
3:34 to 4:52
Learn how Cantrip tracks and evaluates ad performance with Vibe’s tools.
“Yeah, well, I think people are interested.”
Driving Sales: DTC vs Retail
4:52 to 6:00
Explore Cantrip's sales strategy focusing on direct-to-consumer and retail channels.
“I'm not a CEO native to direct-to-consumer.”
Vibe's Hyper-Targeting for THC Brands
6:00 to 8:02
Discover how Vibe enables THC brands to effectively target audiences on TV.
“Like we do 90 % of our stuff at brick and mortar retail.”
The Benefits of Hyper-Targeting on TV
8:02 to 9:04
Understand the advantages of hyper-targeted advertising compared to traditional methods.
“And so very early on, we set up specific deals with specific inventory with all those publishers, streaming apps and those campaigns to be able to run those kind of campaigns.”
Scaling CTV Advertising Effectively
9:04 to 11:52
Arthur and Adam discuss strategies for effectively scaling CTV advertising budgets.
“Adam, I'm interested from your perspective.”
Building Trust Through TV Advertising
11:52 to 13:44
Adam discusses how TV advertising builds consumer trust and brand credibility.
“it's just this absolute workhorse platform that you can just scale to the moon.”
Show all 20 chapters
Conclusions on TV Advertising's Future
13:44 to 14:01
Reflecting on the evolving landscape of TV advertising and consumer expectations.
“Start progressively and scale, just like you would do, actually, with Meta.”
The Prestige of TV Advertising
14:01 to 18:17
Learn how TV advertising creates consumer trust and its unique advantages.
“And people would be kind of impressed by that because you say there is this, TV is the prestige platform.”
Understanding CTV and Advertising Strategies
18:18 to 22:25
Explore the differences between traditional and programmatic CTV advertising.
“Like, Vibe buys identity first, whereas most of, like, the solutions that you'll find on CTV buy inventory first.”
Creative Approaches in Advertising
22:26 to 24:47
Discover effective creative strategies for engaging consumers through ads.
“I don't know if your TV is, but your phone sure as hell is.”
The Future of AI in Advertising
24:48 to 29:38
Discuss the potential impact of AI-generated ads on the advertising landscape.
“Artur, what are you seeing from other brands in terms of creative that's working well?”
Household Data and Ad Personalization
29:38 to 31:30
Understanding household-level data and its implications for targeted advertising.
“Eventually, you can have household level ads in a way, right?”
Hyper-targeting with AI and Customer Insights
31:30 to 32:45
Discover how to leverage detailed customer data for hyper-targeted advertising.
“up with a story that I can tell about my product and then use VO.”
The Growth Journey of Vibe.co
32:45 to 34:56
Learn about Vibe.co's growth and the effectiveness of CTV for DTC brands.
“You said you're like your growth story has been kind of crazy, Arthur.”
Strategies for Effective TV Advertising
34:56 to 37:30
Key actions and strategies for DTC brands to optimize their TV advertising.
“And then Adam, what's your, like, obviously, it sounds like you want to hire someone.”
Closing Thoughts and Next Steps
37:41 to 39:03
Wrap-up of the discussion and future engagement opportunities.
“And one thing that Adam said, but we know CTV is new.”
Transcript
Automatic transcript. May contain errors.0:00Arthur Querou:What really differentiates Vibe from any other player is our ability to hyper-target.
0:04Adam Terry:We also have a certain amount of data that exists on our audience via other tools that we have, so I can tell who's the ideal demographic, what type of job do they have, and we can target a surprising amount of that in Vibe.
0:15Arthur Querou:When people see you on TV, that creates a lot of trust.
0:18Adam Terry:How do you justify going through a single-network CTV platform when something like Vibe exists and you have basically 250 networks that you can advertise through at the click of a button?
0:29Arthur Querou:When you want to do performance, you want to have as much inventory as possible and as much transactional data as possible. And Vibe as today has the largest footprint in terms of inventory. Most of the solutions that you'll find on CTV buy inventory first. Vibe buys identity first.
0:53Arthur Querou:Welcome to the D2C podcast. Today, we are having a CTV bonanza talking about Vibe, talking about Cantrip. Adam, Arthur, welcome to the D2C podcast. Start with a little introductions maybe here. Arthur, why don't you tell the audience who you are? Yeah, absolutely. So I'm Arthur. I'm the CEO and co-founder of Vibe.co. We have pretty much built the meta ads of streaming TV or CTV for the ad tech people. And we're turning television into a performance acquisition channel for performance marketers.
1:28Adam Terry:And Adam, you are a performance brand using Vibe. That's right. I run Cantrip, a THC beverage brand. We make THC products derived from hemp and sell them at liquor stores, convenience stores, grocery stores, and direct-to-consumer all across the country.
1:43Arthur Querou:I just did a podcast that'll come out next week with Wink, with the founder of Wink. Oh, cool. And I'm just curious, where did streaming come into your marketing mindset when it came to growing Cantrip? Has it something you did right from the beginning or like talk to me about your journey to use TV?
1:58Adam Terry:Yeah. So Cantrip has had an e-commerce website since the end of 2022, which was kind of unexpected when I founded the brand because we were originally like a marijuana brand, which meant that we could only sell into dispensaries and you weren't delivering things to people's doors. And then in 2022, we switched to making it from hemp. We could sell online. We dabbled in meta ads for a long time. We were one of the first advertisers on Twitter. And it was earlier this year that I found out that you could even run a TV ad. We saw a couple of our competitors that were advertising on Vibe, a couple other beverage brands.
2:33Adam Terry:And I reached out. We got set up. And the cool thing about Vibe for a cannabis brand, and the reason that I say on Twitter that pretty much every cannabis brand needs to be on something like Vibe, is because on meta, I can't say that there's THC in the product. I can't say there's weed in the product. I'm using plant emojis for everything. Everything is sideways. It has to run through a scrubbed landing page, so it's an extra step to conversion. On Vibe, I can just run an ad that says, hey, I sell weed. Come to my website and check it out. I put it in better terms than that. There's a couple of parameters.
3:04Adam Terry:We want people to know that it's a 21-plus product, but being able to reach people like that is just astounding. I can't tell you, I get text messages all the time from people I know who like I saw your ad on TV. And even though we don't spend like as much as, you know, many other advertisers, we're still like a very, you know, middling size brand. It really gives the effect to people that like we're much bigger than we are when they see a TV ad. So I can't say enough good things about working with Vibe, to be honest. So I'm happy to do an ad for them, basically. Yeah, well, I think people are interested.
3:36Arthur Querou:It's definitely a platform people want to know more about. the fact that you're not spending huge numbers, still having really good results. How do you know you're having really good results is my question.
3:45Adam Terry:They have a really good performance like dashboard. So we run meta ads with, I use a third party agency to do it. It's like I tried to bring it in-house. It was very challenging because running restricted ads, like there's a lot of tricks to it. You kind of have to have multiple accounts. And then like, I don't know the meta backend very well. And it's really complicated, frankly, to understand the meta backend, especially when you're running that many ads. And so on Vive, basically, I'm running like three campaigns at any given time that have multiple ads inside them. And like the performance dashboard will pull any metric I want.
4:19Adam Terry:Like I can look at it, you know, the way it should be, which is like a retargeting campaign will automatically tell me ROAS. That's like the key metric. But if I want to look at the ROAS for my awareness campaign, I can click over that, too, which I appreciate because like I like to look at ROAS for traffic, even though our traffic like our middle of funnel is not. The focus for ROAS, I want to know what that is. Ultimately, I want to know what the blend of my ROAS is across all the different campaigns that I'm running. And Vibe makes that pretty easy to see from a dashboard perspective. And then they have pretty good customer service to help me understand any of this.
4:52Adam Terry:I can't stress enough. I'm not a CEO native to direct-to-consumer. So I didn't come into this industry pre-built with the knowledge of what CPC or CPM meant. I had to learn a lot of that over the last couple of years. And so having some people who are qualified and can help me understand things, it also allow like built in custom audiences, which has been a real cool tool, which I'm sure Arthur will talk more about later. But there's, you know, there's been a lot of functionality. And while like performance is varied week to week, as you know, things always do, I can see a lot of different stuff broken down.
5:25Adam Terry:Like I could see different creative performances. It's actually pretty easy set up. Originally, I had like seven campaigns set up because I had one different one per advertisement. I realized that was not necessary. So yeah, to answer your question, performance dashboard is actually functional and I don't need like a third party built platform like I do for meta just to understand what my daily spend and ROAS is. And are you mainly driving people to store in regions where you have a good distribution set up? So we drive people to our direct to consumer website. I'm hoping I'm also driving people to store.
5:54Adam Terry:Most places that we sell on the ground, we do sell direct to consumer as well. But our business is actually only like 10 % direct to consumer. Like we do 90 % of our stuff at brick and mortar retail. And while I don't have any CTAs in these ads that specifically say go to store, we probably will experiment with running some of those in the future. Because like certain geos, we have like incredible concentration of brick and mortar locations. And certain geos, they're a lot sparser. So where it's sparser, typically I'm trying to run more of an order through our website ad. And certain geos, I will run campaigns that focus more on its availability in store.
6:31Adam Terry:but usually I'm only doing one or the other in ads. The thing is like driving people to store, much harder to tell how that's performing. And so like, I am usually hesitant to run ads like that just because you don't actually know what the performance is. At least I haven't found a way to do that yet.
6:47Arthur Querou:Arter, what makes Adam and Cantrip like an ideal customer? What are they doing with the platform that you think is right on? Yeah, from a like general like view, What really differentiates Vibe from any other player is our ability to hyper-target. So we have buyer's profiles, basically. We don't use third-party data or anything like that. It's solely our own data that we build. And we have, just like Meta, like a buying mystery. And that allows us to do some pretty strong recommendation based on all the campaigns that we have running. We now have thousands of campaigns running in Power. So it's really like being an e-com brand at the end of the day and recommending the right product.
7:28Arthur Querou:That's what makes us very different and allows us to be hyper-targeted. And that's what works really well for Cantrip as well. It's like making sure that we're targeting people who are buyers of those kind of products. And then there is a specificity for THC brands. Of course, THC, there is a reason why like Meta and Google don't want to advertise these kind of brands because it's more sensitive and it's what we call a sensitive category. And so basically Vibe works directly with all broadcasters and streaming apps and all this kind of thing. And very early on, we could tell, of course, that there was a massive opportunity for us to let THC brands advertise on TV.
8:07Arthur Querou:And so very early on, we set up specific deals with specific inventory with all those publishers, streaming apps and those campaigns to be able to run those kind of campaigns. And I mean, Adam, that would be a horrible experience for you to go toward like every single streaming platform to negotiate, like just being able to give them money, basically. Whereas like we've done that work. And that's why we've, of course, been successful in that sensitive category as well. And I like your approach. We were talking in the pre-interview about our histories with DSPs. And this is way back in the day, but whenever I was working with large amounts of inventory from a bunch of different sources, they were always asking me to spend.
8:51Arthur Querou:You've got to spend across all these channels. You've got to spend across all these platforms, and then we're going to see what hits, and we'll really drill on that. But by the time you've done that, you've lost most of your budget. It hasn't worked. So you guys have a different approach where you're sort of hyper-targeting. Adam, I'm interested from your perspective. You don't have to give away your whole targeting profile, but what kind of stuff are you – like, how are you finding THC lovers on TV?
9:14Adam Terry:Yeah. Well, I mean, it definitely depends on what kind of product profile you are, right? Like you said, you had Wink on the podcast a few weeks ago. They're a slightly different position brand, right? A lot of the brands are pushing towards health and wellness, but Cantrip were mostly sodas. So we were pushing a little bit more towards, like, we have a really high-quality flavor profile. People really love like the actual quality of our product more than just the effect of it. And so that kind of buckets for me really well into the craft beer audience. People who are more focused on something a little bit stronger that is really focused on a high level of quality that goes in the product.
9:49Adam Terry:You know, I'm an engineer by background, so I do all our formulations too. I've been doing that for a long time. So people really, that resonates with a lot of people. The other thing is we also have a certain amount of data that exists on our audience via other tools that we have. so I can tell like who's the ideal demographic, what type of job do they have? And we can target actually a surprising amount of that in Vibe. It was funny as I just onboarded AppLovin as like, because they just opened to the public and I went in and it's like targeting options for that is literally just geography. Like I can't even put age on there.
10:19Adam Terry:And I had to email them and be like, guys, you can't be serving my ads to 13 year olds. Like let's make that very clear. And even if they got one, by the way, they can't buy it because we have age getting on the website. But I don't want them seeing the ads because that's just a waste of inventory, right? So the targeting in Vibe goes down to like you can target people who have like what specific occupations, specific income ranges across multiple networks. And so we look for a lot of lookalike audiences. And then Vibe was kind enough to build a THC beverage audience for their THC consumers. And so that one pops in.
10:54Adam Terry:But like the default for most is, like I said, that health and wellness channel. we decide to target other channels because we're not as health and wellness oriented as other THC brands might be and that allows us to have like a little bit clearer of a lane and i mean there's even like vapors is like an audience there and then they have a lot of retargeting options because vibe integrates directly with our clavio so we can also trigger certain events we can put people who are on our email list who have seen a vibe ad onto a specific list and then retarget them with tv stuff like hey about that THC drink you saw on tv that type of thing so there's i mean tremendous functionality above and beyond like a lot of other platforms i've seen and like to be honest i'm managing it right now which means we're under utilizing it by a lot like we need to hire somebody who understands this stuff better and we're working on bringing a person in-house uh so you know for listeners out there interested in dtc check out our job boards upcoming soon um because we need somebody who can really maximize this and there because there is like you could be spending
11:51Arthur Querou:a lot more like what like what are the i think you know people talk about meta all the time because it's just this absolute workhorse platform that you can just scale to the moon. What does scale look like on CTP, Arthur? It really depends on the sizes. I would love to tell you that we can scale as much as Meta, working on it. But basically, we have clients spending millions of months without too much issue. It really depends on also the budget, of course, the geo you want to target. Because at the end of the day, we're hyper-targeted as well. So we try to avoid running super wide campaigns. And we always recommend our clients to scale progressively.
12:34Arthur Querou:CTV is new for everyone. I mean, at the end of the day, even for us, but as for everyone. So figuring out the right strategy for your brand. There is no one playbook that works for everyone. Everybody has to experiment. That's why we always recommend to start with retargeting. Because as Adam said, when people see you on TV, that creates a lot of trust about your brand. And that also gives you, retargeting will give you a lot of insights of like, where are my conversions coming from? Are they coming from this or this specific channel, this specific audience, geo, et cetera? And that allows you to build a larger targeting to scale your budget.
13:10Arthur Querou:And so you do that progressively. What we've seen is not client, I hate when client, that's going to sound so cliche, but I hate when client come and say like, oh, we have a million dollar budget. You know what? Like, don't spend that million. Like, keep spending that on Meta. starts with$1 ,500 ,000. Let's scale progressively and then we'll see. I mean, our business model is pretty straightforward. There's no commitment, so people stay if they're happy. So I'd rather have them find success rather than just burn money. And for most of them, it's the first time they advertise on TV. So don't burn more money.
13:44Arthur Querou:Start progressively and scale, just like you would do, actually, with Meta. We're in this interesting time right now, too, where people aren't used to TV ads being as hyper-targeted as the ads on the internet are. So it's like, while people aren't in that mindset yet, there is that opportunity to have a bit of arbitrage there where you could be doing more localized ads or things to drive. And people would be kind of impressed by that because you say there is this, TV is the prestige platform. It's the rectangle we look at when we want to relax. We have rectangles we look at at all other stages of our life, but it's the big rectangle, which we love.
14:18Arthur Querou:Why is TV, why do you think TV so, so good, Adam?
14:21Adam Terry:Well, like Arthur said, it builds that level of consumer trust. I mean, there is like a sense to write it. Just like you said, there's like, people don't necessarily expect targeting. So they just assume you're running some big national campaign, right? That's going to change, I guess, as time goes on. People understand that almost everything they do now is more targeted and things get more targeted and more AI involved. But there is like, also you can do some stuff like if you're sitting on a couch watching a tv you're not getting up off that couch or flicking away the way that you do on meta right like meta i almost never run anything that's more than like 10 seconds long because people aren't usually going to stick around for that depending on the type of content the um on ctv it's really 15 or 30 seconds and i've actually found that our 30 second ads perform much better than our 15 second ads because there's a lot more opportunity to keep the brand on screen there's a little bit of a disadvantage in like you know you're not clicking directly to it but then again you can throw up a qr code there's some interesting tools they have we haven't really used yet that allow you to like take viral content and turn that into an ad it almost looks sometimes a little bit like the like if you've ever seen ads at like a gym uh like a lifetime or something where you have like rotating stuff and they have qr codes but there's like some functionality and some more like cinematic element to it i mean so far almost all of our ads I've generated with AI and a lot of effort into those AI ads, but we don't have the budget to like produce like a$50 ,000 spot most days.
15:47Adam Terry:So like there is like, there's a different level of what you want to put on there. But I, you know, as I talked through with my account managers, they've also pointed out a lot of like UGC stuff can also be successful. So there's a lot of experimenting we still have to do in generating content, but like it's got that gravitas that other things don't right now and you know how long that'll last i don't know but you know the interesting thing i'm if i could ask a question i'm interested in like i'm confused in some extent because you know there's paramount like has been trying to has been targeting me on meta to try to get me to advertise on their platform i don't think they would allow me to first of all but even if i tried like how do you just even justify going through like a single network CTV platform when something like Vibe exists and you have basically like 250 networks that you can advertise through at the click of a button.
16:35Arthur Querou:Fairmounts are great partners and like really appreciate them. I think it's just a different audience. Like Fairmount has, and should keep that by the way, has some capabilities that they'll never give us or anyone else. Like, you know, targeting Yellowstone or specific shows, those kind of thing. Now, they have just announced, I think, today that they can now sell a guaranteed placement for five days on specific shows, which I think is great. But it's a very different approach to advertising. It's not like performance marketing. This is more like for branding, larger advertisers. We're looking for like, you know, brand money, brand dollars, however they call that.
17:15Arthur Querou:It's just not made for performance. Like Paramount, when you want to do performance, think about like Meta. You want to have as much inventory as possible and as much like data, transactional data as possible. And Vibe as today has the largest footprint in terms of inventory, but same as some competitors. But what we have that they don't is like the largest transactional like data set in that we provide to our clients to make like recommendation and the right targeting and therefore delivering ROI. But yeah, Paramount is just, Paramount ads is just a very different, it's just a very different platform for a different use case.
17:52Arthur Querou:And yes, they would likely not allow country to advertise it. But as you said, like you can show up alongside those programs and have the same prestige, even though you're not buying the Yellowstone premiere or whatever, right? People don't necessarily know. You don't need, like, who cares? Who cares? Like, you don't need to buy, like, an ad during Yellowstone. Like, you'll pay a huge premium for that. If it's the right person, sure. But if it's not, like, doesn't really make a lot of sense. That's the whole thesis. Like, Vibe buys identity first, whereas most of, like, the solutions that you'll find on CTV buy inventory first.
18:30Arthur Querou:And that's a big difference in terms of philosophy and how you drive performance.
18:38Adam Terry:Right. Well, you would have to know that your audience really likes Yellowstone before you bought that ad, right? It's more like traditional TV advertising where you pick a program based on who you think your audience is, whereas you guys are buying audiences and then redirecting brands back into them. It's just sort of like an inverse. You know, there's also like the so like the only other platform I know of that allows me to advertise THC directly is Twitter X. And we were one of the earliest people on there, which was greatly to our disadvantage because the early days they basically said you can advertise cannabis now.
19:11Adam Terry:But all you can really say in the ad is learn more. And then they kept revising those policies and forcing us to start our ads over, which meant we lost all the algorithmic learnings. It was very expensive. And I got into some Twitter fights with the woman who was running that program. Anyway, the point being that I've gone back to it since and the inventory there is just garbage. I could get a really low CPM, but it's just not bringing back any customers. The bounce rate is just insanely high. It's not just the ability to put the letters THC in your ad, it's also the quality of that inventory and who it's targeting.
19:51Arthur Querou:Adam, can you walk me through what like the path to pay dirt? Like how long, how much did you have to spend before you knew that this was going to be an incrementally valuable channel?
Read the full transcript
20:01Adam Terry:That's a good question. I'm trying to think, I don't think we started with CTV until May or June this year. And I'm pretty sure within like a few weeks, we were seeing like three to 400 % ROAS. Now it's not as high right now. Like I said, it definitely fluctuates. We need to cycle in new creative is a big part of it. But I can see like it's basically performing about as well for us as meta or better in some cases. And like that the meta thing I have managed by a third party agency. So mostly stuff that I've made and put up myself in a in a less than most professional format has led to some decent ROAS, which is why I know that putting more spend in, you know, once I get more content, putting more spend in is going to work out for us.
20:40Adam Terry:I mean, another part is like, look, as a small growing brand, I have to emphasize this because we also stopped running ads for about four months earlier this year because we moved agencies. We weren't really getting much out of it. I figured what's the point in running these ads if we're not running profitable? Like we're not putting contribution margin back, right? But there is a point in running advertisements besides contribution margin. it's not just brand awareness but it's also like excitement and feeling like there's an effort going on from your team your customers your retailers your even your distributors who you know retailers and distributors complain about direct to consumer a lot but they also do want that ecosystem to exist in fact most of them when i see you speak directly and not to their trade lobbyists will say that they do want some amount of like meta advertising and whatnot because that's how people see ads now like running a print campaign or at a big out of home campaign doesn't do as much as like the billboard effect you get from running meta ads.
21:34Adam Terry:So when I started plowing, you know, 20K a month into meta and another, you know, 10 to 15 into Vibe, my staff was more excited. My retailers were more excited. My distributors were more excited because they're like, you guys are everywhere. I want to open my app. I don't have the heart to tell them it's because they're already in the funnel because they talked about Cantrip out loud. But the point being that like they get that effect and it's not just the graphics. People see these advertisements. They're like, this brand is out there doing something and oh, they're big enough to actually spend not doing something so like vibe matters if only for that reason for us right now the romance is nice but we have a we still have a lot of work to do but i also know that like you know i've talked to every hemp beverage brand is every other hemp beverage brand i've talked to all of them most of the ones i've talked to are doing very well on ctv so the uh i don't know that any of them are doing badly because weed is pretty is a lot easier to sell when you can say there's it's weed wait did
22:25Arthur Querou:you just say i don't want to sound paranoid but did you just say my tv is listening to me
22:28Adam Terry:Yeah. I don't know if your TV is, but your phone sure as hell is. And then like your phone is going to tag you in a funnel that puts you right back into everything else. Like everything leads, like I don't know all the pathways, but everything leads to everything. You pass by a billboard that I serve you. I'm going to get an ID back. We're running a rideshare advertising campaign in Jersey City right now. And all of those IDs get fed back into a system that then serves them programmatic advertising. So like any exposure at all to a brand is going to put you in their funnel somewhere. Can we talk about creatives a little bit more?
23:01Arthur Querou:You mentioned using all, are you talking Sora? Are we using sort of?
23:05Adam Terry:Well, so I have to use a huge mixture of things to make anything worthwhile. Like a lot of ads I've created and we use some of them on Meta. We use a lot of them in CTV exclusively, but a lot of it is actually VO. I do a lot of the initial generation. Usually the flow is something like Sora to create an image. And then that is either animated by mid journey or uses a frame into VO. Sometimes they do create things whole cloth via VO. I also animate a lot of our product photography using mid journey. And so like a mixture of all these things alongside a concept will help. Actually, the best performing creative we have right now is something that I think was most almost entirely created on VO, which is like a dad.
23:51Adam Terry:I made a magician who goes to pull a rabbit out of his hat, but he accidentally pulls a possum out instead and the crowd boos. It's like, you know, there's an easier way to add magic to your life. Try cantrip. And I guess people are noticing that his goatee changes halfway through a shot when he goes to take a sip of the product, but that one's performing really well. There's other more obvious AI ones that people tend to hate if it's too obviously AI, which is why I almost always avoid dialogue in any of these. So, like, you just don't want to get the people to speak. Once the people speak, it completely ruins the effect for most people.
24:22Adam Terry:But Sora's video, I saw the Sora 2 videos, and frankly, none of them are as good as quality as VO3 is, even on their face, especially the audio. But the, you know, as these tools develop, like every time a new model comes out, it usually is the hot thing for about two and a half months. And then, you know, someone else comes out with something.
24:41Arthur Querou:And again, we're in that little bit of awareness gap right now, specifically where people aren't always aware that it's AI. They don't have, not as many people have the AI revulsion or the uncanny valley aspect that people might have eventually. Artur, what are you seeing from other brands in terms of creative that's working well? So what works well, 100 % of the time, it's ads that talk about the product, show the product. I think a lot of marketers tend to forget about that. You can be super creative and spend an alpha million on a creative and that won't work. Whereas like you can spend almost$0 or like$100,$200 with like VO3 and have something that talks about your product, like highlights free USBs, and then has a clear call to action, works.
25:32Arthur Querou:But yeah, it's the most simple and straight to the point creatives tend to work the best for like, especially if you're looking for performance. So that's always what we recommend. one format i'm especially a fan of uh is testimonials i mostly agree with you adam on you don't want people to talk but for everything testimonial like you know kind of an interview format like vo3 tends to work really well because it's not a dialogue exactly what you said like when you have people going back and forth like it's horrible but just people saying i like since I've been drinking cantrip, my life has been so much better.
26:13That works
26:14Arthur Querou:super well and performs a lot. And you can do that very easily.
26:18Adam Terry:There's definitely some rappers out there too that focus on just making that UGC testimonial content. Those tend to perform a little bit better. It's really when you try to get people having emotion in those videos. I feel like Scorsese sitting on set that I just want to scream at these non-existent people to emote more or remote less as the case might be. But I'll have to try some more of those.
26:41Arthur Querou:That definitely is like very, very strong. And we've seen that like performing more and more. Like that's something that we're seeing more and more from marketers and that just works basically. Perfect storm of all this generated AI video with the ability to reach people on this prestige platform where you can create content that punches way above, you know, in terms of quality and the way it looks, production value that we ever would have been able to in human history. What's your hot take on AI-generated ads in the next 12 to 8 months, Artur? 95 % of the ads that you'll see on TV will be AI-generated.
27:17Arthur Querou:Basically, creative generation is becoming a commodity. The next step will be scale, especially because DTC brands are fluting right now into CTV. and what's going to happen is that they'll generate like hyper personalized creatives for each and every single product so let's say you're a fitness brand and you want to sell like you have like shoes like tops like leggings those kind of thing you can want to create one creative for each and then for each and every single persona so like if you're selling to like working moms, if you're selling to students, all those kind of things, people more interested in outdoor activities, more trekking than running, those kind of things, you'll be able to create one ad for each and every single persona for each and every single product.
28:05Arthur Querou:So there's going to be a demultiplication of creatives, especially on the testing side because that's what basically will allow you to figure out what works best and what does not. And that will end up being all the ads that you see on TV will be AI generated. And that's coming in the next 12 to 18 months, 100%. And you guys have the same level of data that mailers have. Like you have household level data. Is that right with TV? And that's like, can you just talk about that a little bit? Like what the data landscape looks like for TV? Yeah, absolutely. So one thing that is a bit tricky compared to like when you're meta or when you're mobile, like a platform, is that we're talking about households.
28:49Arthur Querou:There is an household. And in that household, there is lots of devices. And so our graph is, we tie back to identity. And people can be connected in the same household. And so that's where you will basically connect. People will connect their devices. So we know that ID, that Vive ID is that phone and that computer. And so in a household, there are several IDs. So that's how we create that. And then we connect all the data to them. But we also have, as Adam highlighted before, revenue, income information about the house, the household. We have like how many people are living in there? Are there kids?
29:34Arthur Querou:Will not show country pads if there are kids in the household, for example. So all those kind of things as well. Eventually, you can have household level ads in a way, right? Everyone's in there. I think that's the vision with Sora, right? Is that we won't need TikTok. we'll just each have our own endless feed of things that we want to watch. I don't think that's coming in the next 18 months, mostly because of cost of production and shortage of GPUs, but that's coming. The ads that you'll see on TV but online as well will be generated live.
30:10Adam Terry:I think I can throw something in there. I think when it comes to there's a reason that it makes the most – like I think AI video, like the most clear business use case for it is advertising. Like because it doesn't need to be like a work of emotional art. And there are definitely ads that have come out over the last 50 years that have been like works of emotional art, but the extreme volume of content that you need to cycle in and out of these platforms these days, even if AI didn't exist, I would be constantly paying people to make new crap because like your ads get stale after like 30 days you can run a set of 10 creatives and after 30 days they're not performing anymore because they need to be refreshed and to do that and constantly be cycling new people the other part is like ugc content these video testimonials i mean it's like the most kind of inane garbage you could possibly watch just to put it like it's just the fact that somebody is saying to camera i like this product whether they've actually tried it or not that makes it more likely to convert and so why do you need a real person to be holding up that camera they're not doing anything creative like i think i don't know if like sora is going to fully replace tiktok because i think there's genuine true creativity going on tiktok that is going to be harder to replicate by ai the same way i don't think all ai is going to take over script writing or cinema although it's going to affect how things these things are produced but to create like to come up with a story that I can tell about my product and then use VO.
31:39Adam Terry:And honestly, I've almost never been able to make something with just one AI. I usually have to use like five or six of them cobbled together because you don't want to like do everything. Anyway, the point being that like to be able to create a constant cycle of it like that is necessary. And as Artar puts, when you get more hyper targeted, I can give you an example of exactly how hyper targeted it's going to get. We run an AI called Outer Signal, which sits on top of our Shopify. And OuterSignal will tell us about every single customer that orders from us, their age, their gender, their income range, their likely income range, how much their house costs, how many social media followers they have, basically doing a total public records lookup on each customer.
32:18Adam Terry:And then we can retarget them with like if they're a doctor, I can actually set vibe to like target one specific ad for people that live in New Jersey that are doctors and like retarget the crap out of, you know, individuals that already come through our Shopify. So like the amount of bottom of funnel to middle of funnel stuff you can do and then put that back in your top of funnel and say, that's what my audience is. It's just like if people can start to figure out how to automate all this stuff, it's going to get kind of crazy.
32:44Arthur Querou:So if you're listening, you probably got to get on Vibe.co and start innovating. You said you're like your growth story has been kind of crazy, Arthur. Can you just give me a little like in a nutshell what the Vibe growth story has been like? Yeah, we've started. So really operating. we've built the platform in 2022 and we launched it in January of 2023. And 2023, we did 16 million in revenue. Last year we did 46 million and we'll do a bit more than a hundred million work from Fiat at 140 million run rate. So yeah. And, and, and the reality is, I mean, there was no trick in it. Like, you know, my clients, again, like they stay if they're getting results.
33:25Arthur Querou:So that's pretty much like a hundred million results. Like, you know, uh, like there is no commitment, no, like it's just people spending because they're getting ROAS from their ad campaigns. And we're super proud of that. I just did a podcast. I was telling you guys with Stella, Hey Stella, Hey, a media mix management, media mix modeling platform for clarity and performance marketing. And I asked him what the, what platform punches above its weight the most in terms of incrementality. And without hesitation, he said streaming, he said the CTV. So it's an idea whose time has come. And like we were talking about, there is even another halo effect that's happening right now as people don't realize how targeted these ads are, how much power you have with AI.
34:10Arthur Querou:So now is really the time for CTV, it feels like. And MMM or incremental is a great way of also assessing the exact performance that you're getting because there is direct performance, but then there is the impact that you're getting on your meta campaign, on your search campaign, on your influencer marketing campaign. on pretty much anything. And so, yeah, like TV has that halo effect, as you said. And so incrementally allows for measuring the full value of TV. So for us, it's the perfect timing because CTV and streaming TV is ready like to be hyper-targeted. We're enabling that. But there's also that new wave of incrementally measurement from DTC brands that actually shows that CTV and streaming TV drives like actual performance and actual like redone.
34:56Arthur Querou:adspin. So for us, it's the perfect momentum. And then Adam, what's your, like, obviously, it sounds like you want to hire someone. So first of all, shout out to anyone in the DTC audience. What are your main like action items, like even following this for Q4 on in the in the TV space?
35:12Adam Terry:Yeah, I mean, we got a lot of, like I said, content that we need to generate to get up and start running more top of funnel stuff as we get closer to Black Friday. You know, the funny thing is, like I said, we're only a 10 % like direct to consumer company. And we're pretty limited because we don't ship to every state. So like New York and California and Colorado and Arizona, like four of the biggest states in the country are off the table for us. And so we have to be a lot more specific about where we ship to and what we run. But our biggest things right now are get more ads up, really start dialing in that A-B testing, making sure we're getting all the right audiences set up and that we're incorporating better flows into our email marketing.
35:48Adam Terry:Like we have a whole ton of work to do on email. This job role is going to be a lot of like all of, you know, somebody who's really good at A-B testing sets across either email or vibe or also looking at our meta, just making sure that we're optimizing every aspect of that and then refreshing creative just constantly, constantly, constantly. There's probably gonna be an entirely separate role that I make for like an AI content generator. I mean, the role doesn't so much exist on its own today, which is why I mostly do it, which is I'm not like the graphic designer or creative on my team, but that doesn't neatly fit in any box yet.
36:21Adam Terry:But we're gonna start to see a whole new role, I think, like ongoing in the next few years for people instead of graphic designer, it'll be AI creator. Creator might not be the right title for that, but you get what I'm driving at. Like somebody who's really well versed in these tools and is keeping up with all the changes to maximize the utility because like for a thousand bucks a month in subscription fees across a couple of different platforms, you can be constantly making that much content. We already have like certain AI services that are offering enterprise tools to do that. And so we're taking a look at some of those.
36:53Adam Terry:But yeah, that's really what Q4 is going to be a lot for us, a lot of staging for next year as we wrap up. We have a big launch product we're doing right now for a large format called Elixir, which is like a spirit. But for THC, which we're going to get a lot of play on CTV once it hard launches this Friday. And I'm really interested to see how these ads do. I'm having full new 3D renders done by First North Media out of Sweden. It's going to be we're going to see a lot of interesting performance. I'm going to be on paternity leave for most November. So this will be my team's problem. Oh, nice.
37:23Adam Terry:Well, congratulations on that.
37:24Arthur Querou:That's super exciting. Arthur, what do you recommend people do? The DTC audience wants to get involved. Just go to Vibe.co. Yeah, go to Vibe.co, book a call. Say that you come from this podcast and you'll get 50 % credit match on your first month's spend. That's a risk-free, sweet, like, offer for anyone to test, anyone who's interested. That's a great deal. And one thing that Adam said, but we know CTV is new. So of course, we're a self-serve platform, but we pull off gear and we invest a lot in making sure that you have the best possible account management with you. So you'll be guided. We'll tell you exactly what's the best strategy for your brand, how to get started.
38:07Arthur Querou:We'll give you best practices on the creative. We can look at the creative that you have, select them, tell you exactly what to edit. I mean, it's the service that comes with it. as well. We try to make it as great as possible. All right. Well, thanks for coming on the podcast today, guys. This was really interesting. Adam, I'll look forward to following your journey here and you'll have to come back on and tell us how all these cool renders do.
38:30Adam Terry:I'll have to tweet more about our CTV journey. I'll make sure to tag you guys, Artur.
38:34Arthur Querou:Yeah, I'll throw your handles in here. Are you on LinkedIn or Twitter there as well, Artur? Yes, absolutely. Arthur, Q-U-E-R-O-U as well. Nice. All right. Thanks, guys. Cheers.
38:49Arthur Querou:Thanks so much for listening to today's episode. If you're not a subscriber to our newsletter, you can do that right now at directtoconsumeralloneword.co. I'm Eric Dick, and this has been the D2C Podcast. We'll see you next time.
From the publisher
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In this episode, Arthur Querou, founder of Vibe.co, and Adam Terry, CEO and co-founder of Cantrip Seltzer, unpack how Cantrip (a hemp/THC beverage brand) uses Vibe.co to turn streaming TV into a performance acquisition channel — not just branding. They dig into targeting, creative strategy, measurement, and scaling in a regulated vertical.
What you’ll hear:
- Why CTV is more than just prestige — how hyper‑targeted performance TV delivers ROAS
- How Vibe.co’s identity-first model differs from inventory-first CTV platforms
- Creative strategies that work (and decay) in this new channel
- Lessons in scaling — starting with retargeting, measuring incrementality, managing creative fatigue
- The future: AI + hyper-personalization in TV ads
Key moments to listen for:
- Adam’s early success in 3–4× ROAS within weeks of testing CTV
- Arthur’s view that “Vibe buys identity first” as a core differentiator
- Their predictions on AI-generated individualized ads
- If you're a performance marketer or DTC founder curious about how streaming TV can actually move the needle — especially in restricted verticals — this is a must-listen.
Learn more about Vibe.co here:
Timestamps
00:00 - How Vibe Differs from Other CTV Platforms
02:00 - Why Cannabis Brands Thrive on Vibe
04:00 - Measuring ROAS and Performance on Vibe
07:00 - Hyper Targeting and Buyer Profiles Explained
10:00 - How Cantrip Uses Data for Smart Targeting
12:00 - Scaling CTV Campaigns vs. Meta Ads
15:00 - Why TV Ads Build Trust and Prestige
17:00 - Buying Identity vs. Inventory in CTV
20:00 - Cantrip’s Path to Profitable CTV Ads
23:00 - Using AI Tools to Create Effective CTV Ads
25:00 - What Type of Creatives Work Best on CTV
27:00 - The Future of AI-Generated Ads on TV
29:00 - How Vibe Uses Household-Level Data for Targeting
32:00 - Hyper-Personalized Ads and The Future of Targeting
33:00 - Vibe’s Growth Story and CTV Momentum
35:00 - Incrementality, MMM, and Measuring CTV Success
36:00 - Cantrip’s Q4 Plans and the Rise of AI Creators
37:00 - How to Get Started with Vibe.co
Hashtags
#CTV #StreamingAds #PerformanceMarketing #DTC #AdTech #VibeCo #Cantrip #ConnectedTV #AIAds #MediaBuying #Programmatic #DigitalAdvertising #MarketingStrategy #BrandGrowth #AdPerformance
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