In short
Nick Tran (ex-TikTok CMO; President, First Round) discusses “being yourself” on social platforms, why entertainment can matter more than authenticity, and how AI/synthetic content may flood feeds and erode trust. He also covers marketing strategy: shifting from traditional campaigns to community-driven experiences (e.g., Ciroc Athletic Club) and building brands through emotional provocation, plus leadership/chaos management and hiring.
Guest background
Nick Tran is a former TikTok CMO and now President of First Round. He’s held marketing roles across major consumer and media companies (mentioned: Taco Bell, Samsung, Disney/Hulu, TikTok), and later worked on luxury spirits (Ciroc) and tequila (Lobo 1707).
Key claims
- On TikTok, “authenticity” is less important than being highly entertaining; characters/satire can outperform “normal” self.
- AI-generated “people” and clips could create “peak social” noise where users tune out because they can’t tell what’s real.
- Organic social still wins; campaigns should feel like real community moments, not remote shoots.
- To turn apathy into interest, provoke with a sharp claim, then prove it with product/content (example: Hulu’s “we’re about to ruin TV for you”).
- For chaos: stay calm, believe there’s a solution, and build a strong team.
Notable examples
- Cat videos (“cats saving babies”) and animal trampoline clips that were later revealed as fake.
- Hulu: Handmaid’s Tale + provocative messaging + live sports positioning to nearly triple subscribers.
- Social hooks: “Never wear shorts” and “Never wear flip-flops” (absurd but half-truthy, driving engagement).
- Ciroc Athletic Club: pop-up leisure sports events (pickleball/paddle/tennis/golf) generating community content instead of traditional ads.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOBeing Yourself on TikTok
0:00 to 0:22
Exploration of authenticity and engagement on TikTok and the concept of portraying a curated self.
“And for a limited time, college students get the best of both worlds.”
Being Yourself on TikTok
1:30 to 3:20
Exploration of authenticity and engagement on TikTok and the concept of portraying a curated self.
“Around the world with your host, the Stardguy, we welcome you back to the Stardguy podcast, sharing stories of excellence with those in the know for those who just know.”
The Role of AI in Content Creation
3:20 to 5:32
Discussion on how AI is transforming content creation and the implications for authenticity.
“But if it's not, you could play that up a little bit and still find that commercial success.”
Skepticism Towards Online Content
5:32 to 9:00
Insights on how AI-generated content can lead to distrust among viewers.
“because we we hit this point where it's tough to trust any uh platform and what's put out there i I remember seeing the animals that were jumping on trampolines.”
Future of Campaign Production
9:00 to 14:01
Nick shares his thoughts on campaign production strategies and the balance between authenticity and efficiency.
“to see which variation of an edit would perform best?”
Building Community through Marketing
14:01 to 18:34
Learn how to create engaging community-driven marketing strategies.
“To your point, there's no need for that.”
Building Community through Marketing
18:37 to 19:00
Learn how to create engaging community-driven marketing strategies.
“You think you know a browser, but Gemini and Chrome?”
The Journey to Becoming a CMO
19:00 to 28:00
Explore the evolution of a marketer and the importance of learning.
“So I think that there's a lot of layers to that question.”
Marketing Approaches to Different Consumer Segments
28:00 to 30:20
Explore the similarities in marketing strategies across different consumer price points.
“So I just think it's easier to target a very niche group, especially in the luxury segment, than it is to go after everyone.”
Creating Emotional Connections with Brands
30:20 to 34:20
Learn how to transform consumer apathy into emotional interest through impactful branding.
“What about the scenarios where a consumer has no affinity to a brand yet?”
Show all 29 chapters
The Power of Provocative Content
34:20 to 36:20
Understand the impact of shock factor and absurd statements in engaging audiences.
“And it's like, the nice thing about it is it's a trivial argument.”
Debating Fashion Choices and Personal Expression
36:20 to 38:40
Discuss the humor and passion behind fashion arguments, particularly around shorts and sandals.
“But there's also this humor in passion for the argument.”
The Role of Sleep Tracking Technology
38:40 to 42:00
Examine the pros and cons of using sleep trackers and the importance of personal perception of sleep quality.
“And I'm very religious about wearing it for sleep, to track my sleep.”
Navigating Chaos in Sleep Optimization
42:00 to 43:00
Discover how personal preferences influence sleep habits and optimization methods.
“But then I'll always question whether or not that's the right thing.”
The Joy of Problem Solving and Testing
43:26 to 45:36
Explore the connection between solving puzzles, tests, and personal motivation.
“Yeah, it like motivates me, but also calms me and it helps me relax.”
Building Effective Teams: Insights from Experience
45:39 to 48:21
Learn how hiring practices prioritize adaptability over traditional credentials.
“Do you look at how people test and score when you build those teams?”
Interviewing for Fit: The Brand Party Question
48:26 to 52:33
Understand a unique interview question that assesses candidate understanding of branding.
“Half the time they're in a situation where they can't say yes.”
Analyzing Competitors Through a Unique Lens
52:36 to 56:00
Delve into the creative analysis of brand competitors as if they were people at a party.
“Nothing's design is meant to be a little bit like.”
Navigating International Sim Cards
56:00 to 58:00
Learn about the benefits and convenience of using eSIMs while traveling.
“Five gigs per each country that you're in.”
Questioning the Value of College Education
58:00 to 59:50
Explore perspectives on the necessity of college education for today's youth.
“It's just out of respect to the country.”
Encouraging Entrepreneurial Spirit in Kids
59:50 to 1:01:40
Discuss fostering creativity and entrepreneurship in children.
“there was no way for me to learn about what I'm doing now.”
Managing Screen Time for Kids
1:01:40 to 1:05:10
Strategies for controlling and monitoring children's screen time.
Fostering Critical Thinking in Parenting
1:05:10 to 1:08:54
Learn how to encourage critical thinking and problem-solving in children.
“I don't think they should be on screens.”
The Importance of Process Over Product
1:08:54 to 1:10:01
Discuss the significance of understanding processes in learning and business.
“I even find it more interesting conversationally, process over product.”
Marketing at the Speed of Culture
1:10:01 to 1:17:00
Learn how to efficiently capitalize on cultural moments in marketing.
“So process matters to me because if you can hack into the process and make things more efficient, like we were able to engineer campaigns in a 72-hour timeline versus two months, that's a competitive advantage.”
The A La Poubelle vs. Fantastique Game
1:17:01 to 1:22:44
Explore concepts in marketing that should change versus those to celebrate.
“On this podcast, we always play a game of à la poubelle versus fantastique.”
The Importance of Internal Culture
1:22:45 to 1:26:45
Understand the significance of maintaining a strong internal company culture.
“freelancers that we can trust and that they know my appetite for risk tolerance and they know what kind of creative I like.”
The Power of Small Teams
1:26:45 to 1:27:54
Learn why smaller teams can be more effective at solving big problems.
“Um, I will say the last thing that I would say is fantastic is just, um, if you have a big problem that you want to solve, I actually think the smaller the team, the more likely you'll be able to solve it and crack it.”
Reflections on a Great Conversation
1:27:54 to 1:28:48
Hear closing thoughts and reflections on the discussion.
“infighting or a bunch of perspectives that ultimately dilute the whole, you know, creative idea.”
Transcript
Automatic transcript. May contain errors.0:00Study and play.
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0:42The Gstaad Guy:Spend less time searching and more time actually interviewing candidates who check all your boxes. Listeners of this show will get a$75 sponsored job credit at Indeed.com slash podcast. That's Indeed.com slash podcast. Terms and conditions apply. Need a hiring hero? This is a job for Indeed Sponsored Jobs. Well, Nick, thank you so much for being here today. Thank you for having me. I've always enjoyed our conversations, and you have lots to talk about and lots to say in so many different categories. Yes, that comes with a lot of experience in a lot of places. I love that. I'm very grateful that you're here today.
1:18Yeah. Honestly, with what you've done, this is a joy. This is probably one of the most amazing podcasts that I've been looking forward to being on, and then just knowing that you're yourself in this podcast is actually really fun and exciting. It's cozy.
1:33The Gstaad Guy:Around the world with your host, the Stardguy, we welcome you back to the Stardguy podcast, sharing stories of excellence with those in the know for those who just know. I actually think that's actually a great conversation to start with about being myself. Yeah. Because I know that that's something you always voiced when you were the CMO of TikTok. TikTok being the platform to be yourself versus this curated version of self. I think that was true at the time. I honestly feel like it's evolved a bit and it depends on what you're going after. If you just want to be yourself because you have something that you want to share, by all means, it's a place to do that.
2:17At the same time, if you're looking for what drives the most engagement, I would almost argue that this buzzword that's been used over the last five years of being authentic or authenticity, it's less important than being highly entertaining. And sometimes most people aren't as entertaining as the characters that they put on. And with TikTok today and the way that the algo is working for you to grab attention, sometimes if you're looking to optimize that versus just like sharing a story about you, you might actually benefit from adding a little bit of like extra emphasis or satirical elements or characterizations, like a caricature of who you are and amplifying that to the nth degree.
3:03And actually finding more success building upon that character than just who you are as a normal everyday person. Because I think so many people have come on the platform to create content that there's almost this like sea of sameness. So in order to stand out, you have to be a little bit unique and different. And if that's who you are, great. But if it's not, you could play that up a little bit and still find that commercial success.
3:23The Gstaad Guy:Or use AI to do so now, I guess. Which is even more wild. Like you're just unwrapping all the buzzwords and all the issues. Yeah, AI is wild now because there are accounts where had they not put in AI in the name of the account, I would have no idea that it was actually synthetic. And the issue with that is it's so easy to create content using a synthetic version of a person that the amount of content that will flood the feed and be fine-tuned to meet the demands of what people are hoping to see, that it might end up killing the platform, which is why I think, and I said this maybe a couple years ago, it's this idea of peak social where when too much stuff comes on, that it always creates so much noise that people would rather just do it.
4:15tune out than tune in that becomes an issue for platforms i find the statement of the most
4:21The Gstaad Guy:successful lies like a lie that's believed to be true are the lies that are mixed in with truths of course and i'm seeing a lot of that as well with ai not being the entire clip just being a certain portion of something that's actually real in film so you actually end up believing the entire thing yep yep i'm on um cat talk and i get a lot of cat content and i ended up following this page that I thought was real. I was so impressed. It was cats saving babies. Have you seen those? I've seen those. It's like a bear attacks a baby and the cat saves it. And then it's like a baby climbing out of a window and the cat saves it.
4:55The Gstaad Guy:And I found out a few days later that it was all fake. How did you feel about that? I was kind of disappointed. You were disappointed. I was happy that the cat was saving these babies. Right. But then once you hit that level of disappointment, then it starts to dilute the emotions that you feel for the feet as a whole. and the content that you start to look at and then you have a skeptical eye with what you look at and then in time you're just like do i even need this anymore or do i want to find the real you know stories or content and then and the question is like where do you then find that and that's where i find you know the next wave of social and content to be really interesting because we we hit this point where it's tough to trust any uh platform and what's put out there i I remember seeing the animals that were jumping on trampolines.
5:40Yeah. And so like for a second I saw, I forget if it was a bear or something that felt like.
5:45The Gstaad Guy:I think it was a bear. It was like it stumbles into someone's backyard and then starts to like play on the trampoline. It looks believable. Yeah. So you're just like, oh, how funny. Like this bear stumbles upon this trampoline and is now having a good time. And then you realize like all these other animals are replacing the bear and you're like, oh, this is clearly AI. And so that's where, yeah, I worry that the platforms will lose their ability to engage people because people are just like, I don't know what's real and what's worth watching. Was it something you saw coming when you were working with TikTok?
6:17The AI element, yes. I think where we are now, the platforms probably are a couple years or a few years ahead of that curve. and one of the things that I think we were more guarded of was just clips of content that were enhanced with AI starting to become a thing obviously the next you know if you just take that to the nth degree it would just be like full-fledged AI taking over the feeds creating content and it got to the point where it's one you know as we're like planning ahead you think of like what would a world look like where people aren't even uploading or creating the ai content ai is literally just uploading and making the content to like feed specific channels that's where you just think like when you push it far enough you know what is the end state and then what do you you know do and how do you you know either lean towards it if it's something that's beneficial for you or how do you move against it depending on like what your company is and what you're trying to do but yeah all that stuff is stuff that we we thought about but um i will say it came quicker than i anticipated yeah yeah i feel the same way i'm actually quite excited for
7:34The Gstaad Guy:the ai servicing the creators less so than ai servicing the consumers what i mean by that is i love trial reels on reels right now yep because i basically i can create this test environment Totally. And if we can get to a point where we can have a fictional test environment and TikTok or Meta, for example, can actually just assume, hey, actually your video performed better if you did this or that. We're already there. Yeah. That's not even in the next year. We're already here. You can develop synthetic audiences based on real comments of real people and then say, if I'm trying to reach this group, how would they likely comment on my video?
8:22So then you can literally find certain platforms. And I don't think this is something that's standard with like Instagram or TikTok or anything. of it you can actually build a separate environment where you show a video and then a synthetic audience will look through the video for all the elements that they know will like resonate with the audience that you're trying to mimic and then they will provide similar comments in your test environment to say here's what's likely to be commented here's the likely engagement here's where they will likely stop and watch or pause or or like you know repeat whatever the area is that that's all already out there.
8:57The Gstaad Guy:And can you do that a hundred times at a time to see which variation of an edit would perform best? You can do more than that if you wanted to, because it's all a synthetic audience. So you can literally just say, you can have AI do a thousand versions of your video and then feed that into those synthetic audiences and then have it tell you within minutes, this video would be the most likely to perform the best, you know based on whatever yeah you know elements that you're trying to test out but yeah that's all i find that to be exciting because it's i guess it's benefits me as a creator self-serving and it's great the next stage is as you mentioned scary of not needing me to have any inputs in the first place just creating the content yeah for the viewer versus to help the consumer yeah imagine in the same way that like you could create a program um and this is like generations ago that could just work on math problems, let's say, without you needing to do anything.
9:59Even the way that people mine Bitcoin, they just have these programs that are just running and they're just solving these complex math equations to unlock Bitcoin, and they're doing it behind the scenes. No one's pushing a button or prompting it to do so. It's just in the background doing it. There's not a far leap from that type of logic where someone's just like, I need to make this one account, get to a million followers with this much engagement and drive this much revenue. Now you execute the program. It then just creates all these AI-driven clips or AI-driven pieces of content. And it just floods that channel with that until it hits the numbers that you're trying to hit.
10:45That's all likely happening.
10:48The Gstaad Guy:And then what does that mean for content in general? because the supply of just clips will be so high that I guess it reduces the worth people put into novelty because there's just so many videos out there that a video means less it means less if it's the same type of video with the same themes or the same like you know uh approach i think that's where the real human creativity and ingenuity comes in where like how do you create something because ai will only know what has happened in the past and how to basically compose something that looks new but based on all the previous information only you or me or people can like ignore what was happening before and say like you know what I really think this would be fun and then create something that's truly novel, random and new.
11:48And that idea of randomness is probably where we will continue as in like people win on the creative side and then a machine wouldn't be able to do because it's not capable of being random with purpose. It's only capable of being either random by design or having inputs of everything in the past and then providing what they think or it thinks is the most likely outcome that you're hoping for it to produce. Yeah. So it's a very interesting. The next five years are going to be wild, especially for the world of like content creation and even content consumption. Because at the same time, we're talking about AI making all this stuff.
12:28On the back end, there are probably server farms generating AI viewers to just consume the content, to rack up the views and rack up the engagement across all these other things. So at some point, you're just having bots creating content for bots to then view and engage with, which is then where it gets silly. And then you're going to abandon those platforms and move on to something else.
12:53The Gstaad Guy:You've played all sides of the coin in this ecosystem. You've been the marketeer. You've been the marketee within the platform. You've played on all playing fields. and now that you're working on Ciroc I also have a question to you about campaign production and the decisions that can be made in the planning room of should we pay XYZ creators and pay for all these flights and maybe even have these emissions involved to go to this remote set to do a great photo shoot or should we pay them the same amount for their image rights, produce it with AI, save on the emissions, save on the headache of travel, versus actually making that authentic.
13:44The Gstaad Guy:There's pros and cons to both arguments. I'm very curious to know what you feel about the campaign production side of things. I'm looking to move away from the traditional campaign process overall. So what I think matters today, and again, this might change in a year, but organic social still wins. and I still believe that the content that can bring itself into people's feeds needs to feel more than just trying to jump on some viral trend like I don't think that's going to cut anymore so what I've been looking at with our team is how do we build a world that people want to see want to feel and want to be a part of which is why we built up this idea the Ciroc Athletic Club and from the pop-up events that we create we will generate content from those so that people see that it's in this real life environment that they can one day be a part of and that content is what's going to be our campaign essentially and then the influencers that are there are going to participate in something that's meaningful it's like community driven and it's fun and in that whole environment the things that i'm not doing is i'm not going to some remote place to shoot a bottle with a bunch of models because the backdrop looks amazing.
14:59To your point, there's no need for that. I'd rather find opportunities to build community in moments in culture that matter to our audience, which I think is like in the world of leisure, which is where we're playing. A lot of the spectator elements or music events or things that people naturally congregate are places that we're going to want to show up, build a pop-up Siroc Athletic Club event. And whether it's pickleball, paddle, tennis golf you name it it allows us to bring the community together and then have not only the content come from us but from all the people that are there and then use those to drive the pr headline so i'm not taking a traditional campaign approach i'm not going to be shooting tv ads i'm not going to be going to certain locations to try to like interrupt you while you're watching your actual programming that you want to see and then try to insert a you know drink ciroc responsibly message here.
15:51It's going to be really about dialing it back and thinking about what people actually care about and how do you create that emotional connection. And I think it's in real life contact. I think it's in these community driven leisure sports. And I do think it's reframing what alcohol and spirits are in people's lives, which is not about the nightclub anymore, but it's about the balanced lifestyle where you want to be active. You want to have fun. You can have a cocktail, but you're basically just enjoying that moment more so in the daytime with your friends than like you know trying to stay up till 2 a.m at a at a club with bottle service is this a
16:25The Gstaad Guy:stance or vision about community building that you've had for a long time even on the other projects you've worked on or is this something that you've adapted given the current circumstances I think it's always been in the back of my mind because community has always mattered in you know the modern era but at the same time it's just become more relevant in a post-covid world where people lost that connection and now whether it's through travel live events live music things like that i think it's just rebounding at such like a at a crazy pace that it would be foolish for a marketer to ignore that trend and like when you look at live nation's numbers and how they're doing and how many people are, you know, showing up at concerts and how much they're paying per ticket, you know, today versus a few years ago, it's insane, like the growth.
17:22And then you look at a lot of these pop-up community activations, like this trend that I see where DJs are showing up in like bakeries or like coffee shops and doing like full sets in the morning. Like that's because I think people were missing that sense of community. And at the same time, the rise of pickleball and paddle and all these other like leisure sports i think it's just a way for people to congregate around an activity that's accessible to a lot of people because not everyone can play tennis well that's true right but most people can play pickleball decently but it's just an excuse to get together and have that community so i think we're seeing that now more than ever and so i'm making a more you know aggressive shift to focus our efforts into building on that you know delivering a fun environment and then making sure that whereas in the past people would go out to drink we're now having people go out for an activity and while you're there there are drinks available so it's a very different mindset that i actually am really excited about because it's how i live and it's how a lot of like my peers now live and so it's just adjusting you know for those nuances that people you know and how they live today i love that yeah it's very
18:32The Gstaad Guy:very cool. This episode is brought to you by Google Chrome. You think you know a browser, but Gemini and Chrome? That's new. It can help you with practically anything on the web, like restoring a vintage motorcycle from a 50-page restoration block, or finally break down that long article you've had open for weeks. Gemini and Chrome is here for it. Ready to make anything online make sense? There's no place like Chrome. Check responses set up required. Compatibility and availability varies 18+. I find it fascinating how you manage to put on these new hats as an operator and as a CMO and become so close to the consumer but also become so close to the understanding of what you see the product and the culture around the product becoming in the future and I'm curious about what it means to you to be a CMO and what that mission feels like and how you translate that into the work you've done over the years.
19:36So I think that there's a lot of layers to that question. I think the first part is I didn't necessarily set out to be a CMO. So when I started my career, my intention was to one day become a teacher and I wanted to teach in a grad program so likely MBAs and I wanted to teach around the the subject of marketing like that was my intention when I was in my grad program I noticed that some of the professors that we had were more academic in nature and when you ask them practical questions they would always revert back to a textbook answer and not express any like firsthand experience. And it, it bothered me to like, to the point where I was just like, you know what, if I'm going to go back and teach, I need to prove that I can do what I'm teaching and not just claim that a book says so, right.
20:30It was sort of that mentality. So I kind of made it a mission. Like what would it take for me to become the best marketer that I can be and constantly learn and try to strive for like greatness in the world of marketing to one day be a teacher. So that became my North Star. So I was fortunate enough that a few folks early in my career recognized that my ambition was not in moving up or new titles or money or anything along those lines. It was like, where could I learn the most? And where can I have fun, but also become just a really good marketer? So the career journey that I took was a couple things.
21:10One, I don't go in the same industry twice because I feel like if you go to the same industry twice, you don't learn as much. So I always try to like, to your point, wear different hats and get into different environments. The second one is if I'm no longer learning, I'll leave. So once I get to a point where it's like, okay, it's a couple of years, I don't feel like I'm learning anything else. I've sort of hit this like peak of what I can absorb that I'd rather go to a new company where I can then like learn a lot more so I can go back and teach and have that as a case study. so having that as my guiding light has allowed me to wear multiple hats without any fear of what will my boss think or what if I get fired or what happens if this or that it's just been living without fear because my goal is to just learn and the more that I was able to like learn the better I would you know end up doing and it just so happened that when you have that mentality you're more likely to win because you're not just trying to strive for a title or more pay or get the promotion you're literally just focused on doing the best thing for the company because you want to prove that you're like one of the top marketers so that's sort of been my approach as far as like the different hats it's put me in places that i've been fortunate to be a part of but also it's been challenging because i always go to places that are in more or less of a crisis and not a in a place that's just hey everything's going well we just want you to maintain the trajectory of like what we're doing.
22:35I always end up in places where they're like, we hear about your background and your story and the stuff that you've dealt with. How do we get out of this mess? You're probably one of the few folks that we feel can like help navigate this because of your history. So I'm always thrown in places where it's kind of a crisis. It's a little bit of a dumpster fire. But at the end of the day, it's where you learn the most and where you can make the most change and even though it's challenging it's sort of become like my steady state so if things aren't absolutely like chaotic then i'm always like what's happening and what's wrong yeah whereas when things are like chaotic i'm like okay this is where i sort of in my my my groove and what to
23:19The Gstaad Guy:you are the the skills or mindsets necessary to take chaos and turn it into a plan or turn it into something more simple to digest i think it's one um having a very calm demeanor like i don't think i have had an erratic personality like i'm not one to get overly excited about things i'm not like overly concerned or i don't get stressed like i'm pretty much at a steady state i think you need to have somebody who can be fairly mild tempered regardless of the situation because it's tough when your emotions are flying you have all these like inputs you get excited to be able to see through the noise and find out like where you need to go i also think that like one of my best skills isn't necessarily like people always say like oh you're very creative or you're you know innovative or this and that i don't know if that's the case but like i tend to see like a mess and then find the pieces within that that you could then string together to create something that ends up being really interesting and it's one of those things where if things were laid out to me in an organized manner i might not be able to come up with anything different than like what you would be able to come up with because it's laid out in a very logical sense but it's in those environments that are like very chaotic that I might see things that other people don't see where I can then put something together and realize, oh, this is an actual way forward that people are missing because they're just focused on the mess where I'm just looking to see what are those elements of the mess that can be picked up to then bring something to light that people weren't expecting.
25:05So that's sort of like where I feel I've been able to find success.
25:10The Gstaad Guy:So for people going through maybe a corporate crisis or working on a startup and they feel like they have this mess in front of them. They remain cool, calm, and collected. They try to observe. Are there any things that you recommend to someone who may not have this as their second nature to manage chaos better than process? Yeah, I see a lot of that as almost like a puzzle. And assume there's always a solution. I think when you go into a problem and you think to yourself already that there's no way we can get through this. You've already lost, right? But if you go into it thinking, there's a solution here if we find it, then you have this idea, like even though it might be hard and even though it could be like chaotic, but if you firmly believe that there is a way through it and you just have to find the right pattern or the right puzzle that you can put together to get through it, then you're more likely to be able to navigate through that because you have the, you know, foresight of where you want to get to and it's just a matter of of getting there so when i think of like where i'm where i'm at and like what i would say is like advice to others is it's more so bring people along with you because life is in general is like a team sport so even you might not be able to navigate through that but if you have your team someone's going to be able to get through that yeah and what i always find is like i had a pretty good sense of like who my team is I've had a few folks that I've you know that have joined me along the journey starting from Samsung to to Disney and Hulu and TikTok and now at Ciroc and Lobo 1707 but there's also people that I met at Lobo 1707 like they're incredible and I wish I would have known them earlier but like you're you over time develop this squad where you're like okay we know how we work it's almost like the SWAT team mentality yeah everyone knows what they're supposed to do they do it very effectively and very well and you don't think to yourself this is something we're not going to be able to accomplish but you go into it knowing we're going to turn Ciroc around we're going to make Lobo 1707 one of the top tequilas in the market what is the way to solve this to make sure that that's accomplished and then you just kind of tinker and you work on it until you get to that point where you then have that success you've navigated chaos in very different environments very much mass market for a free product with a product like tiktok yeah yeah and then very much luxury with a high cost product like lobo 1707 yeah what is the big difference to you in those strategies needed i don't know if there's that much difference so i started my career at taco bell where we're selling like 99 cent tacos okay and then i go to stance where we're selling 20 a pair of socks like socks that are 20 bucks a pair yeah and then i go to samsung where you're selling a whole range of you know consumer electronics and then hulu where you're basically saying either get it for cheap or pay a little bit more and don't watch ads so like i don't find luxury or you know mass mainstream consumer sort of like commodities to be different i almost think that if you if you just picture people and then you're saying you need to market to a subset i personally don't care if i'm marketing the subset that can only afford a 99 cent taco or if i'm marketing to a subset that can only afford you know something like a very small group that can afford a very very big price point yeah it to me it's all kind of the same mechanics because people inherently are similar regardless of like where they at on the spectrum they have emotional ties to certain brands they want to feel something when they see a piece of creative or content and they are heavily influenced by the people around them in the communities that they're involved with so if you just break down people into like those basic constructs it almost doesn't matter whether it's marketing a certain like watch to a high-end client or whether it's marketing a taco to an everyday person i see the problem as being very similar i would only say it might be easier in my mind to market to the luxury person because there are very limited sets of channels that they look at whereas when you're marketing to the mainstream, they look at almost everything.
29:52So I just think it's easier to target a very niche group, especially in the luxury segment, than it is to go after everyone. So I don't really find that much of a difference.
30:02The Gstaad Guy:I've had a very different view, but I love your view and it checks out 100%. It's very clear and it makes a lot of sense. Yeah. When you spoke about the emotional affinity that you're trying to unlock through storytelling and through campaigns. What about the scenarios where a consumer has no affinity to a brand yet? How do you create that emotion? What do you look to create? Yeah, so I was taught early on that that's probably the worst situation to be in because you'd rather have someone hate your brand and someone love your brand than someone that's just completely apathetic. I think you just have to figure out how to build that.
30:44and I can use practical examples so it's not just hypothetical, but it was a problem that we faced at Hulu. So when I first joined Hulu, the issue was brand awareness was in the 90-something percent range where if you asked anyone in America, have you heard of Hulu? The answer was like, yes, I've heard of Hulu. If you ask them, would you consider getting Hulu? The answer's like, yeah, not really. It's like, why? I don't really know. It doesn't really do anything for me. Like they just literally had no emotional tie to it. And then when you dig in further, there was zero familiarity of what Hulu was.
31:21They just thought it was next day TV. So they thought if I missed a show on, you know, like NBC or on ABC, then I could just watch it the next day on Hulu. So they didn't know that there was original shows and a bunch of other offerings.
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31:36The Gstaad Guy:And you'd figure this out through polling? we figured this out through consumer research which is partially through like surveys and like yeah focus groups and other things but ultimately we had this data set that basically said people didn't know what hulu was but they thought they did so they just ignored it completely and they were always you know considering either hulu or netflix and to them netflix was all about great original shows and programs that people talked about around like you know water cooler talk basically and then hulu was just like completely ignored so the way that we were positioning hulu at the time was one you need to develop a slate of original content that could break through that noise so then they brought in handmaid's tale which was like very like groundbreaking at the time and then on the flip side on the marketing we developed a campaign that was very provocative edgy and it was almost impossible to ignore and it was this phrase that said, we're about to ruin TV for you.
32:33And when you, when you push something out there, that's like pushing on something that you love, which is TV. And you tell people like, we're going to ruin this thing for you. The first question is how, like, how are you going to ruin this for me? And so as soon as you get people to try to discover more about your brand, you then break that first hurdle or break through that first challenge or hurdle where they no longer think they know about you because if they knew everything about you and yet you put something out there that makes them question like well how are you gonna do that or what is it you do then it gets them to like look deeper so we were able to then use that message of we're about to ruin tv for you to then show people for the first time that there was a lot of things about hulu that they did not understand so that was like the first way that we were able to change apathy into you know a bit of
33:29from apathy to interest. And it was that gap of going from apathy to interest that then said, okay, well, if you're going to ruin TV for me, one, how are you going to do that? What does that look like? And then you have to prove that out. So we showcased the original programming and then we brought in live sports. And we also developed a campaign like Hulu has live sports. And it was through those mechanisms that we then got people to realize like, you know what? Hulu was actually worth paying five bucks or seven bucks or 12 bucks a month to have and it wasn't necessarily to replace Netflix we realized people would just get both so we were able to like well nearly triple our subscribers during our time that I was there and then during the acquisition of Disney with the Disney plus bundle it just sort of like skyrocketed from there so I do think there is a way to provoke interest by challenging what people thought they knew about your brand if
34:22The Gstaad Guy:they have you know zero feelings about it i guess that's also the strategy on socials for people to for sure of course like you in your world i assume as you're putting out content you don't want to put things that are just like 100 agreed upon by all parties for sure like you're going to put stuff out that provokes interest provokes people to want to learn more about whatever it is that you're talking about or just have a reaction where they're just like no that's so yeah like false or then they like call you out on it absolutely it's those moments where you're like you're like i got you like you literally are probably in your head reading the comments like i got you and like now you're coming you're doing all this stuff i want you to do that's how it is in marketing basically i what you said actually with hulu is basically like shock factor of absurd statement and then back up absurd statement yep and i i think that's a big part of my goal with a lot of content i make i'm sure just like make absurd hook and then back up even if the backup is unreasonable yeah if someone's made it through listening to the backup like you've won you made it yeah you know what's been your most absurd hook i did one over the summer which was never wear shorts was like it wasn't it was it was like an order to my audience like do not wear shorts which of course is absurd um and then the the argument was unless you're wearing bathing suits while swimming sports shorts while taking part in sports uh or like going to bed or something uh your knees should be covered just wear trousers no shorts which is okay back to the original statement that we started this whole day on yeah there's a half truth in that exactly there's a half i agree there's a half truth but the audience was so split it was actually mostly women saying yes please men hide your knees Hide your knees, yeah.
36:11The Gstaad Guy:And then men saying, but it's too hot. I can wear whatever I want. And it's like, the nice thing about it is it's a trivial argument. No one's actually getting offended. Everyone's just kind of chuckling about it. Yeah. But there's also this humor in passion for the argument. Absolutely. You know, so people loved just... But, okay, this is probably where I feel the half-truth might also kind of drift into. I refuse to wear sandals. I also refuse to wear sandals but like there's some men out there that are happily displaying their toes and in no environment am I showing my feet like I don't wear sandals and some people that I'm friends with like even when you go to the beach I'm like even when I go to the beach I'd rather get sand in my shoes and empty them out later than like wear the you know the specific flip flops or anything along those lines like I just I refuse to do it I agree.
37:06But if we believe that, then the shorts argument isn't far off.
37:11The Gstaad Guy:It's not far off. Actually, one of my other videos was never wear flip-flops. But you should never wear flip-flops. I'm all about when it comes to outfits and my character to the nth degree is a thousand times a believer in this is think of intention with why you're dressing the way you are and go all the way in that category. All the way in that category. So if you don't want sand in your shoes, barefoot. I'd rather go barefoot than wear slip-flip flip-flops. Absolutely. Absolutely. As with my character. Yeah. You know, like if he goes to the Maldives, he's barefoot for the week. Okay. If he goes to a city.
37:42The Gstaad Guy:Is that just your character or is that you too? I try to be like him. So I'll do that too. I'll actually, I'll probably, I actually do this thing often when, if I know I want to work out at some point during the day, I'll commit through my outfit because there's, it's a terrible feeling to put on a workout outfit. And then not work out. And not work out. Okay. You know, I'm like, if I put on a workout sports shirt and shoes and I take that off and it's still clean and it's not sweaty, I failed. Do you think the people that wear athleisure feel the same way or no? Athleisure, probably not. But fully athletic, I'd hope so.
38:21The Gstaad Guy:I would hope so. Athleisure is actually like a dangerous gray area. It's actually very gray. Because you could get away with. People get away with it all the time and they don't feel the guilt that you feel. That's true. And you don't break a sweat. Absolutely. It's like the whoop. Oh, yeah, yeah. You know, the whoop is... Do you have one? I do have one. I'm not wearing it right now. I took it off. But I do wear a whoop. And I'm very religious about wearing it for sleep, to track my sleep. Okay. Does it impede your sleep because you're so obsessed with tracking it? It might. I actually... That's my concern.
38:58The Gstaad Guy:Actually, it's funny. Last night, I was really tired and I got to bed and I was just about to fall asleep. and then I realized I didn't have my whoop on. You're like, I can't sleep well without this thing that tells me if I slept well. I literally go get this thing. I went, got the thing, put it on. I literally disrupted my sleep so I could have that confirmation, likely confirmation bias of some kind. And I do feel like we're getting too much down that path with like data and, you know, all the rings and all the wristbands and all this stuff. Like I don't actually wear or use anything. and my gauge of sleep is if i wake up feeling refreshed or not like i don't worry about all the metrics and and all the all the things but i can see why because i have a little bit of an obsessive personality if i started going down that path i would try to optimize that to the mth degree yeah and i don't even want to open up that door so i'd rather just not even test it i mean i i totally see where you're coming from yeah i felt the exact same way until I realized that the value unlock with all these health trackers, like Aura, Whoop, all of them, is actually the surveying after, after your sleep.
40:13The Gstaad Guy:So when you wake up in the morning, it hits you with the survey of, hey, Nick, you slept pretty well last night. Did you do these following things that you usually do? Does it tell you you slept pretty well? It tells you your sleep score was good, bad, medium. It actually quantifies it out of 100. with it's like a percentage so there's a little bit of immediate bias when you wake up so you're either like yes happy i slept well or like shoot my score was not that great yes okay okay there is that immediate bias yeah and it's it's mostly driven by like your heart rate variability okay your time awake first time asleep and movement in bed and all these different things they measure but where the survey i find very handy because just that as an absolute value i find it's kind of useless because i could wake up and say oh i feel good or i feel bad But the nice thing about the survey is it helps you figure out the why.
41:02The Gstaad Guy:So it asks you, did you drink last night? Did you get into an argument last night? You can actually set the questions of, did you sleep next to your partner last night? Did you have meat? And over the course of three months, if you keep answering this survey, it will look at, okay, and all the nights Nick slept badly, he actually had dinner later than usual. And the nights that Nick slept well, he was sleeping next to his partner. but but you're also assigning weighted value to things that you think could be the cause yes which is how like people will come up with those crazy stats like you know 99 of people who eat pickles die within two weeks or whatever whatever those like crazy statements are yeah so it's assuming correlation it's assuming exactly and that's where i'm just like well i don't know for sure yeah because who's to say that it was any of those things or whether it was like something that you did not track or you did not answer that's actually it's true i think it's just it's just helping you see patterns that might help you in the future like for me hours slept is far less important than what time i went to bed oh yeah i know we're spending a lot of time on this no no i love it i love it but okay back to the theme that we're talking about before maybe for me the reason i'm not like as susceptible or open to those things is because those are those instances where the logic is laid out and it gives you a finite answer.
42:28And just the way my brain's wired, I'd rather be in the chaos and then try to find the patterns for me that tell me whether or not I'm optimizing my sleep versus not, as opposed to having it laid out in the constructive manner where I'm like, okay, this is what it says. But then I'll always question whether or not that's the right thing. And then I get to the point where I'll be obsessed over and I won't be able to sleep anyways. So I'm like, nah, I'd rather just like not have that and then just figure it out on my own and see like within the chaos, you know, like what helps me with sleep.
42:59The Gstaad Guy:So good, so good, so good. New summer arrivals are at Nordstrom Rack stores now. Get ready to save big with up to 60 % off brands like Rag & Bone, Levi's, Adidas, and Free People. Join the Nordiclub to unlock exclusive discounts, shop new arrivals first, and more. plus buy online and pick up at your favorite rack store for free great brands great prices that's why you rack i like that yeah do you also like to solve chaos in your free time uh sometimes um yeah like whether it's various puzzles i mean there was a point in my life where this is gonna sound a little bit disturbing but i would take um standardized tests before bed just because i thought it was fun so like what the act is uh like the lsat or like the gmat or things like that there was like logic questions or logic puzzles um and the lsat that i thought were like really fun and it would just like help me go to bed but like i'd finish a few of those puzzles and i'd go to bed so that was the there are moments like that where I can see just the urge to solve things.
44:10Yeah, it like motivates me, but also calms me and it helps me relax.
44:15The Gstaad Guy:Were you a good test taker at school? Absolutely. Yeah? Yeah, I crushed tests. Part of it was like, you know, I can't say this, I don't think, but like part of it's being Asian. And then the other part is just like... I think you can say it. Yeah, I can say it. Yeah, like you grow up in an environment where a standardized test is like a rite of passage. and you basically like on your birthday you're given like an ssat you just like take it and you you score well on it but i also love taking tests because i like seeing how i benchmark and even though they're not like an indicator of iq or or you know intelligence because it's just a test yeah i also love all those puzzles that are in there because i think if it's a puzzle or a game or a test, you can hack it and you can solve it and you can technically win.
45:05So when I was younger and I was taking the SATs, like I wasn't satisfied unless I got a perfect on the math because that's actually very solvable and there's no ambiguity in like how to solve it. As long as you know the tricks on how to crack it, you can get a perfect on your math side. The other side is a little bit harder because there's not a formula. Like you'd actually have to know through like language what those patterns are, which is a little bit harder. But like, yeah, I love taking tests. I think I took every test I could for grad school, whether I was going to that program or not, just to see how I would do on the tests.
45:35The Gstaad Guy:A big part of your roles today is building teams. Yeah. Do you look at how people test and score when you build those teams? No, not at all. I don't think testing – for me, it's fun, but I don't think it's an indicator of anything. So I don't look at test scores. I don't look at where people went to school. I don't look to see even if they went to school. Like I could not care less. I would even say what I found at TikTok, which don't know if it's like fully credible, but I'd say for the part of the work that I was working on, we realized that and it wasn't we didn't change our hiring practices by any means.
46:15but I just noticed a pattern where people who graduated from an Ivy league had a more difficult time with the work that we were doing at TikTok than people that went to like a state school. And the reason that we started to uncover was that the people at the state school, they were always looking to see how they can optimize and not have a structured approach they felt they had to rely on and because we were creating something new in an environment that hadn't been done before with a you know audience that was you know not any like there's no precedent for what we were building they tend to fare well versus the ivy league kids who were very much just like this doesn't fit my mental model of how this should work and they would only be able to assess previous, you know, industries and then find correlations.
47:12But when you realize that the way that social had evolved, the way that TikTok had developed the algo, it flipped everything upside down. That made it so, unless you could think completely out of the box and it was tough to comprehend. So I found that like a lot of the Ivy League folks were a little bit more challenged when it came to that. So I don't worry about school. I don't worry about tests. I don't worry people that are just experts in a very particular area to the point where I trust them inherently more than I trust myself with that thing. And then if they have the ability to work fast, own that specific area of expertise, and then work well with others and build a culture that's fun and collaborative, that's what I normally like hire for.
47:55And I also, because of that, I go super lean. So at TikTok, we started with a team of 16 and ended up becoming like a few hundred people. but with the team that i have now i try to pare it down to basically like a dozen people that i find to be just like absolute badasses in their field and like how do you win and move fast you know it's it's always easier to do it with a small nimble group than with a large team that you have to take everyone with you so i definitely find um working in these lean environments for these like turnaround uh you know brands is a much easier thing than when you have like a huge team where
48:31The Gstaad Guy:you're basically just managing the team yeah and when you're looking to fill those roles i assume you're a busy man you don't want to do too many interview rounds where you try to uncover those skills you're looking to find those skills quite quickly yeah how do you and what do you look for in a person to see whether or not they can do those things luckily there's been a good number of folks that i've worked with in the past that are sort of my go-to so i'll ask them first. Fine. Half the time they say yes. Half the time they're in a situation where they can't say yes. Okay. But then within that group, they know people that are just like them.
49:08Fine. So then you can easily like. Referrals. Yeah. Get those referrals in. Yeah. When it comes to the interview process, I tend to ask a question that I think is a good filter, especially when it comes to marketing and brands. So the question I always ask is, if your brand were to show up at a party as a person, what would they wear? How would they look? who are they hanging out with? I love it. And then people then normally answer that question. Normally they try to answer that question and they attribute it to who the marketing ambassador is. And I always pull back. I go, no, no, no, no, no.
49:40Forget them. The brand, like, what's your favorite brand?
49:44The Gstaad Guy:Loro Piana. So if Loro Piana, I mean, that's a little bit easy because that's me. Well, not just that, but like, it's also what, you'd be wearing Loro Piana if you were Loro Piana. Okay, okay. Let's take a Apple. Apple. So if you're saying, if Apple were to walk in a room and Apple was a person, what are they wearing? So I'll ask you, what is Apple wearing? I'm not going to give you the Steve Jobs, Issey Miyake. No, no, no, no, no. What is Apple wearing? I think Apple's wearing Uniqlo. Okay, great answer. What collection? Like summer, fall, like what? I think the Autumn and Spring, like a couple layers, water resistant.
50:20The Gstaad Guy:Okay. Because the reason why I choose those collections is because I think Apple is technical and it's not knitwear. Yep. So it's those Shield collections, kind of like Arcturics, but more plain. Wonderful. And then you also pick something that's essentially logoless, which says a lot about what you think about Apple. It's like minimalist design and all those other things. And then if I were to say, okay, what does Apple listen to? Music-wise? Yeah. U2. U2. But that's just because they used to preload U2. I was going to say, is it because they preload U2? They used to preload U2. I think actually the Beatles.
50:56The Gstaad Guy:Okay, the Beatles. So timeless, classic. Exactly. Timeless, classic, community, happy. Okay. And then in the realm of the party, who are they at the party? I think Apple is trustworthy. So they're in the corners. They're not in the center. Yep. Apple is kind to everyone, but not the center of attention either. Yeah. And Apple is caring for people. Okay. So designated driver. great answers is it because they have apple care plus they have apple care plus pro max so i would ask that question and then i would follow it up with um who are the competitors of apple and who are they at the party and i asked that without saying who the competitors are because one i like to see who people think the competitors are because sometimes they're straight just wrong yeah and who they think we're competing against is not who like i love i love I love this question.
51:54And then after they say, I think our competitors would be XYZ, and then they would show up this, and then you frame them in the sense of the party, like who they would be. Okay. That question takes me like 20 minutes to get through, but it weeds out a lot of people to see, one, can they think a little bit out of the box? Do they understand the actual brand? Do they know the competitive set? And can they identify who our audience is and who we should be reaching based on those little categories that we're talking about, whether it's the clothes, type of music, what sports they're interested. in like all those things in culture that matter i'll pepper those in to get an idea of how well this person knows the brand and how they can think about that so that's that's my go-to filter to see
52:33The Gstaad Guy:how people are can we play the apple competitors game yeah yeah yeah so who do you think so so who's the competitor okay i think it's it's a it's a busy party it's a busy party yeah busy party party's packed so in one in in the center of the room you have huawei oh my gosh you went for a deep cut Huawei is wearing a tank top flexing its big muscles Really? Because of all the folding screens So it's like, look, I can fold my screen four times Yeah, yeah, yeah Don't worry about the UI Don't worry about how easy it is to migrate your stuff over I'm big and strong, look at my muscles Look at my muscles Great I think that's Huawei Okay And then you have, in the other corner, like the silent power of, hey, that guy's really smart, people don't realize it And that's, he's cool, but he's, you know, he's understated.
53:25The Gstaad Guy:He's a threat. I can't wait to hear who this is. Who is this? I think this is Carl Pei and nothing. Oh, that's a good one. Okay. I think that's Carl Pei. Okay. Then you have Samsung. Yeah. And Samsung. But what about nothing's design? Nothing's design is meant to be a little bit like. Inspired by Apple in many ways. But it's also a statement. Like it's bolder and more interesting. So like, I don't see. So just to take your analogy. Please. nothing isn't standing or sitting in the corner silent it has elements to it that's flash and sizzle beyond some of the other phones which is why like they have the you know all the stuff that's happening on the back of the screens and all that stuff so you know you know in in friend groups the person that doesn't say much but when they say something everyone's meaningful so that that's nothing i think that's nothing fair the reason why i think that is because from far away nothing's unassuming yeah and it's only impressive when you actually pick it up yeah and you see the the lights at the back and all those things yeah and far just looks like a smartphone whereas a Huawei from far you're like what is that these gold colors and it folds out like a map you know it's like what is that it's your Huawei exactly it's so absurd nothing is not absurd no it's not absurd it's like it's like this little gem that you actually have to discover I find yeah yeah what is that and someone has to story tell yeah yeah you know so i think and the i love the um like see-through nothings as well where you can see some of the mechanics yeah i think that's like a uh if nothing was a brand would be valence by arcterics yeah it's arcterics like more premium yeah tailored so still like performance but it's also urban and cool totally i think i think i think nothing is valence um samsung i think samsung is a rich kid samsung is a rich kid you know i think it's like well he sees what you get it's there you know he's told you what he does yeah and that's why you know what he does because he's told you himself yeah okay i mean if we were doing an interview you'd be hired without a doubt the way you broke that down i mean any phone manufacturing hardware companies should be reaching out to you to get insight I appreciate it I used to work at Apple oh I used to work at Samsung there you go and I also advised Carl a bit and like I love nothing so me too they're doing some good stuff Carl's good if Statt guy had a phone what phone would it be a Virtue oh of course none of the other ones none of the Virtue the discontinued Virtue the completely inaccessible discontinued version of one exactly or just an iphone an iphone with with like 12 sim cards oh just love love e sims that's so funny yeah like like loads of sale e sims yeah do you say do i use what sayly no sayly oh my god do you roam i mean yeah i guess oh i have my uk sim and i have my us sim fine and uh i i don't i don't think i roam do i oh sayly's gonna change the game for you well because i have t-mobile if i'm international No, it just uses T-Mobile.
56:41And it's free.
56:42The Gstaad Guy:It is? Yeah, yeah, yeah. Full high speed the whole time? Five gigs per each country that you're in. And I rarely exceed that because I'm not in the country for like more than two weeks. Okay, fine. Yeah, yeah, yeah. Nassali is like, basically you just download eSIMs. You just download eSIMs. You just download them. So you just prepay, download eSIMs, it's loaded, and then you're just good to go. And you're good to go. And I, maybe I'm over paranoid, but I'm paranoid of like public Wi-Fi hotspots. So I just have. I think that's fair. Yeah. I wouldn't rely on those. So I'd rather just use my T-Mobile.
57:13The Gstaad Guy:So I even tether to my laptop. Oh. I watch full Netflix movies through my Saili or put on my iPad. Oh, I got to look at this. How do you spell it? S-A-I-L-Y. It's the NordVPN founders. Okay. So there's also a lot of trust built in, which I like. That's great. Because I'm very scared to go in. You know, like when you land in random countries and cities and they have those buy some card at the airport? Oh, I'm scared of those too. I'm scared of those. Someone's going to throw in a SIM that's just going to drain all your crypto. Something. Drain whatever it is you have on your phone. Exactly. I actually got hacked once through airport Wi-Fi.
57:49No way. Yeah.
57:52The Gstaad Guy:Like four years ago, maybe. Just signed into airport Wi-Fi. Do you know which airport? Yeah, I'm not going to say it because I feel bad for the country. Oh, okay. It's just out of respect to the country. If that country were to walk into a party, what would they redress again?
58:08The Gstaad Guy:but yeah i i i remember i refreshed my socials and an hour later they were just oh really yeah oh okay it wasn't good yeah that's not good that's not good yeah i'd love to know more about how you feel about universities because you're also a father i am how how does the way you hire impact the way you raise your kids oh my goodness that's a good question i don't care if my kids go to college well and it doesn't mean they can't mess around and just like you know go do whatever they want um we we've talked about this and luckily my wife is on the same page as i am but um i don't have a high degree of value for tradition i went through college four-year degree went to grad school got my mba i want to teach at a grad program so i do believe in teaching i do believe that people who want to go down that path, there's a lot of opportunity there.
59:02But personally, I don't feel the college degree is worth the investment in the U.S. that it once had. So if my kids were to say, we put together a plan and the plan is for the next four years, here's what we want to learn, here's what we want to develop, and our objectives are to do X, Y, Z. And whether that's start a business or travel with the intention of learning something and picking up a skill and they say with the money that we would have put towards college we want to do this instead if it's a sound plan I would approve it and I wouldn't I wouldn't judge it harsher than I would if they were to make the decision to go to college because the thing that I also realized is the things that I learned in college you can claim indirectly helped me but from a practical standpoint the field that I'm in didn't exist when I was in college and there was no way for me to learn about what I'm doing now.
59:54And it's only getting more exacerbated as like the world of AI is exploding. Like even if kids learn about AI in class today, how that manifests itself five years from now is going to be radically different than what they learned. Yeah. So I'm not a huge, you know, proponent of like, you have to go to school, education is everything, which is also ironic because like the generation before me, especially my parents being immigrants, that was the only thing that mattered. It was just like, education first and foremost if you have to fall back on anything it's that's on that i honestly don't have a a real like desire for them to go to school now if they want to go to school i'll support it if they want to go to state school or an ivy or whatever school like it's up to them i really don't care as long as they feel like they know what they're getting into and they're going to get something out of it if they say i just want to go to school to meet people and learn how to be like a part of society and get to know a community of folks that are like-minded and just expand my mind like great go to college that's exactly what that's for but if they're like i want to go to college to be you know a lawyer a doctor engineer great that's also perfect for that but if they were like i want to be an entrepreneur i'm going to college because when they say something silly i'd be like you don't need to go to college for that actually you could probably learn that doing other things like starting your own business so i'm not really one to um have that much you know a preciousness about the education and the institutions of like you know years gone by
1:01:29The Gstaad Guy:you're a cool dad i don't know if i call dad you are a cool dad i think to me that's a cool dad well yeah i hope they see that i don't think they how old are they seven and nine so very cute my son is very academically strong yeah like if if he were to go to college i think he would do well he's been taking tests in the uk and in uh the u.s recently and his test scores are like through the roof so i more so would love for him to go to college for not the academic reasons but if you were to say like i just want to go meet people like find a community of folks that would stretch my thing yeah but like great like go to a place that'll do that um but uh yeah my daughter's a little bit more of like a free spirit she's also strong academically but she's not like as you know hitting it above the marks that like my son is if she's like I really want to go to school because I want to learn this specific thing I'd be like great but if she's just like I want to start a bakery I'd be like absolutely that's a great idea now I would help her scale that bakery and figure out like organic content how to make it like really popular and then make her the most successful baker under the sun you know like Cedric Grilet status exactly but like you know whatever they want to do I have a lot of heart for you know the passion that kids have and whatever they want to explorer i would be fully behind it and if they literally wanted to be bakers i would love that like that would be a joy of mine if we could just bake something together and have that haven't turned that passion into like an actual business that'd be amazing i love it yeah you're mentioning a lot of real world businesses which i'm a big fan of but i'd love to know how you feel about screen time with your kids oh as close to zero as possible yeah yeah i don't i don't get in screen time so when they were younger uh we would let them watch like bluey and it would be like once a week and they get to watch like three episodes so that's 24 minutes is that like a cocomelon sort of thing bluey is way better than cocomelon i think it's the australian it's an australian show okay i think the bbc picks it up but it's on disney plus okay and it's like a family of dogs and they all have australian accents so the irony is like this generation is completely messed up when it comes to accents because americans watch peppa pig so they pick up this british accent yeah british kids watch bluey so they have an australian accent australians watch american show so they have american accents so it's all mixed but um yeah we would let them watch maybe 30 minutes a week okay um that's not much at all no and then as far as like screen time now they're in school where they have ipads and laptops for homework so if i were to say like take that aside because they have to function for their class like on the ipad and on the on the uh laptop we just started allowing them through apple um like messages to communicate with their friends in london so then my daughter gets like five minutes a day uh at night after she's all done and getting ready for bed she can then message her friends who are in london so that when they wake up they can see her message and they can respond and then when she goes to bed she can respond so they're never messaging each other at the same time unless it's a weekend but they can like send messages to each other is it like a messaging for kids app that apple made or is it just iMessage it's just iMessage but we put all the parental controls on it so they're only able to message each other and nobody else outside of that ecosystem well and then we also monitor what they're talking about so amazing that's the only screen time the only time they get to have full screen time is if we're flying somewhere far then they get like a couple hours where if it's like a 12-hour flight they're going to get a couple hours where they can like watch a movie or play a game but zero social media zero like very minimal tv screen time yep and even then it just shows that we purposely you know let them watch and then um messaging they can message their grandparents and facetime them whatever they want yeah so literally outside of that i don't believe kids under 13 should be on any form of social media.
1:05:37I don't think they should be on screens. I think the addictions that we started to develop is like adults living in this generation are things that we will probably regret down the road in the time that we've wasted. So I don't, I don't let them do that at all.
1:05:52The Gstaad Guy:I'm curious how you feel about knowledge access versus acquisition while, while parenting more specifically what I mean by that is to me if I ask someone a question and they pick up a book and they say oh here's your answer and reference a book versus just know the answer I'm pretty much equally impressed as long as the answer is cohesive with the question right and the same for me goes for looking something up online or asking chat GPT so I I'm a big fact checker my friends and family hate it but i have chat gpt on my home screen on my phone yep i just click it and shlove asking in fact checking things yeah as a parent are you happy with your kids not needing to learn as many things because they can refer to things more easily and more as they age i see um i i like the curiosity and the approach to thinking more than i care about the answer at this stage so when my son asks me a question my default is to pick up chat chat gbt and just ask it and then get the answer yeah but what i started to do over the last year is i ask him what he thinks first and then when he tells me what he thinks i ask him break down why you think that and then he'll break that down and then as we get further and further and further along i'll then follow up with like okay now let's look together and see if you were close and i don't care if he was actually close or not.
1:07:28I just want to know how he's breaking things down and how he's thinking about the problem. If it's a very simple thing, like he asked me the other day, actually, this is a fun one. I actually, I forgot to check it. He said, so we were landing back at JFK and he said, do more planes fly out of JFK or do more planes fly into JFK? And I was just like, I don't actually know, but how would you break it down? He's like, well, how big is the city? And so then we were trying to figure out like how big the city was. And he's like well do more people visit or do more people live here and i didn't know where he was going but he was trying to figure out like i like the question what's the likelihood like you know he asked these questions all the time but then we asked you know he said like okay you know ask your mom and see if she has a like hypothesis so he goes to his mom and she just always gives like simple quick it's the same number that go in and go out because they can't just stay there they have to leave.
1:08:21And so I'm like, okay, very practical answer. We need to go look this up and tell them the answer. But like, I didn't even have the thought to look it up because we were just dissecting the problem and trying to analyze it and then get different points of views. So yeah, hers was very simple. It was just like, if a plane comes in, it has to leave. So you're going to get the same number and the same number out. But like, yeah, having him think it through and try to think of all the variables makes it a fun challenge, regardless of what the answer is. Because yes, he can always go to chat. to read and look up the answer.
1:08:49But the process to break it down is where I find the real learning at this age at least. Absolutely.
1:08:55The Gstaad Guy:I even find it more interesting conversationally, process over product. Oh yeah, of course. Like if someone tells me, oh, this person achieved this or this person's business went bankrupt because of that, I love hearing the process of why those things are far more than just the final product. I mean, that's why podcasts, like how I made it, And documentaries about all this stuff exist because I think more people are fascinated by that journey than just knowing the end result. Now, you kind of, in the back of your mind, want to know how it ends just so you can know where this is steering. But I think the journey is always the more fun.
1:09:35And no entrepreneur will tell you that the millions or billions that they made at the end of it all is what matters. They will always reference the journey. So that's kind of where I think a lot of people forget about. And as a team manager, do you look for, do you try to understand process regardless of whether or not the product was correct or not? For me, process matters because in my world, marketing at the speed of culture is an actual pillar that I find to be a competitive advantage. So process matters to me because if you can hack into the process and make things more efficient, like we were able to engineer campaigns in a 72-hour timeline versus two months, that's a competitive advantage.
1:10:26so I find process for me is less about the craft which is what other people might talk about but more so how you develop competitive advantages within things that most people would find to be just table stakes because everyone has to go through a process yeah everyone thinks it takes two months if I told you it then takes 72 hours to do the same thing it's now a huge advantage for me that everyone else is overlooked yeah so i will look at things like process um with that lens more so than like what were the learnings and how do we get there and all that stuff i just want to hack through things and be as efficient as possible can you elaborate on this idea of marketing at the speed of culture yeah so in today's world going through a traditional campaign timeline and bring something to market months after the team concepted it and the insight was born would put you probably about one month and three weeks behind where it was relevant.
1:11:27Yeah. And I find that most things, no matter how big they are, have less than like a five day shelf life so if you're going to win in today's marketing you have to be able to bring work to life in two ways either you anticipate where culture is going and you're so good at that yeah that by the time you bring something out it's happening in that moment so you have to anticipate trends anticipate you know where the macro things are moving and then like what insights you're you're leveraging or you just figure out a way to hack the process and get something to market within a window where that thing is still hyper relevant so within five days so within five days so if you can get something out within five days that brings your brand into a moment i don't mean like the lame stuff of like oh there's a trend happening on tiktok let's have our brand jump on that trend and then capture our 15 seconds of like you know fame and get the likes and share I don't care about that.
1:12:24But like thinking about what, you know, TikTok did when I was there or thinking about what Liquid Death is able to do or like Ryan Reynolds and his crew with like maximum effort and how they move sort of at that speed. They call it fast advertising. I called it marketing at the speed of culture. ultimately I think they're all tapping to this idea that if you don't have a team that's nimble enough to develop content that's capitalizing on a thing that's happening in the moment you're not going to be relevant by the time you develop an actual campaign that comes to market so I tend to take more um put more emphasis and weight on moving quickly than having it be perfect because I think no one cares about perfect these days if anything imperfect actually sells
1:13:13The Gstaad Guy:as well. Yeah, it does. And I still find, you know, Super Bowl ads fascinating because it's such a big moment to like get a lot of attention. But like instead of taking three months or in some cases six months to develop a Super Bowl ad, you should be able to put together a Super Bowl ad within two weeks so that by the time it hits, you know, air on February 8th or whatever day the Super Bowl is this year, people will be like, I cannot believe they were able to pull that off because that thing that they're talking about was relevant this past week and now it's in the Super Bowl. That's the speed that I think people need to have in order to win.
1:13:50And knowing that you have to traffic that Super Bowl spot a week before, you could give it a little bit of leeway. So you should be within two weeks of when something in culture breaks and have it on air for the Super Bowl. Not like six months out where you're like, oh, that looked so pre-planned that it just feels like it's no longer relatable at all.
1:14:08The Gstaad Guy:And at scale, I assume it's easier to move quickly than it is to predict where culture is moving 100 yeah very few people can predict things that far in advance um i've seen a couple people that can do it fairly well but yeah it's much easier to move quickly and engineer that process than to be on top of culture time and time and time again what are the levers to you other than pace and cultural relevance when trying to put together a great campaign that's culturally relevant? So I believe we have three distinct competitive advantages as a company. One is my tolerance for risk is very high. So my team knows that they need to push the edge.
1:14:51Like we will work with certain folks and they never fully understand until they start working with me for a few months where my tolerance is. so they always share ideas initially that are very safe and then i push really hard to get them out of that safe zone and they still come back with something that's just a little bit like slightly left of safe and i'm like no no no like you need to be here like way out in this area where i feel uncomfortable and i want to like pull you back in a little bit so it takes you know a certain creative to like understand my appetite for for risk and how to be on culture so that's one one advantage because most cmos slash presidents won't won't look that way secondly the speed and the pace that's another one that i mentioned so i won't get too deep into that but that's a competitive advantage when everyone's moving slowly if you move fast you'll win and then the third one is the network that we have especially now with main street advisors and then um diageo and then my personal network, that is a competitive advantage.
1:15:59Like we are literally a text or a phone call away from some of the world's most influential people, including yourself. And we are able to talk to the world's most creative folks as well, including yourself. And the fact that we have that access has to be an advantage. So if we're not talking to you, if we're not reaching out to our network, if we're not connecting to the brands that we think are moving culture, whether it's like Liquid Death or whoever else there is, then we're doing ourselves a disservice. So the fact that like we can have a phone call with the CEOs of these companies or the founders of these companies or the creators themselves, that's a huge advantage.
1:16:33So those are the three things that I look at in every campaign we do. How do we make it quickly? How do we bring in our network to really enhance it and blow it out of the water? And how do we push the creative so that the risk and the like edge is like almost palpable and it's like attention where people are like, oh my gosh, that's fun and exciting work. So those are the three things that I would put into all of our campaigns and try to make sure that we instill in our philosophy as a company.
1:17:00The Gstaad Guy:And thank you for those very kind phrases. Of course. Very kind of you. I love it. On this podcast, we always play a game of à la poubelle versus fantastique. Okay. À la poubelle in French is to the trash, as you know. Of course. And fantastique is things we love and celebrate. Absolutely. Are there a list of things in both categories in your world, maybe in culture in your industry that you would want to change and throw à la poubelle and some habits or things you'd want to celebrate and call out as fantastique. Do we start with à la poubelle all across the board? I don't know if KPIs and the way that people use them are driving the right amount of impact.
1:17:51and I feel like not all KPIs obviously, but a lot of the ones that people chase are Alapubel. Fine. I think that the role of the CMO moving forward is Alapubel. Why is that? I find that like of all the executive offices, let's call them, the CFO's role has not changed in the last 10 years. And the CFO is the CFO. Yep. The COO, for the most part, unless you're in a very innovative industry, it's the same role. So also the same. The amount of change that CMOs have had to take on over the last five years, forget the last 10, the last five years, it goes beyond marketing in their role that I almost feel that like having them called just a chief marketing officer where the traditional idea is like, okay, so you make campaigns.
1:18:49and you do Super Bowl ads and you host events. It's not that anymore. And we've been putting a lot of pressure on CMOs to evolve and oversee growth and customer service and insights and, you know, all these other aspects of the company that I almost feel like just positioning the CMO as the cost center that uses money to make a bunch of creative ads to win awards is sort of like Alipubel. Like that's not really what it is anymore.
1:19:18The Gstaad Guy:I do want to go back to the Al-Pubal game, but I want to talk about this now that we're here. Okay. Your priority on cultural understanding and alignment, I think, is one that businesses definitely share in theory. Every business wants that in theory, right? I think in practice, the way I've seen that work successfully for some businesses is when they have quite young and nimble marketing teams with people that are quite culturally aware and culturally involved conversationally. And usually younger people are more in tune with that, particularly freelancers a lot of the time. So I'd love to know how you feel about, one, how age impacts awareness of culture, but two, how full-time versus freelance leads to better or worse outcomes for you as an operator.
1:20:16I don't know if age is as much of a factor as it was previously. I find internet awareness slash like cultural curiosity is probably a bigger job. So like if someone is whatever age they are, but they're obsessively on the internet and they're coming through all the different moments in culture and they're in all the platforms, they would be just as knowledgeable as someone that's much younger so i don't need someone who's telling me about six seven or like whatever else there is that's like trending i'd rather have someone that knows like what the insight is that's driving this like cultural meme and like where it originates and how to like capitalize on that so age is less a factor more just like cultural curiosity and internet awareness as a whole probably a bigger factor love it um the other one that you said was freelance versus full-time that's nuanced because i don't think we can categorize people into their i don't even know what you call that like their work capacity because the assumption is that freelancers are picking up a bunch of different projects and they have exposure to more things so they have different perspectives and that someone full-time is stuck in their own like one world and they're only focused on that one thing yeah i think with those there's pros and cons in either way so having the stability and ability to focus on one brand gives some edge to the full-time person but then having the experience across multiple areas it's almost like do you want someone that's superficially knowledgeable at a lot of things or someone that can go deep on a few things you can't say one or the other you'd in some cases, this person's better suited.
1:22:08In some cases, this person's better suited. That to me is more like the full-time versus freelance because freelancers are likely to be really deep on their skill, but then really surface level on the experience they've had across different companies and the companies in the industries that they're in. Whereas the person that's full-time will go deep on the industry and deep on their role.
1:22:27The Gstaad Guy:Do you work with both on projects? We work with both. Yeah, yeah, I have no issue. I actually try to supplement our team with freelancers because I find there's moments in the, you know, seasonal cycle where you might want to ramp up and you bring some people on, but then you ramp down and then they don't need to be there and they can work on other things. So I'd rather have like some full-time folks and then a stable of freelancers that we can trust and that they know my appetite for risk tolerance and they know what kind of creative I like. And we can, you know, leverage them for a few things that are important during the moments that matter rather than like, you know, only looking at one or the other but love it and aligned we can go back to alapubal sorry i was very curious no no i love it uh what else is alapubal um i think our traditional org structures alapubal yeah i i stripped my team it's very lean and it's very flat it's basically leadership which is most of the team and then just me and i don't want to have too many people stacked on top because I don't find managers who only manage and delegate work adding as much value.
1:23:35So I'd rather just eliminate those layers and let people run. And if they need help, I'm there. If they need specific answers to questions, I'm there. If they need guidance or the vision or the strategy or what we're building or some creative input, I'm there. but I want like a team of just you know people who can just run and do their own their own thing so I don't have huge structures whereas like when I was at TikTok and Samsung and Disney it was all built around these like empires and the structures were massive and you were almost given you know more um you know uh respect if you had this gigantic team so everyone was trying to build up their teams to be these like massive organizations I don't think that's efficient I don't think that matters.
1:24:22So I think that's all à la poubelle. As far as like fantastique, is this in marketing or what's the category?
1:24:33The Gstaad Guy:Whatever floats your boat. I don't think there's enough emphasis on internal culture. Places that truly build amazing internal culture, which is really hard to build and then also harder to maintain. that's something that I think more leaders should be very focused on because I've seen companies crumble because the culture wasn't there even though the product might be great even though everything else might be great but if the culture's not there it ends up becoming an issue so I think more emphasis on internal culture would be fantastic oh I think being on LinkedIn fantastic yeah yeah so i picked up a consultant to help teach my team how they could be better like all my direct reports how they can kill it on linkedin and it sounds counterintuitive because you'd be like well aren't they just using linkedin to find other jobs i don't think so i think people inherently want to showcase what they're proud of and a lot of the times they're proud of their work And I personally believe that thought leadership will only benefit the company.
1:25:45And if you give your direct reports or your leadership team the tools to be amazing at platforms like LinkedIn, it also gives your company another opportunity to tell its story in different areas. And especially with like my team where you have someone that's running strategy, someone's running design, someone's running partnerships and events, someone's like running finance. All of these folks should develop their own thought leadership and be able to speak on podcasts and speak in public, on stage, and represent our company in the best way possible. And if they don't have that opportunity, then that's on me as a leader to not provide that.
1:26:27And so I genuinely feel that LinkedIn is a platform that is underutilized because people just see it as a tool to look for jobs and only be active on it in the periods where you're looking and not consistently putting out content that matters to people. So I think LinkedIn and enabling your team to feel empowered to go out and do that and showcase what they're working on is fantastic. Love it. Um, I will say the last thing that I would say is fantastic is just, um, if you have a big problem that you want to solve, I actually think the smaller the team, the more likely you'll be able to solve it and crack it.
1:27:13The bigger the team, the less likely. So when I come in and I'm asked to help reshape a brand or build a brand or do those things when they're typically in a crisis, the first thing I think about is what is the smallest team required to get this done? Because that will probably be the group that will be most likely to succeed in having a huge organization. So I think Fantastique would be pairing your team down to the most basic and simple of components and ensuring that you have the resources, but making sure that you don't have a bunch of, you know, politics or infighting or a bunch of perspectives that ultimately dilute the whole, you know, creative idea.
1:28:00Just have a very small lean team to attack a very big problem.
1:28:04The Gstaad Guy:as you're saying that I'm thinking about problems I've had to solve in different categories and I think that's very very sound and very aligned with the moments we're able to solve problems well and quickly you don't want to solve a problem well and slowly and you don't want to solve a problem badly and quickly the name of the game is well and quick it's awesome well Nick I really really enjoyed this conversation this was fun, thank you so much this was really fun, really insightful and I feel like I could talk to you for another three hours. I have so many more questions. Same. Thank you so much for taking the time today.
1:28:41The Gstaad Guy:Yeah, of course, of course. Thank you. Thank you. I wish you the best of luck on Sirach, Lobos and everything else you're doing. Amazing. Thank you so much. Thank you, Nick. Thank you. Thank you for listening to this episode of the Shtad Guy podcast. If you're keen to learn more, please follow along by engaging with our social channels on Instagram, TikTok, Spotify, YouTube and Apple Podcasts. And we look forward to seeing you next week. Merci beaucoup. À la prochaine. And a big hug from the Start Guy.
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From the publisher
The Gstaad Guy sits down with Nick Tran, president of First Round & former CMO of TikTok, and one of the most inventive minds in modern marketing, to explore what it really means to stay true to yourself in a world shaped by algorithms, speed, and constant reinvention. With a career built at the intersection of culture, creativity, and technology, Nick reflects on navigating chaos, solving problems through imagination, and building brand affinity in an era where attention is the most valuable currency.
The conversation dives into how social media rewired culture, the rise of AI as a tool that empowers both creators and consumers, and why authenticity, not perfection, wins in the digital arena. Nick shares lessons from the inside of one of the world’s most influential platforms, offering rare insight into storytelling, community, and the evolving relationship between people and technology. A thoughtful look at the future of content, identity, and creativity in a world where anyone can make anything.
Filmed at Casa Cipriani New York’s Premier River View Suite.
Chapters:
(00:00) Intro ✨
(01:17) Social media & TikTok 📱🎵
(02:32) AI social media 🤖📲
(03:18) The most successful lies 🎭⚠️
(06:31) AI servicing creators & consumers 🤖🎨👥
(09:48) Oversupply of AI-generated content 📚🤖🌊
(12:08) Producing campaigns 🎥📈
(12:57) Organic socials 🌱📱
(15:36) Community building 🧑🤝🧑🌐
(18:14) Becoming a CMO 🎓💼
(22:05) Having a calm demeanour 😌🌿
(24:14) Problem solving 🧩💡
(28:45) Brand affinity ❤️🏷️
(32:57) Content strategy 🗂️🎯
(37:08) Whoop ⌚⚡
(41:33) Solving chaos 🔥➡️🧠
(44:03) Building a team 🧱👥
(45:55) Working in lean environments 🪶💼
(54:49) Saily ⛵📱
(56:46 )University 🎓📘
(1:01:36) Screen time 📱⏱️
(1:04:19) Knowledge access vs. acquisition 🔍📚⚖️
(1:08:16) Process matters ⚙️🧠
(1:09:33) “Marketing at the speed of culture” ⚡🎨🌍
(1:15:32) À La Poubelle vs. Fantastique 🗑️✨
(1:18:44) Internet awareness & cultural curiosity 🌐👁️💭
(1:19:41) Freelance vs. full-time 🧑💻↔️🏢
(1:25:30) Small teams 👥✨
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