In short
The Louis Theroux Podcast: Episode Summary
Episode Title
S2 EP3: PinkPantheress Discusses Stage Fright, Being ‘Outed’ by the Tabloids, and Her Icks
Guest
PinkPantheress
- A 22-year-old pop sensation known for her distinctive singing style and viral hit songs.
- Gained fame during the COVID-19 pandemic by creating snippets of songs tailored for platforms like TikTok.
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Key Themes and Discussions
- Anxiety and Social Media
- PinkPantheress on Social Media:
- Describes social media as a necessary but anxiety-inducing aspect of her career.
- Admits to having a "bad anxiety" surrounding posting, often needing help to manage her online presence.
- Reflects on the pressure of needing to maintain visibility while struggling with the act of posting.
- Navigating Fame
- Rapid Rise to Fame:
- Her meteoric ascent from virtual platforms to mainstream recognition discussed.
- Acknowledges a desire to be recognized through her music rather than her public persona.
- Outed by the Media:
- Discusses being 'outed' by tabloids, particularly the Daily Mail, which presented misleading narratives about her background.
- Expresses discomfort with the lack of accuracy and the stereotypes enforced by the media.
- Creative Expression and Performance
- Performance Anxiety:
- Shares insights about her stage fright and the struggle of transitioning from a bedroom artist to performing in front of large audiences.
- Discusses the fear of public perception and the challenge of maintaining authenticity on stage.
- Evolving as an Artist:
- Talks about the pressure to improve live performances and the journey in finding her identity as a performer.
- Reflects on her creative process and the balance between writing and performing music.
- The Concept of 'Icks'
- Defining 'Icks':
- PinkPantheress introduces the term 'icks,' referring to specific things that can turn her off someone without being outright deal-breakers (e.g., holding a tray of food awkwardly).
- The playful discussion on 'icks' provides a light-hearted contrast to the more serious themes of anxiety and fame.
- Cultural Identity and Personal Background
- Background and Heritage:
- Touches on her biracial identity and how it affects her music and public perception.
- Discusses her Kenyan heritage and the importance of her family in shaping her identity.
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Personal Insights and Reflections
- Connection with Louis Theroux:
- PinkPantheress's emotional responses during the conversation illustrate the weight of public scrutiny and the shared experience of feeling like an outsider.
- Struggle for Authenticity:
- Both she and Louis reflect on how labels can define and confine them, leading to a deeper conversation about self-identity in the public eye.
- Understanding the Audience:
- The episode emphasizes the importance of connecting with an audience while also maintaining personal authenticity.
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Episode Credits
- Producer: Millie Chu
- Assistant Producer: Maan Al-Yasiri
- Production Manager: Francesca Bassett
- Music: Miguel D’Oliveira
- Executive Producer: Arron Fellows
- Production Company: Mindhouse for Spotify
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Links to PinkPantheress's Music
- [Pain](https://open.spotify.com/track/4S4QJfBGGrC8jRIjJHf1Ka)
- [Just for Me](https://open.spotify.com/track/6OTKVgVpVaVjhRLYizPJKA)
- [Break It Off](https://open.spotify.com/track/0DwVfCYLrVXgvejYbWwZAd?si=cc359d5303314474)
- [Central Cee - Obsessed With You](https://open.spotify.com/track/4PYfFHKfjYz6dwAtZhBy1z)
- [Boy’s a Liar Pt. 2](https://open.spotify.com/track/5CCr8msaN3MhgqBoa9yWhH?si=6bf92ae43ada45f8)
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This episode offers an intimate look at PinkPantheress's journey, highlighting the challenges and joys of navigating fame, mental health, and artistic expression.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:02Hello, Louis Theroux here. Welcome to my Spotify podcast called The Adam Buxton Podcast.
0:30who goes by Pink Pantheress, who has another name, the one she was given at birth, which I'm not going to reveal, because that's part of her mystique. She is 22 years old, not just a singer as such, but also a viral hit maker. And if you're at all online, even if you don't know who she is, you've probably heard her songs. And I hope that becomes clearer in the conversation because her singing style is very distinctive. copyright issues prevent me from singing part of her song now. Poise-a-lia. Can I say that? That's fine. Poise-a-lia. That was too much. Anyway, she shot to fame in less than a year, around the time of COVID and lockdown, writing these tiny little songs, these fragments that seemed almost perfectly designed for TikTok in the short attention span.
1:22in addition though there's anxiety-based lyrics there's a depth to the emotional vibe of the songs and so she's very much tapped into the generational mood with her lyrics and voice and samples some statistics as of 20th of october 2023 on spotify alone 2.3 billion streams that's 55 million streams per track sometimes i think when you give spotify or streaming data. It just sounds like billions and billions, billions and billions. Anyway, it's a lot. By any metric, you know, they are extraordinarily big numbers. Numbles, which is a tech term that we use in the tech industry. A numble, it's a lot like a number, but it's not exactly the same.
2:09I haven't looked at my numbers. I'm afraid to. She's previously been very private, which is part of what makes this interview pretty special. It was recorded in person in London in the Spotify HQ. She arrived with her signature handbag under her arm and the first few minutes you can feel the atmosphere is a little bit awkward. There was a faintly tense, tenses maybe overstayed, but definitely there wasn't much eye contact. And I was thinking, this might be a difficult interview, which I love. And then it all kind of just got going and and felt like a terrific kind of free-flowing conversation.
2:50But maybe I'm spoiling the journey if I tell you too much. Warnings, strong language, adult themes, and a high-pitched chipmunk-like voice. That's mine, not Pink's. All that and much, much more coming up.
3:25Hello. Nice to meet you. How do you do? Nice to meet you. How's it going? Real good, thanks. Take a seat. Oh, OK. OK. Sorry about the delay. Arnold Schwarzenegger was in here. Yeah, I heard. On another podcast. Yep. Thought it was this one. Wasn't mine. Next time. Another time. How are you doing? Good, thank you. How are you? I'm fine. Is your name Lewis? Some people say Lewis. I go by Louis. Louis, yeah, okay. The French spelling. Yes. And the French pronunciation. Okay. I appreciate you coming by. I think you've been quite busy, haven't you? Well, I've just announced my album, so I'm just doing stuff for that, yeah.
4:05You've just announced your album. Do you want to come in, guys? Louis, can you just talk closer to the mic? Closer to the mic. Guys, you should just, you know what, if you want to say anything, pop in, because I'm not going to look at my phone and the WhatsApps, I don't think. They're like, oh, if you need anything, we'll pop it on a WhatsApp. Yeah, no. It's just, I want to stay stuck. Do IRL. I want to just stay in the room. Yeah, I get that. I think you're a bit like me. You don't like to be over-attached to the phone. No, not really. No, I just do my bag. You try and stay in real life. In real life, yes, I do.
4:36What's your attitude to social media generally? It's a necessity for me, but if I had it my way, I wouldn't be on it. At all? No, I would be on it like maybe, I'm only on it as much as I really want to. Sometimes for this period, because of the album, I've had to go on it a bit more. Yeah. And it does scare me. Like, I'm not going to lie. Like, I can't, I have to get someone else to post my stuff. Why? I just have bad anxiety surrounding posting stuff. Because of what you might come back? No, just because I just don't know what it, I genuinely don't know. I just have an issue pressing the button that says post.
5:13Really? Which is ironic in a way because you blew up on TikTok. Yes. And that's practically... All about posting. Yeah. See, that for me was like, you're going to laugh, but that was survival instincts. That was like, I need to make a career out of music. So I did what I had to do. I still do it. I just have to get someone else to post the video these days. That's the difference. Do you get anxiety generally? Surrounding very specific and niche things. Do you? Um, yes. Okay. You just turned the tables on me. I wasn't expecting that. Oh, no, I just wondered this because I just, um, I feel like when you ask people that question, they always say yes.
5:56But when I ask them about what, they kind of don't know what to say. I'm not going to ask you about what. Feel free. Okay, about what then? Just probably the most typical things, which is sometimes social engagements. Like, I have that thing of like, if you're going to a party, you're invited to a party and before going, You know you're going to go, but a little part of you is thinking, I really don't want to go. Because you don't know how the night's going to go. I don't know if it's even that rational. I think it's just some sense of being required to summon some sort of resources, whether it's conversation, self-presentation, and then you go and it usually goes fine.
6:34But I sometimes drink my way through it. But do people expect you to be a good talker because of your job? I would say they probably do, yeah. yeah people expect me to be and do you think you are a good talker i think i can be but i think that people are either happily surprised or they're a bit like oh she's a bit weird do you think so what makes you think i don't know but because i'll talk to someone and i'll think i sound very normal and everything and then people will tell me afterwards that i seemed uncomfortable or awkward but i don't really recognize at the time you don't feel awkward i don't really because i'm not because this is just how i when it comes to new people this is just how i talk or act but some people just think i'm uncomfortable but i actually don't know but this is how it's been from since school time so so we started by saying i was saying talk well actually before that was gonna say you're how busy are you you said you got your album uh heaven knows yes about to drop yep which is technically your first album but actually you released a mixtape called to hell with it in which was sort of like an album I mean I don't know why they didn't call it an album well I chose to call it a mixtape because an album was actually quite a full name right yeah well I just thought to myself it was an 18 minute long mixtape yeah with 10 tracks 10 tracks so I just thought no there's no way this can be an album it's so short which is fair enough how long is the album?
8:00I actually don't know I think it's about half an hour yeah I think it's half an hour actually I was going to say that too I think it's half an hour And you're going on tour in February Yeah And you're coming off three years of meteoric ascent Yeah Right, would you agree with that? I don't know about meteoric How would you call it? Well, I don't know I think when I see someone have a meteoric ascent It's way more obvious that it's a meteoric ascent I think mine has been another sort of ascent Maybe like a very good hiker ascent Right. Not meteoric. I wanted it to be at this pace. Maybe like a rambler climbing a Munro in Scotland.
8:44Yes. And steadily hiking up the terrain. And I think that's maybe a more apt metaphor because it describes the effort involved, which I'm sure has been considerable. That being said, though, it's been a steady and sort of positive, I don't want to say relentless, it sounds a bit weird, but it's been a steady, forward-focused ascent. and it started in 2021. Well, late 2020, wasn't it? Isn't that when the one that's like, the Michael Jackson sample one came out? You're good researchers, yeah, I was. Researchers? What are you talking about? I researched that, I think. You think I didn't do any research?
9:22No, I think you're equally as busy as I am, so I don't know. But either way, if it was you or your team, I'm really amazed that you know that. It was, it was on Christmas Day. Christmas Day, that's what my researcher told me. Great. I did, I've done research as well. Come clean. But it was never actually released because the Michael Jackson estate didn't clear the sample. And that's where I can't mention any more. Wow, that got tense fast. That's where I can't mention any more. And I'm glad you said that, not me. I can't mention them. It's fine. We can just ramble on. I love a pregnant pause. Yes.
10:04But then you had two tracks that went mega viral Yes Pain and Break It Off Break It Off That's not the one I was thinking of What's the stalker-ish one? Just for me Just for me Was Break It Off more viral then? I actually I'm going to have to make a stab and guess That Just For Me Went more viral But it is not as revered as Break It Off Right Yes that's my guess I don't know anything about numbers and I don't like being told so if you know anything then don't tell me about your numbers no don't tell me don't tell me don't tell me I'm not going to tell you but I know everything about your numbers yeah but I can't no but no don't because that is where I've realised every person that I know as soon as they find out every bit of metadata about anything they have that's when it becomes obsessive you are concerned that you would become obsessive about the numbers well yeah I think just anyone okay so it's like it's like knowing how much is in your bank account and then being nervous about spending it's like you know what I mean it's like I remember when I first started off as a musician I was obsessed with everything I was like every bit of metadata I could know I needed to know and then I got obsessive over it and so I'm just because I know my habits I just know that if I know now it'll be the same thing what do you mean by metadata so like stuff like how many followers do I have or how many people are looking at my posts so that's what really freaks me out how many people are able to look at my posts like which platform any platform and so for example if a video of me goes viral in any sort of way I freak out because I'm like oh and I need to know what everyone's saying and stuff because I'm just obsessed over it so I just that's why I stay off of online really yes that's the sound of sorry pink's nails yeah in case you're wondering it is a strange thing that in this day and age you can have a metric of success in inverted commas that's scientific and calibrated down to the absolute tiniest figure right yeah and actually what do you do with that because you didn't create the music thinking well maybe you did but you want some sort of success but you didn't create it knowing that information you know and you created it out of an instinct for what would connect with people right Yeah, well, I mean, obviously I'm only making music because I actually just enjoy making it.
12:29And I think it's because I enjoy making it. And it's also because I actually just enjoy experimenting and seeing what people will like. Just like I like making music that I feel like people have to think about. Like the Stalker-ish song, it's like I wrote it, but I was like, will people catch on to what I'm actually singing about? Or will the song go viral and people think that the song's like a cute song and actually it's not, you know? Yeah, that's the one that was sampled by Central Sea. Yes, exactly. So this thing about making people think, there was a quote that I liked, which was from an article in the New York Times, where they said, the key juxtaposition in her music is how the lightly detached sweetness in her tone masks the sweaty anxiety of her words.
13:14Sweaty? Oh, sweaty. Yeah, sure. Does that resonate with you? Anxiety in my words. Well, funnily enough, we started by talking about anxiety. Okay, sure. And there's darkness in the lyrics. The lyrics are often about anxiety to do with, is someone going to call? Do I look good enough for you? Are you thinking about me? It's all in a monologue, but sung in quite a sing-song girly voice. I'm sure lots of adjectives have been used to describe your very distinctive vocal timbre. Is there an adjective you prefer? Chipmunk version? I mean, I don't know. I think it depends. And sometimes when I listen to it, actually, and I'm not trying to be self-deprecating.
13:55I don't want that to become my brand because I am so confident in many ways. But sometimes when I listen to it, there's quite an annoying twang to it now because it is so high. And because my hearing isn't as good as it used to be, I feel like now it hits certain frequencies, which I don't really like anymore. But I still love my voice. I think it's nice and unique. Angelic and slinky. Maybe. Did you come up with that? That was when it came top of the Sound of 2022 BBC poll. It described your voice as... Angelica and Slinky. Angelica and Slinky, yeah. Who wouldn't want to be told that? It's nice.
14:30You mentioned your hearing going? Yes. You've lost 80 % of the hearing in one of your ears, in your right ear. How come? Because of the microphone. Going too near to a speaker. Really? And it causes a horrible, like... The feedback. Feedback, yeah. And it was so loud it literally... it so no damage your hearing decreased yeah so at first it was just a really annoying ringing and i thought it was going to be fine but it happened on the day and ever since that day even on the day it happened i was trying to find i i got like some weird ear drops and i thought that was going to help i thought it was going to be fine in the coming weeks i just kept going down to the point now where it's weird because i can't hear a lot of like high stuff i can't really but But I can make out people.
15:16It just sounds like bass. It sounds like if somebody took your voice and removed all the high end and it was just bass. Just in that ear. Bassy, yeah. But your left ear is normal. Oh, yeah. Wow, that's quite a lot to deal with. No, it's not. Really? It's fine. I can see how it has to work bass. So I think you're going to say no to this, but I'm going to say it anyway. There's some people who have a broad cross-section of listenership, young and old and in between, but I imagine there might be a few of the older ones who either don't know your music or know it but don't know that they know it. Yes.
15:52So can you sing a little bit of one of your songs? We can. No, you don't know? Do you know how they go? Of course. We could sing one of the newer ones. I'm glad you said that. Well, only if you know something. thing i can always teach you to i don't like putting people on the spot and i just know i've done that asking you to join me you wouldn't come to be comfortable singing on your own i think people would rather hear from you yeah but i would actually rather i actually have never heard you sing do you sing is there an effect on your voice on your recordings yes there is but i can sing you can reproduce it i can sing it like pretty to the to the oh god take a look inside your heart is there any room for me?
16:34Are we doing a duet? Then it's over to you. Oh my god. I won't have to hold my breath till you get down on one. Knee, knee. Because you only want to hold me when I'm looking good enough. Did you ever film me? Would you ever picture us? Every time I pull my hair, well it's only out of fear that you'll find me ugly and one They'll disappear because What's the point of crying? It was never even love Oh jeez Did you ever, did you ever want me I'm better in falsetto Did you ever want me Was I ever good enough The boys are You've got to do that bit Liar You've got to say Leah You know I'm saying liar I know but don't you Liar I sing it as You don't sing it as Leah The boys are Leah You should do the rap.
17:28Can you do the rap, please? Doesn't see ya. Is it on there? I only know I haven't learned the rap. I like how she goes, she does a funny thing. Da-da-da. Da-da-da. Do you know what that means? Uh, da-da-da. You know what someone's da-da-da is? Can you do the rap? Um, he say that I'm good enough, grabbing my da-da-da, thinking about things that I shouldn't have. That's a great rhyme, da-da-da and shouldn't have. But you don't know what a da-da-da is? Um, it's either her bum or her front bum. Yeah, okay. what is it i'll leave that to you come on no it's it's it's her it's her derriere yes as you would say in french derriere yes do you speak french i'm doing it on duolingo let's stay focused um i think if i wanted to zoom out for a second because we started by talking about tiktok and a little bit about anxiety so what happened was you started out posting stuff on soundcloud then on TikTok you then translated that into kind of global chart success and you're in the midst of I suppose a kind of a transitionary period where you're sort of coming out of the bedroom figuratively and kind of taking the main stage yes yeah I guess as every artist has to do yeah but in your case it's a little different because a lot of artists would come up through either talent shows or you know x factor or doing local you know doing the mickey mouse club on disney or you know like this but basically forms of supplying their trade in a way that involves getting up in front of the public a lot in the real world setting yes which you haven't done quite so much no not really so i guess the question is how are you finding that transition so I've been performing since 2021 when I had my first live shows but yeah it's true and I think there's a large conversation at the moment especially around artists going from the bedroom and to the stage and some artists not being ready and some artists not being developed enough and I definitely understand the argument especially as someone who in the UK we are so known for stuff like the Brit School and you know having artists rise up through performing in pubs and you know we have Adele, we have Amy Winehouse, we have everyone, George Smith, we've got these great singers and it's very talent-based over here I feel like over in America there's more likelihood of like virality because of just how big the place is and so basically when it comes to someone like me I felt a lot of pressure being from here and realizing okay cool my talent isn't necessarily in singing or performing i'm not like quote-unquote the strongest thing i don't have these powerhouse vocals at all as a performer i've never been drawn to like the spotlight i'm not really too interested on going on stage you actually made like an ick face when you said performer well yeah because i just feel like even watching clips sometimes myself i'm like oh god you know i feel like i'm getting better and i i do want to get better because i i do get inspired a lot about seeing other performers and thinking god they look amazing i don't want to dance but I definitely want to be able to go up and show people a good time.
20:37For me as an artist, I feel like I've had to deal with people knowing I'm not good at performing. I've had to deal with people telling me how I could do better, taking those comments and learning from them. If you suddenly started having the job that you love, my favourite part of my job is writing and pushing music and experimenting with music. That's my favourite part. My favourite part isn't performing. And somebody's telling you, OK, you can't only like your favourite sector, which is writing. You also have to do stuff you hate, which is being in front of cameras, being recorded, telling people information about yourself and performing.
21:10I can't pick and choose. I mean, I can pick and choose. I could have said, oh, I'm not doing live performances ever. But then I wouldn't have grown this big. I've had to do stuff which I didn't want to do. And I've had to basically just take it in my stride. I didn't want to be photographed ever. Really? No, I wanted to be anonymous for my whole crew. But then I realised I could only get so big if I do that. So, yeah, I broke three from those shackles and I'm better for it, but, you know, scary. Well, you started out, as you say, anonymous. And in fact, for a while, there was this mystique around who you were and you didn't reveal your real name.
21:44No. And you didn't do interviews. I think what was the sort of the level of revelation as it went on? First of all, you released a picture of yourself, did you? Oh, yeah, a selfie. Because prior to that, people weren't sure what race you were. That's funny. No, they didn't. they thought I was they thought I was white I think people thought you were white and so was that weird or not of course it was because my first song the song we the one we can't speak about because it's based on an unauthorized Michael Jackson sample I say the n-word I say on the song I say the n-word so people were dming me thinking I was white and they were going oh my god you are disgusting you said the n-word how dare you you know you're not black and I was like wait but because it was I was like half like do I tell them do I have to prove that I am but then I was just like I am black and then once people found out what I look like they were like oh my god that's crazy I think people are still shocked to this day I think people are still when they find out they're like oh my god but that's what I mean Louis about the whole powerhouse folk I feel like people just aren't used to have hearing a black person sound or have voice like mine or yeah so people thought you were white then you released a picture then And gradually, well, in fact, you were outed in a way, weren't you?
22:59By the Daily Mail. Yeah, on Sunday, if you want to be exact. Yeah, but who reads that, you know? But honestly... Only millions of people. I don't know anything about newspaper politics or what newspaper is more left. I had no idea what that... So I used to read the Daily Mail because my mum used to read the Daily Mail. It's a right-wing paper. Yeah, well, yeah, I know that now. But as a 16-year-old, I thought it was just where I got my information. And it was only until I read the comments back in the day where I realised oh blimey like these people are they're psychos flipping heck yeah flipping hell flipping hell yeah yeah and then I read the comments because that's a self-selecting like you've got to be you don't I don't think you have to be right wing and racist to read the mail on Sunday no but if you're so involved that you're going to write comments yeah well writing comments you're in the inner circle yeah you're you're you're full on Gucci gang there's there's no saving you once you are starting to type in the comment section that's what i that's what i realized and so i realized the people in this these comments and then basically cool yes i got outed and then i was like okay well what could they have said and it was because i think you'd won the bbc sound of music 2022 yes so yeah that's why it was on there and i reached that level of fame and accomplishment where a mainstream tabloid took notice and said let's unmask um they unmask everyone they did an article unmasking banksy i believe i actually was they would unmask father christmas himself if they thought it would sell papers and the comments would still be about his weight or something like that foreigner coming over here dropping his presence down the chimney yeah leaving his trash around what's his agenda what's his agenda go back to lapland yeah you know so yeah i remember actually like having a call with the journalist.
24:51Right. And I think... But they called you up. How did they get your number? No, they put their number in the email because they sent it to... They sent an email to my dad asking for a photo of me and my dad was like... And I crone the woman, the journalist, and I was just like... I was just like, why? And the thing around my name isn't anything... I've always said this. It's not because I'm like, oh, I don't want people. It's just because I genuinely feel that the name is so precious to each individual. Do you know what I mean? Do you still prefer your name not being put out there? Well, yes, but it's because your name is so, for me anyway, it's such an important part of who you are.
25:26But yeah, so I didn't want my name to be put out there. And it was weird because even though they knew nothing about me, everyone was being mean to me in the comments accent. Were they? What were they saying? They just said I was no, actually one of them did say I was no Amy Winehouse because they posted my song and they were like, oh, she's not quite Amy. They were just saying my voice was annoying and high and that they didn't get the music and they thought I was crap. and they said that, I think one of them even said, I looked bad, like, over my face. And I think some of my fan pages came to my defence and they started calling everyone losers, you're idiots, you're mean.
25:57But the article itself, this is when I realised, this is when I realised about the right-wing agenda. They mentioned my race almost instantly. And on top of that, they also mentioned... In the article? Yes. And they also mentioned something about the price of my house in Canterbury, where I'm from. which was wrong but it was just so bizarre I just was like £500 ,000 they said No but that's not even true They said£500 ,000 townhouse in Canterbury Townhouse! You should see it I did think £500 ,000 I did reading it I was like £500 ,000 in Canterbury That probably buys a lot Yeah no No chance No chance So that annoyed me because I was like the information is just factually wrong I wrote down the headline because the headline was funny It was like unmasked and I was like I'm based off of the internet like I Unmasked!
26:48Exclamation mark New 20 year old TikTok pop sensation called Pink Pantheress is the quote posh daughter of a statistics professor and a civil servant Factually wrong but either way my point was like well what I don't understand what they were trying to like prove that posh Went to selective and high achieving Barren Court Grammar School But what what does that like 500 ,000 pound townhouse in Canterbury. But you know, it tells you a lot about the mail on Sunday, which is that they are obsessed with people being privately educated, posh, having expensive houses. I guess my question is, you know, given that you'd spent the previous year avoiding excessive exposure and deliberately maintaining a level of mystique, how did that feel, the sort of the being quote unquote unmasked?
27:37Unmasked. Well, listen, I didn't care because at the end of the day, I see culture in two different forms. I believe there is household name fame and there is internet fame. And the reason why I laughed at that was because I believe I hail from the internet. And therefore, I don't expect people who read that tabloid or really people that are walking outside down the street. Those are the same people that will listen to rap of today and think that it's not an art form because they're just mumbling into like these are the same people that don't view like rap as a real genre of music you know and this is another thing about hailing from the internet and why I believe you know Gen Z are like I just think we're open to more things that we haven't seen before people haven't heard a girl with a chipmunk voice sing about anxiety so that's what I provide and I feel like people over here don't really want to see it that's why they comment stuff and that's why there's articles and I can't stress enough with false facts which are emphasizing things like the fact that I'm biracial or emphasizing the fact that I have any type of identity which isn't straight British it's yeah that's my thing that's all I'm gonna say there's two forms of culture internet-based non-internet-based I hail from this side so there's no point for people that aren't internet-based getting involved that's how I actually feel that was very well expressed what do you mean when you say you hail from the internet i hail from internet i hail from the internet i hail from the internet you're just saying it well you said it earlier no i am well you said it earlier you said you know i haven't done these um pub appearances these live shows i haven't done these talent shows i haven't been on national television to discover me you technically unless you're hearing word of mouth have had to be online and that's kind of still true no not as much actually because I'm branching out I'm happy to branch out I want to cover more spaces than just online but initially back then it was very much online hence why they said TikTok sensation by the way TikTok sensation it's interesting to reflect you started on SoundCloud but then TikTok yeah I was completely because completely ticked yeah because I didn't have a label backing or I don't know anyone to do with anyone in music so I the only thing I had to do was I just had to find a way TikTok I knew was the way people were getting their music seen and I saw people do it I was like okay it's cool is it true that you almost tactically and strategically yeah it's tactically gamed the algorithm I don't think I gained I think I just paid notice to what worked how did you do that same way if you if one were to go hunting and they wanted to catch a deer and they would check the parameters of how they should catch a deer.
30:28I essentially did that with what time should I post. You've gone with a hunting metaphor. I didn't know what to go for. Was that unexpected? Yeah, I didn't really know what to go for. Lost the vegans. No, I would never personally hunt deer. I'm just playing Red Dead Redemption 2, so I've been doing it a lot in the game. Never in real life. I mean, what I read was that you followed a thousand different accounts an hour per hour. Yeah, on SoundCloud. On SoundCloud? Yeah. When I told you I was determined, I was like, no, I'm going to make this work. So my thing was, do you remember on Instagram back in the day?
30:59Oh, I don't know if you will. Follow for follow. Shout out, shout out. Do you know what that is? I think I can figure it out. Follow for follow. Follow for follow. Speaks for itself. And you'd message or you'd comment. So I was a teenager doing this. I was not an adult. I'm just going to let that be known. I was a teenager. So I was like 17. And I would just be so bored at home. I did have a great social life. Not, you know, let me make that clear too. but I did choose to leave events early just to go home and like spend hours on SoundCloud because people blew up on SoundCloud and I just I was like I want to blow up too like I want to get my music heard so I would actually just follow for follow so basically you started getting followers that way but then on TikTok how do you sort of figure out what's going to work on TikTok um so the voice that I sing with I've been using since before I've been singing with my this is I mean this is my singing voice but I just felt like I don't know I feel like I just posted it and then people liked it and then I was reading comments and I was trying to figure out oh what is it about this that people like so much because I thought it was good music I didn't think it was going to be I didn't think people are going to like it that much so I was very intrigued as to what it was because people said well I've never heard this before people were even commenting things like what genre is this and I was like okay so it must mean that they want more of this type of stuff and you know what music and I'm sure you know this music is more than just music making music is business.
32:20I've always noticed that the best musicians are musicians that have done the best, someone like, for example, Drake, are people that pick up on what is trending or what could trend, and they pick up on it early so that they can be the ones people are listening to. I wanted to be ahead of the curve because it is business like it is. Do you like Drake? I love him. I hear a little bit of Drake in you. Yes. Well, yeah, I honestly have been listening to Drake for the long, yeah. In the new album, some of the melody lines. Oh my God, that's amazing that you say that because sometimes when I write a song, I'm like, like, what would Drake do?
32:52Because I love his melodies. He doesn't do like classical melody styles. He's got his own... Very much his own melody style. Very distinctive. Sometimes, I'm going to say this and it might annoy me. Sometimes they're barely melodies. Like he's just sort of doing a Drake thing. The only he can do maybe. Yeah. Do you know what I mean? That's part of the charm of it all.
33:18so he works in is that a melody? yeah but it is do you know which one I was doing?
33:26yeah yeah yeah because he sings in what do you call them? in octaves but it's not it's fifths or something they're not octaves they're fifths aren't they yeah and I did not Drake influence I do that too and I notice I hear that in you right and he does it too his melodies are so good to me I always thought to myself what is it about his melodies I like and I realised it's because of those jumps that he does in his melodies and yeah
34:20Hi! Too loud. Hi, I'm Louis Theroux and you're listening to the Louis Theroux Podcast. And now, back to my conversation with Pink Pantheress.
34:34Would you have been doing all of this without the pandemic? because it was December 2020 when that first track launched was absolutely in the middle of pandemic lockdown whatever lockdown that was it was the worst it was that Christmas where Christmas was cancelled remember and then January February all the deaths were surging and your music was coming out you were saying that you feel like there's this expectation that now you're going to translate that online internet success into something less virtual it sounded it as though you were like people say you know oh now you've got to do shows and now you've got to and and that's not really in your comfort zone and maybe not even certainly didn't used to be part of your ambition yeah who's telling you that who's saying that you should be doing those things um i'd say it was um me myself and i it's not anyone from the label anyone from well i feel like people do encourage i honestly you know what it is i try to do things very off kilter but sometimes I do play by the book and the book says we should care about charts we should care about these uh accolades and when people tell me the importance of the book I go okay fair enough like I do actually care like the BBC sound of 2022 I was like okay I do really care about this when beforehand I might have been like oh I really care but now I'm like I do I really care about this kind of stuff so live performance is one of those things where I see other people do it my inspirations my influences and I go yeah I do want to be as impressive as they are who are you thinking of specifically so many people I mean Hayley Williams oh exactly exactly perfect person I saw her on stage and that was when I was like oh god like she looks like a like a boss lead singer of Paramore and also a solo artist yes she is because I was preparing for this interview and I knew how important Hayley Williams was I'm worried I looked up some Hayley Williams and Paramount.
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36:30Oh, good. Thank God. I thought you were going to bring her out. No, because I thought I should, I was like, I know the name, but my question is, is what was it about her and her music? I just think that every black person loves Hayley Williams, really. And that's really, yeah, I do. I think everyone does. I think that she has a very great soulful voice. And when you combine it, similar to how they were talking about my voice and the slinky angelic voice with these fun beats, she's got this amazing soulful, big voice. for these rock songs. It was like a paradox because you would expect her voice to be something like gospel.
37:04And then once you combine it with the rock, you're just like, oh my God, this is perfect. And she is perfect. Her hair's perfect. She's perfect. How many live shows have you done now? Because this is nearly three years into your success. Yes, I'd say... Coming up on the three-year anniversary. I know. God. And how many live shows have you done? About maybe 50. 50? More than 50. Maybe 50. Quite a lot then. I don't know. I'd have to ask my manager and she's out there. Quite a lot. 50. Are you getting more comfortable with it? You've spoken about having stage fright. I have stage fright and that's why...
37:35You know what's funny? I used to get worse stage fright, so it's got better. It is way better now, I'll be honest with you. It's way better. My stage fright's fine, but interest me is that somebody gave me a David Bowie quote. Have you met David Bowie? No. Okay. But I know who he is. Well, somebody told me that he said, when you stop being nervous before you perform live... What did he say? When you stop being nervous. That would be a good quote. Yeah, I know. When you stop being nervous before you perform live. It's time to stop. Yeah, it's like, that's it. That's it. It's like, because he's, but essentially the whole point was like, he gets nervous.
38:09Yeah, I think that's, I think stage fright, like some degree of anxiety before you go on stage is the norm. Yes. It's not universal. I've met people who don't get it, but it's rare. Okay, cool. So, but my thing is, it used to be so bad that I would like actually. Vomit? No. For me, it used to be like I would, I still do. I plan an escape plan for each show I do. So I have a line which I'm going to, I say to my whole band, my DJ, I say, okay, if I say this today, that means I'm going off. So you need to fill in the gap when I'm off stage. Because when you're in front of that many people, I have this horrible thing in my head telling me, at some point I'm going to get overwhelmed with how many people there are and I'm going to have a panic attack.
38:45By the way, I've only ever had a panic attack twice. On stage? No. In life? From smoking weed. Right, that's pretty normal. Yeah, no, it is normal. And I've never had it any other time. but my fear is I'm going to be on stage and suddenly I'm going to get dizzy and I'm going to have a bad thing and people are going to film it and be like, oh God, what's wrong with her? You know what I mean? There's a lot of shows of mine which are filmed and taken out of context too. I don't even hesitate to bring this up because it might be annoying but you did a show at South by Southwest and I read a review of it that was pretty brutal.
39:16Did you see that? Yeah. Is that painful? Okay, so my thing is, Louis, and this is why I say performing live for me can be a struggle. I'm a vibes person. I feed off of the crowd. And I remember that day I walked out on stage. There was something about the crowd which when I walked out I was like, oh God, like this is pretty daunting. And I get because South by Southwest is a showcase where you're actually meant to be there. They don't necessarily need to know who you are type business. But I remember there were some people towards the back who, when I say they were frowning or just looking like this, that it's no exaggeration.
39:53Sometimes people are just doing this, no movement, nothing. And you have to understand we're from the UK. And for people in Radio Land, Pink is making an expression, a blank sort of inscrutable expression. And I'm holding up my phone like this, which is, again, no issue. One has to expect it. And this is the thing. This is why I have to sit here and I do have to slap myself on the wrist because I realise a true performer has to withstand these things and realise they have to do anything regardless of who's watching you. But in my head, because I'm human, I do struggle being able to feed off a crowd which I believe don't know me or don't care to know me.
40:30And that's my own fault. But on that particular day, I'd struggled with it so much. And I remember thinking to myself, OK, I'm going to give them the best I can do right now. And I remember the best I could do. I had my bag. And people don't get the bag on stage. Fine. I get it. I was actually moving a lot. I was doing a lot of walking. I actually was walking a lot. I remember that. I remember feeling like I was giving them a very intimate. You had your bag on stage. I always do. Why? I don't know. I just like having it. It just completes the outfit. Multiple reasons. Anyway, I remember thinking, I was giving them a lot.
40:59I remember thinking, I'm smiling, I'm singing. I remember there was an issue with the sound and where the sound was way louder and the thing, so it sounded like, or looked like I was lip syncing. But I remember there was a 15 second clip which went viral of me performing Just For Me, which I always perform in a very painstakingly loving and like doting way where I look sad. Just For Me is the stalkerish. Is the stalkerish song because it's such a... It's supposed to be influenced or slightly inspired by Stan by Eminem. Yes. It's a really good track, actually. Oh, thanks, Louis. So, yeah, so that was my whole vibe.
41:29And I remember people, again, people didn't, I guess I could have done more. I guess the audience. Your point about the clip going viral was what? It went viral because it was good or not good? No, it was crap. Well, it looked crap, even though I was performing the song how I always perform it. And no matter where I am, Reading and Leeds, where I have a great crowd who are, wow. People were sharing it because it was crap. Yeah, of course they were. Of course they were. Why wouldn't they? It was crap. Viral, viral. It was crap. There's no such thing as bad viral. Well, yeah, but in my, I know what you mean, but for me...
41:59I don't even know if I believe that. Well, good. If you were attacking someone with your handbag, would that be good viral? No, I think... Terrible viral. But the review, yeah. It was just written by someone that I was just like, I don't think they listen to my music. And that's when I realised, if you listen to my music and you give me a review, then I think you understand me way more than somebody that doesn't understand me and writes a review. And that's why I believe context matters within every artist. context matters within every artist I remember believing back in the day context doesn't matter if you're a good performer you're a good performer bad performer bad performer context really matters some people won't like the way certain artists perform some people will love the way sound it all depends if you know who I am if you realize that my songs are all about sadness and that just for me as a song in the music video I'm performing like I'm a very sad girl then you'll realize why I was performing a song like that but they didn't realize and that's why they gave me a bad review really I can understand where I need to do better but people also need to realize that the context doesn't matter with it with me as a performer sorry I'm just talking really cool no but i think that's fair but i also think i wondered in an interview with angela ye you were asked who is the next you do you think do you remember this which is an odd question and and you were like i don't know but you said that's why i'm fine where i am and why i'm sure of myself because it's a very specific world i've tried to create yeah and i think i've succeeded 100 what more can be said but what is the specific world i don't know well i don't know i think well that's the thing i don't know and i don't it was never intentional intentional and i i mean again because i don't really know what she meant by the question i don't know if she meant sonically or she meant me as a whole package i think it's the package okay well if it's a package then i don't know because i don't know anyone who would choose to really brand themselves the way i've branded myself i know it's a horror okay so you can duck the question if you like but i i curious to know if you're conscious and i get that it wasn't planned yeah but that organically you've arrived at a style and an approach and i'm just curious whether you have a sense of what that is um I think people have give me more of a sense of it than I do I think people have different descriptions for my the way I dress the way that I um I guess conduct myself in interviews I think people have their own idea and I and I don't know what that is because my whole thing has very been me I'm very me and I know everyone says that they're me like I'm just doing me but like my thing is I've been to me sometimes so the bad performances you're talking about like that's an example of me being too mean not being able to break out of my personal shell because there is a difference between like then you might have two versions of louis that's louis the journalist the person on in front of the camera there's you at home i sometimes struggle to differentiate the two and that's when i when on stage i should be this there's performances where i'm dancing and being all happy jolly that's when i'm being pink panther ass that performance of me at south by southwest that's me being me at home and not being able to break out into my Pink Panther-esque.
44:44Not performing. Not performing as Pink Panther-esque. That's me being me because I'm shy or there's something to do with the audience. I'm quite a shy person. Yes, I can tell. Can you? Yes. And when I first started doing TV and was defined as awkward, nerdy, geeky. Yes. All these sort of adjectives that I sort of recognised but didn't really embrace. Like I didn't really, I didn't see myself as that. Yeah. And nevertheless, I sort of had to accept, you know, the fifth, sixth, tenth, one hundredth time, the same set of adjectives is applied. You have to accept, OK, I guess that's sort of who I am.
45:21And then you become conscious of using it to your advantage, I suppose, a bit or accepting that that's part of your gift. Part of your talent is to be those things that people are finding in you. Right. I'm just wondering whether that applies to you. Not those words, but whether or whether you specifically have there were surprises about how people saw you from the outside. god I don't know I'm getting teary why what's making you cry I don't know I don't know I think no don't stop I'm not crying for anyone watching not crying I'm tearing up though and I think it's because you're god Louis it's because you're talking about the labels that you got and I don't know how you felt about those labels at the time maybe you embrace them I get told a lot same thing but I can't control it because that's who I am but because of who I am as a person and I don't think we're similar well I don't know well maybe we are similar maybe a bit both awkward or a bit shy but because of our jobs I feel like we have jobs where you're expected or people want you to be something and I and I and I get those labels a lot awkward and shy and stuff like that and it's hard to be told those things when people there's such an expectancy for you to be something else yeah and that's where people do criticize you and that's where people are telling you that your live performance is bad or that you come across awkward or I don't know I don't know why I'm getting upset but essentially you being told all those things just reminds me of me being told all those things and I don't mind being told those things at all I don't mind being told I'm shy or awkward but sometimes it is a bit you know sometimes it makes you feel like there's something wrong with you almost do you feel that or maybe you don't feel that well i mean in terms of when you say like do i feel there's something wrong with me sometimes i sort of feel like i can't really control the parts that people are liking that's it that's how i feel too and i don't know when i'm coming across awkward in a charming way or if it's in a very off-putting way you know and so you're not always in control of your gift and that makes that's a bit insecure making because you like i don't quite get what you're getting like i'm doing me but i'm not sure if the me that you're liking is the same me that i'm enjoying putting out yeah 100 percent can't word it do you get that more in america i find it more in america though as well where america they seem to expect more performance a bit like be big be a big big charming personality when you're on radio interviews or and you're like it's not who I am it's not it's not who I am and I think for some people again some people I think find it endearing and because well that's the the brand that you're mentioning I think that's now part of my brand whether I want it to be or not because my music is also quite you know it's in a very specific world it means that people then apply it to me as a person they go well she must be quite anxious she might be quite awkward and she must not think highly of herself.
48:18And therefore, I think they view me as this really timid, shy thing. In America, it doesn't translate well. Some people think it's rude almost. Whereas over here, I think they understand it a bit more and they think, okay, well, she's just British or she's just, you know. Not playing the game so much. Not playing the game so much. And it's tough because if I was to be anything else, it would be false. And it would be a lie and I can't, I don't want to do that. I don't want to do that. And that's why I am myself. Even when I feel like I should be more, I can't do it. So for the live shows next year, will you be doing a big old singing, old dancing spectacle?
48:56I don't believe I'll be doing any dancing, but I do want it to be a level up from what it is. I feel like it's been pretty good recently, though. I've got a band and I've been... My live vocals, I'm getting... Yeah, that's what I'm working on right now. I think that's the thing. I think I'm trying. My main ambition was to create music which was interesting, new unique and made people feel and made people think about their inner self i didn't make my music to perform it live i didn't make my music to be this person and you know i didn't do it for those reasons and so to learn that it's difficult so i think i'm going to level up i'm opening for olivia rodrigo next year and i want it to be great and i want people to love it but we'll have to see when it happens are you okay i want to check in with you i'm so fine that was no it was quite something when you got upset.
49:43But you know what? I was upset because of my own testimony. Honestly, when you talked about your testimonies and how you were being labelled back in the day, that made me upset. I don't know. I'm fine, by the way. Of course you are. In case you're worried about me. Although it's weird when you're like, and then it's like, oh wow, I'm quite, this is going to sound weird, but they're focusing on things about your appearance where it's not necessarily flattering. You're like, I thought I was an okay looking guy. What, are you talking about yourself? Yeah, and then I'm like, maybe I'm not maybe i'm kind of freaky looking no come off it you've got like that's not an infant i'm not i'm not angling stop right there you're interesting i know you weren't angling but it's interesting because you actually have like girls my adult even younger talking about your looks even now i feel like they call you like yeah i think you're like a silver fox okay i'm gonna not leave that not for me oh no no but i'm just letting you know do you talk about relationships In my songs, yeah, I do.
50:37What about in life? What about in podcasts? Are you in a relationship? No, I don't talk about relationships, no. No. But you talk about icks. Oh, yeah. You've got certain icks in guys. I think everyone. And one of them is name dropping, which I can relate to. No one likes a name dropper. Yeah, that's not really an ick. That's more of just an off-putting off-put. The other one was nothing makes me cringe but men. imagine you're in a mall and your boyfriend your partner is carrying a tray of food to your table oh that's a big ick that's a huge what does that mean though what's wrong with someone bringing food on a tray to your table i'll explain so an ick is not a turn-off a turn-off is more of a bad hygiene bad breath like that of course that's an off-putting thing that's a turn-off an ick is something very specific you don't want to see your partner do it not because it makes them look bad but just because you don't want to picture them doing it because it just maybe makes you cringe how do you bring food to your table without a tray without a tray i don't want to see anyone holding a tray of food it's just an ick how does the food get to the table it's something i'd okay so i'd rather if say we were mcdonald's and there was a tray or if you're holding the bag hold the bag don't take the tray taking the trays you're both your arms are here you're like shoulders are all hunched up like this you have to watch the food to make sure it It's horrible.
52:02I bet there's a gangster way of carrying a tray. That's a good challenge for the socials. I want to see some people sending photos, I don't know where to, but of yourself holding a tray in a way that's gangster. You know why I like you, Lou? Because you have adapted to your new platform. You're an adapter, I can tell, because the way that you just did that was incredible. Right. Send them in. Let's crowdsource that. The most gangster one will get a free copy of... My new album. But can I ask you a question? A handwritten note saying get a life. Do you have an ick, though? I do have a few icks.
52:36Okay, so what about your... I don't know if you're married or whatever. I'm married. Okay, if she fell over. Like, if she fell over... That wouldn't be an ick. That would be a cause for alarm. No, but, like, not in a bad way. She was running and she fell over. Like, that's what... That can't be an ick. That's not saying it's an ick to be run over by a car or have a skiing accident. What about if she told a joke in front of loads of your friends and no one laughed? sometimes she laughs so hard that she goes like she snorts like a pig but that's actually quite endearing that sounds endearing but sometimes when we eat and she finishes everything on a plate that's not an ick, that's good but then she licks her finger and starts wiping up big, old, ick or when they lick the plate I don't even know if that's an ick but I know better than to say don't do that I'm just no, you're just letting her do her
53:35The End
53:58the rest.
54:03So you grew up in, you were born and raised in Bath to the age of five and then you moved to Canterbury. And according to an article in the Mail on Sunday, your dad is and was a statistics professor and your mum worked for the civil service. No. That's what it said. Okay, well, that's good. What was it? What did your parents do? Well, yeah, you're correct about my dad and my mum I shan't minch I shan't talk about my mother are your parents together yes your mum's from Kenya yes Mombasa yes this is getting a bit like um what is it mastermind yeah yeah yeah pass do you feel connected to Kenya absolutely but the last time I went when I was was when I was 11 but I still feel very connected I'm very connected to my mum and where she's from and where I'm from.
54:49Is your racial heritage important to you? Well, yeah, of course, I guess, yeah. Well, racial, whatever, I mean culturally, I'm very, to where I'm from specifically, East Africa, Kenya specifically, I'm very connected to that heritage, yes. Do you speak Swahili? For realsies? Yeah, do you speak any? A little bit. Okay, Jambo. Jambo, Habari. Havari Havari Havari Havari Havari Havari Vizuri Havari Naweweje Okay Naweweje Naweweje That's Do you want to wedgie? No that is And you Uh Muzuri Havari Havari Okay good That's about all I've got Oh right Surprise surprise I thought you were going to start I thought you were going to get into it Um That's cool that you speak it though Is there anything you want to say about Growing up?
55:43Um No It was pretty happy and... Yeah. I don't like talking about my family or anything. Why is that? Even mentioning the Swahili and the Kenyan part. Because they're like me. They don't actually want to be talked about. That's why the whole Daily Mail thing was really... Especially my dad. They had a picture of him. Of my dad. Yeah, they did. Yes. And it was horrifying. What, your family? What are they? You know what? Can I say? Yeah, they are. Have you ever been to Margate? Of course. Yeah. Love Margate. I could have sworn when I was 16, I saw you at Dreamland on Halloween night. I was sure of it.
56:24Dreamland is the, what is it? It's like a theme park. It's also like now a venue. But I saw someone and he was wearing a witch hat. And I was like, God, that's Louis Theroux. I said to all my friends, I was like, that must be Louis. And they go, yeah, that's Louis Theroux. And the more I looked at him, because he was wearing makeup, the more I looked at him, I was like, that's not fucking Louis Theroux. Because I realise you're way taller in person. six three well the clue is in the lyric six feet two in a compact oh in your rap no slack but luckily did you write that yourself would you get a ghostwriter you know that i did well actually i had the help of um recent bigelow two jackson based rappers okay so let's wrap let's figure out how we um rap this rap rap no pun intended so basically you've got the album coming there's are there going to be a lot of live you've got the shows but what else have you got coming up um i've got a few performances coming up i can't don't know which ones i can say as you look forward you look to these shows in the future and do you think like are you jumping in with both feet yes but at some point do you think oh i'll just go back to writing music and well yeah that's the thing so actually i want to be a writer too so i love artists that can really balance straddle between the singing and the writing and I want to do both.
57:38Right now I'm obviously more of a singer. What I actually want to be a writer too is I want to write for other people and I want to do sessions with loads of artists and be like the writer and the singer. I just want to be all-rounder. Do you think the price of whatever discomfort you feel at doing the live shows is worth... 100%. ...pay off? And so it's not that you think, oh, let's do this and see how it goes. You're basically saying, I want to be a full-on entertainment person. Well, you just have to like, honestly, the amount of times I've said to my team, oh my God, I'm never doing live again.
58:07I'm never doing it again you realise that like I don't know that's where the money is no funny that is where the money is well yeah okay but I'm not really that's not my motivation I think my thing is it's not my motivation my thing is listen we only live once and if you don't do or try your best at everything then I could be 60 and regretting never doing live I could be like fuck why didn't I do that so I'm going to give it a go and I'm going to give it my best go ever. Like, I'm actually, actually I am. I am. You're going to kill it. You're going to dead it. Dead it? I don't know if you can say that.
58:44No, dead it. Also, that means bad. Dead the beef. Yeah. You're going to kill it. You're going to smash it. Thank you, Lily. What's the biggest place you're playing? Well, actually, if I'm going on tour, well, I am going on tour with Olivia and that's some pretty big crowds, like 14 ,000 capacity crowds. Mind you, they probably won't all be there for when I'm on stage, but they're pretty big places. Livia Rodrigo, you'll know her hit vampire. Oh, no. People out there. I'm not talking to you. Oh, sorry. People in radio land. Vampire. How did that one go? I'm a goddamn vampire. That was a great impression.
59:21I just did. That was. Do it again. Oh, you're a goddamn vampire. What's the lines before that? Sucking me dry like a... What is it? Yeah, sucking me dry. Sucking me dry like a goddamn vampire. Yours was better. Yeah, because, yeah, I studied the voice a lot. By the way, you had a kind of powerful voice when you did Olivia Rodrigo. Just then? Yeah. Oh, yeah, I've got multiple voices. You've got different registers that you can see. I can do powerhouse, I just don't do it in my music. Really? 100%. I have a great voice. Do you do a powerhouse? Oh, yeah, but this is what I mean. It just gets awkward because I just haven't prepped.
59:59Give me a person to do an impression of. what about Rihanna doing she did titanium right no no diamond diamonds I mean no I can't do her either shining light like a diamond did you do an accent there shining bright like a diamond you're doing an accent a beige accent there I wasn't you were heard it heard it cancelled who you said do someone and then you're refusing yeah because you're naming flipping like do a powerhouse that you want to do no I can't I don't no like I can do a powerhouse but in the shower like I'm not in Louis Theroux's podcast without any water nothing it's gone back to Louis yeah that's how bad it got thank you so much for coming by thank you it was very fun
1:01:00and so that was my conversation with pink panther s hope you enjoyed that i think you'll agree it really you know there was this sort of slightly awkward start and then it just warmed right up and became something, not to big myself up, but one of the best interviews of modern times. Believe it or not, although I'm a cold-blooded interviewer and a total professional, like I take no pleasure in when someone I'm interviewing cries. In this case, when Pink began becoming emotional, it was unexpected, especially because it seemed to be based on me talking about how reviews would describe me as a geek, which, you know, I was really remarking on just as a kind of curiosity rather than as a source of deep pain.
1:01:49But then who knows? I'm often a stranger to my own feelings and I can be blindsided by sadness. Anyway, maybe I was just the catalyst for what she was, something she was going through and, you know, going through because reminder, she's 22. So she's very much in the midst of everything that's going on. She's got these shows coming up. She's got her first album. You know, you heard the chat, but I have to remind myself that these aren't people looking back in all cases, looking back on their careers in a state of tranquility. She's in the eye of the storm, right? My only regret from that chat, it regrets too strong maybe, is I didn't get to hear her powerhouse vocals because I couldn't seem to summon the right song for her to deploy them upon.
1:02:38I'm still a little confused about the icks. Although am I? I mentioned that I have an ick, which is my wife, my beautiful wife, Nancy, when she rubs her finger around the plate after she's eaten everything on it and then licks her finger. Is that how I characterized it? If I could start giving you the icks that she has for me, we'd be here all day but a few of them are speaking at the dinner table when there's some food in my mouth hearing that me either flossing my teeth or clipping my nails and the sound i can hear in the other room she's like i can hear that i'm like well how am i how do you do that clip your nails and floss your teeth without making any noise suggestions welcome so i hope it was clear from the conversation, but, you know, I really liked her, and I felt like I was relating to a fellow misfit of a sort, a kind of someone who, like me, is at odds with the world around her somewhat.
1:03:43So, nice to know that someone's carrying the flag for us outsiders and weirdos and musical geniuses. All right, credits produced by Millie Chu, The assistant producer was Man Al-Yaziri. The production manager was Francesca Bassett. And the executive producer was Aaron Fellows. The music in this series was by Miguel de Oliveira. This is a Mindhouse production for Spotify.
From the publisher
Louis is joined in the Spotify studio by pop sensation, PinkPantheress. Pink explains why social media makes her anxious, being ‘outed’ by the tabloids and losing her hearing in one ear. Plus, Louis gets a lesson in ‘icks’.
Warnings: Strong language and adult themes.
Links/Attachments:
‘Pain’
https://open.spotify.com/track/4S4QJfBGGrC8jRIjJHf1Ka
‘Just for me’
https://open.spotify.com/track/6OTKVgVpVaVjhRLYizPJKA
‘Break it off’
https://open.spotify.com/track/0DwVfCYLrVXgvejYbWwZAd?si=cc359d5303314474
Central Cee - ‘Obsessed With You’
https://open.spotify.com/track/4PYfFHKfjYz6dwAtZhBy1z
‘Boy’s a Liar Pt. 2’
https://open.spotify.com/track/5CCr8msaN3MhgqBoa9yWhH?si=6bf92ae43ada45f8
Credits:
Producer: Millie Chu
Assistant Producer: Maan Al-Yasiri
Production Manager: Francesca Bassett
Music: Miguel D’Oliveira
Executive Producer: Arron Fellows
A Mindhouse Production for Spotify
www.mindhouse.co.uk
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