S4 EP2: Jade Thirlwall discusses being ghosted by Harry Styles, clashing with the Gallaghers and coming up on X-Factor

21 Jan 2025 · 1 h 12 min

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The Louis Theroux Podcast - Episode Summary

Episode Title

S4 EP2: Jade Thirlwall discusses being ghosted by Harry Styles, clashing with the Gallaghers and coming up on X-Factor

Guest

Jade Thirlwall

  • Former member of the pop group Little Mix.
  • Gained fame on the British reality show, The X Factor.

Episode Overview In this episode, Louis Theroux engages Jade Thirlwall in a candid conversation about her experiences in the music industry, her time with Little Mix, and her personal journey as an artist navigating fame.

Key Topics Discussed

  1. Early Career and X Factor
  2. Jade auditioned for The X Factor three times before being accepted into Little Mix, where they won the competition.
  3. Little Mix made history as the first girl band to win a Brit Award for Best British Group.
  1. Transition to Solo Career
  2. Jade's debut single, "Angel of My Dreams," was released after Little Mix announced a hiatus in 2022.
  3. The process of writing and producing her solo music was discussed, highlighting her desire for creative freedom and individuality.
  1. Experiences in the Music Industry
  2. Jade reflected on the pressures of being in a girl band and the expectations that come with fame.
  3. She discussed the struggles of mental health issues, such as her past battle with anorexia during her teenage years, and how they were exacerbated by the pressures of the music industry.
  1. Personal Relationships
  2. Jade shared a humorous account of being ghosted by Harry Styles, a fellow contestant from The X Factor.
  3. The complexities of maintaining friendships and relationships while being in the spotlight were touched upon, including the impact of fame on her personal life.
  1. Interaction with Media and Public Perception
  2. The episode also covered interactions with public figures such as the Gallaghers and the tabloid media's portrayal of young female artists.
  3. Jade discussed the harmful effects of trolling and how prevalent mental health struggles are among artists in the industry.
  1. Current Outlook and Future Projects
  2. Jade expressed her excitement about her upcoming music and the importance of performing her work authentically.
  3. The episode concluded with Jade emphasizing her shift in perspective about success, focusing on personal fulfillment over commercial success.

Key Takeaways

  • Mental Health Awareness: The conversation highlighted the ongoing conversations surrounding mental health in the music industry, particularly for young artists.
  • Empowerment Through Art: Jade’s journey reflects a desire for empowerment and authenticity, illustrating the evolution from being part of a manufactured group to embracing her individual artistry.
  • The Duality of Fame: The complexities of fame, including its pressures and the isolation it can create, were a central theme in Jade's narrative.

Warnings

  • The episode contains discussions of sensitive themes including mental health issues and eating disorders, along with some strong language.

Useful Links

  • [BEAT - UK Eating Disorder Charity](https://www.beateatingdisorders.org.uk/get-information-and-support/get-help-for-myself/i-need-support-now/helplines/)
  • [The X Factor Official YouTube Channel](https://www.youtube.com/channel/UCEY1ejsweY4DgMwOVJeEaBA)
  • [Jade's Debut Song "Angel Of My Dreams"](https://open.spotify.com/album/6Wf3fqCoGcOYah2lTcwyAA)

Production Credits

  • Producer: Millie Chu
  • Assistant Producer: Emilia Gill
  • Production Manager: Francesca Bassett
  • Executive Producer: Arron Fellows

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This summary captures the essence of the podcast episode, focusing on the critical moments and insights shared by Jade Thirlwall regarding her experience in the music industry.

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Transcript

Automatic transcript. May contain errors.

0:001, 2, 1, 2. Ready? Mic number 1.

0:07Hello, Louis Theroux here and welcome to my podcast called, surprise, surprise, the Louis Theroux Podcast.

0:20Today my guest is singer, songwriter and former member of multi-platinum selling girl band Little Mix, Jade Thurlmore. Jade found fame on the British version of The X Factor, the talent show created by Simon Cowell. She first auditioned when she was 15 years old and after applying three times, she was eventually given a place in the aforementioned Little Mix. The group went on to win the series. Since then, Little Mix have released six studio albums and have had 19 UK Top 10 singles. They also became the first girl band ever to win a Brit Award for Best British Group. In 2021, one of the band members, Jessie Nelson, left the group and Little Mix continued as a trio until announcing a hiatus in 2022.

1:04In July of last year, Jade announced her solo career and released her debut single, Angel of My Dreams, which you may have heard, which also has an amazing video, which I suggest you check out. Very artistic and creative. Her debut album is due out this year. I was curious to speak to Jade, not just as someone who enjoys good pop, but also as someone who is curious about the industry and how it works. I made a three-part series for the BBC called Boy Bands Forever. I'm a fan of boy bands and girl bands. And Jade's always been eloquent and honest about her experiences of being in a girl band and also of coming up through X Factor, all of the emotional ups and downs that that entails, all the behind-the-scenes shenanigans, and we speak about that in the chat.

1:51This one was recorded in person in mid-December last year. What else is there to say? a warning that there is strong language in the episode. There were discussions about mental health and eating disorders, so prepare yourself for that. All that and much, much more after this.

2:29OK, first of all, thank you for doing the show. Of course. I enjoy your music. I haven't gone deep into the albums, but I remember Little Mix coming onto my radar, just listening to the radio, and I think it was Black Magic. And I was like, ooh, that's different, that's fun. And then the other singles, and I met Stormzy, and I remember mentioning... Oh, yeah, I saw that. ..because he featured on Power. Did you see that? Yeah, I saw that interview, yeah. Do you remember what he said? He was very lovely about it. It was along the lines of, like, most of his tracks on YouTube have, like, whatever they have, 40, 50, 60 million.

3:01And then that one's got, like, maybe 250 or 300 million. It did the job, didn't it? And he knew that. Yeah. But he's always been very lovely about us. And I think he didn't have to do that because he's really cool. And I guess as a pop girl band, it was, like, maybe not that cool, but he didn't care. Well, that's exactly what he said. and I think there might have been a bit of judgment directed his way as an artist who came up in grime doing a guest spot on a Little Mix track. The hook is, I'm not going to sing it. Are you going to sing it?

3:39I've got to do it now. Five, six, seven. You're the man, but I've got the power. Oh, jeez. And then there's the iconic bit where it's like, Motorbike, motorbike, motorbike, bike, bike, bike, bike. Who's decided that's iconic? I just think sometimes it's the most random bits, isn't it, that people latch onto. You know, you do this huge anthem about female empowerment and everyone's like, motorbike, motorbike. It's always the way in it. And Fairblade is Stormzy as well because then his lyrics are about basically how you have got the power and you wear the trousers. I love it. Yeah. When the boys talk loose, don't power not loose.

4:16You know what I mean? that was my impression of Stormzy that was uncanny, it was like he was here he's got such a distinctive voice amazing voice, phenomenal so yeah, hats off to Stormzy he's been very, very lovely to me when I brought out Angel My Dreams he like DM'd me this really long message just saying how much he loved it and respected what I was trying to do and all that stuff, so that was very lovely yeah so that lands us back in the present because, so after 10 or 11 years of incredible success with Little Mix You then... Did you break up or go on hiatus? It's like a hiatus. I wouldn't say it's a break-up because we're still really close and, like, we definitely want to do a reunion at some point.

4:58So, yeah, I'd say hiatus. As much as everyone goes, oh, when you say that word, we do mean it. Right. Yeah. It's often used as a euphemism for a break-up. Exactly. Like a trial separation in that case. But you're still friends from what I can tell, the three of you that were in Little Mix. And so you came up with this single earlier this year, which everyone loves, basically, Angel of My Dreams, and I think surprised a lot of people. I think nobody thought that I would come out swinging with something quite ballsy, maybe. I've been writing since we decided to have a hiatus, which is like a year before it happened.

5:38So like three years in the making, really. But I wrote Angel of My Dreams last year, and I was really struggling, a lot of writer's block. I couldn't think of anything else to sing about because I'd ticked everything I could possibly think of off. And then the morning that I wrote that song, the head of my label at the time left, so I was having a mini meltdown because, as you may or may not know, when you're assigned to a major label, when the head leaves or if the person that's championed you leaves, that could be very detrimental. If someone new comes in and they're not really asked about it, do you know what I mean?

6:15No, I get it. It's because they're a champion. It's a bit like if you're in TV, if the channel controller goes and they're like, will the next person be a fan or not? Exactly. So I was freaking out about that. And then I went in the studio, I was in a foul mood and then I was just mourning about the industry and then that was the birth of Angel of My Dreams. It's a kind of mash-up of styles. Yes. And it feels, as I said, I think I said, experimental. And I think people enjoyed that about it, right? I don't think you can get away with being basic in that space anymore. Do you know what I mean? I think people just want to be...

6:49We're in this era now where people get bored so easily, so you really have to do everything you can to grasp people's attention and hold on to it. I think coming from Little Mix as well, that was such a formula for me of what kind of song that we should write for that. So with my own music, I was definitely craving something that sounded nothing like that. and I think with Age of My Dreams I wanted it to literally sound like I'd Frankensteined all these parts of my younger self that I'd grown up listening to so the start of Age of My Dreams is a reference to sort of Motown, Diana Ross that's something that I loved listening to growing up so I think you can hear that kind of Motown ballad vibe at the beginning then you're sort of catapulted into like a scooter cascada club land land with the heavy...

7:39What was the phrase you just used? Scooter? Scooter. Cascada. Help me out here. I'm feeling very old suddenly. Yeah, they're two, like, dance clubland artists. Scooter Braun? No, that's the manager. Scooter. He's just one name, actually. I think he's German. Yeah. It was, like, sort of hardcore, like, Euro dance, like... Right. So I grew up listening to a lot of that, like, as a teenager. so that's where that comes into the chaos of Angel My Dreams and then I love musicals too so I feel like it has sort of three acts to that song so yeah, I wanted it to feel like my sort of mini like Bohemian Rhapsody musical Rocky Horror Picture Show chaotic pop song Yeah, the themes are about your love-hate relationship with the music industry Yes How much do you want to say about that?

8:35Because you sort of personify aspects of what's taken to be, I suppose, the part of it that feels most manufactured, having come up from winning X Factor with Little Mix and then being a girl band. Yeah. You know, it's always assumed with boy bands and girl bands that they're not in control of their destiny. I don't know if that's the case or not, that there's a manager who's put them together and that behind the scenes someone is styling and guiding them. so there's one narrative which would put you as a kind of victim of the industry machine aspects of which are implied by the song as well Angel of My Dreams but then there's also a sense in which obviously there's more to it than that right you have more power than that might suggest I think both things are true to be honest because especially on X Factor it was very much like you put on what you're taught to put on you sing what you're taught to sing it is quite a manipulated show and I was only 18 at the time so I was very young, very naive and I mean thankfully because half the time I didn't really know what was going on and I'm glad for it.

9:40I mean in terms of style we looked like a shit show but we just didn't want to piss anyone off on the show because we just desperately wanted to get to the end. I'm not sure if you looked like a shit show. It was that era of like you know like that Nicki Minaj and like Katy Perry where everything was super bright and colourful so we'd walk in the styling room and it'd be like, OK, you're in a fuchsia pink legging today and a bow tie and whatever and then you're dyeing your hair red. You know, when they do the make-up as an X-Factor, you really don't get a choice in that. I think on X-Factor you are very much like...

10:12You are more of a product or a pawn in the game show than a human. But that being said, I kind of did love the experience. They're making TV first and the music is a by-product. Yeah. Right? I would say so. I don't think that's a judgment. No, not at all. And I knew that anyways. I'd already auditioned twice before. And for me, A-levels, for me media studies exam, it was based on the X Factor. So I literally studied it before I did it again the third time. Well, because you mentioned you tried it when you were 18, but in fact you tried first three years earlier when you were 15. Yes. And then again when you were 17.

10:5117. Before you said something, you said half the time you didn't know what was going on and you're grateful for it. Yeah. What do you mean by that? I think just in terms of like the manipulation of like public perception and stuff, like I didn't understand at the time that if you said something to certain members of staff, it would end up in the press the next day or, you know, things like that, I definitely wasn't that privy to. Right. Do you have an inkling that that might be the case? As it went on, yes. Or, you know, if you are the first contestant to do their song at the start of the show, you knew you were probably going home because if there's 12 of their people about to perform after you, everyone's going to forget about you by the end.

11:31Do you know what I mean? Stuff like that. And we knew as a girl band, we would have a tougher job getting people to like us. Girl bands never did well on the show. Why do you think that is? I think as women, obviously you're taught to sort of compete with each other anyways. So I think if girls feel threatened by you or intimidated, that's one part of it. It's hard to show personality. in a band from the off, which is why I expect it was really good, I guess, for us. Because we were just, like, four young girls having a lot of fun and messing around and really wanted to genuinely change our lives.

12:05I think that endeared the public. There was nothing sexy about us on the show because we were kids. So I think that was the difference for us that year, is, like, mams were written for us and little girls. Do you know what I mean? We weren't alienating or we weren't intimidating anyone. so I think that swayed it that year. There's a BBC podcast called Offstage, have you heard of it? No. It's a five or six part podcast about X Factor, sort of exploring the extent to which it was manipulative because obviously there's been a little bit of a backlash, I would say, would you say, against reality TV in general, I think, And people are, I don't know how real it is or how much it's driven by media.

12:53Everything gets sort of revised and re-examined. And I think part of it is people a few years on processing the experience of having been on X Factor. But anyway, one of the people on there, the contestants describes being put in a hotel and they say, well, you would share a room with other contestants in the early stages. And she was put in a room with you. And you would have been 15 at the time. And she said she was 22 or 23. What was her name? Do you remember? Was it Chrissie? Might have been. Describes your mum dropping you off and she had to go back to South Shields and feeling protective of you and thinking, wow, this 15-year-old, she's just sort of quite vulnerable here.

13:31Very vulnerable, yeah. Where would it have been, in London? Yeah, I mean, I visited London with my mum. I think my mum got a hotel next door, actually, because she was beside herself at the thought of me just sort of being there on my own. Because it is a pretty savage experience, especially boot camp. it's a week of like hardcore rounds of auditions it's absolutely brutal i remember i think i know who you're talking about because i think they were like that's another thing if you like flavor of the month or whatever with the camera crew they'll like come in the room and they'll make a big deal of you and i remember being sat there and they didn't want to do any interviews with me and i thought oh that means i'm not saying it through to the end of the week stuff like that yeah but that was the maybe that was the second time actually but the third time they called me and asked me to audition.

14:16Did they? Yes. But you were saying it's quite brutal. Is that what you were just saying? Yeah, yeah. In what way? Well, just, you know, the comments are savage. You know, each week is, you're really put through the mill. You were saying about the room sharing stuff, like when we got through to the live shows, all of the women had to share the same room. So we got put in this house and all of the female contestants, no matter what age. Obviously, I didn't know who these people were or what their mental health background checks were or anything. A lot of chaos went on in that X Factor house. I'm sure that could have been a TV show in itself.

14:54What kind of chaos? Who took my milk kind of thing? Oh, yeah. Someone's eaten my yoghurt. There was a lot of that. Me and Perry especially, we'd never left home before, so then all of a sudden it was like he has a bit of money to go into a shop. So I'd come back with a Cadbury's chocolate mousse and be like, that's my dinner for the week. Because I'd never cooked properly or learnt to look after myself properly. There was one guy who was from the military. He staged an intervention because Frankie Cocosa stole my lasagna. That was a fiasco. Seriously? Frankie Cocosa stole your lasagna? He stole my lasagna out the fridge and there was murders about it.

15:35But on a more sort of deeper level, it was like everyone was struggling mentally. It was the dawn of Twitter. so it was the beginning of like trolling and all that stuff so we were having to adjust to that. The hours were crazy but I feel really conflicted by my own it because it also changed my life for the better. You know, I got put through the mill on that shore but ultimately it meant that I moved out of my hometown I could support my family. Not everyone's as lucky as that I suppose when you come off the show. You said they invited you back to audition for the third time. They wanted a girl band, yeah.

16:16Really? And I wasn't so sure about it because I didn't think I was sexy enough to be in a Pussycat Dolls-esque girl band, which is what I guess my mind immediately went to. So I was very relieved when I got put with the other girls because we were all on the same page of just being completely ourselves. when you were on the show do you see much of Simon and Louis and the other judges I didn't see Simon on the show he wasn't a judge that year but even throughout our whole career he was like Charlie's Angels I didn't see much of him it was maybe once every couple of years or something we'd go around his house and he'd ask how things were going or he'd give the final nod of approval on things but I think we had more creative control of our music than maybe other artists did on the label Right When you win, do you have to sign to Psycho, the label?

17:13Well, legally no, but I didn't know that So we got put in a room It was like, this is your management This is your schedule when you win This is your label contract And I just signed it Maybe you didn't feel, you're in the rush of success you weren't asking a lot of questions. Well, I didn't have a clue. Didn't have a clue. Do you know what I mean? And I remember my friend Joe telling me, Joe McKellar, we're from the same hometown. He'd won it like two years before. And he said to me, make sure your mum is with you when you're checking any contracts or signing anything. But you don't want to be that uncool person in front of all these business heads being like, can I ask me mum if I can?

17:57Killing the vibe. Yeah, killing like the pop vibe. Do you know what I mean? And it's like, oh, she's being ungrateful. Exactly. You don't want to piss anyone off. Wow, she's a diva already. Yeah, you don't want to look ungrateful. And you do desperately, you know, you want that chance, so you do it. Obviously, we have to reflect the fact that... You know where I'm going to go? I think so. The lyric on the song, Angel of My Dreams, care that I'm mad, care that I'm sad, it's so bad, it's funny. Care if I cry, care if I die, you only care about money. Selling my soul to a psycho. They say I'm so lucky.

18:37Psycho happens to be the name of Simon Cowell's company. Coincidentally, yes. Is that what we're going to say about that? I mean, it's written on the tin, isn't it, really? Yeah. What would we say was the goods and the bads of that relationship? Of psycho? Yeah. The goods were that the immediate team were phenomenal. Our A &R were brilliant. Everyone that worked closely with us were genuinely amazing at their job. So I would never discredit that. We obviously blew up because we had a team around us that were very passionate about that happening. And, you know, especially at the start of that journey, there was still a lot of budgets and a lot of money in labels.

19:27so we were very lucky to get the treatment that we did. And then I'd say the bad stuff is just the sort of politics of it all. Like you have to do this song or you can't have this or if you go with that creative choice of that song you won't get X, Y and Z. There was a lot of like political... What did it feel like? That favours were being done? Yeah, like whether there's relationships with producers or, you know, things like that where we weren't really in the know. Other agendas in the room. Yeah, I think so, yeah. And just the sheer, like, ferocity of being thrust into the industry with not a lot of guidance, I would say.

20:16And I think we all suffered somewhat because of that. There's so many people that came out of the X-Fighter that I know anyway has had some sort of mental health issue off the back of it. But, yeah, it's a lot for anyone to comprehend, never mind, like, young women. So, yeah, I'd say that was one of the other bad parts. We should talk about that because I made a... I was the executive producer on a series that just went out called Boy Bands Forever. I watched it. Did you? Yeah. Did that? So it's basically, it's a three-part series that looks at the heyday of British and Irish boy bands, starting with Take That and E17 and kind of going up to Blue and Five and a few others and then the reunion of Take That and some of the other groups.

21:01Yeah. And the takeaway is these are men who are now around 50 years old, still going through the process of figuring out what happened. But if you ask me to identify what exactly the nub of what they were dealing with was, it would be hard to put it into just a couple of words. Yeah. I mean, it's overwork, overexposure, being alienated from your friends and family who don't really get what you're going through, tabloid attention and your every move being chronicled in the press or being sold to the press, being followed around, break-ups, indiscretions, betrayals, all ending up in the paper. Yeah.

21:41To be fair, I watched that and I did think, gosh, I thought I had it bad, and then some of their stories, I was like, wow. But, yeah, I guess it was more tabloid-heavy then, When we first started, it was still tabloid heavy, but then, yeah, it was the rise of social media at the same time, so it was getting slapped with both sides. And just as young women, it was still like perhaps we're allowed to try and picture under your skirt when you got out the taxi. You said that a paparazzo actually did that to you. Oh, yeah, quite often, yeah. More than once? Yeah. But they can't print, though. That's just something to actually just almost like a trophy for himself.

22:20I don't know, yeah. I mean, as an 18-year-old, that was quite scary. Or, like, you'd get in the taxi and then they would just open the door and take pictures. So from the off, it was, like, this invasive, yeah, feeling around you. Yeah, a lot to take in, I would say. And then, you know, the idea of people suddenly, like, selling stories on you or the press wanted to know everything about you or twisting your words in interviews. We did a little bit of media training, but I don't think anything can prepare you for how to say the right thing all the time or when not to say something and all that stuff.

22:57But at the same time, we did love it. We were so excited, it was so new to us. We were all like, oh my God, we've made it now and you're doing H &B signings in your hometown and all your family and friends are there. So that's why I think it's really hard to discuss because it's such a complicated feeling of being so grateful to be there. But like you say about the boy band stuff, you can't really say to your mate who works in Tesco out of having a really bad time at work. Like, how can you moan about a dream like that, you know? And hence the lyric, I will always want you and need you. Well, anyway, I love you and hate you.

23:36It's not fair. It's so bittersweet. Like, obviously, you're wrapping your arms around not just the negative, but also the positive. The video is kind of amazing. Thank you. Who directed it? That was Orb Perry. Shout out, Orb Perry. Yeah, phenomenal. Like, one of the best directors I've ever worked with. There's an enormous man with huge fists and a huge chin who's like a figure through the video who represents... What does he represent? He represents just the music industry to me. He's the industry. He's this big comic book villain, which is something mean or disgusting, great detail. Especially for my first song, I needed the video to tell the story and so we met up a bunch of times to really go into depth of how that story would be told and yeah, I think this M character in the video is meant to be, yeah, this thing, this entity that I'm in a relationship that I can't live without.

24:31Right. Yeah. You actually knew Liam Payne a bit, didn't you? Yes, growing up, yeah. Because he was on X Factor. Yeah. For that first time when you were 15? I met him when I was 15, yeah. We both auditioned and because we were under 16 or under 18, we had to have chaperones, so our parents were with us on the first time. Really? And so we became really close because there was only a few young 'uns and then we went back to audition again together. So I knew him quite well at that time. But, you know, as the years go on and they obviously blew up, we sort of fell out of touch a bit, but always supported each other from afar, I would say.

25:18Right. Yeah. What was the year when One Direction were put together then? Was that 2010? It was 2010, yeah, because we were 2011. The second time you were there then. Yeah. So you sort of saw that happening. In fact, there's a clip on YouTube of Harry running up. Have you seen that? He's really deep-dived, haven't he? I've tried to. And Harry runs up and it's like, surprise, and then you look fairly blasé about it. And the comments are like, love how Jade gives him the side eye or something, not side eye, but basically how seemingly unimpressed you are. I didn't know he was going to be the Harry Styles, did I?

25:55I think we went on like one date when, again, we were like 16 or something. Did you? Yeah, and I, you know, this is, you just got put in the band and yeah, it was really funny because we kept in touch. You and Harry? Yeah. And then the minute they went on live shows, he didn't message me back and I thought, that's it now, he's gone. He's made it. And then I made it the next year. And then I saw him in the room after and he was like, I'm really sorry that I ignored you. He ghosted you. Yes. But again, I was so young, it didn't really matter. But he was always very, very lovely. Really? Yeah. So much pain.

26:34Harry's a friend of the podcast. so he could well be listening to this. Oh, really? Yeah. I mean, he's got himself to where he is because he's very talented and he's very lovely, very charming. And in fact, he's a model for how you can leave a boy band and then just take your artistry to a whole new dimension. Oh, 100%. So with Liam, could you see... I don't think it's really fair to speculate on what happened and it's all still new and kind of and still painful. But I guess the question would be, do you think it's fair in any way to attribute any of what happened to the fact that he was in a band and that he went through all of that?

Read the full transcript

27:22That's become the narrative. I mean, I'm sure there's many factors. I don't think I can talk on it in depth because I don't think it's my place to because I didn't really know him over the last few years. But like I say, I think everyone that enters the industry at a young age is going to go through it in some way. And it can be really lonely when you're that huge because, you know, none of those boys could just go out and do whatever they wanted, you know, being stuck in hotel rooms and having nothing to do. and so I think it all makes sense that being in a boy band can contribute to being in a dark place for sure.

28:11Yeah. I mean, were there times when you found it lonely? Yes, 100%. Yeah, and always when we were probably at our biggest as well, like when we'd have our biggest career moments is probably when I would feel like the worst. So I do understand in that respect. How would you explain that? I just think there's so much pressure. I think the bigger you get, the more your sort of condition that you have to latch on to that or you have to keep that up because if you come anywhere below that, you're then flopping, which is so stupid to think of because it's like, OK, if the next song's not a number one hit, you've flopped.

28:50And I think that was not so much now, but especially like 10 years ago, that was the mentality of the industry or public perception. so I think when you've got that pressure on you you know for us as women you're like becoming a woman in the public eye and you're trying to maintain relationships outside of that you're work to the bone I definitely had moments where I did have very severe like depression or anxiety there was one like era where I was really in quite a dark place and my mum had to come on the road with me on tour because I think she was really concerned of what would happen if she wasn't there.

29:35Really? Yeah. And I used to... Well, I used to have anorexia as a teenager, so I think now and again that would come back into it if I was really stressed or whatever. As a sort of coping strategy? I think so, yeah. So, like, during the whole... I call it the glory days era, ironically, because that's what the album was called, but that literally was our glory days. It was the peak of our career where Shout Out To My Ex came out and that was humongous and internationally things were popping off. But I look back at pictures of myself now at that time and I look very unwell, I think. And I would suffer from night terrors, but when you're little and you have horrible nightmares, but as an adult I started getting them and that really freaked me out mentally.

30:27so I definitely had my moments. To what extent does having the other girls in the band with you, does that help or is it difficult to talk about or does some of it, are there also politics within the group that mean it's difficult to share stuff? Yeah, it just depends because I think all of us went through waves of having certain moments and all you can do is in a very unqualified way try and support each other because you don't really have the foundations around you to, like, help you with that. So, you know, we tried our best, I think. But just naturally as well, yeah, politically, it's not always happy days, is it?

31:07And during that period especially... And to be honest, now I'm older, I'm like, it's through nobody else's fault, really. I was just feeling that way. But you kind of isolate yourself, don't you, when you're super depressed or you project outwards onto other people. so I don't hold any sort of grudge or animosity for anyone around me at that time. But maybe at the time you didn't feel that supported? You were incapable or unable to seek support in a way? Yeah, I think not necessarily just from the girls, I think just everyone around me. I think when I was feeling really worryingly down, I didn't know who I could call and that's why I ended up ringing me mum.

31:51But I didn't want to scare me mum, so I just sort of said, oh, I'm struggling a little bit. But again, at the same time, I was on stage in front of thousands of people. I was travelling the world, which I love to do. And I think even that makes you feel an enormous amount of guilt because I'm like, oh, my God, I'm doing what I love. But then I get home and I feel really lonely. You know, we won a Brit Award that year. I went back to the hotel room and I was just sat on my own with a cup of tea like, all right, how was that then? Do you know what I mean? So it's quite an isolating experience if you don't have the right tools around you to help you with that.

32:33Winning the Brit Award was a big deal. Yes. What did you win it for? That year we won Best Single for Shout Out To My Ex. Was that the one where you gave the speech basically giving credit to the girl bands that had gone before. That was the Best Group Award that we won only a few years ago, actually. And that was the first time a girl band had ever won Best Group in like 43 years. And everyone was thrilled. And the speech, you basically shouted out Spice Girls, Sugar Babes, All Saints. Yeah, all the pop girlies. And Liam Gallagher said, should we do this? If you want, was it not Noel? Little mix with the greatest respect.

33:23I love how when someone's going to be rude to you, they start by saying with the greatest respect. Not being funny, but... Yeah, exactly. Not exactly. I'm not in the same league as Oasis. Was he up for the same award? No, I don't think so. Not even in the same fucking sport, he said. Well, we're very different bands, so I'll give him that to that respect. He's not wrong. We're a very, you know, we're a pop girl band. I don't know why he was comparing us, actually. Maybe for the cliques. I think so. I think he loves a little confrontation, doesn't he? Yeah, that's part of his brand. I seen him at Glastonbury that year, actually.

33:56Me and my boyfriend and Jordan, my boyfriend, was like, I'm going to go over and say something. I was like, all right, then, give it a go. He went over. I was like, you are really rude about my girlfriend. Do you want to apologise? He went, fuck off. And I thought, do you know what? Fair play. So, wait, and Jordan was like, oh, all right, then, when you put it like that. I just thought it was really funny. You can't really argue with that, do you know what I mean? And I also kind of love that I've ended up in some sort of tiff with one of the Gallaghers. I feel like it's the same as getting a hate tweet from Azealia Banks.

34:25Is that what she specialises in? Yeah, I feel like you've made it when Azealia Banks drags you on Twitter or when one of the Gallaghers has sparked some sort of confrontation with you. And the third one, which you've also... Have you had a hate tweet from Azealia Banks? No, not yet. She had one hit, right? What's the 9-1-1? Was that the track? 2-1-2. What's the 2-1-2? Cut that bit out. 9-1-1's a gargoyle song, very good one. Is it? Yeah. What's the 2-1-2? And it's a great track. Yeah. I mean, she's a brilliant rapper. And based on that, she's been pouring scorn on anyone who comes in her vicinity.

35:01Although I've got a soft spot for her because apparently she likes dating older white men. Well, every cloud. There you go. Where were we going? Oh, yeah, and the third, you know you've made it when, surely is when Piers Morgan has a pop at you. Which you also ticked that box. They're like the Thanos stones. We're collecting all the hateful people. Thanos stones, I like that. There's Thanos stones of the Louis Theroux podcast. Yeah. Which I thought I'd call it the bingo card, which is when we mention, for some reason, Andrew Tate always gets a mention. Have you met him? I haven't, but I mean, I'm not particularly.

35:38Not the biggest fan. No, I'm not fussed about that. Well, I don't know if we're going to hit the bingo card on this one. Woody Allen, is he a fan? I don't. I don't. So, I mean, the thing that resonated with me was when you said you've got enormous success and that takes you to a dark place. You're thinking, wait, have you had enormous success? Answer, no. But I have had some success. You have. And there's this sense of like, now you need to keep it going. Yeah. And actually, I feel like chasing success, it creatively can stifle you because suddenly the pressure is on and you're not loose. And the things that got you success in the first place maybe wasn't necessarily a desire for success.

36:23It was a desire to have fun, express yourself. Yeah. Does that make sense? Oh, 100 percent. And so I imagine like especially when there's 100 people, managers, labels, stylists, producers, and they're all saying like, here's what you need to do now. How do you sort of just stay focused on making sure that you're actually doing what you love and believe in? I think we would always try and have some time just to ourselves to sort of probably subconsciously remember what it felt like when we first got put together. That magic of when it was just us practicing in Perry's stepdad's pub, trying to come up with ideas of what we wanted to be as a brand and what we would represent.

37:08Like, we would go shopping together, we'd have sleepovers together because we knew it was important to build our friendship. So I think whenever we were struggling with all these outside voices and noises, we would be like, girl, should we just, like, schedule in a night together where we're just chilling and we're not necessarily talking about all the business-y bits or the kind of soul-destroying parts of the job? because we always knew that if we wanted longevity, we had to be friends or we had to be on the same page. We weren't always going to agree like anyone, but we made sure that we were all the most important people in our career, not anyone else outside of that.

37:53And there was no lead singer and stuff like that as well. We always pushed for. You shared the vocals. Shared the vocals, always equal. Even when people thought we were being insane, we were like no we stick to this because we know what happens when labels or management whatever will push just one person that's when you know the imbalance begins and the resentment or the jealousy or whatever so we'd literally be we'd count that ad-libs her girl sometimes yeah or like in a video be like she's got 10 shots and she's only got five so we need to you know make that more equal and it sounds so silly but i do think it kept us going for longer because we always were like no we're equal in this yeah um it was it was you uh leanne perry and jesse yes jesse left that was a high profile thing um how much can you say about that um she was going through a lot of emotional highs and lows there was a lot going on at that time i think to be honest i think covid was a bit of a catalyst for like things just generally slowing down and falling apart But I think all of us, when we had to stop priorities, our perspectives changed on what everyone wanted individually.

39:04And I think... Was she pushed? No, no, absolutely not. Nobody was pushed, that's for sure. Maybe pushed mentally just by, you know, the perils of being in the industry, but... She said she needed to work on her mental health, I think. Yeah. And then she quite quickly released a solo record. Yeah. I know what you're doing. Like, you're giggling. You're like, what? No, I'm not going to jump on that. I just... That was what the internet said. Do you know what you do? You just go on... Here's my interview technique. I'm giving it away. You go on YouTube and you look at a recent video and then you look at the most recent...

39:46The most liked comments. And that's what the world is thinking. And it might be wrong or right, but it's what the people are thinking. So that was one of the comments underneath maybe her video or someone else's. I think some people are right, some people are wrong. So much went on during that period that it actually feels like a fever dream for me. It was such a stressful time. I can't remember. How convenient. No, no, I can't remember. I just mean it was so hazy because all of us, all four of us, I think were traumatised by that whole experience. Like, I will never begrudge Jessie wanting to leave because if she needed to do that for herself, no matter what happened behind the scenes or, you know, anything that unfolded, I'll never discredit or invalidate the struggles that she had in the group, particularly at the beginning.

40:40She really did suffer the most in terms of, like, trolling, the press being really mean, all of that stuff, and it really did some lasting damage and we always tried our best to support her in that. Sometimes you get it wrong, sometimes you get it right. Again, like I said before, we're not qualified to, especially at 18 years old, to help someone with that. You just be your friend as much as you can. And I think towards the end, yeah, I think she gradually clocked out and that's fair enough. and I feel like I can't and I don't want to talk about it in depth because it isn't just my story to tell.

41:23I'd be speaking for people and I don't think that's right. But for myself, I will say that I'm still getting over it now, quite truthfully. Yeah, just because it was really sad and it was really stressful because when it all happened, we were literally promoting a single and an album at the same time. Everyone was asking what was going on. And we didn't necessarily know exactly what was going on. We found out very abruptly that it was happening. And again, I don't want to go into the details of it, but I think all of us, probably just included, were all very confused and just sort of, you know, when, like, we had a lot of group therapy, I had a lot of personal therapy, and because the contact was so abruptly cut off, it was very hard to deal with.

42:14and quite traumatic. And I... It was non-speaks, was it? Yeah, it was. I honestly, I'm not 100 % sure. I don't think... I think that's why I struggled with it is because we didn't all get a chance to just sit together like we'd done for so many years to just hash it out. There's no hate there from me or from any of us, I think. Like, I think it's just all quite sad that it happened. And I had to grieve that happening. And I remember I was dating Jordan. It was very early days at the time. And so I was scared to, like, show him, like, what this meant for me. Because I think in his head he was like, oh, you know, you were banned.

42:58Someone left. That happens all the time. And he does not a similar thing, actually, but, you know, he disbanded from Rizzle Kick's years before. So he was like, babe, you'll be all right. This is all good. I remember we were driving to, I think we were driving up north actually to see my family and I was being really short with them, like very snappy because I was frustrated and he kept probing like what's wrong, what's wrong and tell us and then honestly out of nowhere I literally like bellowed like a fucking wail or something you know like when you have so much grief that you feel like you've been like winded and you start like wailing and I'd never cried like that since me granddad died when I was 13 because it was my first experience of, like, grief.

43:41And I think it was all the years of, like, the love and everything we'd been through together, the good things, the bad things, you know, enabling behaviours or being there for each other. It was just all, like, I think so much of being brushed under the rug and then it just fucking exploded. And I was, like, yeah, just wailed and wailed for, like, an hour or something. we parked up at services and he was like do you want some peace and I was like yes and then bless him that's when I knew he was a keeper because he was like are you all right on your own for a little bit I mean I couldn't actually speak so I was like screaming and then he went out into the shops and he came back with the pasty from Greg's and I thought that's the one I don't know where I don't know how I got to that point and that was and that was the grief at basically losing Jessie?

44:33I think so, yeah. Losing the friendship? Yeah. Wow. Yeah. Are you back in touch with her now? No.

44:44I think a lot, a lot, there were a lot of friendships that went south in lockdown. I don't know if that relates to this one. I think it does a bit. Well, you were saying that, didn't you say that she left in lockdown? I don't say that was the only or even the main contributing factor, but communication became so strained that small misunderstandings got magnified. Do you know what was funny about it? It actually wasn't like there wasn't any big arguments or it was just simmering. And I think because, like you say, with lockdown, the communication sort of dwindled a bit. So I think it was just one thing after another.

45:23It was years of stuff. It was also, I think because everyone had a pause nobody could patch the leaks up anymore do you know what I mean? Because we weren't all together to just keep it moving and I think it's really sad because when we first started you know you always think we're not going to be that band where something like that happens or you know you're so adamant that you're going to that's not going to happen to you but that's just life isn't it? Just worth saying that on iPlayer, BBC iPlayer there's a, her documentary's still up, Odd One Out it's called, which you appear in which is when she's still in the band and kind of dealing with trolling and the level of viciousness that was directed at her.

46:05It was really, like, really brutal for everyone. But, yeah, she got it the worst, I would say. To the point where I even had a Daily Mail account so that I could clap back at every troll in the comments, yeah. Because I couldn't bear it because I felt like no one was helping. You know what they call that? Feeding the trolls? Probably, yeah. Right. Trolls are looking for attention. They love it, yeah. They love attention. They absolutely love it. Yeah, so if you... But the press were just as bad. Do you remember The Sun used to do that thing where they'd get a picture of a celebrity and they'd put, like, a monster next to it and liken them to some sort of horrific character from a movie or something like that.

46:41Right. And they did that with her as well, I remember that, in one interview and showed it to us. Yeah. To see what the reaction would be. Really? Mm. What did we think of Jessie's single, Boys? Louis. We don't have to touch this. Well, um... Because it was criticised because she was accused of the quote as blackfishing. Yes. Which is a very sort of 2024 term. The idea was that she was sort of role-playing a racial identity that wasn't hers. What's your take on it? You've just... You've batted it back at me.

47:24well I suppose if you go by my theory of well look at what the comments say and that's sort of what people think uh it feels like it wasn't that well liked holding someone to account to be accountable for themselves is fine but taking it further than that I don't think it's fine and I think you've said in the past that you someone said I think it was you that maybe someone reached out to her privately to express a few things about the song? No, not about the song. About the video? When we were together, yeah. Right. It was that that topic was brought up. With her? Yeah, yeah, yeah. That's all really.

48:11Are you waiting for me to fill the silence? No, we're just relishing. I don't know if that was my awkward silence or your awkward silence i actually really enjoy an awkward silence so we could do it for a long time that was fun i don't think i needed more than that

48:51You know, when you did your first solo performance post Little Mix, allegedly was on Jules Holland. Yes. Is that right? And one of the comments was, she can't stop smiling. And it was true, you looked very happy. Did you watch it? Yeah, I did. I watched both, because there were two, weren't there? Yes. You did Angel of My Dreams and Fantasy. And I watched both. And you really did seem happy to be there. I was really happy to be there. Go on, what would you want to say about that? Well, it was my first proper performance of any of my own music, so that was really special. But also being on the Jules Holland show is like...

49:28Because it's music, right? Yeah, I think it meant a lot to be asked on that show because they're quite picky, aren't they? Like you say, it's the music show, isn't it? So, you know, only artists get to go on it and they have to, you know, Jules himself has to approve. He played, didn't he? Yes. He played the intro to me for My Dreams. It was beautiful. It was really amazing. So that was like a pinch-free moment. I grew up watching his shows and especially the Hootenanny performances every New Year. So it was on my bucket list to get to do it. So I was literally beaming to be there. And he was so lovely to me.

50:05We chat early every week now. We'll FaceTime me or give me a call. We've formed a lovely sort of friendship off the back of it. So, yeah, it was a really special occasion for me. And just to play my own songs for the first time was, like, amazing. You know, they obviously mean a lot to me. When does your album come out? At the minute, I reckon it's coming out around May. May. I think so. It was going to be a bit earlier, but I think it's been pushed back. How much pressure do you feel? Not as much as you probably think. I think with my own music, I deliberately took quite a large break between Little Mix and my own stuff because I think I needed time to re-evaluate what success was for me.

50:59I didn't want to go into my own stuff chasing a hit or feeling like it has to be huge all the time or it has to be as big as Little Mix because I think I would just be setting myself up for a fall that way. So I took the time out to just be like, just make music that you really love, hon. And then whatever happens, happens. So no, I don't feel an enormous amount of pressure. I'm just proud of it. And I'm hoping I can get on stage and do my own shows, however small or big they are. I don't care. I just want to perform. We should, I know we haven't got very long. Oh, no. Well, I've got as long as you like, but I've told that you have to finish quite soon.

51:43I can go over a little bit. We normally talk a little bit about kind of growing up and stuff. I feel like South Shields is important to you and you tap in there, I think, from time to time, do you? How often? Whenever I can, really. If I get the odd weekend off, I'll go home, see all my family. Your mum and dad are up there? Yeah. They're divorced? Yes. Was that a big deal when they split up? It was a relief, to be honest. Was it? Was there quite a lot of arguing? Yeah, I was 16 when they broke up and I think I was on holiday with a boyfriend at the time. I got back and I got back in the house and my mum was like, oh, your dad's not here anymore, we've broke up.

52:23I was like, oh, right then. That was that. Really? I mean, I'm sure this happens all the time. If you go up in a house where you don't really see a loving relationship or you see parents arguing all the time, whatever, you'd rather they just weren't together and I remember my mum saying when it happened you know we wanted to stay together for the kids we wanted to make sure we stay together till you were old enough and I was like mum I wish you'd just done it straight away Really? Yeah it was one of them ones and as a grown up now I'm like oh wow because now I'm in such a loving relationship I wish they could have had more of that Kids need to see it too they need to see parents that love each other I think to have a sort of model for what healthy a healthy relationship looks like, ideally.

53:06Yeah, I think I was quite cold in relationships for a long time, yeah, off the back of that. But I think there was love there. When you were going out with Harry, so you were being quite cold. Oh, no, don't... You did say. It was one time. Did you go out with all of One Direction? No, no, don't do that. Isn't there a gay one? No, no. No, I thought, don't! You're very good at this, but no. In every boy band, they say there's one gay one. That's something that... That's true, actually, yeah. One of the guys in blue, Duncan, said, in every boy band there's always a gay one and then he goes and for a long time I thought it was Lee Brilliant That was a good line Yeah it was good But I had you know I had a pretty great a great childhood to be honest I was always around with Gran and Mohammed and that's where the whole Yemeni culture comes in so yeah we were still a very tight knit family I'm still really close to my dad and my mum Is your mum Muslim?

54:00No Really? No My granddad was Muslim. Granddad was Muslim, but didn't raise her in the faith. No, it was kind of East is East vibes. The movie? Yeah. I've never seen it, to be honest with you. It's probably very problematic now, watching it back. But, you know, I guess when it came out, everyone related to it. So we'd get called, like, you know, East is East family and stuff. But I think my granddad, he was Muslim, but he didn't necessarily push that onto his children. I think he just wanted them to decide for themselves, but also it's funny we always joke about it because obviously he's called Mohammed but he named all his children like Brenda, Alan, Michael, Norma.

54:41Did he? Yeah. I think he just wanted them to fit in as much as they could. And I think they did that as well. Like me and my mum, growing up, we very rarely spoke about racism or the culture or heritage. It was like she'd sort of put a block on it to try and fit in to a town. like South Shields because she'd obviously had a lot of struggles being a dark-skinned woman in a town like that. So we never really spoke about it until the BLM movement happened and then we were kind of forced to and we've been speaking about it ever since, which is better. More engaged with it and more public-facing with it.

55:21Yeah. You mentioned, this is quite heavy, but we'll try it. So you mentioned having anorexia, right? Yes. Which is a serious mental condition. It's got the highest death rate, basically, of any mental illness. Yeah. Are you all right to just talk about that for a second? Yeah, I don't mind. I mean, I made a programme once about people struggling with anorexia, and what was striking was there's a lot of misconceptions about it. And what struck me anyway was that people think, oh, it's about people who look at too many fashion magazines and they aspire to look like that. Maybe that's true for some people, but what I took was that actually it's not necessarily about looking a certain way, it's about control.

55:58Yeah, 100%. And dealing with anxiety by having the utmost unhealthy level of control over your intake of food, basically, and also exercise. 100%. Would you agree with that? What was your experience? And I suppose more, because, you know, you have to talk about it carefully, but I'm curious to know what made you better as well, like in what respect you found different interventions helpful. So I think I started becoming anorexic when I was like 13, maybe. And it carried on until I was 18. And I was in and out of hospital with it. I think... Were you at your hospital? Not as an inpatient. Or clinic?

56:37Yeah, like clinic, like as an outpatient. Right. I think the first time I went into hospital, I was scared of having to stay there, and that was the kickstart into changing stuff. But, yeah, nothing to do with how I looked at all. Everything to do with having some sort of control of my life. because, you know, my mum and dad were arguing a lot. My granddad had just died and he was, like, my best friend, so I felt like I'd lost a part of myself when he left. I was getting bullied at school. Bullied for anything in particular? Mainly because of the colour of my skin. Really? Yeah, I went to a very white Catholic secondary school and that was a shock to the system because my primary school, where my mum worked, actually, there was, like, 36 different languages.

57:26so much culture and diversity and then I went from that into this Catholic school and I was the only person out of my primary school that went there so from the jump I was like friendless and bless me mom she put me in that school because it was like the better one and ironically it like you know was the toughest but um so yeah I think all that stuff was going on and I felt like controlling what I put in my body was, like, powerful because I could decide that, do you know what I mean? And I hid it for a very long time. I'd wear a lot of, like, baggy clothes and I didn't want people to know about it.

58:07And then I obviously got out of hand. My mum took me to hospital and then I started, like, recovery. I had a friend as well who I guess almost, like, trauma bonded with, who had the same thing but worse. Her anorexia was worse to an extent and she actually did go into a hospital for it and stayed there and I think that scared me as well. And I think my family had been so distracted with their dramas and issues, they didn't realise what was going on with me and then when they did realise, it was really heartbreaking seeing the response from, like, my dad, my mum. Like, everyone was so devastated and I think that also kick-started me into wanting to make a change because I didn't realise it would hurt everyone that much.

58:58I think for a long time I thought if I just literally shriveled away no-one would notice.

59:06So, yeah. And then I think the main thing that made me better was auditioning for X Factor because I knew I couldn't do it if I was still poorly. I went and asked the doctor if I was allowed to go and audition because I'd made a lot of progress it had the whole intervention where they'd sat me down and be like if you keep doing this you're going to die and blah blah blah and at that point to be honest I wasn't really that bothered but then when I was going to audition for the show again I think I just thought and my brother said this this could really change your life if it works out for the better and you deserve that And so I asked if I could do it.

59:47And they were like, if you can promise us you'll keep us up to date with, you know, your diet and all that stuff, then you can do it. And so I did. And then I got better. I think I didn't even realise at the time, but when we spoke earlier about that period where I was really depressed, I was anorexic again, but I didn't even realise that I was, to be honest. I just sort of fell into it. so it's actually weird for me now because I feel so far removed from that person and now when I see any negative comments like the last two I mean the girls did or up until now the majority of the negative comments I receive are about me putting weight on which I find really strange because I'm like the healthiest I've ever been so it's quite ironic it does live with me forever i think um that's again that's why i find the comments really bizarre my fans know that history so bless them they always leap to my defense and anyone like says i'm fat or like there was a wedding that i went to was it this year god i can't remember where everyone thought i was pregnant because i was bloated and like obviously stuff stuff like that is very triggering for someone that's you know had a history of anorexia so i really have to battle a lot sometimes with people's comments um i did go to like a um i guess a sort of rehab facility a few years ago for people with eating disorders and to speak to them yeah and that was really amazing actually because i think it might help me if i'd seen other people struggling like a group of people and knowing how to get through that together or relating to someone and um and all that stuff um i think you can go both ways well yeah like i say you can you control my bond for sure you can yeah or even become competitive yeah that's all that's definitely that can be a part of it as well but it was really um it was nice to sit with the majority girls there show them that it doesn't always have to be like oh you can come out of the other end of that do you know what i I mean, help them see that there's a future where we can be healthier.

1:01:59Just now, maybe I misheard you, it sounded like you said you were told that if you carried on you would die and you said you wouldn't have been that bothered. Not at the time, no. I just think I was obviously... I was in that headspace where I wasn't fussed either way, I think. Because you didn't believe that that would happen or it just felt like life had lost its importance for you? I think I was such an anxious person, even just going into school would fill me with fear. And not even necessarily because by that point I wasn't being bullied as much or whatever. I was probably even becoming popular because I'd already auditioned for Ex-Fet before, so I was the girl that could sing.

1:02:42But I think I just didn't want to feel like that anymore and I was happy wasting away, which is a very unhealthy mindset to have. and I think it did become, well obviously I wasn't eating well so I was very irritable, I was snappy, I was moody so everything was like a defence mechanism at that point and I don't think it's until you're really confronted with that or you have this sort of intervention that you realise the damage that you're doing to yourself and other people. Right, because you're not thinking clearly. No. Because you're calorie starved. Yes. And so literally your mind isn't working right.

1:03:20Yeah, as a teenager as well, you know, hormones. Your hormones, you've got a lot going on. Yeah, periods and it's stopped and all that stuff, so yeah. We're going to coast out of this on something more positive. Yes, yeah. What's it going to be? When's your next single coming out? Do you know when it's coming out? When's my next single coming out? Well, I've got a song coming out on the 10th of January. I just like dropping music because sometimes there's quite a big gap between singles and I don't like that, so... Will you do a video for it? Yeah, there is a video. Or just a visualiser? Well, it's a visualiser, but I don't like...

1:03:55That's a term I learned last week. Yes, but I think everything I do is quite extra. I don't like doing anything that's not got the kitchen sink thrown in. So the visualiser is pretty much a music video. So that's coming out. We're going to see how that goes. But my official next single is out in February. My boyfriend always tells me that this is my bonus round now, which I think is a lovely way of putting it. he's like Jade you've clocked it already you did Little Mix like I clocked the pop game so now it's just bonus level just doing what I want and having fun with it so that is literally how I treat my music, I write about things that I want to write about I don't care if it works for radio or not or all those industry things I just do what I love and that's enough

1:04:58OK, here I am, back. Did you enjoy that? I did. What a nice person. And what a helpful and revealing insight into the way the pop industry works. Thank you, Jade, for all of that. So I was aware we spoke unguardedly or maybe just candidly about reality shows, X Factor in particular. it's worth saying several other contestants have spoken out about struggling with their mental health and contracts that they regarded as exploitative over the years. In response, a spokesperson for The X Factor said in 2021, duty of care to our contestants is of the utmost importance to us. We take welfare very seriously and have measures in place to ensure that they are supported.

1:05:42I also know Simon Cowell a little bit. I don't think it's awkward. I think Simon Cowell's the kind of person who takes a grown-up view of the way TV is made and is open about the fact that there's good and bad associated with being in the music industry and in being part of a reality show like The X Factor. He said to me, in fact, when I interviewed him for my series Boy Bands Forever, I think there was a litany of things that could happen. Maybe I presented them or some of the other people were talking about them, some of the boys that had been in the boy bands, and he said, if you don't want that, be an accountant.

1:06:28Which is another perspective, right? I mean, there's some truth in that as well. Worth saying as well that Jessie Nelson has responded to criticism of the alleged blackfishing in her video for Boys, her solo single, saying, my intention is never to offend people of colour with this video and my song. I'm very aware that I'm a white British woman. I've never said that I wasn't. It's interesting to think about any kind of fishing that I might have done. Do you know I have done a kind of fishing? This isn't a set of like, yeah, fly fishing. No, I think I've possibly vegetarian fished. I think I've given the illusion of being a vegetarian on social media.

1:07:13And in fact, I admire vegetarians. I would like to be one, but I'm not one. Guilty as charged. If you fished intentionally or unintentionally, please email me and let me know what kind of fishing you've been doing. If you've been affected by the topics discussed in this episode, Spotify do have a website for information and resources. Visit spotify.com slash resources. and if you're listening to the podcast as opposed to watching it, you can watch some clips of the episodes over on my YouTube channel at official Louis Theroux, as well as much else besides. I'm taking over YouTube. I think I almost have a thousand subs.

1:08:02That's not a joke. So smash that like button. I'm kind of fishing now. I'm YouTuber fishing or baiting. I think that might be it. Oh, yes, credits. The producer was Millie Chu. The assistant producer was Amelia Gill. The production manager was Francesca Bassett and the executive producer was Aaron Fellows. The music in this series was by Miguel de Oliveira. This is a Mindhouse production for Spotify.

1:08:40Thank you.

From the publisher

Louis sits down with pop-star and former member of Little Mix, Jade Thirlwall. Jade tells Louis about being ghosted by Harry Styles, clashing with the Gallaghers and coming to the public’s attention on X-Factor.
  
Warnings: Some strong language and discussions of sensitive themes, including mental health issues and eating disorders. For further information and support, visit https://resources.byspotify.com/    

Links/Attachments:  
 
BEAT – UK Eating Disorder Charity  
https://www.beateatingdisorders.org.uk/get-information-and-support/get-help-for-myself/i-need-support-now/helplines/ 
 
TV Show: ‘The X Factor’ (2004 – 2021) – ITV 
https://www.youtube.com/channel/UCEY1ejsweY4DgMwOVJeEaBA 
 
Song: ‘Angel Of My Dreams’ - JADE 
https://open.spotify.com/album/6Wf3fqCoGcOYah2lTcwyAA 
 
Music Video: ‘Angel Of My Dreams’ - JADE 
https://www.youtube.com/watch?v=UEc-oy93lf8 
 
TV Show: ‘Boybands Forever’ (2024) – BBC (UK only) 
https://www.bbc.co.uk/iplayer/episodes/m0023h94/boybands-forever 
 
Song: ‘Black Magic’ - Little Mix (2015) 
https://open.spotify.com/album/05MKaTFdEtg64AtPmN1nQ7 
 
Song: ‘Power (feat. Stormzy)' - Little Mix (2017) 
https://open.spotify.com/album/2lSpirhgGBiKAyl38y8RJs 
 
Podcast: ‘Offstage: Inside The X Factor’ (2024) – BBC 
https://www.bbc.co.uk/sounds/brand/m001vtth  
 
Album: ‘Glory Days’, Little Mix (2016) 
https://open.spotify.com/album/2GJLzxAajkFeyDPVH7X4Cs 
 
Song: ‘Shout Out to My Ex’- Little Mix (2016) 
https://open.spotify.com/album/4TvPWe1vbrh0hozmCoSFRI 
 
‘Little Mix wins British Group’ – The BRIT Awards (2021) 
https://www.youtube.com/watch?v=HO-HcY_8iwE 
 
‘LITTLE BELITTLE: Noel Gallagher slams Little Mix’s Best Band Brit Award win saying they’re ‘not in the same league as Oasis’’ – The Sun 
https://www.thesun.co.uk/tvandshowbiz/15217658/noel-gallagher-little-mix-embarrassing-brits-win/ 
 
Song: ‘212’ - Azealia Banks feat. Lazy Jay (2011) 
https://open.spotify.com/album/1haAnMI7BAQEAzrYjzpTvP 
 
Song: ‘911’ - Lady Gaga (2020) 
https://open.spotify.com/track/6qI0MU175Dk2DeoUjlrOpy 
 
Jesy Nelson: ‘Odd One Out’ (2019) – BBC (UK only) 
https://www.bbc.co.uk/iplayer/episode/p07lsr4d/jesy-nelson-odd-one-out 
 
Song: ‘Boyz feat. Nicki Minaj’ - Jesy Nelson (2021) 
https://open.spotify.com/album/4ShgsMHEHPPLI6Dk16HNF1 
 
TV Show: ‘Later… with Jools Holland’ – BBC (UK only) 
https://www.bbc.co.uk/programmes/m00248kc 
 
East is East (1999)  
https://www.youtube.com/watch?v=zg-zwt-XMFE 

Credits: 
Producer: Millie Chu  
Assistant Producer: Emilia Gill 
Production Manager: Francesca Bassett  
Music: Miguel D’Oliveira  
Audio Mixer: Tom Guest 
Video Mixer: Scott Edwards  
Shownotes compiled by Immie Webb
Executive Producer: Arron Fellows  
   
A Mindhouse Production for Spotify  
www.mindhouse.co.uk  
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S4 EP2: Jade Thirlwall discusses being ghosted by Harry Styles, clashing with the Gallaghers and coming up on X-FactorThe Louis Theroux Podcast · 1 h 12 min
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