In short
The Louis Theroux Podcast Episode Summary
Episode Title
S6 EP3: Bob Vylan on his controversial Glastonbury performance
Episode Description In this episode, Louis Theroux interviews Bobby Vylan, one half of the punk-rap band Bob Vylan. Bobby discusses his controversial performance at Glastonbury, where he led a chant of 'death to the IDF.' He reflects on the backlash from various sectors, the implications of his statements, and his ongoing stance on the controversial issues surrounding the Israeli-Palestinian conflict.
Key Themes and Discussions
- The Band and Its Background
- Band Identity: Bob Vylan is a punk-rap duo known for addressing social and political issues in their music. Their style combines elements of punk, hip-hop, grime, and hardcore.
- Controversial Performance: Bobby Vylan's performance at the Glastonbury Festival sparked significant debate due to his chant regarding the Israeli Defense Forces (IDF).
- Performance at Glastonbury
- Chant Details: Bobby led the crowd in a chant of 'death to the IDF,' which many interpreted as anti-Semitic.
- Public Reaction: The performance resulted in a media storm, various political responses, and ongoing criminal investigations against the band.
- Backlash and Consequences
- Media Coverage: The chant prompted a wide array of media reactions, including statements from public figures and politicians.
- Impact on the Band: Bob Vylan faced visa revocations, canceled gigs, and a criminal investigation, which affected their ability to tour and perform in the US.
- Political Ramifications: Bobby discusses how his statements have been used politically, including commentary from US politicians like Ted Cruz.
- Bobby’s Perspective
- Standpoint on the Chant: Bobby expresses that the chant was meant to highlight systemic oppression rather than call for violence against individuals.
- Disproportionate Response: He argues that the backlash overshadowed the real issues of violence and oppression faced by Palestinians.
- Focus on Palestinian Conditions: Bobby emphasizes that the focus should be on the conditions that led to his chanting, rather than the chant itself.
- Public Discourse and Criticism
- Responses from the Music Community: Bobby mentions various public figures, including Chuck D and Damon Albarn, who commented on the incident. He expresses disappointment in some criticisms.
- Media and Public Reaction: The discussion raises questions about how public figures are treated based on race and the implications of their political statements.
- Personal Background and Views
- Bobby's Upbringing: He shares insights into his childhood, education, and the impact of his socio-economic background on his worldview.
- Feeling of Alienation: Bobby discusses his complex relationship with Britain, feeling both a part of and apart from the society due to his race and political stance.
Key Takeaways
- Bobby's performance at Glastonbury highlighted the intersection of music, politics, and social justice, igniting a significant conversation about free speech and the consequences of public political statements.
- The podcast illustrates the challenges artists face when they engage with controversial political topics, particularly in a racially charged environment.
- Bobby's narrative emphasizes the importance of focusing on systemic issues beyond immediate reactions to provocative statements.
Resources & Articles Referenced
- Various articles related to the backlash and context around the Glastonbury performance, including statements from political figures and analyses of anti-Semitism.
- Links to music tracks by Bob Vylan and relevant discussions on the ramifications of their statements.
Conclusion This episode offers a deep dive into the complex relationship between art, politics, and identity, as Bobby Vylan navigates the aftermath of a significant public moment that questioned his motives and the broader implications of his words. It challenges listeners to consider the importance of context in political discourse and the responsibility of artists to engage with pressing social issues.
Production Credits
- Producer: Millie Chu
- Assistant Producer: Maan Al-Yasiri
- Production Manager: Francesca Bassett
- Music: Miguel D’Oliveira
- Audio Mixer: Tom Guest
- Video Mixer: Scott Edwards
- Executive Producer: Arron Fellows
For more episodes and information, visit [Mindhouse](https://www.mindhouse.co.uk).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:05Hello there, welcome to another episode of the Louis Theroux Podcast.
0:18For this episode, I sat down with Bobby Villain Not his real name, but we'll come to that He's one half of English punk rap duo Bob Villain The other half is also called Bobby Villain Yes, it's confusing The other Bobby is spelt with an I-E Anyway, it's not his name either and neither of them are related to Bob Dylan. Why would they be? It's a different word. Bob Dylan are a London-based punk rap duo. They use a mixture of punk, hip-hop, grime and hardcore. I would say especially punk. And to the Bob Dylan point, I think it's not coincidental. It's sort of referencing Sid Vicious, Johnny Rotten.
0:58It's a punk, what's the word, nom de guerre? Stage name. Their music centers around social and political issues, criticizing inequality, racism, sexism, and homophobia. Many of you will be familiar with the band, though, because of their controversial set at this year's Glastonbury Festival, where Bobby led the crowd in a chant, decrying, denouncing, deploring, calling for an end to, all of this is relevant to the chat, to the IDF, the Israeli Defense Force. Some deemed it to be anti-Semitic. Either way, it prompted a media storm, and we go into this in some detail. In the wake of all this, the band have been subject to a criminal investigation.
1:41They've had gigs cancelled, visas revoked, and been the subject of a debate for pundits and politicians across the world, all of which we speak about in the interview. Bobby has not spoken publicly about this before, which makes it all the more charged, I suppose. as a chat. There's a lot of speculation about, I suppose, what he meant and what construction we, the listeners, should be putting on it. He reached out to me, DMing me on Instagram and said he wanted to speak. So all of that was part of why I decided to have Bobby on. We recorded this conversation on the 1st of October this year in a central London studio.
2:24I should add that this was before the Manchester synagogue attacks on the 2nd of October in which two people were killed and three others injured. More recently there's been pressure on a venue in Manchester from MPs and some Jewish leaders to cancel Bob Villan's upcoming show in Manchester in November. A warning, this episode contains the strongest of language including racial language and other adult themes. All of that coming up after this.
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3:43Except if you bank with Monzo, in which case you have up to 60 seconds to hit undo. too. Drama averted. And they'll never even find out that you nearly sent it. This is a UK banking first. Monzo, download your new favourite bank. To apply for a Monzo current account, you must be over 16 and a UK resident. T's and C's apply. This episode is brought to you by Shopify. When I was younger, I always wanted to be either an astronaut or an athlete. I was a fast runner. I thought maybe I could make it to the Olympics or be blasted off into space. As it happens, neither of those dreams came true. I had to settle for being an award-winning documentary maker and international celebrity.
4:28Ah well, we've all had big dreams and it's never too late to make them happen. This is your sign to stop holding back and go for it, especially if your dream is to run a business. Because Shopify is making it easier than ever. It's there to support you every step of the way, from designing your website to marketing to product descriptions to sales. The list goes on and on. So give it a shot. Turn those dreams into... Sign up for your$1 per month trial and start selling today at shopify.com slash louis, L-O-U-I-S. That's shopify.com slash louis, L-O-U-I-S.
5:18Do you need anything? Would you like a tea or a coffee? No, I'm all right. I've got a coffee coming. I've read that you're... I think it was in an interview you talked about how coffee made you nervy or jumpy. Yeah, I can't have coffee because... I mean, I can have it if I wanted to, obviously, but it's more so that I would have trouble getting to sleep or whatever. You're quite health conscious. Extremely so. Your veganism became a matter of the public record on the day after the Glastonbury event. Everyone was like, well, he's a militant on stage and now he's eating vegan ice cream. Some people were confused by that.
5:57Yeah, I suppose it maybe seems a bit weird that somebody would be on stage saying that and then be vegan maybe. I don't know. I don't know. It's like my veganism is also kind of part of my politics. Is it? In what way? In the sense that having compassion for living things. Also being health conscious, growing up in a working class environment, seeing how certain foods and education around healthy eating is kind of not offered to us. it became something that like i became quite aware of and wanted to make sure that i was as healthy as i possibly could be you look you looked healthy when i saw you on stage i was at glastonbury there's a lot to react to about the set should we start with the elephant i mean there's a few different elephants but there's a there's there's a lot going on and also because around all this there's a controversy that that sprang off everything that happened with glasto with your comments on stage, a chant, death, death to the IDF, then that led to this ripple effect.
7:11You became an international news story. Shall we get into Glasto? It was an amazing atmosphere because kneecap were going to be the story of the festival. There'd been pressure on the organisers to cancel kneecap because of their outspoken political content. And there was pressure, maybe even on the BBC, to not broadcast kneecap. Obviously, for those who don't know, kneecap's a political Irish band. And they were dealing with their own legal issues around some of their political output. So you were on before kneecap. So there was this huge, I mean, many of them were there to see you, but some of them were there to see kneecap.
7:53And so there was just this, I remember there was a message that went out an hour before saying, no more people can come to West Holt's stage, it's too packed. Right. And you did your show The Free Free Palestine chant went up And then you said something along the lines of Forgive me if it's not verbatim I've got a new one for you And then it's like Okay what's this going to be And it was death death to the IDF And I remember looking around thinking Okay that's raised it up a notch for sure Some people chanted along Some didn't But that then became an international incident With some people saying this is exactly what should be said amidst a genocide, amidst literally thousands of people, many of them children being killed in Gaza, right?
8:40And then other people saying he's calling for soldiers to be killed. It's a conscription army. Is he saying that actually Israeli soldiers should be killed wherever they are? Is he asking for the actual murder of soldiers as they wander around? And that was extrapolated into the idea that it was an anti-Semitic chant. And the Israeli embassy, I think, made a statement. It became very charged. I don't think I need to tell you that, right? What was the statement that the Israeli government made? Well, I could look up the embassy. I don't know what the government said. Oh, you said... The embassy, yeah.
9:13The embassy specifically. Right, right. I could dig it up. Do you want me to? Yeah, please, because I actually don't know. I actually... Oh, jeez. Let's see if I can find it. Here we go. Israeli embassy said it was, quote, deeply disturbed by the inflammatory and hateful rhetoric expressed on stage. which, quote, advocate for the dismantling of the state of Israel and show the normalization of extremist language and the glorification of violence. Keir Starmer called it appalling hate speech, and on and on. Was that what you expected? No, I had no expectations. I honestly, I hadn't heard it, I hadn't seen it, because obviously there was a lot happening at the time.
9:53Do you know what I mean? Yeah. But walk me through what happened then. Like you come off stage. We come off stage and everyone's like, great show, fantastic. We waited for our buggy to pick us up and take us to the van so we could go home. Right. It was very normal. There's golf buggies that ferry. I learned that at Glastow for the first time. There's golf buggies. Is that the first festival you've ever been to? No, no. I've been to Glastow three times, but I'd never been backstage and been on a buggy. Right. And been ridden around the little secret. It's like the hacks on a video game. You can hack Glastonbury.
10:29So you get on your buggy. This isn't about the buggy. No, it's not about the buggy. But just to kind of show how mundane the whole thing was. It wasn't like we came off stage and everybody was like, it's just normal. We come off stage, it's normal. Nobody for anything. Nobody. And even staff at the BBC were like, that was fantastic. That was fantastic. We loved that. That's such an NPC manoeuvre though, isn't it? It's like any band comes off, you're like, you smashed it, fantastic. No, but that was like, this was a couple hours later because it took us a little while to get, but like, you know, Dev, nobody at the BBC at that time was there like, oh my gosh, you know?
11:16But it was very normal. And then we got back and then, yeah, like I said, we went and got ice cream and obviously you kind of see. Somewhere near Glastow? No, it's when we got back to London. Yeah, when we got back to London. Yeah, so we were just hanging out. That's a long drive back to London, though. Is your phone not blowing up at this point? Yeah, to a certain extent. But again, it's hard to say what's happening because, oh, you've been at Glastonbury and what's happening because of the chant itself, you know, specifically. So the chant's been the subject of endless analysis, right, and interpretation.
11:54a BBC executive complaints unit kicked into gear. They published a decision on the 26th of September saying, taken in the round, the comments from River to the Sea and fucking Zionists and death to the IDF could be construed as anti-Semitic for perpetuating stereotypes of Jewish influence. But that basically said death to the IDF wasn't likely to lead to anyone being attacked because it's an institution rather than an individual's and not defined by ethnic or religious composition. Thus it did not meet the threshold for incitement. It's been said there was an Avon and Somerset criminal investigation that's still active.
12:34Yeah, there's two. There's two criminal investigations that are still active. Then various people made various different kind of comments and put it in different contexts. Chuck D came to your defence. That's the homie, bro. I was speaking to him yesterday. Did you? Yes. From Public Enemy? That's more my vintage. What was he saying to you? Is he sort of giving you a little bit of advice or just being a friendly presence in your life? A friendly presence, I'd say, yeah. And a mutual appreciation is shared. Nice. Yeah, which is nice. He said when people say death to a country, they're not saying death to a people, the legendary rapper explained.
13:14They're saying death to imperialism, death to colonialism. Bob villain ain't got no tanks as far as we know and then on the other side of the fence who else have we got I mean we sort of talked about this the UK's chief rabbi Ephraim Mervis called the episode a national shame he said toxic Jew hatred is a threat to our entire society I guess the construction is that who else did you find who was basically critical I mean there's quite a few of them well you know this one because you responded damon alban from blur said it was one of the most spectacular misfires i've seen in my life especially when he started goose stepping in tennis gear yeah i think he was being hyperbolic i know damon a little bit i'm declaring an interest there's no space to be hyperbolic in that especially given what we were accused of being accused of being anti-Semitic was disappointing because it lacked self-awareness, I think, his response.
14:19And I just want to say that, like, categorizing it as a spectacular misfire, right, implies that somehow the politics of the band or our stance on Palestinian liberation is not thought out. And as a more senior, experienced, he's a veteran artist. He's been in this industry for a long time. I think that there were other ways that he could have handled that question being fielded to him. And I take great issue with the phrase goose-stepping being used because it's only used around Nazi Germany. That's it. And for him to use that language, I think is disgusting. I think his response was disgusting, especially when you look at it in comparison to Chuck D's response, who is as equally seasoned in this music industry and is a veteran.
15:30And his response was, again, not because it was more favourable to us, but because he understood. But naturally, of course, Chuck D from Public Enemy is going to understand where we are coming from with our politics more so than Damon Albert. Do you, just to be really super basic, fuck the IDF, I think, dispassionately, would be quite relatively easy to defend, I think, from that political position, right? Death to the IDF is obviously a step up from that. What does it mean, in your view? Because you're saying the people who take from that, oh, if you see an IDF soldier, kill him. There were many commentators who would have put that interpretation on it.
16:26So I think I'm inviting you to give your version of what that means. And maybe even with the spirit of, can you see how some people might have seen it the other way? I mean, my whole issue with this thing is that the chant is so unimportant. It's so unimportant. And the response to it was so disproportionate. What is important is the conditions that exist to allow that chant to even take place on that stage. And I mean the conditions that exist in Palestine, where the Palestinian people are being killed at an alarming rate. Who cares about the chant? You know, it's like, what is it that is allowing for that chant to even exist?
17:31That's what the focus should have always been on. It's like... What does it mean? what's it what was it me death to the idf yeah you tell me what you think it means i guess my starting point is and and speaking it's you know because um we've got very different life experiences i'm conscious of all the privilege i've enjoyed um which is my long wind up to saying um i was talking to the team about this like i i don't think there's any chant that starts with death to that i'd be especially comfortable with even like death to capitalism death to capitalism death to pedophiles death to nazis death to you know someone who opposes the death penalty i suppose death to the death penalty it's kind of paradox but you know what i mean like it just all right let's take that okay i like that death to the death penalty.
18:33What's it mean? So death to, yeah, it means, so I think the construction you'd put on it is that it means an end to, but obviously... An end to? Yeah. An end to the oppression that Palestinian people are facing, an end to the apartheid regime that has been created. An end to that. End, end, the IDF does not rhyme. Wouldn't have caught on, would it? Do you know what I mean? Because that is what we're up there to do. We are there to entertain. We are there to play music. I am a lyricist, right? Def, def, the IDF rhymes. Perfect chant. The following week, people in the audience started chanting it and you said, no, no, don't stop that.
19:27You're going to get me in trouble. Because at that point, we had the criminal investigation was fresh. And I was unsure of what the legal ramifications would be. Is it legally okay now? The investigation's still going on. But people chant it at the show. Let them chant it. but at that moment as well I suppose it's important to to understand like where we were in terms of the the the media right um anything everything it was just like they're waiting there so they want to see like is he going to say it again is he going to think whatever so um in an attempt to make sure I wasn't shooting myself in the foot when it comes to the criminal investigation because the last thing I want to do is help London met.
20:25It seemed like the appropriate thing to do, you know. The other thing to reflect on is it was alleged that after the Glastoset there was an uptick in anti-Semitic incidents. Did you see that? Yeah, I saw it. The Community Security Trust, an anti-Semitism monitoring charity, they noted that 29th of June saw the highest daily total of anti-Semitic incidents in the first half of 2025. That's a report in The Guardian. What are they counting as anti-Semitic incidents? I don't know. Yeah, because I didn't see what they were counting as anti-Semitic incidents when I read it in The Guardian either. I wonder how you would find that out, because in the reporting, no one seemed to press on that quite key detail, like what are we claiming is anti-Semitic.
21:17But I do think it's fair to say that there's a lot of nervousness in the Jewish community in general. Is that in your head at all? The possibility of creating an unsafe atmosphere for the Jewish community? Me creating an unsafe atmosphere? Well, that's what you've been accused of, isn't it? Yeah, I don't think I have created an unsafe atmosphere for the Jewish community. if there were large numbers of people going out Bob Villain made me do this then maybe I might go oof I've had a negative impact here like again in that whatever that report what definition are they going by we don't know that so it's kind of hard to have a, to add anything to that, I suppose.
22:19We're going to find out. A little bit of suspense for people to listen to the end. Let's do justice to the level of the fallout. There was an American tour that was planned. And did Trump himself weigh in? I don't think he publicly weighed in. But Christopher Landau, the Deputy Secretary of State, he weighed in. I suppose the explaining it, we had US visas that allowed us to go and work in America. And somebody has tweeted their local senator or something like this saying these guys' visas should be removed. He then has talked to Christopher Landau and Christopher Landau has said, I'm going to sort this out.
23:08I then get an email saying your visa has been revoked. He then tweets out, done. That's how it took place? That's how it took place. You can go and you can look back at the tweets. So when the State Department spokesperson, Tammy Bruce, was questioned about it, and the journalist that asked the question, He said, for years and years, decades in fact, the mantra has been visa records are confidential. She didn't have an answer as to why in this specific instance the visa was removed publicly. So what's your point? My point is that they have done that specifically seeing the media attention and the discourse that it created and have sought to suppress that from happening any further.
24:15Any other artist doing a similar thing. It's a scare tactic. and also possibly to make us persona non grata. Don't stand next to this band. It might hurt your chances of getting your visa. It might show that, you know, you're supporting somebody that they deem, you know, a pariah. You got dropped by your agents? Yes. UTA, is it? Yeah, so they were, yeah. I mean, again, it should be... I don't want to put anyone in the shit, you know. The call came on the Sunday. We played on Saturday. On Sunday, that's when our agent called and was like, look, guys, I've got to let you go. He said that it's come from the most senior members of the company.
25:15He didn't have any choice. It was either we go or he goes. And even if he goes, we don't get to stay. We go too. So that was kind of like how that transpired. I don't, like, me and him are still, you know, he's cool. Is he still at UTA? Yeah, yeah, yeah. You could argue it became a massive distraction, right? And maybe it was deliberately weaponised as a distraction tactic. Owen Jones said in his commentary a day earlier, this is before Glastonbury, the Israeli newspaper Haaretz revealed that Israeli soldiers and officers had confessed they'd been ordered to shoot at unarmed Palestinians as they queued for aid.
25:57At the same time, Ted Cruz, the American senator, is using you and the chant as a stick to beat anyone who disagrees with Israeli policy with, like, I mean, that's an American senator with a huge international profile so i guess you it's a distraction but um in that sense maybe it's a tactical error even if you're leaving aside the morality of it or otherwise you could say you've you've opened the door to um the possibility of people weaponizing a chant and just getting obsessed with that instead of focusing on the real issue but they were doing everything they could to not focus on the real issue anyway.
26:38It's not like they were so focused on the well-being of Palestinian people in the first place and then, oh no, here comes Bob Villain and distracts us all and now we have to comment on this, you know? No, it wouldn't have changed their outlook, but you could argue that it gave them an opportunity to distract millions of people, hundreds of thousands of people and say like, here, this is the problem. it's not what it's not people being killed civilians being bombed and killed and children being bombed and killed in gaza the problem is we got a punk rock actor artist saying death to the idea that becomes a um an opportunity to misdirect well yeah but then even with you saying that like listen to how ridiculous it sounds do you know what i mean um it's ridiculous i think it i think it kind of worked for some though didn't it i don't know because i think shortly after they were done battering us the tide started to change a little bit in what way
27:49well i think having to have that conversation about the chant as they were all having amongst themselves it created this discourse within the media of is the chant right is it okay to say is it and it's about is it this is it that and then that gave platform to certain people maybe like owen jones that would come on and say well actually this is what we should be focusing on we need to focus the attention back onto gaza back onto the people of palestine and we need to and he's laying out facts and presenting his argument. I think it allowed for that conversation to have a new life almost because unfortunately people have short attention spans and watching people being killed every day in real time for the last two years so vividly, so prominently, I think a lot of people just got numb to it.
28:55They stopped even seeing these individuals as actual people, start seeing them as numbers. But it's disgusting. Who cares about the chant? Why is that the conversation that they're having? But I do think within that conversation it allowed to bring the issue back to the front page. Do you stand by the chant and would you chant that on stage now? Yeah, like what, if I was to go on Glastonbury again tomorrow, yeah, I would do it again. I'm not regretful of it. I'm not regretful of it. I'd do it again tomorrow, twice on Sundays. I'm not regretful of it at all. like the subsequent backlash that I've faced, it's minimal.
29:48It's minimal compared to what people in Palestine are going through. If that can be my contribution and if I can have my Palestinian friends and people that I meet from Palestine that I've had to flee, that I've lost members in double digits of their family, and they can say, yo, like your chant, I love it, or it gave me a breath of fresh air or whatever. And I don't want to overstate the importance of the chant. That's not what I'm trying to do. But like, if I have their support and they're the people that I'm doing it for, they're the people that I'm being vocal for, then what is there to regret?
30:37Oh, because I've upset some right wing politician, in some right-wing media. This feels apropos. This is from Pretty Songs, which I saw you perform at Glastow. The lyric is, no liberal lefty cunt is going to tell me punching Nazis ain't the way. That feels quite apropos to this conversation.
30:57Yeah, we should do like a project where you just read out lyrics that way you can read out the whole song. It's quite enjoyable. Is it? It's kind of my way, but you know, I know you're like, You're in a sort of grime punk genre, but rappers, especially where, you know, grime and drill artists, where they're like, I'm not telling you about any of that, I'm not talking about that. And then it's all in the lyrics, like basically full confessions. Yeah, except for they're doing... Yeah, yeah. Heady one. When I dug into the lyrics, I was like, well, let's see what's in the paper trail. In 2020, on England's ending, you said, this country's in dire need of a fucking spanking, mate.
31:36Spanking sounds relatively benign compared with some of the other things. Look it over, get the fucking dinosaurs out, yeah, and kill the fucking queen. That escalated quickly. She killed Diana, we don't love her anyway. That's it, I would have thought that would have got some pick-up. Did anyone react badly to that? No. I mean, I'm sure they would after your podcast. Thanks for dragging that up. You were trying to keep that quiet. No, I'm not trying to keep it quiet. I mean, it's there, isn't it, for everybody to go and listen to, but, you know. But that's the issue that we now face, I suppose, as a band that has been thrust into the limelight or whatever.
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32:18Because it should be noted that I was very, very happy with where the band was. Very happy. When people came up, they were fans of the band. The shows sold great and people bought the music. I was extremely happy with how everything was. And then we were made famous by the media, tabloids and the news, you know. And so now, all of a sudden, you have people that do not know anything about the band. And they will take the tiniest little thing, you know, lyric, or it and it's just and it becomes like a talking point and like a a way of getting their political agenda across you know it's just it's kind of like and obviously that's not something that we have control of um but that's that's where we are as a band so when when you say those whatever certain lines it's like it's not no of course not trying to keep it secret otherwise i'd just remove the song from streaming platforms whatever but it's more so those type of people that are not looking to enjoy the music they're not looking to learn about the band they're looking to just pile on you know um i don't feel any need in helping them do that you know
34:05This episode is brought to you by British Airways. You know, travel's always been an important part of my life, both personally and professionally. Growing up, me and my family, we'd travel to America every year. My dad's American and spend time on Cape Cod. We'd fly into Boston. And there was something about getting in touch with my American side. Although I sort of come across quite British, I'm more American than you might think. and seeing my family, being immersed in their love and also their oddity. Because, you know, they would talk like this and they had different breakfast cereal and they'd say, here's some Hershey's Kisses.
34:44And they didn't really sound like that. But that's the best I can do right now. Later on, I lived in New York when I was starting my work as a journalist, working on television and living in Brooklyn, flying back and forth to London. and then more recently I've been a bit more of a homebody but still once a year we get away to Greece, we go to Crete as a family which always feels like a break from the norm and a way for us as a family to kind of get in touch with each other to spend time together without the stresses and strains of the school routine or the workday routine. So travel has always been important throughout my life and how you get there obviously makes a big difference.
35:26Every one of us is an original and thoughtful touches from British Airways make every journey an unforgettable one. Everywhere we go makes us everything we are. So what will you be? To plan your next trip, visit BritishAirways.com. This episode is brought to you by Shopify. When I was younger, I always wanted to be either an astronaut or an athlete. I was a fast runner. I thought maybe I could make it to the Olympics or be blasted off into space. As it happens, neither of those dreams came true. I had to settle for being an award-winning documentary maker and international celebrity. Ah well, we've all had big dreams and it's never too late to make them happen.
36:08This is your sign to stop holding back and go for it, especially if your dream is to run a business. Because Shopify is making it easier than ever. It's there to support you every step of the way, from designing your website to marketing to product descriptions to sales. The list goes on and on. So give it a shot. Turn those dreams into... Sign up for your$1 per month trial and start selling today at shopify.com slash louis, L-O-U-I-S. That's shopify.com slash louis, L-O-U-I-S.
36:55Shall we talk about how you came up a little bit? I know you... Did you grow up in Ipswich? Is that right? Yeah. But I also spent plenty of time in London. You haven't done a huge number of interviews. Also, you used Bob Villain. That's obviously the name of the band, but you go by Bobby Villain as a, what would be the term, nom de plume. But there is a sort of certain air of mystique or mystery or even secrecy around aspects of you. Do you choose not to make too much of your private life public? Of course. Why? For multiple reasons. The band has always been political, right? Like before Glastonbury, whatever, whatever, Like the band has always been what the band is.
37:48And again, kind of like what I mentioned earlier is that we understand that there are people that do not feel the same way and they feel strongly the opposite way. So, of course, you want to make sure that, you know, your your privacy is is protected. And there is also this entitlement that people may have of like. Who do you go out with? Who's your boyfriend? Who's your girlfriend? Where do you live? How much money do you make? Do you have kids? Do you have this? Do you know what I mean? It's like I have no interest in giving them any more information than I have to or I desire about my private life, you know?
38:32Yeah, so I grew up in Ipswich. Did you feel like you were struggling? Because there's references to struggling in the lyrics. Yeah. Was it just you and mum? I've got other family members. yeah I've got siblings oh my god other family members yeah I've got siblings and I do have a dad as well shout out to the dad shout out to dad because the internet loves to kind of you know where was his dad I bet his dad's not in the picture like me and my dad do you know what I mean yeah yeah so yeah but yeah I mean yeah for sure we lived in like you know I don't want to go like oh we lived in the council housing like we lived in council housing and we We didn't have tons of money, but we kind of had what we needed.
39:19We had a roof over our head and we had clothes on our back and we had food. But obviously, there are reminders. Oftentimes, coming from my mum network, we don't have money. Do you know what I mean? You did a master's? Yeah, I did. Thank you for bringing that up. Yeah. No, but in all seriousness, it would have been easy to just be like, kind of paint a certain picture. but yes I did I did undergrad in music production and technology and then I did my masters in music and I have plans to do my PhD as well do you? yes you're going to get people he's middle class he's this and he's that he's educated himself into the middle class God forbid it is what it is but it is interesting because obviously like I see those things like on the internet of like because I got a double-barreled last name, because I went to university, there is like an assumption that like I'm privately educated, which I don't know where that came from.
40:28Does that bother you? No, I don't think, no, it doesn't bother me. Absolutely not. Is it true? Not the private part, but the idea that you lead a sort of, what would it be? a kind of middle-class bourgeois lifestyle? Absolutely not, bro. I definitely don't. What would that even mean to you? I suppose it would mean that, like, I have a relative... Shop at Waitrose. You probably shop at Whole Foods, though, don't you? Nah, bro. I'm an Audi guy. Are you? 100%. Audi, Lidl. That's what I'm shopping, man. Waitrose. You're mad, bro. No. I wouldn't. Do you know how expensive it is in there? It's crazy expensive in Waitrose.
41:08I haven't been recently. I've been there maybe once or twice and I'm just like, this is, yeah, this ain't it. But it doesn't bother me. Do you like the own brand stuff at Aldi? Like sometimes you're like, oh, that's just as good as, you know, whatever, like Heinz beans or whatever, you know, ketchup. But then I tried to get some of the cereal. You know, they've got this. I think you might need to pull them back. You know, they've got a cereal thing called Harvest Morn is their cereal brand. Yeah. And then you get like. Craves or whatever, six pounds. But Harvest Morn Choccy Pillows, whatever they are, they're like two pounds fifty.
41:45I don't eat that. That's a three pound saving. That's significant. I don't eat them. I have Wheat Abix. I'm not talking specifically that, but I'm making a general point. I thought I wouldn't know about them. I feel like he's filibustering me. They've got these clone brands. It's a slight obsession, sorry. I was going to make a point of how people's assumption of me being whatever middle class because i'm because of educating myself or whatever um is steeped in racism but we should probably talk about harvest morn and um and and cereal from audi and the deals that we can get sardonic dunk noted um the
42:30you know you reached out to me on insta didn't you say like you know if you want to do a chat let's hook it up and we did was there something that you wanted to i mean i think we've covered a lot but yeah what was it that you were thinking about would you feel like you haven't had a chance because piers morgan must have reached out and said i'd love to get you on the on the show right anybody you can think of everybody everybody and anybody you can think of fox news gb news all of that piers morgan and why did you not go on any of those well you know why everybody else But I suppose like, you know, those kind of shows are not looking to explore the nuances around anything that has taken place.
43:11They're not looking to have any kind of meaningful conversation before you know it. You know, they're kind of, do you condemn this? And oh, but you've said this and da, da, da, da. And you're not really given any kind of chance to speak. But, you know, so I figured I'd come here and listen to you talk about Serial. Oh my God, that's really become a thing. But what was it that you were thinking about or was there anything specific? What was the thing that, I'm advising you, I'm giving you a free hit. Yeah, no, I know, I do think we've spoken about a lot of it. I think it is important to kind of reiterate that the focus should have never been on the band and Bob Villain and it should have always been on the conditions that allow for that chant to exist.
44:04But you've got to own part of that, because the world is the way it is, right? The world is the way it is, but yes, of course, the world is the way it is, but the people with the power to change it are not changing it. That's really kind of what I wanted to get across. And also, I suppose, use it as a somewhat cathartic process of just speaking about it and adding my voice to the fight, I suppose. because, of course, we've been attacked like nobody else has, I think. Maybe I'm being naive or maybe I'm kind of focusing too much on self there, but I think we've been attacked to a degree that I haven't really seen anybody else attacked for speaking up about this issue.
44:48With a kneecap?
44:56That's an interesting one. it's an interesting one because as with everything race comes to play a part in that we're an easier villain no pun intended than they are because we are already the enemy so you don't really need to give much context as to why the british public should hate us um yeah that's that's that's tricky but i mean yeah you think they've had an easier right i'm I'm not saying it like that. I don't wanna say it like that because I'm not trying to compare the struggles of whatever, outspoken bans, whatnot. But I think it's important to look at that. I think it's important to look at the way that race plays a part in even the way this country presents its enemies.
45:52Ultimately, the fight is against white supremacy, right? That is what the fight is against. And I think white supremacy is displayed so vividly in Zionist. They'd say we're not white, we're Jewish, right? Yeah, yeah. People have written about this. You know, people have written about about viewing the Zionist movement and the war crimes being committed by Israel through the lens of white supremacy. I think his name is Yoav Litvin. He has written about it. He's a doctor of psychology. He's also a photographer, but he's a writer as well. He's written about it. And I think you can see it quite clearly when you start to look at the relationship between Israel and the United States, for example, where American police, American law enforcement have direct relationships with the IDF and are sent there to train.
47:02in Georgia they have something called the Georgia International Law Enforcement Exchange Program and it has been sending people to Israel to train for the last 31 years and those tactics are then exported directly to the U.S. soil and they are then used as we know disproportionately in black and brown communities in 2015 the Atlanta chief of police has said that the surveillance tactics used in downtown Atlanta were directly inspired by those that he saw in Jerusalem so I think it's important to not just view what Israel is doing as like they want to call it a war or a conflict It's a genocide, but it's not an isolated thing.
47:52It needs to be looked at and viewed through the wider lens of white supremacy and the impact that it has on people of colour throughout the world. I think I'd add to that there's an even more macro lens which you can put on it, which is that Jewish identity in the Jewish community as expressed in Israel has become almost like an acceptable, quote unquote, way of understanding ethno -nationalism. And so it's like they're prototyping an aggressive militarized form of ethno-nationalism, which is then rolled out, whether it's by people like Viktor Orban in Hungary or Trump in the US. It's become sort of a certain sense of post-Holocaust Jewish exceptionalism or Zionist exceptionalism has become a role model on the national stage for what these white identitarians would like to do in their own countries.
48:44Does that make sense? Yeah, absolutely. Absolutely. And I think that's the part. So I think there's a lot of cynicism about, because I think actually a lot of the people who are claiming to act as like friends of the Jewish community, that's the thin end of a wedge that will end up excluding Jewish people and excluding anyone who doesn't match the description of kind of traditional British racial type. Well, I suppose because, you know, we'll see that possibly play out in the United States. I don't want to say immediately, but, you know, in the possible not so distant future. Yes, big time. That is, that's the point I was making, you know, is that like there is, it needs to be viewed for a wider lens, a much wider lens.
49:34But I didn't, I noticed on Spotify that you got a date advertised in the US coming up. That's like probably from the tour that we aren't able to do. So that's not happening. No, no, no. Our visas have been taken away, so we can't go over there. But there is an assumption that we are kind of sat at home in tears about that. Yes. I should make it clear that we do not enjoy being in that country. We never have. In the US. Oh, yeah. We never have. And I think... But there's a lot to enjoy in America. Is there, tell me. You're putting me on the spot. Are there any Aldis over there? I think there might be, you know.
50:22There might be, or a little. It's so much culture. If you're a fan of music, just for starters, the birthplace of not just hip-hop, but rock and roll and R &B. It's obviously got vast divisions of wealth, economic disparity, all kinds of horrific things happen there. At the same time, there's all kinds of amazing culture and positive aspects to it. But you're talking more sort of a bit, it sounds like tourist-ish attractions, which are, I mean, like fine for a holiday, but working there is very strenuous. You know, you drive 10 hours and you're kind of still in the same state at some points. That's true.
51:09It's very hard to tour in terms of like the toll that it takes on your mental, the toll that it takes on your body. It's extremely expensive to tour there as well. You don't really make a lot of money, especially a band of our size. And I think the politics of that country have just really made it an extremely ugly place to be. I mean, seeing the difference even in such a short period of time of when we were over there in October last year, 2024, to being over there again this year in April and May, it just seems to have gotten even more volatile. When we got the visa taken away, I called Lil Bob and I was like, yo, they've just sent me an email.
51:55My visa has been taken away. Have you got an email yet? He's like, nah. I said, OK, well, expect one. Then there was a slight moment of silence. and then a unified sigh of relief. And he just said, well, at least we ain't got to go there anymore. And we both laughed. And it was like it felt like a weight because we loved the artists that we were going to do the support tour with, right? So we were not the headline. We were the support and act. We love him. He's wicked, amazing band. Grandson is his name. But, you know, like it really is just like you're counting down the days until you have to go and then you get there and you're kind of counting down the days until you can get home other bands may enjoy it they may really enjoy um being out there they may want to like kind of crack or break america we never really had that desire we kind of did it because it was something that the management pushed for um nah man i'm yeah we're right you know We're right.
53:01I really don't enjoy it being there. Your tattoos on your fist? Yeah. On your fingers? What does it say? Lavvy Hill. Lavvy Hill? Yeah, Lavvy Hill. Lavender Hill? Yes, Lavender Hill. Is it SW18? No, the one in Ipswich, not in South West London. Okay. Yeah. But I've also got it across my chest. Lavender Hill? A mural of it, yeah. And I've got an LH here as well that stands for Lavender Hill. Because you really liked Lavender Hill. It was an important place to me growing up. Yeah, it was like kind of the base for a lot of things at that time when we were younger, you know. What kind of things? Well, I suppose like, you know, you'd have great times there.
53:45You'd have bad times there. But like, you know, people would just hang out there. It was kind of what people call a frontline, I suppose, to the area or the estate or whatever, you know. There's lyrics that seem to suggest you might have dealt back in the day. there's lyrics to suggest that that's what i just said yeah you just said the same thing i did there's lyrics to suggest that yeah um but you know those cases statute of limitations yeah no but i've got a daughter do you know what i mean like and and yeah i've got a daughter so i've you know i'm mindful um but yeah like if if it were to have taken if those things were to take place that's where they would take place.
54:26I mean, I saw... I had some of the happiest times in my life there, but I also had some terrible times there. I saw a friend of mine get stabbed up the road from there. You know, it's just... But it means a lot to me. Where do you feel at home? Now we're going to get really deep, because I don't feel at home anywhere, if I'm being completely honest. Why not?
54:54I'm not too sure. I think it's because I'm always on the move and I've not been able to be comfortable anywhere for a long period of time. There's also a strange relationship that I have, I suppose, with this country as a whole in that I feel like I'm in it but not of it because it's been made so explicitly clear throughout my lifetime. and it continues to be made clear I think by some of the rhetoric that's being delivered by some of the politicians on the right on the supposed left it doesn't seem as though there's anybody representing me personally and I know that there are a lot of people within the within within the community that I come from that feel that same way I think seeing large numbers of pissed up people on a march to unite the kingdom, but seemingly leaving so many people out of that unity, it's hard to feel at home in a place like that.
56:10It's really hard to feel at home in a place like that. I'm sure your notes will tell you that the first time I was called a nigger, I was seven or eight years old. It was by the kid across the road. The last time I was called a nigger was this January by my neighbour at the time. It's hard to feel at home in a place like that. Certain people will never have to understand that. They'll never have to go through that. But that is something that from seven to now I've gone through and continue to go through. so that's probably why I don't really feel at home anywhere you know but I'm searching the room was quiet but it's gotten quieter went very quiet yeah no it's good because it's a serious issue hmm you know but I'm searching I am searching for that home I would call myself a pan-Africanist and so I do believe that maybe I might find my home somewhere else outside of the UK um many bright wing voters will be happy to hear that but um not not immediately at least you know I've still got work to do
57:37it's not an easy segue um it's going to come back to Aldi but maybe not what do you think about that when you what you just said yeah what do you think about that it's very i feel it's disappointing i don't mean that it's disappointing of you but it's disappointing that i suppose that um someone who comes across to me is british and also for me it's always like lives in london sees london as the lens for how i experience i guess the uk or england or I feel as though I'd like to believe that we are very diverse and that we have everyone. And by most I'm not saying like there's whites and then there's the diverse people.
58:23I mean, we're all part of whatever's going on. And what I hear you saying is that you don't feel part of it. It's not that I don't feel part of it because, of course, there are instances, there are moments when I feel part of it. And I suppose I feel most part of it when I'm abroad, especially in America right because and then I become I'm British you know I'm English well that's that's interesting right but when I'm here I think such a job is done to make me not feel that way when all of this happened I mean UKIP party which is like like who cares like they're barely in existence right but it was you know they used an AI image of me and said uh if we're elected we're going to deport Bob Villain.
59:07For real? How are you going to deport me? I'm born here. When was that? A few years ago when you kept... Farage is out there. No, no, no. Recently. Recently. It was on their Facebook page. Really? Yes, really. So it's weird. It's a weird existence, man. Because there are certain things that, like, I am just... I mean, I have a hard time being in other places because I am British. I'm English. but then when you're here you're reminded that you are other and i've been getting reminded of it every single day since glastonbury why is it that any of those uh right wing pundits or i don't know what would you call the the lot on stage at at this unite the kingdom March, whatever you would call them.
1:00:05Why is it that it's completely fine for them to critique this country and say, oh, it's going to hell, it's going to hell, they're letting the boats in, but when I say something critical of this country, who are you to say this about our great nation? why I was born on the same land that these people were born in but I say that thing I criticise this country and I'm told I have no right to the only thing that differs is one maybe our opinion and of course my skin colour um how are we going to glide into something did ice tea reach out uh not to my knowledge no you know about the reference he'd made a song called cop killer yeah he did though in the early 90s was a big deal because the police didn't like it surprisingly it's funny isn't it that like certain things at a time seem so extreme, or at least the response to them is so extreme.
1:01:23So Ice-T is cop killer, NWA is fucked police. But now you hear them and you're like, and I think that goes back to kind of what Chuck D was saying about like, you know, as you said, Bob Villan, but any artist that could be applied to, they don't have no tanks, they ain't got no bombs. So you realise that actually these individuals, these artists, They're not doing any real damage for the most part. True, although words can hurt and words, you know, inflammatory rhetoric, you know, especially if it's online, which obviously wasn't in your case, but can absolutely contribute to a climate that's extremely volatile and unsafe.
1:02:05Yeah, absolutely. But mine is through art. And I think, you know, as like many artists before, they have just documented the times that we're living in, you know. And Paul Robeson says, you have to pick a side. You either fight for freedom or you fight for slavery. And he goes on to say, I've picked my side. I've made my mind up. There was no other option. And I feel the same way. I've picked my side. I have to fight for freedom through my music, through my actions, through my activism, through my politics. That is what my fight is for. And, you know, if it means documenting the struggles that I or other people are going through, and that is met with sharp criticisms, well then so be it.
1:03:01Because I know that my intention is not to create division. My intention is not to put anybody at risk, any individual or any community. My intention is to bring about some sort of positive change. That's my intention. Because our politicians seem so hell-bent on the opposite.
1:03:32I'm doing that with art, man. like bro it's an uphill struggle it's an uphill struggle otherwise i wouldn't have to talk about the same things that ice tea or public enemy or rage against the machine or nina simone or curtis mayfield sang about it's good stuff you know like i wouldn't have to do that but unfortunately here we are and i've got to do it so i'm doing it
1:04:19welcome back did you find that interesting i hope so so a few footnotes to the chat that's what I'm calling it now, footnotes. Like, you know, like it's a book, like you're reading the podcast. We talked about the reported uptick in anti-Semitic incidents after the Glastonbury set. And Bobby questioned what data was being used to define what was an anti-Semitic incident. It was based on an article in The Guardian that was using information provided by the Community Security Trust. They use the IHRA definition of anti-Semitism, which is also the one adopted by the UK government and other governments.
1:05:01Nevertheless, it's also come under some criticism. We will link to an article in the show notes from The New Yorker, all about some of the controversy around the IHRA definition of anti-Semitism, And also we'll link to the definition itself. It's also worth reflecting that the Community Security Trust report refers to 26 incidents of anti-Semitism on the relevant day, 16 of which involved anti-Jewish responses to Jewish organizations condemning the chant. I'd also recommend, I mean, we also have a chat, you heard the bit where we're discussing whether the right wing of the Israeli political establishment is prototyping a kind of ethno-nationalism.
1:05:48There's a great book on this by Anthony Lowenstein I think it's called The Palestine Laboratory in which he talks about how techniques developed and deployed in the West Bank and in Palestine are then exported and used as instruments of social control around the world If you've been affected by the topics discussed in this episode Spotify do have a website for information and resources Visit spotify.com slash resources. And I think that's us done for this week, apart from the credits. The producer was Millie Chu. The assistant producer was Man Al-Yaziri. The production manager was Francesca Bassett.
1:06:31The music in this series was by Miguel de Oliveira. The executive producer was Aaron Fellows. This is a Mindhouse production for Spotify.
1:06:46This episode is brought to you by Shopify. When I was younger, I always wanted to be either an astronaut or an athlete. I was a fast runner. I thought maybe I could make it to the Olympics or be blasted off into space. As it happens, neither of those dreams came true. I had to settle for being an award-winning documentary maker and international celebrity. Ah well, we've all had big dreams and it's never too late to make them happen. This is your sign to stop holding back and go for it, especially if your dream is to run a business. Because Shopify is making it easier than ever. It's there to support you every step of the way, from designing your website, to marketing, to product descriptions, to sales.
1:07:28The list goes on and on. So give it a shot. Turn those dreams into... Sign up for your$1 per month trial and start selling today at shopify.com slash louis. L-O-U-I-S. That's shopify.com slash louis. L-O-U-I-S.
From the publisher
Louis is joined by Bobby Vylan, one half of the controversial punk-rap band Bob Vylan. In his first public interview since his contentious performance at Glastonbury - where he led a chant of ‘death to the IDF’ - Bobby discusses why he did it, the subsequent backlash and whether he still stands by the chant.
Warnings: Strong language and adult themes. If you’ve been affected by the topics discussed in this episode, Spotify have a website for information and resources. Visit spotify.com/resources
X Post: Visa Revoke by Deputy Secretary of State
https://x.com/DeputySecState/status/1939697586920997374?lang=en
Article: Chuck D defending Bob Vylan
https://www.independent.co.uk/arts-entertainment/music/features/chuck-d-bob-vylan-public-enemy-b2782798.html
Article: Damon Albarn comment
https://www.thetimes.com/culture/music/article/damon-albarn-interview-africa-express-8rsndnd85
Article: IDF soldiers shooting unarmed Gazans
https://www.haaretz.com/israel-news/2025-06-27/ty-article-magazine/.premium/idf-soldiers-ordered-to-shoot-deliberately-at-unarmed-gazans-waiting-for-humanitarian-aid/00000197-ad8e-de01-a39f-ffbe33780000
X Post: Ted Cruz thoughts on the chant
https://x.com/tedcruz/status/1939080845702083062
Song: ‘Pretty Songs’, Bob Vylan (2022)
https://open.spotify.com/track/4Xjs3lwUmT32IuYi9KoGRw
Song: ‘England’s Ending’, Bob Vylan (2020)
https://open.spotify.com/album/1kGFhr8FoPJ9jqV8AT0RDA
Article: ‘The Zionist Fallacy of Jewish Supremacy’
https://www.aljazeera.com/opinions/2019/1/9/the-zionist-fallacy-of-jewish-supremacy
Article: GILEE Program sending officers to Israel https://gilee.gsu.edu/files/2023/09/McDuffie-Progress-Gale-2023.pdf
Song: ‘Drug War’, Bob Vylan (2022)
https://open.spotify.com/track/2kKzKi8dT2NmjVQogIfSwK
Facebook Post: UKIP’s AI image of Bobby
https://www.facebook.com/TheUKIndependenceParty/posts/bob-vylan-is-going-home/1288462819315084/
Song: ‘Cop Killer’, Body Count (1992)
https://www.youtube.com/watch?v=2XihXOw634o
Song: ‘Fuck Tha Police’, N.W.A (1988)
https://open.spotify.com/track/5n8Aro6j1bEGIy7Tpo7FV7?si=e30bfbfb94694acb
IHRA Antisemitism definition:
https://holocaustremembrance.com/resources/working-definition-antisemitism
Article: Antisemitism definition controversy
https://www.newyorker.com/news/persons-of-interest/the-problem-with-defining-antisemitism
CST Antisemitic report 2025:
https://cst.org.uk/news/blog/2025/08/06/antisemitic-incidents-report-january-june-2025
Credits:
Producer: Millie Chu
Assistant Producer: Maan Al-Yasiri
Production Manager: Francesca Bassett
Music: Miguel D’Oliveira
Audio Mixer: Tom Guest
Video Mixer: Scott Edwards
Shownotes compiled by Elly Young
Executive Producer: Arron Fellows
A Mindhouse Production for Spotify
www.mindhouse.co.uk
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