In short
Cara Delevingne discusses her rise in 2010s fashion, her relationship with Karl Lagerfeld as Chanel’s muse, and how substance abuse led to sobriety in 2022. She also covers her sexuality, mental health history, and her pivot into music, including her debut album Not Normal.
Guest
Cara Delevingne is a British model, actress, and musician. She was scouted at 16 and signed at 17, later acting in Paper Towns and Suicide Squad. She became a major runway figure (including British Fashion Awards Model of the Year in 2012 and 2014) and Chanel’s muse for Karl Lagerfeld. She released singles “I Forgot” and “Out of My Head” ahead of Not Normal.
Key claims
Fashion industry insecurity and control can be mentally damaging; Lagerfeld’s comments were “brutally honest” but meant as compliments. Her drug use was tied to emotional regulation and escape. A paparazzi-captured airport incident after Burning Man marked a turning point, followed by an overdose and being narcanned at home. Music is described as a stabilizing force for staying sober.
Notable examples
Scouting at raves; Lagerfeld comparing her to Charlie Chaplin; test shoots involving underage nudity; overdosing after Burning Man; paparazzi “disheveled” airport photos; co-producing with BJ Burton.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOCara Delevingne's Journey and Fame
0:45 to 2:08
Exploring Cara Delevingne's rise in the fashion industry and her transition to acting.
“I don't know that much about fashion, can you already tell?”
Sober Journey and Music Career
2:08 to 3:34
Cara discusses her struggles with substance abuse and her journey to sobriety.
“I was right at the back in the VIP area, maybe even the VVIP area, I was among such personages as Paul McCartney and Woody Harrelson.”
Sober Journey and Music Career
3:48 to 4:48
Cara discusses her struggles with substance abuse and her journey to sobriety.
“which is why you should lean on Shopify.”
Post-Show Reflections
4:48 to 6:10
Cara and Louis discuss her performance experience and notable audience members.
“Yeah, I find it very hard to sleep after shows.”
Modeling Experiences and Industry Insights
6:10 to 7:25
Cara shares her experiences entering the modeling world and its challenges.
“For viewers or listeners, we should make it clear that we were in a venue, I guess it's called Leak Street.”
The Reality of Fashion Modeling
7:25 to 12:39
A candid discussion about the misconceptions of fashion and modeling.
“Can you talk a little bit about how it all took off?”
Karl Lagerfeld and Personal Reflections
12:39 to 14:00
Cara reflects on her relationship with Karl Lagerfeld and his perceptions.
“French-German, it always sounded like to me.”
Reflections on Beauty and Uniqueness in Modeling
14:00 to 17:14
Explore Cara's thoughts on beauty standards and the evolution of modeling.
“It's because of the time and Instagram and everything else.”
Discussions on Karl Lagerfeld and Controversy
17:15 to 19:18
Cara discusses her views on Karl Lagerfeld and the backlash surrounding him.
“Obviously, it was a sore point to read that stuff that she had written the day after he died.”
Experiences of Misconduct in Fashion
19:19 to 22:42
Cara shares her experiences with misconduct in the fashion industry and the normalization of inappropriate behavior.
“I remember going to, like, test shoots, which are photographers.”
Show all 28 chapters
Substance Use in the Fashion World
22:43 to 26:04
A candid conversation about Cara's struggles with substance use and the culture around it in fashion.
“But people thought it was on purpose, but it's because I couldn't walk properly.”
Mental Health and Family Dynamics
26:05 to 28:00
Cara discusses her mental health challenges and the impact of her family dynamics on her well-being.
“But there's also an element to escape in that, for sure.”
Navigating Childhood and Maternal Relationships
28:00 to 30:20
Explore the impact of Cara's relationship with her mother on her mental health.
“Well, I'm just wondering whether, because you've said in the past, oh, sometimes it felt like you had to be a mother to your mom a little bit.”
The Cycle of Anger and Self-Harm
30:20 to 33:10
Cara discusses her struggles with anger management and self-harm.
“But again, that anger is something I use.”
Understanding Vulnerability and Fear
33:10 to 35:50
Cara shares her feelings of abandonment and vulnerability in relationships.
“So if I want to feel closeness with someone, if I actually feel really vulnerable, I won't ask for that.”
Views on Marriage and Commitment
35:50 to 38:30
Cara reflects on her views about marriage, engagement, and the meaning of commitment.
“Would you imagine, do you see yourself getting married at some point?”
Identifying and Accepting Sexual Orientation
38:30 to 42:00
Cara discusses her journey in understanding her sexuality and identity.
“But it's taken me a minute to really understand that and also to have the same rights in terms of like being in hospital and kids and adoption and all of it.”
Reflections on Early Identity
42:00 to 43:08
Cara reflects on her early awareness of her sexuality and the importance of representation.
“Whether that was a process or something that was pretty evident quite early.”
Reflections on Early Identity
43:13 to 43:56
Cara reflects on her early awareness of her sexuality and the importance of representation.
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Johnny Depp and London Fields
43:56 to 46:47
Discussion on Cara's experience with Johnny Depp during the filming of 'London Fields' and its critical reception.
“Are we going to mention the Johnny Depp thing?”
Sobriety Journey Begins
46:47 to 48:51
Cara shares her experiences with addiction, a seizure at Burning Man, and the impact of public scrutiny on her sobriety.
“The hair after Burning Man I hadn't showered probably so there's just like sand.”
The Aftermath of Overdose
48:51 to 51:18
Cara recounts her overdose experience, the role of her girlfriend, and the emotional fallout of her actions.
“Like, was that part of the whole, was that a catalytic event?”
Creative Awakening Through Struggle
51:18 to 52:58
Cara discusses how her struggles led to a new artistic direction and the emergence of her music career.
“That was one of the most painful things that's happened to me.”
Navigating the Music Industry
52:58 to 56:04
Discussion on Cara's approach to music, collaborations, and resisting industry pressures.
“There's industrial noises, but there's plaintive melodies mixed in with challenging kind of blasts of...”
Music and Recovery Journey
56:04 to 58:28
Learn about Cara's perspective on music as her escape and her recovery from addiction.
“He didn't mind whether it was Spike or Spark.”
Online Battles and Celebrity Feuds
58:28 to 1:00:06
Exploration of Cara's experiences with online controversies and public perception.
“thank you music is my drug it's funny I did I did the sex and the drugs and now the rock and roll yes you know Vogue, Vogue, Vogue, Vogue, Vogue.”
Film Critiques and Cultural Commentary
1:00:06 to 1:01:53
Discussion on film ratings and the subjective nature of movie criticism.
“if you've seen it let me know what you think in the comments I checked it does in fact have 0 % on the Tom Automata.”
Film Critiques and Cultural Commentary
1:01:57 to 1:02:41
Discussion on film ratings and the subjective nature of movie criticism.
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Transcript
Automatic transcript. May contain errors.0:04Hello and welcome back to the Louis Theroux podcast.
0:16Today I'm joined in the studio by model, actress and musician Cara Delevingne. After being scouted as a teenager, Cara quickly became one of the defining fashion models of the 2010s, known for her irreverent personality, sparkling friendship group and distinctive eyebrows, which we talk about in the chat. Throughout this period, she walked for virtually every major luxury brand and became the muse of Chanel's iconic designer, Karl Lagerfeld. I don't know that much about fashion, can you already tell? At the height of her modelling career, she transitioned into acting, appearing in films including Paper Towns and Suicide Squad.
0:57Over the years, Cara has struggled publicly with substance abuse issues. She became sober in 2022, the journey to which Cara speaks about in our chat. Since becoming sober, Cara's embarked on a music career, recently releasing singles I Forgot and Out of My Head from her debut album, Not Normal, which will be released this summer, and which also deals with her recovery journey. That's sort of the inspiration for her creativity on the project. I was curious to speak to Cara, Well, as I mentioned, I'm not a huge fashion buff. This surprises you. Nevertheless, it's the case. And I thought, among other things, it would be a chance to explore the world of haute couture, catwalks.
1:41I've seen Zoolander 1. So I did a bit of research. Obviously, I did more research than that. But all the questions around what's sometimes characterized as both creative, avant-garde even, but occasionally overly controlling and maybe even toxic, we get into. We recorded this conversation in June this year at Spotify HQ the previous evening I'd attended Cara's gig in London, so we kick off talking about that. I was right at the back in the VIP area, maybe even the VVIP area, I was among such personages as Paul McCartney and Woody Harrelson. uh even for me that's elite company i didn't talk to either of them in case you were wondering um millie was with me and she seemed to want me to go over and maybe even coroll them as future podcast guests and i was like you know what really the cool thing is you got to find your moment and and play it very fonzie like you don't want to be going up panting like a fanboy.
2:46Anyway, the moment never came. I never found the inn. And at the end, do you remember they left through almost like a little secret hatch at the back, presumably to be bundled into choppers?
3:01If either of them want to come on the podcast, though. Oh, thank you. Amelie said, if either of them want to come on the podcast, the door is open to a conversation. We can't guarantee anything, but your application will be taken seriously. We also ran into some technical issues in the first five minutes or so of the podcast. So apologies for that. There's no video to begin with. It's not my, I'm not taking them hip for that. That's all on Spotify. A quick warning, this conversation contains strong language and references to drugs. All that, as well as much else besides, coming up.
3:45This episode is brought to you by Shopify. When you're starting a new venture, support is everything, which is why you should lean on Shopify. With tools to design an eye-catching website that reaches customers, Shopify is the ultimate business partner with a built-in support system. And you don't have to be a design pro to make an awesome online store that matches your brand. There's hundreds of templates for you to use. Shopify even has commerce experts to help you out so you can stress less and start growing. See why businesses like Gymshark continue to trust Shopify. Sign up for your$1 per month trial today at shopify.com slash louis.
4:31L-O-U-I-S. That's shopify.com slash louis.
4:48Did you have a late one? Yeah, I find it very hard to sleep after shows. Wind down? I was at the show last night, as you may know. I enjoyed it very much. Good. Guess who I was standing next to? I don't know. Were you thinking of guessing? Paul McCartney, yeah, maybe. Were you standing next to Paul? Yeah. I was going to say Charles Delevingne. That's what I thought. That was my second choice. That's your dad. That is my dad. What was Paul doing there? Because I know Stella and I've worked with Stella for a long time. Stella McCartney, fashion designer. Of course. And I think Paul and Nancy took a bit of a shine to me.
5:24Stella wasn't able to make it last night, but they came and it was very sweet. By the way, I enjoyed the show. It must be pressure. You knew you were performing in front of Paul McCartney. That's got to feel a bit like pressure, don't you think? Yeah, I tried for the London shows to not know who was coming, but then people text me so I know. My band didn't know and they found out afterwards and were gutted. Not gutted, the show was good but there were issues. Playing under a train track is hard because the vibrations. Really? There's so many wires and so many synths that wires wiggle out very easily so a lot of the time there was nothing in my ears.
6:04I couldn't hear anything. Really? But no one knows because no one knows what the music sounds like. so I could say anything or sing anything I wanted and no one would know. It's kind of fun. For viewers or listeners, we should make it clear that we were in a venue, I guess it's called Leak Street. Leak Street, yeah. And it was in a railway arch, which gives it a kind of cool industrial feel, almost like a cave. It's like a cave. Like the cavern of Liverpool legend where our friend Paul used to perform. There you go. But I didn't hear any train vibrations, but that made... Because you wouldn't be able to because it's so loud.
6:38But before I go on, you can hear it and it's loud. You can feel it too, almost. So apparently that's what happens. You're accomplished now in many fields. And it's also striking that you were twice named Model of the Year in the British Fashion Awards, 2012, 2014. You were one of the most recognisable figures in fashion, if not the most, with your signature eyebrows, which I'm looking at now. Still there. Do you get tired of being asked about those? Less now. It's been a while. It's nice hearing about them. They've missed the attention. Nice to have a signature. Yeah, I agree. I mean, I'm always curious about, I'd love to talk about your music, but I also want to talk about what kind of brought you to everyone's attention in the first place.
7:22Yeah. You were signed, how old were you when you were signed as a model? Seventeen. Seventeen as a model. Can you talk a little bit about how it all took off? What was the process? I had been scouted a few times, mostly out at raves, which was kind of funny. The first time I was scouted, I was 16. But I thought it was so funny that people thought I could be a model because I felt like a feral Chucky doll, to put it politely. But it happened a few times, and then I was at school. I dropped out of school. I was very depressed. My parents said, you need to have a job if you're going to leave. And I said, okay.
8:02my sister was at a modeling agency called storm that seemed like the best fit uh so i went there and it was not something i had a huge interest in i didn't have a huge interest in anything at that point apart from music really uh but i worked hard i worked really hard i did everything i needed to do i made some great friends along the way and then i got a job and i was like i've made it this is everything like this is what I can do for the rest of my life um because the idea of making money modeling felt really crazy because people really were not receptive to me for a long time I was small really small compared to people and how tall are you five seven and a half they'd put on my card five eight or five nine and for a model that would be considered small What would be a typical size for a model?
8:535 '10". Right. For runway, for sure. So in a way, you didn't fit the classical expectation of what you would look like. Yes. But nevertheless, you were blowing up. I don't personally think there was anything that striking about me. I didn't know that my eyebrows were very different to anyone else's, I guess. But at some point, Burberry took notice and they hired me. and I'm grateful to this day for that because I, yeah, it catapulted something. Was that a big moment? My notes, I was trying to find out, what was the moment when you kind of took off? You know, that you actually sort of, it became, we felt like, oh, this is the coming person, like this is the new face that we're excited about.
9:35I don't know. I actually have no idea. Have you blurred it out a bit? I think it's when people started comparing me to Kate Moss because I was small and we were the same agency. And I remember there were articles being like, the new Kate Moss, which wasn't great because I think I could never live up to that, to her. Obviously, it's a compliment. But I didn't believe it at the time. And it was exciting. It was so exciting. Like I had a job and I was so confused and shocked and seeing a billboard of myself and meeting new people and it was incredible. But it definitely didn't feel real and it definitely felt like it was someone else's dream though.
10:23Really? A little bit. Why? I didn't want to be known for that. Not in a bad way. I just... It wasn't my passion. and now I have such an appreciation for fashion but I I really didn't care about that stuff at that point creatively it didn't fulfill me and it didn't let me breathe in a way it felt like it was quite I had to like pause a part of myself like I was moving and working a lot but a part of me was stagnant from the world from the outside world obviously uh to the non-experts such as myself the world of fashion it looks glamorous yeah looks relative and this is gonna and i know it probably isn't but it looks relatively undemanding yeah you're like for sure this is gonna sound offensive no no you're like just walking up and down sashaying changing their outfits and um you obviously you're in the chair getting made up really boring probably early starts a lot of like just boring boring a lot of sitting around a lot of waiting people like you're such a good model and I was like what does that even mean it's not a skill it is it's it's there's a skill to it for sure which is talk about the skill well knowing angles and lighting and cameras and how to move and how to pose it's a weird skill it's not really skilled it is needed for anything else walking you can be good and all bad at walking but it is it is hard in the way that I also think you're constantly aware of what you look like before the age of social media even though it was happening during the age and the beginning of social media you become inherently insecure you are constantly worried about how you look and what you look like and that creates just a whole another level of I've never met people who are more insecure either not always but it does breed that so it's hard mentally and yeah there's a lot of sitting around and waiting and it's not as glamorous as people think i think a lot of the time you see the pictures when really it's models sitting on the floor waiting around smoking smoking so much yeah diet cokes all around you uh you had a partnership a sort of professional relationship with carl lagerfeld becoming his muse for designs for chanel carl said of you have you heard what he said charlie chaplin or that i've got that one as well she's not as i won't do the german accent carl Lagerfeld is a kind of...
12:58French-German, it always sounded like to me. German? He looks like he's out of Zoolander. 100%. He's the full caricature of himself. He's got, like, candy floss-like white hair in a ponytail, a collar with three buttons on the front of the collar that looks like a Harry Hill comedy collar. Really long. And then he's got his jackets, and then he's got pendants and necklaces around his jackets. And the fingerless gloves. Fingerless gloves and dark glasses. It's almost like, how can I look really sinister and intimidating? Yeah. You look at people in fashion like that and you're like, really? That's the guy deciding what looks good?
13:32Yeah. He said, she's not a standout beauty. Yeah. Was it Bacon who said, there is not beauty without some strangeness in the proportions? Yeah. He was brutally honest. Sometimes too much, probably. I think, yeah. But I agree with him. I think he meant it as a compliment. Yeah. But that's what I meant by the Kate Moss thing, is that, like, I always said, if I'd been around in the 90s, I wouldn't have been a supermodel. It's because of the time and Instagram and everything else. Because I don't think I stood a chance. If we're talking about really, like, superficially beautiful people, I don't think I compared.
14:14That's my own opinion. People can have different ones. He went on to say she's the Charlie Chaplin. Yeah. Here we go. Which I love. Of the fashion world. She's a kind of genius, like a character out of a silent movie. I would see her better in a silent movie than a talkie because she over-accents the movement. I think at that point I was so expressive. That's what he's saying. I hadn't had Botox yet either. Almost like a Louise Brooks, like the, what's the word, damsel in distress or the woman in the silent movie who's having to do it all with her movement, her face in a movement. It was always about slapstick comedy and just movement.
14:54Really? Girls admire her like they used to do Kate Moss. They all want to be as free as her. Free. Yeah. Were you aware of doing something differently? I was, and I wasn't aware of this, but in the 90s and 80s and models and everyone was celebrated for their uniqueness, And I think when I started, fashion became more like an army lineup. Everyone looked the same and was so scared to speak up. And like lack of food, lack of energy. Everyone's just very like, I don't know, doing their job, I guess. And I was also doing my job, but I did it in a different way. I was trying to have fun all the time.
15:40And again, that came from a lot of sitting around and waiting. I'm not good at that. you know I meant to be this like very buttoned up beautiful person but underneath I just want to make funny faces and I don't know I know I knew it was different for people because people really didn't like it and then people also really liked it it was confusing it was I was mom I and I liked that well it's I mean look I'm gonna make this about me which is I've found that the things that have given me whatever success I've had it's been I can't do the things you're supposed to do like conventional broadcasting stuff.
16:17But whatever your perceived, I know it's a cliche, disability is, you make it into your superpower, right? Isn't that the same thing? Yes. That's what you're talking about. Exact same thing. Jamila Jamil said of Karl Lagerfeld, he was a ruthless, fatphobic misogynist. I remember we had a tweet battle about it. Did you? Kind of. It was just after he died. It was like the day after. And I just landed in Milan. Okay. And I was so annoyed at her. I was like, just give it a second. Okay. He was a flawed human. Like, I get it. I understand. He said horrible things about women. But he was a really kind person underneath it.
17:04I mean, the fashion industry itself may be inherently misogynistic and fatphobic. But either way, I just think it was rude. We're fine now. Obviously, it was a sore point to read that stuff that she had written the day after he died. I think I, yeah, it came from a place of emotion and not rational thought. I love that you had a tweet battle. We did. That feels like the model equivalent of a duel, you know, with pistols. How do you Do you take turns Like they tweet Then you tweet Then they tweet No I don't know It was like a full rampage Because it was We both were writing a lot She's very sweet And I also think she You know Someone needs to have an opinion On all these things How do you decide When the tweet battle's over And who's won I don't know It's a really good question I don't think people win That's the point You just Have it out You say Your piece and I deleted that app.
18:09You know who wins? The people running the tech platforms. There you go. Right, driving the content, driving engagement.
18:20I'm sorry, I'm laughing because I want to move on from Karl Lagerfeld and then my eyes dropped on something else. Oh. But it doesn't... No, come on. Okay, fine. 2019, he said, if you don't want your pants pulled about, don't become a model. Join a nunnery. There'll always be a place for you in the convent. yeah i miss that well i mean anyway i've laughed and trivialized it that's a rough one uh if you don't want your pants pulled about don't become a model the kindest interpretation you could make is that he just means you're gonna you're gonna be fussed with oh i don't think he means like i don't think he means sexually assaulted maybe it does sound like he might what's interesting at that point during fashion the stuff that was going on in terms of sexual assault was so rampant That's why I was like...
19:04Really? Yeah, you're going to be fussed about with the... Again, you have to get so used to having so many hands on you that you have no idea whose is what and what is where. But did you just say that within the world of fashion, sexual assault was rampant at that time? Really bad, yeah. Go on. Well, I just, you know, I think... I remember going to, like, test shoots, which are photographers. Why would you become a photographer of models, a straight man? unless you have some want to sleep with models, right, I guess. It's a good way in there. Okay. I don't know. Maybe they want to do it because they really like taking pictures of women, sure.
19:42But you can't be a straight man and be a professional and not, you know what I mean? You can. Not try and sleep with models. I would hope. I didn't meet one. Really? Not at that point. And I'm talking about young photographers. I'm not talking about older, more established people. Yeah, they would set. So test shoots are they send models to do a test shoot, which is just photos for your book. So, but they would offer girls alcohol way too young, start being sleazy. I think I was pretty hard headed at that point. So I was like, this isn't okay. I just remember being on a shoot with like two girls who are younger than me, 16, 15.
20:21And their moms were there and they were like, okay, we want you to get naked and get in this bathtub together. And I was like, I'm not doing that. But their mom said, yes. And I was like, I'm the only one who's of age, and this feels really weird, and that photo is somewhere, and it's horrible. It looks like these young skinny girls in a bathtub, naked, being like... It's just, that obviously is not sexual assault, but there was a lot. You know, the age of Terry Richardson, and yeah, it was everywhere. Terry Richardson, he was like the New York photographer who... Loved getting his dick out. He'd get his dick out on when he was doing his photo shoots.
20:59um was it how how quickly were you making you know massive you know because you'd gone from not having any money left school 15 your parents are like well you can live here but we're not going to give you a lot of money like you've got to sort yourself out financially and then suddenly you're making millions a year no god no that took a while uh because high fashion doesn't pay a lot Right. It's the catalogue. It's the more commercial, fast fashion, I guess, you make more money from. High fashion, you're lucky to do it. Unless you do perfume, that pays the most for some reason. Behind the scenes, there was substance issues.
21:44Yeah. Can we say that? Yeah, yeah. The whole time? I mean, no, not the whole time. I wasn't doing drugs. All the time. But my relationship with them was the problem. Yeah, they were my best friend. They were my support. They were the thing that I could control my emotions with, I thought, you know. They kept me going. They soothed me when I was alone. I hated being alone. It was all of those things. My relationship with them was the problem. And it was like that thing of like I can work so hard and then that's my like celebration. you know instead of working for so long or doing a film for a period of time and having a week off the week wouldn't be a holiday and rest it would be benders caning it which isn't nice for the body or mind i suppose which can be fun right and then isn't sustainable no uh indefinitely was part of it um getting through uh fashion shows or you could you could you do those sober yeah yeah yeah that wasn't a problem i did the mostly sober i remember i did i think it was the biggest time and i was opening a bunch of shows opening shows like walking out first top shop was one of them it was a bunch of different shows yeah in london fashion week and i had not slept and i had to go and do like three shows that day I remember opening Topshop and I was walking like a snake, almost, like waving.
23:15But people thought it was on purpose, but it's because I couldn't walk properly. What had you been taking? Probably ketamine, cocaine, alcohol, I imagine. I read that alcohol was never really your thing. No, it was always there. I just wasn't what I liked. I wouldn't drink and not do drugs. I would, for a long period of time, I only did drugs. I didn't drink at all. I don't know why. I just didn't like it. I had the hangovers. Because I never got, I think in my 20s, I didn't, I never came down. I always felt like, you know, I was just working and partying and it was fine. But alcohol, like the feeling of being hungover, absolutely not.
23:58The spinning, any of that. Couldn't handle that. It also felt too out of control feeling, even though ketamine is, being in a chaos, pretty out of control, I would say. I've never taken ketamine. I don't know if I'm embarrassed to say that. No. What's it like? It's a horse tranquilizer. It's a tranquilizer in general because you can get given ketamine in a hospital. Okay. Not just for horses. No, I remember being sold like rhino ketamine, but it wasn't really rhino ketamine. It's just how people sold it. But yeah, and when I first started doing it too, I would do like, if anyone who takes ketamine or has taken drugs knows, you do a tiny bit of ketamine and that's enough.
24:41But I would be doing like really, really long, big lines because I just wanted to disappear, not like have a little bit and feel weird. I wanted to just completely lose consciousness, tranquilize myself, I suppose. suppose my tolerance was so high with that stuff to the point where i'd go to a party and i'd give some to like you know a six foot five man and he'd be flawed by doing a tiny amount compared to what i was doing which is always the same man or it could be a different man like a big guy would be like that's a lot you know i'll have that much and i was like no way this will knock you out and it It was kind of that bravado thing.
25:22He's like, if you can handle it, I can. I can. I was like, you do some of that and you'll be on the floor. And it was true every time. Which I was, at that point, it was a bit like, oh, I'm so hardcore. It was probably very scary for people. Did you think this is what we do in our peer group? Like, this is just part of, this is the scene. Were you escaping from something? Were you like, I'm having fun and I'm young and this is kind of the whirly gig? Like, live while you're alive. All of it. All of that. I was escaping, but I was also like, I work so hard. I get to have fun and I loved... I had so much fun.
26:00I have incredible memories and I wouldn't change any of it. But there's also an element to escape in that, for sure. There always was, I think. You mentioned earlier that when you were 15, you basically had some mental health issues. Would you call it a breakdown? for sure because i lost touch with not reality but i was suicidal and hurting myself and wanting to there was just the loudest voice in my head telling me i needed to disappear and all of it it was just not nice and i'd had that i had that when i was pretty young when i was a kid i just remember going into the sea and trying to swim and keep swimming until i drowned not that I thought like oh but I was like I'm just gonna swim and until I can't swim anymore you know your mom had has talking uh has talking what language am I speaking I've never heard you I went into my native German talking has talking about uh your mom spoken about her uh having mental health issues when you were growing up.
27:12Yeah, and I think that, and substance abuse on and off in some form. But also mental health issues and also physical health issues caused by a multitude of things. She went to Thailand and drank some tea by a monk that was meant to heal her and that caused her bowels to explode. That's when she nearly died when I was young. Really? And that was not her fault, you know. So that was really tough. You know, she was young and she had a colostomy bag and that was really, yeah, that was horrible. She's a medical marvel though. Doctors are like, the fact that she's up and walking and talking and alive is a miracle.
28:07Well, I'm just wondering whether, because you've said in the past, oh, sometimes it felt like you had to be a mother to your mom a little bit. And that experience growing up of, you know, whatever the difficulties that she was going through trickling down, was that part of what fed into what you were going through when you were 15, do you think? Yeah. How do you explain what was happening with you? uh yeah i think i spent most of my time concerned with my mother's well-being and health that mine didn't come into it and i was so tied and enmeshed with her ups and downs and highs and lows that whenever she was low i was low and i just that's when my sleeping problem started because i couldn't sleep sleep ever because I was so scared if I woke up she'd be dead or she wouldn't be there or you know I was always calling into her room and checking if she was breathing and stuff because I loved her so much and she had been sick and a lot of that wasn't her fault and it isn't her fault and there's a lot of peace I've made with it especially because of understanding substances and mental health now from my own perspective.
29:25I had so much anger, not at her, but at the world that I didn't release and I didn't let move through me. So I just took it out on myself. And she has a similar thing where the pain that she'd caused made her guilty. So she takes it out on herself. There's just a cycle. There's a pattern there, which is just, I feel so bad for what I've done. So I'm not going to let myself move on from it, which is, you know something I work with and work on a lot. Where do you think your anger was coming from? Was it part of that? Was it resentment at the position you felt you'd been put in or something else?
30:04Angry that I couldn't save her. Angry I couldn't fix the problem because I really thought I could. I think that's the root of where it came from.
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30:19And angry that the drugs and the mental health and all of it, like, took my mother away a little bit. Sometimes. But again, that anger is something I use. It's something I create with. It's something that, like, if I'm not angry, it's almost, I find it hard to, like, perform. Are you angry in relationships? so I used to not be and I used to be very uh I enabled angry people I used to just swallow everything and take anger from others because I felt like I could handle it and then I could hurt myself later with my own stuff or with it and now I I get angry and I'm trying to learn how to release it in a healthy way my poor partner has to be the brunt has to bear the brunt of that I try and explain to her that I was never like this like I've never been in a relationship where I like get angry at someone and scream and fucking and I don't like I never call her names I don't say like you whatever I just get angry because I can't I feel misunderstood or I can't explain myself properly not in a way that I ever am just trying to hurt her.
31:43It's just, it has to come out. Otherwise, I want to hurt myself. It's just really rough. Really? Yeah, yeah, yeah. Hurt yourself physically? Yeah. Just break, punch, scratch, cut, itch, whatever it may be. I just need to feel, like, yeah, feel pain. and I wouldn't sometimes be able to control that when I felt angry. It's usually a wall. I would just find a wall and try and slam my head into it. Whereas now I freeze because I have to stop myself from moving. But then the voice, the hatred for myself becomes really loud. It's really... That's a lot. It is a lot. Are you okay talking about this? 100%.
32:28It's, I like, not I like talking about it. I think it's important to talk about it because I don't feel like I'm alone in it. And if people feel less alone because of it, I'm also unmedicated, which some people might find crazy. Because these are all things that I'm sure medication could probably help. But as time's gone on, I've really learned my own remedies for it. And I like the way I am. And if it ever gets to a point where obviously it's dangerous for anyone else or myself, Of course, I will take myself off and figure it out. But what would be something that might make you want to bang your head, make you that angry?
33:10Can you give an example of something? Oh, yeah. I have a big abandonment thing. So if I want to feel closeness with someone, if I actually feel really vulnerable, I won't ask for that. I won't go, hey, I need help or a hug or to be heard. I'll almost poke someone, push them and almost want them, like I'll test them because in my head I start thinking that the person I love is going to leave no matter what I do so I start pushing them to see if they'll leave and if they leave then I've proved my point that everyone will leave me that no one could actually truly love me because I'm a monster that's like the root of it and then once I manage to make the person pull back.
34:00Everything is confirmed and I am an unlovable monster. I don't know. That if anyone really knew the real me that they would leave always. Are you jealous? Are you a jealous person? Are you insecure in that way? No, no, not at all. Not that. It's more, this is not a reflection of my mother at all, but it's that if she really loved me she would have been able to be better and if your own mother can't love you then that must make me the most unlovable person in the world and that is not a reflection of her because I don't believe that she could have changed or she but I there's like a deep thing that I can say it out loud and I know it's not true but there's like a that's the words I'm putting to the feeling if that makes sense it's not a jealousy thing it's not actually a physical thing of someone leaving it's it's an emotional leaving i think love should be really free and i i think if someone like me and my partner find it really important to talk about like people are attractive and this is that and that it's really it's nothing about possessiveness or jealousy are you poly no could you be no why not i've i've always thought in my head i was like i feel like i could do that i just don't this is why in the relationship i'm in now it feels like the first time i've ever really been in love because when you've taken substances out of it and everything else i feel like i would always sabotage the relationships i was in with substances and substances were always, or work was always at the front part, whereas now my relationship is the most important thing.
35:45Like, if that's not okay, I'm not okay. And that's probably unhealthy and that might be codependency and everything else. But Polly, no, I can't do it. Would you imagine, do you see yourself getting married at some point? Or making a lifelong commitment to someone? Yeah, I do. I really do. And I, yeah, I want a family really badly. Do you? I definitely don't want to have kids to fix anything, but I think it will really heal parts of myself that have a tough time having sympathy for the kid I was. Because I've done a lot of work with that and, like, yeah. Imagining a little kid go through the things I saw or went through, I couldn't imagine that.
36:31What do you mean? And what did you see in... I don't want to go into it because I do feel like that is a boundary thing. It's not fair to your family? Yeah. You just saw things you feel like you didn't perhaps need to see. For sure. Right? Yeah, which happens, you know. Yeah. I don't think that's that unusual. No, it's not. It's not. But I would love more than anything to have kids, yeah. Are you engaged? No. I have been engaged. Have you? Is that known? Oh, I don't know. Have we got a news line? Who were you engaged to? I'm not telling you now. Oh, I shouldn't have said that. My ear's pricked up.
37:18Oh, my God, I don't even know. Was that not known? I don't even know. I don't know who you were engaged to. Doesn't matter now. They're long gone. Sucks for them. I've been proposed to. I've also proposed to someone. Have you? Yeah. Who did you propose to? I'm not telling you. Who were you proposed to by? I'm not telling you. I'm striking out all over the place. I have to have some mysteries here. I love it. Okay. Just knocking on the door. No, but I also, it was something about actual marriage that I really didn't believe in, but it was engagement that made me feel like they might not leave me.
37:52So it was like, oh, if we're engaged, that means there's an extra line they have to go to to leave. But I actually never wanted to get married. Like, that really scared me because I'm such a, I really believe in freedom and not in the sense of, like, doing whatever I want. But I think whenever I feel tied down to something, it makes me go, wait a minute. Wait a minute, that feels funny. And also in the sense that marriage in terms of, like, the patriarchal society and the heteronormative version of that and, like, for land and for religion and all of that is not something I'm down with. but I do believe in like a spiritual union and a commitment and I think there is a beauty in that.
38:33But it's taken me a minute to really understand that and also to have the same rights in terms of like being in hospital and kids and adoption and all of it. Yeah, it makes sense. You grew up, you came out, you know, basically I think you identify as being lesbian and for a while you identified as pansexual, I think? Yeah. And maybe bisexual for a while. Yeah, because I think men are attractive. I think if you're a lesbian, you can still find men attractive. But I don't... I've never been in love with a man. So I think that classifies me as a lesbian. Did it take a while to figure it out? Yes.
39:15Why? Because it's hard being gay. I think basic human instinct is to go for an easier path, which I hope I'm not. You can't fight against who you are. In my little bubble, it's 2026, and many of those old taboos or prejudices about what it means to be gay have been exploded and dispelled. We've openly gay people in almost all walks of life, with a few exceptions. Obviously, men's football is a big one. Women's football, not so much. Gays everywhere. Gays everywhere. Find a straight female footballer. They're all for you. That's a joke, obviously. But in most other areas with politics, business, culture.
40:06I think in religious communities, Christian, in black communities, it's tricky. I think in America, it feels like things are going backwards a bit in terms of drag. But for you, if you could speak to your experience. I think there was always an element of people poking fun at it which was fine because I did it too but people close to me because also I guess I didn't feel very seen for it but I also know that my own personality is I would take the piss of myself brush it under the rug and not want to talk about it but there's a part deep down that you always want to feel understood a bit more By who?
40:51By straight people in your life who love you, who don't understand that experience. Sure, but broader than that. Family as in, like, my friends who are family and stuff like that. Yeah, like, by anyone. You felt like there was a default? Like, of course, we assume Cara's straight. Like, it never crossed our minds that she might not be. Therefore, there was a direction, a momentum, where it would have felt that you were fighting the flow of it. As an actor, Harvey Weinstein called me up and said, are you gay? And I was like, what do you mean? And he was like, you should never be in a relationship with a woman.
41:32I was definitely... Because he'd seen you out with a... Just paparazzi, you've noticed me with women. I'm just saying you'll never make it in the industry if people think you're gay. And I really believed him and I really took that to heart. Although that's slightly different because that's being out to the public. But behind the scenes figuring out what your identity was. What I was also thinking about, like, admitting to yourself, like, I'm gay. Whether that was a process or something that was pretty evident quite early. Well, now I look back on it, it was super evident really young. I knew at, like, 11 years old I had this one friend that I was like, oh I think I care about her more than she likes me and I don't know how but I do it was obvious now but then it really wasn't and I'm very proud of it now and I think when I started talking about it and being open about it I felt like there was a lot to fight for still at that point in terms of shows about gay people and you know people to look up to for younger kids I thought it was super important but maybe I hadn't also accepted it fully in myself I wanted to be that role model that I didn't have I suppose
43:08this episode is brought to you by Shopify when you're starting a new venture support is everything, which is why you should lean on Shopify. With tools to design an eye-catching website that reaches customers, Shopify is the ultimate business partner with a built-in support system. And you don't have to be a design pro to make an awesome online store that matches your brand. There's hundreds of templates for you to use. Shopify even has commerce experts to help you out so you can stress less and start growing. See why businesses like Gymshark continue to trust Shopify. Sign up for your$1 per month trial today at shopify.com slash louis.
43:54L-O-U-I-S. That's shopify.com slash louis.
44:10Okay, you ready? Are we going to mention the Johnny Depp thing? Sure. What part of it? He was driven crazy by the idea that Amber might be sleeping with you. Mm. Mm-hmm. Am I meant to comment? Oh. Yeah. It's because we did a movie together, and it was called London Fields. He was also doing the movie. I think he was pretty driven crazy by jealousy, I suppose. Nothing was happening at that point. Later after they divorced it, I suppose. You suppose? No, I don't suppose. I do. No. Yeah. An entanglement? What is the word? You tell me. Yeah, I don't know what that means either. Well, I know what an entanglement is.
44:59What does it mean? Is it bad? I think it means a relatively short-lived liaison or series of... We were closed for a long time. Physical encounters. And then when they were going through the divorce, yeah, we were entangled, I suppose. But she was also entangled with other people. Well, with Elon. There you go. Luckily, London Fields turned out to be... Terrible. What? Well, it's in a very select group of one of the films that's got 0 % fresh rating on Rotten Tomatoes. That's quite elite company. It's like I've won a Razzie, basically, is what you're saying. I love it. Is it? What kind of... Obviously, I'm a fan of the book it was based on.
45:45Oh, the book is incredible. Martin Amis. Martin Amis, genius. The cast is amazing. The cast is great. Your good self, Amber Heard, Johnny Depp in an uncredited cameo. Jason Isaacs, Theo James, Billy Bob Thornton. Could you tell it was going to be quite as bad? You never know. Do you not? It seemed like it was going to be kind of major, to be honest. Did it? Kind of. Well, with the cast. The book, the script was so good. Was it? The New York Times called it, quote, horrendous. A trashy tortured misfire from beginning to end. Yeah. Andrew Barker of Variety said, sometimes you have to try to adapt a seemingly unadaptable book just to learn how truly unadaptable it is.
46:29Yeah. That's really well said, to be quite honest. I have to be honest that's really yeah well done let's get back on track we were talking about sexuality yes which brings us to it doesn't really but that's my segue your sobriety journey yeah I mean and that's going to lead us up to your your music and the album but there was kind of a rock bottom point wasn't there which passed me by to be honest nevertheless it was a big moment apparently in the culture you were photographed at an airport looking disheveled is the best sense I can make of it disheveled yeah mentally unwell for sure not lack of sleep I just had a seizure really I was not sober for sure coming back from Burning Man Burning Man and then had you been caning it at Burning Man quite hard yeah and then you just sort of hit the buffers yeah I was taking a lot of drugs and I there was a certain amount of time we had to leave and I was carrying out, I always overpacked for Burning Man I was just carrying loads of suitcases and my body just couldn't take it and I had a seizure which again, never seen myself have a seizure but I've had a bunch In the past, had your seizures been just purely medical?
47:49Drug induced. Either lack of drugs or too many drugs yeah and it was captured by paparazzi not the seizure no oh god no sorry yes you need you don't you don't understand so no no one saw that got home desperately trying to find more drugs because i don't know home to la la before i get on another flight hadn't slept maybe found some drugs at the house, did them, went to the airport, got out without shoes, hair. I had had so much stuff in my head. The hair after Burning Man I hadn't showered probably so there's just like sand. Hair looks crazy. You can just see it in the eyes. I look absolutely wild and feral and not well.
48:36And I'm just like smoking a cigarette wearing a free Britney t-shirt or something. She was still in her conservatorship at the time. I don't know. Britney is free now. She's free. She is free. So, and then how did that lead to you, to the recovery journey? Like, was that part of the whole, was that a catalytic event? Yeah, for sure, because people saw it. It was everywhere. I lost jobs. That sucked. People were really worried. That sucked. I got so many messages. It was horrible. You lost jobs because people said, like, this, what people think, like, this isn't a good look. You look out of control and weird?
49:17Yeah, it's not a good look. As a model, you're meant to upkeep the brand's standards in some way. Like it's in contracts that you sign. You can't like... Really? Yeah, yeah. So, you know, they didn't directly fire me because of it, but they didn't like renew contracts. It went a bit quiet. It's super quiet, yeah. Everyone went very silent. and I knew I needed to get sober so I medically was weaned off of GBL which probably is the hardest one to come off but I couldn't do it at home I couldn't deal with the getting sober and realising the more I was sober the more I realised how badly I fucked up and that just was too much so I couldn't stay sober and then I overdosed because I think there was opiates in the cocaine I think I'd bought or something.
50:13So I was narcanned, was in hospital, and that's really when everything happened because when I woke up. Where were you narcanned? At my house. Who narcanned you? The ambulance people. For people who don't know, it's the kind of quick fix, knocks the fentanyl off your neuroreceptors and you come out of it like that. You revived, almost in the middle of overdosing. Yeah. And I was being held down by men to a thing and I didn't know what was happening. It was horrible. How did they know you were there? My girlfriend called the police. Really? The ambulance, police, whatever. Because she's like, oh, we're losing.
50:51This is, wow. Yeah, horrible for her. What's it like coming out of a, you just become aware? I wanted to die. Really? Immediately. I was like, I can't. Because you go straight into a withdrawal. Yeah, and you know what you've just put people you love through. And you see the pain in their face. The shame. Oh, that makes me want to cry. And it's horrible. It's hard to forgive yourself for that. That was one of the most painful things that's happened to me. So doing that to someone else is really rough.
51:30So then? So then I realized I really needed to go away. Made the decision to do that. Had some incredible sober people that I look up to. I had one person say to me, if you stay sober for a year and I check in on you in a year and you've stayed sober, I'll buy you a kilo of cocaine and see if you want to do it again. And I didn't. Because that's how sure someone is when you've reached that point that if you stay sober for a year, you'll never want to go back. And that's true for me personally. not everyone is so lucky uh that was the last time for some reason something changed that time it wasn't fun anymore none of it was fun anymore and I was so desperate that I was praying every day for it to end the that cycle and I wanted to create something good with it so yeah that's the kind of opening I guess to music because music was always there and I loved it so much but I got sober and until I really forgave myself for everything and until I really loved all of it loved the dark loved the light loved everything in between and that's where an artist emerged because that's where the point of view came from that's where I could find the polarities of being human and put them into an album and that's really putting to the test how much do you really believe in it how much do you really want to do it and the answer is badly and and and yeah this is the beginning of something really special I want to continue to make music I think it's probably something that keeps me sane and sober 100 % so are you kind of a multi-hyphenate at this point or do you have a main thing like are you going to put everything into music is it going to be something that you mix with other other stuff for the meantime i think i've never been a super focused person but actually i work really well with routine and focus so it is it is the priority it is the thing that i wake up thinking about after my girlfriend's music and i don't know that's like i don't know it's it's it's different for some reason i was thinking about genre uh And you've got two main tracks out at the moment, correct?
54:02Mm-hmm. Called... I Forgot and Out of My Head. I Forgot and Out of My Head. It's some experimental melodic pop. Sure. It's kind of like the tunnel. It's quite industrial and processed. There's industrial noises, but there's plaintive melodies mixed in with challenging kind of blasts of... Distortion. Distortion, yeah. And it's kind of unpredictable and you don't really know what's going to happen next. Co-produced with BJ Burton. Yeah. So is he your creative partner, kind of? Do you write on your own or do you write with someone? Do you write with BJ? I write on my own and then I have collaborators that I write with in the studio.
54:53BJ, we co-produced together. Who's the architect of those experimental sounds? BJ and me I mean both of us Both He's the sound person Because you could take that song and do a million things with it You could play it on a guitar You could have a chamber orchestra That's how it all started I think he introduced me to a lot of it But yeah, he was the architect behind the sounds How they were arranged And I guess modifying them because I had to pull him back from how much distortion and stuff there was. I admired the level of... When you first heard the song, okay, and then the big blast comes in, I was like, okay, I like that.
55:35Good. Yeah, it's good. You had a development deal with Simon Fuller, who used to manage the Spice Girls as well as other people back in the day. You eventually turned him down because it said that he wanted to change your name. Is that true? Yeah, it was before modeling took off and I wrote a bunch of songs with producers he put me in the rooms with. And he was like, these are good, but it's not what we're looking for. We want to cut your hair and dye it green and your name will be Spike or Spark. I can't remember. For real? Mm-hmm. He didn't mind whether it was Spike or Spark. No, I just don't know which one it was.
56:16It was one of them. They showed me a single presentation. I have no idea. They are different, right? Well, it's either because it's spike, because I remember green spiky hair, or spark because it looks like I've stout my finger on a spark plug. I have no idea. Were you tempted? No. No, because music is precious. I just knew I was going to do it one day, just not then, and my own way. So you're in your mid-tour. You're going off to Paris. You've got some dates in America. Mm-hmm. How does it all feel? It's getting better, but there's like... What do you mean it's getting better? It's good. No, it's good, but I just know I can do more.
56:58But maybe not with this tour. There's just like already while I'm doing this and talking about these songs, they feel old and I want to write new. I'm already back in the studio and next album and all of it, even though I am very excited about this one. It's funny because when people hear things for the first time, artists have been working on them for so long. So it's like... Of course, you promote things that you made two years ago and you're like, I can't even remember making that. You get a bit disconnected from it. Is it still ups and downs, like the normal things? Yeah. You're not in this sort of sunlit uplands of post-recovery?
57:33No, because that's also just not possible. No, because also that ends quite quickly. The pink bubble, they call it. Do you still do meetings? No. Which is bad, probably, but it's not my thing. Are you completely sober? Yes. I have control, but once something enters me, I lose control, right? That's the point. But I think there's medicinal hallucinogens, which can be okay at some point. I just don't know if that's a thing for me, but we'll see. Apparently, they're good for PTSD. Better than ketamine, I think, guys, everyone. The hallucinogens. I do think so. Apparently. I haven't got there yet.
58:15I haven't decided if that's for me. we'll see well listen congratulations on getting this far and everything you've accomplished thank you thank you for coming by thank you music is my drug it's funny I did I did the sex and the drugs and now the rock and roll yes you know
58:49Vogue, Vogue, Vogue, Vogue, Vogue. That was the, you know the echoey bit in Vogue by Madonna? That's what I was doing there. Sachet, Chanté. That's RuPaul. Millie's written, Twitter battle with Jamila Jamil. Have you ever been in an online fight? I mean, that's mainly what the online arena is for. I've been quite scrupulous about trying to avoid getting in fights. I honestly don't think I have. I've obviously been attacked multiple times, people spoiling for fights. When I sent out my now legendary tweet, mark legendary off your bingo card, about Michael Jackson being a paedophile, there was quite a lot of comeback.
59:31And I think one of those, I came back to his comeback. And he came back to that. That's not the right verb. He responded, and then I left it there. as I said in the chat no one wins I'm trying not to uh dilute or destroy my online persona as a nice person Attenborough Brian Cox the astronomer not for me to say who's the third one London Fields the film I didn't watch it for the chat uh there's only so many hours in the day if you've seen it let me know what you think in the comments I checked it does in fact have 0 % on the Tom Automata. It's certified maximally not fresh. Other 0 % fresh films, you're wondering, I knew this one anyway, Pudsey the Dog, the movie.
1:00:26I used to live near the director and I'd see him out walking his dog. And it's hard not to project because I don't think he directed any films after that and it was hard not to project a kind of sadness onto him which may have been completely inaccurate he might have been loving life but i was like there he is with his dog walking off all the anguish he feels from having made one of the worst films of all time but you know those numbers are bullshit millie if you're on your game you would have said um my scientology movie gets such and such percent or the manosphere film gets such and such percent I think you looked it up and it wasn't low enough to be funny Is that what happened?
1:01:09Yeah, it was Is it? Annoyingly, yeah
1:01:14So there you go A little insight into the mind of Millie Chu I wouldn't call it sadistic But just mischievous There was no value to be extracted from a high score For my output So it goes unremarked upon That's it for this week Apart from the credits The producer was Millie Chu The assistant producer was Man Al-Yaziri The production manager was Francesca Bassett The music in this series was by Miguel de Oliveira The executive producer was Aaron Fellows This is a Mindhouse Studios production for Spotify
1:01:53This episode is brought to you by Shopify When you're starting a new venture, support is everything which is why you should lean on Shopify with tools to design an eye-catching website that reaches customers. Shopify is the ultimate business partner with a built-in support system and you don't have to be a design pro to make an awesome online store that matches your brand. There's hundreds of templates for you to use. Shopify even has commerce experts to help you out so you can stress less and start growing. See why businesses like Gymshark continue to trust Shopify. Sign up for your$1 per month trial today at shopify.com slash louis.
1:02:39L-O-U-I-S. That's shopify.com slash louis.
From the publisher
Louis is joined in the Spotify studio by model, actress, musician and owner of the world’s best eyebrows, Cara Delevingne. Cara tells Louis about the moment she knew she had to get sober, engagement rumours, and being Karl Largerfeld's muse.
Warnings: Strong language and adult themes.
Links/Attachments:
Song: I Forgot, Cara Delevingne (2026)
https://open.spotify.com/track/02zcxkBgtRdpHovTLgJRl1
Song: Out of My Head, Cara Delevingne (2026)
https://open.spotify.com/track/5ExQZsB1FkAemKYykuvDUv
Film: Paper Towns (2015)
https://www.imdb.com/title/tt3622592/
Film: Suicide Squad (2016)
https://www.imdb.com/title/tt1386697/
Film: London Fields (2018)
https://www.rottentomatoes.com/m/london_fields
If you've been affected by the topics discussed in this episode, visit spotify.com/resources.
Credits:
Producer: Millie Chu
Researcher: Maan Al-Yasiri
Assistant Producer: Maisie Williams
Audio Mixer: Tom Guest
Video Mixer: Scott Edwards
Production Manager: Francesca Bassett
Music: Miguel D’Oliveira
Executive Producer: Arron Fellows
A Mindhouse Studios Production for Spotify
www.mindhouse.co.uk
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