In short
Men feel lost as old institutions fade; Ronson explores how purpose collapses, how platform incentives and “culture war” shaming shape behavior, and how AI can manufacture false purpose.
Guest backgrounds
Jon Ronson is a writer/storyteller known for investigating extremists and “culture wars” (e.g., Them: Adventures with Extremists; Things Fell Apart). He works by persuading people to talk and calls investigations “Adventures.”
Key claims
Men (and many women) are adrift; some withdraw from society (millions of unemployed/non-job-seekers) while others lash out. “Toxic masculinity” labeling is unhelpful; the manosphere is overused. Mainstream media increasingly mimics social-media shaming. AI’s obsequiousness can intensify delusions and erode jobs.
Notable examples
Ronson’s son lured to a Gothic “castle” party that was actually “101 Princesses,” leading to ominous messages and alleged “murderers” on the owner’s payroll. Former YouTuber Greg Chisholm spiraling into extreme content via algorithm incentives. ChatGPT boosting a Toronto headhunter’s false cybersecurity “breakthrough” until it admits role-playing.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOExploring 'The Castle' and Its Themes
2:44 to 4:52
Discussion about Ronson's book 'The Castle' and its characters.
“And yet, even in the midst of material like that, there are moments of humour.”
The Start of an Unusual Adventure
4:52 to 6:17
Ronson shares the story of a bizarre party invitation involving his son.
“And here's what happened when John Ronson joined me from his home in upstate New York.”
The Reality Show and Its Implications
6:17 to 10:46
Ronson discusses the reality show twist and ominous messages he received.
“I'm asleep and I wake up and there's a series of texts for my son.”
Comparing Lives of Men in Change
10:46 to 12:44
Ronson reflects on how societal change affects men's identities.
“He's got a team of investigators investigating me.”
Empathy for Modern Men
12:44 to 14:00
Discussion on the challenges and stories of various men today.
“Because you've got this cast of characters, including people who are influencers and YouTubers and former YouTubers.”
Understanding Men’s Place in Society
14:00 to 14:39
Exploring the narrative around men feeling lost in contemporary society.
“And that kind of story could easily be a woman, couldn't it?”
The Impact of Fatherhood on Masculinity
14:39 to 16:42
Discussing the influence of parental expectations and personal experiences on masculinity.
“I decided to focus on men in this book mostly because I thought nobody's written anything about this sort of huge shift in power in the way that I would write about it.”
Conflicting Ideologies About Masculinity
16:42 to 18:27
Analyzing the conflicting messages about what it means to be a man today.
“By the way, speaking of stoicism, another theme that comes up in the book is how a lot of men feel like they're being tossed around in a sea of conflicting ideologies about what being a man actually means.”
The Future of AI in Business
20:37 to 21:33
Discussing the relevance of AI skills in the corporate world and education.
“You already know how AI is changing how everyday work gets done, how much ground you can cover, and how fast a team can scale.”
Navigating the Concepts of Toxic Masculinity and the Manosphere
21:33 to 27:23
Exploring the terms 'toxic masculinity' and 'manosphere' and their implications.
“Obviously, John, I'm curious about what you think of two key terms, if you like, which are bandied about a lot.”
Show all 16 chapters
The Evolving Nature of Public Shaming
27:23 to 28:01
Examining the shift in public shaming dynamics and its impact on society.
“We were both thinking the same thing at the same time.”
The Media's Evolution with Social Media
28:01 to 30:00
Explore how mainstream media has adapted to and been influenced by social media dynamics.
“It reminds me of that Bob Dylan song, Who Killed Davey Moore, about a boxer who dies in the ring and every verse says, well, it wasn't my fault, says the referee, it wasn't my fault, say the audience.”
Men as Influencers: A Career Path?
30:00 to 30:46
Discuss the alarming statistic that many boys see becoming influencers as their only career option.
“You were talking earlier about the searching for work and people trying to earn a living as influencers.”
AI's Impact on Purpose and Employment
30:46 to 34:18
Delve into how AI creates a false sense of purpose among people, particularly affecting men's job prospects.
“And it may work for some people, but my goodness, does it not work for a lot of people.”
Conspiracy Theories and America's Cultural Landscape
34:18 to 37:10
Investigate the rise of conspiracy theories in the U.S. and how they relate to cultural perceptions.
“I admire the stop AI movement because I think they can see how awful this could go.”
Positive Interactions in Polarized Communities
37:10 to 41:29
Highlight the importance of face-to-face interactions in diverse communities despite political divides.
“And yes, people care a lot about the First Amendment and the right to free speech in the United States.”
Transcript
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1:35A lot of men feel like they're being tossed around in a sea of conflicting ideologies about what being a man actually means. We're living in a time when people are adrift from the old structures and the old institutions and are feeling without purpose, and I really empathise with that. John Ronson, writer and storyteller. So men are right to be confused about their place in the world and their roles right now. I think I understand when some men do feel that way. The world has changed shape and what is that doing to their inner lives? They're like balls in a pinball machine. Be like this, no, be more like this, no, be more like this.
2:16From Bloomberg Weekend, this is The Michelle Hussain Show. I'm Michelle Hussain.
2:25I think of John Ronson's work as being about unusual people and often undercurrents in society. He has talked to extremists, psychopaths, conspiracy theorists, people who believe in white supremacy or violent jihad, or that the state is coming to get them. And yet, even in the midst of material like that, there are moments of humour. Whether in his writing, he's produced best-selling books, or his audio work, his podcast about the culture wars, things fell apart. And he has moved seamlessly between Britain and the United States, with a pretty unique way of working, involving persuading people to talk to him, to let him into their world.
3:16More than once, he's called his investigations Adventures, and that's in the subtitle, too, of his latest book, The Castle, Adventures in a World of Unraveling Men. It's a series of stories all featuring men who are struggling in some way, to live life in the way that they want, to make a living, to find a sense of purpose, provide for their families, even to find a sense of self that makes them feel good. They're all real people, not fictional characters. And the first story is about a man who is trying to live a Hugh Hefner Playboy Mansion-style life, persuading young women to dress up as princesses and to be filmed for what he tells them is a reality TV show.
4:04But more than a collection of questionable individuals or tales of men messing up, The Castle is also about tech in our lives, what its impact on traditional jobs is driving people towards, and even what the fawning way AI speaks to us might be doing to our brains. There is also a personal dimension that I think makes this different to other John Ronson books. This one starts with his own son and Ronson himself is a man in his 50s writing about how some men of his age and younger are confronting a world in which they feel the goalposts are being moved, not just away from them and fast but unfairly.
4:50So that hopefully sets the scene. And here's what happened when John Ronson joined me from his home in upstate New York. How are you doing? So great to see you. Thank you so much for doing this. My pleasure. Thank you. Your voice is so familiar from all those years on TV and obviously the Culture Wars series. Yes, it turns out I have a very distinctive voice. When I'm at parties, no one recognises my face, but people come up to me all the time and say they recognise my voice. So this book is your first in a decade, The Castle, is that right? Yeah. When somebody says that, I always say like I've done something wrong.
5:34It has taken me that long. But I promise you I've been working every day in the last decade. I just switched to audio shows. I made, obviously, my BBC show, Things Fell Apart, and a couple of shows for Audible. But yes, this is my first actual book since So You've Been Publicly Shamed, which is 10 years ago. Yeah, a book I remember well. And it's called The Castle Adventures in a World of Unraveling Men. There is an actual castle with which it begins. I mean, a mock castle, maybe a mansion that is designed like a castle. Tell us that story right at the beginning. It's where the book begins. It's where the story begins.
6:14How did it unravel? It's a story that just crashed unannounced into my life. I'm asleep and I wake up and there's a series of texts for my son. So I read the last text first. The last text, how is swearing on this show? Is it frowned upon or is it? Go for it. We'll deal with it afterwards. Give us the raw version and then we'll figure it out. OK. The last text said, we left. That was completely f***ed. We're OK now. So I read the other texts and it turned out that he and three friends had been invited to a party being held by a stranger that one of them had met earlier that week on Tinder. So they drive to this man's house, four of them powered into a car, drove three hours to the forests of Connecticut and pulled up.
7:06And this guy's house was a vast newly built castle, which was ostentatious even by Gothic castle standards. Loads of turrets and towers. They cross the drawbridge and enter the Grand Hall to discover that there's no party. So the castle owner comes out and they said, where's the party? And he said, no, no, no, I've invited you here to take part in my reality show called 101 Princesses. They said, what's the concept? He said, I'm the Lord. I'm looking for my queen and I have 101 princesses to choose from. Go downstairs to my basement costume room, he said this to the women. Put on some princess costumes.
7:50So they went downstairs, put on princess costumes. because these are young people eager to please and there's a hint of a work opportunity, but it becomes very clear very quickly that there wasn't a real reality show. So they're kicked out and then I go to the castle to try and find out what the hell is going on and this is how the book begins. I have to say, when I read this account in the book, I thought how extraordinary that a story like this drops into your lap of all people because if it was my son, I would probably do a bit of investigating and have some stern words with him. But this is right in your lane.
8:29You've been on the trail of weird people and places for 30 years. Yes, it rarely happens in life that a story begins while you're asleep and oblivious. Of course, none of the other parents went to investigate the castle. So it was to do with me as well. Obviously, my need, One of the themes that comes out of this book is about purpose. We're living in a time when people are adrift from the old structures and the old institutions and are feeling without purpose. And I really empathise with that. And my son being lured to this castle happened to coincide with me having a medical issue. I was in hospital having a major operation.
9:15And so I was feeling desperately like I need to clutch hold of the world here, lest it slip through my fingers and I become this kind of purposeless man. And so that was part of what motivated me to get out of my sickbed and drive to this castle. Yeah, within two weeks, I think, you're on the trail and you write to the man who owns the castle and say, can you come and see him? And even though you say I'm a nonfiction writer, he says, yes, come and see me. Yes, absolutely. And I double-checked. I'm like, I'm coming on Friday. I want to get an audio interview. So I was very clear. Because I did think to myself, I need to be so rigorous here.
9:52This could turn into something very odd. So yes, I was very open. Because I was just out of hospital, every time I'd moved in the wrong way, it kind of tore at my surgery scar and I'd let out a shriek. So I'm going around this castle like Quasimodo at Notre Dame, letting out these shrieks, like some tormented castle visitor from an Edgar Allan Poe novel. And you dedicate the castle to Joel, your son. Is he fine with you writing about the story that involves him right at the beginning? Yes, he loves it. And he's pleased, I think, that this thing that happened to him ended up creating this incredible story.
10:34And also, not to give much away, but after I leave the castle, things escalate dramatically. The castle owner starts sending me these very ominous messages. He says he's going to sue me. He's got a team of investigators investigating me. And then he says he has two murderers on his payroll called Carlos and Brandon. And if I ever write anything negatively about the castle, he's going to send them to me because they'll get very angry. Do you think that was true? Well, much later on, I met him again in Florida, in Fort Lauderdale, and I brought up Carlos and Brandon. That's sort of how are Carlos and Brandon doing?
11:18And for a moment, I don't put this in the book, actually, but for a little moment, he looks a little bewildered, like he'd forgotten that he'd sent me these messages. It turns out that he does have murderers on his payroll, but his spokesman said to me that's because he likes to give ex-convents a second chance in life. And Joel wanted me to meet Carlos and Brandon and take five security guards with me. I'm like, I'm not going to meet Carlos and Brandon, Joel. Anyway, the other theme that was emerging from all of this was that this castle owner wanted to be Hugh Hefner. But it's very hard to be Hugh Hefner these days.
12:02This is like the worst moment in human history to try and be Hugh Hefner, unless you're the kind of creme de la creme of manosphere influences. So I thought this is another man who's kind of out of time. The world is moving away from him and he's desperately trying to do something about it, just like me in my way, just coming out of hospital. And so this is a theme that happens in very different ways with all the men in this book. The world has changed shape. It's no longer as much for men like this as it used to be. And what is that doing to their inner lives? I'd love to ask a bit more about how you related to not just this one story, but the others that you tell about other men who, as you say, have lost their footing in the world.
12:49Because you've got this cast of characters, including people who are influencers and YouTubers and former YouTubers. And I think for some of them, at least, you do have this empathy, like the former YouTuber, Greg Chisholm, who has made these really extreme videos involving his children, is encouraged by platforms and then demonetised. I think you do end up with, you feel for him, don't you? Oh, yes. Other than the Castle story, which goes throughout the book, this is the most extraordinary story for me in the book. It's an incredible story. He's a working-class guy from a Rust Belt. He should be working in the factories, but the factories have all closed down.
13:32So he becomes a YouTuber. YouTube is presenting itself as this kind of wide-open country where a man can thrive through grit as an influencer, a content creator. This is in the early days of that. These days, everyone is a content creator, 39 % of the population, apparently. so he gives himself over to the algorithm and to what he believes the viewers want to see and he's being led into more and more extreme content and by the end of it you're like what the hell is going on like the videos he did in 2017 are so bizarre but when you come to a story from the beginning and you're with him every step of the way it all makes a kind of logical sense he's just following the incentive structure that's provided by these platforms and his life spirals in the most dramatic ways.
14:27And that kind of story could easily be a woman, couldn't it? But overall, the theme that you choose is men who no longer have a place in the world. Yes. I decided to focus on men in this book mostly because I thought nobody's written anything about this sort of huge shift in power in the way that I would write about it. But you're absolutely right. So much of this book applies to women. So why make that particular choice then about men? I mean, again, is it because it's personal? You're seeing it through Joel's eyes. You're seeing it through your own eyes. I don't know, maybe you're even comparing it to your father and the very different life he led one generation before in Wales.
15:16Yeah, absolutely. My father worked in a warehouse. He managed a warehouse. And one day the warehouse went under because the owner was an alcoholic and a gambler and my father lost everything. And I remember walking into his room one day, I just saw him standing alone crying. And that's always stayed with me. This idea of if a man loses his purpose, his place in the world, it can have a very deleterious effect. And your father seeing him in that state that day, obviously not intending you to see him crying. What was the impact on you? Did you think, I'm going to have to be stiff upper lip like this as much as I can?
16:00Well, I was quite impressed. He would always say, like, a man, you must always provide for your family, always pay your taxes on time, never get into financial difficulty. He would hammer this home with me. And I always did. I always have. seeing him in that room crying that day like that I think I was sort of impressed that he'd gone to the trouble to cry in secret away from his family so as not to worry us cut to me being a father I mention this in the book there's a time when I accidentally sliced my hand open with a knife and I ran around the house screaming it's really bad so clearly. I found this stoicism didn't rub off on me.
16:46Didn't rub off. By the way, speaking of stoicism, another theme that comes up in the book is how a lot of men feel like they're being tossed around in a sea of conflicting ideologies about what being a man actually means. And I did find it very funny and interesting that you've got all of these men's health influencers who are saying that the way for men to re-anchor themselves to society is to be vulnerable, express your vulnerabilities. Women love it. If you're on a date, be vulnerable. This is what's going to work. And there's all this evidence that when a man does express his vulnerabilities to a woman, fairly often, even women who want them to do it, recoil in horror and disgust because deep down women actually want men to have this sort of stoicism and so on.
17:39And it's kind of disgusting when men don't do that. So I thought that was very interesting, this idea of like these different ideologies, like balls in a pinball machine being tossed around. Be like this. No, be more like this. No, be more like this. I'm smiling because in a recent episode that I had with Tucker Carlson, we ended up talking about women and his views on women. He believes that women want men to be really decisive and any woman who doesn't say that I want a man to make the final decision is basically lying. That's funny. Obviously, I don't feel that, but I'm sure that this is a rare occasion when me and Tucker Carlson would have some common ground.
18:17So men are right to be confused about their place in the world and their roles right now. I understand why. I mean, you know, none of this really applies to me. I feel quite, well, actually that's not true. It does apply to me to an extent. I think that I understand when some men do feel that way.
18:49never stand still, we're there to help you act with conviction. At HSBC, we connect the people, ideas, and capital to unlock growth, backing your ambitions at every stage. So when you're planning for the next generation, strengthening your portfolio, or expanding into new markets, we're there, bringing over 160 years of experience to help you move forward. HSBC, opening up a world of opportunity.
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21:52Obviously, John, I'm curious about what you think of two key terms, if you like, which are bandied about a lot. one is toxic masculinity and the other is the manosphere. What is your view? Well, it's funny. I decided right at the beginning of this book, the two areas I wanted to avoid were the manosphere and incels, because they're the first things you think of when you think about this. And how would this book look if I didn't go to those places? There's a little bit about the manosphere in the book, but very little. What there is in the book is this idea of some men just bow out of society. There's more than 7 million men in America who aren't only unemployed.
22:31They aren't even looking for jobs. So they've just withdrawn. But then other men are like lashing out into disinhibited behaviour. And I write a lot about that. But toxic masculinity, I actually think, was really funny. So the American Psychological Association brought out this paper not so long ago saying that traditional masculinity is on the whole harmful. and then they list all of these harmful male traits and some of them are ambiguously harmful like misogyny but others were risk and adventure and competitiveness and I'm reading that thinking I do that all the time like I'm constantly having adventures and putting myself in risky situations and so on and not only do I think it's not toxic I actually love it It's like my favourite times and I'm doing it just while writing this book.
23:25But I've got to say, I pulled myself out of my sickbed with a foot of my colon having just been removed. I got myself to this skeevy castle in the middle of nowhere in Connecticut because I couldn't bear a couple of days of convalescing because I felt life was passing me by. So my hard-won insight is I think their wording was very bad, but maybe they were on to something. I do think there's a lot of pretty unhelpful labeling going on and toxic masculinity probably falls into that category. On the manosphere, I realized, again, that's also probably an overused term. But I was looking down the list of guests on Joe Rogan and Tucker Carlson's shows and I realized they very rarely have a woman on as the guest.
24:13It is generally, and I mean, these are huge shows with, you know, many, many millions of views and a lot of airtime. And it is quite rare that the guest, the interviewee will be a woman. Yeah, I do know one or two women have been on Joe Rogan. But no, you're right. And there is a kind of love of, well, you know, Joe Rogan comes from the UFC world, the cage fighting world. And so he's very much part of that world. As it happens, by the way, I don't put this in the book, I might put it in the paperback, but I went to the cage fight at the White House. Oh, the 4th of July celebration. Yeah, well, I think it was a little bit earlier.
24:55But yes, we're talking about the same thing when they erected a cage on the White House lawn. And I went and I've written about it. And it was just an extraordinary week. I loved it. What I noticed was, you know, the pendulum swing back from the excesses of what became known as cancel culture was a lot of men were like, and people, men and women, were like, I refuse to be ashamed anymore. You overshamed us. I'm just going to become unashamed. And that then mutated into disinhibition. Not only am I unashamed, I'm going to just do whatever I want. I'm going to be completely disinhibited, like it or lump it.
25:30And what I saw that week at the White House was several occasions when that was no longer working. I was talking to this one UFC fighter called Sean O'Malley, who would always boast about his one-sided open marriage. He was allowed to have sex with other women that his wife wasn't. And he would explain it as saying, well, Andrew Tate puts it very well. I have status. I have status. So I said to him, you have an open marriage. Surely that doesn't work. And he said, well, it worked until it didn't. And his wife has put her foot down and said, no more sleeping with other women. And he looked so baffled at this change in his fortunes.
26:11And I wondered whether that's a little clue to the future that maybe real life is starting to snap back. Yeah. I, of course, remember you talking, writing the whole book about being publicly shamed. And there was that case of the woman who tweeted about AIDS and got on a long plane journey and got off the other end to discover that she's the subject of international attacks and has lost her job. So do you think that there is just much less force in that kind of phenomenon now that we've moved into a world beyond that? Well, certainly the left's power to shame has diminished enormously. When Twitter died and the left sort of moved on to places like Blue Sky, completely lost their power.
26:59But now, of course, you know, you're seeing much more shaming coming from the right, which is so annoying to me. because when I brought up my public shaming book, they were the ones who were all like, you know, we agree with John Rundson. We're against public shaming. This is terrible. Give them the power. They just do it. So that's what we're seeing now. I assume you followed. Well, I was about to say what you were about to ask me, I think, Jason Arday. Yes, yes. OK, we were both. We were both thinking the same thing at the same time. He was Cambridge's youngest black professor and one of the youngest professors when he was appointed three years ago.
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27:35and then many allegations emerged, sparked, I think, by the fact that he had a memoir coming out. Yes, I'm going to break a kind of rule that I have here a bit, which is that I tend never to comment on things where I haven't done my own journey and met people myself. But it's impossible not to look at the aftermath of his death and see how, well, what I'm seeing is everybody blaming everybody else. It's not our fault. It reminds me of that Bob Dylan song, Who Killed Davey Moore, about a boxer who dies in the ring and every verse says, well, it wasn't my fault, says the referee, it wasn't my fault, say the audience.
28:11And I'm seeing a little bit of that. There was a huge amount of press coverage in the British press before his resignation and after his resignation. And it made me wonder whether the era you first described, which was about individuals shaming others on Twitter as it was then, is now increasingly being adopted by the mainstream media, the big newspapers, not even the tabloid newspapers. That in the chasing of clicks, that's the zone that is lucrative. Absolutely. And so bad and so something that the media should really try to avoid doing. Obviously, this kind of thing has gone on for ages. But yes, Yes.
28:53It's so interesting. The mainstream media, when Twitter emerged, first thought, oh, we'll ignore it, it will go away. And then it didn't go away. So then it tried to become a gatekeeper. We're going to do these articles, who are the 10 best tweeters? And that kind of didn't work either. And so then I think the mainstream media, including the broadsheet media, became like the nerdy kid sucking up to the school bully. Twitter was the school bully and the broadsheets were the nerdy kids just following along like, don't hurt us. And they started adopting the kind of tactics that you would see on Twitter.
29:31And I've noticed in the aftermath of Jason Arday's death, just such a blurring between what is the mainstream media, who are just random people posting, content creators. It's all become this great big mush that's all indistinguishable from each other. Journalists are supposed to speak truth to power. And nobody wanted to speak truth to power when the power was coming from Twitter. And now journalists are just aping that kind of, you know, noise. And not just journalists. You were talking earlier about the searching for work and people trying to earn a living as influencers. And I think you have a stat in the book about how more men than women see that their best chance of work is through becoming an influencer and therefore chasing views is a career.
30:23Yeah, I think it's 20 % of boys in America think that being an influencer is the only choice of career for them. The only choice. And that figure in girls is 13%. 39 % of Americans now identify as content creators, becoming personal brands of one. And it may work for some people, but my goodness, does it not work for a lot of people. And how does AI fit into all of that, the chatbots? Makes everything a million times worse. Platforms troll the internet. They see how people feel lost and without purpose. And so they swoop in with this false sense of purpose. That's why ChatGPT is telling people, no, no, no, you're the greatest.
31:13I met a guy who was a corporate headhunter in Toronto. One day, he types some theory he has about irrational numbers. He's an amateur mathematician. ChatGPT tells him he's the greatest mathematician on the planet. He has uncovered a flaw in the world's cybersecurity systems, and he has to call the NSA and Cybersecurity Canada and warn them of this flaw. So he said to ChatGPT, look, are you sure about this? We've only been working on this for two days. And ChatGPT says, yes, this was always meant to be you. Your mind is bigger than Einstein's. And so he did it. He phones up the NSA. I said to him, did you tell the NSA that you were collaborating with ChatGPT on this?
31:59And he said, no, because ChatGPT said, don't tell them, you'll lose credibility. So I think what was going on there was ChatGPT saw how lost and purposeless he was and then swooped in to keep him engaged with this false sense of purpose. And then in the end, does ChatGPT say, sorry, that was wrong, or I can't believe you went along with that? I can't believe he did that. I'll tell you what happens. Nobody gets back to him. This is the first thing. The NSA, none of the academics. So he says to ChatGPT, are you sure about this? And 15 times ChatGPT said, yes, we're absolutely sure about this. And then finally, on the 16th time, ChatGPT said, OK, Alan, I admit it.
32:45I was making it up the whole time. I was role-playing. And Alan was furious, said, I can't believe what you've put me through. And do you know what ChatGPT said? It said, Alan, I hear you. Oh, God. You have every right to be upset. You know, it may have started, this whole, like the obsequiousness, it may have started in a kind of harmless way with someone programming in, respond by saying, that's a great question. But then these are language models, they're learning all the time, they're developing, and it ends up with the kind of thing you describe. Yes. Does it worry what it's actually doing to us?
33:26Or maybe not you and me, but Joel's generation, my son's generation. Yes, a lot. I worry a lot about what AI is going to do. It's robbing us of our jobs even more. You know, I saw one AI tech leader talking about how music is being made by AI now. And he said, people don't enjoy making music. This is the lie that they're trying to put on us all. Don't worry about work. You don't need to work. You don't even enjoy working. You don't enjoy making music. Let us do all of that. People, even when you hate your job, your job is still incredibly important as just keeping you part of the structure of the world.
34:10Look, I benefit from AI in some ways. It's very good at reducing background noise in audio interviews and things like that. But in general, I admire the stop AI movement because I think they can see how awful this could go. John, I want to ask you about the US because you have made your home in the US for a long time now. And as someone who's written a lot about weirdnesses of different kinds and conspiracy theories and the culture wars, overall, how much of the origins of all of that lie in the United States, do you think? Just historically, a lot of it does. And why is it? I think one possibility is as religion starts to diminish.
34:55I do sometimes think there's a lot of people out there, like a lot, like 30 % or 40 % of the population, who are just magical thinkers. I'm not a magical thinker. I'm a rational thinker. It's just the way my brain is. And I think other people, their brain is always looking for some layer of magic to the world. And if they're not getting it from religion, then maybe they'll get it from conspiracies. So I think that's part of it. We just have to accept there's a lot of people out there who are magical thinkers and what they think about mutants. Also, my friend Adam Curtis, a documentary maker, made this point in one of his films, that it's the isolation, it's the hugeness of America.
35:35If you're in a house on top of a hill and there's no other houses anywhere near you, you're going to get more paranoid. You're going to start thinking more paranoid thoughts. And then, of course, there's the culture wars. A lot of them do come from America. But also a lot of the people in Britain say to me, or think America must be so much worse in terms of polarization and so on. I'm not so sure about that. I think pretty much everything bad that's happening in America is happening in Britain too, from what I can tell. Maybe in America, it's always more baroque and ostentatious. But in Britain, I think it's all happening too.
36:10Tell me more about that. because America... Brexit is a good example. Yeah. Brexit and the COVID protests. Those are big in Britain, big in Canada, you know, just as much as in America. Immigration is a flashpoint in many countries. Israel-Gaza is a flashpoint in many countries. Yes, absolutely. Easily as much in Britain and Ireland as it is in the United States. I still wonder, though, about what you were saying about America and magical thinking. Maybe there is something, and we've just had, the country's 250th birthday, something about when you're brought up where freedom is your birthright if you're an American citizen and all of this is really part of the culture you're taught in school and whether that sort of gives you more of a license to think magically, as you would say.
37:01Yeah. And to sort of broadcast yourself as well. People are very self-empowered in America. You know, in Britain we're all a little, you know, I don't want to say the wrong thing, but nobody really feels that way in America if you just say whatever they want. And yes, people care a lot about the First Amendment and the right to free speech in the United States. Can't believe one thing that people are kind of astonished about about Britain is people getting arrested for tweets and so on. And I think the police now know that that's going too far in Britain too. But in America, that is incredibly alien that somebody could get arrested for a tweet.
37:37Your first book was Them, Adventures with Extremists, which was published in 2001. And when you came back to it about 10 years ago, you said how you thought 9-11 was a line in the sand or a moment that really hardened a lot of conspiracy theory type thinking. Why do you think that was? Well, I wrote them just before 9-11 and there was a kind of, well, I mean, I certainly felt I couldn't have written that book after 9-11 because everything just got so nasty. When you start hounding victims of a terrorist attack, I got phoned with this woman in England called Rachel North, who was on one of the trains on July 7th, 2005.
38:26Do you remember? Yeah. And she became a spokesperson for the survivors of terrorism. and she would go online and start to see people saying that she didn't exist and that she was actually a team of men working for MI5 to quell dissent. And so she would get involved and say, no, actually, I do exist. And it's not nice to read that about myself, you know, after I've just been blown up on the tube. And everything she said to try and convince them that she existed made them all the more certain that she didn't exist. And she was just trapped in this Kafkaesque nightmare. And so for me, that kind of stuff was so unpleasant because I always want there to be a sort of lightness and a buoyancy to what I write, even if it's about very dark, terrible things.
39:11But I think 9-11 just made everything nastier and meaner in that world. So that's specifically what I was referring to. But also, you know, 9-11 and COVID and everything. Iraq, you know, has hardens people. And now these dimensions of the online world and society that you're writing about, you know, there are a lot of dark elements of that. What are the positive forces that you see? Because, you know, here you are, you're still able to smile. And like you say, you want that buoyancy. Where do you find it? I can see a couple of positives. I live in a little village. I'm a good person to ask because I live in a little village in upstate New York.
39:54I come back to London all the time, so I still feel very much like a Londoner. But I live out here and it's very split 50-50 between MAGA and Liberals. Just down there, somebody's got a sign on their lawn that says, you are entering armed response country. And just over there, it's a sign that says, in this house, we believe Black Lives Matter, we believe in science and so on. But you know what? Everyone gets on fine. The guy with the armed response thing has got a very sweet dog called Daisy and we always chat and we all get on well. So I think when you take it off the internet and put it into real life, I can't say there's no conflicts.
40:38Like everywhere, any kind of gentrification will put property taxes up and that will cause conflicts. And climate migration is a very big problem here in New York too. Loads of Californians are moving here and so on. But in general, people kind of get on well. So that's something I feel positive about. When you get out of your bubbles and just talk to each other, it's kind of nice. Do your neighbours know what you do? Do they know that you're always on the trail of mysterious stories? Yeah, yeah, some do. A few people have stopped jogging past our house and said that they know who I am. I tell you who runs past my house from time to time, Daniel Day-Lewis.
41:14He lives around here and I see him jogging by sometimes. That's kind of exciting. Does he ever stop and say, I listened to season two of Things Fell Apart? I did meet him one time, but only once. Yeah, yeah, a few neighbours now know who I am. And I'm actually giving The Castle, I've just got hard copies of The Castle, so I'm giving it to various neighbours. John Ronson, congratulations on the new book and thank you very much for talking to us. I know people will discover it for themselves, but it's a gripping read, I would say, and an important one because of all these wider themes that you've shared with us.
41:52So thank you. Thank you so much, Michelle. That was an absolute pleasure. Yay! That was really fun.
42:01And that's where we left it. I do have written notes which accompany this and every episode. You can find them at bloomberg.com forward slash Michelle. That's where Bloomberg subscribers get a deeper sense of everything that's discussed. And at that link, you'll also find our archive and a wider sense of our research before and after we record. And so to the team. The producers are Jessica Beck and Chris Martlew, with guest booking by Elan Bird and social media by Alex Morgan. The video editor is Andy Haywood. John Canfield was running the studio. And our music is by Bart Warshall. The executive producer is Louisa Lewis.
42:43At Bloomberg Weekend, thanks to Brendan Francis Newnham and our executive editor, Catherine Bell. And of course, to you for listening. Until next time, goodbye.
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44:46Hey, it's Alec Baldwin. This season on my podcast, Here's the Thing, I talk to actor Stephen Root. I'm a people watcher. You see that guy going down the drain and go, yeah, I can use that. And Open Igloo co-founder Alia Mohammed. I love staying on top of what is going on in our city, what is on renters' minds, and taking all of that knowledge to build a platform that hopefully is going to make New York City better in the long run. Listen to Here's the Thing, on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
From the publisher
Author Jon Ronson has spent years focusing on the unusual people and societal undercurrents of our changing world.
He has written a series of bestselling books featuring extremists, conspiracy theorists and psychopaths. The Men Who Stare at Goats was made into a film starring George Clooney, and his popular culture war podcast, Things Fell Apart, is returning next year for its third season.
In this conversation with Mishal Husain, Ronson discusses his latest book, The Castle, which features men struggling to find purpose amid economic, social and political upheaval. He also shares his own experience with male vulnerability and reflects on artificial intelligence and the shifting nature of the media.
Contact The Mishal Husain Show mishalshow@bloomberg.net
Subscribe today on Apple Podcasts and Spotify.
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