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Podcast Episode Summary: The Rest Is Politics – Episode 181: Ai Weiwei: China, Censorship, and Dissidence Through Art
Episode Overview In this episode of The Rest Is Politics, hosts Rory Stewart and Alastair Campbell interview renowned artist and activist Ai Weiwei. The discussion centers around Ai's life, especially his upbringing in China, his father's persecution, his artistic endeavors, and his perspectives on censorship both in China and the West.
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Key Themes and Discussions
Ai Weiwei's Background
- Early Life: Ai Weiwei, born in 1957, experienced a tumultuous childhood as the son of a prominent poet who was persecuted during the Communist regime in China.
- Father's Influence: His father faced severe state punishment, which shaped Ai’s understanding of power dynamics and the importance of free expression.
- Cultural Context: The impact of historical events, such as the Cultural Revolution, significantly influenced Ai's worldview.
Artistic Journey
- Career Beginnings: Ai reflects on his complicated relationship with the label of "artist." He questions the distinctions between being an artist and an activist.
- Political Art: His experiences with state repression led him to use art as a tool for political expression, particularly in relation to human rights and social justice.
Major Incidents
- Sichuan Earthquake: Ai's investigation into the government’s mishandling of the aftermath of the 2008 Sichuan earthquake catalyzed his activism. He sought to uncover the fate of thousands of children who died due to school building collapses.
- Detention Experience: Ai shares his experience of being detained for 81 days, where he faced intense interrogation. He describes the psychological toll and reflects on the nature of freedom and state control.
Views on Censorship
- Critique of Western Views: Ai argues that while Western societies criticize China's censorship, they often ignore their own issues with free speech and media control.
- Comparative Analysis: He draws parallels between authoritarian practices in China and limitations on free speech in Western countries, suggesting a shared struggle for genuine freedom of expression.
Refugee Crisis and Global Responsibility
- Empathy for Refugees: Ai discusses the moral obligations of countries to address the causes of refugee crises, emphasizing prevention over reaction.
- Historical Context: He urges listeners to consider the historical reasons behind mass migrations and to approach the topic with compassion.
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Key Takeaways
- Understanding Power: Ai Weiwei's life is a testament to the consequences of authoritarian governance and the resilience of the human spirit.
- Art as Activism: The intersection of art and activism is crucial in challenging oppressive regimes and advocating for human rights.
- Global Perspective: The podcast emphasizes the need for a nuanced understanding of freedom, censorship, and the global refugee situation.
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Conclusion This episode provides a profound insight into Ai Weiwei's life and philosophies, highlighting the role of art in political discourse and the complex nature of censorship across the globe. His experiences serve as a compelling call to recognize the shared struggles for freedom, dignity, and justice.
For further engagement, listeners are encouraged to reflect on their own contexts and the implications of censorship in their societies.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroducing Ai Weiwei
0:45 to 1:30
Overview of Ai Weiwei's background and relevance to current global debates.
“and indeed whether we even have free speech, including in the West.”
Ai Weiwei's Childhood and Father
1:30 to 3:00
Discussion about Ai Weiwei's father's life and his impact on Ai Weiwei.
“Can we begin a little bit with your childhood and your father?”
The Impact of Political Turmoil
3:00 to 5:00
Ai Weiwei reflects on his father's experiences during political upheaval in China.
“That state was nationalist power, Guomin-Dang.”
Growing Up Amidst Censorship
5:00 to 8:00
Exploration of Ai Weiwei's early life and the lessons learned from his father's struggles.
“He had to appear in this very remote, poor village, but it's kind of semi-military type.”
Political Changes in Ai Weiwei's Youth
10:40 to 13:00
Ai Weiwei discusses significant political events during his teenage years.
“I would not encourage anybody to do that.”
Transition of Power in China
13:00 to 14:02
Insights into the political changes in China following Mao's death.
“Actually, one incident happened in 1971, when Chairman Mao had an official, how do you say, someone would become a person.”
The Impact of Mao's Leadership on Chinese Society
14:02 to 16:45
Discover the nuances of Mao Zedong's influence and legacy in China.
“For Chinese, this is like a holy person suddenly disappeared.”
The Cultural Revolution: A Break in Chinese Civilization
16:45 to 19:10
Analyze the Cultural Revolution's effects on Chinese society and culture.
“He can use the public opinion to destroy the whole system, you know, system he established.”
Intellectuals and the Establishment of the Communist Party
19:10 to 21:40
Understand the role of intellectuals in shaping early Communist China.
“And the first document for the Communist Party, you have to write down the party's delegation, is on Russian because they don't have a typewriter for Chinese.”
Ai Weiwei's Journey: Escape and Adaptation
21:40 to 24:05
Hear about Ai Weiwei's transition from China to the U.S. and his struggles.
“all the culture and heritages only because the farmers are uneducated.”
Show all 29 chapters
Life in America: Struggles and Self-Discovery
24:05 to 27:20
Explore Ai Weiwei's experiences and challenges while living in America.
“I went to the United States first when I was 24.”
Becoming a Target: The Authorities and Ai Weiwei
27:20 to 28:00
Learn about Ai Weiwei's conflicts with the authorities in China.
“Because I play poker with my brother all the time.”
Journey of Survival and Adaptation
28:00 to 28:50
Learn about the diverse jobs Ai Weiwei undertook while navigating his early life.
“They will not ask another question, which makes me very satisfied.”
Building a Studio and Gaining Recognition
28:50 to 30:40
Discover how Ai Weiwei's studio became a landmark and a platform for his voice.
“I just want to know what that experience was like.”
The Sichuan Earthquake and Its Aftermath
30:40 to 32:30
Explore the impact of the Sichuan earthquake on Ai Weiwei's activism and art.
“earthquake, the disappearance of the 5 ,335 children.”
Radicalization Through Tragedy
32:30 to 33:00
Understand how personal and collective tragedies fueled Ai Weiwei's commitment to social justice.
“We located 5 ,219 students, name, birthday, which school, and their family.”
Detention and Its Psychological Effects
33:00 to 34:20
Learn about Ai Weiwei's experience during his detention and its implications.
“It's really interesting that the Citroën earthquake seems to have, and the consequence for these children, seems to have radicalized you in a way that still to this day, a lot of your art seems to be about that.”
Reflections on Censorship and Political Ideologies
35:55 to 37:25
Explore Ai Weiwei's thoughts on censorship and the Western perspective on China.
“And men always have a perspective of time and space.”
Comparative Insights on Freedom
37:25 to 38:40
Ai Weiwei draws parallels between repression in the East and West.
“They just want to, I think, mainly scare me.”
The Complexity of Freedom and Moral Accountability
38:40 to 42:00
Analyze Ai Weiwei's critique of moral hypocrisy in Western politics.
“But your experience of the West seems to have led you to conclude that actually there's not that much difference.”
Critiques of the West and Censorship
42:00 to 45:00
Explore Ai Weiwei's views on Western hypocrisy regarding China and its own issues.
“Come on, we have six, eight cameras here.”
Personal Reflections on Family and Education
45:00 to 48:20
Ai Weiwei reflects on his family dynamics and the struggles of parenthood.
“No, only in 10 years I spent 21 days there.”
Cultural Identity and Global Citizenship
48:20 to 52:10
Discussing identity, belonging, and the essence of being a global citizen.
“But through a shoes to a state leader, it's not started from that boy, but a journalist through the shoes to Bush when he gave a talk.”
The Role of Scholars in Society
52:10 to 55:50
Ai Weiwei emphasizes the importance of scholars serving society and understanding history.
“And explain a little bit more about the idea of this Chinese idea for people so they can understand.”
Refugees and Societal Responsibilities
55:50 to 56:00
Discussion on the complexities of refugee crises and societal obligations.
“but really about society, about people, about struggle from the bottom.”
Refugee Crisis and Compassion
56:00 to 57:52
Discussion on the complexities of refugee situations and compassion towards those affected.
“And as we said, you lived in Germany, and there was a point where Germany took in an awful lot of Syrian refugees.”
Personal Reflections on Ai Weiwei
57:52 to 1:01:02
Reflections on Ai Weiwei's views and experiences, particularly regarding his connection to China.
“Well, Rory, I found that very, very interesting.”
Art and Activism: The Dual Role
1:01:02 to 1:04:42
Exploration of Ai Weiwei's identity as both an artist and an activist.
“smashed right down to the bottom where you are on the edge of being killed and worked to death, and then you rise up again.”
Nostalgia for Traditional Culture
1:04:42 to 1:07:06
Discussion on Ai Weiwei's nostalgia for pre-revolution classical Chinese culture.
“But I think from his point of view, he's probably may have felt that he's been used for a long time to stick to beat the Chinese government.”
Transcript
Automatic transcript. May contain errors.0:00Thanks for listening to The Rest is Politics. Sign up to The Rest is Politics Plus. To enjoy ad-free listening, receive a weekly newsletter, join our members chatroom and gain early access to live show tickets. Just go to therestispolitics.com. That's therestispolitics.com.
0:20Welcome to The Rest is Politics Leading with me, Rory Stewart. And with me, Alistair Campbell, and we're very pleased to have Ai Weiwei. He's an artist, an activist, a prolific writer and filmmaker, and an important voice in some of the most complex and important debates of our time. The rise of China, its role in the world, corruption in public life, attitudes to refugees, a big theme, and also censorship and free speech. and indeed whether we even have free speech, including in the West. He's 68. He's the son of a poet who was imprisoned, tortured and exiled in 1950s China, which made for a pretty extraordinary childhood for him.
1:04And he himself has known what it's like to be on the receiving end of harsh treatment from the authorities and has therefore spent much of his life in the US and Europe, of which he's also got considerable criticism. He recently returned to China after around a decade away to visit his elderly mother with his son. And it will be fascinating to hear his views on China today as opposed to China when he was growing up there as a child. So Ai Weiwei, thank you for being here. It's so nice to be your studio. Can we begin a little bit with your childhood and your father? Who was your father and what was your experience when you were a child with your father?
1:43My father was born in 1910, which is 10 years after eight nations invade China, which, of course, you know, which eight nations? England, French, Italy, Germany, Russian, Japanese, and Austria. They forced China to open up its market. But that effort started from 1840, the first open war, and the second open war. So English have three times invaded China, forced China to open up. So this is a very interesting moment. Your head of state is still in China, and this time, much friendly. Our head of state is the king, head of government. The head of government prime minister is there. You're absolutely right.
2:43And to answer my father, he was born 10 years later, 1910, growing up as a poet and studied in Paris. And right after he went back, in his early 20s, he'd been sentenced for six years for some kind of subversion of state power. That state was nationalist power, Guomin-Dang. So after years of some kind of refugee, because the Japanese invaded China and have such a strong impact in China, so he has to run in trying to find a place to be a teacher or editor for a literary man. That's the only job probably at that time. But he could never really reach that point. He joined the revolution, the communist, in Yan 'an, which is a cradle for communists.
3:45And later established New China. Then he was in the very high position, probably highest position in literature. and the most renowned poet as patriotic, anti-mostly colonial and imperialism, then being criticized as a rightist. So the year 1957, when he was exiled, I was born. That's a short story. You were born the same year as me, 1957, and you were one when he was essentially banished from Beijing. He has completely disappeared, been sent to the most remote area. That area is in the ancient China. They would send all the poets or distant to. That means he will never come back. So I think it's not a bad policy to kill them.
4:43And just a minute, so he was sent to Xinjiang. Xinjiang. And then you then had to travel with him in the back of a truck to what was basically an army camp where he was given the job of cussing, trimming trees. But he also had to appear in public every day where he was attacked for being a rightist. He had to appear in this very remote, poor village, but it's kind of semi-military type. That means if Russia invades us, that time Russia is number one enemy because it's getting so close. And we have a huge amount of soldiers restored next to the border of China. So every day we are preparing to defend ourselves from Russia.
5:35We even learned a few Russian words to say, raise your hands. We will not kill you if you just raise your hand. So all those Russian language, it doesn't sound true, but we have to live in the village. My father had to confess his so-called crime in front of those never-educated farmers.
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7:54And remember, Red Bull gives you wings. Supplies are limited. Terms apply. Visit the website for more information. What did they see as his crime? What was his crime? He doesn't really know he has any crime, but he have to say he's anti-revolutionary. And most people think he's a noblest because people don't even know how a poet can commit a crime. So, yeah, it's just everything is so blind. And of course, this is basically a human condition at that time. And how did you growing up with that, so seeing your father being punished, being humiliated, and you were alongside him, what did that develop in you?
8:40What developed me is to see how math can be easily so dumb and so have no possibility to searching for any truth. That built on me from a very early age. You can see everyone is blind, everyone acts stupidly, and everyone thinks they are right. And how kind were people to your father? Were some people very kind and generous to him? Did people every day, some people say, I'm sorry for you, or were they afraid to say that? To understand him, you really have to read his poetry, which I cannot read because at that time all the books had been destroyed. But for my daily sense about him, he's an honest man.
9:32He's a very naive type. He can be happy any moment. and he's not someone complaining all the time, even he does the most difficult job. He would tell me, you see, I'm 60 years old. I'd never know even who cleaned my toilet before. Now I clean for them. What's so, you know, nothing wrong with it. And I tell my mom, of course, my mom used to live in very high position with him, to say we have just to think we were born here. So I think he's a man with a big heart and very kind. And what made you become an artist? What had happened in your life that led to that? I'm still questioning, am I an artist?
10:24Or people put a lot of names on me, artist or activist. You're both. Also, I don't know what's different between artist and activist. But anyhow, I survived by doing my work now. And it's not such a good profession. I would not encourage anybody to do that. You know, what happened to me is purely chance and miracle. I cannot repeat it because of the time, because of my history, my position, and because of my—I don't know because of what. But because of all mistakes I made, I became a so-called artist. Just to get from when you were a young boy, age 10, to when you were maybe 25, what happened between the labor camp in Xinjiang to you as a young man?
11:18What happened in that period? That period of time, basically, there's a time for huge political change. First, Nixon came to China. And then everybody was shocked because Nixon is our top enemy, suddenly appeared in Beijing. You know, Chairman Mao happily received him. Then you realize, oh my God, what has been building our mind is all can be changed just within one second. Just to drill on that, the country would have seen Nixon as an enemy. Oh, yeah. And suddenly he's being portrayed as a friend. Yeah, this capitalism is an enemy not only for this country, but we learned from Karl Marx about capitals, we learned from Vladimir Yilich Lenin, you know, imperialism is the end of capitalism.
12:13I read all his books. I read the Communist Manifesto when it was 10. So how this could be, this paper tiger, United States, which Chairman Mao called United States just a paper tiger, really come to China and shake hands and hugs with top leaders, drink a multi, and they are so happily together. Seems like they are families. So that is my first education about international politics. What age were you then? 1972. So you were a teenager, 15. Yeah. So that felt like a big moment in the country's life. That's a big moment. Actually, one incident happened in 1971, when Chairman Mao had an official, how do you say, someone would become a person.
13:11And his position is Lin Biao, which is the highest top military leader. His airplane dropped in Mongolia when he tried to escape. Then that is about internal politics. How can the Communist Party, the second person, just try to escape? Then the next year, you know, Nixon comes. That has changed our, it's such a very wild education beyond any dream can happen that time. And by 1976, Mao died. Last year, strange, three top leaders all died. Same year, Zhou Enlai and Zhu De. At that time, I was streaming in a park. Then I heard the sound of the radio. At that time, there was no television. So that means the sky collapsed.
14:11For Chinese, this is like a holy person suddenly disappeared. So there's a few years of vacancy there. Nobody knows what to do. And of course, Deng Xiaoping follows and comes up. Basically, Deng Xiaoping comes as some kind of military cop, because the size of who's supposed to be in the government, you know, Mao's wife and the other group called the Gang of Four. Yeah, Gang of Four. So, you know, but everybody's happy because that really announced the Chairman Mao's time is over. But what is going to come, nobody knows. So by that period of time, I got into Beijing Film Institute, the first art college after closing, during the Cultural Revolution opened.
15:07So I got into the school and studied cartoon design. At that time, the only cartoon we can see is Tom and Jerry, which I still love today. And then I definitely think I have to escape, because there's many details I will not mention. So I don't trust the new established government. So the only place I would like to go is New York because that's the heart of our enemy used to be. So I like to be there. Then by 24, I went to the United States. And what was your assessment at the time, or maybe a little bit later when you're an adult into your 20s, What was your assessment of Mao? Chairman Mao or Mao Zedong is a very special person, I would say.
16:04You only can put a person in the historical context. Nobody can judge anybody without this kind of historical context. He brought in a farmer's family in Hunan, but he's so knowledgeable about Chinese literature and history. His whole life, like the room like this, or four of the old documents, he just loved reading. His mind is crazy. He's a poet. He's a very good strategical leader, and he knows how to play a political game. And he's also very subversive. He can use the public opinion to destroy the whole system, you know, system he established. So he destroyed the whole system trying to maintain his power and control.
17:00So it sounds like he had a lot of respect. Oh, he has a high respect in China. And from you? Half and a half. I have respect for his wisdom in the struggle for Chinese early struggle, because that time he had to fight not Japanese, but really nationalist. And those had the American-supported army, and he only had very, very little chance with 40 ,000 people in the poorest area, which including my father there. And they have a great patient. They wait the moment to come, then they get the chance. So it's very wisdom. But he's a very crude person too. Cruel. Yeah, crude person because under his control, about half a million of intellectuals have been purged.
17:56Of course, he doesn't kill anybody. He just lets them go to so-called a rich education camp. One of the things that's so difficult to understand about China is that you go from thousands of years of this very, very deep culture civilization, and then you hit the cultural revolution, and everything seems to be broken. There's this break from the deep past to the present. What is this about? How do you think about the cultural revolution? I think it's a good question, but we have to start a little bit earlier than cultural revolution. First, by 2021, China accepted the idea of Russian communists.
18:43They had the first meeting on a boat about 13 people. Someone said it's only 11, but it's never really clear. Under the data, it's not clear, to establish a Chinese Communist Party. And there's two persons in that group. One is from Russia, with Lianing's, how do I say, it's like a Russian delegation, just one person. And another, I think, is from Dutch. So from the very beginning, the Chinese Communist Party is really helped by foreign forces, which, you know, the government every day now is so careful about foreign forces, anti-China forces, but they are the typical foreign anti-China establishment.
19:30And the first document for the Communist Party, you have to write down the party's delegation, is on Russian because they don't have a typewriter for Chinese. It's long before that established. Can you believe the Communist Party's first document is in Russian? And page 11 is missing. Nobody knows where is page 11. You know, all those details are so funny. And by then, China just overthrew the Qing dynasty, the Federalist control for thousands of years, and they're trying to find a new way. Why do they have to do it? Because in the 1900s, they realized the West was very extensively developed with their boat and their cannon.
20:23And China still used knives trying to protect themselves. So they think the weakness of China is because the Qing dynasty is incapable to deal with the industrial state. So by that time, all the intellectuals had two concepts called China had to be reborn and to establish Mr. De and Mr. S, that means democracy and science. So that's the first goal. So, all the intellectuals trying to establish China with this democracy and science, till today they cannot establish that. But that's early principle and ideology. But by, we call it the May Fourth Movement. But until communists were established in 1949, that's the first time they destroyed the foundation of old China because they killed all the landlords.
21:32Landlord in China is only educated people and they carry the fundamental values and all the culture and heritages only because the farmers are uneducated. They kill all the landlords trying to please the farmers to establish this Russian type of, not Russian, but how do you say, Soviet type of establishment. Your father's father was a small landlord. A small landlord. So he understood calligraphy, painting, books. Tell us a little bit about that culture, which vanished. Well, landlord in that time, not just someone trying to get money or land, but rather a very educated class. They learned calligraphy, writing poems, build nice houses, not churches, but Chinese, to help the whole society to worship what happened in the past.
22:40So when that completely destroyed, then the next thing is so-called anti-rightist movement, which vanished the children or related intellectuals to the old past. About half a million of them. Disappeared. Yeah, they all, like my father, sent to exile. Then the next thing is cultural revolution. That is a movement that touches every soul of every individual, everyone involved. There is no one exception. So children in school, they have to remember Chairman Mao's sentence or very political. So I come to an extreme cleanup of the society with heavy political propaganda. You mentioned that you went to the United States, and then when you went back to China, although as you say you're defined as an artist, it was actually, am I right that it was your writing as much as anything that drew you to the attention of the authorities, and that then started to harass and become the victim of violence, and also at one point become arrested for what was presumably a kind of invented crime.
24:02Can you just talk me through what that was like? You're talking about 30 years of history. I went to the United States first when I was 24. I studied in New York for a short time. Let me make it short. I was very poor. I was a foreigner. I don't speak words of English. The first words I learned is excuse me. I think that is It's so difficult for me to see. Excuse me. But my girlfriend said that you have to see this if you're in the supermarket pulling a car somewhere. Then I don't feel very comfortable in the United States. You know, it's so much free and nobody can really tell me what to do. But that's also pretty bad because you don't know what to do.
24:51For me, I really understand this so-called freedom. It's not exactly freedom. You have to really establish yourself and meet this kind of personal competition and challenge and become successful or establish something so-called to secure yourself. I don't like that that much because it's too much effort you will put in. And I know I will never become a so-called successful artist. It's only 50 in the whole United States. And the rest is just endless struggle or disappear somehow. So by 1993, I found an excuse to go back because my father was terribly ill. And for 12 years, I haven't seen him. I was promising never go back.
25:48But I broke my words. I said, ah, this is a last chance. I have an excuse to go back. So I moved back to China. So then I have nothing to do. My father told me, hey, this is your home. You don't have to act like a guest. You should do whatever you want to do. And I still cannot adjust myself. I still become a guest of my country because I never have any nostalgia feeling about it. All I have is bad feelings. And then China has already moved forward to become a much progressive society under Deng Deng Xiaoping's slogan, let's become rich first. That's all his idea. The idea affected China till now.
26:45So it's very simple, very practical man, Deng Xiaoping, and smart, play poker game all the time. And that's the interesting part about him. He likes to play poker game. You're a blackjack guy. I also play poker game. And I like card game. So then I have nothing to do. Until my mom said, you know, you seems never went to the United States. You know, what have you learned? I have no idea. You have no American passport. You never get a university degree. You don't even know how to drive a car. You know, you're never married. What's wrong with you? Please move out. Because I play poker with my brother all the time.
27:29She hated it. She thinks this boy is just a complete waste. Just for a second on this, please. What did you do for 12 years in America? What is the answer to your mother? What did you do during that time? You didn't get a degree. You didn't learn to drive a car. What were you doing? I was hanging on the street in the Lower East Side with all the homeless drug dealers. It's kind of dangerous, a dark area. Not like today. It's very fashionable. I live on 3rd Street between Avenue A and B. If people ask me, where do you live? I tell them my address. they suddenly become salient. They will not ask another question, which makes me very satisfied.
28:12But how did you live? You had to make money. I did everything you can imagine. I was a babysitter. I was fixing antique furniture. I do house painting or construction work. I worked in a printing factory. I worked in framing shops. Also, I played blackjack in Tashmahal of Trump's casino. I gave a finger to that too at that time. And yeah, I do everything. And I was a street, do street poultry. So let's go forward then to when you suddenly become a target of the authorities. I just want to know what that experience was like. Not so suddenly. I will never become like that. is first this, I built my own studio after my mom kicked me out.
28:59I have to find a place to live. I don't want to live in an apartment. Since I come back from New York, I have a dream to build my studio. I went to a village. They said, oh yeah, you can rent the land because the land that grows vegetables can never make as much money as renting. So I said, yeah, that makes sense, you know. So then I didn't think, oh, if I rent the land, what those farmers will do. So that's just the same question. If AI happens, what do all those people do? So, yeah, I built my studio. Suddenly, that studio became some kind of landmark in China because nobody built a studio like that.
29:38Nobody even knew what the studio looked like. And all the architecture magazines internationally reported. I became a spokesperson with a new idea and a new style and a new society. So they invited me to be on the internet. I said, no, no, no, I don't touch computer. I don't know how to type Chinese words. They said, you're so smart, you can learn quickly. They're right. I quickly learned it. The first sentence I put on there is to express yourself, you need a reason. But to express yourself is the reason. That took me two days to think of what would be the first words I put on the internet. But that's a good starting point.
30:22After that, every day I would write three or four articles, openly discuss anything that nobody wanted to even discuss. So I just opened the newspaper, see some topics, gave some of my opinions until one day I started to investigate the Sichuan earthquake, the disappearance of the 5 ,335 children. And before that, I was involved in the design of Olympic stadium for 2008. So all those built me up in a very high profile because a lot of young people think this guy talked something nobody ever would openly talk and he's so gutty. At the same time, he's designed this most glamorous stadium. For international listeners, so the Sichuan earthquake happens.
31:19All these people are killed and some children disappeared. Can you explain a little bit about that? Yes, the earthquake happened on May 12th in the Wintran area in Sichuan. During that time, it just maybe a few minutes of shaking, that's about an A-level of an earthquake, killed about 70 ,000 to 80 ,000 people. And of course, everybody is sad, but at the same time, they all blame this is a natural disaster. What are you going to do about it? But I realized, you know, many buildings around the school are not even collapsed. But the school collapsed. 5 ,000 more people, students disappeared, but government never answered me.
32:06I made 100 phone calls to ask this. They said, no, no, no, this is a national secret. And why you have to know it? And are you an American spy or something? I said, what are you talking about? So online, because I'm very active, I announced I will personally find those names. And you did eventually? I did. It's a miracle. We did it. We located 5 ,219 students, name, birthday, which school, and their family. I daily post this online. That generates so much attention because the government is so shy to see every day this This guy put one to 100 names here, newly found. And the government, local government, is shaking because this guy is ruthless.
32:56And they don't know how to stop me. Till one day they shut off my internet. It's really interesting that the Citroën earthquake seems to have, and the consequence for these children, seems to have radicalized you in a way that still to this day, a lot of your art seems to be about that. Why was that such a deep thing? Unfortunately, we have happiness and we have sadness. It's both human emotions. And I'm living a period of time and location. I see those tragic sadness related to individuals very often being not to talk about. So as an artist, or not an artist, as a human being, I would think I have to protect my integrity of a fellow human being being hurt.
33:53I have to really pronounce it and let people know what I feel about it. So that relates to social justice. And for me, it's really for myself. I have to do it. And I don't have a choice. Do you define that as the artistic impulse? Later, because people keep asking me, you're artists, like my interrogator during my detention, they said, wait, wait, you're an artist. And why you're doing the work lawyers should do or journalists should do. And you're even doing better than them. I said, maybe I'm not an artist. So that's, I think, the people's idea about who is an artist and how artists should perform, which doesn't really fit me.
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34:46Okay. Ai Weiwei, Rory, quick break, and then back for more. Spring break isn't what it used to be. It's better. This spring, stay three nights and get a$50 Best Western gift card. Life's a trip. Make the most of it at Best Western. Visit bestwestern.com for complete terms and conditions. Feeding the fam isn't easy, but we got you with Denny's Slam and Meal Deals starting at$5.99. Full meals for everyone, like a Grand Slam burrito for Grandpa and a Super Slam for Super Mom. Get to Denny's now. Ballot at participating locations for dine-in or denny's.com. Limited time offer. Additional restrictions may apply at some locations.
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35:54Tell us a little bit about the detention. What happened? You only have one hour, right? And men always have a perspective of time and space. Detention simply should come to me because I've been too wild. And with my ideology of what I'm writing, I can easily be punished as death sentence during Cultural Revolution 100 times. according, that's quote of their words, is the way you're dead, you can be really killed 100 times if just 10, 20 years earlier. Yes, I, detention comes to me, which I can predict, but at the same time, I kind of feel satisfied because I always jealous my father, he was sentenced for six years in his 20s.
36:58I think anybody fighting for aesthetics or ideology, being sentenced early, is really something I can be proud of. So I think I never reached that point. I think 80 years later, I cannot predict I will be kidnapped by state and put in this secret detention for 81 days. So the story is pretty simple. They just want to, I think, mainly scare me. Were you scared? I'm not scared, but I'm, you know, I thought it was some kind of black humor because why you have to put a black hole for me and send me to some unknown location and not to let me get in touch with my family and give me like a very intensive interrogation.
37:52ask all kinds of funny questions. I'm not scared, but I feel sorry for my son. He's only two years old. So I feel one interrogator tells me, wait, wait, when you serve your sentence could be 10 to 13 years, when you come out, your son will never recognize you. That even may not be true, but it's scary to me. I feel deeply sorry I did something which is very irresponsible to someone else. That time your passport is taken off you, eventually you get your passport back and you start to travel again. And what I've been really interested, you've got a book out at the moment on censorship. And I said in the introduction, I get the sense that you think we in the West sit here and we look at China and we think this is a repressive country.
38:47They have no free speech. They don't believe in human rights. But your experience of the West seems to have led you to conclude that actually there's not that much difference. I'm really interested in how you make that argument. Well, I started early when the US invaded Iraq. That time I was in New York. I was in part of this anti-war coverage. I take my photos and the demonstration. I realized the one demonstrate has less people than the police. Police on the two sides of the street, for the bypasser, you cannot even see demonstrators. You only see police there. So you can see this is typical police state.
39:34You would allow people to demonstrate, but their voice can never be really covered. or even those ACT UP, those gay spray demonstrations can never be heard. They have to find a strategy to run it on highway, to stop the highway, then journalists would report the incident. So this is very established, the capitalism society, media, and the education and it's all being controlled so well and to tell you what is wrong, what is right, which is not so different from the Chinese society, except it seems, yes, you can have some voice, but your voice can never really be heard. There's a very interesting moment with Alexander Solzhenitsyn when he moves from Russia to America.
40:34He criticized America. He had been a dissident criticizing the Soviet Union. And then in a favorite speech, he criticized America. But it's very difficult to hear because we want to say, come on, these two things are not the same. You know, nobody detained you for 81 days in America. Nobody put your father in exile. You know how long Julian Songz has been in British jail? I visited the jail. I visited the court. I visited the embassy when he was hiding. I know exactly the whole case. He was pulled out by a British agent from the embassy. That is already a pretty strange image. Everybody will remember he was carried out.
41:15Then he was being put there. With all those heavy public pressure, he can end up his life in there. So then now you ask what kind of crime he really made. You know, so-called this WikiLeaks platform. platform today everybody has a you know it's not that he's just a little bit early trying to expose but without that even the file relate to this uh this island jeffrey epstein yeah yeah yeah you know come on we all know what's going on but the file is still not open you know the only possibility like a week leaks can open it that guy even can't commit suicide in jail can't believe it and they said the camera is not working.
42:02Come on, we have six, eight cameras here. It must be strange for you because the West saw you as a Chinese dissident. They liked you criticizing China. Now you criticize the West, so they must get surprised or uncomfortable. Confused. Confused. It's so uncomfortable. Even yesterday, I criticized, I said something, the West has no moral position even to pose fingers to China because just look at a mirror of what you did in past years in relation to all the international events, in relation to Israel-Gaza events, in relation to almost every aspect. What is really being openly discussed? But if somebody like Julian Assange had done the equivalent in China, there is a fair chance he would be dead by now.
43:02And where are Uyghurs? What would you say was the West's Uyghurs? Would you say that's the Palestinians? In Xinjiang, the Uyghur. The Uyghur situation. I think the West about Uyghurs also is a problem. Because? Because you clearly put concentration camps to use a name. We know conceptually you use certain names, which has to clearly talk about something else. And the Uyghur has been re-educated in some areas, but not the Uyghur. That's for me, my father, as the Han dynasty, not Han, Han race people. We come much earlier than Uyghurs being re-educated in 1957. So the West concept about that is really not respectful because you're choosing topics rather than giving even hands about the situation.
44:02That means you don't have integrity in what you're talking about. That's why I keep criticizing the West. But the Uyghurs themselves, we've talked to the Uyghurs who are based in London, they talk about concentration camps. They say that's the reality of the life of the people that they've left behind. And I was with you. That could be true. But you cannot talk about Uyghurs, not talk about Gaza. Gaza has been the longest prison for decades. You know that clearly. Would you say that's an equivalent? It's more than equipment. It's a much harsh situation in Gaza. You know what happens, all the women and children being killed.
44:43We were not being killed in this kind of education. In Chinese words, they are being trained with some skills, with some propaganda education. For them, it's what they did to me. So are you now in China more? Are you spending more time in China now? No, only in 10 years I spent 21 days there. But you left Germany, and then you were in Britain a bit, and then in Portugal a bit. Give me a sense of these different countries. Oh, my activities. People always ask, are you in Germany? I spent six years in Germany, only my son studied there. So daily, at 6 o 'clock, I sent him to school, 3 o 'clock, I take him back.
45:24That's father's responsibility. He already totally forgot about that part. Now he's in Britain, and he's such a well-educated gentleman, 17 years old, and he refused to talk to me anymore. All the teenagers. You don't mean literally? Huh? You don't mean he literally refuses to talk to you? Oh, yes, literally. Why? Well, I think many parents would answer your question. They call it some kind of teenage rebellion. Yeah, but I never even heard about that before. You can be rebelling, but not in this kind of completely sense. But I feel happy, proud about him. I said, yes, you can go as far as you can.
46:08That means that's what I want. I don't want you just trying to pay some kind of fake respect to me. But just go as far as you can, you know. But you'd be very unhappy if he never spoke to you again. Not true. I think he loves me. I love him. You know, this is a blood situation. But he doesn't speak to me. I haven't speak to my father for 12 years when I was in the United States. I haven't much spoke to my mom for previous 10 years. But still, they're my family. Where do you think Chinese culture is going in the next 10, 20 years? Do you think people will begin to rediscover the past? They will show more respect for traditional classical culture?
46:53Or is that fading? What's happening with this? China has a lot of things to do to fill up the gap between 1900 to these 120 years. And they have been in such up and down, tremendous, unthinkable ideology switch from feudalism to communist, then it becomes post-state. You cannot call it communist, but you cannot call it capitalism. So it's really a new society. So they have a lot to learn and they have a lot to catch up. Can I just go back to the parallels between West and East on freedom of speech? As you said, Keir Starmer, our prime minister in China, and anybody in Britain can go out and can protest against him visiting.
47:43They can say that it's the wrong thing to do. Indeed, many politicians have said that it's the wrong thing to do. And he can defend himself against that criticism. Whereas you couldn't make the same case against, let's say that Xi Jinping came here, the Chinese state would make sure that there was very little public opposition to that of any kind. When he visited Cambridge, he gave a talk. There was one Western boy who threw a shoe to him, if you still remember that incident. Of course, that is quite shocking for Chinese, you saw the public official. But through a shoes to a state leader, it's not started from that boy, but a journalist through the shoes to Bush when he gave a talk.
48:38And that journalist was being put in jail for years. you know that so let's check on the facts so i'm a good journalist i i try to make myself balanced view and uh you know if you check on the british record there's over 1200 people been put in jail over so-called hate speech in just recent study you're sounding like elon musk now? Elon Musk? He always complains about hate speech. He always complains about hate speech. Well, I don't sound like anybody. I just, based on facts, there's 1 ,200 people in jail because based on the so-called hate speech. But do you think there is such a thing as hate speech?
49:22Well, that's a very vague word. I think hate speech should be the same crime as love speech, philosophically. What do you make of Donald Trump historically, culturally? What do you think of Donald Trump? What does he represent? I think it's truly a phenomenon. Someone being elected, then someone being dumped, then somebody being elected again. That, we call it a democratic practice, right? So… And what does he tell us about American culture or world culture? I think it's the best product of American culture. capitalism come to a clear, new ideology of making a deal, an art of a deal. So all he concentrated is about a deal.
50:12There's no ideology, no philosophy, but let's see what kind of deal comes out. And the corruption and the lies? Corruption? I'm not entitled to tell about corruption because I know very little about corruption, but I would say certainly it would be huge corruption because you heard his personal gaining of profit could be, I don't know, his number. It's hard to remember, three billion or something. But I don't know, you can call it corruption or it's just a political gaining. Of all the countries you've lived in, rank them in order of the country that you felt was closest to your sense of what a country should feel like?
50:59You've had China, you've had Britain, you've had Germany, you've had Portugal. Is there any one of those countries? Because you said at the start, you never really felt at home in China, you never really felt at home in the United States. Where have you felt most of them? Well, I'm a global, I don't know, not even citizen. Citizen means you have certain rights to be called a citizen. I'm just, I don't know, a creature which maybe most fit into my ideology would be the moon. The moon? Yeah. You're like Elon Musk again, right? He doesn't really interest in the moon. He's interested in some... Mars.
51:40Yeah, I think he should be sent into Mars. Okay. One-way ticket. Yes. Are you interested in the idea of the scholar gentleman, like your father, your grandfather? Do you think this is an important idea for life? I think it is absolutely most important idea for an individual can be proud of, is to be an independent thinker and to act on your belief. And explain a little bit more about the idea of this Chinese idea for people so they can understand. The Chinese idea about scholar writing is not just to help to build your inner strength, but also to serve the mass, to serve the people. So in old time, all the kin and scholars only have one goal, to serve the bigger purpose.
52:35You know, can be poet, can be writer, they all write calligraphy, they all have a deep understanding of past. and that has always been considered as the highest ritual. You said earlier you had a lot of respect for Mao, or there was a lot of respect for Mao. You clearly had respect for Deng Xiaoping. What's your assessment of President Xi? We are about the same generation. He's three years older than me. I don't even know him. His father and my father are close friends. And of course we are... Both punished? Huh? They're both punished? Yes, his father was also punished for a while. But that's in revolution.
53:17Being punished, being purged, or it's not exactly a bad thing because there are too many struggles in different movements. I cannot give personal adjustments about him, assessment, only because I'm not in the same position. As an individual artist, he is taking care of this big state. But from foreign policy, I would agree with him. Not him, but China's national policy in relation to the Middle East, in relation to world peace, in relation to nobody should or interfere other nations' business, not like the U.S., not like Britain. Russia and Ukraine? Huh? Russia and Ukraine? Russia and Ukraine, they also kept themselves as a neutral position.
54:18They are not really support Russian. They are associated with Russian because geopolitics,
54:28because U.S., also because of the West. With NATO, with U.S., there's no such war. So this is clear. Can I, we're moving back and forth, but I think my final question, I want to bring you back to the idea of the scholar and the gentleman. Thank you. So, for example, in the Tang Dynasty, often the officials would leave the imperial court and then they would return back to the countryside. Tell me a little bit about what this means in terms of people's lives, the meaning of their life, their spirituality. I thank you for mentioning those details because I think you are a profound scholar in terms of history.
55:10I only can, from my experience, when during Cultural Revolution, at the very end, Chen Ma Mao had the idea all the educated university students should go back to factory and farming. They said this is a much bigger world, and you can do so many things when you're there. At the beginning, people do not really understand, but I do understand. President Xi has been working in the very bottom. I grew up in the very bottom. So I think what teaches us the most is not school, but really about society, about people, about struggle from the bottom. My final question. I mentioned in the introduction that you've focused a lot in your work now on the theme of refugees.
56:03And as we said, you lived in Germany, and there was a point where Germany took in an awful lot of Syrian refugees. And you said this, Europeans should not have the privilege to feel any moral superiority. Asking for gratitude from those who are struggling makes me sick. And I just wondered what you think governments should be doing about the extraordinary refugee flows that are happening now. Yeah, this is a question with such a complex level. Now we are dealing with something like, let's say it's cancer. In the West, we always think that cancer, we have to cut it off, we have to use all kinds of treatment.
56:43But with Chinese medicine, we think we have to provide that to become a cancer. That's a living style. That's some kind of philosophy. And what you eat, what you're behaving. So preventing that is much more important than to just treat it. That's the Chinese medicine's philosophy. I totally agree. With the refugee situation, we have to look at the history of why so many people have to pull out themselves with their family, their language, their tradition, their religion, come to some place like Germany or Switzerland, which is completely very hard to settle. Even for me, not us, that kind of refugee, it's still very hard for me to settle.
57:34So we have to have compassion and to understand And they escaped the war and the famine and the whole cause of war and famine. We have to really question ourselves why we don't help them to stay at their home. Thank you very much. Thank you, Ita. Thank you. Thank you. Thank you.
57:58Well, Rory, I found that very, very interesting. Yeah. What did you think of that? It was not what I expected, because it strikes me that we were getting perilously close to lots of whataboutery. And I don't know. I mean, you know, so he's defined the whole time as dissident. And yet he seemed at pains at almost every stage of the conversation to be far more defensive of China at various stages in this history. Now whether that's age, whether it's the fact that he's just been there, whether it's the fact that he just reconnected with his mother who I think is in her 90s. She's 93 and she met her grandson.
58:41But he seemed a lot more romantic about China than I was expecting. Well, I think there's also the first experience. I was being a bit pompous about Solzhenitsyn, but there's this famous moment where Solzhenitsyn gives a speech at Harvard where he attacks the United States. This is during the Cold War and everyone goes ballistic because this guy's celebrated as an anti-Soviet dissident. Partly, I guess it's also the personal experience. It was clearly unbelievably difficult and tough for him living in America in the 80s, early 90s. He must have felt profoundly homesick. He could barely speak English.
59:13He's in a completely alien culture. He's right down there on the minimum wage, struggling to get by. He returns to China. How you weigh it up, and we didn't talk enough about his childhood, but if people want to pick up his autobiography. It's absolutely unbelievable. That's the earlier book, not the current one. No, much earlier book. But it is absolutely unbelievable. Essentially, he doesn't want to call it a concentration camp, but it's certainly a labor camp. A re-education camp, I think they actually called it. And it's right in the middle of the desert in one of the most arid remote places on Earth.
59:52It's basically a military base. His father, who had been at one point you know, the most famous poet in China, is stuck with his young son in a tiny little room. They can't heat it. His father's got, is wearing an old jacket that's just kind of burnt to pieces, trying to put enough money together for his tobacco. He's outside the dining hall every day. He has to watch his father beating a drum and saying, I'm a writer's traitor to the gun. And And then every evening, his father has to fully prostrate himself and lie down and be mocked. And people pour things on him and mock him. And one of his jobs was to clean the toilets.
1:00:32That's the point he made about it. So his father's life was extraordinary because he went from being the son of a relatively prosperous landlord, what we'd call a kind of country gentleman, to then absolutely nothing. And then Ai Weiwei has built himself out of that horror. You made a good analogy with Xi Jinping, or in people like Jun Chang, who's five years older. All these people who went through the 50s and the Cultural Revolution, it's almost impossible for anyone to imagine. You go from being wealthy and actually quite privileged in the Communist Party system, smashed right down to the bottom where you are on the edge of being killed and worked to death, and then you rise up again.
1:01:13Yeah. And it was interesting as well. I get the sense, and I read that book a while ago, his autobiography. I found his book on censorship a bit strange because maybe we're being whatabouterists here, but I think it is quite hard to say that you equate our freedom of speech with the freedom of speech in China. Just to go on the record, the situation in China in terms of censorship is 10 ,000 times worse. My Chinese friends are afraid to speak openly now in any way about the government. If you post the wrong thing on the internet, it's not like these hate speech things. I mean, it's very difficult to get this across to people.
1:01:54Maybe people need to go to China more and spend more time talking Chinese to Andover. Well, now that we're getting the visa-free arrangements. Right. Well, to understand the total difference, it is a police state. It's a totalitarian police state. Or to go to Hong Kong and think back. I was there at Andover. It's not that long ago, a quarter of a century. Hong Kong is a very different place. Right. I was born in Hong Kong. The Chinese Communist Party essentially is like a military organization. It runs like a military state. I have friends who've been journalists there for many years, simply can't get visas to go back in and report.
1:02:27But we don't need to prosecute that on the thing. I mean, I think there's a sort of bigger - But what's that about? I have many people in Britain who sound like him. I mean, that is what a lot of the people who support Jeremy Corbyn's party sound like when I talk to 17, 18 year olds. I mean, this water battery is not very surprising, right? You must be used to it from your use, people saying, how about this? How about that? How about that? No, but he doesn't. And if you go, look, and I get it. If you go through the things, like he would say, the guy who threw a shoe at George W. Bush went to jail for nine months.
1:02:58Which we don't talk about. No, and all I can remember at the time was George W. Bush laughing it off and talking about his shoe size. So yeah, listen, he's got a point, But I found that maybe we were both indulging in a bit of water boundary. I don't know. No, I think you did what you needed to do, which was to register that you don't want to take this at face value. Yeah. Okay. But Julian Assange, I get it's a big cause for the left. I get that. But I think I made a fair point there. If that was Julian Assange in China leaking thousands of Chinese state secrets, he wouldn't have survived. Yeah.
1:03:33I also think that one of the things, I don't think this is not getting into it, but I guess his sympathies are quite Corbynista, if you hear him about Russia, Ukraine and NATO. It's simply not true that China's not supporting Russia and Ukraine. I mean, all the components for the Russian drones depend on Chinese secondary equipment. The oil revenue flying into Russia comes a lot from China. I mean, Russia would simply not be able to do what it's doing in Ukraine without China. And actually China has made a real choice to back Russia and Ukraine if they hadn't Russia in really weak position. But I guess the issue with interviewing an artist or a sports person is whether it really makes sense to try to interrogate them as a geopolitical commentator.
1:04:14The thing was though that right from the top, I having described him as an artist, an activist, he clearly, I think, sees himself as an activist every bit as much as an artist. Presumably, he's also irritated with the fact that for 20 years he's been used, he may feel, as an instrument for anti-Chinese attacks. Yeah. And he's a bit fed up with it. Yeah. So he's going to flip it around and enjoy tweaking the tail of the people. Can you really flip around the treatment of the Uyghurs in that way? You can't. But I think from his point of view, he's probably may have felt that he's been used for a long time to stick to beat the Chinese government.
1:04:48I just wonder whether as he gets older, he's exactly my age. He's 68. He's just been to see his mom in jail. I wonder whether, although he said he's never really felt at home anywhere, whether actually ultimately there is something about as you get towards the latter stages of your life, you are more drawn to your homeland. And I wonder if that's going on. And where you come from, I don't want to push this into our own personal lives, but he clearly did not have a comfortable time in the States, and he didn't have that comfortable time in Germany. I hesitate to raise the famous issue of Alistair going to Cambridge, but it's quite possible that there are experiences that you have in your life which make you think, actually, I'm not like these people, I'm something different.
1:05:25And actually, it gives you more desire to defend where you came from. I saw the thing about his son was very sad. Very sad. Very sad. It's really sad that he's... Very sad. I mean, here he is in London. His son's in Cambridge, and they're not speaking. Very sad and very difficult for him. I didn't really want to push on that, but I found that very sad. And very difficult for him. And to be fair to him, there is a wonderful honesty about that, to bring that up. Many of us would have veered away from that. Yeah, absolutely. Yeah. No, listen, he's a fascinating guy. And the other thing we didn't get into, because, I mean, And as well as being an artist, he's an extraordinarily prolific documentary maker.
1:06:02And some of them are really, really powerful. I also love his frankness. I thought he was incredibly funny about his time in New York. That was a wonderful sort of... And I really enjoyed his description of the... I mean, because when we talk about history, Nixon goes to China is absolutely a moment in history. And I thought he captured that really compelling way. My final one, if I was going to be allowed to be a little bit pretentious, I don't think... Go on, Rory, you can do it. I think people have done enough on how old-fashioned he is. He's basically deeply nostalgic in some ways towards the pre-revolution classical Chinese culture when he thinks about his grandfather, his description of his grandfather, and his literariness.
1:06:43Pen and paper. Pen and paper. No typewriters. All this sort of stuff. So I think he is somebody who's a sort of gentleman scholar. And if he thinks about himself, when he says, am I an artist? Am I a journalist? Am I an activist? I think what he really is, is a traditional Chinese gentleman. He's somebody who wants to be able to be utterly independent, retain an interest in public service, and do art, but the art is not the purpose of his life. It's part of a bigger package. Absolutely. Well, very good. I hope our listeners and viewers enjoy that. Thank you. Bye-bye.
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From the publisher
Why was Ai Weiwei kidnapped and held prisoner by the Chinese government? How did the 2008 Sichuan earthquake radicalise him into taking aim at the authorities through art? What’s behind Ai Weiwei’s belief that there is a serious censorship issue in the West?
Rory and Alastair are joined by Artist and Activist, Ai Weiwei, to answer all this and more.
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