In short
Gina Martin, a gender-equality advocate, recounts being upskirted at Hyde Park’s British Summer Time Festival (2017), launching an 18-month campaign that helped make upskirting a criminal offence in England and Wales (Voyeurism Offences Act, passed 2019), then later “changing her mind” toward prevention/abolitionist approaches rather than carceral feminism.
Guest backgrounds
Gina Martin is a multi-award-winning writer, facilitator, and activist. At 25/26 she led the campaign after the assault; she later wrote three books and worked with schools on prevention of gender-based violence. She has appeared in major media and worked with organizations including The Telegraph, Stylist, Grazia, and the World Economic Forum.
Key claims
Upskirting is about control/power, not sexual gratification; the law’s inclusion of distress/alarm/humiliation reflects that. She later critiques criminalization as insufficient and argues police/prisons don’t reduce violence; prevention must disrupt rigid gender stereotypes earlier.
Notable examples
The festival incident (phone photo of her crotch; police response limited because it wasn’t treated as a sexual offence). School prevention work with Year 9–11 boys discussing “the man box” and how peers police masculinity.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOGina Martin's Background and Upbringing
2:03 to 2:24
Gina shares her upbringing in a creative family and her early ideas of success.
“I love to start this show with some context.”
Creative Influences and Activism
2:24 to 3:20
Gina reflects on her creative family and early feelings of injustice.
“They're very funny, creative, affectionate, loving people.”
Experiencing Bullying and Belonging
3:20 to 4:25
Gina discusses her experiences with bullying and feelings of exclusion.
“And I remember my parents being like, yes, like, or like send letters and like, you know, fight for things.”
Transition to London and Early Career
4:25 to 6:14
Gina shares her move to London and early career experiences in advertising.
“And I was bullied quite badly in school and physically bullied.”
The Upskirting Incident: Setting the Scene
6:14 to 7:59
Gina describes the night of the upskirting incident at a music festival.
“And so we were like a working class family, but we had access to these experiences that weren't working class at all.”
The Upskirting Incident: Details and Aftermath
7:59 to 14:00
Gina recounts the traumatic events of the upskirting incident and the police response.
“how you got to experience like London in your 20s that's a really thoughtful question I have before that particular assault that we're alluding to, which is me being upskirted at 25, 26, I was just turning 26.”
The Journey Begins: Upskirting and Activism
14:00 to 17:00
Learn about Gina Martin's initial experiences with upskirting and how they sparked her activism.
“You have a very good way of explaining like why you think people do these things, because it's not the most like salacious of images.”
The Campaign for Change
17:00 to 19:50
Gina Martin shares the motivation and support behind her campaign to change the law.
Challenges and Emotional Toll of Campaigning
19:50 to 24:20
Explore the emotional and logistical challenges Gina faced during her 18-month campaign.
“A lot of British politics is around optics and it's incredibly, it's actually incredibly depressing.”
After the Law: Reflections and Opportunities
24:20 to 27:00
Gina reflects on the aftermath of passing the law and her subsequent opportunities.
Show all 22 chapters
Evolving Perspectives on Justice and Activism
27:00 to 28:00
Gina discusses her changing views on systems of justice and her role in activism.
Gina Martin's Evolving Perspective on Law and Justice
28:00 to 36:50
Gina discusses her complex feelings about the law she helped pass and the transition from punitive approaches to prevention work.
“And I say working with because although you have a tense relationship, you become a thorn in their side.”
The Importance of Grassroots Prevention Work
38:08 to 42:00
Gina contrasts the recognition of high-profile legal battles with the undervalued grassroots work in prevention of gendered violence.
“It's an individual human story, the law change.”
The Shift from Recognition to Community Impact
42:00 to 43:50
Gina discusses her transition from seeking personal recognition to focusing on community work and prevention efforts.
“They are survivors, a lot of people that work in this work.”
Confronting Burnout and Mental Health Challenges
43:50 to 46:30
Gina shares her experience with burnout and PTSD, detailing the symptoms and the impact on her life and work.
“And then I can just use my socials to as a shop window so people can find that work.”
Navigating Healing and Self-Care
46:30 to 49:20
Gina discusses the journey of healing through self-care practices and seeking help from professionals.
“And because I'd had this stalking case for seven years, And then there'd been a few traumatic things in my life.”
Developing Sustainable Practices for Well-Being
49:20 to 54:00
Gina emphasizes the importance of boundaries, sleep, and acknowledging personal capacity to maintain well-being while doing impactful work.
Redefining Success in Activism
54:00 to 56:00
Gina reflects on what success means to her now, focusing on sustainability, impact, and maintaining her health.
“and they're generational work so I need to make as much as a dint as I can so that means all I do is this all the time.”
Balancing Work and Well-Being
56:00 to 57:25
Exploring the possibilities of a sustainable career while maintaining personal fulfillment.
“And can you see a sort of road ahead in which that's possible?”
Cultural Influences on Understanding
57:25 to 59:16
Discussing the impact of cultural experiences and recommendations that shape perspectives.
“me understand you better, what would it be and why?”
Reflecting on the Impact of Legislation
59:16 to 1:01:34
Gina Martin shares her emotional response to legislation and its personal significance.
The Importance of Slowing Down
1:01:34 to 1:02:39
Highlighting the significance of taking time away from technology for meaningful connections.
“And there is so much magic in taking space away from them and having the space to think and explore what you really feel and what you really think and doing that in an exchange of ideas with other people offline.”
Transcript
Automatic transcript. May contain errors.0:04Hello and welcome to The Slowdown. Activism at its best is one of the most generous things a person can do. You give your time, your nervous system and sometimes your name and safety to a cause bigger than you. But what happens when the work that once gave your life meaning begins to deplete it? When becoming a public figure means becoming a target, facing threats, scrutiny and the pressure to remain the same version of yourself forever. Today, I'm speaking with Gina Martin, a multi-award winning gender equality advocate, writer and facilitator, who at the age of 25 launched the campaign that led to the Voyeurism Offences Act in 2019, making upskirting a criminal offence in England and Wales after it happened to her at a London music festival.
0:56She carried out an 18-month campaign while working full-time and enduring hundreds of online threats. Since then, Gina has written three books and continues her work as an activist both on the ground and at scale, from working in schools on prevention of gender-based violence to writing, speaking and media work with platforms including The Telegraph, Stylist, Grazia and the World Economic Forum. Her work has been recognised by Time's 100 Next list and the Evening Standard's 1 ,000 Most Influential Londoners. But this conversation isn't only about what she's built. It's about what it takes and what it costs to do this work in public.
1:40We talk about activism, visibility, burnout, social media, and what happens when your views evolve but the public still expects you to be one-dimensional. Recorded here at Brazen Studios and sponsored by Greek swim and resort wear brand Kione, I hope you enjoy this conversation with Gina Martin. Hi Gina, welcome to The Slowdown. Thank you so much for being here. Well, thank you for having me. I love to start this show with some context. So I would love to know where you were raised, by whom, and what your earliest idea of success was. I was raised by my mum and dad, my parents. Very blessed to be raised by them.
2:25They're very funny, creative, affectionate, loving people. And I was raised just outside of Liverpool. My family are Liverpudlian and I come from a long line of scouters. And I think I had an interesting idea, or not interesting, but maybe a creative idea of success growing up because I come from a really creative family so my dad's a session musician and my mom was in interior design interior architecture and also was an artist for a while um and yeah I remember just like witnessing my parents work and like hustle and do it for a creative endeavor and thinking like to have a career like that was what success was like to do something that you really genuinely enjoyed it sounds like those are the sort of parents that would also encourage your tenacity and your ideas yeah they were i remember being really young i'm gonna say around like six or seven and we had these big beautiful trees opposite our house and the council was going to cut them down i remember just being like deeply devastated by the idea and me and my sister or like in the newspaper, like holding these trees, like no.
3:44And there's like a photo shoot. And I remember my parents being like, yes, like, or like send letters and like, you know, fight for things. And so they were just really supportive of whatever we were passionate about, which is, you know, a really healthy thing. I'm really lucky to have that. I was wondering if sort of feeling injustices was something that you felt more strongly than other kids from a younger age. I don't think I had a keen awareness of injustice as a young person. I think in terms of the actual reality of what injustice is, I grew up in an incredibly white village in a very sheltered environment.
4:21I had a sense of not fitting in, like so many people have for so many varied reasons. And I was bullied quite badly in school and physically bullied. And I felt... I just remember really struggling to feel like I wasn't weird or annoying or um I just felt constantly uncomfortable about being kind of seen in school and I I've kind of later found out that was because I'm um neurodivergent and I was really struggling to kind of like engage in school in some ways that were like normal like I used to do things that teachers would like laugh about and and then other kids would laugh about them and And then that kind of led to like bullying and there was different things that I really struggled with.
5:13But so I kind of knew what it felt like to not feel a sense of belonging, which we know is like a core psychological need. Not feeling like that was really hard. And it went on for years and years and it was physical and I felt very excluded at times. And so I think there was maybe that sense that was very clear to me as a young person and probably followed me and definitely has followed me into my and did follow me into my young adulthood. and I remember really reaching out to and wanting to be there for other kids who were experiencing that in different ways like feeling really strongly that I knew what that felt like.
5:47How did you find living in London as opposed to where you grew up? Oh my gosh well I went from a tiny village to Leeds for uni and I loved Leeds like Leeds is still one of my favorite cities and then once I graduated I just remember getting the mega bus constantly for like five pounds it took hours and hours from Leeds to London with my friend who was also wanted to be in the industry and advertising and we would just find places to stay and eventually this guy um who owned a pub in North London offered that we could stay in the storeroom of his pub and he had this like it was he's he's like he's like now like my one of my dads like he's the best but I remember at the time being like we're gonna get killed like this is weird and me he offered us this room in the storm of his pub you know he had like a big marketing four foot tall red bull ten in there and like it was a single bed and me and Jen were like we'll take it and we we ended up staying for two weeks while we were interning and then he just offered for us to stay as long as we want and he's still today this is you know 13 years later 14 years later he's such a wonderful but at the time I was like what like what are you doing like why did you do that are you okay um and I remember finding London really
7:08like exciting but also like fitting because I grew up in a village but it was my dad's job I was really lucky to travel because he'd be playing in Paris or whatever and um we'd sometimes be flown out because we were his family. And so we were like a working class family, but we had access to these experiences that weren't working class at all. And so I had access to different cities and my family, you know, originally from Liverpool and stuff. So I always felt a pull to a city. And once I got to London, I was like, okay, there's so much opportunity here. There's so much opportunity to create a creative life.
7:41I want to obviously go into what then happened in your early 20s but I'm also conscious that it defined such a big part of your 20s and so I guess before I ask about it I was just wondering how looking back that makes you feel in terms of how you got to experience like London in your 20s that's a really thoughtful question I have before that particular assault that we're alluding to, which is me being upskirted at 25, 26, I was just turning 26. I have the before that in my mind, which is this kind of experience of being really excited about being in the industry, trying to get a job in advertising, having all of those firsts that you get in a city where you feel like you're really part of something and you're exploring and you're meeting people you'd never have be exposed to at home and you're loving every second of it and and there's probably a lot of silly things in that and a lot of kind of risk involved in that and a lot of learning and then I have I actually went to live in Greece for a year and a half halfway through that and then when I came back from Greece literally two months later the um the upscoting happened and then I have a very very patchy memory of the two years after that like there's there's not much I could tell you apart from the campaigning I can't really remember my life outside of campaigning during that period but it was a significantly traumatic period um and so there's a kind of before time and an after time I know it's hard to like go back there and you've probably spent a lot of time trying to forget a lot of it but at the same time having to go through the courts you had to probably recall so many details of it as well um but if you will I wanted to just go back to Hyde Park British Summertime Festival 2017 the killers are playing um you've got your sister beside you I guess I'm curious about like what you were feeling in that moment and obviously like what actually happened to you um I remember that entire experience minute for minute second for second I remember that very very uh clearly um And I'm going to try and tell you about it not in the way that I usually talk about it, because I know that there's like room for nuance here in this discussion.
10:02And usually I kind of say the same thing every time because I've probably told the story like 2000 times at this point. So I'm going to try and actually be present while I tell it. I remember being really excited to be with my sister again because I've been abroad. And it was like the reunion moment. It was like this band that we loved as teenagers when we were much younger. and we were able to come together and actually see them for the first time. So I was really, I was just in joy. Like I was so excited to be there with her. And as we were waiting for the killers to come on stage, it just got very apparent that there was a group of guys near us that were like trying to engage in some way.
10:43And I'm incredibly extroverted. So I'll talk to anyone. Like in my job, I have created a career for myself where I spend most of my time with strangers because I love interacting with people. But as soon as I get this sense that particularly men are trying to encroach on or engage with something that I'm doing in a way that is entitled or in a way that is inappropriate, I can smell that a mile off and I shut that shit down very quickly. And that started to happen. The guy started making comments. He made a sexual comment and I immediately kind of mocked him. and then me and Stevie kind of turned away from them created some space and kind of tried to watch the show and ignore them and just from that one interaction where he'd made that sexual comment and I'd kind of mocked him back or like said something quite cutting to him I felt one of the guys up against my back and then there was two of them standing in front of me and kind of turned around because I felt someone up against my back and he was just standing there it's like nothing weird and then the two guys in front of him of me started laughing and I could just tell that they were laughing at me I could tell that something had happened so I kind of looked around to the front of one of the guys and he was on his phone and he had a photo of my crotch and my knickers and like a really close-up photo of under my clothes on his phone I'd had like a couple of drinks so I was quite impulsive and I grabbed the phone and I started screaming I was like why are you taking pictures of my vagina and he was like I'm not I'm not um and then a girl next to me who I'd just been talking to me and Stevie had been talking to her who was really lovely she'd been like pass me the phone so I slipped her the phone and the guy like got hold of my shoulders and was like shaking me he was this huge guy and he was like shaking me and I like slapped him really hard and then looked at these two guys to my left who were really young They must have been like 19 or something, but we were in a crowd of 60 ,000 people.
12:41So I couldn't like move or get out. And I looked at them and I was like, help me, help me. And because he was like holding into my shoulders. And these two guys just like moved three people out of the way and just went, run. And so, and the girl passed me the phone and I ran to the police because I'd seen where the exits were. I ran to the police and he chased me, the guy that had had a hold of me. And I got to the police and they kind of surrounded me and he was jumping over the police. He was absolutely infuriated. And I said, he's been taking pictures of me. and I gave him the phone. And then two police officers came, a female police officer and a male police officer.
13:12And I was really relieved that it was a female police officer at the time. I thought that a female police officer meant a particular type of response. And they both said, okay, we've seen the picture. It shows more than you'd want it to show, but there's not much we can do because you're wearing knickers. And I was like crying and super confused because all I'd ever been told was wear more clothes in order to control men's behavior and he said well it's not a graphic image and so because it's not a graphic image I don't know if there's much we can do do you want to make a statement and obviously I said no because he just said there wasn't much they could do and they went okay really sorry we'll be in touch and then they kind of left and I was just like left at this festival with the guys that were there and had no idea what just happened and i went home and contacted a student lawyer friend of mine and said do i have like any like remit here to like prosecute because this feels wild and we found out that upskirting wasn't a sexual offense in england and wales but it had been in scotland for a decade and that's kind of where the beginning of campaigning started for me this wasn't my first experience of sexual violence or of assault it was the experience that broke the camel's back where I was so frustrated with the response I'd put a picture on social media of the guys I'd happened to get when I'd taken a selfie with my sister that day the next day I put that on Facebook and there was it went kind of a tiny bit viral for the time like 8 000 likes or something and um Facebook took it down and cited harassment on my part for putting the picture up so I just every single safety net was not doing its job and I just got infuriated and that's where it started Yeah.
14:55You have a very good way of explaining like why you think people do these things, because it's not the most like salacious of images. It's not like going to make him money on Pornhub, but it's like why in that moment where they clearly felt that they had lost some kind of upper hand with you. It's about control and power. The idea that specifically obscurting or any type of image based abuse is about sexual gratification isn't necessarily true. When we changed the law, we made sure to include distress or alarm or humiliation because this is a tactic that patriarchal and misogynistic men use when they feel like they've lost a sense of dominance or a sense of power over the woman in front of them.
15:41We see this with men who hit on women and the woman says no and the immediate response is like, yeah, well, you're not that high anyway. There's a punishment that comes when women reject men because their social script says that they should have dominance and that they should be able to engage with women in a way that is objectifying that makes them feel more masculine and when we say no to that there are a lot of men that get incredibly uncomfortable and when you're uncomfortable and you have big feelings revenge becomes something that is an option and that's kind of what happened to me when you when you transgress someone's autonomy and someone's rights You feel like you gain something.
16:21You feel powerful. And that's what he felt in that moment. There could never have been consent because I was standing in a festival watching a show. There was not one moment or part of me that was interested or had even considered showing a man I don't know my crotch or my genitals. And in these moments where you're extremely violated, a lot of people would kind of go into themselves be embarrassed by the whole thing but you chose to make a petition spend 18 months campaigning this and getting this passed into a law like why I suppose did you or where did you find that in you was that the girl that hugged the tree again or was that some sort of new lease of energy that you felt like I need to do this there's a Venn diagram that would probably be able to articulate why I decided to go that hard on it and publicly and why I was relatively comfortable to do that I would say the parts of the Venn diagram would be yes being raised in a family where my voice and the things I cared about and my autonomy were consistently developed through my parents there's a part of that Venn diagram which is that there were many times previous to that where I had absorbed men's behavior and felt uncomfortable with it and and thought I I couldn't do anything about it this wasn't this I think it's sometimes easy for us to frame people who do these kinds of things that have a certain amount of courage to their actions as that's just who they are it's not like I was also terrified the whole time like but I'd had there had been enough moments where I'd absorbed men's behavior I'd had so many small and large experiences that I'd lay in bed thinking about and that had made me feel unsafe and scared and it just so happened that in this environment at this time I was so angry and so incensed by what happened like on the day I was with my sister I was in a crowd of people I actually think partly the environment allowed me to say something because I was with her and my sister is my backbone and also all of these people were around us and so once I had the phone I knew I could prove to people that this had happened because so much of female sexual harassment is like are you believed yes it's your your it's the truth versus the perpetrator's um story and in this case it wasn't there was lots of people around us who saw it happen or saw the evidence of it on the phone and then having particularly people around me like my partner my partner was instrumental in me deciding to try and change the law.
19:21He was the one that was like, I was like, okay, it's my case, which I don't really have a case because it's not a sexual offense, but I can maybe try and prosecute under this hundred year old common law that doesn't even recognize as a victim. Or I could try and change something to do with the legislation. And I thought that was like the wildest idea. And it was so unrealistic. And he was really like, no, you should do that. Like, why can't you do that? You should definitely do that. And so was my sister. And so was my family. And so my friends. And I really think the people that I have around me really emboldened me to to do it when I thought maybe that was a stupid idea yeah and in those 18 months of campaigning and then successfully having that law passed what was like the hardest part I don't think there was a part of that process that wasn't challenged I would really struggle to pinpoint a particular part of that that was the most challenging because I honestly like emotionally you know not if god I actually can't even I can't even like really um pull it apart the the process of consistently campaigning every because I did it every single day um and I was working a full-time job for like 24 grand a year and so just the the um schedule of that was exhausting the emotional weight of feeling the responsibility to pass it because I was constantly getting stories from you know everyone from an 11 year old girl who was at school who was upskirted by a student in her class to a 90 year old woman that it happened to from female teachers whose male students had done it to her like the the collective amount of stories thousands of them I felt like a real responsibility to to finish it um which was really challenging um because that can create like inertia you can be like I can't I'm too because I was absolutely terrified that I wouldn't be able to do it um and then alongside just learning about British politics and being in parliament and being at Portcullis house all the time and having all these meetings and having to play a very strategic game with my lawyer that It was genuinely like we were playing politics with the politicians because we had to, because you can't just ask politicians to do something.
21:41That's not how it works. A lot of British politics is around optics and it's incredibly, it's actually incredibly depressing. So like learning all that on the job and then I was dealing with like rape and death threats the entire time. I was also learning so much about myself politically and like I was having like kind of a political awakening at the time and I was finding it really hard to let people in in my life because what I was experiencing was so unique and I felt so alone in it so there was quite a separation between like me and my people apart from my partner and my immediate family I kind of was not really available for a lot of it and I didn't have a whole lot of support because I didn't let people in on it it was it was really um as I say I don't have memories of those two years really and that's because it was incredibly there was lots of trauma that came along with it but it was um yeah it was it was a baptism of fire for sure and I learned a lot about myself and when the voyeurism act was passed in 2019 did you feel a sense of catharsis or a sense of like I've done it for all these other people or was there now a sense of like what do I do now what was the feeling like when it was passed and just after I sat in the gallery and watched them pass it with my family and friends and I had an idea of what I thought that moment would be like a hypothetical idea and I felt literally nothing like I sat in the gallery and I remember them passing it and my family being like yay and I literally was like okay I don't know why I think that's probably a protective mechanism of some kind and then I left and we went to the pub and we sat and drank for ages drank well um we sat and drank for ages in the pub uh me my lawyer my family and just talked about it all and after a couple of drinks like a very intense sensation of like like absolute relief but not like joyous relief like exhausted
23:55relief i was just crying couldn't stop crying and i was like i'm so glad it's over i'm so glad it's over like i was just so desperate for it to be over by that point i've never really felt i've never really felt like an embodied sense of pride about it like because ultimately i didn't really want to do it i think that's what it comes down to is that like you're proud of things that really fulfill you but I never wanted to fight the government on changing the law I just felt like I had to because I was so angry and so broken by my experiences so I think when it finished I was just like relieved and like thank god that's over you know but then you obviously stayed in activism and was there a process of you figuring out like clearly I'm good at this and I want to help people but I need to actually work take a step back almost from this experience and figure out what how am I best used to actually help and what do I care about?
24:52It was about a year afterwards where I was being offered all these like wild opportunities and I wrote a book and there was all this commercial, there was like awards and like I was just like invited to like TV shows and like oh you know huge events and like it was like the flavor of the month type person at the time and I remember going to loads of those things and be like this is really fun and then after a little while being like this isn't like why I do any of the work I do like I don't know what I'm doing here like I can't replicate what I've just done again I'm not going to be changing laws my whole life that's not a job that's something I felt I had to do at the time um and so I remember pausing and thinking about the people who I'd spoken to who I'd respected and and how they'd kind of reflected on what I'd done and what I could do and there was lots of at the time there was lots of recommendation to stand as an mp interestingly um and go into politics in some way felt much more connected to the idea of being in community and doing grassroots work because that's kind of i only started that that campaign for people i didn't i didn't do it to gain access to the halls of power that wasn't why i was doing it um so kind of took a little bit of a pause and worked um for naomi nicholas williams pro bono for a little while on a campaign she was running to change global instagram policy because it was discriminating against um plus-sized black women's bodies it was censoring them and we won that which was great we changed that global instagram policy so i remember doing a couple of things and thinking like yeah this is what i want to do um but i didn't know what that looked like and i didn't know how you made money from it ultimately I think I it took me a long time to figure out how to actually have a career that is about impacting and making change in terms of gender violence I'm glad I'm here now but it took a little while I saw a post that you did that I think epitomizes some of your complex feelings about what you achieved seven years ago and kind of the journey that you've been on since and the ways that maybe you've not necessarily changed your mind but this these emotions of I did this thing seven years ago as a as a survival as a reaction to something that happened to me but does that necessarily mean that I now have to be put in the box of somebody who is basically pro-punishment right yeah that that's that that's kind of what you then get known for in activism it's worth really remembering that you were like 25 when this all happen to you and most people don't know much about systems change and how education works and so at what point did you actually start to kind of widen your aperture and think about systems change and education and then once you did figure that out and you started to do the facilitation work that you do in schools with young people because that's really where it starts like if we were to go back to that incident with you what would have happened if those boys had had a better education you know didn't have those like locker room conversations that we talk about and when you started to do all of that how did you then feel about this law that you had passed that is effectively a punitive law that punishes people um in our very you know not great criminal justice system right but i'm interested in that personal journey that you took of like learning more what it is that you learn and then how you felt the difficulty you felt to then reflect that to this audience of hundreds of thousands of people that follow you that expect you to be kind of one voice on one thing when you're actually a human that is multifaceted and evolving and changing um I started to have complex feelings and a complex relationship to my work not long after I finished it.
28:51So I would say around 2020, a couple of like comrades and peers who work in kind of different areas of justice work invited me to a conversation where they asked questions about my relationship to the police and to the government. And, you know, got to remember at the time I had had to work with all political parties in Britain, but it was a conservative government under Theresa May that I was working with primarily to force them to change the law. And I say working with because although you have a tense relationship, you become a thorn in their side. So from the inside, they're not liking me.
29:33We don't have a good relationship. But the relationship has to be productive enough that we can work together to change the law. But from the outside, I also think it looked much more unified than it was. and I think that I absolutely hated working with them. And I've actually only two days ago just had the first interaction with the police, two days ago with a police case I currently have, that was actually compassionate and thoughtful and positive, first time in 14 years of different things with the police. So I really struggled with the institutions that I was working with and a couple of peers of mine pulled me aside and said, okay, I know that you feel like that, but you wouldn't know from the outside.
30:24Like you wouldn't, watching you, you wouldn't know that. And your work is carceral and carceral feminism is a type of feminism that says that by increasing powers of the police and putting people in jail, we solve the problem of violence. And that's just categorically not true. We don't solve violence by putting people into inherently violent systems. The men that go into our privatized prison system in the UK, which is the most privatized in Europe, are not more likely to come out less violent, less harmful, and less likely to harm themselves or other people. So this isn't prevention work. And we had conversations about that.
31:07And those conversations forced me to look at my work and say, where do I really stand on criminalization and carceral feminism versus like justice and prevention um and how do I feel about it and it was really uncomfortable I spent like seven seven or eight months this was like during COVID there was like that forced pause and like a lot of that forced pause for me was me kind of like wrestling with that question um doing a lot of reading doing a lot of journaling going to therapy a lot and wrestling with the idea that I'd done that and maybe I was a bit of a poster and I think I was I was like a poster child for carceral feminism at the time but but my politics were moving way past that and I also had to engage with the idea that it's really nuanced right like the law that I changed that makes upskirting a sexual offense is not mine it's also something that victims and survivors across the country and across other countries are incredibly thankful for and that's not an experience that I get to dictate it just isn't I also benefit from laws like that there's a man in prison that stalked me for seven years and the moment he was put in prison that I didn't turn on my home alarm system.
32:27I have felt more safe since he was in prison than I ever did before. However, he will come out of prison at some point. And I don't know that he's less likely to contact me or harm me or harm himself. And so I've benefited from those laws. But my politics and my feminism is rooted more in abolitionist tendencies now and is rooted more in this idea of prevention because I don't know how we get out the mess we're in without prevention work. If we're not disrupting harmful patriarchal white supremacist cycles early and we're not doing the work that helps people to come back to themselves before these systems tell them who they're meant to be, the police arrive after the fact.
33:09Criminalization happens after the harms occurred. We have to be earlier in that process. So I learned a lot from people who are now my North Stars, like Angela Davis and Audre Lorde and Bell Hooks and Richie Reseda and different abolitionists and community leaders across the world whose work I follow. And I had really difficult conversations with myself and I decided to be public about the fact that my politics have moved on and that I don't want to be known as someone only who criminalized something because to me prevention is a much more exciting and realistic and human endeavor than criminalization is.
33:50And that much more fits the kind of person I want to be and the kind of advocate and feminist I want to be. And give me an example of what prevention work looks like. You go to a school, what kind of age are the students? What kind of conversations are you having? So prevention of gendered violence specifically, which is what I work in. if you take the drivers of gendered violence one of which is rigid gender stereotypes so the gender binary and this idea that people have to live and look and be and appear and move and love in a certain way dependent on the construct of gender so being a man or a woman and doesn't recognize anyone outside of that being able to allow people the space to question those rigid gender expectations and explore what it would mean for them to identify where those expectations aren't so good for them, are restricting them or harming them, and how those expectations shape their behavior and attitude towards other people is prevention work.
34:52Because what that looks like in real terms is going into a school and being in a room with year nines or year tens or year 11s like I have been doing for the past three years and having really honest conversations with young teenage boys about what are the expectations placed on you to be considered a man or a boy what are they and they'll say all the things that you expect them to say they'll say things like fix things on your own be strong um show emotions like angry banter or happy but don't show any other emotions or any vulnerability they explain essentially the man box this kind of restrictive idea of masculinity that they're in.
35:30And then we have a conversation about the ways in which they police each other into that. And what is the outcome if you believe you have to be only these specific things in order to be a valuable man or a valuable boy? And we connect, we create a space for them through activities and through conversation and through curiosity where they can connect the dots and recognize the actual real world impacts of that, both in society and with an individual like if everyone's buying into this then what happens so they start to connect how these this really rigid idea of masculinity is actually causing them harm but it's also causing people of agendas harm as well and so that's prevention work because it shifts the paradigm of how boys and men think about their identity and it allows them to be more expansive about their identity but more importantly it creates a social experience where they're supported for doing that by other boys that they know.
36:24So then there's all kinds of different, you know, sectors and practices and prevention work. But ultimately, what it is, is on the ground work that people undertake in any setting in a workplace, in a community, in an education setting, where we are educating, disrupting and giving people space to push against the drivers of gendered violence. Yeah. You know, I don't just take sponsors for the sake of it. So when I tell you that I believe in Keone's commitment to sustainability, I really mean it. Every fabric they use is OECO TEX certified, which is a certification that sets the benchmark for textile safety.
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37:43This is what I want to see more of. Not just beautiful things, but beautiful things made responsibly. So I'm honoured to have Keone as the partner for this whole season. And there is also a very special discount exclusively for you, my dear listener. Just put the slowdown, one word, at checkout for 20 % off your first order at keone.com. see this is really important work beautiful work that is close contact intimate you're in the room with people you're educating you're sharing and I suppose what I find fascinating in our system is that that's not glamorous work like that's not going to get you a million followers on Instagram but doing the work that you did where it's like this big kind of glossy um you know we're gonna pass this law going to awards as you said and being this like talked about person and being in the media and being asked to do all these things and being in the um you know time 100 next list and so on does that frustrate you it frustrates me no end that that this big shiny version of the work is recognized um and that the intimate important human grassroots work is not recognized there's a re there's many reasons why that's the case um one is that like capitalism will capitalize.
39:20It's a neat story. It's an individual human story, the law change. It's the girl who was assaulted and then she fought the system. David and Goliath. Yeah, it's exactly that. And you can put me in a pink suit with my fist in the air and say, smash the patriarchy and put me in a magazine. You can't capture or measure what happens in a room when we have to have, when we're having like difficult, messy, clunky discussions with teenage boys over three and a half hours in a classroom of a school with not much funding. There's no beautiful outfit. There's no, there's also, you can't actually watch it because we have to protect the kids and we have to actually create intimacy and safety for people to do that where they're not seen or they're not perceived.
40:03And we know that, you know, there's going to be no punishment for their honesty or the things that they say, which are a lot of the time, you know really difficult to hear because they're not they don't say the right thing they don't articulate themselves well they say the bullshit stuff that you don't want to hear or they frustrate you that's part of the work and so the human grassroots work will never be the big shiny thing because it's directly in opposition to the status quo and it's not sellable and it's not commercial and it frustrates the hell out of me but I really don't want it to be because it's there's it's incredibly and I don't use this word tritely like it's it's sacred stuff like it's important human stuff and you can't capture that in a Instagram post or in a you know op-ed or in a whatever like you just can't um it makes me infuriated that people who do this work on the ground are struggling to pay their rent but if you do you know a big shiny campaign like I did which you know I'm not disparaging it but I think the commercial opportunities that came off the back of it was like a real moment where I went oh hang on okay right okay this is like a moment there's like a real commodification of this this thing and I don't feel comfortable with that necessarily and it's not why I got into it and I did step back from social media um like when I started facilitating that was because the unsafety that came from the public platform I had like it was just like getting worse and worse like the threats and the police cases have just they just got worse and worse up until 2023 and then there was something that happened in 2023 that was really messed up and I was diagnosed with PTSD and I couldn't leave the house like I couldn't function because I was so scared um of what one of these men would do um and so I thought like hang on this isn't like worth it I can't live like this I just if it means I can't have social media and I don't have as many followers and I don't get any commercial jobs like I don't care and I kind of removed myself from that world a little bit which was the best thing I ever did because I got to go into rooms every day with young people and work with people who actually do this shit every day and and live for it and they don't get awards and they don't get to feel a magazine book that they shouldn't because that's not what it's about it wasn't really about that for me but it became about that for me for like a year for some reason so i'm much happier in this work i'm much poorer it frustrates me so much the funding the lack of funding i can't express to you it's so the the work that people do every that they have the way that they have to regulate themselves the way that they have to show up the the the emotional risks they have to take the the things they have to deal with in prevention work it's like and most a lot of people are coming from prevention work because they've had experiences of gendered family violence and sexual violence.
42:55They are survivors, a lot of people that work in this work. It makes me really angry that it's not funded better and that they're not taken care of more. How do you find the balance now between posting on social, being on these platforms, using... There are also many positives to having a voice and being able to share and speaking to people with the community work that you do. and how are you able to on this platform provide like some more nuance I feel like I'm kind of coming I'm gonna kind of come back online and I'm doing that in a way that is for the the work that I do rather than for me because I think for a little while after the law change it felt like a bit of like a cult of personality type energy and it was kind of becoming it all came and came about me and like obviously the whole point of the change was like for other people um so i kind of wanted to decenter myself a little bit which is why i changed the work and obviously i should my politics changed and i went into prevention and i it was about being one in a room rather than everything being about me which is very uncomfortable so now i'm kind of interested in how can i create content long-form content and um more like remote facilitation actually Like how can I do my job with experts that I know and organizations I know online and people can access that work, that prevention work.
44:23And then I can just use my socials to as a shop window so people can find that work. rather than um posting to keep my reputation up or posting to keep myself you know in the scene i'm hoping to bring a bit more like political and practitioner rigor to my online platforms and see how that goes um just lessen the distance between offline and online me one of the things that we talk about on this podcast is is burnout and i think obviously you've been through so much with the incident that happened three years ago. Is there any particular time that you felt the most burnt out from work? And what did that actually look like?
45:11I actually went to my doctor here, who I love, shout out Dr. Balvinda. He's so great. He's like, he's the most calming. I live in Australia and you have to pay for healthcare here. It's a privatized system, which is not great. But because of that system and because I was able to pay for my appointment, you get a lot longer. And I sat with him. I kind of went to the doctors and was like, I'm losing my mind. And this was before I knew I had PTSD, but something had really changed. I was just struggling to function. I was very unwell mentally at the time. And he asked me about my sleep and my routine and the symptoms.
45:52And we sat there for like 30 minutes. and he said to me at the end I'm really concerned that you're approaching burnout I mean clinic he was like people throw that word around a lot but I mean clinically I'm concerned about because I was having night terrors and I couldn't sleep and I was forgetting to eat and I wasn't showering for days and I couldn't regulate my emotions at all and I don't mean like be super calm and chill I mean like I was panicked my arms would be shaking I would be sweating like dripping with sweat one minute I would be crying uncontrollably I would forget everything I was it was really like couldn't function um and he said those words and I remember being like I don't know what that is but I've heard it thrown around a lot but I I'm unable to I'm the closest I've ever been to being unable to function and of course in my um work I was working part-time at an organization in the schools at the time and I was just finding that I'd be like crying on the way to the workshops and I could I was like I don't know how I'm gonna get in front of this room and do it and every time I would because I'm so passionate about it and I loved working with the kids so much but it took a diagnosis of PTSD and I also knew that I was neurodivergent and I'd learn a lot about my brain and what I need, like what my brain needs.
47:15And as my therapist asked me to make a timeline and a session once, and she said, go back to 2012 and can you write, can you draw lines of when you've been experiencing either an experience that made you feel significantly unsafe, a police case, or a traumatic event. And so I like drew out these lines. And because I'd had this stalking case for seven years, And then there'd been a few traumatic things in my life. And then I'd had the assaults and then I'd had didn't be doing the campaign. And then I'd had all the rape and death threats. And then I'd had a bit of a small gap. And then I'd had they'd increased to the point of having multiple police cases.
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47:56Like the whole period was just had lines all over it. And she was like, you've been like just been in survival mode. Yeah, I've just been raw dogging this whole experience on like nothing on like I haven't implemented any systems or self-care or collective care when I've been going through something that actually my system is struggling to handle and I've been doing it for years um and once the diagnosis came and Dr. Balbinder said about burnout I went home went to my therapist and was like I have to change the way I live like I can't live like this anymore and that took me like a year and a half of like trying like creating one new habit and then trying to do it and then adding another one and then failing and then being nice to myself about failing and doing everything possible and it's being really honest with the people around me that I was struggling which I wasn't doing like I didn't tell anyone really and I'm such an advocate of that but I think I was when you're not well you're so internal in your own head you almost forget you almost can't I didn't have an extra I almost didn't have an external experience I was just like trapped in my head all the time um and I couldn't articulate to myself what was happening which made it really hard to articulate to other people what was happening so I think by leaning on people around me really well by changing my job and my life that's why I came off social media a lot that's why I went into um continued with prevention work and didn't do anything commercial and took a lot of work away from myself um and then changing my routine and then being really honest about being not well um I was able to get better but yeah it would have been 2023 after the the really bad threats and then being diagnosed with PTSD where I just kind of was like oh I'm broken like I've just been pushing through this for years and I'm this is all now the effects of that is all happening at the same time and are there now and I'm hoping you're obviously in a better place and and that these tools are working for you and that you've found a better balance with the work that you do are there like three sort of tips that you have on like slowing down in your day-to-day those felt like big kind of macro decisions that you needed to make real life shifts and changes as you said are there things now when you feel your anxiety bubbling or like something is happening that you have some tools that you could share with others of things that have helped you to kind of slow down in a moment yes and they're all the boring things that work and it's so frustrating but they literally like it took me years to be like do the things that like I knew I had to do they're so obvious and then oh my god they're so simple but they're they're so hard to do and they're so hard to stay consistent at I one of the biggest things that has helped me the most has created an environment for me to get better and to be a calmer less reactive more regulated more like slower person um is getting off my fucking phone like I now spend half the week offline I delete all the apps on a Friday and I don't download to you how when I'm not cycling through and we talk about the dopamine like the faux dopamine hit and like what that does and it's all true but like also the my feed is all important issues 100 % yeah your feed is specifically more triggering than probably other people's yeah and like I'm like oh I need to I need to keep eyes on everything that's happening and I need to but what that meant was I was just in I was in squirrel holes for three and a half hours of like essentially secondary trauma like all the time and I can be engaged and aware of what's happening and I can take actions without doing that for three hours into inertia which actually made me less likely to be able to take actions that would help people and it doesn't need to be immediate and I wonder when things happen in the world do you get loads of dms from people like why aren't you saying something about this yes yeah yeah I'm constantly getting messages asking me to do things or say certain things or whatever um and so creating there's only so long you can be annoyed about something until you have to recognize that you actually have autonomy and dealing with it and start to take an action based on the autonomy you have and I think it was a very comfortable place for me for a long time when I was in my late 20s to believe I didn't have the autonomy to create boundaries with those types of things and I absolutely do and it was through a lot of therapy and a lot of failing and messing up with it that I got better so having a really strong boundary with social media on my phone is really critical for me sleep and the same time every night and the same time waking up every morning is really important for me I'm a 10 and a half hour girly now and I like I just have to get to our sleep and if I don't I'm like sorry I'm just going to be probably my mental health will start to get a bit worse after like three days of that as well if I'm working really hard as well if I'm not you know seeing my friends and doing things that bring me joy and having rest moments like I'm probably not going to be okay if I'm not sleeping and I'm on my phone and then the other one is being able to be really clear and honest about what my actual capacity is not my capability like I can do any job I'm offered I can do all those workshops I I would love to drive three and a half hours to the outback and work with that school I would really like to go on that night out and and then also make sure I've cleaned the whole house and then do the book club and then whatever like I want to do all those things but I actually just don't have the capacity and for a long time I thought that being relentlessly productive was the most important thing because the issues that I work in are never going away and they're generational work so I need to make as much as a dint as I can so that means all I do is this all the time.
54:06I've actually found a lot of solace in recognizing that I'm part of a collective of people even if I'm in my room right now on my own there are all kinds of people working on these issues all the time in different ways and so when I take a rest and I get off my phone for a couple of days there's hundreds of people that are still doing that and when they rest I'm working and we don't have to be together to know that that's the case so the collectivity of that and being really clear about my capacity so I can do an amazing job when I go into that workshop with those young people because I've slept and I've I'm resourced and I've been reading slowly and reflecting on oh that's interesting yeah when they say that I wonder how I could like I'm really good at my practice if I'm slow I'm not good at my practice if I'm overworked so the capacity thing too for sure well yeah just because you need just because you can do something does not mean you need to do something um is a lesson that even I like and I don't work in activism and I think anyone who works in any kind of you know difficult work or runs their own business has that sense of like gosh I should be doing so much but actually you know who says well we are like I also think it's like totally understandable right like we're entirely conditioned by the systems we're under and the precariousness of the economic environment we're in to constantly feel like we have to but there's some if we're going to survive that stuff we also have to take care of ourselves and each other for sure and so that leads me to the question of what What does success look like to you now?
55:45Hmm. I honestly think success looks like being able to do this work for my whole life in a way that has real impact collectively on people and in a way that doesn't make me sick and allows me to make enough money to like pay my rent and like go out for a nice dinner with my partner and like have a relatively comfortable life, make an impact and do this work for a long time without having to quit because I've overdone it. And can you see a sort of road ahead in which that's possible? Being able to do this work for a long time and not get sick, I think is possible now because I've learned so much from my recovery and I'm really passionate about doing that.
56:42I think the financial side of it, if I wanted to go into an organization, I could probably, you know, have an okay salary and have a pretty comfortable life. I'm much more interested in the creativity of doing lots of like attacking the problem from lots of different angles, which is why I do commercial work and I write books and I also do prevention work in the room. And so financially, it's quite precarious for that reason. But I think I can be creative about making a life for myself and making, I don't think you need, I don't need a lot of money to have a good life. And I think I can do that and do the work in a creative way, in a way that fulfills me as well.
57:21I do think that's possible. I just think I have to be really smart about it. The final question that I ask everybody, just because I think it provides illuminating answers, is if I had to watch one film or read one book or have one kind of cultural experience that would help me understand you better, what would it be and why? Your questions are the best ones that I've had for a long time. You should be really stoked about how good your questions are.
57:54There's too many. I rely so heavily on books and creatives, like poets and TV and documentary and all those kinds of things to make me feel like things are possible. If you watched The Feminist on Cell Block Y on YouTube, you would understand me. Yeah. That's like the one thing that is the most recommended thing I ask people to watch it shows you great facilitation it shows you great prevention work and it's one of my favorite things I've ever seen and the follow-up to that that the same guys made um on Netflix is songs from the hole so those two feminist and sell block wine songs from the hole thank you so much and just to go back when when you read a hymn to life Giselle Pellica's book I believe she sent you a kind of early manuscript to read and you came to that section about him being caught upskirting in a supermarket and that really being one of the first things he was arrested for because obviously she she didn't tell anybody about what was happening to her and given your kind of evolving feeling about everything how did you feel reading reading that book and coming to that passage um I read it on a plane and when I got to that section I had what people sometimes talk about that I'm like that's not real where I had like a full experience of being like emotional release like I just started crying and I was like oh that work has helped people like i felt proud i've spent so long with such a complex relationship to that campaign being criminalization as someone who's so dedicated to prevention and has more kind of abolition abolitionist tendencies i spent so much time feeling uncomfortable about me at that period and there was a moment where I was like oh hang on that that is important even though it doesn't the work doesn't match my politics that is important and it has you know it's not just him it's the 51 other men or 52 other men that were caught and so she she specifically said that she doesn't know she'd be here and I think that was it wasn't even about the prosecutions it was about her saying she doesn't know if she would be here if he hadn't been caught like she thought she she believes that he would have killed her and I think that was a really big it made me incredibly emotional I don't know I can't really articulate it but yeah it's the only time I've ever been incredibly emotional about that that campaign in a way that was positive I mean it makes me emotional and I think a lot of people you know this is the thing of like the both sides and the yes and and the two things can be true at one time which is the nuance that I'm interested in that laws do change people's lives and they're important you might not even know each other but this thing that you did affected her and then what she has now gone on to do is so important as well as continuing with grassroots continuing with prevention is I think both of those things are really important and you know I just wanted to leave any space for if there's anything else you wanted to share on the topic of this podcast, which is really slowing down being a radical act in a growth at all costs capitalist culture.
1:01:44I think I just feel really strongly at the moment as we slide into the complete prevalence of AI and misinformation and the way that these platforms that we're on that we're probably speaking to people right now, are going to become such a tool, even more of a political tool than they have been. And there is so much magic in taking space away from them and having the space to think and explore what you really feel and what you really think and doing that in an exchange of ideas with other people offline. It is so important and it's become even more important than it ever has been for us to get offline and do this work with each other in rooms looking into the whites of people's eyes and I I really hope that people choose to slow down in that way in their advocacy and in their education and in their growth like I really really hope because nothing replaces that thank you so much Gina thank you thank you for tuning in This episode was hosted and created by me, Tiana Tambridge, produced by Lulu Goad, sound and video production, and recorded at Brazen Studios, cover art designed by Natalia Ruhe.
1:03:01This season was sponsored by Keone. Please subscribe to The Slowdown to be notified of upcoming episodes, tell a friend, and please leave a review. It really does help a new podcast like this get out there in the world. And remember, we're all heading to the same destination, and there is no prize for getting there early, so we might as well slow down.
From the publisher
Gina Martin is a multi award-winning gender equality advocate, writer and facilitator. At 25, after a man took photos up her skirt at a music festival and police told her nothing could be done because she was wearing underwear, Gina launched the 18-month campaign that led to the Voyeurism (Offences) Act 2019, making upskirting a criminal offence in England and Wales — all while working full-time and facing hundreds of online threats.
She's since written three books, writes for outlets including The Telegraph and the World Economic Forum, and was named on TIME's 100 Next list. We talk about the cost of activism, life as a public figure, escaping social media vitriol, and what happens when your thoughts change but the media wants you fixed in place. It's been seven years since her law passed, and Gina now believes prevention and education matter more than punishment.
Her activism happens both on the ground - she worked in schools for three years unpacking gender stereotypes with teenagers and now is a practitioner and facilitator in primary prevention of gendered violence with adults who work in the sector, as well as training adults to support and engage young people - and at scale, through her writing, speaking and media work.
In this episode we cover:
Hyde Park, 2017: what happened, and the police response that started it all
18 months of campaigning, a full-time job, and hundreds of threats
Why passing the Voyeurism Act felt like relief, not pride
Moving from "carceral feminism" to believing in prevention & education
Her 2023 PTSD diagnosis, stepping back from social media, and rebuilding around real capacity
The importance of facilitation work
Redefining success as sustainable, lifelong work
Mentions:
Voyeurism (Offences) Act 2019
Nyome Nicholas-Williams' #IWantToSeeNyome campaign, which changed Instagram's nudity policy for Black and plus-size bodies
Angela Davis, Audre Lorde and bell hooks
Richie Reseda and The Feminist on Cellblock Y (2018) https://www.youtube.com/watch?v=JYxTzsabkH8
Songs from the Hole (Netflix, 2025)
A Hymn to Life by Gisèle Pelicot (2026)
Aja Barber - Sustainability Activist, writer and consultant
Links:
https://www.instagram.com/ginamartin/
https://ginamartin.substack.com/
https://www.tiktok.com/@ginamartinuk
This season of The Slow Down is sponsored by female-founded, Greek swim and resortwear brand Kiohne. The Slow Down listeners can use code theslowdown for 20% off their first shop on kiohne.com. Enter their world, explore their collection and buy beautiful pieces designed to be enjoyed while slowing down this summer.




