In short
Adot Gak discusses race in fashion, reinvention after trauma, and burnout from “booked and busy” modeling. She argues celebrity success hides exploitation: new faces are underpaid, especially Black models, who may be recruited with promises then discarded after a season. She also critiques AI’s overuse, fast-fashion pace, and the lack of mentorship in modeling.
Guest background
Born in Sudan; raised in Cairo, Egypt and later Iowa after relocating at age 10. A police attack on Sudanese refugees killed her older sister when Adot was 9/10. She was scouted in Iowa, moved to New York, and became a leading model and writer (former contributing editor of The Standard).
Key claims
Grief doesn’t shrink; the “container” grows. Humor can be armor. Modeling travel is often airport-to-hotel, with limited control. Burnout peaked during COVID (June 2021–2022). Success is freedom and peace of mind.
Notable examples
campaigns for Skims and Alexander Wang; runway for Chris Owens, Vettemans, Richard Quinn; Wimbledon dress controversy; Maldives trip under 24 hours; 54 castings in her first season.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOAdot Gak's Early Life and Impressions of Success
1:38 to 5:48
Adot shares her childhood experiences, including moving countries and her early aspirations.
“In order to understand your story a bit better, I'd love to start with some context.”
The Impact of Trauma and Grief
5:48 to 7:46
Discussion on how traumatic experiences shaped Adot's perspective on life and resilience.
Scouting and Early Modeling Experiences
7:46 to 11:58
Adot describes her journey into modeling, including her early experiences and challenges in the industry.
“But I don't want to be like those people that have done those things to me, if that makes sense.”
Transitioning to Full-Time Modeling
11:58 to 14:00
Adot reflects on the moment she realized modeling could be her full-time career.
“Um, and it was incredible because my manager was the kindest man ever.”
Financial Support and Early Struggles
14:00 to 14:28
Exploring the early financial challenges and support received in the modeling career.
From Sharing to Independence
14:28 to 15:06
Transitioning from shared living conditions to financial independence in New York.
“And 85 is like doing fashion week is nothing.”
Caring for Family Amidst Pressure
15:06 to 16:10
The pressures of being a breadwinner and managing family finances.
“I'm like, oh my God, am I going to be broke again?”
Burnout Experiences During COVID
16:10 to 17:08
Detailing the intense work schedule and burnout experienced during the pandemic.
“Went to Iowa, supposed to be there for a week or two.”
Taking a Break and Reassessing Life
17:08 to 17:56
Realizing the need for breaks and reassessing life choices post-burnout.
“yeah um so i was working every day i would say from um end of june to 2022 it's just hell wow yeah and then i realized i was like oh my god all i do is work i don't really have a life.”
Shifting Perspectives on Career Choices
17:56 to 18:52
Changing the perspective on waiting for job opportunities in modeling.
“But she's like, I'm having a time in my life.”
Show all 27 chapters
The Reality of Modeling Life
18:52 to 19:50
Discussing the misconceptions of modeling often seen by the public.
“is like you spend a lot of time waiting to be chosen.”
Traveling vs. Working in Modeling
19:50 to 21:58
Contrasting the idea of glamorous travel with the actual work experiences.
“I'd be like, hey, I'll put myself up for another night.”
Traveling vs. Working in Modeling
22:06 to 22:20
Contrasting the idea of glamorous travel with the actual work experiences.
“Enter their world, explore their collection, buy beautiful pieces designed to be enjoyed while slowing down this summer and for many summers to come.”
Finding Balance and Personal Power
22:20 to 24:24
Discussing the importance of personal balance and empowerment in one's career.
“And then it's like your agent is calling.”
Feminine Energy and Public Perception
24:24 to 25:48
Exploring reactions to femininity in fashion and societal expectations.
“It's a stunning look with a white scarf and white sunglasses.”
AI's Impact on the Modeling Industry
25:48 to 27:30
Discussing the implications of AI technology on modeling jobs.
“I mean, of course, it was not, I hate it.”
Diversity in Modeling: Progress or Performance?
27:30 to 28:00
Analyzing the progress of diversity in the modeling industry and its true impact.
“Do you feel that there was real progress made?”
The Struggles of Black Models
28:00 to 29:50
Learn about the challenges faced by black models in the fashion industry.
Fast Fashion and Model Representation
29:50 to 31:16
Explore the impact of fast fashion on model representation and diversity.
“You know, they'd be like the Russian supermodel and then they would fly in.”
Friendship Dynamics in Modeling
31:16 to 33:34
Discover how competition and friendship dynamics affect relationships in modeling.
“But also I feel like, you know, we had the plus size model for a couple of years and they, I mean, that was great to represent every woman in every body shape and size.”
Self-Care and Balancing Work
33:34 to 35:39
Learn strategies for self-care and maintaining balance in a demanding career.
“I would even have time to watch my favorite show before I go to work.”
Writing to Empower Others
35:39 to 38:15
Understand the importance of writing about the modeling industry to guide newcomers.
“We've mentioned already your interest in writing.”
The Need for Mentorship in Modeling
38:15 to 41:22
Discuss the absence of mentorship in modeling and the need for support systems.
“And it's always like, oh, we are creepy man.”
Redefining Success in Life and Career
41:22 to 42:04
Explore a new definition of success based on personal freedom and fulfillment.
“You know, and also it's like if all these young ladies are looking up to me and it's like, oh, my God, like I want to be you.”
Redefining Success and Peace of Mind
42:04 to 44:10
Explore the personal journey of redefining success and finding peace within oneself.
“I feel like before it was like for me, it was like, oh, success will be like if I walk Chanel.”
Inspiration and Overcoming Challenges
44:10 to 46:33
A discussion on inspiring young women and overcoming barriers to personal growth.
“I think that is one of the things that I learned because as a young lady, it's like you go through this and like, oh, maybe if I have this or maybe if I did this, maybe life will be so much better.”
Reclaiming Power and Mindset Shift
46:33 to 47:28
Understanding the importance of reclaiming personal power and shifting mindsets away from urgency.
“But it's also like your time is always on somebody else's time.”
Transcript
Automatic transcript. May contain errors.0:04Adot Gak:Hello and welcome to The Slowdown. Often when we see a celebrity on the red carpet, we see their accolades, their profile and their outward success. But rarely do we see what it took to get there or how they really feel about that world. My next guest had the most extraordinary story of how she arrived at the red carpets and magazine covers and a deeply refreshing perspective on the world of celebrity itself. Adot Gak was born in Sudan and moved to Egypt with her family at the age of four. When she was just nine years old, a violent attack by Egyptian police on a group of Sudanese refugees in a Cairo park tragically killed her older sister, who was just 13 at the time, and changed her family's life forever.
0:51Adot Gak:Shortly after, at the age of 10, Adot relocated to Iowa with her mother, where she grew up as the child of immigrants. She was later scouted in a shopping mall, moved to New York, and has since become one of the world's leading models. A dot has walked for Chris Owens, Vettemans and Richard Quinn, fronted campaigns for Skims and Alexander Wang and appeared on magazine covers around the world, from Marie Claire and Elle to Harper's Bazaar and Le Officiel. She's also a writer and former contributing editor of The Standard. In this episode, we talk about the modeling industry's relationship with race, how humor can be armor, the reality behind being booked and busy, and what she wants to do next.
1:37Adot Gak:Recorded at Brazen Studios and sponsored by Greek swim and resort wear brand Keone, I hope you enjoy this conversation with Adot Gak. Hello Adot, welcome to The Slowdown. Thank you so much for being here. Thank you for having me. In order to understand your story a bit better, I'd love to start with some context. So I would love to know where you were raised, by whom, and what your earliest idea of success looked like. So I was born in Sudan. I was raised in Cairo, Egypt, and Iowa. I would say I didn't really have a lot of people that were successful for me to look up to. so for me it was like watching movies and I'm like oh I just want to be a star that's it that was like my way of becoming successful just be a star what kind of movies were you watching um so well when I was in Cairo I was watching a lot of Egyptian movies of course so then when I moved to America I mean you start off with Disney and I was like oh my god I can I want to do what Miley Cyrus is doing you know I wanted to be Hannah Montana and I used to wear blonde wigs I was so I'm delusion I'm a delusional queen so um but you know I wasn't gifted with a voice so when it comes to singing I'm not really the greatest.
3:04Adot Gak:How long did you live in Egypt? We I lived there about six years um we moved to Iowa when I was 10 years old so Egypt wasn't supposed to be like a home for me. It was supposed to be a place where we went for refuge because, you know, war in Sudan until the States was war. But then when we got there, actually it would have been better to just stay in Sudan because of the racism and the abuse that we endured in Cairo. So like, so the next thing we were like, okay, well, we can't go back to Sudan. what else then we got accepted to go to america and when your mother saw like iowa was she like great or did she think the midwest no you know what it's so you know in arabic iowa means yes so when they were speaking to her because it's like they were you know speaking english and reading speaking english at them so they're like okay chicago new york iowa she's like iowa yeah so yeah that's how she's like new york she thought it was a yes to new york so she was just like yeah yes sounds perfect and when we got i remember like our first day there we looked outside and it was like oh my god it's so white and we're like oh my god we'll never have to buy salt or sugar there's so much sugar and salt out there and then my cousin went outside for a smoke and he came back and he was just shaking and we're like what happened he's like it's actually not salt or sugar it's called snow and it's freezing oh no that was your first experience that was in chicago yeah well shocked myself i started crying i was like i want to go back i want to go back oh i want to go back to cairo i can't do this and my mom was like well you can't really go back and we also have another flight and i'm like where are we going it's like i don't know we'll figure out when we get there and then the first two months because it gets so dark so early because we came in February and in Iowa that is like freezing cold but yeah that was like my early memories of you know coming to America then after a while I'm lonely this is not that bad what were the people like your first experiences of the people in Iowa well I mean I didn't feel like I didn't belong even though I'm like you know um black and I quite tend to forget that when I was in Iowa because no one brought it up so I didn't know so when I went to New York and they're like yeah you know when you're looking for black models and I'm like yeah great great great and then that's you I'm like oh yes yes yes yes yes yeah okay they're looking for me yeah thank you for a reminder and I go home and she's like my mom was like you're quite an odd child you don't think I was like I don't really like when I look at myself I'm like yeah I see me but I don't like look into the color of my skin as much as other people would that makes sense it does make sense and you mentioned that your mom was she a single mom she was a single mom so about when we went to actually my mom left my father and decided that she deserved better and she wanted to start a new life so she took my sister and I and went to Cairo so she always told me like listen you always have to choose yourself because men are selfish so it's always about you also when you were 10 years old in cairo there was an attack on the refugee camp and how did some of these events shape who you are now so your mother deciding to leave your partner losing a sibling like these things that you think have shaped key parts of who you are i would say the incident that happened um that day have changed my life um made me more um grateful but also um more aware of how evil people can be because my sister was murdered that was murdered that night so um to have a grown adult smash a child's head until she's dead like that's shows you something about what yeah like not everyone is nice not everyone is there for good with good intentions again that's why i got into writing it's one of those things like i always tell people it's like i don't want to be a victim to my circumstances, regardless of, you know, what happens.
7:46Yeah, life happens. But I don't want to be like those people that have done those things to me, if that makes sense. And I try my best to be like the kindest person that I can be. Because I mean, it's easier to be better, of course. Also, it's like after a month, everyone goes on, you know, partying, having weddings, having baby shower. And you're the your family you know a person that you've known all your life and now you have to live without those people but just I mean we live in a world where everything is just so quick
8:21Adot Gak:I like the description once that if grief was like a ball yeah the size of the grief doesn't change but the container your experience gets bigger yeah so the grief is still there and it's still the same size but there's so much else that is filling your life as well right does that feel like a good analogy yeah it is it is um i mean how i always tell people when like a person loses a person for the first time they're like you know because i know you how many people you've lost in your life like how do you deal with it i'm like it doesn't get any easier but you learn to live with it. Does that make sense?
8:59And my thing is always like, yeah, my sister's not here. And I'm sure if she was here, she would have been the biggest star. She was everything that I wanted to be. You know, she was fun. She was funny. She was free, you know, and she doesn't have that opportunity to do that and be here. So I feel like, listen, every day it's like, okay, you know, know you wake up and there's days where you're not feeling it but I'm like well you're alive you're healthy you have your two legs you you you're still functioning you know life is not that
9:33Adot Gak:bad yeah together sounds like you feel a sense of I should do it yeah exactly yeah I'm living for two people and when you were 21 you were scouted in a mall in Iowa yeah no so I was scouted twice I was scouted when I was 14 and then when I was 19. But I didn't call the lady back until I was 20. And so did that original Iowa agency help you get the New York agency or did you just go to New York on your own and try and get an agency? So they were trying to send me to like a few agencies in New York. I was like, I'm not sure about these agencies. And then I signed with one of them and I came to New York with that lady.
10:16Um, but the rates didn't make sense. Um, I had to pay and I was like, well, if agency is making you pay to begin with, that's not a good agency. And I think like as models, sometimes you're so hungry and you're so driven that you don't care what you have to do as long as you are a signed model. Um, but yeah, I just had to learn it the hard way. And when I did actually find my agent, I was like, okay, great. This is, this could be something. and yeah start shooting but then they didn't tell me that editorials don't pay you know everyone is like oh you're on a cover you're on this i didn't get paid maybe 150 and when the taxes come around it's really nothing you're not getting anything you know also shows yeah i think people don't know
11:03Adot Gak:that uh as like a new face doing shows especially for the new designers there's basically no money and you could be doing three shows a day, running around the city, doing all of the castings and there's kind of like no money to speak of. You know how many castings I did my first season? Probably 54 castings. And then it's like on top of that, you have to be responsible for your commute. No one's paying you for that. Also, you have to be responsible for your food if you get a chance to eat anything. Um, and yeah, but those things are not taught to us until you are in the game, you know, and especially if you don't have a family that support your dreams or don't have that income to just give you money, then you, you have to have a part-time job.
11:58Adot Gak:Did you have a part-time job? I did. I worked at a restaurant. I worked at Lexington Brass. Hi, Brian. Um, and it was incredible because my manager was the kindest man ever. and understood it was like every time when I had a casting it was if I had a shoot he'd be like okay I'll find somebody to cover your shift it's fine you got it also they say there's really two types people people who've worked in hospitality yeah and people who haven't yeah because it teaches you how to oh yeah understand people and people in difficult circumstances but that's the thing like when I go to restaurant it's like sometimes people are like oh you know this is not the right food that you order but I'm just like you know what it's not the end of the world now I understand that I'm paying for it and I understand I'm paying for service but sometimes I don't even know if that server had a death in their family or is going through a breakup or if their parents are ill or if their child's you know and their brain is just not working or they're not here um mentally they're here physically but they're just not just thinking about other things you know so I'm not gonna give you hell for it it's fine it's all right because I'm like I was a host and I had emergency and I still have to work and I'm trying to be the best employee but deep down I'm like crying you go to the bathroom for like five minutes you cry out and come back and it's like okay cool you just have to work and at what point did you transition into modeling being your full income passage like what point were you like I think I've made it or I feel like so I figured it out so that was with my second agency Penny shout out to you um was um the owner of the agency and I remember she was like you know what this is going to be great we're so excited for you we have a vision for you um and she's like and I was like oh you know but I still have to work no it's just like no no no no it's fashion week I don't want you to stress she sent me a thousand dollar to make sure that I had things I can eat I can um have Ubers if I need it some train money and I'm like the fact that she trusted me that much she gave me that much because usually when you ask for money to agencies it's like pocket money and it's literally and you pay it back yeah It was like 85.
14:28And 85 is like doing fashion week is nothing. So I was like, oh my God, she really believed in me. So I would say 2019 was like the year where I was like, okay, cool. It's money coming in. I mean, moving to New York and not having a place to stay and finding a friend after a casting was great. and then like us living in like this tiny room and sharing a bed to actually having money where I'm like, I can have my own flat. But I was still also worried. I'm just like, okay, but how long is this going to go for? You know, I wasn't sure. I'm like, okay, this is every day. I'm like, okay. And it's like when I have like two or three days off of work, I'm like, oh my God, am I going to be broke again?
15:09I mean, when I started making money, it got to a place where now it's like I can comfortably take care of my family.
15:17Adot Gak:and that was an important thing for you to do because I always took care of my mom so even when I was like well I always have always been the breadwinner so um finally being able to because I had to basically I couldn't really provide for a year or two um properly you know it's like okay if I have let's say 100 and she needs 50 and I'll give her that 50 and I have to make sure that I could survive with that 50 that I have left, you know. So to be able to, if the car break down or if we have, if there's an emergency, I could just send her money without thinking about it. But that got to a place where I felt like I had to work myself to the bone, you know.
15:59Like every day I'm like, okay, you have this and you have that and you have this. And I'm not saying no to anything. I'm talking about from campaigns to lookbooks to e-coms.
16:09Adot Gak:I would say my burnout was actually doing COVID. Went to Iowa, supposed to be there for a week or two. Ended up being there for three months. So I was like, okay, it was great because, you know, it's like I moved my mom into her dream home and we was there. She was like bonding. And that was like the first time like I actually got to know my mother as a person compared to as a mother, if that makes sense. Yeah, as an adult. Yeah, exactly. Exactly. It was like, I'm like, she's just a girl. You know, she's just a girl trying to figure out. And so after three months in Iowa, I flew back to New York and that was it.
16:47It was like the busiest time of my career.
16:51Adot Gak:During COVID. During COVID. Because so what we were doing was like every day you get my nose. I was having nosebleed all the time because you're getting tested every day on set. yeah and this is before they figured out that you don't have to go all the way yeah um so i was working every day i would say from um end of june to
17:212022 it's just hell wow yeah and then i realized i was like oh my god all i do is work i don't really have a life. I'm exhausted. I started literally having these nights where I would wake up just like freaking out, thinking of call time. I was like, oh my God, I need to be up. It's 5am. I need to be up, but I didn't need to be up. I had a day off that day. I was like, okay, this needs to stop. This is bad. This is horrible. So I started saying no a little bit. I'm like, okay, cool. You take a break. I remember when was my first vacation? It was probably like 2022 like proper vacation and that was like a week with my girlfriend we went to Jamaica and I was
18:03Adot Gak:like wow this is amazing this is possible yeah I was like this is amazing but you know what before that trip they're like you have an option you're holding you're holding and usually I used to just like wait you know and I was like you know what I can't wait around all my life just for a job and I would say my friend Monica have changed my perspective on that because she's like listen And if they confirm, amazing, I'll fly back. But she's like, I'm having a time in my life. I'm traveling. And I used to be like, wow, you're going to St. Paul. This is amazing. And she's like, yeah, you know, and if there's a job, I'll come back.
18:38And I was like, this is incredible. Because all these years I've just been waiting around for options and for your own hold.
18:49Adot Gak:That was kind of always my issue with modeling. is like you spend a lot of time waiting to be chosen. It's not a very proactive two-way street. You know, there's not more that you can do. It's not, even with acting, you can kind of learn how to be a better actor. You can take dance classes. You can do all of these things. With modeling, there's not really like much you can do. So you're sort of just waiting for these arbiters of power to decide whether or not they think that you have the look this particular season. And it's quite hard to do that. And that waiting game of not being able to travel is also so real because I think people see models as having these amazing lives.
19:28Adot Gak:And then actually you are like you cannot plan anything. Yeah. Everything is I'm coming, but I might not be able to come. Yeah. The whole time. Yeah. Yeah. And I would say, like, I've missed a lot of important things in my family's lives because I was waiting on an option. and again when people look at our lives like you travel so much I'm like traveling for modeling is really not traveling you go from the from the airport to the hotel and then if they don't want to pay for you to sleep tonight it's a red eye and I used to do a lot of red eye um to um LA I remember one of the first big trips that I did yeah for a magazine yeah again also probably not paid very much was to the Maldives yeah I was so excited I was like oh my god I get to go to the Maldives the best thing ever and I was I spent more time flying there and back than I did actually there I was there for less than 24 hours yeah and I was so upset when I had to leave I was like you're joking yeah but you also feel like you have no ability to say yes hey I'd love to stay yeah could I stay another day yeah and it's like now older yeah with kind of more experience I feel I'm like, I would ask.
20:44Adot Gak:I'd be like, hey, I'll put myself up for another night. Can I stay? Back to scarcity mindset. You didn't want to be, yeah. You know, you don't want to be that diva. And you know, in the industry, they're quite harsh with that. They're like, oh, she was difficult. She was difficult. I've been thinking lately about the things I want to hold on to and the things I want to let go of. Fast fashion is one of the things I've let go of. Not perfectly, not all at once, but very deliberately. which is part of why Keone resonated with me so much. As a swim and resort wear brand their whole ethos is about creating a timeless contemporary wardrobe.
21:22Adot Gak:Not trend driven, not seasonal and not for the sake of it. Pieces that are lightweight, soft and comfortable, made to last, designed to travel with you through the years and not just for one summer. I'm actually wearing one of their swimsuits right now and I can attest to the quality. Their swimwear is also built for slow mornings by the sea for reading a book and eating a fig for that particular freedom of a holiday when time just opens up and really good breaks can fill up your cup and sustain you long after the summer is over and Keone is built to last and I want you to experience it too which is why there is a very special discount code exclusively for you just put the slowdown one word in your checkout for 20 % off your first order at kione.com.
22:09Adot Gak:Enter their world, explore their collection, buy beautiful pieces designed to be enjoyed while slowing down this summer and for many summers to come. So how do you find the balance now? Like now that you have more years of experience under your belt and you are aware of the fact that you can say, no, I'm taking a week break, regardless of what comes in i think i'm at a place in my life where it's all about listening to my nerve system instead of everyone else because as in modeling you just think everything is about urgency you know it's like oh we need can you take some videos we need to send it to the um to the client right now and you think that you need to just basically do it now it's like no i'll get to it when i get to it.
23:01And then it's like your agent is calling. It's like, okay, can we... They also want to do FaceTime. Can you do a FaceTime? It's like, I am in the bathroom. Can they wait a little bit? So I'm at a point where I feel like also pivoting from modeling to now writing and all that stuff. It was like a way of gaining my power back. Because for a very long time I've struggled because I'm quite girly. Well, extremely girly. You know how industry is about girly girls. You need to be cool. You need to be cunty. You need to be mysterious. And I didn't have that. So it's like, you know, the shape head was supposed to give me that masculine edge, which I'm like, I still want, I like my princess dresses and I love my heels, you know?
23:53So I'm just like, you know what? at this, I'm too old to be playing this game, you know? And also I'm like, I just want to be able to look back into my life and be like, oh my God, I live my life the way I want it to. And not because of how my team wanted me to live, you know? So it's like, now it's like, if I think that I need a break, I'll take a break. And if they don't want to hire me, that's fine. It's not the end of the world I'm not gonna die because of all those options I had in my career I'm still alive so yeah I just you know this is this is my time it's all about me and taking care of me so
24:39Adot Gak:and with regards to what you're saying there about wanting to look back and say I was myself yeah you know yeah um you have over 600 ,000 followers across Instagram and TikTok and I saw a TikTok of you that has over 8 million views where you're wearing a white but very low-cut House of CB dress at Wimbledon. It's a stunning look with a white scarf and white sunglasses. But it seemed to like ruffle feathers on the internet. And so I'm wondering, you know, what was it about seeing you dress like that at Wimbledon that was ruffling feathers? And what about that still feels like you claiming yourself?
25:18I would say me being in my feminine energy and just being a girly girl, I think that society have their own version of what a woman should look like and what they should dress like. And even though that was a cute little dress, they're like, oh, my God, why is she wearing that? I'm like, it's a dress. Oh, but your boobs. I'm like, where am I supposed to put them? Put them on my head. But you know what? It's funny. I never really, like, read my comments. good for you i i don't it's one of those things i'm just like i'm because i'm not gonna go back and forth with you on something that i like if i like it i'm gonna wear it funnily enough there
25:59Adot Gak:was a lot of comments asking on your tech talks if you are ai yeah and i'm wondering how that makes you feel and what you think about ai what will it will do to the industry because we talked about e-commerce i used to do a lot of e-commerce too yeah and i feel like now ai is taking that And that was like your bread and butter. Yeah. The model, you know? Even though we hated it. Yeah. We loved to hate it. I mean, of course, it was not, I hate it. It's not ethical. But when it came to it, it paid the bills. You always have some money in your account. And AI couldn't be a great tool for a lot of things.
26:35But I feel like it gets to a point because this, I feel like now we're not using our brain as much. We're relying on AI. You know, no one is thinking clearly. It's like every time we're having a discussion or a debate, somebody will, well, I'm not sure, but let me check on what does ChatGBT tell me?
26:54Adot Gak:Are we right? It's like, again. Why do we need to check ourselves all the time? Exactly. Everyone is using it 24-7. You just cannot have a conversation with a person without asking ChatGBT about the discussion. and now also people are using chat gpt as their therapist instead of having a therapist so it's it's gonna take a lot of jobs i am actually against ai and i'm against the whole thing this is too much and the modeling industry obviously it made a lot of noise for a period of time about diversity yeah from where you're standing which is very much inside of it yeah Do you feel that there was real progress made?
27:38Adot Gak:And have we gone backwards? Where are we at? Or was it always kind of a performance? It's always a performance. So what's happening right now is, you know, going back to what you say earlier, that when you're a new face, you're cheaper. So designers are willing to use you and abuse you and do whatever, you know, they want because you're not there yet to get up your rates. So what's happening with black models is like they go to these camps and recruit these models and tell them that, OK, when you go to Europe or you go to America, you are going to make you're going to be the next, you know, an okay, you know, and you can take your family out of this refugee camp and you can actually have a great life.
28:23and then it's like they come here for one season and it's not you know pg doesn't like them dm casting is not there for them so therefore they're like okay well it's not working out because if pg doesn't like you it's really not that much we can do for you so now you have to go back to refugee camp and it's like no because i was minding my business in a refugee camp i didn't think anything else that was possible for me and now you gave me a piece of this possibility and now you took it away you know and it's like a lot of people struggle with mental health afterwards because that's a lot and now it's like okay you're sent back but also you are in debt that in the past it's like you have a model or quote-unquote supermodel for a decade at least you know those are the girls that are doing everything those are the ones that are pay those the one that are making money you know but now it's like they're not built we're not making supermodels anymore we're just having girls for season until they start to ask for rates did money now it's like okay next we're gonna go get somebody that looks just like you have the same body type um but she's gonna be for free and then next one and then next one so now it's like fast fashion you know you're using black models but you know everyone is like oh my god you You know, dark skin models are just taking over the industry.
29:47It's like, no, not getting paid for it.
29:50Adot Gak:For a long time with Russian models. You know, they'd be like the Russian supermodel and then they would fly in. You know, very young girls from Russia, Ukraine, etc. Who would come for a season. And if they were liked, great. They would be the cheapest ones you could get. And if they weren't, they'd be sent back. And it's terrible. Well, also that happened with Asian models. That also happened with Brazilian models. The last two seasons, the runway is looking a little pale again. Skinny. Very skinny. Getting pale. Skinny and pale. It's like as in like color-wise and also as in body-wise. Before it's like, okay, you saw a lot of black models in shows.
30:34But now it's like, okay, you see a handful. And majority of these models actually know them. So it's like, okay, what's happening here? I was like, well, they didn't call me back for a casting this season. I was like, you did two seasons with them. You don't really need that much casting. They know you, you know, or you did campaigns, but now they're not asking for you to come back. And now they have someone else that looks like you for free, basically.
31:01Adot Gak:It's so true what you said about we used to have supermodels like per decade. And now it's like every, it used to be kind of two, three years, and it was like every year and now it's just like so fast. I think obviously the pace of social media is also probably contributing to that. Yeah. But also I feel like, you know, we had the plus size model for a couple of years and they, I mean, that was great to represent every woman in every body shape and size. And now it was in big bodies. Yeah. Yeah. Yeah. Yeah. Everyone is skinny and it's like the skinnier the better. You mentioned there that you are friends with some of the other models.
31:46Adot Gak:I was wondering who your closest friends are because I struggled to make friends for a long time in the sense that I was an immigrant whose family had moved to this country. I was working in a transient and transactional industry traveling the world. And so I kind of had friends everywhere. Yeah. and I had met people on jobs and things and you would sort of see them around maybe see them at the club or something but not really and so I was just wondering how you choose your circle and how you keep them close so for me it's like I had to learn the last I'll say like three years of actually like what it means to have a good good group of friends um because in the past and I feel like also like losing my sister I just wanted to fill that hole so I looked at every friend that I had as a sister and compared to just a friend and then realizing later on it's like we're not in the same um page so that was my thing and I feel like I've got hurt a lot in the past because again um I look at these people it's like oh my sisters but then it's like things happen and I'm like okay well, you weren't even like a friend to me, you know.
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33:02But because I am one of those people, it's like, if you're my friend, it's like what's mine is yours. Like if you ask me and I have the last dollar, I would give it to you. That's the type of friend I am. And I will always think that people are the same as me or a little similar. But I realized that, no, everyone is different, you know, and people will actually take your kindness for granted. it yeah that was a tough lesson to learn but now i have a group of lovely friends that are my sisters and i'm very happy it took me a while but we are here and um yeah and also i think understanding the having friendship people that support you and you're at your lowest and also when you are succeeding because there's a lot of jealousies all the time you know somebody that is competing with you without you knowing that they're competing with you and it's like you think of them as the sister or best friend and they are competing with you and you're like oh now I have a podcast now you want to have a podcast I have a book now you want to have a
34:06Adot Gak:book and it's like what are we doing here you know that's why I struggled with really finding close friendships in modeling because there was always this undercurrent of competition well when it comes to the work yeah because of scarcity yeah yeah it's you versus me yeah and they will even if it's subconscious there'll be a level of upset jealousy around oh you got the job I didn't get the job or like you're getting more work right now than me or vice versa I just wanted to touch back on work once more because um someone described modeling to me once as like an extreme sport and so I'm just kind of wondering in what ways do you like slow down in your day-to-day so what I learned I would say like three or four years into my modeling career is always wake up extremely early before you call time.
34:56I would go to the gym. I would have my meditation. I would have my prayers. I would even have time to watch my favorite show before I go to work. That I had my own time where before I get on set, because now you are with 20 people. Some of them don't like each other. Everyone is having a bad mood. But because you filled your cup already in the morning, that will sustain you throughout the day. And then you come back, you just rewind, watch your favorite show and always just like journal. Yeah, to just always just check it in yourself. Like, OK, I woke up this morning feeling anxious. But now how do I feel?
35:34What went great today and what do you want to work on tomorrow?
35:39Adot Gak:We've mentioned already your interest in writing. how did that enter the frame and what are you hoping to do with that so that started actually again writing letters to my sister and I talk about like you know the stuff that happened in the modeling industry that people are not willing to talk about it because I mean you could you could get blackballed um but I've always been a person that just spokes up like I I don't care. I like to speak up regardless if everyone is against me or not. I'm going to speak my mind. I'm going to let you know what I think. I'm always getting DMs of young women that want to get into modeling.
36:22And for me, it's like I need to share the dark side of that.
36:26Adot Gak:You need to see the full reality before you decide. Exactly, before you come in. Because if you come in and thinking that, oh, you know, within a week or a month, you're going to be making money, you're going to be trying. that's that's that's not the case you know and some models it's like literally takes them 15 years to have a breakthrough I want to share my voice I wanted to I think I made a post in 2024 and I basically had a wig it was like a pixie cut wig and on the I was like that day I was like oh my God, you know, for a very long time, I was trying to police this industry, trying to be chosen by this industry, lost who I am as a woman, you know, because it's like I shaved my head and was like, okay, baggy clothes is better, you know, now you're going to be cool.
37:14And now I'm this little boy that is lost, you know, compared to like the woman that I am. And I was like, moving forward, I'm just going to always be myself regardless if they like it great. If they don't, I don't care. You know, as long as I like me and how I feel and me wearing a dress that is yellow makes me feel beautiful and me wearing a white dress or a princess dress that makes me feel pretty, I'm going to wear that. And I don't care because they're like, oh, but you don't want to be too commercial i'm like if excuse my french if my bald black ass still look like i'm a commercial model to you then that is your business but again people also accuse me of being ai so how is commercial here i don't you know the math is not mapping yeah yeah so you started writing articles
38:05Adot Gak:yeah and sharing about the journey of being a model and what that looks like and what do you hope to do with your kind of writing and journalism moving forward like I think I just want to still continue talking about the industry I think that there's so many things that happened behind Cozor that a lot of young women don't know you know I mean I'm sure you have a friend that was told that oh you know you need to just go meet these people it's going to be great for you and the people are like paying you$10 ,000 for what just to talk to you. And it's always like, oh, we are creepy man. These things happen, you know.
38:45It's like you can be pimped out. But if you don't know that. By your own agency. Exactly. Yeah. You know, they don't care. But that's another thing. These things do happen. And I feel like our job as all the models that have been in the industry for a long time is to protect these younger models so these things won't happen to them.
39:04Adot Gak:This is a really interesting topic because when I got, I say older, when I was like 21, because I started when I was 15, right? I started to notice, you know, I'd be the one at shows being like, no, you don't have to change here in front of people. You can ask to be in a private changing room. No, that's not okay. Or like, photographer, can you get out while this model is changing, etc. yeah and i really felt that it was odd that in the modeling world there wasn't a mentor system we don't have that and i realized that there is this mentality of like i had to go through it so you should go through it exactly like it's the it's the you know the learn through the fire yeah like you have to kind of have the initiation that i did right and i was like i don't think that no like i don't want anyone to have half of the experiences that i had exactly so i tried i actually contacted the british fashion council and i was like can we make yeah a model mentorship program yeah and i set it up and i was like i will mentor yeah younger models at my agency yeah and i will create a network of older yeah in big quotation marks models that are happy to do this because usually in a corporate setting yeah if you arrive into a corporation you're given like a buddy like someone who's been there longer than you that can help you kind of understand the ropes for the first few weeks right and that just like doesn't happen in modeling yeah and i kind of like went around the houses and tried to get all the agencies to do this and then it just like never happened yeah and i think it's because they want to keep that yeah ignorant and naive and uninformed yeah because then you are more malleable and more likely to say yes obedient and obedient and excited and don't know better yeah but that's that's why we're here that's why we're here trying to spread the good word trying to do you know god's work um and i think i mean again you know it's it's one of those things it's not easy because again you i mean you always have a team that'll tell you like it's better for you to just be quiet it's not your fight right it's not your fight and it's like okay but it's not my fight who fight is it yeah you know and i mean if telling if telling younger models what to watch out for isn't my responsibility yeah who job is it you You know, and also it's like if all these young ladies are looking up to me and it's like, oh, my God, like I want to be you.
41:28I'm scamming them at this point, even though I'm not getting any money from them. I'm scamming them because I'm like, OK, I'm giving you this. OK, I'm giving you the highlights of the modeling industry and what you can achieve and what you can be. But I'm not telling you the dark side of that, you know.
41:42Adot Gak:And so what does success look like to you now? Like, what is your working definition of success? I think success is freedom where you can go and come as you please. Success is to know your worth, you know, say no when you can or you want to. Success is just having a peace of mind. That's where I'm at. I feel like before it was like for me, it was like, oh, success will be like if I walk Chanel. it would be like oh you know success will be like if i get a chanel campaign that would be success you know but that would be like just chasing material things you know like who am i i'm at a point where i'm like okay for a very long time my career was like about like trying to prove to the world that i can do it that i've done it that i am successful but now it's all about me and how I feel, you know.
42:48I don't have to prove myself to anyone else, you know. If I'm happy, I'm happy.
42:52Adot Gak:The question that I always ask everybody at the end is, if I had to watch one film or read one book that would help me understand you better, what would it be and why?
43:08I have a book of mine, Becoming, by Michelle Obama.
43:15Adot Gak:becoming Michelle Obama yeah I actually reread that recently yeah why why that book she's one of my favorite women that I look up to I look up to her I look up to Oprah um I just feel like she is just an icon because to be the first black woman as the first lady and all the backlash and all the scan every day there was something and for her it didn't she didn't let that define who she is I thought that was beautiful um until this day she is still um speaking out um and describing to people and explaining to people what it is to be a black woman because I feel like a lot of people just don't understand it you know and on this theme of slowing down redefining success for yourself is there anything else that you'd like to add that you feel I haven't asked or you'd like to share my goal is to just um inspire as many young women as possible um to let them know that your story shouldn't define who you are or where you're going in life um and um there's so much that you can do you know I feel like it's easier to always let our circumstances stop us from achieving more the world is your oyster and you can do whatever you want and you can be whoever you want as long as you want it what's interesting about your story though is that that can drive you and fuel you to a point but then you also have to have a moment where you reclaim yourself and say these are my limits yeah this is as far as i'm willing to go in your system as far as I'm willing to change myself or anyone and ultimately like because I did the same like I felt this need to prove myself to everybody else and then I reached a point where I was like now I'm done with that yeah and also like knowing when you're done with that and what those boundaries are I feel is like the part two of your story no no definitely I feel like you get to a place and maybe like did I just turn 30 and I think that well maybe fine I was them like at 25 I was just like I just don't give a shit who what you think of me um but also just having that mindset I feel like as long as you learn to love yourself I mean no one is perfect you know we all have body dysmorphia we all have acne we all have it's it's like you might see someone as perfect, but we're not perfect.
45:59I think that is one of the things that I learned because as a young lady, it's like you go through this and like, oh, maybe if I have this or maybe if I did this, maybe life will be so much better. It's like, no, live in the moment. Don't live in the future and don't live in the past.
46:17Adot Gak:Reclaiming myself and my power, but also trying to recondition my brain from the modeling industry of what I've been conditioned to do for the past. And yes. That hustle, speed. That hustle, everything is urgent. But it's also like your time is always on somebody else's time. Exactly, exactly. And being able to say actually. Yeah. Within 12 hours is a perfectly reasonable amount of time to reply to an email. Exactly. And also like trying to deter away from scarcity to mindset because that is another drug. I never thought that I'll be there, but I was there. You know, every day it's like, oh, my God, well, I haven't worked in a while.
47:02So what's happening? What's going on? know it's listen god and universe will always provide is fine this was my mindset when i was modeling i was like what's meant for me will be for me no one else can take it away from me so therefore you can get a campaign you can get that thought if it was meant for me i would have it but clearly it's not meant for me it's meant for you you know you're a blessing that you're a blessing no one can take those away from you so i love that yeah thank you so much no thank you
47:33Adot Gak:Thank you so much. I thought you were healed. Thank you for tuning in. This episode was hosted and created by me, Tiana Tambridge. Produced by Lulu Goad, sound and video production, and recorded at Raisin Studios. Cover art designed by Natalia Ruhe. This season was sponsored by Keone. Please subscribe to The Slowdown to be notified of upcoming episodes. Tell a friend and please leave a review. it really does help a new podcast like this get out there in the world and remember we're all heading to the same destination and there is no prize for getting there early so we might as well slow down
From the publisher
Adot Gak is a Sudanese-American supermodel, writer and former contributing editor at The Standard, named BFA Model of the Year, who has walked for Rick Owens, Vetements, Richard Quinn and Tony Ward, and fronted campaigns for SKIMS and Alexander Wang. Born in Sudan, Adot's family fled to Egypt when she was four; at nine, she witnessed a violent police attack on a group of Sudanese refugees in a Cairo park that killed her older sister, then just 13, and changed the course of her family's life forever. At ten, she relocated to Iowa with her mother, growing up as the child of immigrants before being scouted in a shopping mall and moving to New York to build one of the industry's most recognisable careers.
Since then, Adot has become known as much for her voice as her face — outspoken on the modelling industry's relationship with race, unafraid to set boundaries and say no, and using humour as a way of carrying what she's survived. In this episode, we talk about what "booked and busy" actually looks like behind the scenes, when she stopped waiting for permission to belong in fashion, and what she wants to build next.
In this episode we cover:
Early memories of Sudan and her family's move to Egypt
The police attack in Cairo that killed her sister, and how she holds that now
Getting scouted in a shopping mall in Iowa and moving to New York
Deciding to stop waiting for permission to belong in the industry
Race and diversity in fashion: what's real progress and what's performance
Being told she "looks like AI"
Modelling as an "extreme sport" — burnout, boundaries and saying no
Mentions:
‘Becoming’ - Michelle Obama
Links: https://www.instagram.com/adotthegreatt/
This season of The Slow Down is sponsored by female-founded, Greek swim and resortwear brand Kiohne. The Slow Down listeners can use code theslowdown for 20% off their first shop on kiohne.com. Enter their world, explore their collection and buy beautiful pieces designed to be enjoyed while slowing down this summer.




