

Tech Tonic (FT) two-part series preview on whether AI-generated music will ruin music, exploring its spread, effects on musicians and streaming, and a legal battle over ownership and consent.
No specific guests are named in this transcript; the host is Ludovic Hunter-Tilney, FT’s pop critic.
AI music generators are “everywhere” and improving quickly; they could put people out of work and make it hard to earn money; some view AI as a “next frontier” and a “grand collective human accomplishment,” while others see an existential threat.
AI music is likened to a “bizarre Guns N’ Roses,” and the episode alleges “theft” of music without consent enabled current AI sound.
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Discover the legal and ethical implications of AI in music.
“over how AI music generators are built and who owns the music they make.”

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0:00What happens when you let artificial intelligence make its own music?
0:09That was absolutely horrific. That was like a bizarre Guns N' Roses. AI music generators are spreading across the internet, and they're getting better and better at producing their own songs. That was actually really quite good. That is a winner. For some musicians, generative AI is the next frontier in music making. That's kind of how I see these AI models. I see them as a grand collective human accomplishment. But for others, it could spell the end of music as we know it. AI music is everywhere. Of course, it puts people out of work. It's going to make it incredibly hard to make any money at all in this industry.
0:54You make that sound like an existential threat to the very practice of music itself. I think it is. I'm Ludovic Hunter-Tilney, the FT's pop critic. And in a two-part series of Techtonic, I'm investigating the spread of AI-generated music and asking what the impact might be on the music industry, from the studios of working musicians to the streaming platforms that deliver music to the masses. And we'll be finding out about the legal battle over how AI music generators are built and who owns the music they make. AI music would not be able to sound like it does today if it wasn't for the fact that there's been a big theft, basically, of music without consent.
1:33It's a moral travesty that that's been allowed to happen. In a world where technology is continually transforming popular music, is the fear of AI just technophobia? Or could AI music end up replacing human music altogether? That's Tectonic from the Financial Times, coming soon wherever you get your podcasts.
AI music generators - platforms that use artificial intelligence to create new, original music from scratch - can make songs that are almost indistinguishable from human creations. For some musicians, they’re the next frontier in music-making technology. But for others, they represent a grave threat, flooding the world with low-grade AI music, stealing the jobs of working musicians, and even spelling the end of the creative process as we know it. Is this just technophobia, or is music facing AI annihilation?
In a new two-part series of Tech Tonic, the FT’s pop critic Ludovic Hunter-Tilney explores the emerging world of AI music, and the impact it could have on the industry.
Tech Tonic is presented by Ludovic Hunter-Tilney. The producers are Lulu Smyth and Josh Gabert-Doyon. Edwin Lane is the senior producer, Flo Phillips is the executive producer. Sound design by Breen Turner and Samantha Giovinco. Original Music by Metaphor Music. Manuela Saragosa and Topher Forhecz are the FT’s acting co-heads of audio.
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