241: Nils Bernstein

16 Jun 2023 · 1 h 4 min

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Podcast Summary: This Is TASTE - Episode 241: Nils Bernstein

Episode Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard welcome Nils Bernstein, food editor of *Wine Enthusiast* and author of *The Joy of Oysters*. The conversation traverses Bernstein's diverse career from music publicist to food writing, his passion for oysters, and culinary trends that excite the hosts.

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Key Moments and Discussions

  1. Introduction of Nils Bernstein
  2. Background: Nils Bernstein is a multifaceted professional with experience in both the music industry and food writing.
  3. Musical History: Bernstein shares insights from his past as a publicist for bands like Nirvana and Interpol, reminiscing about pivotal moments in music history, such as witnessing the debut performance of "Smells Like Teen Spirit."
  1. Transition from Music to Food
  2. Career Shift: Bernstein discusses how his love for food and wine gradually took precedence over music, leading him to a successful writing career.
  3. Food Writing vs. Music Writing: He reflects on the differences between the two fields, particularly the accessibility and narrative opportunities in food writing.
  1. The Joy of Oysters
  2. Book Discussion: Bernstein's new book, *The Joy of Oysters*, is a comprehensive guide covering sourcing, shucking, and cooking oysters.
  3. Cultural Significance: Oysters are portrayed not only as a delicacy but also as a historical and cultural staple and are discussed in relation to cooking, pairing, and enjoyment.
  1. Oysters: Myths and Facts
  2. Reductive Conversations: Bernstein critiques the overly technical discourse surrounding oysters, advocating for a more approachable conversation.
  3. Aphrodisiac Myth: He elaborates on the scientific perspectives regarding oysters as aphrodisiacs, highlighting the importance of context rather than myth.
  1. Cooking Oysters at Home
  2. Encouragement to Experiment: Bernstein encourages listeners to try cooking oysters at home and shares various methods, such as steaming and frying, making oysters accessible to the average home cook.
  1. Beverage Trends
  2. The hosts also discuss current culinary trends such as non-alcoholic beverages, highlighting three things that excite them, including:
  3. Chicken Sandwiches: A favorite from a local Brooklyn spot.
  4. Bawi Agua Fresca: A new non-alcoholic drink.
  5. Nightingale Ice Cream Sandwiches: Notable for their rich flavors and quality.

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Key Takeaways

  • Diverse Backgrounds: Nils Bernstein's journey from music to food highlights how personal interests can evolve into unique career paths.
  • Oysters as a Cultural Touchstone: The episode emphasizes the richness of oyster culture and its historical significance, while promoting a more relaxed approach to enjoying them.
  • Culinary Exploration: Hosts encourage creativity in cooking and drinking, with Bernstein's insights serving as inspiration for listeners to explore the culinary world more deeply.

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Additional Resources

  • [The Joy of Oysters by Nils Bernstein](https://www.wineenthusiast.com)
  • Articles by Nils Bernstein on various food and wine topics featured in *Wine Enthusiast* and other publications.
  • Social Media Handles:
  • [Nils Bernstein](https://www.instagram.com/nilsbernstein)
  • [Matt Rodbard](https://www.instagram.com/mattrodbard)
  • [Taste Cooking](https://www.instagram.com/taste)

Conclusion This episode of *This Is TASTE* not only serves as an engaging exploration of food and drink but also encourages listeners to embrace culinary adventures at home, whether through cooking, drinking, or simply enjoying the art of food.

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*This summary captures the essence of the podcast episode, highlighting key discussions and takeaways while providing a structured overview for readers.*

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Transcript

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0:28This episode is brought to you by Resi and American Express. I don't want to say this as a rule because sometimes it can be amazing, but happy hour, oyster happy hour, tread carefully with oyster happy hour because it can be a way not to get rid of quote-unquote bad oysters, but it's a way to get rid of small oysters, ugly oysters. You know, it's not always the best.

0:52This is Taste. I'm your host, Matt Rodbart.

0:59it's so great having my buddy nils bernstein dropped by the studio nils is a man of many skills and we talk about his great new book the joy of oysters a complete guide to sourcing shucking grilling broiling and frying nils is the food editor for wine enthusiast magazine and has written and developed recipes for places like bon appetit epicurious gq and the new york times. But I know Nils best as a former music publicist, working with bands like Interpol, Stephen Malkmus, and Nirvana, while holding key positions at Sub Pop and Matador Records. We talk about his musical past, as well as his deep love of the oyster.

1:36I so enjoyed catching up with Nils, and I hope you enjoy our conversation.

1:49Nils Bernstein, welcome to Taste Podcast. Thank you so much. It's great to be here. Oh, man. I feel like I talk about my past a bit on the show, and people may know I'm from Michigan. I went to school in Wisconsin. I've known you longer than any guest on this show except for my mom. That's amazing. I think I met you when you were in college. We did. We met when I was in college when I was 19. Amazing. I love it. So we have to start with your music career and then we'll get into your book because The Joy of Oysters is definitely, definitely a highlight of the spring. I love your book so much. Thank you so much.

2:23It's like I was trying to think of like a musical comparison or something. It's the, you know. We'll get to that in the conversation. Okay, so I'm at the Badger Herald. I'm one of the editors. I started editing there. And I'm calling using a landline. And I'm calling this guy Nils in New York who worked at Matador. And I'm like, hey, Nils, can you get me into shows? And you're like the coolest guy. You used to work in music. You worked at Sub Pop. You worked at Matador. You consulted on many. Yeah. I'm deep in the indie rock world. I know, but let me ask you, like, before food, what was your interest?

3:01Like, what drew you to music? And is there a comparison of the two? Well, I think I was into music from being a really young kid. I started going to shows and being involved in music when I was like 12 or 13. So there was kind of no question that I would somehow try to integrate that into my work life. And luckily growing up in Seattle, that was somewhere that it became a city that could support a music industry that I could be a part of. Yeah. So that was beneficial. Right. But so during that time, my side interest is also food and wine and, you know, food culture and whatnot, which never really seemed like something that would ever become any sort of career.

3:47You know, music seemed like for a young person, that's what, you know, I want to dive into that full time. And, yeah, over time, my interests remain the same between music and food. But I think maybe the lifestyle around it as a career, as I got older, made more sense in food and wine than it did in music. In music. So back to the Matador, we'll go back to Sub Pop. Because Sub Pop, you worked with Nirvana. You were Nirvana's first publicist there. you were in the room when Smells Like Teen Spirit was played for the first time. I was, yeah. That's a great reference point. So what was that like, dude?

4:22Yeah, it was really good. I liked it very much. No, it was interesting because, you know, you'd kind of see, you know, you'd see a lot of bands all the time, you know, kind of pay attention, but kind of just be drinking and talking to people and walking around. And so this was between albums. So they had started to play some of the songs that would show up on Nevermind, But, you know, they were it was pre-internet. There was no way to hear anything. So they introduced the song and everyone's kind of just chatting and doing what you do at a show. And then kind of like partway through the first verse, like barely into it, everyone kind of got really quiet.

5:00And I turned around. I was standing next to Kurt Block from a band called The Fastbacks. And we looked at each other like, what the hell? Like this is. From the first verse. Serious. Yeah, yeah, serious. Because, you know, we loved all of our local bands, but you don't really think they're going to write like Stairway to Heaven. No. They're just, you're having fun. What part of the song grabbed you the most? I mean, the lyrics of the first lines are big, but what, like, I mean, the opening guitar. Yeah, you couldn't really hear the lyrics, you know. It was like, now there's a recording of it and it sounds like garbage.

5:33And I'm amazed that we could see through the haze and see the song for what it was. but it was really the the it when it goes from that quiet bridge into that really explosive chorus it was really the chorus the chorus is obviously phil stadium yeah and it just felt serious you know it felt like it was very like you remembered the song after it was done which is never the case when you're just seeing a local band paying half attention never the case you know never the case you're never really humming anything out of the especially a small club yeah not at all Now, when the boys and you are in the van, are you talking about food at all?

6:12Like, is this food ever come up? Yeah, the thing is, what's been my experience is that the bands are a little less interested in food than the label people. Yeah. So we would kind of use like, well, you know, we could expense this meal and we're here for this reason. So we'd always try to, like, you know, get the bands to agree to go to restaurants that we wanted to go to in different cities or in Seattle, which they, you know, usually didn't really care one way or the other. But it was in the, you know, the wild 90s days when record labels still had expense accounts. Well, especially in Seattle at that time.

6:53Yeah. That was like a real people were flying in. To wine and dine. Yes. Us, like the label people. So we could pick and choose where we wanted to go. And if we were on tour, that was being, you know, that was part of the expense. And so, you know, I find that I've really used my time in the music industry to go to restaurants and really experience like the world's dining culture. I've ended up dragging along bands that don't really care one way or the other, but it's been great for me. You told me the guys in Interpol are pretty big into food. They are, yeah. Malcolmus, is he into food? You know, he likes a good vibe at a restaurant.

7:31He's more of a vibe guy. But he's not necessarily into the food. Yeah, yeah, but the guy's in Interpol. Interpol Daniel from Interpol is deeply into food. That's right. The real food band is Yola Tango. Yeah, of course. I would say of course because they've lived in New York and they've seen the better things. And then we would, but with bands like that, we would say, oh, I think we have a meeting we need to have. Perhaps it's a dinner meeting. You try to find an excuse to be able to go somewhere great. Do you have any memorable meals in New York that you just balled out? Like, absolutely, just like epic, epic ball outs?

8:03It's hard because you don't want to be too obnoxious. You know, it's like we're working in the indie world. So we don't want to be too obnoxious. This is in the past. But definitely, you know, there were some blowouts at, if you remember this place, Chanterelle in Tribeca. That was a really big one. David Waltz, amazing restaurant. cheese cart you know in the late 90s that was you know it didn't get more charming and beautiful and and it was a great way to seduce a band you're trying to sign right yeah because the food was new american and which was new at the time and like you're like looking at things that are actually structurally similar like a band from missouri would be into it but it's like but the wines and the cart and the beautiful room and it gives you something to talk about you know it's a really point of conversation that goes beyond like, yeah, your demo sounded really good to us.

8:51You know, you've had all these rudimentary conversations. So you're trying to find these other avenues of connection. Yeah. And so that was good. A lot of times somebody would want to just go to Nobu or go to somewhere that they heard was, you know, fancy. And we're like, I have somewhere that might be more interesting. Yeah. Whether you're into food or not, at least there's more avenues of conversation. Did you ever think you signed a ban because of the meal? Was there ever like a meal where you just closed the deal because the meal was... I can't think of an example, although I believe that was the case.

9:22But I also believe it must also be the case that our single-mindedness on food and wine might have turned off a lot of bands who wanted to maybe... Who felt that we were maybe a little culturally disconnected from them or, you know, that they might not have been into the fact that we just wanted to luxuriate in... Yeah. Well, especially like younger bands. Yeah. And like the first time in New York and you don't need like the label guy like telling you about Montreche. They just want pizza. Fuck yeah. And we're dragging them to, you know, these crazy places. Yeah. So and also there were things, you know, remember, sometimes the bands aren't the healthiest people and whatnot.

10:03And I've had bands, you know, completely pass out at the dinner table, go to the bathroom, never come back. Which bands? Things like that. Can't say. Okay. Right. I had to ask. I had to get you. but we'll throw that off mic but nils i just want to then transition to when you went pro like i remember vividly there was a time when you were still like consulting and doing pr on the side maybe for an agency and you still may do that i'm not sure but then i just remember you started getting like all these great and these like bylines like you were around yeah especially in wine like in wine writing particularly i think it's just where my interest went yeah you know It's just like you go when you're – when I was 20, there's nothing better than to be hanging out with other 20-year-old music freaks and staying out late and going to concerts every night and whatever.

10:53At 40, 50, I less want to do that. I was the same way. I mean I wrote about music in the early part of my career, worked at MTV and all that shit. Totally. I was like in the scene and loved it. But ultimately what unlocked it for me was interviewing chefs and realizing that the narrative was much more interesting and it was more consequential and more there's more universality to it than bands who like are so hard to interview. But there must have been similarities also. Like how did you find that transition like to you? What was the difference between writing about music versus writing about food?

11:27I felt I'm not a musician, so I did not come with that very ingrained idea of like progressions, chords, even songwriting. I felt a little bit in the dark there. I know there's some beautiful, amazing music journalists who can't play anything. But I just felt like with food writing transition to that, I could like think about the way I traveled as a kid for food. And like to also like it was definitely a lower barrier of entry into food writing. Do you agree with this? I think so. I think it's, I think other people might disagree and think that it's an easy, you know, it's like, I like music and I'm able to talk about music.

12:06So it's easy to get into music writing. With food, I think there's, people have a real difficulty or an intimidation factor about writing about it. But if you have comfort writing about it, and like you're saying, you felt less intimidated writing about food than music, then it's something that's easier to broach. One thing that I thought was a little unusual about writing about food is when you write about music, people can listen to the music. They can buy the record and they're sharing that experience. With food, somebody theoretically can make the dish or go to the same restaurant, but the experience is going to be different.

12:40So you're kind of – it's more like reviewing a concert. Like it's already happened. I went to this restaurant and this is what happened. So you have to somehow make it vivid and relevant for somebody in the present, which can be hard to do if they can't, they don't have the food in front of them the way they do a record. It's a good point, Nils. And I think the contextualization of the dish for like a greater audience is like a huge goal when you're editing. Yeah. Like, agree with you. Like, if you go to Oaxaca and you write about your experience in Oaxaca, it's all in the past tense. Yeah. But then or even cooking a meal from like northern Thailand and out of a cookbook.

13:16Like, yeah, that's going to be past tense, too, because you're reflecting on the meal. So, yeah, the big challenge is how do we make it active? Yeah. How do you make the because with with music writing, yeah, you can like go to Spotify and like totally have your own opinion. Right. Right. You know, and a great, you know, a great cookbook or great food writing. People say they can read it like like a novel, you know, they can without any intention of cooking the food or going to the place. They still enjoy reading it. But that's a real talent to get to that place where someone's happy to read it without tasting it.

13:45Well, absolutely. And I think, I mean, your books and the joy of oysters is one of them. But I think there's real narrative there. There's like really fun sidebars. And I think it's all about packaging and understanding how to make it read like a book and not like a textbook. Yeah, I hope so. It's almost easier to write like a textbook. So it's like, but oysters can become, it can be such a technical topic and it shouldn't be. It should be fun. There shouldn't be a lot of barriers to entry. I'll get into oysters. I just have a few more questions. Oh yeah, please. Was there an assignment that you felt like this I've gone pro that you like a story that you published or you wrote either for a larger publication or even a smaller one that you're like, man, I am definitely a food writer.

14:26Man, I wish. I don't know. You know, I had – I was always working at record labels, but I was also writing about music on the side. And so I think I had a lot of those like, oh, my God, I'm in Interview Magazine or I'm in, you know, Rolling Stone or, you know, those were more of the kind of revelatory things from music writing. But I did start writing a lot about Mexico because I started spending a lot of time in Mexico City starting in the kind of late 90s, early 2000s. thousands. And so being able to write things for Bon Appetit and about Mexico City at a time when there was very little attention on it was really rewarding and satisfying.

15:05Man, you and I, we've traveled together. We have, yeah. One, we were in Mexico, we were in... Copenhagen. We were in Copenhagen as well, but in Mexico, we went to Guanajuato. Yeah. Went to the Mummy Museum. That's right. Holy shit. And we went to, we took the little road trip and stopped at that town Dolores Hidalgo known for ice cream where it's like shrimp ice cream. Yeah, and saw some tough characters at the saloon. That's right, where the urinal is at the bar. You just stand up at the bar. Yeah, you stand up at the bar and the guys have got like a couple guns definitely on their hip. But that mummy museum in Guanajuato was cool.

15:38Oh, my God. Yeah, you were a little disturbingly into that mummy museum. I've told so many friends about it. It's really, really fascinating. It's really gruesome, but amazing. It's amazing. And then, yeah, in Copenhagen, we were there for MAD. And I think you and I shared a meal that both of us reflect on as one of our favorite meals. For sure. Geranium. Yeah, it was incredible. And we got a kitchen tour. And I think we were there for five hours or something. It was really magical. And I think the one part of that meal that really stuck with me and I think you as well is the N.A. pairing. Yeah, it was the first time I'd seen really serious where they took the same if not more care with the non-alcoholic pairing than they did the cocktail or wine pairing.

16:21And it was years before. I mean at this point it was seven years ago or something. Yeah, seven years ago. You know, way before other people were doing it. And it was to me a real benchmark of that. Well, they were cooking a lot of that. I mean, I remember a sea buckhorn juice that was cooked and then it was, you know, chilled. And it's the yellowness of the bright yellow and just everything about it was amazing. Yeah, it really was. Okay, let's talk oysters. A million questions. First off, just in general, you know, there's a lot of single topics you can do. Like, you know, a lot of – so why oysters?

16:54I think, you know, I grew up in Seattle. So oysters are kind of just in my blood, you know, when I was – I'm older. So when I was growing up, there was still wild oysters. You could go when we would go clamming, which were clams like the razor clams in the Pacific Northwest can be quite hard to dig for. They're fast and they're sharp. But the oysters are just sitting there on rocks. So we were like, you can just grab these and eat them. As a kid, you would just go down and get them. It was incredible. You know, it was like it's free food. It just seemed magic. and I notice that like it's you know oysters have this real important presence in in history and art and society and economics and and there's a handful of books on them but not as many as you might think and a lot of the books on them talk about they really focus on oyster farms and the really like where oysters are right now in the in the U.S.

17:47or whatever and there didn't seem to be a real general interest kind of book like this one, which is kind of recipes, but also coffee table book. Yeah. Just fun information where you can kind of open to any page and find something of interest, which it just seemed like for if someone's just going to have, you know, someone who's casually or deeply interested in oyster and wants kind of a one stop oyster shop, you know, I mean, you have a presidential history with oysters. It's really fun. Like the Editing, it's really crisp. Like, is there a favorite presidential anecdote? It's kind of, well, it's mostly the ones in like the 1800s had at their inaugural balls would have just obscene amounts of oysters.

18:29Like, you know, 10 ,000, 20 ,000 oysters being served at their, you know, at their ball. And you're just imagining like, well, you're imagining who's shucking them. But also just how they're being served, how they're being. And there would be, you know, these presidential menus with like oysters on the half shell and then oyster bisque and then an oyster fricassee. And then, you know, they're just consuming these obscene quantities of oysters. And it's so exciting to just look at the menus. Yeah, just look at how many purposes the oysters have been given. Now, you write about a reductive conversation or conversations that are reductive when it comes to oyster dialogue.

19:08What are you talking about here? Yeah, I think people get a little wrapped up in the conversation around oysters. They want to talk about location and farming and the details of certain regions and whatever. And they kind of lose the fun of it and the approachability of it, which is oysters do express where they come from in a really specific way. But at the same time, you don't necessarily talk in a really detailed, geeky way about scallops and shrimp and clams and whatnot. You just you buy them, you enjoy them, you cook them or you don't. You might know where the scalp is from. You might have a tag on there.

19:41Yeah, if you choose to go down that road. But I think a lot of people have a lot of apprehension about eating oysters at home, cooking them. They're not sure how to order them at restaurants, things like that. And so it was more like you don't need to talk about oysters in a complicated way. You know, you get a list at a restaurant and it has, you know, here's all of our East Coast oysters and here's all of our West Coast oysters. and you don't know the names of the farms and you're not being told exactly how each one is different and you don't know until you taste it. Exactly. And also they could have stored them incorrectly.

20:19There could have been a lot of reasons why the farm is out of the equation. Absolutely. Or shut up incorrectly. Lots of reasons. I mean, page 144, the headline is aphrodisiac question mark. First, the bad news. So what's the line on that? I mean, I guess it's like, you know, they have actually done quite a bit of scientific research about whether or not oysters are aphrodisiacs. And, you know, the general answer is no in terms of whether, you know, it's going to work in the short term the way a pill might. But there are, if you're deficient in certain vitamins or minerals that might contribute to blood flow, then eating oysters might help that in the short or long term.

21:04I love the spin on it, Nils. Without getting into too many of the weeds, and it's a hard question, but like you talk about how an oyster grows. Uh-huh. What's generally, how does that happen? Because I think it's something that we assume is like maybe overnight, like other seafood. I think the way to think of it is more like plant than animals. and even some of the lingo in the oyster industry is more akin to farming language than it is animals. So you buy seeds, you plant them, et cetera. So, you know, you buy these microscopic oysters or if you're a farm that also has its own hatchery in the first week or two of their life, they grow quite quickly and find somewhere to attach.

21:53And once they attach to a substrate, which is what they need before they continue the rest of their growth. Like a bed? They don't move. So yeah, it can be another oyster shell. Historically, that's what oyster reefs are, right? Their oyster is attached. The best substrate for an oyster is another oyster. Oh, I see. Yeah. And so you see a lot of like early oyster knives, which one side of them is this blunt iron thing, which was used to break apart the oysters because you'd get them in clumps, not individually. Yeah. So you just shadow the shell and pull it off. Yeah. And you just want to break them up because they're all growing on each other.

22:31Yep. Yep. Yep. And so they attach to rocks, they attach to things, and they can also attach to like a grain of sand. And then the oyster eventually grows so much bigger than the grain of sand. So the substrate isn't visible. So it looks like an individual oyster. But the way they grow, back to your question, is they, you know, very, very, very early in their life than the first two weeks, they attach to a substrate and that's where they are forever. Forever. How long do they take to grow? It really varies. And I do find that people, one of my pet peeves is I think people harvest them a bit early because people like smaller oysters.

23:13We think smaller is like sweeter. Crisper, sweeter. Yeah. And I find they're just smaller. Like, you know, you need three times as many to get full. So to me, I'm just being cheated out of oyster meat. I agree. Like down at like New Orleans at Felix, like those are the big boys coming out of the Gulf that are grilled down there. I don't know if you want to get into like Gulf versus East Coast of America. I will in a moment. Yeah. I can do that. I feel like, I mean. I'm very pro. So. Okay. Yeah. So I am. I'm pro every oyster region. See, I feel that's exactly why this book – I love this book. There isn't some like strange like rule and we can get into the R rule.

23:51Definitely not. Yeah. Let's first get into the R rule. Okay. So there's usually a minimum size that oysters have to grow to before they're harvestable. But people really just – you know, they take a few years to grow. So they – people want to harvest them as soon as possible and get them to market. whereas I, you know, could maybe see them through another season and have them bulk up a little bit. But, yeah, the R rule is really just based on, I mean, this idea that they, you know, the life cycle of an oyster is that they, you know, they bulk up in the winter and develop glycogen and become very fat and sweet.

24:31So that's the perception. My perception is colder waters. And, like, there's, like, that's wrong, clearly. Yeah, because you can, you know, they can, there's a range of water temperature and salinity that they'll grow in. But it's not that, it's just that that life cycle, that time of year is when they're kind of, their body is storing glycogen and turning into, you know, it's becoming ready for reproduction. Yes. And at the time of reproduction, all of that, their body turns into gonad. Basically, whether it's a male or a female, most of that, let's call it meat, turns into reproductive material.

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25:16Right. And when they, let's say, ejaculate, shall we? Yeah. Then they become quite scrawny because most of their body is that material. So there's a period where they become – they don't have that sweet glycogen meat and instead it's reproductive material. Then they become shriveled. So generally there's a period where they just don't feel or taste very good and then they become really shriveled and drawn out. But there's ways to – that oyster farmers can manage that process, can affect when and how that annual life cycle takes place. and, you know, mitigate that rigidity that this happens in this month and this happens in this month and whatnot.

26:05And also some of the R rule had to do with the health of the water during warmer months. The R rule being that the oysters should only be eaten in months with R in that. Right. I was going to restate that, but it's clear if you're this far in this podcast, you know you love oysters. There's – yeah. And there's so much – you know, the – virtually any commercially available oyster is farmed. And so oyster farms are – there's testing. There's rules. They're really managing their stocks and their waterways really well. So it's very, very, very uncommon that there's – you're going to get some sort of, you know, red tide poisoning or whatever because all of that is being dealt with.

26:53And the recent, there's been a couple recent oyster poisonings, and they've all been from imported oysters that have been poorly stored, like frozen or that have been not stored at temperature. They have nothing to do with how they were farmed and harvested. The other thing, too, is it's really hard to eat a bad oyster, right? That's like a myth that you're going to like get sick from like, because like it's very uncommon. And also it'd be a horrible smell. Yeah, it's really uncommon. And when it happens again, it's from like some oyster product that has gotten to you in a bad way. If you're just like eating oysters at a reliable place or at a farm or whatever, you know, they they know they're not serving you.

27:37You know, like one bad oyster will ruin the whole, you know, you can smell it from a mile away. I mean, it's like, you know, you something dies in your garage. It's like that's kind of smell versus that like no smell. And then all of a sudden you're like, oh, I'm sick from the oysters. Yeah, exactly. It might stick from the champagne, yo. You know, you're shucking it and it's being shucked or being shucked for you or whatever. And so you know in that moment, you know, you're generally getting handed something that, you know, has been vetted, so to speak. I want to ask you about oysters around the world.

28:05One thing I love about your book is that you're not just focusing on the European-American gaze. I mean you've gone around the world with some of the rest of the world. Oh, yeah, yeah. You write about it in many different places, how oysters are prized throughout the world. And I'd love for your take on maybe a culture that maybe we less recognize in Fuji who love oysters. I think there's a lot of, you know, there's a lot of, in the U.S., there's five oyster varieties, but there's really two. There's the Pacific oysters and the Atlantic oysters. There's the Kumamoto's, or a different variety, the Olympia's, which are, you know, a bit rare now, and the European flats, which they don't farm very much in the U.S.

28:48but around the world there's a lot of other oyster varieties that are all quite similar sometimes there's ones that people thought were pacific oysters that are actually they've decided to give them a different name because there's something you know genotypically or whatever that they figured out is a little bit different but they're all you know a little similar um but there there is a lot and so the oysters that you find commonly in other countries might not be the same species as we have here. So I would say, I mean, I think Korea is a big oyster-consuming country, as you could speak to. Absolutely, yeah.

29:25I mean, you'll see it with bosom, of course. With boiled pork, there's always a dozen oysters. And they use it, to me, there's a real beauty in Korean consumption of oysters because it's very lusty, you know. They're just like, they know that they embrace the stronger flavors and they know that they can really enhance something, they can both play a background role or a prominent role. It's cool because like huay, like just raw fish there, like it's not like Japanese sashimi where it's, you know, these are fish pulled out of the tank, killed right away. Right. Abalone served right out of the tank.

29:59So it's pretty raw and rigor mortis and chewy. So yeah, there's a lot of that lustiness that I love that word. It's like very in your face at times. Yeah. And it's – they appreciate the variety of flavors, often really strong flavors that an oyster can tolerate, you know. I think Australia is a really great country for oysters. They have the Sydney rock oyster. New Zealand has a rock oyster as well that now they distinguish between the two. They used to kind of lump them both under the same. Yeah. And Australians, it's a delicious oyster. It has – it's meaty. It's a little metallic. It has a really neat texture and flavor.

30:36but it's more just, I mean, I think Australians consume everything with a lot of gusto, but you know, if you're in Australia watching in an oyster growing region, watching the meat oysters, it's like, oh my God, that guy just ate four dozen oysters. Yeah. So there's a real consumption. Yeah. They really love them. They really put them center stage and really appreciate them. I think all over Asia and Southeast Asia, there's a lot of oysters and appreciation for the variety of oysters. And also there's a lot of history in understanding how to maintain oyster beds with not over-harvesting, making sure that you leave enough for the next.

31:13You know, whereas in the U.S. and most of the world, it's just pretty much gone and overfished and it's all farming. Now, I have to ask you, I grew up eating oysters on the west coast of Florida, actually. And so the way that our family ate oysters was with a, on a saltine, with a dollop of either Frank's Red Hot or Tabasco. Yeah. And so that was the way I grew up. Now, I did that once with a friend and they were like horrified. Yeah. So my question for you, Nils, is do you have a perfect way to enjoy an oyster? I think, you know, with Gulf oysters, historically, they tended to have sometimes kind of a muddy or strong flavor.

31:52But that's, those were the wild oysters. Now you're talking about most of the Gulf oysters and southern U.S. oysters are farmed. And so they know exactly what the water is like and they can play into that flavor or play against it or do whatever they want. But you're not harvesting these very old, giant, wild oysters and kind of where it's a crapshoot as to what the texture and flavor is going to be. And that dollop of hot sauce and the saltine really kind of helps. balance that out. I would probably say my favorite is either a little lemon juice or just fresh ground black pepper. Nice. Never have tried that.

32:39Never have tried pepper. I think there's a, people think about oysters, whether it's wine pairing or a minion net or whatever is acidity, acidity, acidity, acidity. And I don't think that's always, I think sometimes acidity, just like sugar, can kind of obscure the flavor. So pepper is a really interesting way that it kind of brings out the flavor of the oyster without covering it up. Without crushing it with like mini-mat, which you get at like Balthazar, which just kind of is sad, you know. But sometimes sweetness can bring out the flavor of an oyster just as well. You have its briny, a little sweetness, balances it out the same way a bit of acidity does.

33:18And for example, the chef Ignacio Matos at his place, Cafe Altro Paradiso, does a white balsamic with oysters that's really brilliant because it's kind of both, right? It's, you know, a little bit of sweetness, a little bit of acidity, but not too much in either direction. And it really, really brings out the flavor of oysters in a great way. Speaking of restaurants, I think a big question I always have is how do you order oysters at a restaurant? Is there I know there's like going to be a lot of song and dance you say. It's very taking your side because I think there's like lots of upselling and obviously there's a lot of margin that comes in with with an oyster service.

33:54How do you do it? You don't really know. You know, when you go to a place, they tell you I just even just yesterday they said, oh, well, let me tell you, our East Coast oysters are from, you know, our Jimmy Jam sweets from, you know, Norwich, Connecticut. kid and our West Coast oysters are, you know, Matt Rodbard delights from Canal, Washington. And, you know, it's like, OK, that does me no good. I have no idea what, you know, and which one do you like better? Oh, they're very different and they're great. They're both terrific. So, you know, and realistically, you're not going to ask how they're stored.

34:27You're not going to ask to see the harvest tag from the bag. You're not going to. Sir Garcon, can you please bring out the tags? So it's really hard. And what I tell people, you know, it's not ideal, but and it's also not always available this way, but order the smallest quantity you can first. Yeah. Just say, hey, I'd love to, you know, we love oysters. We want to order a bunch, but we're just going to get three for now. And then we'll order more later. Love that. Now, are there any super red flags when ordering oysters at a restaurant? Maybe that's written on a menu or behavior from the staff?

35:00Well, I don't want to say this as a rule because sometimes it can be amazing, but happy hour, oyster happy hour, you got to tread carefully with oyster happy hour because it can be a way not to get rid of quote unquote bad oysters, but it's a way to get rid of small oysters, ugly oysters, maybe the previous batch of oysters. You know, it's not always the best. Yeah, the best way. You're not getting the best product in happy hour. But again, like you're not likely going to have sickness caused by a happy hour oyster. No, no, no. Not at all. No. So you just might not be having the optimal. But if they're only a dollar, which leads to my next question.

35:37You can order twice as much. You can order twice as much and you can like maybe do some saltine in Tabasco. But what should like what is a fair price? I mean, I know like there's a lot of factors. Like what should we be paying for oysters? Well, you know, I never want to say what a restaurant should charge because there's a million other factors. You know, I think I would just say that whatever they're charging, what they should be giving you, just as is the case with their salads and steaks and anything else, is the best product possible. So they should really pay attention. And if they know that the oysters are not at their best for whatever reason, then they should either lower the price or not sell them.

36:16they should be as confident and demanding of the quality as they are anything else on their menu. I find that people often just think it's enough that they're selling fresh oysters, but they really should be at their best if they're priced at full price. Is it tough to train staff at a restaurant to shuck and have them serve well? I think so. I mean, I think, you know, there's usually not multiple people shucking necessarily. I mean, really, as long as shucking, you're all right. As long as you're not spilling liquid and having chips of the shell in it, you know, you're probably okay. The quality of the oyster is more important than a beautiful shuck versus a little bit of a rough one.

37:01You don't want the chips in there. But I think it's, you know, it's hard to train a staff in, you know, if you're trying to train servers and how to explain exactly what they're like and why and how they're stored. And, you know, it's just it's a lot to ask. It's tough. And also with the hot kitchen, there's like temperature control. There's always issues. You want to definitely shuck them, you know, close to order. Yeah. Which isn't always ideal. You know, you have you can't you know, they need to be at a certain temperature. And so you don't want to leave them in hot or icy temperatures for too long.

37:35It's really hard, you know, and that's that's why, you know, often the price at a restaurant is very justified. Besides all the other reasons that a restaurant needs to price things the way they do. Oysters do take a lot of attention, but they should be shucked and served properly. They should be in really great condition and all the rest. also leads to my question about oysters at home i feel like your book is a cookbook as much as it is as a history for sure yeah and there's a lot of great recipes and there's ways to cook oysters and there's ways with pasta and there's ways with east asia in mind but i want to just know like i've never done it and i feel like i'm pretty ambitious in the kitchen just something i don't think about why should we rethink like oysters at home well that's something i really want the book to make people think about and encourage people to really buy them and serve them and cook them at home.

38:28I think a big reason is what we were just talking about with restaurant quality. You don't really know until you get it. You're paying three, four dollars for an oyster that may not be the best. At least if you're buying them, it's much cheaper to buy them, whether you're buying them at a fish market or direct from a farm or whatever it is. And you know before you eat or serve them exactly what the quality is. There's no mystery to it. Another thing is you can shuck or you can, from a lot of good, bigger oyster farms, you can buy pre-shucked that are literally shucked into a jar. There's no preservatives or anything.

39:06Or you can just shuck ahead of time. You strain the oyster liquor and then you have this amazing ingredient just ready to go. Cooks fast. It's incredibly delicious and it's actually relatively low labor once everything is shucked. What do you like to do then? I mean, you have a lot of recipes, but is there like a go-to that you feel? I mean, I like omelets personally. That's like my guy. Yeah. Yeah. If you, see, you're a good cook. So oysters and eggs can be tricky because you kind of burn the eggs before the oysters cook or vice versa. But if you're, you know, paying attention, it can be an incredible combination, egg and oyster.

39:41Two ways I'd say that I end up eating oysters a lot at home is one way of steamed just uh oysters on the half shell in a bamboo steamer with a little bit of anything ginger and ponzu or something just drizzled you just cover them steam them five ten minutes later they're hard to overcook um they look beautiful they're really gentle they have a really pure oyster flavor i really like doing that you don't have to turn the oven on. So smart. And I like deep frying. In general lately, I'm really into deep frying for one. But there's something really satisfying once you have, again, the oysters shucked and your sauce is made or whatever.

40:22Oh, my. That you're just dredging. You're getting it in the oil. And a couple minutes later, you know, you have a platter of fried oysters that you did yourself. There's an incredible sense of accomplishment in that. And it's not really that hard. It sounds, especially if you get them shucked for you, it sounds like it actually wouldn't be that hard. Oh, it's nothing. Talk about like an absolute like baller ass move for a dinner party. It's a baller ass move for sure. Yeah, yeah, totally. And also you, you know, if you are shucking yourself, you can shuck ahead of time. Yeah. If you're cooking them, you know, it's not just shuck in the morning and cook them at night.

40:52You know, it's nice. It feels, you know, it's like kneading bread or something. There's something satisfying about shucking oysters. Oh, definitely. And then you have the ingredient prepped and it's quite an easy fried oysters. Yeah, it's a couple. it's a wash in a dredge, right? Yeah, yeah. You know, you toss some flour to get kind of some of the liquidness off and, you know, and I mean, there's a million ways to fry oysters. You do panko, I guess. Many of them in the book. Yeah, right on. And you can also pan fry oysters. They're really, really delicious. Oh, yeah, like a scallop. That sounds hard.

41:23And so you're still breading, dredging, maybe panko, pan fried. Panko's good for pan frying. Yeah. And then you're not even doing the pot of oil that gets people freaked out about deep frying. You're just pan frying like you would fry anything. And you have these crispy, incredible, puffy, crunchy, delicious oysters. They're so good fried. Now let's transition to your wine writing. Okay, yeah. I just want to know, like, you write extensively about wine. And is there a story that you've been working on or are about to publish that you're just super stoked about right now? I think something I'm really excited about in the wine world right now is Mexican wine.

41:59Yeah. I think it's at a – it's kind of at a really important point right now where it's starting to get a lot of attention. A lot of it isn't very good, but a lot of it is really legitimately world-class and delicious. So – Is it focused on Baja? Yeah. About 75 percent of Mexican wine is from Baja. Yeah. They get this – even though it's, you know, in near Ensenada, they get a maritime influence. to the vineyards that brings the temperature down at night and gives it a good separation between the daytime and nighttime temperatures. It can be really good for a variety of grapes. And it's just kind of interesting watching a region kind of start to come into its own.

42:45It's not been that long that they've been really focused on quality over quantity. And it's interesting to see what, you know, young people are experimenting with. There's no rules around wine production there. And so there's a lot of really exciting experiments and just a lot of interesting wine coming out of there. And in other parts of Mexico, they're very high altitude vineyards to obviously mitigate the temperature. So a lot of the highest vineyards in the world are in central Mexico. They're up, you know, as high as 8 ,000 feet. Yeah. Which is insanely higher than almost anywhere else in the world.

43:25So it's interesting. It's just, you know, it's always fun to, it's like the indie rock guy in me, you know, it's like, what's the emerging region? You're always like, you want to be ahead of the curve. You want to, you're trend spotting. And on that note, I want to ask you about like a domestic region. Is there a part of America doing wine that you maybe are like a little more excited about than others? Yeah. I mean, it's a little bit like, well, it's a little bit like Mexico where it's, you know, there's a lot of wine, domestic wine regions outside of Washington, Oregon. and California that are great, but you really have to filter through the shit to get.

44:02Yeah, it's good. It truly is shit too. Yeah. Yeah. You have to filter through it to get to the good stuff, but that doesn't mean there isn't some amazing stuff. I mean, I would say outside of the West Coast, I'd be, I'm really interested in Virginia. Wow. Cool. I've had some good stuff from, well, Finger Lakes, obviously for Riesling, but also some other things as well. Michigan, I've tasted some good stuff from there. I've tasted a lot from Texas, most of it not good, but some of the best non-West Coast domestic wine I've tasted has been from Texas. So it's in there. You just have to really find it.

44:41But I think it's something that's important to think about and promote because it's, well, like oysters, it's a really important U.S. industry historically. and some of the smaller wine regions are bringing back grapes, wine grapes, also so-called hybrid grapes that aren't the venus vinifera grape used for wine, that are bringing back some of these grapes that have historically been used for wine and they're bringing them back and some of those wines are really amazing. So I think it's nice to, it's a way to revisit the country's history from a different perspective. I love that. There's also just great value in America, too.

45:23There is. When you're talking about buying cases or if you have an event or, you know. For sure. Yeah. And sparkling wine, too. And really, you know, talking about value, the way that value doesn't always mean price. You know, you can have something cheap that's not a good value and something expensive that is a good value. That's what I meant. Yeah, totally. It doesn't mean it's cheap. Exactly. But I'd say there's some, you know, some Oregon Chardonnays that are unbelievable values that rival the best white burgundy that, you know, you're buying it. They're not dirt cheap, but you're buying them much more expensively than you might white burgundy.

45:58There's some really serious big reds from Washington that are absolutely amazing quality. there's some more experimental grapes in California and some of the expensive regions of California, but there are these grapes that don't command the same price and that don't cost the winemakers the same price that are also some really great values. So all over the U.S. there's good wine values. Who are you writing for right now? I'm the food editor for Wine Enthusiasts. So doing, you know, a lot of that's food and wine pairing and whatnot. And doing a lot of some cookbook work and hopefully doing more books related to this.

46:41I love it. I can't wait to have you back talk about more books and talk about more band stuff. Is there one band right now that you're just like, I ask. I know. It's my dreaded question because I feel like I'm kind of out of it. But one band that I will say never lets me down, and I like them as much now as I did when they started, is Spoon. Wow. They don't—yeah. Sorry, no comment. Wow. Wow. I mean, that's a good—I mean, they're a good band, but yeah. Oh, man. I'm with them. All of their rollercoaster career, I'm here for all of them. Yeah, Girls Can Tell is still one of my top five albums ever.

47:19Yeah, amazing. I love that album. Chicago at Night, play it still often. There is no better or worse. There's just different. I agree. I like the new Bowling material. I like that band Bowling from Chicago. I like that too, yeah. Good band. I started them recently. I really like it. Good young band. Younger. Let's close by, I want to ask you, if you could have a restaurant name a menu item after you, what would that be? That's a good question. I'd say maybe a fried oyster dish would be amazing. I like that. What do we need to call it, Nils? I would say, oh, what would we call it? Yeah. I thought my name is weird enough that I thought it would warrant the – something that rhymes with Nils, you know, pills, chills, something.

47:59Like chills have to be a cold item. So warrant – that's interesting. I think of diner items, you know. You always think that things that are named after people are in diners. So I think of like an omelet or a club sandwich or something. All right. I like that. Well, Nils Bernstein, thank you so much for joining the Taste Podcast. Thank you. It was really fun.

48:29eliza three things let's do it i'm ready so i think you should start i want to i want you to hear your first of three things yeah i did just say i'm ready so i think i set myself up there okay my first thing is not a new thing it's just a favorite thing which is the chicken sandwich at the fly here in brooklyn have you had it before i haven't um i was talking to grossie pelosi earlier today we were recording an episode soon to Aaron taste and he was talking about the fly big up in it I love the fly I think it's a great restaurant it's a lot of seating they have great drinks it's just like a good place to stop by but their chicken sandwich I actually dream about and I'm not a huge meat eater so when I'm like fixating on a chicken sandwich I feel like that really speaks for it it's a very juicy sandwich awesome it is like I eat it fast because the bread is going to disintegrate I love it so this is a chicken cutlet I'm imagining no it is the fly is rotisserie chicken.

49:19So it's a rotisserie chicken sandwich and the rotisserie chicken has been kind of pulled a little bit, shredded. It is incredibly juicy. There's mayo on it, maybe like a little bit of vegetables, but I always get the green beans and then kind of tuck them into the sandwich. Oh, you're a tucker. You like putting like chips into sandwiches, like green beans into sandwiches, coleslaw. Yeah. I'm a juzzer in general. I feel like when I have multiple components on my table, I'll have a bite as is and then I'm just adding other things because maybe I'm going to unlock something that's even more amazing.

49:49But I went on Friday and just devoured this sandwich and got really excited to be coming back as it gets hotter and I'm just wanting to be satiated. Is that a word? Absolutely satiated. And what's the bread choice here? It's like a crusty roll. So it doesn't get soft right away. But it is the kind of thing that my friend wasn't eating hers right away. And I was like, you should get on that. Yeah, you got to eat. That soggy sandwich, like when the bottom slice is soggy, you can't do that. It's good. You just, you eat it first, you know? Yeah, I love that. I got to check it out. What's your first thing?

50:23This was the week of Becky Shue's Bad Waitress essay on dirt. I feel like everyone, do you get a chance to read it yet? It's open. I started reading it. Yeah, it's long. I just have to say it's great. And I read it twice. And I really think Becca is doing something that Bourdain did when he jumped into the scene and others. in that she is kind of defining something that we all know, the feeling of being in service, this feeling of being a wait staff particularly, and really marinating on some of the big picture things that are happening in restaurant service. And I really don't want to spoil it.

51:03It's not really a spoiler essay kind of thing, but I think in general it's really cool to see someone with such a signature voice break out. and I love Dirt too. I love what they're doing. So I was very happy to see that. Is it the kind of thing like how Bourdain was kind of spilling secrets that people didn't know before or you already knew about it but it's just the way it's being phrased is so fun? Great question. Both in a way, I think that talking about the way she works at, it's not Perkins or Waffle House, I'm forgetting the chain but she worked in a chain restaurant and like working in a chain restaurant was kind of an insight.

51:46But I just think the way that she writes is it's quite funny. It's quite cathartic. And I know she's an editor and writes a lot of fiction. So there's, she's got a long history of writing. I'm gonna definitely check out some of her other articles or essays. This line really stuck with me. I suspect it's easier to teach a waitress to be a writer than an intellectual to be a waiter. I thought that was a great line. Yeah. I think it's a specific set of skills. I see that. I believe that. Yeah. So I'm going to link to that in the show notes. And check out Dirt and check out Becca's work. I really enjoyed it.

52:22What's your next three things? My next thing, I don't think I've talked about shrubs as my three things before. Have I? I don't. I mean, no. Well, I made a shrub this past week. It's shrub season. It's shrub season. Well, you can always make a shrub. Shrub is like essentially you're macerating fruit and then adding vinegar and letting it sit and then you strain it. And then you have this very tangy, sweet because there's the sugar with the fruit concoction. I made a shrub that was rhubarb and mint, which is a recipe that Al Culleton did for Bon Appetit a couple of years back. And Al's a really great beverage director.

52:57And they have a newsletter that I really like called Al's Cocktail Club that's giving drink history. So I was just reading a newsletter and then I was reminded of this shrub recipe. but I've really loved having this rhubarb mint shrub in my fridge. I've been mixing it with seltzer. I think it would be very good with gin or mezcal added if you wanted to spike it. And then also I've been using it to macerate fruit to put on top of yogurt or ice cream. It's kind of, honestly, I think it would be really good in a salad dressing. It's just this like delicious, fruity, tangy thing. Well said, Eliza.

53:28I think shrubs are a way to get rid of fruit basically that's going bad. It's like some way it's like preservation, but it's also creating a new astringent vinegar of sorts or mild vinegar. Right, exactly. And I had written about shrubs for Eater a few years ago and interviewed Al about it. And they had told me about this history of shrubs as this all-American drink in some ways because food preservation, right? You have the harvests coming to an end. You want to be able to have some kind of fruity sweetness later on in the year. Enter the shrub. Yeah, it's great. I've never made them. I actually have written about shrubs for punch as well, but I've never actually made them.

54:03I'm a big fan. I think as somebody that doesn't – I don't drink a lot of soda. If I want to have like a little drink in the summer, it's really fun to have something on hand. And the rhubarb one is very pink, which is also just – Yeah, good color. Yeah, it's great. It's what I want. What's your next one? It's drinks related as well. I was in Chicago at Foxtrot, and I was able to pick up this really great agua fresca called Bowie. Are you familiar with this brand? No. Really cool brand. I looked them up. I hit them up on LinkedIn. I was like, this is a cool brand. Wait, LinkedIn? Yeah, LinkedIn.

54:37Isn't that? I just, yeah, LinkedIn. Not Instagram. No, like LinkedIn is the new blank. I really think LinkedIn is cool. Oh, gotta get Emily Sundberg on this. I know, right? No, I think it's funny. LinkedIn is a weird, like, it's like basically Facebook from 2012 because people actually read articles that you post in your feed and you have like followers and shit and write like long comments with personal opinion definitely not i'm not that no guy you're not like oh this reminds me of when i was in the second grade the teacher changed my life oh my gosh such trolling of linkedin is is appreciated here um so yeah the bowie guys i guess are based in austin um so what i like about it it's really tart it's really tart it's just like so the what i want with um you know a refreshing drink they have three flavors pineapple lime and passion fruit and i just think it's a brand i like the branding if i saw it at like our you know store downstairs that has like 800 different drinks i would be picking bowie wow that's high praise i'll have to keep an eye out for it yeah it's good stuff what's your last one my last one is also something you could get at a bougie grocery store it's these ice cream sandwiches called nightingale is the brand.

55:54Yes, I've heard of this brand. Yeah, they're based in Richmond, Virginia, but they are all over the bodegas where I live in Brooklyn. And they're like a hefty sandwich. The cookies are thick and crumbly. And one of my friends turned me on to them and also said, I slice them into pieces and eat them, which at first I thought was just fussy. But actually, if you try to bite into it, I've had difficulty because the ice cream and the sandwiches are so thick. But if you're slicing it, you can just have little bites. Little bites and that can It actually works fine. So good. I had a miso churro flavor.

56:26Oh, my God. I know. Say less. It's like the perfect flavor. Completely. Those two things together, please. It reminds me of like Cool House when they launched their ice cream sandwiches a little bit of thickness. Right. It is a lot like Cool House, except for it is rectangular. Oh, yeah. Instead of circular. And also, I think that the ice cream is fattier even. Like, it's very luxurious. It's a rich, rich, rich bite. It's a rich bite. But now I can't stop buying them. So look in the freezer section near you. You may also find yourself just looking for nightingale ice cream. I've definitely been on an ice cream journey the past few weeks, and I have to give you a couple updates.

57:03Oh, please. Because we're on the topic. This is like a little diversion. So I tried the Van Leeuwen vegan chocolate bars that I believe are pretty new. They've been out the last six months. Amazing. Wow. Like absolutely amazing. Like texture-wise, Meltpoint, it's like— Comes out of the freezer 30 seconds later. It's like starting to soften in a good way. And then you're like two minutes in and it's like perfect texture and consistency. I love it. It's really good. Do you know what the alt milk is? Yeah, it's a good question. I don't. And then I went to try to buy it again. I couldn't find it. I think it might be oat milk because that's what they do often with the vegan ones.

57:42I think it's oat milk. I'm pretty sure that's right. But I didn't get too much of the oatiness from it. You got the chocolate. Yeah, I got the chocolate. It was really rich. Um, I texted Ben cause now I know him cause he was on the show and he, he, I just was like, this is good. And he was like, yo, like this is our hardest thing to make, which is cool. So I hope to have him back talk about that. Um, you know, they've been doing these little Debbie flavor ice creams. Have you seen this? No. Yeah. So they have, um, Astro Crunch, no Astro, this like, you know what I'm talking about? The Astro Cakes?

58:16No. I like the name already. They have like Nutter Butter as well. Oh, oh my God. I want this. So the one I had, I think, was Astro. I'm totally blanking on it. But it was not great ice cream, but really cool to see this crossover of, like, Little Debbie snack cake and ice cream. Yeah, it seems like a good combo. And then my third journey, thank you for letting me talk about this because I wasn't about to go crazy for Van Leeuwen. But I actually tried the Arizona iced tea, green tea, and honeycomb flavor. That's, like, they're limited right now. Where are you getting all of these, like, niche ice cream drops?

58:49I feel like I'm living in the past. Can I tell you a little secret? Yeah. Walmart. Oh. Have I gone to my Walmart thing? Not to me. Well, off mic maybe, but you live in a place where there is Walmart. There is a Walmart where I live as an aside. Oh, I talked about it with Snackshot. Yeah. With Andrea. Walmart's great. Walmart for baby brands and for finding limited stuff. Walmart is fantastic. Yeah. You know, I had a Reese's Klondike bar from a Walmart the last time I was at one, which was amazing, obviously. But they only sold them in six packs and I just wanted one. That is my. What are you talking about?

59:28What do you mean? They sold they sell Lucy ice cream sandwiches. You need six of them, though. Why would you ever want one? Well, I was leaving. I was in Atlanta. I was leaving. I just wanted a snack for the night. And I was just like, wow, I can't buy just one ice cream. So to contextualize this Walmart drop for those who maybe didn't hear that Andrea interview, It's like Walmart is not like the best store in the world. And I love shopping at my local places, which is what I've always done. But for to my understanding, for like baby brands to get into Walmart is really exciting. And they are willing to take more chances than, say, a Target, definitely Whole Foods.

1:00:04So it's kind of like counterintuitive because you think Walmart is being big and, you know, unwieldy. But it's actually if you go there and walk the aisles, you can find lots of cool specialty food, lots of meat alternatives, lots of gluten-free, et cetera, et cetera. I believe it because you know about all these secret ice cream collabs. Meanwhile, I'm excited to talk about one ice cream bar. I'm sorry. I didn't mean to hijack that. No, I love it. I feel like my eyes have been opened. Okay. Do you have a third thing that's not ice cream? I do. And it's back in the beverage category. I am reminded again how much I love this hop seltzer moment.

1:00:42And I know we've talked about in the past. My latest hop seltzer of choice is Langanitas. Langanitas Hoppy Refresher. Like the beer? Yeah, the beer company Langanitas does an N.A. Hoppy Refresher is what they call it. It's really good. Your Midwestern pronunciation of Laganitas is amazing also. I totally butchered Langanitas. Langanitas yeah Langanitas Langanitas yeah Video hop seltzer that's so funny you called me out in my Midwestern accent I'm sorry I was like what are you talking about what is this thing Langanitas Lagunitas Lagunitas hoppy refresher check it out the reason I like it and I've talked about NA in the past but I think it's gonna be the summer of NA definitely gonna happen for sure any beer get your athletic try it drink responsibly it's just a great way to refresh the palate Say you have finished a long meal and you want to go into dessert or if you wanted to start the meal and like you've had some things all day and you want to like start the meal.

1:01:44Great to have this like refresh palette with your longanitas. Yeah. Do you know about how it's made? I'm interested in the sustainability element if these breweries are already using hops in some way, if maybe it's like another product they can add in. Yeah. You're saying that that's something that is happening? Well, I don't know. I'm asking if you know. I've not heard about that. And it makes sense that it would be a way to use hops that aren't being thrown into the beer, but using it in a new way. I think it's just like a beer company wants a new category to make money. Yeah. And like, so there's like maybe a sustainable, like sustainability model.

1:02:19Yeah. I don't know if they would use spent hops. I have no idea how hop tea is used. I love. I like the concept. Yeah. Maybe we should write something. We should just like actually go and answer that question through taste. Yeah, maybe. I do know a company that's making energy bars in the Bay Area using spent grain from breweries. Oh, that's cool. So there is value in the hops after they've been used to make beer, whether or not it's in the hop tea, who could say? Very cool. Thanks for sharing your three things, Eliza. Anytime.

1:02:52This is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.

From the publisher

It’s so great having our buddy Nils Bernstein drop by the studio. Nils is a man of many skills, and we talk about his great new book, The Joy of Oysters. Nils is the food editor for Wine Enthusiast magazine, and he has written and developed recipes for places like Bon Appétit, Epicurious, GQ, and the New York Times. But Matt knows Nils best as a former music publicist, working with bands like Interpol, Stephen Malkmus, and Nirvana while holding key positions at Sub Pop and Matador Records. We talk about his musical past, what is was like being in the room when "Smells Like Teen Spirit" was first played live, as well as a deep love of the bivalve. We loved catching up with Nils Bernstein, and we hope you enjoy this conversation.
Also on the show, Aliza and Matt talk about three things that are getting them excited right now, including chicken sandwiches at the Fly, Bawi Agua Fresca, a new NA beer, and Nightingale Ice Cream Sandwiches. 
MORE FROM NILS BERNSTEIN:

Shell Shocked: Why It’s More Important Than Ever to Consider the Oyster [Wine Enthusiast]

All the Ways to Pair Pinot Grigio with Food, from Cheese to Fish [Wine Enthusiast]

A Taco-Filled Eating Tour of California’s Salinas Valley [Wine Enthusiast]

Bad Waitress [Dirt]

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