258: Nicole A. Taylor

28 Jul 2023 · 1 h 9 min

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Podcast Summary: This Is TASTE - Episode 258: Nicole A. Taylor

Podcast Overview

  • Title: This Is TASTE
  • Description: A podcast featuring engaging discussions about food, home cooking, and culture, interviewing notable figures in the food industry.
  • Hosts: TASTE editors Aliza Abarbanel and Matt Rodbard.
  • Episode Release Frequency: Several times a month.

Episode Details

  • Title: 258: Nicole A. Taylor
  • Guest: Nicole A. Taylor, food writer, recipe developer, and author of *Watermelon & Red Birds: A Cookbook for Juneteenth and Black Celebrations*.
  • Key Topics:
  • Nicole’s background and experiences in food writing.
  • Exploration of food culture in Georgia.
  • Discussion of Juneteenth and its significance.
  • Insights from her work at a major food magazine.
  • Brief conversation with José R. Ralat, Taco Editor at Texas Monthly.

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Key Concepts

Nicole A. Taylor's Background

  • Early Life in Georgia:
  • Grew up in Athens with a strong connection to the local food culture and community.
  • Experiences included backyard gardens and local restaurants that shaped her culinary perspective.
  • Career Path:
  • Transitioned from community health education to food media; self-taught as a food writer.
  • Worked at Thrillist and currently at Bon Appétit (BA) in the test kitchen.

Juneteenth and Food

  • Significance of Juneteenth:
  • Celebrated on June 19, marking the day enslaved people in Texas learned of their freedom in 1865, over two years after the Emancipation Proclamation.
  • Nicole’s cookbook aims to celebrate Black culture and foodways linked to this holiday.
  • Culinary Aspects:
  • The book features recipes that highlight traditional foods associated with Juneteenth celebrations.
  • Emphasis on giving permission to Black creatives in food to express their cultural narratives freely.

José R. Ralat's Insights

  • Taco Culture:
  • José discusses the taco’s evolution and significance in American cuisine.
  • Highlights the diversity of taco offerings in cities like Chicago and New York.

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Notable Discussions

  • Food Media Experience:
  • Nicole shares her experiences working in food media, including recipe development and the editorial process for major publications.
  • Local Food Culture:
  • Conversations about the local culinary scene, including the variety of beans and peas in Southern cuisine, and the significance of local restaurants.
  • Current Trends in Food:
  • Discussion on the evolution of taco culture, highlighting changes in culinary practices and the influence of different cultural communities.

Key Takeaways

  • Culinary Identity:
  • Nicole emphasizes the importance of understanding and celebrating the rich food history and stories within Black culture.
  • Cultural Fusion:
  • José highlights the blending of culinary traditions, particularly in urban settings with diverse populations.
  • Personal Journey:
  • Both guests reflect on their personal journeys within the food industry, the challenges faced, and their aspirations for the future of food writing and cooking.

Final Remarks

  • The episode concludes with Nicole and José sharing personal preferences in food, underscoring their deep appreciation for culinary traditions and innovations.

---

Additional Resources

  • Nicole A. Taylor's Work:
  • *Watermelon & Red Birds: A Cookbook for Juneteenth and Black Celebrations*.
  • Articles and essays in various food media outlets.
  • José R. Ralat's Contributions:
  • Book: *American Tacos*.
  • Articles in Texas Monthly discussing taco culture.

Closing

  • Hosts: Matt Rodbard and Aliza Abarbanel express gratitude to Nicole and José for their insights and contributions to the food discourse.

For more episodes, visit [TASTE online](https://tastecooking.com).

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Transcript

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0:28This episode is brought to you by Resi and American Express. But in the backyard across from the house that my grandfather owned, there was always a garden in the backyards. Everyone in our neighborhood had fruit trees. I remember my neighbors like yelling out because I would cut through their backyard to go to my cousin's house. Like, you're trampling my food.

0:52This is Taste. I'm your host, Matt Rodbard.

0:59Nicole A. Taylor is a food writer, recipe developer, and master home cook. Her latest book is Watermelon and Redbirds, a cookbook for Juneteenth and Black Celebrations. Now, I've known Nicole for a while, but this conversation was the first time we were able to sit down and talk about food in her native Georgia, her work as a writer and editor in New York City, and the meaning of Juneteenth. I had such a good time catching up with Nicole, and I hope you enjoy this conversation.

1:34Nicole Taylor, welcome to This Is Taste. Thanks for having me, Matt. Long time coming. We've been talking about it. I know, right? You made it happen. It's happening. Thank you, Anna Hiesel, for the reintroduction, for the reminder. I know, because we were on a panel together back in the fall. Yeah. Brooklyn Book Festival, and it was like raining cats and dogs. Remember that? Yeah. It was not a great day, but it was a great panel, and it's on YouTube, actually. I know. I need to go back and watch it. I got to check that. I'll link to it. Now, you're up at BA right now. That's why you and Anna were talking.

2:02And you're in the test kitchen. You're working on a dish for the November issue. And, like, let's go behind the scenes. Food media is, magazine media is no joke. Yeah, I mean, crazily, can you believe this is my first time working in big media? I think some people know I worked as an executive food editor at Thrillist for Hot Minute. But, yeah, I am filling in for or I've been filling in for the past three months for one of my colleagues that's on book leave. The behind the scenes, I don't know. You know, I have nothing to compare my experience to except for I went into this role knowing that this is kind of junior-ish.

2:46But I saw it as an opportunity for me to get in the door and really see how, you know, the sausage is made and to sharpen my skills like recipe testing, editing, developing. What better place than to be in B.A. Test Kitchen? Yeah. I mean, a beautiful test kitchen and you're working on this recipe. And let's go through how many iterations have you been through? Oh, my gosh. I am working on a pie. I'm going to just say that. For the print issue, it's actually someone else's recipe. Can we really call it a recipe? What they said. Someone else's ingredients that they sent over. Someone else's list of things and without real directions.

3:28So before I hopped on the train and came uptown, I was working on the third test. Yeah. And actually, I'm going to do it one more time because I forgot to add an extra egg. my editor Hannah was like let's add an extra egg and then I had to call a friend this morning about getting the ingredients inside of the pie super smooth and I wanted to talk about some techniques. Trying to get it smooth I love that caginess because we don't want to spoil a great show when is it due? When you think about a November issue, major American holiday around that time, when do you have to actually close the pages?

4:10So, I mean, I've been there three months, and I feel like I've been habitually behind on every single thing. I'm sure behind the scenes they're like, oh, we will never hire this girl for anything because she's always late. Dude, every magazine job I've had I felt every page late by, like, three months. Just FYI. It's crazy. The recipe is supposed to go to cross-testing this week. So we're at like three days before I need to have it in hand to be edited and head notes looked at. My head notes, which are completely different from what people will see in the print magazine, they'll see a version online where I've, you know, taken my head notes and the person's article and kind of, you know, made a story from that.

4:55But, yeah, it's intense. It can be very intense. But I'm made for this. I know. Yeah. And respect it because, you know, when you open up a magazine that you get at the, you know, the airport, you look at those recipes, you know, there's been a lot of work that went into those. Totally, totally. I mean, you know, I've been lucky. I feel like I got my schooling, freelancing for the New York Times food section I did over the last, since 2017, have written for them, you know, big stories around sweet potato, Juneteenth, watermelon, and always I would have at least one recipe, sometimes three. So that process for sure helped me be in the test kitchen, which can be, you know, a different beast.

5:42Oh, my gosh. Talking about a magazine and you're also in a physical space. You know, New York Times is just now getting a test kitchen. So when I was freelancing for them a lot, it was, you know, at home going back and forth with your editor and the tester. You're a really unique journalist in that you are doing deeply reported stories in the field and interviewing chefs and doing these long features. But then you're also in the test kitchen. That's hard as hell. That's hard to do all that. It is. It is. I mean, I think about the piece that I wrote for Juneteenth for Bon Appetit Digital. And I did an essay, a thousand-word essay, which I thought was really great, very personal.

6:24I wasn't sure. Hi, cook this. It's Juneteenth. LOL. Yeah, no. LOL cook this. No, it was not that. It was for sure a very thought out personal essay that a lot of people read and were like, ooh, this is good. I like your writing. You're a real writer. I always laugh. I'm like, well, yeah. On top of, I have four recipes I had to develop and I had to get them right and had to go through, you know, several iterations, cross testers, editing, editing, editing. but I like to say no one outworks me. No, it's beautiful. And Nicole, you mentioned you were an editor at Thrillist. Let's go back. Where did your journalism career start?

7:05I'd like to hear about that. Hot journalism career. Are we calling it that? I mean, like when you write for The Times and it isn't just like a caption, which I've written very few things and it feels like a caption. If you're writing many features, that's yes, you are a journalist. That place is hard. I would say I'm self-taught for sure. I mean, I grew up being a reader, an avid reader. I was a kid who read the newspaper before I was a teenager every single day. So I would tell my aunts and my mom, here's the news for our small hometown. I also read a ton of books. And then recently I was at home going through old boxes and I found like stacks and stacks of journals where I'm writing poetry.

7:48And I'm like, OK, so I always was a writer. Huh? Yeah. But I got into food because a friend told me she was like, you don't need to go get a master's in historic preservation from Pratt. You're really obsessed with food. So I started like 2009 really teaching myself, buying Diane Jacobs, I'll write for food. Yeah. You know, spending all of my money on going to restaurants here in New York City. So I like to say, like, I taught myself. I went to online courses. I didn't have any or I don't have any formal training in journalism. I have a degree in community health education and, you know, work for nonprofits.

8:30I never, ever thought that I would be a cookbook author, a food writer. Never on my bucket list. On my, what did I say, bingo cards. Bingo card for your career. And I have to, you know, ask, like, what was that initial pitching like? Like, was there a place that, you know, you started writing for and that started publishing you? No. So what happened is I had a show on Heritage Radio Network. Yeah. I was the, like, first crop. Kathy Irway and I started on the same exact day. Wow. Yeah. What an era. Yeah, we started on the same exact day. Snacky Tunes. Oh, Greg. The Twins. Yeah, the Twins' presence.

9:09They had a podcast right before me. No. So I I did like almost 200 shows on Heritage Radio Network. This is when you had to explain to people what's a podcast. Yeah. And then people start saying, oh, do you want to write for us? And I'm like, oh, I'm not a writer. I'm just, you know, talking to people and telling stories about Brooklyn Foods. Were you working in community health as well during that time? Yeah. So you had a full time job and this was like more on the side. I had I actually had two jobs. I did that show for five years. I worked for New Yorkers for Parks for a brief moment. And then I worked for Brooklyn Food Coalition.

9:42So, yeah. Yeah. So I've always kind of had this like community building NGO background in the background before I just really started making money and food and saying, OK, maybe this can be a career. So you have the show. It was gone on for five years and it was, you know, 200 episodes is no joke because you were like going out to Bushwick. Yeah. Every show. You weren't doing remotes, I bet. You were just going out there. Yeah, 160-something shows, actually, if I'm going to be correct. Yeah. I paused because I got a book deal. My first book, the Up South Cookbook, Chasing Dixie in a Brooklyn Kitchen.

10:20I was like, you know, I need to pause and really focus on this book deal. I didn't even have enough money, really, to be pausing. I wasn't even making money at Heritage. Just keep it real. Yeah. But I just figured like the time was up and I would come back to podcasting. I did a few little podcasts or audio stories on my own after that. But mainly I just focused on the next. So you do the cookbook and that's a big hit. And then you are starting to work in food media by the time that book comes out? I don't know if it was a big hit. It came out in 2015. I think that it definitely was a calling card and a business card.

10:58Sure. That's what they say about books, right? Yeah, I was. The most expensive calling card. I still was craving to be at a major media company. And I remember applying for Savoir, you know, applying for like a very like assistant food editor job there. And Max Falkowitz, whom I love dearly, was trying to get me in the door and it didn't happen. It didn't happen at all. And I was like six interviews and I'm like, how could this not happen? I have an entire book. Yeah. And I was crushed. And that was a time when I definitely was one of the voices saying, where are the black people in food media?

11:37But no one cared. I didn't get it. I still didn't get a job. So, Nicole, how do you regroup after that tough experience of not getting the job? Do you continue writing? Is that when the times started? You said 2017 is when you started at the time. So you're starting to get clips of the times. Yeah, I wouldn't say I mean, I should just clarify and say it wasn't a devastating moment. I think that it was something that needed to happen to keep me going, to make me stronger. So one of the things that I've done since I've been in New York for 15 years is build relationships, real relationships with people and not transactional ones.

12:19and um one of my friends someone I consider a friend and not a colleague um put me in a position where I was in the same room with um Sam Sifton and uh he was like um yeah we should talk uh but kind of before that I had a memo going around um to possibly write a column for them and um we were in the same room. He was like, I saw your memo. I actually went up to him and said, hi, I'm Nicole Taylor. He's like, I know who you are. And it just kind of happened from there. He was like, you should freelance for us. And I remember pitching them stories. The first story I wrote actually was about Black Martha's Vineyard and the food and the kind of magic of that.

13:07And I pitched something totally different. And Emily Weinstein was like, no, you need to write about this. This is your sweet spot. She's also the one, crazily, who suggested I write about Juneteenth. Yeah. Before the book deal, the book proposal. Yeah, this is 2017. Yeah, yeah, about this holiday that is now a national. It's a federal holiday now. We're going to get into the significance of it. But, you know, respect to Emily for, you know, doing that and getting you in the pages, the Times. Yeah. Emily and Sam. Sam Sifton, for sure. Yeah. I mean, you know, a lot of people like to drag him, but he's a very, I mean, people like to chatter, but I see him as being very generous.

13:45Like behind the scenes, I feel like he's one of the guys who kind of helped my career at a very vital moment. So I'm always appreciative of those two folks for sure. No, I like it. And yeah, I like Sam a lot. I think we had a Slack channel with Sam-isms and Anna Heasel and I. Shout out to Anna. That might have been a little clowning on him. But I actually really like Sam's work and journalism. I think there are some really cool people. Well, I mean, Tejal Ra is someone I hugely respect. She's a dear friend. Yeah. I love her work. I love what she's always doing. And it's good to see the evolution of that section.

14:20So we're going to get to Watermelon and Redbirds, your book that revolves around the food and the culture around Juneteenth. But let's go back to your upbringing. You're a fourth generation Athenian, not the country of Greece, but Athens, Georgia. I have to ask you, I think of REM. I think of UGA football. those are my two thoughts that's what you think of but like what so tell me about what about Titus Burgess did you know that he's he's from Athens I oh my gosh Titus Burgess like what a what a gift yeah he's like what a singer what a voice I know he's like a year or two younger than me he went to the other high school but um yeah I think of R.E.M.

14:58as well um yeah I grew up basically following Michael Stipe to inside of the taco stand which is like a kind of like a college dive taco bar. But I remember seeing him as a kid and I've always been obsessed with him. I've never met him. He had an art show in Williamsburg like pre-pandemic and I went and checked that out. But yes. Major food fan too. He is a major fan. He's just like always out. For sure. Not that I've seen him I think I've seen him in photos but he's always at restaurants. Totally. He's totally a food person. Yeah. I mean here's the thing. I hate UGA football. I am not. I know.

15:37No, I'm a University of Wisconsin fan. I love the SEC, though. I shouldn't say that because they've like won two years in a row. They're great. Yeah, I grew up basically wanting to get so far away from UGA football, so far away from the small town life. but I always appreciate Athens for giving me the foundation of like loving small businesses loving food and understanding the power of of music and storytelling so now you know being 20 plus years removed from living there well we'll talk about how I moved back because you moved back we'll get to that you you have you split time which is cool yeah I I appreciate the city now it's different it's way different but yeah Athens is so much more than UGA and REM like I love it that was the point of my um cliche question because I love it because I've only been there a couple times and oh what was food like growing up then food growing up in Athens was a lot of eating at home but also um it was very aspirational because I remember my mom taking me to downtown Athens and taking me to the grill, which was like this diner.

16:53I remember going to Harry Bissett's, which was this New Orleans-style white tablecloth restaurant in downtown Athens. So I understood the power of, like, small local restaurants, like UD's, which was a sandwich shop. So I feel like I'm always chasing that feeling in that era of, like, finding the little small gym tucked away in downtown Athens, which is completely different now. It's changed now because of the corporate nature of this town, because of the big business of football. Starbucks, Chick-fil-A. Yeah. Oh, Chick-fil-A. Zaxby's. Sad. Let's talk about the home kitchen growing up. What was that like for you?

17:35Did you have, you say fourth generation. Yeah. Local, so you're a local person. Yeah. What's that like? So I grew up on the east side of Athens, which now is probably one of the last semi-intact black neighborhoods. I actually live across the street from North Oconee River. And so it's a passive river or greenway trail that connects a huge part of Athens. People love it. I remember having my first birthday party there and we like real hot dogs and hamburgers. Now, you know, people are walking their dogs there. But in the backyard across from the house that my grandfather owned and left to my mom and my aunts, there was always a garden in the backyard.

18:25So we always had a backyard garden. And everyone in our neighborhood had fruit trees, plums, you know, there were black walnuts, crab apples. So I actually saw the abundance of Southern food like in everybody's yard. I remember my neighbors like yelling out because I would cut through their backyard to go to my cousin's house like just trampling my food. Yeah. Yeah. I mean, it's so when you talk about everyone has a backyard garden, everyone have backyard garden chores? Were you like having to weed? No, I don't. I definitely didn't do all of that, you know, but there was definitely, you know, weekends where you had to sit in the kitchen while someone, you know, cleaned the collards and cut up the collard greens or shelled the beans.

19:13Oh, sounds so delicious. Sounds amazing. Yeah, so I was around. I didn't have the chores. Yeah. Because it definitely wasn't, they had passive backyard gardens. And by the mid 80s, you start seeing those fade away in addition to like the outside clothes, clotheslines. Yeah. I feel like that's when like things started to really change. So, yeah. Speaking of like Southern Black foodways, let's talk about Georgia in particular. Is there a food that comes from Georgia and the Black community that maybe we don't know about? Like generally, broadly speaking, I just love to hear about just like love Atlanta.

19:47I go to Atlanta as much as I can. I don't know Athens as well. It's a beautiful state. I love the state of Georgia. Yeah. Athens and Atlanta, they're so different. Very much so. Different, but also when you look at the state of Georgia, people love to look at you. You have these very blue blue in Atlanta, metro Atlanta. Then you have a blue state county for now. Right. Yeah. Right. Seriously. And then you have Athens, you know, two very liberal or liberal-ish towns. When I think about southern food and food from my south that people don't talk about enough, I think about peas and beans. People love talking about black-eyed peas.

20:34And I'm like, walk, walk, walk. We did not have black-eyed peas all the time. We had purple whole peas Which were fresh lima beans Like speckled lima beans And I hated them growing up But now, oh my gosh When they're fresh and they're off the pot How do you make them? What's the go-to? Smoked ham hock Or smoked turkey neck Put it in a pot Onion, bay leaf, a little garlic Nice Make your own broth or, you know, you can buy some broth and good old pot of beans. You got the pot liquor there. Pot liquor. You can make some hot water cornbread or lace cornbread, what some people would call it, or barefoot cornbread.

21:20Yeah, I think people don't really dig deep into the variety of peas and beans in the American South. And I grew up around a lot of them beyond black eyed peas and pinto beans. No. Thanks, Nicole. I appreciate that because I think it's hardly a monoculture, right? And you can't define the black food experience by one dish, you know. Or one region. One region, right? Texas is much different. Gulf Coast. I mean, that's, you know, Houston is a very different city. Amazing city on its own. But so you split time. What does that mean? Yeah. I cannot believe that I moved back to Athens at the height of the global pandemic.

22:00Yeah. In the summer of 2020. Bought a house, sight unseen. Wow. I know, right? Wow. Whoa, that's a different show, but man. Sight unseen. I was like, oh, we'll be there like three months. Six months maybe. We'll renovate this, and this will be an investment property, and it'll be a creative space. We were there two and a half. I mean, I'm not sure if you took a mortgage, but low interest rates. Oh, my gosh. Crazy low. Took advantage, yeah. Of course I took a mortgage. Come on, I don't have a trust fund. I grew up working class. Well, there you go. You think an investment property, and you've stayed.

22:33Yeah, we stayed up until the fall of 2022. I have a now four and a half year old son. And my husband and I made a decision that we wanted him to be educated and have our community wrap their arms around him in New York. So we moved back to New York. I think a lot of people were really shocked and they're like, you're really moving back here? So, yeah, I've been back in New York full time since the fall. And it's been interesting. Yeah. What's it like raising a four year old in New York? I have a babysitter twice a week that stays until 830. So that's my time to kick it with friends, go to restaurants, go to bars.

23:17So my schedule is balance. Yeah. My schedule is very tight. I have to, you know, a lot of 5 o 'clock dinners. Yeah. Well, you know, that's the best time. It's a golden hour for restaurants. I know. Everyone's figured that out, though. Let's talk restaurants. What's good right now? Where are you going? You're out. I mean, you're writing about restaurants. You're inspired by restaurants. What's good? Where did I go? I feel like now I'm gravitating towards spots that I can just roll up at the bar, have a great glass of wine or a great cocktail, and everyone's doing small plates. Yeah. But they're not priced like small plates.

23:53No, they're like$30 for like two bites. It's fine. I get it. No, I'm not clowning on high-priced food. You got to pay to play these days. I went to Margot with a friend, had a glass of wine. We had like two small plates. That was cool. I like all the touches in their restaurant. You know, they have letterpress menu. Everyone has on these beautiful coats with their logo. I like the touches in there. That felt really good. I also have been like revisiting some of the classics. Going to a lot of French spots. I'm working on a project with a chef friend. So I've been revisiting like Odeon. I actually went to Diner.

24:38I haven't been there since pre-pandemic. The burger still is good. The burger is$25, but it's still the bomb. Yeah, it's still bomb. It's a great burger. Yeah. So, yeah. And of course, I live in Bedford-Stuyvesant, so I have my neighborhood hangs that I tend to go to a lot. Well, let's talk about Watermelon and Redbirds. I'd like to get a sense first. What is Juneteenth? I want to make sure our audience is very aware. We've passed it. This is not the before Juneteenth interview, but it still is a national holiday. And let's I'd like to hear from your what it is. Yeah. So, yeah, my new cookbook, Watermelon and Redbirds, a cookbook for Juneteenth and black celebrations.

25:16June 19th, 1865 is the day that more than 200 ,000 black Texans found out that they were free. And the bigger thing to that is that it was more than two years after President Abraham Lincoln signed the Emancipation Proclamation. And so President Biden made it a nationally recognized holiday in 2021. The state of Texas, it had been a Texas state holiday since the early 80s, 1980 to be exact. So, yeah, everyone is like on the Juneteenth train. I feel like it's exploded. And I just so happen to have had people in my life like my former agent and who said you should do a Juneteenth book. And I'm like, no.

26:08But then I came around to doing it. And actually this book and this project was in ideation way before the summer of 2020. Yep. That was really a turning point for the Juneteenth holiday and the word to be in the American lexicon forever. But I was working on the project prior to that. Let me ask you, backing up, we talk about the two-year gap between the emancipation and this moment, June 19th, in Texas. What does that time gap, what does that signify? Because I think I want to make sure we're getting that right. So black people all over the American South found out at different moments that that freedom was theirs.

26:52So a lot of plantation owners, you know, they didn't. They weren't. Well, there were some enslaved people who could read, but they had to, like, deliver the news. But a lot of plantation owners withheld that information because they wanted to have laborers for their next cotton. Right. You know, cotton growing season or for whatever tobacco growing season. So all over the American South, different cities have emancipation days or jubilee days from Richmond to Charleston, from Athens, different parts of the Carolinas. you'll find that people say, no, our Juneteenth or our Freedom Day is January 2nd.

Read the full transcript

27:38So enslaved folks did not find out as soon as, you know, Abraham Lincoln dropped his pen. They got the word at various times. But Texas was literally one of the last. And so it feels like it's like a true Freedom Day in that it was one of the final days. It was one of the final days. And Texas, you know, people for so long made Juneteenth super special. You know, it is a holiday that is rooted in Texas tradition. And I try to always, you know, say that when I talk about it. And even in the book, I make sure I root the holiday in Texas culture. But we know that, you know, during the great migrations in the 1920s and 1950s, that black Texans moved all over the U.S.

28:28Black people in the South moved to different parts of the country for better opportunities and to escape in your face Jim Crow. Yeah. I mean, High on the Hog, a documentary on Netflix. I've got to watch that just to get a little sense of the migration and some of that history. Let's talk about food. How does June 19th, Juneteenth, how is food celebrated on this holiday and how did you structure your cookbook to represent this? Well, you know, what I like to tell people, Matt, is that this is the way that I celebrate Juneteenth. Like, yes, it is the first cookbook by a major publisher dedicated to the Juneteenth holiday.

29:08But what I know from my research are their families who have their own cookbooks or piles of recipes that they make every year for Juneteenth. So my goal was to really just kind of talk about the holiday and say what it is and to give permission to black creatives, particularly black restaurateurs or cookbook authors. Just give them permission to to write a cookbook the way they want to. You know, over the past 10, 15 years, we have so many black cookbooks that have entered the market that give the foundation of black food in America. And we don't have to always do that. So this Juneteenth cookbook is Afrofuturistic.

29:56Respect that. It's more of a zeitgeist. It's more of a moment. It's more of an interpretation versus the historical significance. I respect the distinction you've made. And in publishing, it's extremely creative to do it that way. I do. I want to be specific about two things. I do make sure that there are a lot of historical facts we've throughout the book. I spent a lot of time making sure that I left breadcrumbs around history and said people's names out loud. But I also wanted to kind of my book is laid out where I say the essentials of Juneteenth. So you have a chapter on the red drink. You have a chapter on barbecue, a chapter on potato salad and other salads and desserts.

30:40Respect that potato salad chapter. Yeah. Nice. Yeah. And each chapter opens up with the essay. So I was very, very intentional about the structure of the book and making sure that it broke the mold a bit. Yeah. Speaking of historical figures, is there a person in black foodways in American history who maybe isn't recognized as much as they should be? I know there's many, but just we'll have you on the pod. Let's go over maybe a couple individuals, one individual. Wow. That's a hard question. I'll link to Therese Nelson. Therese Nelson wrote several articles for TASEN and part of the scheme and the note was to elevate, you know, folks in history.

31:22I'd love to get your take. Yeah, Cerise Nelson is a dear friend. I love her. She's awesome. There are so many people that have toiled in kitchens, worked at sorority houses, cafeterias, who probably wanted to write a cookbook, you know, 50, 60 years ago. But it was impossible. But I think about how Chef Joe Randall was recently awarded the Cookbook Hall of Fame. Amazing. I was there. It was amazing to see that. Yeah. At the James Beard Awards. He, Uncle Joe, he's a very, very nice person and supportive person. When my first book came out, he sent his daughter who lived in Atlanta to one of my book events and FaceTimed me.

32:09And that's the kind of person he is. So it was very meaningful to see him being recognized because he is an inspiration to a lot of black chefs who are, you know, toying away at the Ritz Carlton or the W Hotel. So it's good that he that he's gotten his shine. There are so many Chef Joe Randall's out there, though, you know, that deserve to be on the main stage. I think about Dorsal Miles. She got her shine. But, yeah, I can't I can't zero in. It's so hard. No, it's just naming a couple of folks here on the show is is cool. And I got it. Teresa and I, we were talking about a couple of stories and got to get her back on taste.

32:52It's those are great pieces. The hot sauce one is the bomb. It really was the bomb. That was a great piece. Okay, on This Is Taste, we asked guests about their discerning taste. So to close this interview, here's a little rapid-fire Fast and Furious taste check for you, Nicole. All right, you ready? I'm ready. What's the best way to dress a salad? Ooh. Ooh, definitely an oil vinaigrette, bottom of the bowl with your hands mix. Bottom of the bowl hands. Yeah. Hard agree. Your favorite cookbook, one cookbook. Ooh, Spoon Bread and Strawberry Wine by the Darden Sisters. The most underrated New York City restaurant.

33:36Ooh, that's a hard one. What? I know. Rating is hard. I'm giving you, it's almost like a slept on gem, one that we don't write about because maybe it's six years old, which is a weird age. I mean, I still feel like super cool when I go into Odeon. Love that you mentioned that. You mentioned in your research that you're going to Odeon. Yeah. It's cool. Yeah. Odeon's kind of back though. I gotta say. It's kind of back, but when I feel there, I feel like I'm getting, I'm a real New Yorker when I'm there. Yeah. Yeah. I don't feel like a tourist, even though there probably are tours there. It's like you think about like Jim Belushi back in the 70s doing like drugs in the bathroom.

34:15Exactly. Such a great history. Overrated ingredient. Man, I'm sick of y 'all with the mayonnaise. Okay. Wait, really? Yeah. Mayonnaise? Mayonnaise. Wow. That's tough for me. Mayonnaise and aioli. Do we have to put that on everything? It's true. It does not belong in everything. And there are some bad mayonnaise. I'm not the biggest Kewpie fan. I think Kewpie is maybe overrated the Japanese mayonnaise, but I mean, Hellman's? No. Okay. I don't want it on my egg and cheese. People want to put it on everything. Oh, yeah. No, no, no, no. Respect that. All right. Underrated ingredient. Ooh. That's a hard one.

34:55Underrated ingredient. Cilantro. Yeah. Some people hate it. I feel like it just changes the whole dish. Think about India. Think about Mexico. Think about, I mean, it could be many places. Love that. The best cheese. Manchango, 100%. Sweet. Favorite fast food? Ha. French fries. All day long. Is there a brand? Are your brand of choice? I'll take something that's thick, crinkly, super golden for sure. Nice. Favorite gas station snack for a road trip? Nuts. Roasted nuts. Late night diner order? Chicken and waffles. Oh, yeah. Definitely. To wrap this up, your favorite sandwich in the entire world...

35:39toasted bun,

35:43white cheddar cheese, fig jam, Whoa! and fancy country ham. Ham on top of jam, fig. Oh, love that. Yeah, that's my favorite sandwich. That's a great sandwich. I would love that. I'm so hungry for that sandwich right now. Nicole Taylor, thank you for joining This Is Taste. Thanks for having me.

36:11Jose Rolat, welcome to the Taste Podcast. Thank you. Like Chicago is definitely, and you write about this in American Tacos? Yes. I've talked to you a couple times for Taste about Chicago as a city that has an incredible Mexican-American population in food. Yeah, there have been Mexicans there longer than there have been Mexicans in a lot of places. And that has to do with the cattle industry. Vaqueros taught the cowboys, but they rode with them too. And they rode all the way up to Kansas City, where there's been a Mexican population there since before. Or it was Kansas City and then they went further north.

37:06The modern Mexican immigrant population is predominantly from Michoacan. So you get Piria, Carnitas, all these wonderful Central Mexican things. But it's expanding. Yeah, it's expanding. You think of L.A. and also, of course, Texas, where you're based and you're the taco editor at Texas Monthly. You think of those as like the motherland of tacos, but honestly, Chicago. And then you're in New York right now researching a revised version of American tacos and researching a possible new project. We'll get into that. What's New York like these days for tacos? What do you think? I'm excited. Yeah. So, as you know, I used to live here, and I lived in Sunset Park, which was Mexicanizing at the time, and I would visit this west of this cart on the side of a bodega.

38:20It's not there anymore. Where this old lady would sell lamb barbacoa for$2. And I would give her the money, take the taco, and keep walking. You can't find that in Dallas or Texas. That doesn't exist. There. Yeah. So New York has a great scene and it's had one that's been overlooked and unfairly maligned. Well, fairly maligned is an understatement. I think everyone who knows food will agree with you and kind of push back. But you hear these bullshit articles or these statements. You'll be at a party and they'll be like, there's no good Mexican food in New York, which still happens today. And you're like, give me a break.

39:17It's much maligned. But there's also – so now, you know, you've got your Sunset Park and you've got Corona in Queens. But then you've got like Greenpoint has like Taco Ramirez, Taqueria Ramirez. Three Taquerias or taco restaurants, maybe two carts and one Taqueria made it onto Pete Wells' top 100 restaurants. It's pretty amazing.

39:40More taco joints than pizza joints on that list. And rightly so. Rightly so. And this is always your stance. Well, let's just say the New York slice has fallen in quality. Wow. I'm not a fan of it. There was a place in Queens that I used to go to. It was awesome. I don't know if it's there anymore, but the tacos have only gotten better here. And I'm excited to just eat my way through the city over four days. Yeah. So we're hitting you at the beginning of your journey. You just came from the airport into our studio. I love it. And we'll catch up with you afterwards, either in a print article or have you back on the podcast to hear about it.

40:50But I just want to get a sense of what's on your spreadsheet. You famously, famously have spreadsheets. And I was in Chicago with you and you had a two-pager, two pages of notes. But what is on your spreadsheet for New York right now? A lot of places in Queens.

41:09Birielandia, which opened up within the last few years. I've been in Texas for almost 15 years. So that's new to me. I'm excited. You had mentioned Ramirez. I'm going to go there. I'm going to go to Sobremasa. I'm going to go to For All Things Good. Good. I'm going to go to Morelos, which has a place in Queens, which is the original, a place in the village, and a few trucks in Brooklyn. Oh, cool. And geez, so many. So they're going to be fancy places. there will be trucks uh there will be places that aren't on my spreadsheet that i'm gonna see and i'm gonna make a decision right there and then i love that we were you were talking off mike about you were walking over here from from rock center and you saw two taco trucks you saw the taco truck in front of our office on broadway in 56 which had no line maybe not the best sign And then you also observed a truck that was a Puerto Rican Mexican truck that had a line.

42:45So just, Jose, like your general thought about Midtown Manhattan taco trucks. What's going on here? It's unusual because you've got your hot dog places. Yeah. You've got your meat on a stick.

43:05Chicken and rice places. Mr. Softee suddenly has a fleet of trucks everywhere now. That's strange too. But I don't expect taco trucks to be available where they film the Today Show. Or where they film Late Night or whatever. It just seems out of place. Now, what that does tell me is that people love tacos.

43:44Tacos will only get more popular. There's no end in sight. And that ultimately, the taco always wins. I love that line. I love that, Jose. It's so true. And I want to go to Texas where the bulk of your journalism occurs. American Tacos obviously covers the country in your revised in that book. But I want to focus on your work as the taco editor. Can you pick a favorite city for tacos in Texas?

44:19I asked the bad question and your eyes were like, oh, man, but I just had to do it. I just had to. So the way I would look at it is you have cities that are diverse with their options, and then you have cities that specialize in one or two things. so for example dallas where i live is extremely diverse uh san antonio not diverse it's very much tex max but it's changing and it's changing for the better and And I would have to say San Antonio. Yeah. Because that's the home of the puffy taco. That's the home of the breakfast taco. Although— Austin likes to claim it, but it's still in valor, obviously.

45:28Yeah. Austin is really good at packaging and marketing. San Antonio is really good at just living. Yeah. It's just part of their DNA. Yeah. And maybe that's what does them in is that they take it for granted. Maybe all Texans do because it's just part of our life. When you're late to work, you get breakfast tacos for the office. Yep. That's just how it is. I love that line. I love that. And so we haven't talked about Houston and, like, the Alabama Ice House, the tacos outside of there. I've been there on two separate visits. Houston's a great food city. Can I tell you that I don't like that place?

46:23I know. And I know that place is trash. I mean, because— No? Because, honestly, dude, it's, like, the one that's on the lists and shit. Like, I feel like, you know, maybe it's a little overhyped. I love, like, hanging out there. It was a cool little spot. So it's a drunk taco place. Yeah. And there's always room for drunk tacos. I will never argue that drunk tacos are simply bad. There's room for everything. And if you are drunk, it's a great place to hang out. But from the culinary side, as the editor, you're like, nah. I got to be honest with you, man. Man, last time I was there, it tasted like plastic.

47:10Yeah, bro. I mean, we were talking off mic about San Loco in New York, and to me, that's the epitome of drunk tacos in New York City. Yeah. What you were telling me about that small chain is so enticing. As a journalist, that's now on my itinerary. for my time here guaco loco man that thing is that thing is a taco it really is a taco i'm just gonna leave it at that but yeah there's there's a real institution here um with like drunk tacos and um let me just flip it back to houston though tell me a little bit about what's happening in the city food wise maybe not just for tacos you cover all sorts of you're a journalist you write about everything and not just food but what's happening in that city houston is so diverse that everything gets made into a taco.

48:13Now, it's dominated by, I would say, two groups. There's Neemfa's. Neemfa's, oh my gosh, the fajitas. I love that place. That's been open since 1973. It doesn't have to be good, but it's great. It's amazing. I love going there. And the other group would be the H-Town restaurant group, which owns Hugo's, Xochi, Caracol, all of these higher-end Mexican places that really put traditional Mexican food on the Houston map. And then what happened was South Asians got a hold of the tortilla and they made Indomex or what I like to call Desimex. you've got a burgeoning Afghan cuisine coming up because of all of the refugees of course you have Cajun tacos I've had those and what else I mean it's just one after another you're just like holy crap where does it end and the hope is it never does yeah No, definitely.

50:02And it's just this food city. I've had the best pho in my life in that city. Oh, wow. It's just amazing. It's just an amazing city. And that includes Vietnam. I feel like I had the best beef pho there. Let's talk about the Korean taco. I'm really curious because you've spent time researching this and writing about it, and I have as well. You're the expert. Well, no, you're the expert. I'm a mere observer, and I know Roy Choi, and he certainly made a move early with those. But you've seen your fair share. Do you like Korean tacos? What makes a good Korean taco? I love them. I think that what Roy Choi did was genius.

50:45He took a private regional cuisine and brought it to the public, leveraging social media, which no one had ever done, right? So that was in 2008. By 2010, there were restaurants across the country. So 13 years later, a lot of those places have closed, but there are new places and places continue to experiment. they work generally with a flour tortilla, which is a neutral vessel, right? Wow. I'm just going to stop you there. A neutral vessel is the flour tortilla. The ones they use, yes. Okay. Because if you're on the border, you're going to get like five different types of flour tortillas. Right, right, right.

51:44Depending on where you're from. The one that's used in LA is the neutral. Okay, sorry to interrupt. No, not at all. No. It's a good question. It's a good point.

51:55And now, because the restaurant supply groups like Cisco and stuff, you're going to get one type of flour tortilla, right, that everyone's going to use because it's cheap and they can buy them in bulk. that is both a blessing and a curse because it could suck. Yeah. But it could be great. But what you'll definitely get is consistency, which can sink or make any business really. But think about Korean meats and think about Mexican meats. What you have are two great grilling cultures. And so it's not much of a leap. No. Well, marinated meats that are then grilled. It's almost like a two-part, right?

53:12Yeah, yeah, yeah. And you can barbecue them if you want. But then you have cabbage, which you also have in Mexico. And the components are almost the same. It's the flavor profiles that change. So what makes this so good and so appealing? It is simultaneously familiar and novel to the first timer, to the connoisseur. It's another thing to eat, another food to think about. Yep. and what are the cultural connections, like all American taco variations, it was born of two populations living side by side. Yep. And LA Koreatown is a great example. Like literally in that city, there's obviously filled with Korean restaurants, but there is a very quickly growing Mexican population in Koreatown, especially north of 6th Street.

54:37That to me feels like maybe a little bit of a dividing line. Yeah, so it just keeps growing. It keeps meshing. Yeah, yeah. And that's when innovation happens. Absolutely. Yeah, on the note, I feel like, you know, we talk about bulgogi as the meat for Korean tacos, but I think Jeyuk Bokum is better. That's the pork. That's a sweeter pork, marinated pork. And I think comparing it to pastor, I feel like those are the two connections there. Yeah. And when you think of Mexican tacos, for better or for worse, you're going to think of beef and pork. and those are the things that you think about when you think about Korean barbecue.

55:31Yep. So it's perfect. I prefer pork. Yeah. Beef can go wrong in so many ways. Pork is a little bit more forgiving. Yeah, but pork is the way to go. You are right. Yeah, I love it. Let's talk about LA a little bit. And in your book, you write extensively about Los Angeles. And there's a lot of ink spilled about Los Angeles tacos. And I love LA Taco, what they're doing there, that publication, indie publication. if we're visiting LA how do we think about LA in terms of Taco City is there a geographical dividing line I have potentially one in my thesis but I'd like to get your take yeah I think a lot of people like to say that West Los Angeles Santa Monica for example it is a taco desert.

56:42But LA Tacos showing us that is not true. Definitely. So, well, like New York, you have to look for it. You have to work for it. You're going to find them wherever they want to be. You just have to be there too. Poetic. I love it. And is there a geography? I think there used to be. With East L.A., for example, Compton's really curious to me because it's predominantly Mexican-American now. So you have this mixture of traditional tacos with African-American tacos where they take soul food, comfort food, and put them in a tortilla. And you got mac and cheese and jerk chicken in a tortilla. sold from a driveway.

57:58Yeah. It's amazing. I've gone on crawls with Garrett Snyder and Matt Kang and Dylan Ho, who's written for Taste quite a bit about the Mexican scene in L.A. and the South Bay, like Compton, and South Central Los Angeles in general. The shift to Mexican-American population is dramatic. And on a Friday night, you just drive down Crenshaw It's like lots of carts and lots of tables and tents and taqueros. The taqueros are out. It's really exciting. I love it down there. So it's really interesting to me that Southern California, particularly Los Angeles, has given us wonderful regional tacos, like Jewish tacos, which came out of Los Angeles.

58:54in the 40s, when Jewish populations were living next to Mexican populations. But the shift occurred about 20-some-odd years ago. and while I love to go to Los Angeles to eat tacos, there's so many other places. I love that. I love that statement. Tell me more. Tell me more. Where are we going? Memphis, man. Yo. Gotta go Memphis. So they lost a huge white population and it was filled in by Latin Americans who were working agriculture there. And it's something like 60 percent Mexican. And the tacos there are insane. Such an endorsement. There is a place, it's newer, where the husband is from Memphis and the wife is from Oaxaca.

1:00:17They do surmex. So let's say albondigas, chipotle stewed, meatballs with collard greens, buttermilk fried chicken with queso. all these wonderful very southern very Mexican things that work because once again you have this cultural bridge what are the two greatest corn cultures on the planet that would be that would be Mexican culture and southern culture so they came together yeah and they gave us a great food this hybridized cuisine that is only found in America in many ways you can't find that replicated anywhere well I would say it's the basis of all cuisine yes generally but specifically when you're talking about things that are comforting or foods that have become foundational to American cuisine.

1:01:58Yes. So, for example, when using eggs, hot dogs, sliced hot dogs, whipped scrambled eggs. It was a poverty food. And now they are beloved. It is a great breakfast taco. Love that. Let's talk about the revised version of American tacos. What are you looking to update when you're doing this research? So I'm going to remove a few places, add new places, update narratives for other places. I'm going to add chapters. I have to add birria, unfortunately. Why do you say unfortunately? Wow, because I feel like that's definitely like this meme food, and we love it, but why do you say unfortunately? Because it is a meme food, and everyone wants to do it because it sells, but that doesn't mean it's good.

1:03:00So birria being historically a dipped taco, dipped in consomme? that's what we know it as now but originally it was a soup right see that's right i'm so confused by it that trend because when i i would go to a place near the staples center that was known for el perion i think it's called near known for birria and it was a soup and then all of a sudden it was a taco i'm like i don't know what's going on yeah and it was probably filled with goat right Oh, of course. Always goat. Yeah. Cabrito. Yeah. Well, Americans love beef, as do northern Mexicans. Yeah. It's cattle country. And so the natural thing was to sub the meat.

1:03:51Sub the meat. Beef took off. And now everyone's doing it. It's beautiful to watch on Instagram all of those little videos, all those reels where people dunk their tacos like you said. You know, it's perfect. It's made for it. But that doesn't mean it's good. So capturing the story of that across the country is important to me. And another chapter is going to be the taco in the COVID and post-COVID era. Because tacos and Mexican food fared pretty well. Again, the taco always wins. It's not that places didn't close. It's that what you have are small, independently owned, family-run restaurants that can adapt quickly, much faster than a large restaurant that requires a lot of money versus a truck.

1:05:12Yeah. I want to close by just asking you about your future book projects because you teased in the elevator when we were chit-chatting in my office. I don't know if you want to go on mic with this, but what can you say? You have a couple ideas that are stewing like a fine consomme that you dip a taco into. What are you thinking for your next couple projects, broadly speaking? So if you think about my current book, American Tacos, it's a map of the country's mescanization. And it's broken up by taco styles. But how do you find great examples of those styles? What do you look for? What do they have in common?

1:06:18How do you read a taco? And then there's been a lot of talk about old school American Mexican food.

1:06:33and the debate is growing it's growing furiously people are yelling at each other and um i think it's worth looking into uh i will be that vague yeah no you've been properly vague but also you're just the carrot is out i love this it's so exciting thank you so much jose I really appreciate you joining the Taste Podcast. Thank you, Matt.

1:07:06This is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.

From the publisher

Nicole A. Taylor is a food writer, recipe developer, and master home cook. Her latest book is Watermelon & Red Birds: A Cookbook for Juneteenth and Black Celebrations. Now, we’ve known Nicole for a while, but this conversation was the first time we were able to sit down and talk about food in her native Georgia, her work as a writer and editor in New York City, and the meaning of Juneteenth. We also go behind the scenes at one of America’s most well-known food magazines, where Nicole has been working. What a great interview. 
Also on the show we have a great conversation with José R. Ralat. José is the current Taco Editor at Texas Monthly and the winner of multiple James Beard Awards for his deeply reported journalism. Check out his book American Tacos, a modern classic. We talk about the state of the taco in America, among many other topics.
More From Nicole A. Taylor and José R. Ralat:

A Juneteenth of Joy and Resistance [NYT]

Hibiscus Snow Cones [Food & Wine]

A Major Ingredient Is the Cook w/ Cal Peternell, Matt Rodbard, Nicole A. Taylor [YT]

Defining ‘Guisado’ Is Just as Messy as the Dish Itself [Texas Monthly]

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