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Podcast Episode Notes: This Is TASTE - Episode 278: Ellen Yin
Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard interview Ellen Yin, the founder and co-owner of High Street Hospitality Group, which includes renowned restaurants Fork, High Street on Market, and High Street Provisions in Philadelphia. The episode explores Ellen's journey in hospitality, her experiences in the Philadelphia food scene, and the impact of winning a James Beard Award. Additionally, Aliza chats with Andrew Tarlow, author of the new book *Diner: Day for Night*.
Key Themes and Discussions
- Ellen Yin's Journey and Philosophy
- Background: Ellen Yin, originally from New Jersey, has spent over 30 years in Philadelphia.
- Hospitality: Ellen emphasizes the importance of community and the supportive nature of the Philadelphia restaurant scene.
- James Beard Award: Ellen reflects on the significance of winning the award and its recognition of Philadelphia's culinary scene.
- The Philadelphia Food Scene
- Cultural Diversity: Ellen highlights Philadelphia as a city with a rich food culture, featuring various cuisines beyond the famous cheesesteak, including Southeast Asian and Italian.
- Tourist Appeal: Ellen argues that Philadelphia is increasingly recognized for its livability, green spaces, and cultural offerings, making it a worthy food destination.
- Neighborhood Dynamics: She advises visitors to use Center City as a base to explore various neighborhoods, each with its culinary identity.
- Restaurants Overview
Fork
- Inception: Opened in 1997 during a renaissance of the Philadelphia food scene.
- Evolution: Initially started with a focus on local farm produce, the restaurant has adapted over 25 years through various chefs and economic challenges.
High Street on Market
- Concept: Initially a bakery and prepared food market, it evolved into a daytime sandwich spot with a focus on quality ingredients.
- Team: Ellen discusses collaborations with various chefs, including Eli Kulp and Alex Bois, who contributed to its success.
- Cookbooks and Convos Festival
- Overview: Ellen discusses organizing the Cookbooks and Convos festival, celebrating female cookbook authors and involve various events, dinners, and book signings in Philadelphia.
- Community Focus: The festival aims to bring attention to the vibrant food scene while supporting female culinary voices.
- Insights on Cooking and Hospitality
- Cookbook Discussion: Ellen's previous cookbook *Fork Lore* reflects on her personal journey and the evolution of Fork.
- Culinary Passion: Ellen expresses enthusiasm for cookbooks as a medium for storytelling and community engagement.
- Rapid Fire Taste Preferences
- Favorite Philadelphia Food: Water ice, a classic Philadelphia treat.
- Best Pastry with Coffee: Almond croissant.
- Most Underrated Kitchen Equipment: Toaster oven.
- Favorite NYC Restaurant: Golden Diner, praised for its nostalgic yet modern approach.
Conclusion Ellen Yin's conversation reflects a deep appreciation for the Philadelphia culinary scene, the evolution of her restaurants, and her commitment to community and hospitality. Her insights provide a valuable perspective on the importance of local ingredients and the collaborative spirit within the food industry. The conversation also highlights the upcoming Cookbooks and Convos festival, showcasing the power of cookbooks and female authors in shaping the culinary landscape.
Additional Resources
- [Cookbooks and Convos Festival](https://www.cookbooksandconvos.com)
- Ellen Yin's past interviews and features:
- [Ellen Yin Talks Pineapple Pizza and 25 Years of Fork - Philadelphia Mag](#)
- [Philly Chef Wins Big at the James Beard Awards - Billy Penn](#)
- [Cookbooks and Convos - Philadelphia Inquirer](#)
Note For more episodes and insights, visit [TASTE online](https://tastecooking.com).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. I have no relationship with it, to be quite honest. I don't remember the last time I had a cheesesteak, but people don't realize how much the real Philly sandwich is the roast pork. John's, there are a couple. Denix is really good in the Reading Terminal. Roast pork, yeah, all the way. This is Taste. I'm your host, Matt Rodbard.
0:59Ellen Yin is the founder and co-owner of High Street Hospitality Group and behind some of the best restaurants not just in Philadelphia, but the entire country. These include Fork, High Street on Market, and High Street Provisions. On this episode, we speak with Ellen about her journey to hospitality, the specialist of the Philadelphia restaurant scene, and what it was like to win a James Beard Award for America's Top Restaurateur. It's so great catching up with Ellen, and I hope you enjoy this conversation.
1:39Ellen Yen, this is Taste. Hi, Matt. How are you? I'm great, and thank you for riding the train up from Philly through Jersey, where you're from. I mean, I want to just like jump right into it. Philadelphia is one of our country's greatest food cities, hands down. Thank you for saying is because I've heard so many times over the past decade or so that Philadelphia is becoming or is a rising star or something like that. And I, you know, of course, I'm very proud to be Philadelphian, although I'm originally from New Jersey. But I'm very proud. I've lived there for close to, I don't even want to admit it, but over 30 years.
2:24And I just love the city. I'm super passionate about it. And I'm passionate about the food scene because I do think, you know, having traveled around the country and internationally, it is a great food scene. Fully formed. There is no future tense. This is happening now. And, of course, if you subscribe to the James Beard Award as being anything, which we do here, you've won a big award. And Philly won many awards this year in the national categories. So, like, by your peers, you're being recognized. That said, I just want to, for our listeners, Philly isn't, like, on that natural tourism route, especially if you, like, live in the West Coast or if you live in the Midwest.
3:02You're not necessarily going through there. We'll talk about your restaurants, but why should we visit Philly in general? Well, I think that that is increasingly becoming untrue. But Philadelphia has definitely gotten a lot of recognition for the livability, walkability, green spaces, cultural scene. I mean, you can't beat it because if you want to go to the Barnes Foundation, for example, world class museum, you don't need to wait months to get in. You can just buy a ticket and you can get into a museum. And the Barnes is just like absolutely one of like the top five in the world. Absolutely.
3:47I'm not going to rank anything. It's amazing. But right next door is the Rodin Museum, the Philadelphia Museum of Art. I mean, the music scene is incredible. The Philadelphia Orchestra is phenomenal. You can get in. The Curtis Music Center is free. I mean, there is so much for so many people to do. And like I said, now it's even more walkable than ever and bikeable and the parks are phenomenal. Lovely city to visit. It's very nice to walk around. I've done that many times. So let me ask you then, if we're booking a ticket from L.A. or Chicago or somewhere else, how do you visit for the food? How do you, like, take us through some spots, and of course we'll talk about your own, but you have a lot of pride and you know a lot of the community.
4:31How do you navigate the city for food? Well, I think that making Center City your home base is always a great move because then you have access to all the neighborhoods. And Philadelphia is a city of neighborhoods, and you can go from neighborhood to neighborhood by bike, by walking. however you want to do it. That is one difference between Philadelphia and other cities. Sometimes when I go travel to another city and I have all these restaurants on my list that I want to go to, my Uber bill is ridiculous because I have to take the highway to get to this place, or I need to rent a bike for the day or something.
5:07And Philly is a mix. And so it's very easy to get around. So I would definitely make Center City one of my base. Then I would say that focusing on different neighborhoods because they each have their own character. Obviously, Fishtown right now is super hot. But South Philly has a lot of not only Italian, but Southeast Asian. There's this amazing Southeast Asian, for lack of a better word, fair or food festival on Sundays where you You can go to FDR Park and just eat all day. You can go to the Italian market and see purveyors if you want to. And have like the best tacos on the East Coast. Amazing tacos, you know.
5:55And if you really want to get experimental, you could go to Korean barbecue in Olney or you could go to Portuguese in Northeast Philly. There's so much to choose from besides the restaurants that are downtown. Yeah. And you talk about the multicultural elements of Philly and thank you for being like a tour guide. This wasn't like a visit Philly like sponsored. You did such a nice job and summarizing where to stay, Center City, fully agree. I have to bring up the possibly cursed, possibly questionable cheesesteak. Do you have like a good, a bad, a complicated relationship with it? I have no relationship with it, to be quite honest.
6:36I don't remember the last time I had a cheesesteak, but people don't realize how much the real Philly sandwich is the roast pork. John's, baby. John's. There are a couple. Denix is really good in the Reading Terminal. The Reading Terminal is an incredible market, by the way, and a must visit if you're into food. But roast pork, yeah, all the way. It's a roast pork town. I fully agree. And that's actually I've been on the show. I have no relationship with the steak either. And the roast pork is amazing. But also, obviously, the Southeast Asian cuisine, the Mexican cuisine, everything in this city, everything you would imagine is in L.A.
7:17or New York is in Philly. It's just such a diverse city. Yeah. And actually, like I said, just much more user friendly. Absolutely. So let's talk about your restaurants. You've got High Street and we've got Fork. I'd like to just hear a little bit about, for our listeners who aren't familiar with them, and many are, what are these two restaurants? You know, one has been around for over 25 years. Wow. Tell me about both of them. Well, Fork opened at a time when there was barely any internet. Yeah. 25 years ago, 26 years ago to be completely exact. And it was a time when the restaurant scene was just starting to ignite.
7:59And I think, you know, coming through the recessionary period of the late 80s and early 90s, the one thing about Philadelphia that is unique is that it is a city that is very supportive, believe it or not, of entrepreneurship because the barrier to entry is low. So to start a restaurant, to buy a liquor license, to enter the market, it is not as challenging as other cities. And so in 1997, we decided that Old City was going to be one of the last areas of Center City to be developed. Wrong. Yeah, much more was developed after that. Right, exactly. And I love this space. It's a warehouse space. It's double wide.
8:47It has really tall ceilings. And I just fell in love with that particular location. I lived on the east side of Broad Street, relatively close to the location of Fork. And while I was in college, I actually wrote a business plan for a restaurant in Old City. And that was kind of what encouraged me to keep going. And so we opened Fork in 1997. Like I said, my first chef was Anne-Marie Lasher. And I, during my college years, had worked at a restaurant called La Taras, which was owned by Judy Wicks. And Judy is like the Alice Waters of the East Coast. And I learned a lot about what she was doing in terms of community building, but also her chef at that time, Kevin von Klaus, was very passionate about local farms and the importance of local agriculture to developing a community.
9:42Which is the story of new American cuisine in the late 90s. Definitely following along the lines of Danny Meyer at Chiramacy Tavern, et cetera, et cetera. Exactly. So we started out with using local farm produce, and that just evolved over 25 years into a restaurant that kind of pivoted and changed over that period of time. You know, we survived 9-11, then the 2008 recession from Anne-Marie. I had a Vietnamese chef named Tian Yeo who was extremely creative and then Terrence Fury who came from New York City. I know who that is. And hometown boy with me from Monmouth County. And then also after that, Eli Culp, of course, and then after Eli, John Patterson and now George Madowski.
10:32Wow. So let me ask you, the name Fork, it feels like very late 90s. I love it. Like a single name, like a little quirky. I just feel like, what was the energy like when you're opening in the late 90s? Was it scrappy? What was on the menu of your opening menu? Do you remember some of the things? Oh, absolutely. There were these Greek lamb chops, loin lamb chops, that she marinated in anchovy and herbs and olive oil and then grilled them. That was probably one of my all-time favorite dishes. But, you know, it was a time when it was protein side side, protein, carb, veg. And the idea behind her cuisine was kind of bistro-esque in the sense that it was hot off the pan and onto your plate.
11:21And the restaurant was very busy at the time. There was really nothing between City Hall and Delaware River. Continental by Stephen Starr. We opened around the same time. Yeah, you and Stephen, like, running that town. 25 years is his anniversary of Budokan this year. Wow. Yeah. And same with Vetri. Vetri and Budokan both opened in 1998. And it was packed. I mean, we served dinner until 1130 at night. And then we had a late night menu after that. Now, post-pandemic, we close. Yeah. Last seating on the weekdays is at 9 o 'clock and 10 o 'clock on the weekends. What's your relationship like with Stephen Starr?
12:03I love Stephen. Stephen is a tremendous supporter, mentor, somebody I greatly admire and won the award in 2018 or 17, I believe. And the award you won this year. So it's an important award and he's enigmatic. He kind of dodges the press a lot. I've always wanted to talk to him on the show. He's funny. Yeah, definitely. With press, he's really funny. I think he's had like an up and down relationship. We'll get into the James Beard Awards. I saw I was in the room in Chicago when you gave your acceptance speech for the best restaurateur of the year. Huge award. But I want to hear a little bit about High Street, another restaurant, which used to be called High Street on Market.
12:41Now it's called High Street. Right. So in 2004, we actually expanded to the building next to us. And we decided to call it Fork, et cetera, because it was a takeout bakery. We started our own bakery at that point. And it had prepared foods and it was kind of a little market. It had a big table in the middle of the room, which we use for these weekly dinners, which were, you know, a set price. But you didn't know what you were going to eat until 12 o 'clock that day. And that space was an incredibly fun space. Lots of memories of special dinners and guests. But it never picked up a dinner traffic.
13:22And so when Eli came to Philadelphia, I think his experience at Teresi having had Parm be the daytime component of Teresi, he thought, oh, well, maybe we can convert this space into one where we have a daytime program followed by a separate nighttime program. And so he really chefed up the sandwich scene in Philadelphia with the High Street menu. And some of these sandwiches were amazing. Egg sandwiches for breakfast. It was really our common love for carbohydrates of bread and pasta. I think you kind of buried the lead a little bit. The baking too is later at High Street in Hudson in New York City, the baking was such a prominent component of these restaurants.
14:09Well, we had gone out to San Francisco just to do some R &D and we saw Josie the baker at – I can't remember the name of the coffee shop. But the oven was right smack in the back of the space. And we thought, what would it be like if a restaurant had their bread program be the front-facing component? And that's why we had the oven in the dining room at High Street on Hudson. But when we created High Street on Market, we already had the bakery component. And that was when Alex Bois, now of Lost Bread, joined us. And Eli was just blown away by what Alex was doing with bread. Yeah. I mean, his breads have been acclaimed.
14:53I mean, I feel like forever. I mean, in a sense, Lost Bread is like, that's a legendary name. It is a legendary name. And when Alex was with us at High Street, he really helped brand a lot of what we were doing with the bread program. And that has progressed and evolved and continued. And now our bread is, you know, much more than just bread in the restaurant. It's available in the farmer's market and all that. So but anyway, High Street. Yeah. So when we started High Street, we had an incredible team of High Street hospitality group being Eli, Alex Bois, of course, John Nodler, who ultimately he and his wife started Cadence and also were part of the original High Street and Hudson team.
15:42John also was our chef at A Kitchen. So when we took over operating a kitchen and bar in Rittenhouse Square, he was the chef there. And that restaurant has an incredible wine program. But, you know, all our restaurants all depend on High Street for the bread. Yeah. Let's talk about New York. Let's talk about High Street and Hudson, which I was mentioning this to a friend last night when I was prepping for this interview. And she used to work in the meatpacking district. And she was like, man, I miss that place. I love that place. So, listener, we're speaking to you in the past tense. You ran this remarkable restaurant.
16:17I was a fan. I went many times. Loved your daytime program. I think I went to that the most. But between 2015 and 2022, you ran this restaurant. Let's hear about it. It was like a great run. How are you feeling now that it's a little bit less than a year of closing it? Well, to be quite honest, when the pandemic hit and all our restaurants were shut down, I just knew that we did not have the bandwidth to completely reopen High Street because, you know, honestly, all we lost so many of our team members at that time. In fact, our chef who was from Philadelphia came back to Philadelphia and is living in Philadelphia and really didn't have any intention of going back to New York.
16:57And so just having to start everything from ground up again, it's like opening a brand new restaurant. So I knew that we couldn't do it. So I kind of at that point knew that it wasn't going to continue. And both Eli and I love that restaurant. It has so much meaning to us. You know, the restaurant happened when, you know, obviously most people in the industry know about Eli's accident. He was on his way to New York and when the Amtrak train derailed and changed his life, that restaurant was for him to run and for him to be showcasing what he does in New York City. And everybody rallied, the whole Philadelphia culinary community and New York City culinary community all rallied behind us to help support Eli through this incredibly difficult situation.
17:57And for that reason, you know, I feel sad because we developed so many friendships with the community and it was very, very challenging for us to operate. In retrospect, the restaurant was probably too small for the ambition that lived in that restaurant. Yeah, the bread program alone. I mean, you walk into the case and having sliced breads and having, you know, laminated dough croissants and et cetera, et cetera. Just so beautiful to walk in there and have so many different types of breads. Yeah. We missed understanding that component of the restaurant. Yeah. But it was a great run and I loved it.
18:40I miss it too. So you mentioned Eli Kulp, and I just wanted to clarify for our audience, Eli is a chef and your partner, he was tragically paralyzed in an accident on Amtrak, and I got to know him probably a few months before his accident. I profiled him when he was opening High Street, and I don't think I've ever spoken to him since, but I knew him at Teresi as well. Just such a talented chef. Incredibly talented. And is a talented chef. And really, we did rally around that. We wanted, I think as an industry, I say we as like the industry in New York wanted that restaurant to succeed so badly for Eli and you personally.
19:15Eli Kulp is an incredibly resilient person. He has two podcasts, in fact, one called Chef Radio Podcast. And it's been great for me to see Eli really embrace this part of his career, which, you know, he's doing tons of community work, his Delicious City podcast with Marissa Mignotta. has been an incredible success. In fact, I was just on that. Yeah, making the rounds. Making the rounds. And it's just great to see him succeeding and being really happy at what he's doing. And that feels really good. Absolutely. I want to talk about your cookbook career. You've written a cookbook in 2007. But first, let's talk about cookbooks and convos.
20:01You're in the fall, you're going to launch this program that is featuring female cookbook authors in Philly. what is I would love to link to this info in the show notes and anyone in Philly can can attend these events yeah absolutely so one of my all-time favorite events in Philadelphia that had like a 23-year run was called the book and the cook and Judy Fay was a producer of that and she did an incredible job of bringing authors from all over the world to Philadelphia and with everybody trying to bring people back into urban cities, I just felt that was something missing. And so Sisterly Love Collective, which is one of my pet projects with Jill Weber from Sojourn Hospitality, Jen Carroll and Sophia DeLeon, we thought, wouldn't it be great to bring it back in a different format where we have women authors, which there are so many in the cookbook industry has evolved so much since the last book in the cook was 2008.
21:04And women entrepreneurs and restaurateurs and male allies who want to support and be part of it. So from September 22nd until October 25th, roughly, we have over 24 authors coming to Philadelphia. That's amazing. Yes, it is amazing. That's ambitious. It is ambitious. Oh, we're going to do it like monthly and we'll have a few. But like you said, 24? 24, all coming during the month of September to October, celebrating Philadelphia and what's happening in the food scene in Philadelphia. And it's very exciting because we can have many different formats of events. Some of them are collaborative dinners.
21:43Some of them are in the afternoon. For example, we're working right now. This is something that may or may not come together. But Christina Tosi, we hope, will pair up with Vernick Coffee Bar and host several other pastry chefs from Philadelphia. So we are trying to be as creative as possible. And there'll be book signings throughout the Philadelphia area and all these different facts. Yeah, name some other names that you have confirmed or maybe confirmed. Yeah. So Natasha Pickowitz from New York City is going to be at Machine Shop with Emily Riddle, I believe, October 8th. Nassim Alakhani is coming to Fork October 1st.
22:29We are working with Clancy Miller of The Culture, and she's from Philly, so we're very excited. And she was actually an extern at Fork. Oh, cool. Back in the day, yeah. Back in the day, 1998. Wow. Opening crew. Yep, opening crew. We are hosting Karen Akunowicz, Tanya Holland, Adrienne Cheatham. You have amazing taste and you're just picking just amazing authors, like so many familiar faces. Yeah, yeah. Anna Hesel from Brooklyn. Yeah, former co-host of the show. Oh, I didn't put that one together. Yeah, I know. She was at, yeah, from, yeah, 18 to 20. Well, her book, Tender Table, is going to be at Bloomsday.
23:14Great. Right. We're also hosting Leah Koenig, who wrote Portico with Bridget Foy and Crybaby Pasta. Let's see who else. Maya Feller, who's a dietician and nutritionist from New York City, will be at Hail and True with Angie Branca. Reem Asil and Reem Cassis, both are going to be part of the festival. Wow, both Reams have been on the show. And I really, that's cool to bring both Reams together. Yeah, they won't be together for the same event. One will be with Apricot Stone and one will be with Nook Santorinon with Kalaya. Ah, right, right. So, yeah, there's so many. I'm sure I'm forgetting a few that are really great.
24:02You just ripped up probably like 10 previous guests on our show and many of our own authors. And, again, 24 authors. I'm going to link to it in the show notes. There's got to be a landing page that will— Yeah, it's going to be cookbooksandconvos.com and follow our Instagram, cookbooksandconvos. That's being sponsored by Open Table, Philadelphia Magazine. Visit Philly and discover Philadelphia. You got the branding down. You got the sponsor shout-outs. You're like ready to hit the stage. And Sherry Bayer is actually doing our press announcement on Monday. Good. Well, Sherry, so by the time this is out, the announcement will be out there.
24:45So all to say, you must, you love cookbooks. Clearly, you've committed all this time. So tell me about your first book and only book. My first and only book, at this point at least, Fork Lore, Recipes and Tales from an American Bistro, is more a memoir. And, you know, because Fork is a seasonal restaurant and because I'm not a chef, I'm a restaurateur, the book really tells a story of how we have kind of evolved Fork over, at that time, 10 years. I guess there could be a forthcoming revision or sequel to Fork Lore, but I didn't really plan that yet. Yeah, yeah. And the book talks about different inspirations for the menu, travels, people who have been huge in my life and who have helped evolve the menu.
25:40You know, that includes many different characters in my life. So, yeah. So there's that book. So maybe if you haven't really thought about a sequel, what's the future book plan for you? Do you have a proposal? No, I don't have that. around? See, I'm like thinking like you had something in your pocket. No, I don't have anything in my pocket. I am so busy reopening High Street. So we are in about a month and a half opening a new dining room for High Street at 9th and Chestnut. And we are also helping to open another A kitchen in Washington, D.C. and just trying to focus on making our group the best that it can be right now.
26:24Right. So books are in the sideline, but you're doing this big ambitious festival, 25 authors. So you're in the book's land, but you're not maybe doing your own quite yet. Not yet. Okay. But you'll be the first person to call. I call. Yeah, no, I think we should talk. We should collab. I think there's definitely a need for, just going to throw this out there. Maybe there's like a Philadelphia cookbook. You're part of the community. Maybe there's a way to represent the city in some way that you as a spokesperson person and somebody who loves your city's culinary scene, maybe there's a way to write about it.
26:57I don't know. You never know. You never know. And on This Is Taste, we ask guests about their discerning taste. So to close this interview, here's a little rapid fire, fast and furious taste check for you. Are you ready? Ready. Let's do it. Okay. Your favorite Philadelphia only food. Well, that's a tough one because pretty much you can have a lot of, Philadelphia has everything, But I'm going to say that there is only one Philadelphia food that is unique to Philadelphia, and that's water ice. Oh, yeah. And you said it the way that everyone— Water ice. Water ice. Although I'm from the Jersey part that says water ice.
27:31Yeah, water. Yeah. No, definitely. The water, though, it's the best word, especially spoken by a Philly. Rez. The best AM pastry with coffee? Croissant. Sorry, almond croissant. Oh, almond, not pan de chocolat. Okay. I like that. The best dessert period? Best dessert period. That one's a tough one, but I'm going to say pistachio ice cream. Oh, okay. Oh, man. And it's hard to find good pistachio ice cream. Got to go to Italy. Totally agree. The best bread? Best bread? I would say my personal favorite is rye. What makes a good rye? I just love that caraway flavor. And then, of course, it has to have a really good crust on it.
28:13And a thin but really toothsome crust. I agree. The most underrated piece of kitchen equipment? Underrated piece of kitchen equipment? Because I'm a home cook, it would be a toaster oven. Yeah. Oh, cool. What do you do in the toaster that maybe others aren't thinking? I do everything. I live in a small apartment, so everything can go in a toaster oven. Us New Yorkers know that for real. We know that for real. The most overrated piece of kitchen equipment? Thermocirculator from a restaurateur perspective, of course. Yeah. No one wants to play around with those things anymore. Sure. That's for the boys from the early 2000s to play around with.
28:47Your favorite New York City restaurant right now? Well, of course, I love all my former alumni. So I'm going to say the most recent great meal I had was Golden Diner. I love that because all the food was reminiscent of, you know, things that are very familiar, but with a slightly different taste. And it was great to see David Lieberman there. Also, I just want to shout out to, of course, Mary Atiyah. She does a great job at Roth's. I can't wait to eat there. I have not eaten there. So love to see her successful. It's great, too. Yeah. Yeah, yeah. Your favorite Philly restaurant that isn't your own?
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29:28Favorite Philly restaurant. Well, I would say that based on frequency, it would have to be Pizzeria Badia. Oh, my goodness. Is he still doing like a limited number? Is it still that kind of thing? No. No, he has a restaurant in Fishtown that has an incredible natural wine list. I love that. What's it called? It's called Pizzeria Badia. That's the name of it. That is the restaurant. I thought you meant there was another new one. Yeah, Philly is always popping off with new chefs. There's always new restaurants there. It's such an exciting city. There's always a new life there. Yeah. And when I say that's where I go the most because it's close to home.
30:04But there are so many great restaurants for sure. Yeah, it's rich. It's a rich text. Your favorite cookbook of all time? I would have to say I love Alice Waters' vegetable cookbook. I love the block prints, and I just love how simple it is. Yeah, it flows. It's really – I love that book too. Thank you for reminding me of that. I need to pick that up. Yeah, it flows. It's like it has this real like – it's calming I guess you could say with those prints. Your favorite recent cookbook discovery? Well, I'm going to go off track here. I'm going to say my favorite book that I've read that is hospitality driven is Unreasonable Hospitality.
30:38I love that book. Yeah, Will Godera's book. And it featured on The Bear. Yeah, I saw that too. Prominent scene. Funny. So why? He was on the show recently and why? I think, you know, I've always been aligned with that type of hospitality where you are just trying to really consider who your customer is and what is going to make their experience really unique. And although Fork and A Kitchen and High Street aren't 11 Madison and we don't have the same over-the-topness, we are always trying to blow our customers away. Yeah, and always just give them that personality and that level of hospitality that's unique to you and you only.
31:21Exactly. Did you watch The Bear? I have been watching it. Not done yet, but I sneak that in at nighttime. Taking it slow, triggering. How are you doing with that watch? Well, you know, it's interesting for sure. Yeah, lots to say. We don't need to say any more about that. Okay, your final question is your favorite sandwich. My favorite sandwich is actually a tuna melt. There's my jersey, my jerseiness. Yeah. So what makes a good tuna salad? Tuna salad? I like, obviously, really good tuna. Yeah, yeah, yeah. But that kind of defeats the whole purpose of a tuna melt. Yeah. Because if you're going to put all this melty cheese on top, I don't know if you need aji tuna.
32:06So I would just say I love, you know, poached tuna. That's probably a good quality poached tuna from, you know, Bonito, Spain. And not too much mayonnaise. You know, good seasoning, of course. And then really good cheese. Yeah, we're talking cheddar? Cheddar. And then, of course, the bread has to be rye. Fry, obviously coming around to that one. Ellen, thank you so much for joining This Is Taste. Thank you, Matt.
32:44Andrew Tarlow, This Is Taste. Thank you for coming on the podcast. Thank you for having me. Yeah, it's a pleasure to have you. I'm wondering if you could tell me why now was the time to make a diner cookbook because obviously the restaurant has been around for a while. Yeah. So Dinah's turning 25 years. We'll turn 25 years this New Year's Eve. Happy birthday. Happy birthday, Dinah, and all the people who have been involved in it. Julia Gillard, who is one of the co-authors of this book, had this collection of photographs that she'd been sitting on from working there for a long time as a bartender.
33:17And, you know, originally she was taking pictures for herself, not like with anything in context to like as a book or like some idea. So then when we talked and we really wanted to publish all those photographs, um, that really became sort of the impetus to make the book. So as a way of publishing and obviously honoring Diner and all the people who worked there for so long, you know? Yeah. It's interesting to hear that because the photos, um, are the first thing you encounter and there's such a significant part of a cookbook. It's unusual. Not to sound weird, but I think, you know, Julie and I have worked creatively for a very long time.
33:55She was the photographer at Diner Journal for a very long time. We've also done a lot of creative work in terms of like, you know, taking pictures for the website or taking pictures for ourselves, like setting up still lights, those kinds of things. So I think there was a way in which it very much became sort of like, that's her art, which were those photographs she took as a, you know, a photographer snapping real life. And then there's a whole part of it on the recipe section that is like, well, what happens when we make, when we want to make something and how do we showcase that in this room?
34:33Right. Which is like another part of her work. Um, and it's obviously more collaborative because we do that together versus, um, you know, her original photographs are obviously her snapshots by herself. Yeah. Tell me about bridging that gap. Did you shoot all of the recipes at diner or how did you make the second segment of shooting feel like it was still making sense? Yeah, great question. So we did set some constructs for ourselves. We shot everything inside of diner or around diner. We didn't go to the studio. So one of the things was like, how do we continue to make this interesting? And how do we like if we're working in the same room, you can't just have the same plate on the same white paper every day.
35:16You know, it's like that wouldn't work. So we really started to become and started to try to think expansively, like, how do we think creatively about this space? And like, what do we wish the table would look like? What do we wish? How do we wish we'd like to sit in this room or who would like to sit here with us, you know, and things like that. So we also wanted to create a narrative. of I don't think it's like so concrete like a like a novel but we were trying to create a narrative arc with the photos and so in that editing process thinking through what goes first what comes next we were also very color focused that was also part of the processes that we were thinking through the color stories for each time period of the book from beginning to end can you call out like some of the the main colors that you were focusing on when you were telling that story in the in the book and obviously we're on a podcast so no one can see it but in the book you'll see that we actually left in our color notes so we had so part of my process I make a mock book internally for myself that we use as like a template for what we're going to do And so we left the color coding as a template in the book.
36:38So when you see it, it'll make sense. So talking about this chronology of photos, did you shoot the dishes in the order that they appear in the book or did you fit that together afterwards? Yeah, we ended up fitting it in afterwards. We shot in like maybe like in half days because we were inside of diners so we couldn't be there all day. So we would get there early, sort of like seven in the morning and then work up into a certain point. And then we more or less shot seasonally for, I think, for our own need of like trying to be real. That makes sense. And, you know, it doesn't mean that they all those things.
37:23But yeah, so we rearranged them a little bit later. So in terms of shooting seasonally, does that mean that you would shoot like one season of recipes and then put everything on pause and pick it back up in a couple of months? Correct. Wow. Okay. How long did it take to shoot everything? Yeah, it took a long time. I mean, we had the weird advantage of the book, you know, was supposed to, was not necessarily, yeah, so I think it wasn't necessarily supposed to come out now. It ends up getting pushed because of the pandemic. So we did a big chunk pre-pandemic and then we did the other two, well, I guess the other third chunk just at the end of the pandemic, or just when like sort of things got back to like people could eat in restaurants again.
38:08That's so fascinating to me. I think for people listening might not know that most of the time you would shoot a cookbook over, you know, maybe a week or so in studio and not got all of the recipes. But Diner is such a seasonal restaurant, such an important seasonal restaurant that I guess it does make sense, especially some of the produce that you're working with that isn't available during the entire year to be able to shoot it as it's coming out um makes sense and were they dishes that were being served in the restaurant at that time or a mix of things a little mix of things but equally also like besides the seasonally vegetables we also actually wanted to be cold in the winter when we were like like dressed appropriately and like because we also part and parcel of this storyline so we also wanted to make sure we actually felt it yeah and clearly obviously the you know we we shower with all natural light there's no there's not really any lighting in it so I think also that difference in lighting was very important to us definitely it wasn't the normal food media like Thanksgiving in July kind of shoot situation yeah and with a big like globe light and all those things we you know we're trying to make we're trying to like I've at least for myself like when we when I've done these things we try and set up these like unique constraints that we have to work inside of to kind of get different answers than when you would normally get in a straight studio setting.
39:30Are you thinking about your previous book when you're talking about these constraints? Oh yeah. So like the previous book, when we made that, we did all the dinners were live and shot live and we all ate them, right? There was no studio shots at all. so anytime so we we had to like yeah we had to act in it and do it and eat it and make sure it worked all in one shot in one go yeah there was like there was no redo I love that I love dinner at the long table I feel like that is something you can't really fake when there is that chemistry and that kind of realness of wanting to shoot the food so that you can eat it before it gets cold you know yeah so like that one we would shoot in three-day stretches together where we would do like two or three meals at a time and like a lunch, a dinner and a dinner or some, some constraint like that.
40:25And there would be, you know, the production crew was like eight or 10 of us. And then we would obviously invite people to eat at the table with us and then we'd serve them. So like the whole thing really was like us trying to make a, I mean, a dinner party or a restaurant, you know, a setting like that, that was real, you know, it was so much fun. Yeah, it seems like a lot of fun. I'm curious, did you ever think about writing out the menus in the diner book on the table the way that the menus are normally written? Because in the book, they're kind of styled and formatted differently. There's a few written on the table and there's a few pieces that we wrote.
41:04I think it might be. I can't remember why we didn't do. Maybe it seemed too obvious. I don't know. I don't actually have an answer. I think we did. I mean, we did do some writing of words on paper around, um, like I think in the first page it said day, day to night, like on, on the white paper. So there are places that it's there, but like just to do the menu seemed, um, maybe it seemed too obvious. I don't know. It's a good question. Maybe. I think for myself as a diner at diner the first time that I went, I think probably the first year I moved to New York, I didn't know about the writing on the tablecloth schtick.
41:48And I was looking around for a menu. And at the risk of exposing myself, I think I had just like eaten an edible before I was going to see a show at Baby's All Right. So when my server started, you know, made eye contact and started writing on the table, I like lost my mind completely. It was like so much to take in. And yeah, the person I was eating with, we both were just kind of stunned by all of that, which is funny because, you know, as someone that works in food media now, like that is such a known part of the diner experience. But just to be someone walking in off the street, I was I was not ready.
42:21And it was such a fun thing. Yeah, that's so great. I love that story. Yeah, I mean, most people don't know unless you've eaten there where someone tells you. and you know I think just to add to the to that storyline you know the way that happened for us I know you call it a shtick which it obviously has become that sort of but like the reality is when we opened the restaurant the that night like say we're opening at 5 literally at about 3.30 I realized that we hadn't thought about printing or making menus like we didn't even have a piece of paper we had nothing so the answer really was we're just going to write it down right here right now and we didn't even have at that time we didn't even have um guest checks because i had been working at the odian so we had been used to working with a pos system we couldn't afford a pos system so also like if you had eaten there your bill was on that same tablecloth we would actually just add the prices up of what you got and then just add tax and then that was the whole thing but then of course we didn't have any receipts and maybe there was like a burger juice on part of the receipt written down on the table as well exactly it was nice so we used to be able to we used to be able to put hearts on things when we were going to give them gifts like we would at that time we'd like if you came you know we wanted to buy you a salad or something we would just put a heart on that, we wouldn't know it wouldn't be charged.
43:52Oh, I love that. And, you know, I did call it a shtick, but I think that's probably underselling it. Even if that is, you know, now you've been around for long enough that you could have printed menus if you wanted to. But the fact that it came from a real place of just necessity and that it's like stuck around as a nod to that and also how much the menu can change based on what's available, I think is really nice that it isn't just something that you made up because it would be fun for someone that walks in off the street like me, but it was just how it had to be done. Yeah. So going back to that first night, it was a New Year's Eve, right?
44:27Yeah. So New Year's Eve, we, the New Year's Eve when we opened, we really only opened as a bar. We served ourselves. We, we made a dinner of Castlet, Carolyn cooked it for everybody who worked on the project. And it was a bunch of construction workers and, um, and friends and everyone who helped out. There was probably like 12 or 15 of us. And then we ate that kind of early, maybe seven o 'clock, six o 'clock. And then we had no heat and no hot water. So we didn't have gas basically. And we then went behind the bar, cleaned all those dishes in cold water and behind the bar. And then we opened up as a bar for that night for the party.
45:11So we really didn't serve guests probably until January 3rd or 4th. That makes sense. And then when you did start doing the food, did you have any like early successes or dishes that you knew would stick around on the menu for a while? I mean, the truth is, you know, some of those early dishes that had been so successful, we actually took off based on challenging ourselves for sourcing. Because when we first opened, we were buying conventional beef at the restaurant. So like we really served hangar state, We served a lot of hangar states at that time with mashed potatoes, and it was a very popular dish.
45:50It was priced really well. And when we started buying vegetables from farmers at Union Square and at McCarran Park and then getting farmers to deliver to us, and then we started asking where this beef came from, we really realized how unsustainable, I don't really want to go totally into it, but really how unsustainable the food systems are here in America and the beef, where our beef was coming from. And again, hangar steak specifically, there's only two hangars per cow. So there's like maybe four to six orders or eight orders that we would actually get in a restaurant. Let's even say 10. We were probably serving like 30 of these things a night, every night.
46:32So each cow, it just sort of like really upset me at my core. And that's when we started to figure out how to source cows and beef directly from farmers and is the impetus for the butcher shop and lots of other things that we've done moving forward. But we ended up taking our best selling dish off the menu in order to facilitate what our overall goals were for a healthier planet and a healthier ecosystem in the restaurant. Wow. And is that when the burger came onto the menu as like another beef substitute? yeah we already had the burger on the menu but believe it or not hanger steak outsold the burger at that time well uh i think it was just like a more grown-up version obviously price you know all these prices you know prices were very different at that time but i think um yeah hanger steak outsold the burger at that time and we've always had the burger but certainly the burger was a huge help in being able to buy whole cows right so we were we were buying whole cow we still buy whole cows, but we were buying whole cows and having a certain amount of beef that can actually go into grind is sort of a necessary component of being able to having those steaks.
47:43But like to this day, like we haven't really had a hanger steak, a diner since just because we actually just sell it retail at the butcher shop and you have to really go on a certain day. Like it sells out within, you know, as soon as it basically gets into the case. Yeah, that makes a lot of sense. And the burger is like one of my favorite burgers in the city. I'm curious, like what you think the secret to a really great burger is. I mean, for sure it's sourcing at the start. And then, you know, we put a lot of energy into like, where are these cows? I mean, like, what does it look like now? How much fat?
48:20Is it winter? Is it summer? Is it spring? We also cook them off. We cook one off before service and taste them and make sure the seasoning's right. You know, we treat it as if like it's any dish that we would be serving where we're really like tasting it and not just like, you know, oh yeah, we know how we like, we're not assuming we know how to make it. Let's say it that way. We're actually like making it every day and thinking of it as like a new thing without making any changes. Like we have a standard for it. I'm thinking about summer to winter. Like what is the difference in terms of the, is it the fat is changing in the beef itself that you're getting?
48:55Yeah, for sure. And then how rich is that fat? Because if they've eaten a lot of grass, that is much richer. And then if it's winter feed, which is mostly baleage, so it's grass that they've turned into these big bales that ferment. And then the cows eat like a fermented grass, which is very rich for them and great. But like it changes the leanness and the quality of the beef. That's interesting. Our beef is all 100 % grass fed and grass finished, right? There's no corn and no, there's no added ingredients. It's only grass. Uh-huh. Well, it's a great burger. And as much as the burger is a draw for Diner, I think what the cookbook is really getting at is the fact that it's been like a community restaurant and a kind of very seminal restaurant in New York.
49:47And I'm curious, like, especially 25 years in, like, do you see Diner as having the same community? Has that community evolved? Yeah, I mean, the community obviously has evolved. I think it's gotten bigger. Like, you know, as you stand in the same place long enough, you can, you know, it should obviously grow. It shouldn't get more selective. And I would be amiss to say, like, obviously, Williamsburg and Brooklyn has changed immensely and will continue to change like anything else in New York City. And we are, you know, effectively a little boat in that ocean of change all the time. So we're going to ride all those waves, ups and downs and everything in between, you know.
50:25So we're not here to like, I guess I'm not really here to make statements or make change for things. I'm here to be the open door and be that community vote for everybody, wherever that might take us. Definitely. And I think it's an interesting time to be trying to be a community restaurant in New York, especially coming out of the early days of the pandemic when we really couldn't be gathering in that kind of way. I'm curious if you've seen any restaurants open over the past few years that you think are doing a similar thing in terms of trying to like cultivate a community or have that kind of space for a neighborhood.
51:01Yeah, I mean, I think that most restaurants have that as an intention. I mean, I guess some are really just trying to make money or maybe just make food. But like I think anyone that any restaurant that you can think of that like has a proprietor and like has people who care about it and own it are trying to create some form of community in there. They might not be able to identify it or like talk about it. But I'm sure like if you really dug in there intentionally, yeah, they want to see people come back and eat their food and find joy and be taken care of. Right. Like, right. I can't I can't say that I invented it.
51:35It's just that we realized that it was happening. So we were very self-reflective about what was going on in the dining room. Right. I think probably most restaurants would say that they want to do that. But also, if you say you want to make a community, like that's not really how you go about doing it. So I'm curious if like there are any parts of the diner playbook that you've tried to replicate at some of your other restaurants. Like how do you kind of fix that gap between wanting to do something and then actually building a restaurant that feels that way for people? Wow. What a great question.
52:03I mean, my playbook has been to like take some of the DNA from one of the places and bring it over to the other one, sort of like setting the culture up within mother, you know, like almost like how we make bread. So in a weird way, like I definitely think of it like that. I mean, it's going to sound corny, but you're like creating a new dance, a new drama, a new play, a whole new thing. So it's like you have to kind of get in it. There is some figuring out while we're making it. And I'm like scared to say that out loud because I'm sure it's kind of stupid or silly. But like I think of the thing as like a living sculpture.
52:36In terms of like you build it as you go and you watch about what's happening? Like if you think about how I made this book versus how I made the last book, I made it differently. Right. It's like it was more set up. We were trying to do sets. There's the other one we were trying to like do it live. You know, it's like I'm trying to like make art all the time in all different ways in places where people wouldn't maybe even see that it's art. Definitely. Are you going to do a party or a special menu or anything at diner for the 25 year? We're definitely going to have a very big New Year's Eve party for sure.
53:08I think we're going to close down Berry Street in front of diner and make a big tent. Nice. and have food and gas and heat and all of those things this time? Well, maybe we'll do a cold. I don't know. We'll definitely have food for sure. But maybe we'll do a live fire on the street. But you got to come. Oh, I'm going to be there just for the live fire alone. Maybe it will be a no gas party. That's kind of fun to bring it back to the roots. Yeah, I think no gas party is a good idea. Yeah. OK, you can take it. I love that. OK, thank you, Andrew. Thank you so much for coming on. Thank you. I really appreciate your time.
From the publisher
Ellen Yin is the founder and co-owner of Philadelphia’s High Street Hospitality Group. She’s behind some of the best restaurants in not just Philly but the entire country, including Fork, High Street on Market, and High Street Provisions. On this episode we speak with Ellen about her journey to hospitality, what’s special about the Philly restaurant scene, and what it was like to win a James Beard Award for America’s top restaurateur. We also talk about the incredible cookbook festival she's organized, Cookbooks and Convos, which runs from late September through late October. It’s so great catching up with Ellen, and we hope you enjoy this conversation.
Also on the show, Aliza catches up with Andrew Tarlow, the author of a new book, Diner: Day for Night, which pays tribute to his legendary Brooklyn restaurant.
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you.
More From Ellen Yin:
Ellen Yin Talks Pineapple Pizza and 25 Years of Fork [Philadelphia Mag]
Philly Chef Wins Big at the James Beard Awards [Billy Penn]
Cookbooks and Convos [Philadelphia Inquirer]
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