329: Cake Zine: Tough Cookie

22 Dec 2023 · 48 min

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Podcast Episode Notes: This Is TASTE - Episode 329: Cake Zine: Tough Cookie

Episode Overview In this episode, co-hosts Aliza Abarbanel and Tanya Bush discuss the latest issue of *Cake Zine*, titled "Tough Cookie," which explores the multifaceted world of cookies through personal stories and cultural commentary. They also share experiences from a recent trip to London, discussing various culinary highlights, food culture, and the creative process behind the magazine.

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Key Themes and Discussions

The Concept of Cookies

  • Culinary Versatility: Cookies are described as a broad category capable of evoking different moods—ranging from hearty to refined.
  • Cultural Significance: Cookies serve as a nostalgic culinary element across many cultures, with each type carrying its own memories and connotations.

The Creation of *Tough Cookie*

  • Issue Theme: The magazine explores trials and triumphs within the cookie landscape.
  • Content Variety: The issue features personal anecdotes, creative recipes, and essays that draw connections between cookies and broader societal themes.
  • Collaboration: Aliza and Tanya emphasize how their meeting was sparked by a cookie, showcasing the collaborative spirit behind *Cake Zine*.

Highlights from London Trip

  • Events and Food Experiences:
  • Live Events: The hosts conducted live events to promote the magazine.
  • Culinary Adventures: They sampled a variety of dishes, highlighting specific restaurants like:
  • Bake Street: Known for the viral Creme Brulee cookie featured in the magazine.
  • Tamil Prince: A Southeast Asian pub known for its fresh roti and creative dishes.
  • Kiln: Offers a live fire cooking experience with a focus on authentic flavors.
  • Culinary Culture: Discussion of the vibrant food scene in London and its development post-pandemic.

The Editorial Process

  • Recipe Selection: Aliza and Tanya discuss favorite recipes in the current issue, emphasizing the creative voices of contributors.
  • Fiction in Food Writing: The inclusion of fictional narratives that explore deeper meanings associated with cookies, bending the boundaries of traditional food writing.

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Key Takeaways

  • Cookies as Comfort: The episode reinforces the idea that cookies are not just desserts but symbols of comfort and nostalgia, accessible to everyone.
  • Culinary Exploration: The hosts encourage exploring diverse culinary landscapes and celebrating the stories behind food.
  • Community Building: *Cake Zine* is not just a magazine but a platform for fostering community through shared culinary experiences and events.

Notable Quotes

  • "A tough cookie is obstinate and gritty, but also resilient."
  • "Every culture has its cookie, and we’re all in conversation with them."
  • "Food tattoos have become a cultural moment reflecting our collective love for food."

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Additional Resources

  • Buy the Latest Issue: [Tough Cookie](https://cakezine.com)
  • Subscribe to TASTE's Newsletter: To stay updated on culinary discussions and events.
  • Related Episodes:
  • *This Is TASTE* Episode 244: Cake Zine

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Conclusion The episode encapsulates a celebration of cookies as a medium for storytelling and community connection. Aliza and Tanya's engaging dialogue highlights the cultural importance of cookies within the culinary landscape, making for a delightful episode for food enthusiasts.

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Transcript

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0:28This episode is brought to you by Resi and American Express. Cookie is such a broad term, but again, I think it just totally depends on mood. Sometimes I want a hefty, Levain-style cross between a muffin and a cookie, and then sometimes I want something that's more refined, that feels like a sable, or something that's just more restaurant-style. This is Taste. I'm your host, Eliza Barbanel.

0:59Cake Scene is an independent print magazine exploring society through sweets launched by Tanya Bush and me, Eliza Abarbanel. Our fourth volume, Tough Cookie, presents a hearty batch of trials and triumphs, all in the context of cookies. It's a winter issue that presents recipes difficult in doing and in chewing, but also tales of hungry sharks, aliens, and the pitfalls of viral dessert fame. Today on the show, we dig into everything inside the issue and how we made it happen, plus our recent trip to London and more. I hope you enjoy.

1:38Tanya Bush, this is Taste. We are Cake Scene. This is the collab episode of my dreams. I'm so honored to be here. Tanya, I'm so happy to have you on the podcast, not just because Tough Cookie, which is our new issue, is my favorite issue of Cakesian so far, but also because we met because of a cookie. We did. A strawberries and cream cookie, right? Yeah. Tanya made the strawberries and cream cookie. Was it for a bake sale? Yeah, it was for like a, it wasn't really a bake sale. I was basically just giving the cookies away for free in the park. It was like deep pandemic days and I was trying to like meet new people and I was baking a ton and I just had so much inventory in my house that I couldn't possibly finish myself.

2:15So I was just trying to sort of meet new people. And I said into Eliza's DMs. And she said, hey, I have a strawberries and cream cookie for you. And I think we live in the same neighborhood. Would you want to get coffee? Which sounds really sketchy. It really does. And also I was anonymous at the time, right? Yeah. Tanya had no photos of herself on her Instagram. It was just photos of baked goods. And I remember I was just like leaving the apartment and my friend was like, wait, who are you going to meet? And I was like, honestly, I don't know. I'm just going to like look for somebody holding cookies and see what happens.

2:49And not only was the cookie delicious, but like we set off a beautiful friendship and collaborative partnership. We did. And also it was very brave of you to meet me. Okay. Well, really it was the strawberries and cream cookie concept that lured me. Also, it was, you know, early pandemic. I was bored. I had not a lot of things to do. What is a strawberries and cream cookie? How did you actually make it? Yeah. So it's made with freeze dried strawberries that you like pulverize essentially. And then it's a pretty like traditional like sugar cookie base with egg yolk um i believe a little bit of brown butter and then just like a really nice sort of like white chocolate that's like cut into shards melted a little bit on the top and then a bunch of malden um and it's like this sort of shockingly pink color and it just like has all of the all of the flavors one might find in like a strawberry milkshake it's very very like wholesome and and pleasurable so i have to ask because i don't know if I've ever asked you this and now I have like the infrastructure of being on the mic.

3:45Why did you ask me? Why did I ask you? Yeah. Why were you like, hey, come here. Did you ask other people? Oh, my God. This is a really good question. I wish I were like nervous. I don't think so. I think I had a sense that we would get along. I knew we were in the same neighborhood. I think also, honestly, like it was that moment in the pandemic where I was like, I really need to like meet new people. Like my, I had moved to the city only like a year beforehand and was sort of like hungry for like new relationships. And I had maybe some sort of, yeah, subliminal sense, call it fate, but had a feeling that we would get along.

4:25And so I just sort of sent a message and hoped for the best. And then, you know, we met and it was like, we couldn't stop talking. And I, and I sort of knew. We couldn't stop talking. And now we can talk a lot more, not just about the strawberries and cream cookie, but all of the cookies in this issue, which there are so many good ones. So many cookies. We just were in London, which was so much fun. It was so much fun. Got back on Saturday night. We had two different events, one at Orange and then one at Maximilian William, which is a really cool gallery. And we got to see Eliza do a live podcast moment, which was very fun.

4:58Yeah, except for it wasn't recorded. So it's just like a live conversation, but I did use my podcast motivation and like state of mind, especially because we got like stuck on the subway coming there, which was stressful. That was a very stressful moment, I have to say. So moving out of stress into the highlights, I'm curious, like coming out of London, like what was your experience like for you? What were your favorite things that we ate? That's such a good question. Okay, well, it was really fun to eat the creme brulee cookie from the issue. So Chloe Rose Crabtree, who's the pastry chef at Bake Street London, has a recipe in the new issue, Tough Cookie, that's about this creme brulee cookie that has gone viral and is like a major draw for this bakery in London.

5:40There's this like crazy article about a woman who reset her Tinder radius so that she would only match with people who lived within walking distance of the bakery because she lives far away and she wanted her morning after to always start with one of those cookies. Chloe Rose writes in the head note about how they've been called Stalinists for enforcing cookie limits, which is wild to me that they only allow people to have one or two cookies a day because they'll sell out so quickly and they're so laborious to create. It's like a three-day process to make this cookie. Yeah, I think four actually.

6:10Well, we have the recipe. So if anyone is interested in attempting it and being a tough cookie, that is one thing. But we also had the cookies available at our party at Orange, which was really exciting for everyone. Yeah. And it was really fun to just watch her live brulee it and then get to eat it like piping hot and fresh. And like, it really just tastes like the perfect platonic ideal of creme brulee and a like beautiful sugar cookie married together. So that was super fun. I also went to Lyle's and the pastry chef, Claudia, came to our party at Orange and had invited me to come. And I had one of the best desserts I've had in a really long time.

6:45It was this really like silky pumpkin ice cream with Buddha's hand and this like gorgeous pumpkin seed oil and salt. And it was just like that perfect balance between savory and sweet and like fresh and punchy and all of the sort of textures and flavors. So that was really fun. And Tanya is an ice cream fanatic. So when you really like an ice cream, I feel like that says a lot about it. Yeah, I love ice cream. It's probably like my dessert of choice always. And I grew up making ice cream. So hers was really perfect. And she said that it was very laborious that they like cook down the pumpkin for like 12 hours.

7:17And, And, you know, it was like just this the perfect temperature. It was like silky smooth, not too cold. So it's like hurting your teeth, but like still sort of like somewhere between like a mousse and like a frozen dessert. It was really beautiful. Yeah, I wish I had tried that. I also want to shout out the salted duck egg yolk cookie that we had at our event at Orange that the pop up see you soon, which is doing a residency at Orange, did for us for the party, which was just super salty, obviously, and rich and almost like eating a mooncake. I think was my closest experience. And also just watching the three chefs, like they have such a fun collaborative communal dynamic.

7:55It really reminded me of like watching us or other people that are collaborators, but also friends. It was very like soul warming for me. It really was. And also all of their food was just so phenomenal. Like they had a tonka bean semifredo that I loved, the filet of fish with XO sauce. I will never forget. The filet XO fish as it's called, which I have, I got the shirts. What? Yeah, I have one for you. They have little merch for the shirts. And the whole idea behind this is that literally one of the chefs was going through the drive through at McDonald's, had a vat of XO sauce in the front seat with him, and then put it on the filet of fish in the moment.

8:28And then they took that to make this other version. I think sometimes people doing chef-y versions of fast food, it can come across kind of weird. But I think in this moment, it truly was just as greasy and delicious, but also so much thought and care had gone into it. It was a really fun combination. Yeah, it was the best filet of fish I've ever had. What about you? What was your favorite meal? I liked all of those. You know, I'll do a whole rundown with Matt, so I don't want to get us too far afield into savory territory. But I will say that the night after our event at Maximilian William, I went to Tamil Prince and ate basically everything on the menu.

9:00And they have a whole window into the kitchen where you can see three guys who are basically making roti the entire night. That's their like only job. And it was just a really exceptional meal. And I think one of the fun things about going to London is really like digging into the South Asian food scene there because it is so delicious and developed. And so that was a highlight for me too. Cool. So we have to go back to London. We really do. We were only there for like five days, six days. But we did a lot. Okay. So we were there not to eat filet exo fish alone, but to be promoting the magazine.

9:29And I want to just take a step back and say, tough cookie, like how did we land here on this theme? Do you remember when we said it? Yeah, I think it was when we decided to sort of move out of cake entirely. we thought about a year that we were dedicating to idiom. So we first went into humble pie, which I think was honestly your idea initially, right? Who could say, honestly?

9:54You know, tough cookie felt like the perfect sort of twin for humble pie. And, you know, it's like sort of this like nostalgic term to me, like a tough cookie is like obstinate and gritty, but it also like is resilient and it can sort of hold a lot and it's both really narrow and expansive at the same time. And so I think we were like, okay, we've already moved beyond cake and the pastry case. What other desserts are available to us and cookie and toughness felt like the perfect way in. I think that's exactly right. And I think, you know, I also come from this food media background where to me, winter is always cookie season.

10:31The cookie issue at Bon Appetit when I worked there and certainly at like every food publication is a marquee moment. And And so I think knowing we wanted to do a kind of end of year, like loosely holiday issue, like it had to be the cookie issue. I also think we both just really love cookies and who does not really. Totally. Yeah. And I feel like every culture has its cookie and like everyone has like memories tied to and in conversation with cookies. And so like it felt like just such a perfect sort of way forward for the magazine. Definitely. And I think that when we got a lot of pitches, it was really fun to see the kind of breadth of options that were available to us.

11:07I want to dig into the kind of pieces that made it into the magazine. But first, I'm wondering, like as a pastry chef, even, and also as a writer, like do cookies occupy a different place in terms of how we think about desserts compared to pie or cake for you? I like that question. I think like cookies to me feel more accessible than a cake. Cake is like something that is like, you know, really like celebratory and like higher commitment to make, I think. And like, you know, you have to slice into a cake in order to eat it. You know, a cookie is like something that you can have like one of or two of or three of and go back.

11:43And it feels sort of more like snack like to me in the popular imagination than cake, whereas cake has this sort of like, yeah, feeling of like celebration and cookies feel a little bit like more like casual and approachable for like, you know, people who haven't baked as much. I think that's right. And I think we can't talk about this without talking about the proliferation of frozen cookie dough and how easy it is to buy a tub of actually good cookie dough and bake it off. Or if you're me or like any teenager in America, eat it raw. You know, I think like there's this kind of you're only 20 minutes away from a cookie at any point in time.

12:19Yeah, it's so true. Yeah. I was always eating like the Toll House cookie dough when I was in high school, like getting high and sneaking it from the freezer. As one does. And did you know that the Toll House cookie, chocolate chip cookie recipe is the original chocolate chip cookie recipe? No. What do you mean? I found this out and I have been hiding this information to share it with you. There's this amazing article that I read that's about how this woman, Ruth Wakefield, who ran the Toll House restaurant in Whitman, Massachusetts from 1930 to 1967, originated this recipe, the Toll House chocolate crunch cookie at the restaurant.

12:54And that is in terms of like credited chocolate chip cookie recipes in existence, the first chocolate chip cookie recipe. Okay. That's very interesting. I feel like in the popular lore, I like once upon a time read that like someone was trying to make a chocolate cookie and then just like broke up shards of chocolate and thought that they were going to melt and like create a chocolate, like a homogenous chocolate cookie. But that was sort of the beginning or impetus of a chocolate chip cookie. I think there's a lot of lore because one of the lore surrounding this is that chocolate chips like accidentally fell into the batter, which I think Ruth found very offensive, as would most pastry chefs, that you just wouldn't have your kitchen in order in that kind of way.

13:31I think it was intentional. And then what actually happened is that this woman, Marjorie Husted, who was the voice of Betty Crocker on the Betty Crocker radio show, kind of popularized this recipe for people. And then during the war era, people would start sending chocolate chip cookies abroad to army people. And that is where this like idea of like the home baked chocolate chip cookie came from, at least in like the American parlance. That's so interesting. I honestly haven't had a Torhouse cookie in a long time. Have you? No, but after this, like I might just go buy some cookie dough and eat it on the sidewalk.

14:04It's a date. I'd love to join. I want to read you just a quote from this article because I found it really interesting just in terms of thinking about how we think about cookies. So it says, in a single inexpensive handheld serving, it contained the very richness and comfort that millions of people were forced to live without in the late 1930s. Ingesting a warm chocolate chip cookie offered the eaters a brief respite from their quotidian woe. That's poetic. I know. I didn't write it, but it is poetic. And I think it does speak to this idea of the fact that you can have just one of a cookie and that you can freeze the rest or you can buy one at a discounted price.

14:38and also kind of like the toughness that went into the making of chocolate chip cookies in the first place, which to me, I think are probably the most iconic cookie in general. Yeah, they totally are. So we do have a chocolate chip cookie in the issue, but we also have a lot of different kinds of cookies as well. I'm wondering if you have any like favorite recipes in the issue or ones that you found like most interesting as an editor. I was really excited to get Brianna Holt's chocolate cornmeal fennel cookie in. She is a baker who I've admired for a long time. She's a pastry chef. Yeah. She's the pastry chef at a tandem in Portland and Portland, Maine, Portland, Maine.

15:15Right. There are two Portlands. And she makes these like iconic biscuits that I'd coveted the recipe for for a long time and then was able to purchase during the pandemic. And yeah, I was really excited to get to work with her. And I think that this cookie is a tough sell. That was sort of like the hook for her that like she has always loved fennel and it gives at this sort of like minty, like sort of floral finish and that like it's not something that was flying off the shelves in the same way that, you know, quote, the party curls did, the chocolate chunks, the, you know, spicy ginger molasses cookies.

15:49And so, you know, I was really excited to get this recipe just because I really wanted to eat it. And I'd been like admiring it online before, but also because I think Brianna has such a like distinctive voice, like writerly voice. And when the head note first came in, I was sort of floored. I was like, Like this is really like dynamic and singular and vivid and really interesting and like very much sort of like proves the concept of I think a lot of what Kaseen is trying to do, which is to give, you know, folks in kitchens the opportunity to like reflect on and think more broadly about their food in more literary ways.

16:22And she did that so like beautifully. And the cookies are really fucking good. I agree. And I also think like I've been in other editorial rooms before where the concept of a recipe being a fit for something because nobody wants to order it would not fly. Like that's a kind of it's a literally difficult sell. But I think we trust her as a baker. And we also kind of trust our audience that if someone that is respected, like whose work they admire is saying something is good and that you should give it a shot, even though it doesn't necessarily have the glossy sheen of another cookie that like that actually does fit, especially in the context of a tough cookie.

16:56Yeah, totally. And obviously, Abby Balanguit makes that cookie look really, really good. Yeah, Abby, who is the author of the wonderful Filipino dessert cookbook Mayumu, who also contributed a recipe for this issue, which is a guava hard candy stained glass cookie, was one of the models that we brought in for the photo shoot, which this is the first time we've ever shot food in the context of people, which also I think speaks to the fact that you can eat just one cookie as opposed to like we couldn't shoot someone taking a bite into an entire cake. That's so true. We could have tried, though. We could have tried.

17:29But I think this was the right moment. And I think that Abby's cookies are really fun for the issue because she has you pulverize these guava hard candies that you often would get like with the Czech when you're like eating somewhere in Chinatown. And then you melt them into these stained glass cookies where it's two cookies lured together. Right. And that's how you get this kind of beautiful effect that almost looks like a Christmas ornament. Would you say that's your favorite cookie of the issue? Yeah, I really like sour things. And I think having a sour cookie is pretty unusual. So I like the fact that the hard candy is kind of leaning into that.

18:02And then she also has the salted plum powder kind of star dusted on top. So it's a beautiful cookie. And it also is kind of an unusually eaten cookie compared to a lot of other ones. Yeah, it's like Disco Technicolor. It's so vivid and fun to look at. Disco cookie is a really... Disco cookie. That should have been our theme. Shit, can we go back? We do. We could go back. Okay, so these are some of the recipes in the issue. I want to talk about some of the pieces that are in it because I think what's so fun with Cake Scene, especially with this issue, is the variety of content that can kind of fit under this seemingly niche theme.

18:36So I'm wondering, as an editor, were there any kind of like pet stories that you worked on or really kind of wanted to see through? Obviously, we love everything, but. Yeah, yeah, yeah. Love all our children equally. I think, well, so we have the most fiction that we've ever had in this issue. We have flash fiction by Catherine Lacy and Hilary Leichter, who are both writers who I've really admired for a long time. And then also a sort of longer story by Melissa Lozada Oliva. And all three of these stories are very, like, strange and surreal. And I was thinking about, like, what it is about fiction that sort of, like, helps further these food narratives.

19:12And I thought it was sort of striking that, like, all three of these pieces are, like, taking something as, like, mundane as a cookie, taking them into sort of, like, fantastical realms. So like in Hillary's piece, and she's also the author of Temporary and Tara's Story. In Hillary's piece, we have a woman who's like inhabiting a gingerbread house, like the one that like a child would make. And it's told in a very sort of like straightforward, almost Alice Munro-esque way. But like she's living in a gingerbread house and it's starting to sort of like crumble around her. But at first you don't realize she's mentioning that the staircase is a little sticky and, oh, maybe she just didn't clean that well.

19:52And that, like, the cobwebs are sugar-like. And then you realize, oh, it's not a metaphor. It's actually a gingerbread house. Exactly. These sort of, like, alarming cookie-encrusted details are making their way through the narrative. And you start to realize, like, oh, something is not what it seems here. And then, you know, in Catherine Lacey's piece, we have a bunch of adults like waiting in line for this viral sort of, you know, famous cookie. And at first it sort of has this air of like mundanity, like, you know, we've all done this before. We've waited in line for something. And then it becomes clear that, you know, in order to get the allotted cookie, you have to meet the artisan's demands.

20:29And this artisan is potentially subjecting people in line to like psychological or physical torture. which I love because I think that like the absurdity of waiting in a viral cookie line is stranger than fiction but it is fiction in this piece and honestly who among us has not waited in a viral cookie line or something similar and maybe you don't actually have to prostrate yourself in front of a baker but there is a certain degree of like how long are you going to wait is this actually going to be worth it totally I like all of those I think like I don't edit fiction so I just love to read them when they come in and and have them in that context Another kind of maybe seemingly unconventional piece in this issue that was really a pet project of mine is this piece, If You Give a Shark a Cookie, that Sabrina Imbler wrote for us, which is not about any sort of, well, I guess you could eat it, but it's about the cookie cutter shark, which is a real - Are they edible?

21:21I mean, you can eat anything if you really put your mind to it, but I think they're probably protected. I would not advise eating this shark, but the shark is called the cookie cutter shark because it takes perfect circular bites out of all of its victims. There's a really great collage in the piece that kind of showcases like why the bites are so perfect that they would be called cookie cutter. And then Sabrina does such a great job, as they do in all of their writing, of kind of connecting these very alien sea creatures to very human experiences. in this one it's kind of like using the shark as a motivational figure because the shark is eating orcas and great whites and submarines all these things that are much bigger than the shark itself and they're kind of inviting us to be taking bites out of things that are larger than our own which the piece came about because I literally just started sending Sabrina links to different cookie-based sea creatures of which there are maybe five on Wikipedia what are the other ones Oh, no.

22:16There's a starfish that's called like the cookie starfish. I think that's the only one I could riff off the top of my head. But a couple of them are out there, which I think is fun on multiple levels because it shows that scientists, which I would think of as maybe being clinical, are thinking about cookies when they're naming creatures, which is kind of wholesome and sweet. And then at the same time, it's a shark that's taking bites out of people, which is maybe like not so sweet at all. Yeah, I think that's what's really cool about this issue is that like we have so many different iterations of what a tough cookie can be.

22:47We have like metaphorical cookies, you know, in like sort of the HTML variety. We have Gabriella Burnham, who's a novelist who wrote a really interesting piece about freezing your eggs. We have the cookie monster in Times Square, which was also one of your pet pieces. Yeah, so we record the Taste podcast close to Times Square. I don't often see the mascots on my way to work, which honestly, maybe I should reroute my commute so I can experience this more. But there are people that dress up as Cookie Monster in Times Square. And we did send out a reporter, Katie Way, to find and interview someone that dresses up as Cookie Monster about the ins and outs of a job that can only be described as tough.

23:27Did we ever invite them to our party? We did not invite the Cookie Monster to the party, which maybe is a misstep. But I do plan on bringing him a magazine. And I would love to get a photo of the Cookie Monster reading the magazine in Times Square. I think that would be so perfect. It would. So I want to talk a little bit about mass-produced cookies because I think this is another thing that sets cookies apart from, say, pies or cakes, which is that there are so many, like, snack cookies such as, like, Oreo or Nutter Butter that are out there. And I'm just thinking that people are more likely to buy a mass-produced cookie than they would be a cake.

24:00Does that resonate with you? Yeah, I think so. I think it's, again, sort of this lower commitment snacking quality to a cookie. I mean, I remember eating a lot of bags of Famous Amos. Do you remember those? They were the chocolate chip cookies. Yeah, but they're a thin cookie, a thin snappy cookie. No, that's a Tate. No, that's a Tate. Like the famous Amos are like they're like sort of the size of a quarter and they're kind of thick and they're like sandy, sandy, crumbly, sort of like 10 to 15 cookies per bag. And I always loved the abundance of that. So I would buy buy the bags and then they would like crumble when you dipped them in milk in a really pleasing way.

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24:37um but yeah i mean i think it's like they're they're just sort of like a perfect treat like a nice little snack in a way that like you know maybe like a uh yo-ho or like a duncan heinz cake feels a little bit like heavier and more intense right and also like you know i'm not a professional baker but i would never even dream of making an oreo like they've done that really well you can buy it in the store you don't have to make your own so true so true so in this issue how are we kind of fitting in these kind of mass-produced cookies one story that comes to mind for me is about a factory in Toronto that makes, among other things, Oreos and all of these other mass produced cookies.

25:12And it's kind of a fun story because it really is talking about all of these people who have immigrated to Canada and have found a new life and a new job working at the cookie factory. Was that the kind of story you expected we would get? I don't know. I think that I think it felt like a very kegsine piece, right, to sort of like dive into something that like we all take for granted, like, you know, Oreos mass produced and on the shelf at any given convenience store that we go to and, you know, sort of unraveling how they come to be and the kinds of hands and people who are bringing them into fruition.

25:44And I love that story. I loved so many of Subin's details. I thought they were really, really interesting. The fact that there's a store next to the factory where they sell like, you know, off kilter cookies that are not exactly perfect. And people like from the surrounding areas go in and buy them at a discounted price. And that was just such an interesting idea and detail. And then I also, of course, think about Jack Bernhardt's story about Lorna Doones, which is another sort of iconic mass produced cookie and the way that they are sort of utilized as currency in the psych ward where he was he was spending Christmas, I think, this past year.

26:23Yeah, which I just have to say the name of that piece because I was really proud of the title, which is The Dooney Bin. The Dooney Bin. It's so funny. And it's really like fun, I think, and fun and serious at the same time to be reading about these snack cookies being used as kind of like black market currency to be getting like currying favor or kind of like making your way in this world where like, you know, you can't actually be using real money like you've been admitted into the psych ward. And I think going back to the Oreo factory piece, something that I really like about it is that I think we often in Cakesian and certainly at Taste as well try to talk about stories and food in a really personal way.

27:01Like these are the people that are growing your food. This is the way you cook something. But of course, like the cookies are being made in a factory, not by a grandma somewhere. And so I think to like have that connection is a nice kind of recentering of like this is like the larger food world and not just like the food media world. Totally. And we're getting like a broader perspective via the Oreo story and then a really personal iteration of it via the Lorna tunes. Yes. And I wanted to ask you, one of the pieces in the issue is about the death of browser cookies. So literally when you go on a website and it says accept cookies and you have the yes or no.

27:36Have you thought differently about accepting cookies since we edited this story? I was always accepting cookies. I was just like, sure, it's the cost. It's the cost I pay for like fast Internet. I had literally no concept of what they actually did. I, you know, sort of amorphously understood that they were tracking me in some way, but I knew that I was being tracked regardless. V-C and an art collective wrote a piece about the death of the browser cookie. It's sort of like an obituary for this, you know, constitutive piece of technology that is now becoming obsolete as we are being tracked increasingly through our smartphones and through our app usage.

28:12We don't even need to accept cookies. The tracking is just happening. It's just happening. Yeah. So now I'm sort of like, you know, I'm being tracked regardless. Like the surveillance state is ever present. Like what am I to do? You know, if I decline cookies, it's not really going to change things. What about you? Well, I've always been rejecting them because I'm a contrarian maybe. But it's interesting because after editing the piece, I started noticing like the language the different websites would use when they were asking to accept cookies. And especially when we were in the UK, I was noticing like there's kind of a funny like cookies except like people are riffing off of the fact that this kind of surveillance tech has been given a friendly name that people have positive associations with and kind of like making it seem like more of a fun offer which is just kind of amusing to me and honestly like it probably does work a lot because here you are accepting cookies like everywhere you go.

29:05Totally I'm like oh yeah like I'll take a cookie why not it just has such an innocuous name for something that's so insidious in its form and function. Exactly. I like all of that. So we talked a little bit about our London events at beginning of this episode. I think by the time this episode comes out, we will have gotten past our New York event as well. And as listeners of our previous episodes might know, we spend a lot of time and effort making launch parties. We spend more time making the magazine for sure, but certainly an inadvisable amount of time on the launch parties. I'm wondering, like, why do you think we're still doing this and like spending so much time on the parties?

29:44Well, it feels like an editorial project, right? Like, I think it's a way of like bringing people together to celebrate this magazine, this very like tangible thing that we spend a lot of time making and convening all of the many people who are involved in that, right? Like we have so many New York-based contributors and artists and bakers and friends who like we want to gather and celebrate with. And, you know, know I think that also it's a really lovely way to like bring to life the issue so like we have some cookies that you know the recipes for the cookies are in the issue and people will get to eat them while they're at the party we have tattoos yes which I've actually never gotten a tattoo at a cake scene party and I'm wondering if this might be the time because we just got the tattoo flashy on our way over here and there's like a tooth there's a fortune cookie there's a knife, which I think is like maybe too chefy for someone like me that's a non-chef.

30:35But I think if anyone gets the tattoo that says tough cookie, we're going to have to give them, I don't know, something like - Lifetime supply of cake scene. Lifetime supply of cake scene, like free entry into the next party, something like that. I think like when we started doing our events and the magazine, which was almost two years ago, and we had tattoos at the first party, it was just kind of a fun idea. And when I mentioned it to people, they're kind of always like, whoa, people are getting tattooed at the party. Like it's kind of an element of surprise, but I'm not that surprised by it.

31:05People always ask me if they're real tattoos. They think that they're temporary tattoos. And I'm like, no, no, no, babe. Okay. So I blame this on 2013 Coachella Vanessa Hudgens because there was this brand called Flash Tattoos that were temporary tattoos that were kind of this like boho chic. Do you remember this? No, I really don't. It's very much of the like feathers in the hair era fashion, but this brand was called Flash Tattoos. And also when a tattoo artist is making a set of designs that's available to be tattooed in a specific context, that is called a flash sheet. So when we say Flash Tattoos, we mean there's a set amount of designs you can get tattooed at the party.

31:42But I think maybe some people got tipped off to this other temporary tattoo brand. And so that's what they're thinking of. Yeah. I also think people are just incredulous. They can't really believe that people are going to get like permanent party favors of like cookies on their body. But we sell out like the first 10 minutes, I would say all the slots are full. Because there's one tattoo artist. She's taking her time. She's doing a good job. She actually is Tanya's pastry assistant at Little Egg. Shout out to Evelyn Wang. Shout out to Evelyn who makes cookies and tattoos of cookies, which is kind of the most perfect combination.

32:15Iconic. And, you know, I think it speaks to this moment we are at where food culture has permeated our culture so much that having a tattoo of food is something that is really widely accepted, like not just in people that work in food, but just anyone that like loves food, which is kind of our demographic. Totally. Which is actually a story that I wrote for Taste that we can link to in the show notes that is about the proliferation of food tattoos as a kind of a cultural moment. You have one, right? I do. Well, my very first tattoo, shout out to my parents. Hi, Stacey and Ja. Yeah, they've seen it.

32:47It's a collection of citrus that I grew up with in Los Angeles. So I have an orange, a lemon, and then figs, which are actually not citrus at all, but it's a still life. And that was the very first tattoo that I got it. And for me, I think, obviously, I love eating citrus, but it was more about the way that food symbolized something that was so special and important to me. And I think that going into the party, like there are some people that probably just want a carton of milk because they like the vibe. But I'm sure there are other people that it does kind of connect to something deeper, which I think is the goal with everything we do in the magazine.

33:18That something like a tough cookie magazine seems like it could be kind of like silly and not that serious, but that it can be talking about these really like deeper issues as well. Totally. OK, my real question for you is when are we getting cake scene tattoos? Oh, do you want it to say cake scene or is it going to be something else? No, it would be like a slice of cake. Well, whenever Tanya's ready to get her first tattoo, I'll get this one with you. I'm tabula rasa, baby. I'm waiting for the right moment. Okay. We'll find it. Maybe when we go back to cake for a future issue. I do want to do wedding cake.

33:48Me too. And birthday cake is always there. We'll come back to it. Right for the taking. But right now we're still on cookies. We are. And so to close, I want to do like a rapid fire questions with you. And they're all kind of centered on cookies. Are you ready? Hell yeah, I'm ready. Okay. Okay, hard chocolate chip cookie or soft chocolate chip cookie? Ooh, soft. Would you ever do a hard one or no? I like a hard one in the right context. Like a Tate's is nice for me in the context of an ice cream sandwich, but I would much prefer like a warm, gooey, soft, supple chocolate chip cookie. I was going to say, for me, the only right context for a hard cookie is an ice cream sandwich.

34:24Totally. Vanilla ice cream? Yeah, I mean, or anything. Tahini ice cream if I'm going after, you know, something a little like more savory. Well, okay, we're deviating from the rapid fire, but I just have to give a quick shout out to this very specific chocolate chip cookie ice cream sandwich called an It's It. Have you had one before? Oh, okay. I need to find one for you because I grew up with these. They're a Northern California regional ice cream sandwich that has very thick oatmeal cookies, vanilla coffee or mint ice cream in the center. And then the whole thing is encased in a dark chocolate shell.

34:55It's a meal. It's like the heftiest ice cream sandwich I've ever had. And I went to Jewish summer camp in Northern California. and they would give them to us on Shabbat. And it made the most like chaotic sugar frenzy campers known to mankind. But it's a really like crazy ice cream sandwich. Okay, damn. I have to try one. I feel like all I had growing up was like a chip witch and that was sating. No, like an Itzit could be a weapon probably. It's a hefty sandwich. And they sell them at Green Grape in Fort Greene. Oh, they're still around? Yeah, they're still around. And they sell them at a couple like boutiques on the East Coast.

35:26So I will keep an eye out for you and we can have one. It's my Hanukkah gift. Okay, back to the rapid fire. Eating raw cookie dough, yes or no? Absolutely, yes. I've had salmonella. It's worth it. How was it? I mean, it was a really bad time. I was hospitalized, but I'm willing to take the risk. You can't be daunted. I can't be daunted, no. Also, like, I taste all my doughs when I'm baking. I'm, like, a huge proponent of tasting for, like, salt levels and for flavor, which obviously is going to change a little bit in the oven, but I do think you get a good sense of it. So, yeah, I'm always tasting my doughs.

35:58Okay, I also would eat raw cookie dough, although I probably wouldn't eat like multiple cookies worth. Yeah, agree. Just taste. Okay. Dunking in milk. Yes or no? Absolutely. Yes. Dairy milk. Dairy milk always. Without question. Without question. I mean, I think there's a like a context for almond milk. I have like a Khalifa Farms like vanilla almond milk that I like that's a little bit lighter than whole milk, but generally speaking, I like whole milk really for sure. Nice. Okay. Favorite cookie recipe. ooh that's hard i don't i don't because because cookie is such a broad term well what comes to mind when i say that cookies um i do really love a shortbread um like a sort of like buckwheat or rye something with like a sort of like nutty toasty flavor maybe some citrus forward um i'm trying to think of like what what the recipes that i like are brand a hold actually i think in Bon Appetit has a really nice like rye citrus shortbread that I really like that's coated in sesame and turbinado sugar.

37:01That's really nice. But again, I think it just totally depends on mood. Like sometimes I want like a hefty like Levain style like cross between a muffin and a cookie. And then sometimes I want something, you know, that's more refined, that feels like a sable or something that's just like, you know, more restaurant style. Definitely. I think the first recipe that comes to mind for me is a buckwheat chocolate chip cookie recipe that Sarah Jempel did at Bon Appetit when I was there. It is my ultimate chocolate chip cookie. The buckwheat flour, I think, gives it this kind of nutty savoriness. And I went through a time during the pandemic when I would very often make a double batch of this cookie dough and then freeze it in little pucks and then bake off like a chocolate chip cookie for dessert every night.

37:42And I think that like that is my end of year plan is to batch out cookie dough again. I love that. Do you eat them with anything? Do you dip in milk? No, I'm not a milk drinker. I would actually dip it in coffee if I'm like getting ready to like go out like a dessert coffee moment. That's my preferred cookie mechanism. OK, last one. Favorite store-bought cookie. OK, I think toss up between a Nutter Butter, which I love, and an Oreo, honestly. And I love an Oreo dipped in peanut butter, like throwback to the parent trap. But it really, I'm a peanut butter girly. We both love peanut butter chocolate.

38:17And it's a winning combo. Okay, those are the two cookies I was also going to say. Yeah, but only because I, Nutter Butter, I love a peanut butter cookie, but an Oreo dipped in like the most unnatural sugary peanut butter on the shelf. Yes, Jiff or Skippy. Skippy, yeah. As the parent trap would like is to me my favorite. Oh my God, it's because we're both twins. Yes. That's so funny. Well, okay, now we're going to have to go eat some raw cookie dough in the street. And if you're listening to this, maybe watch out for Salmonella, but also you can go buy the new issue of Tough Cookie at www.CakeZine.com.

38:53Thank you so much, Tanya. Thanks, Liza.

39:04So, Liza, you were just in London, and I wanted to just, like, pick your brain and hear about the trip. I know you were there with Tanya Bush, your co-editor at Cake Scene. You were doing a bunch of cool events. You just had her on the show. But tell me, how the heck was London? London was so much fun. And I had been there like eight years ago. I hadn't been back since. And we actually were with a big group, maybe like eight to ten people from New York who are affiliated with Cake Scene in like a professional or personal capacity. Group trip. Yeah, we had like this big house we were all staying in off Brick Lane.

39:38It was very funny. And so we had a couple of group meals, but most of the time we split off just because you can't like roll up into a restaurant with like eight people, especially eight Americans and say, hey, do you have a table for us? But we had some really great meals and I saw some good art and had some really fun cake scene events as well. Yeah. So what's your favorite cake scene event? Not your favorite, but what was one that comes to mind event you did? Well, we just did two. So they were fun in different ways. We did a conversation at Maximilian William Gallery, which was quite special.

40:05and we did a whole installation of our back issues and our current one in the shelf in the front of their space. But the one that's more food focused is that we did a party at Orange, which is a very great natural wine bar and restaurant off of Brick Lane and had three bakers come in with cookies that were all very special and then also stayed and had dinner with the pop-up that was happening there. And it was just like a really fun vibe and the food was quite great. So I was in London in June and I think I did an episode about it. I went to some spots, But what is your assessment of how London is is kind of like post pandemic?

40:37What's the vibe like on the streets? Well, you know, I was there so long ago that like to me it felt the same. And also like, you know, I can't even really remember what to compare it to. I feel like there's a lot of people around. There's a lot of like, I'd say like different kinds of restaurants that we went to. I think like I have maybe four or five favorites that I could run down if you want. I love it. Let's absolutely do that. OK, and you have to tell me if you've been. Sure. Like them also. Definitely. Well, the first really special meal we had was this pop-up that's happening at Orange.

41:08It's a group of three chefs. They're based in Toronto most of the time, although they're kind of on the world tour pop-up era. They're called See You Soon as a collective, and they did a salted duck egg yolk cookie for our party. And then we stayed and had all of their food, and they are doing just really fun, imaginative dishes. We had something they call a filet exo fish, which is a filet of fish with exo sauce. That was quite special. I also really like this sweetbreads dish that they had. Sweetbreads were all over the menus in London. I would say eating like Oregon meat and that kind of thing is pretty popular.

41:40I mean, it's the St. John Fergus Henderson effect. Definitely. But these sweetbreads were like quite crispy and tangy and they were like tossed and all of these herbs. It was like definitely my favorite sweetbread I've ever had. I also really liked a dish they did with beets where they had these really beautiful marinated beets cut out into little star shapes and then they were served on a pool of beet puree. So you kind of had this double creamy soft texture. Super whimsical. Cool. Really fun. That was really great. We went to Cafe Cecilia as every industry person told us to go to. Totally. Did you eat there?

42:11I never made it there. It was on my list. I was there for only 48 hours. But yeah. Yeah. That was really special. I really liked this like puntero salad that we had. And also their pastas were quite good. There was a like mushroom ricotta stuffed pasta that was really great. And also like a pork schnitzel with runny egg and sage on top. So that was special, especially for lunch. And then we went to a place called Tamil Prince for dinner, which is like a kind of new school pub that's doing really great Southeast Asian food. They have a window where you can see these three guys that are just making roti the whole night.

42:44Like that's their entire job. And it's pub style. It's like a pub. I mean, like I feel like when you say pub, that can mean a lot of different. Yeah, totally. It's not like there's like the center bar with like the chalkboards and like the Guinness on tap necessarily. it's kind of more of like a contemporary got it i hate to say the word gastropub but like that kind of vibe but it's a neighborhood corner restaurant and it's pretty casual and we sat at the bar and just ate like probably everything on the menu i think the grilled lamb chops were maybe my favorite and they also did a really i mean everything was great i couldn't even say one when you say southeast asian is there like um a real focus or is it just like mining from all over um i mean i think like because they're called like the tamil prince like that region is kind of being highlighted but it felt like there was a pretty like nice mix of different things there were some great like dosa that we had i had a really good um just kind of like smoky cumin-y uh chicken curry that was really special it was right after we did our event at the gallery so i was kind of in my like post conversation yeah you were like needed sustenance yeah i ordered nothing i just ate everything that came my way from everyone's table which was really nice yeah and there was one more place that i wanted to call out is this killing right it was killing yeah because we were chatting off mic about that yeah it was killing um and we sat right up on the grill and just got to watch these people cooking over live fire they have all these clay pots going they're tossing charcoal like to each other it must have been i don't even know how hot behind the counter but it was really cool to sit and watch and we had some like really good delicious things honestly like the grilled greens they did was kind of a surprise for me.

44:20I love that group does brat as well. And I went to brat when I was in London in June. And I've heard nothing but great things about kiln. And what you're saying is exactly this like live fire cooking sounds amazing. Yeah, they did really like glass noodle dish with crab and pork that was really special. And honestly, all of the little skewers that we were just eating and having them toss them out quickly. And that was a restaurant that we didn't have a reservation for that I was kind of like, I don't know, can we get there? And we just like popped in for lunch side of the counter and that was definitely like the way to do it and you got to see jonathan nunn from vittles too i did we talked all about you oh please all good things no i'm such a huge fan of vittles i love what he's doing yeah me too i think it's really cool also to get to trade perspectives on food media because i think like being here in america i have a certain perspective of like uk food media and then he i think has almost the reverse conception so it was kind of interesting to kind of trade perspectives and also to be there on behalf of Cake Scene, like talking to someone else that's running an independent like food media venture is always kind of heartening and interesting.

45:22Yeah. Like with Cake Scene, you know, Vittles is independently published and it's just at the top of its game rivaling all major, you know, food media. I just want to say I love Cake Scene. I love what you've done. I can't believe you've done so much in such a little time. I know this conversation earlier, you and your partner, Tanya, talked about it. But man, Eliza, congratulations. What a huge accomplishment. Thank you. I'm excited to take a very long nap when all of this is done. But it was really such an honor, I think, to be in London. And whenever we went to Paris over the summer, whenever we go to a city we've never been to before, I kind of have this question mark of like, who are these people?

45:58And are they actually going to show up? And I think when you see people in the space, like, again, there were people with cake tattoos and like knife earrings and this kind of like kind of person is available in all of these places and is like really interested in like literally hungry, I think, for just unconventional food writing. And it's really special to get to see that and to get to eat good food along the way. It's special. And where do you want to take it next? Is there a city on your wish list? We've been we've been talking about it. We've kind of reached a point where like, you know, to this group of people that are traveling with us, it's like, oh, like, where do you want to go?

46:31Exactly. You have a team now. Yeah. We went to, Tanya and I went to Mexico City last January for Index Art Book Fair, which was really fun. And we don't plan to like have a formal stall there this year, but we do have stockists. So I always want to go back to Mexico City. So maybe that would be one. Honestly, I'd love to go back to Paris. But for now, you know, we're planning our New York event. So that's up next. Thanks for chatting, Eliza. Yeah. Great to talk about London with you.

46:59This is Taste is hosted by Matt Rodbard and me, Eliza Abarbanel. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things happening.

From the publisher

Cake Zine is an independent print magazine exploring society through sweets, cofounded by Tanya Bush and TASTE contributing editor Aliza Abarbanel. Their fourth issue, Tough Cookie, presents a hearty batch of trials and triumphs, all in the context of cookies. On the show, Aliza and Tanya unpack how they made the issue, the many cultural connotations of cookies, and their latest trip to London. 
Also on the show, Aliza and Matt catch up about the trip to London and where Aliza ate and drank so well!
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