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Podcast Episode Notes: This Is TASTE - Episode 363: New York Magazine Restaurant Reviewing with Matthew Schneier
Episode Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard welcome Matthew Schneier, the chief restaurant critic at New York Magazine. Matthew shares insights into his recent transition into this role, touching on his unique approach to restaurant reviewing in New York City. Additionally, the hosts discuss several food-related topics, including their current favorite eateries and upcoming cookbooks.
Key Themes and Discussions
Introduction to Matthew Schneier
- Background: Previously reported on fashion and culture at The Cut and The New York Times.
- Role at New York Magazine: Discusses the challenges and excitement of settling into the position as chief restaurant critic, describing it as "the best job in media."
Transition into Restaurant Reviewing
- Unique Approach: Matthew emphasizes his goal to bring a distinctive voice to restaurant reviews, balancing old and new establishments.
- Interview Process: His background and familiarity with the magazine played a significant role in his hiring.
Decision Criteria for Restaurant Reviews
- Selection Process: Collaborates closely with the food editor, Alan Sitzma, to choose restaurants that reflect diversity in geography, price range, and cuisine.
- Reader Service: Aims to provide reviews that are both engaging and informative for local and national audiences.
Challenges of Restaurant Criticism
- Deadlines: Matthew acknowledges the pressure of weekly reviews but finds the structure of deadlines beneficial.
- Criticism and Response: Discusses the need for strong opinions in restaurant criticism and how to navigate feedback from restaurant owners and chefs.
Trends in New York's Food Scene
- Korean and Asian Cuisine: Highlights a current fascination with Korean food and mentions the rise of other Asian cuisines in NYC.
- Sustainability of Traditional Restaurants: Reflects on the importance of older French establishments while acknowledging the need for change in line with evolving tastes.
Food Recommendations and Highlights
- Current Favorites:
- Patita at Spoon & Pork (Los Angeles): A braised pork dish praised for its rich flavor.
- Upcoming Cookbooks: Excitement around the forthcoming cookbook from Kismet, titled *Kismet: Bright, Fresh, Vegetable-Loving Recipes*.
Fun Segments
- Rapid Fire Questions: Matthew participates in a quick-fire segment revealing his favorites:
- Best Slice: F & F Pizza.
- Favorite Midtown Lunch Spot: Sichuan corridor of 39th Street.
- Best Dessert: Chestnut desserts; particularly enjoys Mont Blanc.
- Favorite Sandwich: Cream cheese and olive sandwich from S & P.
Conclusion Matthew Schneier's insights into the restaurant criticism landscape reflect a deep respect for culinary culture, balancing praise with the necessary critiques of the dining scene. The episode captures the dynamic and ephemeral nature of restaurants, emphasizing the role of good food writing in shaping readers' culinary experiences.
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Additional Information
- Podcast Hosts: Aliza Abarbanel and Matt Rodbard
- Production Team: Shalia Harris, Pat Stango, and Clayton Gumbert
- Theme Music: Steve Rydell
- Website: [Taste Cooking](https://tastecooking.com)
Call to Action Listeners are encouraged to leave reviews on Apple Podcasts or rate on Spotify to help support the show.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. Unlike other forms of culture, you know, movies that can play in repertory or plays that can be revived, restaurants are ephemeral. You know, you can bring back a restaurant, but it's not really ever going to be the same twice. And so I think restaurants are very prone to being forgotten. This is Taste. I'm your host, Matt Rodbarg.
0:59Matthew Schneier is currently the chief restaurant critic at New York Magazine and previously reported on fashion and culture at The Cut and The New York Times. Matthew joined us in the studio to talk about the job he took over a little more than six months ago. We discussed putting his own unique stamp on the coverage, what he looks for in both old and new New York City restaurants to review, and how he came to the job in the first place. Matthew is one of my favorite writers around, and it was so great catching up with him. I hope you enjoy this conversation.
1:41Matthew Schneier, welcome to This is Taste. How are you? I'm great. Thanks so much for having me. It's really cool to meet you. We've not met in person, but I feel like I know about you, know you through your words and through your reporting. Huge fan. I love what you're doing. Thank you. Thank you so much. I'm delighted to be here. How's the job in general? I mean, the full-time chief restaurant critic in New York Magazine, a big job, lots of profile, but it's also just a lot of meals. So how are you handling that? You know, I think the biggest change for me is just a sort of constant low-grade indigestion.
2:15And if that's the worst of it, I consider myself very lucky. I think this is the best job in media, maybe the best job in New York, full stop. You know, I'm only kind of six months in to the whole thing. So I'm still settling in. But mostly, it's a sort of pinch myself experience. And, you know, hopefully, it's providing some reader service to everybody who comes to New York Magazine, all of its various forms. And, you know, it's great for me. I hope it's great for everybody else. Yeah. I mean, six months in, the training wheels are off. You're you're in it a review a review dropped today and we'll get to it um a little bit john george you reviewed john george uh 425 yes the new the new place from from the john george sorry group and yes it's uh jonathan benno is is the benno is the guy but john george group so you took on like one of the heavies so we'll get to that i don't want to like i don't want to like get into that right away i want to get into how you interviewed for this job it's very you you come from new york times I read your work in style.
3:15I read your work throughout the magazine. You really have a sense of profile. You're just a tremendous reporter. But then the criticism job is different. It requires a lot of different skills. So when you're interviewing for it, what's that like? What are you talking about yourself? You know, it's obviously a different job. There are different sort of guardrails in place. It's a whole different approach. I feel very lucky that throughout my career, I've been able to do some criticism. At the Times, I was the second string fashion critic, not the chief, but I would do fashion criticism for both men's and women's fashion.
3:52I had started that even before when I worked in Condé Nast for a website called style.com. I was one of the runway critics there. So I've done some book reviewing throughout my career. I actually started out reviewing restaurants at the very, very, very beginning in the good old days of Paper Magazine for Julie Beznan, a legend in downtown restauranting. So it's always been an interest of mine. It's always been something that I've been glad to do if anybody is glad to let me. It was certainly a big pivot from what I was doing at New York Magazine. And it was a slightly different interview process, I suspect, because I came from within the magazine.
4:34And so they were very familiar with me. They were very familiar with my work and how I work, which I think is maybe as important as the work I was doing itself. This pivot, I have to admit, maybe I shouldn't, but I will, came as a total surprise to me. You know, obviously, I was aware that Adam Platt had kind of taken a step back. After 25 years? 22, I think. Okay, I'm drowning up. But yes, I think we can give him the full 25. We'll give him the full quarter century. Let's give to him. You know, an incredible critic, a beautiful writer, a really interesting and generous thinker on food and a really wonderful colleague, I have to say, you know, whenever I've dipped my toe in the water of food reportage or feature writing, which I sort of realized in applying for this job I had, I had been doing pretty regularly because of just my own interest in it, always incredibly giving and generous with his time and his insight and all the rest.
5:36But he had stepped back and, you know, they were trying out this year eight New York feature. It was kind of a time of transition. And it never would have occurred to me to throw my hat in the ring, not because I wouldn't kill for the job, just because, you know, it seemed like a kind of brass ring too far and you know i know that they they were looking for a long time i don't really know what the contours of that of it were but i know that at a certain point um alex young my colleague alex young who was doing uh just wrapped up doing the year eight new york uh somewhere in the midst of it he was closing a big feature and he didn't have the the bandwidth to do the column that oh so you're like i'm gonna jump in and do it uh they they extremely kindly asked me to jump I don't know why exactly.
6:28I don't know if they felt I was, you know, sort of dragging along without a feature in some time or something like that or that I'd be good at it or whatever. But they just kind of lobbed me, you know, this is open. Would you like to basically would you like to have a free dinner? Would you like to have a free dinner and write about it? You know, I knew the food team. I, you know, as I said, I'd written a number of features about food. So I don't. A beautiful Keith McNally profile in 2021. You actually interviewed the guy, which is a real, we'll get to Keith at some point. Thank you. Thank you.
6:59Yes. Well, interviewed is, you know, in quotes with Keith. But yeah. So I don't think I was totally out of left field, but they had asked me to do that. And I wrote a column on a restaurant that I thought was sort of a very funny and in some ways sort of dispiriting concept, this Centurion restaurant, which is the restaurant that is more or less exclusively for Amex black card holders. So technically, I think legally, it is not exclusively, exclusively for the black cardholders. Yeah, it's a certain vibe. But it's, you know, it's at the top of this, you know, kind of Dick's swinging skyscraper.
7:39And it's Danielle Ballou's group is the one that, you know, does all the food. And I sort of talked my way in. It was a funny story, which I ended up relating in the review. I had gone to a benefit lunch honoring someone that I'd used as a source in a piece. And I ended up sitting next to an extremely fancy plastic surgeon. And we were talking. And at the time, I was really interested in the idea of the power lunch. And he said, you know, for the power lunch, you have to go to the Centurion Club. And I said, well, great. Like, you know, can I borrow your Centurion card? My application has been lost in the mail.
8:22And, you know, he introduced me to some people. We did some calls. We did some feather smoothing. We did all sorts of stuff. And they let me in. And I had a meal that I have to say was a little bit to my surprise was a great meal. So that guy, I'll link to this article. I recall it vividly. And this is like your entry into food writing, at least in New York Magazine. as a possible critic. By the way, power lunging, I think it's like between Sweetgreen and the Mon is where it's like somewhere between those two poles, I feel, in our town. It's a very interesting, I would love to read you on it. Okay, so let's get into the job itself.
8:56How do you decide where the review is going to land each week? Do you work with editors? Are you just like instinctually checking stuff out? In terms of what restaurants? Yeah, like which ones, like kind of your lineup. How does that determine? I'm super lucky. I work very closely with Alan Sitzma, who's the food editor of the magazine and runs Grub Street and really the whole Grub Street team. I mean, it's a small team within the magazine, but I think an incredible store of talent. Oh, yeah. Tammy Dickinson and Chris Crawley have been on the show. Absolutely. Zach Schiffman, who does all our social and all that.
9:32I mean, and I'm sure I'm maybe forgetting someone, but if so, I apologize. I think those are the main heavies, at least. And, you know, it's finding a sort of path for this particular column, you know, for the first six months, Alex was still also doing Year 8 New York. So we had, you know, basically three full time critics. We now, you know, have two full time critics. But even that, it's sort of like, well, what is a Tammy review versus a me review versus a Year 8 New York review, or Year 8 New York assessment, whatever you call it. And, you know, the thing that guides me, I think, is really what's newsy because I do come from a news background and I do, you know, I want there to be a sense of newness and immediacy to the column and what people are talking about or what people aren't talking about that I think there's every reason they should be talking about.
10:25you know obviously it's very important to me it's very important to the magazine that there be a diversity of geography that there be a diversity of price range that there be a diversity of cuisine you know and and so that's a lot of different kind of dials to have oh my gosh it's got to be the remit is kind of impossible because your your readership is also national like i feel of new york mag a review that hits is like your la is reading you as much as new york in some ways because there's a lot of business being done in both cities it seems then with that it's like do you go to deep brookland well it's completely true and new york really is a national magazine but i think one of the things that i i really respect about it is that i think the magazine has been able to kind of thread this difficult needle of being a national magazine with a really specific uh local focus.
11:17And especially for things like the dining reviews, to me, it's so important that they are useful. And that doesn't specifically mean or doesn't exclusively mean that you have to be able to get on the L train and go to Bushwick to eat ceviche or whatever it may be, but that it is useful as a reading experience. And it is something that is sort of practical and practicable if you are local enough to take it. And also a nice piece of criticism. And I love that way you set up your career by you worked runway, you're a critic in runway, you're a critic in retail, and wrote book reviews. I mean, really, it has to be a story too.
11:59It can't just be a list of things that are good or bad. Completely. I mean, you know, not just reviews, but all journalism or most of journalism, essentially, you know, that you sort of labor under the weight of knowing that you're tomorrow's fish wrap. Like this stuff just doesn't, is built to be consumed and disposed. And I think that's really challenging. I struggle with that a lot. But I also read a lot of old journalism, whether for research or for pleasure, whatever else. And, you know, you can read a food review by Ruth Reichel or Sam Sifton or Pete or Hannah Goldfield or, you know, any of the million people who do this stuff from five or 10 or 50 years ago with enormous pleasure and get a real glimpse into the life of the city.
12:46So true. The culture at the time. And that's obviously extremely high bar. And I'm sure I don't clear it week after week. But the goal is to, you know, be able to split the difference between something that is useful now and that will tell a story. About an era, because it's time stamped. Completely. That's a cool thing. I mean, I think none of those guys hit it every week. Did you read any R.W. Apple, Johnny Apple from your time? Sure, sure, sure. That guy is interesting, his work. There are so many great food writers and food critics that I think don't necessarily get the same adulation that the critics in different disciplines get.
13:24You know, everybody agrees that Pauline Kael is a secular saint. But as far as I'm concerned, Gail Green is every bit at that level. You know, and food writing generally. I mean, there's such a rich trove of MFK Fisher and, you know, the blue trout and black truffles. There's so much great writing. Apple, obviously. You know, Trillin. I mean, Trillin is. Yeah, I've tried to get Trillin on the show. I know his health is not amazing. So I've tried to do that. But yeah, Trillin is somebody we should be talking about for sure. You know, so it's as far as I'm concerned, you know, this is sort of skipping in the footsteps of giants.
14:04And then down the hatch, of course. Robert Sitsima. Sure. I can't forget about that. I've asked, you know, Hannah Goldfield, Pete Wells, Ryan Sutton, Bill Addison, Ruth Roysel, many other critics. I love speaking with you because it's such a cool job about this crushing deadline because it really is. I mean, we got to like recognize it for our listeners that this job is very difficult. You're writing on deadline weekly. What's it like for you right now, six months in? You know, I think there's probably not a writer alive who doesn't complain about deadlines pretty constantly. But, you know, that said, I think deadlines can be enormously helpful.
14:40Oh, they're essential. I think we are all perfectionist pains in the asses and the thing would never come out if it, you know, what's the Tina Fey line? You know, Saturday Night Live doesn't go on because it's ready. It goes on because it's 1130. Yeah, right. And it's very that. And I mean, as someone who started my media career in sort of the blog trenches, as many people my age did, you know, to me to have a weekly deadline versus a four blog posts a day or six blog posts a day deadline feels luxurious, you know. And even when I was at the Times, you know, we were generally trying to hit, you know, we had two feature sections, two style sections a week, a Thursday and a Sunday.
15:23and you generally wanted to at least have something to offer for each of them and then plus covering the shows which takes you out of the game a little bit too yeah absolutely well and recovering the shows i mean when i was reviewing shows i used to write six show reviews a night i mean we would stay up till four o 'clock in the morning i'm thinking matthew this is maybe why they hired you they're like you like you you hinted when you say they knew your work and knew your style um it hasn't killed me yet well yeah but you love what you do and you get it done and And I mean, same can be said for Tammy and Chris as well, two people I highly admire.
15:54I think New York Mag, I like the LA Times right now, their city section. I think New York Mag is running a terrific city section, really just strong work right now. And the deadline is obviously something you can handle. Let me ask you about your eating schedule. I think, you know, how are you booking your calendar? Are you able to get it all done? Like, I feel like that's the biggest challenge is like the scheduling of your life. It's tricky. And as, you know, many critics I know have told you before, it's often extremely last minute and panicked. And, you know, I'm constantly texting friends and saying, you know, are you free for empanadas in two hours?
16:33You know, I should probably be more organized about it than I am. I have a running spreadsheet that I keep sort of mostly updated. I have about 200, you know, Resi notifies on at all time, even though I have sort of complicated feelings about the sort of biases. I think that that imports. So I'm trying to actually sort of decouple myself from that a little bit. Can you write about that? I would love to read an essay. I know that you have time, but like about like quitting Resi. I can't. I love the restaurants, but I feel you. There's something existential that I don't like about going to Resi to plan my meal.
17:08That's kind of fucked in my opinion. I haven't sort of really sat down and sort of threw my feelings about it enough to say anything definitively at the moment. But I do feel very keenly that this is a service that restaurants are paying for and paying a lot for. And it's, I think, challenging to many of the smaller ones. And I think the feeling is now, at least as it sort of bubbles up to me, that you kind of can't do without it. Or if it's not Resi, that's Open Table or another one. And one thing I want to be really aware of as a critic is not kind of privileging those restaurants that can afford to lay out that money every month, every year, whatever the subscription is.
17:49You know, I recently wrote a bread restaurant called Ulali. And one thing I really liked about it was that it refuses to participate in any of that. You know, I think that makes certain people kind of tear their hair out because you have to have a number of phone calls about it. And people younger than I do seem to hate phone calls. But I actually thought that was really charming and it was such a great beat in that article the the booking of that yulali was a restaurant i'd not known about um and god bless you for doing it i hope you can do more of like the yulalis of the world i think that's that's real service journalism is to bring if it's good bring people to them it doesn't have to be part of resi absolutely and it doesn't have to be you know yulali which is a tasting menu for a hundred and some dollars a thing you know it can be a hole in the wall it can be you know a place just just starting out um you know i think that's important.
18:37So in terms of how I organize the weeks, you know, it's pretty well known to us. I'm sure it's pretty well known to you. There's a big, you know, sort of press apparatus dedicated to getting out the word about the restaurants. They can afford to participate in that. So we're very well aware that, you know, there's a new Jean-Georges, there's, you know, a new this, a new that. And I think it's important, you know, in terms of reader service to, you know, visit the ones that people are going to be talking about. I try very hard to balance that with places that are not, you know, so known about it, whether that's sort of boots on the ground, whether that's talking to locals.
19:15I wish I was doing a better job of that. I think that's a real area I would like to continue improving in. That's something I really respect about Tammy, about Chris, about Hannah. You know, all these people really, really are doing the kind of like shoe leather kind of reporting. It really is reporting that hasn't completely characterized my beat yet in a way that I would like it to. Yeah. And it's not just the John Georges of the world. Like there's a new, you know, from Damica, that group is doing a new restaurant. So the, and the word gets out. Like, I think it's like all types of restaurants have an apparatus, you know, like if they've had any success and they can afford PR, it's going to always inform that, like reach out to you and all food writers.
19:58I think it's really hard to operate without that at this point, but that's all the more reason why I want to try to do a better job of being aware that there are great places that simply don't have the wherewithal or are uninterested, you know? Yeah, I think you and I agree that PR is not evil or it's a necessary part of the job, but it's not gonna inform all of our decisions as editors and writers. Completely. I mean, you know, my beloved little sister is a publicist, not in the restaurant world, but, you know, she will kill me if I, the headline in this is PR is evil, but PR is doing a service and it's the service we're paying for and whatever.
20:30It is truly the job of journalists of whatever stripe, I think, to take in as much information as possible and make a decision that benefits not the PR and not the restaurant or not the profile subject or whatever the case may be, but the reader. Super fair. That's what I try to keep in mind. A couple of more general questions and we'll get into some New York stuff. Specifics. How do you make an exciting review for a boring restaurant? Do you regret any reviews yet six months in? I kind of think I don't. Maybe that's hubris talking. No, it's not. But I actually, you know, you'd asked me this in an email, and I was going back through, and I thought, like, do it?
21:10Because I've written some tough reviews. To me, they always seem, I hope, sprightly and, you know, credit where credit is due and enjoyable. But, you know, certainly I have had some some difficult opinions to share. And, you know, to my mind, those are those are what people are in it for. But no, I don't I don't think there's anything I would completely, you know, walk back. I'd expect not. I mean, you're being honest. I think six months you really you have a measured approach. You you write what you feel and it's it's a place in time and maybe things get better. It'll you'll you'll revisit. it.
21:49But like, I feel like a restaurant review has to be confident, right? You can't like backtrack on it. This isn't a job for milquetoast. This is, you have to be brave and you have to, you know, we were just saying before we started recording that, you know, I published this review today of the Jean-Georges Place, which I think is in some ways sort of an homage to the Four Seasons and an attempt to supplant them. Homage is not the word used in the headline. Well, you know, as you know, I don't write the headline. As I do know, and let's point out to anyone who's writing Matthew, any DMs, you know what?
22:23He doesn't write those headlines. I stand by the headline, but I do not think I wrote that one. But, you know, and the good folks at the grill seem to have been a little salty about it. And that's fine. You know, I welcome that. And I understand that. And I respect it. And I kind of like it. I would like to, you know, have opinions that are worth either agreeing with strongly or disagreeing with strongly. Have you had any other exchanges with chefs or operators for your reviews? Not really. My experience has been that chefs and restaurateurs are very respectful of the kind of moat between critics and restaurateurs.
23:04I have sort of heard through the rumor mill that there are some that have been displeased with this, that or the other, but it really hasn't come to me, which is honestly one of the bigger changes from when I was, you know, doing more sort of investigative reporting and future reporting. um you know i i've been in many arguments with with lawyers with handlers with minors i've been threatened i've been threatened bodily i've been threatened legally like you know and the first few times you got to build up thick skin to that and and now i just think like sure like let's let's talk about it i'm happy i mean matt you cover fashion and like not for me that that culture I mean, I love the industry, the dedication like a restaurant.
23:48But man, the people in fashion are quite tricky. And it seems like maybe the food world is a little more embracing. This is me reading it as a very biased food person and not a fashion person. Yeah, you know, I think fashion people get a bad reputation. Sorry. I think that's okay. I have certainly said it many times myself. You know, I think both in fashion and in food, I have been lucky in some ways to be sort of half an outsider. I don't have a background in fashion. I didn't go to fashion school. You know, I approached fashion as a reporter and as a multi-billion dollar business that was worth scrutiny and serious coverage.
24:31And I feel the same about the food world and the restaurant world. Maybe not billions in all cases, but— Oh, I mean, restaurant in America? Billions. Well, all right. I mean, trillions if you consider the grocery industry, too, which is adjacent. Sure. I mean, it's much larger than fashion in the grocery industry. Oh, yeah. I just—on an individual level, I don't know how many restaurants I review are— Oh, you're— You're remand. —blogging sales in the billions. Of course. You're reviewing, you know, Parenza Shuler. It's much different. Yes. John George. Parenza Shuler. Here we go. The references come out.
25:01I took that interview magazine edit test like in 1999 and and failed miserably when they asked me 150 designers. I'm sure you might know about the edit test. It's pretty legendary. But I mean, I think I feel embraced by the food world. I because I think there is such a need for a critic to stay as much as possible above the fray and to not, you know, get too cozy with the people he's covering or she's covering. Yeah. You know, I don't totally know. the thing that I find really heartening, and I think that may now be the third and hopefully last time I say this, but the response from readers has been really great.
25:38And I do think, to me, that is what it's there for. I have the utmost, utmost respect for chefs and restaurateurs and anybody who is brave enough and foolish enough and quixotic enough to dedicate themselves to this. And I really write about this stuff because I love it. I applied for this job because I love it. I hope I got this job because I love it. I want to be super clear about that, even in cases where I may give a negative review or have certain things to say. I had come to this from such a place of respect and adoration. I mean, I was essentially raised in restaurants, not because my family worked in restaurants, which is a different way to be raised in restaurants.
26:18I was raised in restaurants because, and I've said this before, my parents couldn't cook, and I was raised in New York City. And so basically from diapers onward, we were eating in restaurants and they weren't, you know, the Four Seasons of Jean-Georges or anything like that. They were the local Chinese place and they were, you know, my kind of Proustian Madeleine restaurant is Hamburger Harry's, which used to be on Chambers Street. You know. You grew up in Tribeca, downtown? I did. I was born in Chelsea, grew up in Tribeca, sort of just in the kind of like weird interstitial period between like Griffin Dunn After Hours, Tribeca and, you know, You're born for this job, buddy.
26:54I mean that with all respect. I think the institution that you write for, the fibers of the writing there is for people who are living here from here. Obviously, outsiders write from New York bank all the time, but man, you're born for that job. It's cool. Well, thank you. I certainly hope so. All right. So let's talk about some actually some food stuff. I wanted the broad career questions, and you were a good support about that. But I had Tammy in about a year ago, and Tammy, you're coming back soon. We've been texting about that. Rock Center. Rock Center. I had a long conversation with her. And is it working?
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27:32Is the restaurant kind of strategy there working? That's a great question that you would have to ask someone who is more sort of in the reporter trenches than I am. I mean, is it working from a business standpoint is one question. Is it working from a food standpoint? Yeah, the latter. The number two is what I totally meant to. That is exactly the right way to respond to that question. I honestly, because there is so much for me to catch up on and the preference is for reviews of places that are more newly opened, I've eaten at a number of the Roxanne restaurants. I haven't eaten every one. I haven't gone to them enough to say, you know, these are great or not great.
28:12In my limited and so anecdotal experience, I think sort of mileage varies based on which one. I think the bigger question, and it's a really interesting question, I think it's really the right question for right now, it comes up all the time, is what do we think about this sort of mutually beneficial relationship between kind of real estate developers and restaurateurs? You know, it came up again in the 425 review that I published today. You know, 425 is in this new highly developed skyscraper. East 56th, 57th, around there, right? In fact, and you will know exactly where it is because it is at 425 Park Avenue.
28:53The name of the restaurant itself is an advertisement of the leasing office. And that's not an accident. How do we feel about that? There's always been a relationship between restaurateurs and their landlords. Great question. I mean, I'll interject and say like the utter failure of Hudson Yards and the restaurants there. Of course, the pandemic had a lot to do with it. So it's not fully grading. It's a little bit grading on the curve. but I think that there's definitely were some really interesting to disgraceful concepts opened in Hudson Yards. I think Rock Center seems to be working. Like, I wasn't trying to lead you in any direction.
29:26But personally, I think the way that it's brought excitement to Midtown, and I think the concepts there are diverse from a wide swath of New York City restaurants. And I see tourists really being excited by places like, you know, Naro gets mentioned quite a bit. But you've got Jupiter has definitely gotten better over time. You know, there's definitely concepts. Eli Sussman's in the food hall. There's some Mesa's is crushing. Of course, J.J. Johnson's rice restaurant is tremendous and a beard semifinal. So anyways, that's my take. I need to do a fuller kind of tour of the whole scene. You know, my experience lately has mostly been limited to the fact that my dentist is around the corner.
30:10And so I always. A great reason to visit Midtown. I do the thing that you absolutely shouldn't do, which is I get my teeth cleaned and then I end up at Lodi getting some$9 pastry to reward myself and absolutely undo all of the progress I've just made. But yes, I mean, I think I'm really interested in the relationship between real estate and restaurants. And there is a diversity of food in Rock Center, but there also is a real bias toward the expensive and kind of the shiny. And, you know, should that be the case? You know, in Rock Center, maybe, but in the city, full stop, I think absolutely not.
30:46And so, you know, you do accidentally or inevitably import a lot of bigger, thornier questions once you start talking about this stuff. And I hope to continue talking about it. Related, I get my annual physical and my cholesterol check on 32nd Street in Korea, and I always go and get seoul and tong, like the most cholesterol-laden dish in the Korean canon. And, you know, you got to do it after a medical exam. That's what the statin's working for. Absolutely. Oh, yeah. I'm on 10MG. I don't know who you are, but, you know, we're not going to get personal. All right. Let's talk about Keith McNally.
31:16We're going to be entering the Keith McNally press blitz with his memoir coming out. He's very active on socials, which, you know, mileage may vary on what you think about Keith with those socials. It's highly entertaining to some. Okay. So, Keith, you've written this profile about Keith. And really, let me ask you about Keith. Keith, do you feel, Keith McNally, we should be talking about him, or should we just stop now and move on? I think it depends if we have something new to say. I think at the time that I wrote that profile, he had more recently emerged as a kind of lovable or not so lovable, as you say, depending on your point of view, Instagram troll.
31:57And I think it was notable. You know, I wasn't aware of other restaurateurs who had sort of taken it upon themselves to leap into the fray in the way that he did. And, you know, there were reasons for that. I think, you know, I do genuinely think that some of those reasons are medical. That is sort of Keith and many of the people in Keith's orbit kind of said, you know, I had a massive stroke. And, you know, I think that operates in two ways. I think one of the ways it operates is that you realize life is short and maybe you say, fuck it, I'm going to say what I want to say. And the other way is maybe it affects the part of your brain that, you know, uses you a little bit.
32:40You know, I think at a certain point that starts to fade as a good reason. I think, you know, at a certain point, as happens to many people, you know, who get very involved in social media primarily, but also just kind of like public opining in general, you know, you get addicted to the attention and it becomes a feedback loop, whether that's a sort of virtuous cycle or a non-virtuous cycle. Again, it's up to the listener. I have a lot of respect for Keith because I think he is still going at a time where it would be quite easy for him to stop. Love that response. I think we should keep talking about him with that context.
33:18It's really well said, Matthew. And growing up in lower Manhattan, you obviously have to recognize Odeon, Pastis. You even have to recognize Schiller's. I mean, the Keith Pignalli restaurant is part of our culture. And Balthazar, are you going to revisit Balthazar as a critic of New York Magazine? I don't know if I will revisit it as the critic. I will tell you that I revisited it about three weeks ago as someone who was leaving – what were we leaving? I think we were leaving a play in the theater district or something, and it was 11 o 'clock and we were starving. And, you know, there aren't as many options as, you know, New York would have you believe there are.
33:55And we went down there and we talked our way into a table and we had, I would say, you know, a very good meal. You know, are there better French meals in New York to be had? I think absolutely there are. I said so quite openly in that McNally piece before I was even a critic. But sometimes you want the ambiance and the theater of it and the vibe and the practicality and the ease and the feeling that somehow he is able to still conjure when you're there. You write about the La Le and Lue restaurants, and you make this great turn of phrase. It's just masterful. It's from French to French chat, which I think everyone who knows New York kind of gets the sense of this shift.
34:37And I want to ask you, critically, should we be caring about these old guard French restaurants? It feels like the body is maybe warm and cooling. but on the flip side you are of deep respect for New York as an institution uh or as a place with institutions and you write for New York magazine so it's part of your brand to write about these places how do you negotiate the dying Lulu and La Restaurant which I think is great I don't feel that it's my role necessarily to advocate for you know either putting the nail in the coffin or reviving the corpse. I'm a bystander, a hungry bystander, but a bystander really all the same.
35:19What I think is important not to forget is the restaurant is a real important part of New York cultural history. I think these restaurants, all restaurants really, are really about what we aspire to and how we want to define ourselves and how we wish we were as much as how we actually are. And I think unlike other forms of culture, you know, like movies that can play in repertory or plays that can be revived, restaurants are ephemeral. You know, you can bring back a restaurant, but it's not really ever going to be the same twice. And so I think restaurants are very prone to being forgotten. I think there are, you know, many, many people walking around the city who don't know anything about Lutèce or La Caravelle or La Côte Basque or, you know, any of these places.
36:07I don't think that these places deserve to live forever. I think times change and tastes change. And I also think it's important to recognize when these places import their own biases and prejudices and crowd out other places and give the idea intentionally or not that this is the only way to eat well, or this is the only definition of fine dining. I think it's never been clearer that that's not the case. That said, for a certain type of person of the mid-century who was a power player in New York, who was important to the life of the city and the business of the city, these places were important.
36:47And so what I don't want is for them to kind of go gently into the good night. I think being aware of them and knowing about them and seeing how that history kind of changes and mutates as we all evolve is fascinating. And so that's sort of my interest in remembering them. It's sort of thinking about where we've been and where we're now and where we're going less than I think, you know, it's a crime against humanity that Lutece is closed. Yeah, you never write with that hyperbole. And I think the death by a thousand cuts for some of these restaurants makes for good copy. but I really respect you zooming out and not taking the bait for my kind of weird question.
37:27I don't think so at all. And really, you had a real reporter's response, which I think is great. And these are personally not as a reporter, just as somebody with the microphone in his face. I think that you should definitely be writing about the death of some of these restaurants because they are important to the fabric, but also writing about the death of restaurants like 6th Street in Little India. Like there's restaurants dying downtown in the East Village more than in Midtown. So I just hope that you and Chris and Tammy and the team looks at some of the dying restaurants and gives them the credit they deserve and the honor.
38:03You know, I am sure I'm not supposed to say too much about this, but we are looking at a project that I think will do some of that and hope to do some of that. And that's one of the things that I'm most excited about for this year. Wonderful. Let's pivot to pizza. We just finished our pizza week here on Taste, and I feel you have a lot of thoughts. You had a great double review. The industry, the new West Village spot and Bar Birba. I thought that it was a really cool double review. And I guess my question generally is, is pizza in New York as good as it's ever been? Are you seeing any trends?
38:36Are you feeling like there's something happening here? Or is it on the flip, always been good, and it's kind of just the way it is? Boy, this is like a dangerous question. This is where people get killed, right? Yeah. I think, and I have not done the real kind of New York pizza survey I would like to yet, I think pizza is not as much a focus as it has been during certain other parts of my life in New York. I was sort of recently returned to New York from college when Franny's, the original Franny's, was getting off the ground. And it was like, you couldn't have a conversation that wasn't somehow about pizza.
39:18And, you know, or when, I mean, Lucali is still impossible to get into, but there was a moment where, you know, Jay-Z and Beyonce went to Lucali and it was all anybody wanted to talk about. And I think there is absolutely tremendous pizza in New York. I think New York is a great pizza city. I think the other cities that want to fight New York for that, you know, honor are - Los Angeles. I mean, it's just insane in my estimation, but But there I go. I think there is really good pizza in New York. I don't find that at the moment New York, I don't think that that is the sort of top of mind conversation.
39:51That said, you know, people are still opening pizza places. You know, Landistry is, you know, I had gone to Landistry for lunch, but I walked by, I happened to be walking by at like eight or nine o 'clock in the evening the other night, and there was a line all the way down the block. And there's great pizza from places that are still chugging along. For my money, there's not better pizza in New York than F &F. Oh, that's the number one I've gone on record. Well, L &B is my number one deep in Brooklyn, but my number one nouveau is F &F. There's no better pizza. Thank you. I wish I had a more controversial take than that.
40:25I mean, F &F is definitely being forgotten. I'm just saying. People in Carroll Gardens know, and I used to live in that neighborhood, but it's not on the radar of anyone. Is that right? Because whenever I try to get takeout, they're like, absolutely not a UK. Interesting. I haven't lived in there in a while. I mean, I haven't been back in six months, but I feel there's like definitely industry and there's other places that get a little more press. But, you know, that's why pizza is so great. So let me flip it back to you then. If pizza is maybe a little less interesting is what I'm reading. You're not saying that, but I'm getting a sense.
40:57What is interesting? Is there a category, Matthew, that you're really excited about? You have like a notes memo with like a list of restaurants in that category that excites you. Yeah. Yeah. I mean, I think the thing that's nice about New York and also challenging about New York, especially for someone in my role, is that it's usually six things at once. You know, it is beyond clear that we're in a sort of Korean food revolution moment. There is so much good Korean food of so many different stripes and sub-regionalities. And I mean, I don't need to tell you. I know who I'm talking to here. But, you know, and Alex Young has done a terrific job cataloging a lot of that.
41:39You know, I haven't really written that much about Korean food yet. Maybe not. No, I did a little thing, but not much about Korean food, in part because, you know, he just lapped me to so many of these places that it opened before I took the job. Alex made Chö-Dung-Gol like kind of I was just there this week and I got there at five for a meeting and it was filled by 510. Filled by 510. And deservedly so. I mean, there's, you know, the various groups, I mean, Hand Hospitality, but all these people, I mean, are doing phenomenal work and really, you know, creating, I don't want to say creating, really introducing people, you know, to a cuisine that I think has always certainly existed in, you know, on 32nd Street.
42:20And, you know, if you want to go deeper, Murray Hill in Queens, there's like unbelievable Korean, but many people in my kind of milieu and my cohort weren't necessarily going to that. And I think that that's really changed. I think, you know, there's a lot happening in Indian. I think there's a lot happening in Filipino. You know, there's a lot happening in, you know, sort of all the various Asian cuisines that, you know, have always been here and have always had, you know, kind of avatars and exemplars, but not necessarily been quite so top of mind as they are right now. And I think that's fascinating.
42:57I think that's great. And and and Thai, my God, you know, I had a long conversation with a chef about Thai cuisine. And just as briefly, I feel with immigration being such a with Thai immigration being being a big part of New York now, like the immigration is is is massive from Thai diaspora ending up in New York. It's right exactly on the money. The Thai revolution is is is arriving. You know, it takes no genius to say this, but, you know, what I think is Max Widowa, I may be mispronouncing that, I apologize, is doing it at Bangkok Supper Club is unbelievable. I mean, the food is so good and so specific.
43:39And, you know, I haven't actually reviewed it yet because we've covered it in a number of other ways. And at this point, nobody needs me to tell that it's good because everybody knows. But it is. So let me ask you about the art direction of the pages, at least on the online versions. I feel there's been a real change with these animations, with these GIFs, with these short, I would call them films, but they're not really films. Was that your doing? Because I feel like that's a really nice change for your reviews. The UX, to use a weird term, is beautiful for New York Mag right now. As much as I would like to, I can take absolutely zero credit for that.
44:11That is, I believe that that was the brainchild of David Haskell, our editor-in-chief. Certainly, you know, with Alan Sinsma, the food editor. They're done every week by Hugo Yu, who's sort of our in-house photographer. You may have a more proper title than that, I don't know. But he is terrific. And, you know, sometimes we accidentally overlap and, you know, kind of can't acknowledge each other. You put a little bit of a blur face on your... I, you know, I said to Alan, actually, this one, you can't see me, but you can see someone that I was dining with. I said, you know, just be careful if the photo selection changes.
44:46I really love it. I think it's a real it's a trademark. New York Magazine is just brilliant with with trademarking and and really following through with the bit for a long time. So it's good. I think it looks really great. I'm so pleased. I mean, you know, I know that I'm coming across as so in the tank for New York Magazine. But one of the many things I love about the magazine is that there is no facet of the work that they don't get super involved in. It's not, you know, this is a written piece and so the photo can be whatever or this is a photo driven essay. So, you know, the caption doesn't matter whether it's, you know, 50 words or 500 words or a 5000 word feature.
45:23Like there is just no part of it that's sort of allowed to to kind of drag along. You read the magazine and every every page is considered. It's real. It's great work. I'm in the tank as well for New York Bank on the record. All right, we're going to do two quick sections. You're going to, this is going to be fun. I know it's difficult, but we're going to just do it. We'll call these like a New York quick takes. Best slice right now. I think I've already tipped my hand, but F and F. I will say that I really enjoyed this pizza that Tammy discovered, Farina, which sort of weirdly wedged under the BQE.
45:57Not exactly a slice joint, but I think they're doing great stuff too. But, you know, the slice for me has got to be F &F at this point. Your favorite Midtown lunch spot right now? Probably, you know, somewhere in the Sichuan corridor of 39th Street. There are a million places, some of which I go to regularly, some of which I don't. But all are kind of great. I don't get there a ton anymore. When I was at the Times, I was much closer to that part of the world. But there's one I wrote about recently that I think is out called Peppercorn Station. Yes, I know that. Oh, that's ill. Good call. That was a nice one.
46:34And, you know, that's one of the places where like the, you know, the quality of the food is inversely proportional to the, you know, kind of height of the ceiling and the, you know, terribleness of the lighting. And I don't care. You know, I'm just there shoving my face with, you know, crab guts and tofu. Best ice cream. It's February, but we can always talk about ice cream. Ice cream is one of the things that I always have in my house. I love it. I am. I'm an ice cream guy. I make it sometimes, not all that much. But what is the best ice cream? The truth is I'm such a slut for ice cream that it sort of almost doesn't matter.
47:10I still love a Haagen-Dazs. I live right by the original Haagen-Dazs scoop shop from the 70s. I think Blue Marble does great, great, great basics. You know, it's a little sort of like dorm room stonery, but I will still eat some of the Ample Hills flavors. you know anytime I see a new something I just read the Barbara Streisand memoir which is actually sort of like quietly a real food book oh my god dude we we we messaged about that it's like 47 hours it's 47 hours and I think 46 of them are about food on the audio on the audio book we're referring to and we that's one of our books here I honestly let's just do a whole episode about that food being a food book well because it really isn't her ice cream choice is definitely a thread well she she loves these mcconnell's uh santa barbara and and there you now can get them very easily nationally there are a lot of supermarkets uh and so i've been saying that i need to do like a real mcconnell's deep dive i never knew i would know so much about the film i i literally the the film yentl is now part of my body enjoy i i it's a i love yentl it's great film okay a few more let's talk about coffee i feel like that is a micro theme here are you into Yeah, you're a real coffee guy, I think, right?
48:25I like writing about it tremendously. I enjoy all elements about it. Like as an editor and writer, I enjoy it more actually than I do drinking it, to be honest. So I will sort of preface this by saying that I need to have coffee every day. But in some ways, I'm very, you know, prissy about it. And in some ways, I'm not. I actually prefer drip coffee. I'm not much of an espresso person. And I certainly will have an espresso or a cappuccino or whatever. But I really run on drip coffee that we make at home. That's the sort of unpretentious part. The pretentious part is that I have tried, certainly not every coffee, but I've tried a number of the fancy coffees.
49:09And the one that I really return to is Parler. I just think they make an unbelievable coffee. I first had it at the now departed Tilda, my old neighbor of Clinton Hill. The guy, Danny Nussbaum, who ran coffee there since passed away, was a real parlor partisan. And they're over there. They're right by the Navy Yard. And so we get the prospect blend in five-pound bags. And it used to take us three months to go through them. And now it takes us two months to go through them. And I think we're cresting towards six weeks. and at which point I'm going to get sort of nervous for my... I love it. Your journey is...
49:48I feel it's begun. We're on the way, but that's the one. You know, for a minute, I sort of dabbled with, say, coffee from Bushwick, which I think is very good. And I live right by Drip. It's in my subway station. That's my guy, Nigel Price. They have an amazing selection. It's just... Honestly, it's like hard to afford. I mean, that coffee is expensive. Yeah, well, you know what? Good coffee costs a lot. That's right. Relatively speaking, but it costs little. It's an affordable luxury. Listen, I know you've heard me say that a million times, but right? It's absolutely true. And I'm talking out of both sides of my mouth because I am the person who is now arguing for more and more expensive wine.
50:27Hey, well, I think they're both go hand in hand. All right. On This is Taste, we ask us about the discerning taste. So to close this interview, Matthew, here's a little rapid fire, fast, furious taste check. Are you ready? Okay. The best fruit. The best fruit. I think cherry. The worst vegetable. I honestly don't care about beets. Yeah, I agree. Hard to agree. The best dessert? The dessert that I will not pass up on a menu is anything with chestnut. So there's a peri-breaths peri that does chestnut in there? No. The Mont Blanc, I think. Mont Blanc. Which is sort of having a moment. That's the guy.
50:59They keep getting offered to me. And honestly, I take them every time. I actually feel like now that I've announced it publicly, I probably have to stop. I know you're going to be in trouble. I think her name is Honda's an amazing Mont Blanc. Yeah. I just, I don't know what it is. It's one of those things that gives me sort of like warm memories of childhood. My father used to roast chestnuts in the oven, or maybe it was my mother. Somebody, you and my family used to roast chestnuts in the oven for Christmas. And I love that stuff. Is that the best dessert? I sort of think the best dessert is probably ice cream.
51:25But I've got to give a shout out to my friend, the chestnut. A couple more. Your favorite city outside of America to visit for food? I would love to go back to Tokyo. I spent a weekend in Tokyo, which is a crazy amount of time to spend in Tokyo if you're coming from New York and would love to go back there. I learned a lot of what I know about eating from being in Paris for fashion, Milan in Paris, but for food even more Paris. And it's an unbelievable food city. Outside of New York, I mean, they're great. I've got to get back to the Bay Area. In America, I've got to get back to LA. There's a million places.
52:02But unfortunately, New York Magazine does not seem that inclined to send me to all of them. They used to do that. Back in like the gravy days, they would probably send their critics out. They used to do that at the Times too. Wells used to review those other cities. I remember I was reading, I think it was Sifton wrote a piece about when he got the job and he was switching over from like a culture editing gig or something. And they basically sent him on kind of like a rum spring abroad to just like eat for six weeks. I thought like, okay, like, how do I manage that? That's like going to space camp for all food writers.
52:34I mean, geez, getting to go abroad to study well exactly well you know if anybody wants to sponsor me you know yeah guys all right last one your favorite sandwich god i you know it's like every sandwich is too good the sandwich is such a perfect form um i mean there's nothing like a grilled cheese there's nothing like a blt uh there is nothing like a good egg sandwich uh pb and j I will say the sandwich that most surprised me by, you know, sort of singing to me with its siren song. I was at S &P not too long ago, and they do a cream cheese and olive sandwich. I knew you were going to say that.
53:17Oh, my. I almost like put the words in your mouth. I've had that sandwich every time I've been there. I've been there four times. I'm a little embarrassed that like I don't have, you know, I'm sure I should say like Barb Beard does like a mortadela and pistachio sandwich. That's unbelievable. And like, of course, you know, and I should be saying, you know, this artisanal liverwurst sandwich and whatever and muffaletta and all of that is true. But I don't know, you know, when you when you get down to real superlatives, I think, you know, it all kind of comes back to what was in your lunchbox. And for me, it was, you know, PB &J, a perfect turkey sandwich.
53:48Yeah, and cream cheese on bread is so underrated. They do it overseas. They don't do it much in the States. Which is crazy because cream cheese to me is such an American. Yeah, I know. form the bagel has like kind of stolen the stolen it well you know my hottest take is that i prefer bialy to a bagel that is such a take wow so you're gonna have mario carbona after you and then you're gonna have like all of new york bagel makers i love it matthew this is gonna be good and i don't even have mimi's shirt and still with us to defend i know mimi is the best on instagram or twitter to defend matthew what a pleasure talking to you i hope you come back thank you so much for joining this taste thank you so much for having me
54:35eliza we're here we're smiling because when you smile the listener actually can feel it the energy is there right we're smiling we have to come up with our like vocal smiling version vocal smiling it's a little late in the afternoon we've both done some sessions we're kind of dragging but you know what listener we're doing this for you we have three things What's your first thing? My first thing, well, all three of my things are related to Los Angeles because I just went home this past weekend to see my family. So my first thing is a dish that I had at Spoon and Pork, a Filipino place at their Westside location on Sautel.
55:08They call it patita. Pata is traditionally a deep fried pork trotter. And patita at Spoon and Pork is a pork shank that's been braised for 15 hours. Then they air dry it for a day and then they deep fry it. That sounds amazing. I know my parents ordered it, which my parents do not cook pork in the home, would not really order this much pork going out. So I was kind of surprised that it's what they wanted, but they had had it before and they said it was so good that they needed me to try it. And it really was quite special. Oh my God. I mean, let me, I have questions about this. So when you have a deep fried pork trotter, is there like a condiment or sauce that kind of like, does that like cut through, cut through the fat thing?
55:43You know, the acid cut through the fat? Yeah, definitely. It's kind of glazed in the sweet chili sauce that has, I think it's dried garlic kind of all throughout it. So So you have this kind of like crispy, lacquered pork skin and then just really beautiful kind of tender, shreddy pork beneath it. I love it. You also said tendies. I said tendies. You said tendies. I meant to say tender and shreddy and I said tendy and I hope no one would notice. Speaking of faux pas and speaking of Filipino food, I was upstairs talking to a gentleman who works in our IT department about a pop-up window that won't go away.
56:13Boring story. But when I referred to the suite of products that help us design taste, I referred to it as the adobo suite of products. And I felt extremely like my mom because we do not use adobo products here at Penguin Random House. So if the adobo products are not your first thing, what is your first thing? My first thing is also randomly LA related. We never share this together. This is the first time you're hearing it. There's a great cookbook coming out from the Kismet crew, Sarah Kramer and Sarah High Mason. Do you know this restaurant? Have you been being an LA native? I have been to Kismet, and I think Natalie Portman was sitting directly behind me when I went to Kismet.
56:52Whoa, whoa, whoa. So that was— That's a good spotting. Yeah, you know, it felt appropriate. I like Kismet, and I like they have the separate rotisserie place. Oh, yeah, of course. That's Kismet Rotisserie. And it's Sarah Hymanson. I don't know why I botched the name, but we're going to keep that in the edit. You know what? This book is—we're putting it out, Clarkson Potter, and I've gotten a chance to take a look at the PDF. I haven't held the actual book. but anyone who knows kismet knows this is a really interesting concept it is blending this middle eastern mediterranean cuisine with california and they kind of put their stamp on it with dishes like salty sweet persimmon salad and a harissa party wing they've got spice roasted tomatoes with grapefruit nice i like that and really i think there's probably going to be a pretty banging chicken recipe given that they do kismet chicken it's very veg centric um design is nice.
57:44This is a book that I'm really excited to kind of cook from this spring. Yeah, me too. You know, I'm a fan of what I call an opulent salad, and I think that's what Kismet does really well. So it'll be fun, especially for springtime. Completely. What's your second one? My second thing is that I went to an early dinner in K-Town when I was in LA. I went to Hungary, Kolgukzu. Have you been there before? I have not had Kolgukzu there, but I love Kolgukzu. It's one of my favorite soupy dishes. Yeah, and Hungary is kind of like a longtime place in K-Town. I went at like 5 p.m. I'm very early because my friend and I were hungry.
58:15And by the time we left at 6.30 on a weekend, there was already quite a long line. But my friend Sally pointed out to me that they really have a down to a science. They take your order when you're in line so that by the time you sit down, the food is ready for you. So they're clearly like high volume. This is one of the places to be. I think that what I had that was my favorite thing was a clam kogukzu, which was hand cut noodle soup. It had squash in it and lots of clams and this kind of like light anchovy broth. And it was really good. It's a great broth. Koguk-su usually leans a little more towards the seafood side of things.
58:47When you have clams in it, it's very seafood forward, but you can have chicken in it sometimes too. But obviously the hand cut noodles or the dough flakes that you can make, we have a great recipe in our first book, Koreatown for Koguk-su, I love it. It's actually really easy to make too, pretty simple. Yeah, I would imagine. And I really wanna go back to this place. What's your next thing? Hilariously, another segue, we again did not share these, but I just got back from Korea and you'll hear my recap later this week as a B-segment about all the places I visited but I wanted to call out one place in particular while I was in Seoul.
59:23I got to go to Mom's Touch Lab. Mom's Touch. Have you heard about Mom's Touch? Probably not in the way that you're talking about it. It's a wonderful name. It really is memorable. Mom's Touch is truly the best fried chicken in Korea that I've sampled. Wow. It is. I'll say this. Here's my visit to Mom's Touch Lab. The chicken arrived in a bowl, in like a real bowl, not paper or plastic. It's a real bowl. Cartoonishly crunchy, like scientifically engineered to be crunchy. I loved it so much. I got to say the flavor wasn't like fully there, but like just the crunch factor was something I never really had in my life with fried chicken.
1:00:06It was really excellent. Do you have any theories as to why it's so good? Are they frying in a certain kind of oil or dredging in something special? It's definitely the way of the dredge and the way the craggly crust works. I believe they're using some kind of rice flour or some kind of like, not to use chemical, but like some kind of agent that makes it kind of craggle up in a unique way. I'm going to be exploring this in future writing for sure. I have to say the chicken sandwich wasn't bad either. The bun kind of disintegrated, but often in Korea, the baking is not awesome in the sandwich bun variety.
1:00:43There's incredible baking in terms of amazing pastries as you'll hear on Wednesday. But really, I love the way this chicken crunches. Oh, it sounds great. They also do a burger and it was like hot trash. And I certainly would not recommend eating a burger at Mom's Touch. But Mom's Touch Lab, check it out. What's your last one? My last one is my last LA restaurant, which is a Taiwanese place called Little Fatty that I went to in kind of Mar Vista area. They are attached to the bar accomplice. And so they do really nice cocktail program. But honestly, I think the dessert was my favorite part. Well, we had a lot of good things.
1:01:18They do like chow fun noodles kind of rolled up and sliced with XO sauce. They do an orange chicken. That's probably the orangiest orange chicken I've ever had. Is that a good thing? Yeah, I really liked it. But it had definitely like orange zest finished on it and just a lot of like real orange flavor, which is kind of fun. But the best thing was that they did homemade sesame balls warm with taro ice cream for dessert. Oh, I love a taro ice cream. I love that. So it's called – what's the name again? Little Fatty. Little Fatty. I mean, so I love that this is a casual place, like show up Little Fatty.
1:01:49Yeah, they have a place called Fatty Mart around the corner, which is actually more casual. And they do really cool pizzas. They were doing like a chicken mole pizza when I was there. They have a big refrigerated case, both with things you can buy and things that they're making. So that's kind of even the more casual one. And then Little Fatty is kind of like more of a sit down spot. It's the restaurant. Was there a restaurant that you wanted to go to that you didn't get a chance to that you're like, man, I wish I would have gone? It's a very short visit. I know. Yeah, I feel always with L.A. there are so many places that I want to go to.
1:02:16I've been wanting to go to this place, Chainsaw, in Echo Park for a while, mostly for the pastries. They do kind of these really delicious looking pies and milkshakes and things like that out of what I think is a converted garage. It was like a pandemic pop-up that now has a more permanent place. So that was what I was hoping to do this time. But, you know, it's always nice to just like eat a lot of citrus. I'm happy. Yeah. Have you been to a good used book yet? No. But this place is like a used book pop-up store that is on the east side. No, I love that title though. It's cool. It's really, really cool.
1:02:45I've written about it for Why Is This Interesting, that newsletter. And I'll link to the show notes. It's a really, it's a favorite of mine. I don't know why it just popped in my head. No, I like it. I'll check it out. What's your last thing? My last one is that I want to just remind our audience. Me and Marissa Mullen are heading to Normandy in late August. The trip is selling quickly, and I wanted to give a heads up to our listeners that you should definitely check out the link in the show notes. We're heading to Normandy in August. It's a cheese tour, Eliza. Marissa Mullen, author of That Cheese Plate Will Save Your Life, a real cheese expert, and we've kind of crafted this amazing trip, and I just want to share it with the audience.
1:03:23I mean it sounds like great I feel like cheese in Normandy in the summer what's not like what's not to love Normandy's great in the summer because it's just not hot like it's like a little cooler than the cities and and really this is like the end of summer um we're going to Mount St. Michel we're going to definitely pick some apples and like it's like the first pick late August apples too which is my favorite time to have apples but we're closing the closing this in a few months probably but definitely check it out I can't wait to to visit Normandy with Marissa Mullen Sounds great. Thanks for sharing your three things.
1:03:55Anytime.
1:04:01This is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.
From the publisher
Matthew Schneier is currently the chief restaurant critic at New York magazine and previously reported on fashion and culture at The Cut and the New York Times. Matthew joined us in the studio to talk about the job he took over a little more than six months ago. We discuss putting his own unique stamp on the coverage, what he looks for in both old and new NYC restaurants to review, and how he came to the job in the first place. Matthew is one of our favorite writers around, and it was so great catching up.
Also on the show, Aliza and Matt catch up about three things they each are into right now, including: Patita at Spoon & Pork in Los Angeles, the forthcoming cookbook from Los Angeles restaurant Kismet, Kismet: Bright, Fresh, Vegetable-Loving Recipes, clam kalguksu at Hangari Kalguksu in Los Angeles, Mom’s Touch Lab in Seoul, Little Fatty in Los Angeles, and come to France this summer with Matt and Marissa Mullen!
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.
MORE FROM MATTHEW SCHNEIER:
Will Four Twenty Five Kill the Grill [NY Mag]
Not-So-Plain Slices [NY Mag]
Keith McNally, to Go [NY Mag]
The Good Used Book Edition [WITI]
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