In short
Podcast Notes: This Is TASTE - Episode 389: Koreaworld with Yangban & Nadia Cho
Episode Overview
The episode features two main conversations
- Katianna and John Hong - Chefs and co-owners of the Los Angeles Korean restaurant Yangban.
- Nadia Cho - Co-author of the new book "Jang" and a well-connected figure in the food culture.
The discussions center around modern Korean cuisine, its evolution in Los Angeles and New York City, and the cultural implications surrounding Korean food.
Key Themes and Discussions
Modern Korean Cuisine
- Yangban's Approach:
- The Hong siblings discuss their journey in the restaurant industry, the challenges of entering the LA market with their unique take on Korean food, which leans towards a blend of traditional and Americana influences.
- They highlight the traditional Korean-American restaurant scene and how it still heavily influences culinary practices in LA.
- Challenges:
- The need for a narrative when opening a new restaurant can create challenges if the concept isn't easily understood by the public and critics.
- Embracing challenges has led to creative growth for the restaurant.
Cultural Influences in Cooking
- Jewish and Korean Culinary Fusion:
- The Hong siblings discuss the influence of Jewish culture in their cooking, specifically how they integrate elements of their Jewish heritage into their dishes without falling into the trap of "fusion" cuisine.
- Their cooking style is described as autobiographical, meaning each dish reflects their personal narratives and experiences.
- Experimental Cooking:
- The chefs embrace an experimental approach, often drawing inspiration from their past while also being influenced by contemporary trends in culinary arts.
Evolution of Korean Food in New York City
- Nadia Cho's Insights:
- Nadia Cho reflects on her experiences promoting Korean food in New York City, particularly during the early days of the Korean food movement.
- The shift from a predominantly Korean clientele in restaurants to broader acceptance and curiosity from diverse audiences is highlighted.
- The Role of Government:
- The Korean Food Foundation's efforts to promote Korean cuisine globally are discussed, including the challenges faced in marketing and PR due to a lack of understanding of cultural nuances.
Notable Culinary Moments
- Influential Restaurants:
- The Hong siblings mention several must-visit restaurants in Koreatown, emphasizing a mix of traditional and modern Korean spots.
- Nadia Cho emphasizes the importance of exploring Korean cuisine beyond the traditional confines of Koreatown, noting the emergence of modern Korean dining experiences.
- Cooking Techniques and Authenticity:
- There is a discussion about the importance of authenticity in Korean cooking, especially concerning traditional dishes like kimchi and panchan.
Upcoming Events
- The Koreaworld crew is hosting book release events in various cities, including New York City and Los Angeles.
Key Takeaways
- Modern Korean food is a blend of traditional practices and contemporary influences, showcasing a narrative of identity and heritage.
- Experimentation and personal storytelling are central to the culinary philosophies of chefs like the Hongs, allowing for a more individualized dining experience.
- Culinary evolution in both Los Angeles and New York reflects broader cultural shifts and the increasing popularity of Korean food among diverse audiences.
- The work of organizations like the Korean Food Foundation has played a crucial role in increasing global awareness and appreciation for Korean cuisine.
Conclusion The episode sheds light on the dynamic landscape of Korean cuisine, underscoring the blend of tradition and innovation that characterizes its modern interpretation. The insights from both the chefs and Nadia Cho provide a rich understanding of the cultural significance and evolving trends within the culinary world.
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Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. I think the reason why I've always loved restaurants and cooking in general is that you have the opportunity to come in the next day and fix everything, you know, that maybe went wrong the day before and kind of start over again. It's addictive.
0:52This is Taste. I'm your host, Matt Rodbart.
0:59Today on the show, we have two really great conversations. First, it's a talk with Katiana and John Hong, the chefs and co-owners of the groundbreaking Los Angeles Korean restaurant Youngban. We speak about the chef's paths to the restaurant industry and what makes modern Korean food in LA so exciting. Also on the show, I have a wonderful talk with Nadia Cho, the co-author of an excellent new book, Jang, and one of our most well-connected friends in food. Nadia and I have traveled to Korea many times over, and we talk about our stories from the road. We also talk about how Korean food has evolved in New York City and beyond.
1:34I really hope you enjoy these conversations.
1:45Kat and Jon Hung, welcome to This Is Taste. How are you guys? We're doing well. I want to get a sense of when you when you entered the L.A. market with your restaurant, you weren't really that was like your first big restaurant in L.A. When you entered it, what was what was the Korean American restaurant scene like when you entered? You know, L.A.'s Korean American restaurant scene is still very almost traditional. I would say there's so many institutions in Koreatown. And I still believe that the mindset is still kind of that that is the way to serve Korean food, eat Korean food. Yeah. But you're seeing little pockets here and there of people taking some more risks, being a little bit more personal in their narrative and being a little bit more inspired by growing up in America, us being one of them.
2:30But yeah, you're starting to see it a little bit more in L.A. Yeah, I mean, we live in Koreatown. So there's a lot of like the mom and pop places, little neighborhood spots that we love. But it is starting to mingle with some like modern Korean American places. But I think that for the most part, the modern Korean American comes from a very Korean approach. And I think what we're doing is different than that and doesn't quite fit into that category either. And that it's more of like an Americana vibe and approach. So I think when we were looking at the market, there wasn't really anything that we could totally identify with.
3:15so it's been an interesting path kind of navigating how we fit in where we fit in you say interesting I would say challenging because honestly when you're opening you need a narrative and when writers can't put a finger on what you're doing there's confusion frustration and then negativity because ultimately when you don't understand something you're negative but I loved it I was at your restaurant the first month and you know you've evolved it twice maybe three times since but I love that you say that because it must have been challenging to get people to go downtown for Korean food. For sure.
3:49For sure. It's challenging. I think we've embraced the challenge and it has been overall like a positive experience. You could look back at the deli and then I think that evolution has been really natural. And it's been like creatively a really interesting process for us. And like being able to kind of, you know, feel the beat of LA and see what the guests respond to and what they don't respond to and then what we like and what we should prioritize and kind of navigating that journey and creating our own cuisine. I mean, it's still happening at this moment, but I think in a lot of ways, like we had to go through that process to kind of create something unique and individual.
4:38But also like you have an art program and you have artists in the space. You've got this incredible space and incredibly challenging space that you've been able to evolve. All right, John, let me ask you, what wakes you up in the morning to get to work? I mean, it's a lot going on. Service is intense. What excites you? Sure. I think, you know, half of it's the responsibility of being a business owner, being a chef, having a team of 30 to 40 individuals. The other half is I think what we've set out to do, we've put ourselves in a position to do something we love, do something that means a lot to us as far as sharing the narrative, as far as exploring our heritage, our cuisine.
5:18I think that's like the perfect ideal situation for a chef is to create a situation where you can come to work and work on all these things so for us and for me it's about kind of the work then that we've kind of created the environment that we've kind of created um yeah and there's nothing i'd rather be doing or waking up and going to okay what's the biggest challenge right now when you're when you're getting up in the morning to get to work because i just think la like new york is just a tough town right now for restaurants i think the beauty of um like a dinner service and a restaurant is that you start over again the next day.
5:55You're going to have new guests coming in and new opportunity. And so, I mean, I think the reason why I've always loved restaurants and cooking in general is that you have the opportunity to come in the next day and fix everything, you know, that maybe went wrong the day before and kind of start over again. And it's addictive, I think. So you just keep working it. Yeah. Just having that reset. I mean, you're artists in many ways. And I think not all chefs are artists. It's a very workman-like trade, but clearly art direction is important for you, from the shirt that you're wearing today to the art on the wall.
6:33So being able to refresh every day and reset is cool. Absolutely. Kat, let me ask you about, you're both tied to Jewish culture. I'm Jewish, so I'm interested because I've written two books about Korean food, and your father is Jewish, and I'm not sure if you were raised Jewish, but... More in a celebratory way. and then John you grew up in a Jewish community so you've woven in Jewish cuisine into Youngbon and I want to get a sense of Cat first how do you do that and not make it feel like fusion-y in a weird way but how do you make it feel like real I guess the term we use all of our cooking is autobiographical so we don't just randomly put things together for the sake of putting it together.
7:22Not that there's anything wrong with that. It's just not our approach. Your skills are not like throwing things together. Like your background is not that. It just, honestly, it happens organically. So if you see a dish on our menu or something, and there is, you know, some Eastern European reference, or perhaps a Jewish reference, a lot of people assume, oh, yeah, that's Kat, because she was raised by a Jewish father, and has fond memories of her Jewish grandmother. But that's actually not the case at all. You know, John grew up in a predominantly Jewish suburb of Chicago in Highland Park, Illinois.
8:04And so it's just, you know, we're both Korean American, both grew up and had very, very different experiences. But we both relate to, you know, this desire to connect and learn about Korean cuisine and our culture and our heritage. but then also just having a lot of Jewish influence in our cooking and our personalities and what we do. I mean, John, the Jun Latka mashup, which is unfortunately off the menu, which I was bummed about, but no shade. That was truly my favorite Latka restaurant ever. So perfectly composed. Let's get into that dish and we'll come back because I hope it will one day. Yeah, it probably will come back.
8:46I actually forgot about that dish. Um, yeah, I think that when it works, it works. And I think that for us, that journey is always different. Sometimes it's with the end thought in mind. Sometimes it's with just playing around and getting to that point by happenstance, just by experimenting. Um, we've always wanted to do a Jun. We've always wanted to do a pancake. Yeah. Um, just cause it's so symbolic of Korean cuisine. And I think that one day we just, you know, it clicked. Yeah. pancakes latkes how can we hybridize this to make sense at yangban um i believe we served that with trout roe you did and dairy and dill and it just worked i think there's a soy sauce element or maybe something like that but i think that's indicative of our style of cooking i think it's a lot of it's explorative for every hit there's a probably a few misses yeah but i think we're okay with that at this point in time at this point of yangban's life um i think that's the beauty of where we're at right now at Yongban is there is an experimental aspect to it.
9:46There is an explorative aspect to it. And as Kat said, we don't really have a frame of reference of where we're cooking. We're not cooking regional Joseon old school Korean food, but we're also not creating like traditional deli cuisine either. So it's an interesting time for us. Yeah, no. And that's why it's so refreshing to see that you don't put yourself into a box or stick by any rules. And it reminds me, I just returned from Seoul and I got to go to a lot like cool modern restaurants and you know in korea you know korean food is like native cuisine right and like honestly uh there aren't any rules there because it's korean food so you could see like a really really great v60 pour over and um a queen amon in korea that's korean food for koreans and i feel like that's why i'm so drawn to what you do because it really feels like you are exactly where modern korean food is going which is not rules it's not chige i love grandma grandma grandpa food, but honestly, it's not the future.
10:42Disagree or disagree with me, Kat? I want to know how do you look at that traditional Korean food in your own point of view? You know, traditional Korean food for me is interesting. It's unique because I think for a lot of Koreans, it's nostalgic. You remember, you know, your grandmother preparing it or your mother, you know, aunt's uncle's family celebrations. I know that's how it is for John. Um, so again, yeah, there's like a place that's in your heart for it. It's very important to you. Um, but you have this desire to kind of expand on that, to do something different, to explore the traditions.
11:23And for me though, I didn't grow up with any of those traditions. So they're new for me, you know, going and having chigae and being in Seoul and experiencing panchan and stuff. I mean, that's all new for me. so it when we create a dish it's an interesting perspective because i'm coming from it oh i mean i they didn't say it in an insulting way but john's family when we first met said she eats like a child oh my god well because i'm exploring everything it's new and it's it's in hindsight it's very true i mean i look at what i used to like when i first started learning um about korean cuisine compared to now yeah and definitely i mean it was like my daughter who's for yeah my taste was so um I think it brings an interesting element to our dishes because there are some things that I think John are is kind of like oh yeah like who cares you know not interesting but it's interesting to me um so we'll explore that a little bit let me ask you you live in K town let's talk about the spots because I you know in our books we write about some of the LA spots that we love and it's always changing I talked to Matt King a lot about this what where do you guys go when you're when you got a minute or an hour free time i know you're working chefs you're not always going out but we find ourselves at song done a lot um just because it's kind of quick easy and consistent um we go to hangari sometimes uh we do madang madang guksu myungin we go myungin a lot uh yuchun is right down the street from us so we go there sometimes for cold noodles.
13:01Choson is kind of my dad's favorite place. It's a little bit more old school and traditional. Parks, we do it all really, yeah. Yeah, I mean, it seems like a moving target in LA. There's always new spots, but hitting those, you know, those more mom and pop spots is what LA really has to offer, especially spots on Olympic, you know, near Western and that part of that little sector of K-Town. Love that. I know this is a big restaurant. I know that you're not thinking about this, but I'm going to ask you because we have microphones in our faces. So let's go there. What's the number two restaurant?
13:33And, you know, do you think about doing something more traditional K-Town style? Does it fit into you, the Youngbom brand? I don't think traditional, but I think we would love to do something in K-Town for sure. Well, you live there. So commute's pretty good. Yeah, that would be amazing. You know, right? No more downtown traffic, yeah. That's right. I think John's always dreamed of doing a high-end barbecue. Yeah, I think that thoughts have definitely been tossed around about a yangban style Korean barbecue and what that would look like. Well, I mean, the meal I had was really great. And I think panchan to me was one of the highlights.
14:11I thought that, you know, the way that you really flexed creativity and it was in the middle of the meal. Interesting choice. I'm into that fully. I think breaking that rule is interesting as a diner. How do you think about panchan? Do you switch it up a lot? Or is it like a few really standard recipes? And what's on the menu now? I want to make sure we cover the actual details. Sure. Right now on the menu, what do we have? We have an aged kimchi from Khe Son Kimchi, which is right off Olympic and Western, actually. We have an avocado and shinko pear salad that has hot mustard vinaigrette. There's some toasted almonds and rice seasoning on that.
14:52Such a winner. Oh, my God. We have honey walnut, like kind of glazed carrot. Carrots have been roasted and dehydrated and glazed into soy and honey glaze with some whipped yogurt, lime zest, and herbs. We have grilled cucumbers with chili oil and coriander. Oh, yeah. Coriander was really nice in that one. And then we have steamed broccoli. It's been marinated in like a yuzu and ginger vinaigrette with a chicken skin furikake as well. Oh, yeah. The furikake in that was cool. And that's a nickel. Cool, yeah. Do you guys play around with mala at all, Szechuan flavors? I am not personally a fan, or I guess I don't cook with mala spice a lot traditionally, but we're open, I think.
15:34Let me ask each of you, what's the one traditional dish that you really want to investigate? John, first. I find myself more and more interested with kimchi's and jong's right now. we've looked at kind of the fermentation program at yangban in a few different lights and reinterpreting korean panchak korean ferments yeah is something that's top of mind for me you know it's something i did with my parents growing up with my mom and my grandma but getting a better sense of doing that on a larger scale is something that's of interest to me yeah what about you kat fermentation it was such a big part of our um lives in the napa valley and that meadowood and the charter oak.
16:15So yeah, I think that's an area we'd like to explore. Just speaking of like a dish, a cold noodle dish. Yeah. It's one of my favorite things. It's just like perfect for me. But we haven't really nailed finding a way to make it our own and do justice to the original dish. You think it can be named on? Yeah. Yeah. And so it bothers me, I guess, that we haven't been able to achieve a great version of that dish. Oh, you'll get there. Yeah. You know? I think, yeah, I think we'd like to find our yang ban version of the cold noodle. And this is Taste We Asked Guests About the Discerning Taste. So to close this interview, here's a little rapid fire fast and furious taste check.
17:01Are you ready? Yes. All right. Each of you answer this quickly. The best fruit. Apples. Plums. The worst vegetable? Asparagus. Pain. That hurts me. Asparagus is so good. Why don't you like it? I used to. I recently just, I don't love it anymore. Is it because? It's either, I don't know. I like a lot of like crunch, a lot of raw vegetables, and I don't really love asparagus raw. and then when it's cooked, it gets a little too mushy and stinky for me. I just, I pass lately. John? Right now, I'd say artichokes. I had one in Palm Springs that was so bad. It's so bad. I love artichokes. Oh, wow. You're going the best dessert.
17:51Apple crisp. All in a warm. Creme brulee. Oh, yeah. Simple guy. Simple. Okay, your favorite American fast food chain? Taco Bell. McDonald's. Oh, yeah. Those are like on my Rushmore for sure. Yeah. Favorite LA restaurant? I know. Not yours. Not ours? Yeah. Gitlada. I'll say Kato. Yeah, Kato. Your favorite cookbook of all time? I would say maybe the French Laundry Cookbook or just like old school LaRousse Gushin on Meek. Yeah. What about you? I remember when I first started buying cookbooks as a young cook, Pierre Gagnier reinventing French cuisine. I just loved looking at the pictures Is there a book in your future?
18:35Maybe Fun to see your version of it If we can ever figure out the cold noodles Just waiting on the cold noodle Your favorite city outside America to visit for food? I was going to say Bangkok I'll say Predictably Seoul or Oaxaca Good calls A couple more A cuisine you'd like to learn more about? I think Portuguese maybe Maybe. My aunt and uncle retired in Lisbon. Yeah. And they rave about the food. And the tax breaks. Just kidding. Yeah. Joke, joke, joke. Yeah, yeah. But yeah, the food in Portugal is amazing. Yeah. Kind of underrated. I mean, Spain gets so much love. Right. Yeah. What about you?
19:13For me, I heard about this little subculture of like Russian Koreans. Oh, yeah. Yeah. That I've been like super interested in. Haven't seen a lot of expressions of the cuisine, but that's something that really interests me. yeah G.A. Kim and Miss Kim in Ann Arbor kind of plays around with a carrot salad yeah has a back kind of kind of vibe uh background heritage and yeah it's fascinating there's a couple spots in New York that kind of a Ustbeck interesting yeah so that's cool I hope you guys can explore that last one your favorite sandwich each uh french dip french dip I was gonna say an Italian beef from Mr.
19:50Beef with sweet and hot peppers oh that's just shy talking that's Chicago right there Kat and John Hong, thank you so much for joining This Is Taste. Thank you for having us.
20:09Nadia Cho, welcome to This Is Taste. It's so great to see you. So great. And this is a long time coming. And this is a really personal interview for me because I owe so much to you. And I just have to, like, first off, just publicly thank you over and over again for being really the person who is most responsible for getting me into writing about Korean food. You know, I'm thank you, you know, because you are, you know, we're going to talk about it later. But a decade ago, when I started to promote Korean food in New York, you are the pretty much only journalist who responded to my, you know, contacts.
20:50So thank you. I learned from you a lot. So we are big. Yeah, we're teammates on a lot of work. We travel a lot together. I've been to Korea. I would say I've been there seven, eight times. You've been there most of the times. Let's go back to 2012. Our first collaboration was on a guidebook. And it was covering 60 restaurants in New York, Korean restaurants. And I was the author of the book and you hired me to write it. And the question for you, Nadia, is let me get a sense of where was Korean food in the lexicon, in the culture when we started that project? 2012 actually is really the beginning stage of the promote Korean food globally.
21:40It's kind of the big campaign from Korean government. Before that, we never thought about really food as a culture. But that time, Korean government, that's really important and really competitive content to promote among all the different content. So pretty much at that time, still in New York, there is kind of battle between kimchi in Japanese and Korean. Still, they're spelled wrong. It kind of said K-I-M-C-H-E-E. And then, you know, gochujang, I asked so many times to journalistic chef, don't say Korean chili paste. Please spell, pronounce gochujang. But still, they promised me in the person, but go back, they changed it, you know, because they say audience don't get it, you know.
22:33Such an important point is just the naming convention for all these products. And you really, in speaking with you early on when we decided to write the guidebook, we wanted to have a style sheet that spelled words out in their entirety that used words like gojujang and tenjang. And it really has informed the way I write about Korean cuisine, which is using the Korean words, not italicizing them, not trying to shorten them, but to say the word. Let's go to the restaurant scene in New York. I have a lot of thoughts about the evolution in the past, like 14 years, 15 years. Let me ask you, though, what was it like, you know, being in New York 2010 in terms of Korean restaurants?
23:16Pretty much 99 % Korean restaurant in 32nd Street. We call it Korea Town, really one block of street, you know. Maybe Uraeok in Soho, Ban in Kronbiltown, but rest of them. And their main customer kind of 90 % is Korean. Korean, Korean, or Korean, even American. So kind of first generation immigrant where they opened the restaurant in 32nd Street, you know. So pretty much, unfortunately, all menu, name is a different restaurant, but menu are very similar. They don't have a specialty. They don't have really, you know, so really pretty much the same. And then there, even though whenever I had tried to convince them, be brave, get out of their 32nd Street and do your own thing.
24:01But they're all first generation. They're scared. They don't know how to market. You know, I need to hire a server who can speak English. There's more money. You know, I don't know what to do. It's kind of. So at that time, probably right now, they don't get it. It happened a decade ago, but it was. Yeah, it's been such an evolution away from Koreatown, the 32nd Street Strip. And, you know, we've had Simon Kim on, which all of his restaurants, Koat and Kokodok, are like well outside of K-Town. Ari Ari Hojokban, outside of 32nd Street. Hand Hospitality has nearly 20 restaurants. Yeah. Even, you know, that area, it's more like a second Koreatown right now, Flatiron, kind of Han Hospitality.
24:48You know, Simon Kim, his restaurant is there more second, I think, Korea time right now. We're going to get into your TV production work and the way you've been able to link with Western journalists and Korean culture. And you have lots of cool stories there. But I want to go back to your time working with the Korean Food Foundation, which was kind of the sponsor for that initial guidebook. And I want to get a sense, Nadia, of how the Korean government played a role in the growth of Korean food. They didn't do everything right. And I've said this on the record. I agree. Mistakes, you agree too.
25:24And mistakes were made and maybe money was wasted. But directionally, as they say, they were correct in using food to market Korean culture. So, Nadia, what was your working relationship with Korean Food Foundation? And what were some of the initiatives that you spearheaded working with the Korean government in New York, L.A., and around America? Korean Food Foundation is exactly when they decided the national agenda will promote Korean food globally. It's a really short-term organization, only just kind of 15 years. They didn't know what to do. They have a big agenda, but they don't know what to do.
26:05How to execute it? no idea, no connection, you know, but, and then at the time, you know, first lady was kind of key person to pursue their project. So after a changed government, you know, administration, it become the politics, drove me crazy, you know, but I'm not, I'm not any politically, you know, but the, they have the agenda is really right time to do it. So luckily they spent a lot of money that kind of for three or years after that, all the money gone. No, that's the part of it. Like the money did dry up, but the first lady, her initiative, you know, it became political, but they were spending money.
26:45Money. And then even hard to convince them, but you kind of, in Korea, United States, very different. You know, any business in United States, the marketing PR is so pretty much half budget of all business. But they didn't get it, you know, how expensive to promote world marketing and PR in the United States. So every time it kind of, you know, I think it's part of I work with them. It's kind of I need to educate them how to work with, you know, U.S. especially, you know, even Europe and U.S. is different. U.S. everything money, you know. Yeah, yeah. It's a little different when you work with municipalities in Europe.
27:26Now, I have to ask you, with these efforts, the guidebook and other projects, now in the current times, how was that investment worth it? Were there some moments that you think you broke ground in your work with the Korean Food Foundation and other organizations? Because I don't know any other country, but Korean Food Foundation is under Ministry of Agriculture. So it means it's not Ministry of Culture. which means really they approach Korean food promotion is not as a culture. Unfortunately, it's kind of import, export, you know, how, you know, the number, number. It's the goods that they are sending to the world versus the culture.
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28:06So I told them, we just started. It's going to take time. You're going to see, oh, we export more food product to all the United States. It's going to take time. Right now, it's clearly acknowledgement, you know, awareness. but it's kind of, you know, I see some article, there's some, you know, coming up. So at that time, it's really hard to see, you know, result directly after that. But right now, after 10 years, we see a lot of kind of good and, you know, good, you know. Oh, we see it. I mean, we covered in our book, Korea World. We really want to talk about the modern Koreatown and how the modern Koreatown is everywhere in these cities and not in these strips called Koreatown.
28:52It's like Korean culture and food culture is everywhere. And I think... For simply 2011, you know, Huni Danji opened, got the one Michelin, and Jung Shik Dang opened 2011. Right now, last year, Michelin, 11 Korean restaurants. Every year, new entries, one Korean restaurant. So I don't want to say that's really reserved, but it's one of the reasons, you know, a lot of Korean fine dining, modern fine dining in New York, it's kind of really like acclaimed, got the response. 100%. Lots of media has been spilled about the fine dining side of Korean cooking. And we've covered many of the chefs on, but between Auto Mix and Oji Mi and the Han Hospitality restaurants, to name a few, it's pretty remarkable.
29:44Jun Shik is still around too. We can't forget about that. Yeah, he is, you know, we call it Korean Food Fine Dining Academy because, you know, JP is from, you know, Jongsik. You know, Ho Young Kim of Ju-ah is from Jongsik. So I think we all chefs appreciate, you know, how Chef Jongsik did for, especially New York dining scene. It's remarkable. Let's talk about your work with television. Because one thing, in addition to working with the government and working on projects like our guidebook and events, you would often work in Korea with journalists and you would work with a lot of really interesting projects.
30:26I would say the one, a bunch come to mind, but one is the Anthony Bourdain episode that you worked with 0.0 on, bringing Anthony Bourdain to Seoul for the first time. What was that like? That's a big sigh. Challenging. Very challenging. Challenging is an understatement. Thank you. It's kind of for that Parchanone episode. Because back to the TV, you know, a lot of people ask me, what do you do? You know, I don't know. Sometimes my role is different. It really depends on the project. Even though we're a TV, you know, I can do producer. I can do local producer sometimes. Fix all different roles in the different project.
31:12But, you know, Anthony Boulding, he's a legend. So I want to do the right with that project because I know that's how influential it's going to be, that episode. I know Anthony Boulding loves Korean food. And after, I think, No Reservation, he was so excited. And then first meeting with his team, he want to talk about Cheong and Han. I shocked how he knows these two words. He's not just TV personality. I think that's why people love Tony because he knows exactly what is the right word to really understand the culture. It's not just food. But it was not easy. Even talk about Chung and Han, so producer didn't get it.
32:02I tried to explain to them. So after all that, And unfortunately, we are not good at really delivering the message of what is Han and Jong to, you know, tell the story about the Korean food through the food, you know. A missed opportunity, you would say, that episode. So whenever I add, if I have a second opportunity, I want to really take Tony back to Korea. I want to do the right thing to tell, show what is Han and Jung through food. But it's not going to happen. Unfortunately, it doesn't happen with him. But there are plenty of interesting observers of food out there doing great television, doing great YouTube.
32:47I think YouTube is an interesting place for food travel. What are some other shows or media folks that you worked with in terms of collaborations? In the beginning, the Korean government always preferred big names. We call it kind of, you know, the old media or legacy media. It's NBC, CBS, CNN. So that's why I work with a lot of big legacy media. A lot of NBC work, yeah. Yes. and then even but I still work with them but I appreciate I work with either YouTube and Netflix or much more different platform you know and they kind of right now they appreciate Korean government or all the audience understand how important even they right now they don't get it they don't like the legacy media they were YouTube which is fair and I think that's actually a smart move by then And finally, not to think about only the brand name, but actually what people are listening to.
33:47You mentioned very briefly Netflix, but I think it's a huge moment in your career is when you worked with the producers of Chef's Table on the kind of legendary Jung Kwan episode, the Buddhist temple, the monk chef down in Jelado at the temple. You worked with Jung Kwan and you brought David Gelb and team down there. What was that shoot, which is now one of the most iconic episodes of food television ever made? What was that shoot like? I knew. We spent two weeks in the temple. But kind of in the middle of the shooting, David and I, Nadia, it's going to be big. It's going to be something different.
34:32Because when I had the first meeting with David, because I think it was a little challenging for him or his team. because it's the first time to, you know, have the host or talent not fine dining chef who doesn't have a restaurant. And then always they shoot the food beautifully, but kind of temple food is kind of very humble, you know. It's not meant to be shown off and played beautifully. No, but during the shooting, we know it's kind of our stereotype, what it's kind of beautiful food scene, you know. And then it is the right time. I don't think I just tell the story of one monk, temple food.
35:19It has what is the philosophy of Korean food, no food waste, appreciation. You know, so many different story philosophy behind the Korean food. I think that's why people love this story. that's why I love the TV work because the one content how you know inspires so many people over global war you know and then you know that's the chef table Junggan episode is really a big moment for Korean culture because it food culture because it made the really strong case that Korean food is not simply barbecue there's a whole world that's outside of the grills And I want to stay with temple cuisine because you mentioned it and it's very true.
36:07Like Jung Kwon is one person. But as I write in Korea World with Dookie, there's a whole section about the temple cuisine throughout Korea. And you and I and Alex Lau and Dookie and team got to go and stay overnight at a temple. And we went to several temples during the research for the book and we write about it in the section. I'd like to get your sense of how temple cuisine and the Buddhist religion, it permeates Korean culture. It's not just one person who's doing the fancy, you know, TV appearances. There's a network of monk chefs and of just nun chefs and just chefs who work in temples who maybe are non-religious, but they're part of this culture.
36:52It's really unique. I'm not a Buddhist. And then it's pretty much, even though I'm Korean, it's kind of first time for me to really get into the temple because of this, you know. So I, even every time I learn, but Korean, for Korean, the Buddhism is not the religion. It's more like, you know, philosophy because all the based on culture, a lot of Buddhism really behind really for a long time, more than, you know, 100 years. So even though I'm not Buddhist, I kind of get sensitive how Buddhism is really into our food scene. So when I, even when I, there are several monks in Korea and nuns who does temple food.
37:40The reason why I love Jung Kwan at the time, first of all, her temple art is beautiful. And then I love her food. No matter, even though temple food, they're delicious. That's my kind of motto. Food should be delicious, no matter what, vegetarian or it should be delicious. I love her food. And then I love her, the temple foods as kind of trying to do it, you know, no food waste, vegetarian. It's kind of all that right globally we are worried about, thinking about the kind of really, you know, social activism. So that's how connected to the right now. And then that's people, when they go to Korea, they want to experience temple cuisine, even though they are not Buddhism.
38:30I don't think it's really just because of Jungwan. They want to learn. And then I heard so many people after that, I changed my diet. I started the meditation. It's kind of, so it kind of really changed their experience moment. I think that's kind of the temple cuisine. It's playing a role in the Korean food right now. It's also to add a bit of a tourist opportunity because if you visit Korea, and we read about this in the book, you can do temple stays, which are really, really unique. You can spend a day. You can spend a week. But you book it through a website in English, and you can stay. And I would say with wellness and health and wellness at the top of mind with many travelers, it's a great way to do Seoul and Busan for a week.
39:18And then you maybe do like three days at a temple. And I'm not sure you remember, 10 years ago, when I told you about a temple cuisine or a temple, you are not interested at all. I know. I'm not interested, but I'm very surprised that last trip, you know, for the Korean War, Nadia, I want to try to experience a temple stay and a temple cuisine. I was very surprised. Hey, man, you are... Calling me out. I love it. You're calling me correct. And it's true. I was less interested, definitely less interested in it. And I think the Jung Kwan episode kind of got me started. But then I was like, there's a whole network.
39:59We did go with Eric Repair. We've kind of forgotten about that trip. Oh, yeah. We took Eric Repair and I wrote a story for Bon Appetit. And you were there the whole time. And we got to hang out with him in Korea for a week. And oh, that was fun. It was fun, you know. And I think it's the time. even I love that experience because Eric is a French and the fine dining chef. You are a journalist. When we go to one restaurant or experience something, you will respond, each other are different. I love to see how you embrace even though same dish, same restaurant. It's kind of over for me is a learning process to how, you know, chef or journalist, you know, accept that food differently.
40:49So I love that watching you guys have a really different. It was cool. It's a really nice observation that you have because I think we have very different points of view. And, you know, he definitely prized certain elements of it as I did, but we differed too. It's not really someone is right, someone is wrong, just a different. I think that become my asset to, you know, all last decade because all Korean food have all different aspects. So I learned from different, even chefs, they have a different, you know, really approach. Let me ask you about Zhang, the book you just published. Yes. Not too long ago, this spring.
41:28March 12th. And with the chef Minggu Kang and, you know, Joshua David Stein. And it's an amazing book. I really, really learned a lot from reading it. I thought that there was never a book written about Zhang in English, and you did something really unique with it. Let me ask you, what inspired the book? And really, what's the book? Now that it's been out a little while, what are you learning about the book? First of all, I want to thank you. You introduced Joshua to us. He was a great writer. I mean, there was only one choice. Joshua is a terrific writer. He's also just a curious guy who wants to learn on all of his projects.
42:03And I knew there was so much for him to learn. and he did a terrific job, really terrific job. And then I know Minggu for a long time, even before he opened Minggu's. So now he become most respected chef. It's kind of the leader of the old chef in Korea. So during the pandemic, I had lunch with Minggu in Seoul. Minggu, you know, I want to write the book. and then about Domingos, I'm not interested. And he said, it's probably about something, what is the most important element in Korean food. It was a chong. So we mean it is the chong. But we didn't, at the time, it's kind of several ways to rewrite the chong.
42:51But I don't want to really do rewrite in Korean and translate something like it's not going to work. I know that. So it's better. It's kind of really challenging. I think it's really most unique teamwork, writing book. I think all the kind of publishing cookbook. So it's better the teamwork we have of American writer and really in the beginning point we start, you know, right. So you introduced me, Joshua. And I believe it's a very challenging job for him because he didn't know anything about Korean food before he joined this project. So every week we had the Zoom meeting is kind of the process.
43:33We jumped so many information to Joshua. I know it's not easy for him to digest all the information about even Chang itself. It's not easy, is it? Absolutely not. It's highly technical work to make jjang, which is, to be clear, gojujang, tenjang, and ganjang, the three main components of Korean cooking, which could be the red chili paste, the bean paste, and the soy sauce. And then even, you know, there's no textbook or, you know, theory in a book out there, even in Korean. So we need so many research. We need to interview. we had to, you know, the professor or scientist to get this information, try to really, you know, there's no, you know, standard or something, even though we call it Han Shik Den Jang, Yang Jok Den Jang, there's no standard.
44:31So we need to, what is between all, try to be neutral, not really biased to buy a certain company or, you know, it's a really challenging process, but it's so important to do it because, you know, If you go to a Korean restaurant in New York, in Seoul, one table, 80 dishes is from one of them. It's amazing. So it's impossible to understand Korean food without them. So it's worth it. I loved it. And really highly technical work, but still very readable and cookable. Let me ask you, while going on book tour and talking to a lot of readers, are you getting a sense? Are people cooking Korean food around America?
45:17Yeah, I'm very surprised. First of all, we had a book tour in New York, San Francisco, in L.A. All Korean-American community in L.A., you know, they are a big supporter. They, you know, thank you so much, you know, writing this book. It's really important for the second generation. They were excited. The community was excited. Yes. But even non-Korean, you know, they, in San Francisco, we had an event in bookstore. One guy, he was not Korean and he brought the two-month gochujang and then show us. I'm not sure it's the first time. Do you have any relatives or family member of a Korean? No, I just, I wanted to make it.
46:04And I'm not sure it's the right direction or not. It looks like they're fermenting right now, but so impressed. You know, I think it's the right time to, they know, they want to know about the cheong and really what is backbone of Korean food. Oh my gosh. And I'm sure so many professionals too, folks who work in restaurants, who are chefs, who are in culinary school, even young students in high school who want to learn about Korean food. And especially the technical elements about gojujang, tenjeon, and ganjeon. And it's the book. Jang is the book. Yeah, exactly. Chef, not Korean chef, they know the gochujang, but they didn't know what really kind of how it comes from, made of, kind of flavor component.
46:50So chefs are very excited. You know, Mingo did a great job about the recipe because we didn't want to have a recipe on only Korean dishes because the main goal is if you have gochujang in your pantry, is not, you're not just only, you know, cooking the Korean cuisine. You can use this gochujang to pasta or, you know, pizza or barbecue. Pizza, you say? Let's go. Pizza? Gochujang? It was, we had the event in Stanford University. They use gwanjang pizza. I'm super into that. Trust me. I think. It was great. I believe so. I believe that these Korean flavors that you and I have written books about and we are really interested in, your family and me just as a journalist, I mean, these are the flavors of the future.
47:43These are what people want to make. Speaking of flavors, you and I were in Seoul recently a couple months ago, and I was working on a magazine article. And I want to get a sense from you, what do you take away from our trip to Korea when you were looking at the modern restaurant scenes? not the traditional places that cover the chigae and tangs and places that are more like the old school, but like the modern wave. And I think that's been my interest in recent writing. What are you taking away from the modern scene in Seoul? I don't think it's really one factor, but I think after COVID, a lot of pastry or chef who work in Europe and U.S., there's only a chance they need to come back home in Korea.
48:30So instead of they go back to Europe or United States, they open their restaurant based on the training in, you know, Spain, France, you know, United States. And then, you know, and then they open restaurant with their modern technique or Western technique in using the Korean local ingredient. So become so diverse, so diverse. even though they have a French restaurant but they're really diverse with many different techniques or many different ways. The crazy thing right now in Seoul is a dessert scene. You see that. It's influenced by French and Japanese but Korean good at it is kind of do, make, digest all the real technique and do our own thing.
49:22Exactly. So they're very, very talented, you know, Partisi opened the restaurant, opened their cozy unique boutique store in Seoul, spread out in Songsu, Akgujong, in Hongdae, all everywhere in Itaewon. It's amazing. Amazing. Oh, my God. I agree. I mean, we went to Honeybee, which comes to mind. I loved the pastry at Honeybee. what are some restaurants not just pastry but but all restaurants in modern soul that you would recommend we go to fine dining of course mingles yeah seven store and the italic garden if you can book any of those it's quite difficult i know yeah it's a tough one i've tried to send people mingles and it's like i don't have the bat phone you do call nadi if you need a reservation yes Hit her up on Instagram.
50:13Yeah. But, you know, there's a restaurant, Flavortown in Songzoo. Actually, they had a restaurant in Australia. It's the same story. Instead of going back to Australia, they open a restaurant, but they're doing kind of Chinese influence. So very unique, very interesting concept, you know, in the really hip, cool area. I love Flavortown. I'm writing about it. And what they're doing is bringing mala, the Szechuan peppercorn. So it's not just Chinese, but it's Szechuan to Korean dishes. And I love it. And I think mala entering Korean cooking is – there's a place in L.A. that's doing it too. And I think it's like the next big movement in America is this mala-accented Korean cooking.
51:02Last two years, it's kind of a big trend in Seoul. Malat is kind of malatane, really authentic, you know, the Sichuan food. But I love their approach. They use their ingredient, but not only the Sichuan food. You know, they use their own ways, kind of creative way. I love those kind of young chef try to do many different influence, make their own thing. You know, I love that. Are there any other restaurants, one more that comes to mind in Seoul that you just like got to go there? Modern restaurant? Yeah, we'll say modern. Or we could say any. I don't want to restrict it. Because always I have sort of kind of hesitation why it's modern, you know.
51:46And even when you go to, when we're walking in the song, you saw a long line of the gamjatang plays with young generation. I think right now that's kind of hip trendy in Korea. Even young generation go to kind of uncle-flavored food restaurant instead of a cool heap. You know, they take it as a heap, you know. So they love go to Pyongyang Naengmyeon. They think that's a heap, even though they appreciate those kind of really traditional flavor. So I do recommend go to Jihmi Naengmyeon. It's my favorite Naengmyeon place. Yeah, yeah. Naengmyeon or like a mandu jip, we're going to see up in like a northern part of Seoul.
52:29Long lines, gamjitang you mentioned. I liken it to like the young high school generation like going to the diner like going to that like comforting old school just for like the nostalgia of it you see it in Tokyo as well in some of the old neighborhoods in Tokyo some of those old school restaurants have like a little bit of a younger crowd and there's like some nostalgia I want to ask one more question about modern Seoul restaurants let's talk about Mengtan and Seongchang Mengtan Barbecue and Seongchang as well like Mengtan is a beef restaurant, Sungcheong is a pork restaurant. They're both kind of like play around with the idea of nostalgia.
53:09Sungcheong is in Ujuro, which is a quickly gentrifying part of Seoul. What do you think about the way these two restaurants are impacting Korean cuisine? Korean barbecue, still most famous Korean kind of dining scene in the globally. But if you go to Korea, Even though Korean beef barbecue, there's so many different types of barbecue. In the United States, less popular pork barbecue. But still in Korea, if we go to Samgyopsal restaurant or Hangjongsal, Garibussal, or different special parts in the pork barbecue. I love that they're so smart that one company, the Mengtan and Sancheong, The management, they know how to kind of authentic Korean barbecue scene to really kind of smart, hip way.
54:02Really cool location. Plantation is hip. And then, but the flavor is very authentic. They execute so well. I mean, they've got like, you know, roe and all like, you know, Korean roe as a dipping sauce. They've got like really unique cuts like jowl and knack on the pork side. And I think the pancheon is really, it harkens to an old school time, but it's more modern as well. They appeal to the young generation. But mongtan is the name of the city in Jeollado in the southern west. Sancheon is the city name is east and south. So they kind of show you, we use kind of local regional food. It means it's kind of hip trendy.
54:48That's cool. Like the regionality of Korean cuisine. Yes, yes. Which has been something that hasn't translated until recent time. Right? And we're seeing it here in New York as well. Like at Ariyari. Yeah. Busan cuisine. It's amazing, you know. Even Okdongsik does 돼지국밥. 돼지국밥 is kind of special dishes from Busan. I know. It become New York Times fame. Yeah, Okdongsik made the top 100 restaurants in New York. To see that list, I just reviewed it. this morning and there were like five korean restaurants on that list yeah it's kind of because i admitted i was wrong because the djigukbap i thought it's not gonna work but it i was wrong i mean it's djigukbap it's mandu it's it's kimchi it's three things right i feel like simplicity helps korean cuisine in america even djigukbap compared to really authentic djigukbap restaurant in Busan, it's kind of more mild blend, less gamey.
55:50The criticism comes in, Nadia. Oh, okay. I should shut up. Shooting darts, you know, it's fine. No, no, but I think that's why it works. If they brought exactly authentic, original 돼지 국밥 to New York, it's going to be very hard. It's harsh, yeah, and you have it for a hangover. It's like, you know, great morning stew, but in America it's dinner. But I'm happy I was wrong. Yeah, totally. On This Is Taste, we asked guest about the concerning taste. So to close this interview, here's a little rapid fire, fast and furious taste check. Nadia, are you ready? I have a little... You've taken some notes.
56:27Yes. This is less spontaneous. The best fruit? We call it Korean pear, but you know, Asian pear. Yeah, we call it Korean pear too. Thank you. It's Korean pear. Korean pear. What are the seasons? Is it fall? Yeah, fall. Yeah. And it's hard. Like sometimes H Mart sells them and they're like not as good. Not as good. You have to find the right place or when they grow here. Sometimes really seasonally. Sometimes you get from Korea. But I hope there are some farm in the United States with similar weather in Korea. They have the Asian pear, Korean pear, the similar sweetness, texture. Or find a Korean friend who has a tree in their backyard.
57:11That's what you got to find. Oh, yeah. The worst vegetable? French bean. Oh, the French bean. The French cut. Yeah. I don't like it. Yeah, it has a weird texture. Sorry. Yeah, no, it's all good. You can apologize to the French bean committee. The best dessert? Gelato. Oh, yeah. What flavor? Chocolate. Yeah, yeah, right on. Your favorite American fast food chain? Unfortunately, I should say Chipotle. Chipotle is not unfortunate. I like that choice. Not bad. Thank you. It's a good call. Yeah. But, you know, yeah, I'm not a huge fan of, you know, American franchising. Fast food, yeah. Your favorite cookbook of all time?
57:55Fermentation, Runeja Peroli. Yeah, it's a great book. Your favorite New York City restaurant right now? Muno. Yeah, Muno. It's doing great work. Did that make the Wells list? It did not make it. But, you know, Muno, I love their approach. You know, it's kind of a food course. If you don't like a food course kind of finding, but you can go to Muno. I strongly recommend the same quality of a course, but they have really authentic flavor Korean food. A couple more. Favorite city outside America to visit for food? Barcelona. Oh, right on. Oh, I love that city. Not Korea. No, you know, not Korea. It's Barcelona.
58:45That's where you're going to retire. Yeah. Barcelona. All right, a few more. Cuisine you would like to learn more about? Mediterranean. Yeah, yeah, yeah. Last one, your favorite sandwich. Egg sandwich. Like what kind? Let's go there. Egg salad? Yeah, egg salad. No way. Egg salad. Yes. Oh, shit. Because I'm not a fan of real sandwich person. Yeah. So sometimes I have, because I don't like kind of thick. First of all, I like soft bread. That's why egg sandwich. During sometime morning, I want to have milk with egg sandwich. It works for me. Yeah. That's a good one. Nadia Cho, this has been so fun.
59:21Thank you so much for joining This Is Taste. Thank you for having me.
59:29This Is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.
From the publisher
Koreaworld is here! It’s a new cookbook from Deuki Hong and TASTE’s Matt Rodbard, and this week we are looking at the modern Korean food movement from all angles. Today we have two really great conversations. First is a talk with Katianna and John Hong, the chefs and co-owners of the groundbreaking Los Angeles Korean restaurant Yangban. We speak about the chefs’ paths to the restaurant industry and what makes modern Korean food in LA so exciting.
Also on the show, we have a wonderful talk with Nadia Cho, the coauthor of an excellent new book, Jang, and one of our most well-connected friends in food. Nadia and Matt have traveled to Korea many times together, and they get into their stories from the road as well as how Korean food has evolved in New York City over the past decade.
The Koreaworld crew is hosting book release events in New York City (April 24), Los Angeles (May 3), San Francisco (May 10), and many other cities. Check out all the cities and dates. See you out there!
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.
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