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Podcast Episode Summary
This Is TASTE Episode 421 - "Charleston Isn't Ordinary" with Mike Lata
Episode Overview In this episode of This Is TASTE, hosts Aliza Abarbanel and Matt Rodbard welcome Mike Lata, chef and co-owner of FIG and The Ordinary in Charleston, South Carolina. Lata shares his journey in the culinary world, the evolution of Southern cuisine, and his experiences in opening FIG over 20 years ago.
Key Themes
- Mike Lata's Journey: From working in various cities and countries to establishing his restaurants in Charleston.
- Southern Cuisine in 2024: How Lata defines Southern cuisine today, including the use of local ingredients and his personal cooking philosophy.
- Charleston's Culinary Scene: The growth and transformation of Charleston into a culinary destination.
- Restaurant Operations: Insights into running successful restaurants, including staff training, menu development, and customer service.
Detailed Discussion Points
Introduction to Mike Lata
- Background: Lata grew up in Western Massachusetts, moved to the South, and eventually settled in Charleston.
- Influence of New York: Lata discusses how his early trips to New York City shaped his understanding of high-quality ingredients and culinary talent.
Opening FIG
- Initial Challenges: Moving to Charleston in 1998 and dealing with a limited culinary scene.
- Farm-to-Table Movement: Lata's commitment to locally sourced ingredients and how it differentiates FIG from other restaurants in the area.
- Innovative Menu Development: FIG's daily menu reflects the seasonality of available produce and seafood, making it an evolving dining experience.
Southern Cuisine's Evolution
- Cultural Significance: Lata emphasizes the need for authenticity and respect for traditional dishes while adapting them for modern diners.
- Competition and Community: As Charleston's restaurant scene expands, Lata points out the competitive landscape and the importance of maintaining quality.
Insights on Service and staff Training
- Understanding Customer Expectations: Lata discusses the nuances of restaurant service, stressing the importance of reading tables and engaging with guests without overwhelming them with information.
- Staff Education: Training staff to be knowledgeable yet approachable, ensuring they can convey the restaurant's philosophy effectively.
The Ordinary and Culinary Philosophy
- Focus on Seafood: Lata's commitment to serving local, sustainable seafood at The Ordinary, emphasizing a local-first sourcing strategy.
- Creativity with Underutilized Fish: Discusses the rise of lesser-known fish species and how he incorporates them into the menu.
Future of Charleston's Restaurant Scene
- Vibrancy and Ambition: Lata notes that Charleston's culinary scene is becoming more diverse and ambitious, with new restaurants showcasing various global cuisines.
- Call to Action: Encourages listeners to visit Charleston and experience its unique culinary offerings firsthand.
Three Things Segment In the latter part of the episode, hosts Aliza and Matt discuss Three Things that excite them:
- Jim Meehan's "The Bartender's Pantry" - A new book focusing on building a well-rounded bar at home.
- Kisa - A modern Korean diner in NYC, emphasizing quick, delicious meals inspired by taxi driver restaurants in Korea.
- Milly's Pizza in the Pan - Noteworthy Chicago pizza establishment, highlighting its inventive menu.
Conclusion The episode concludes with a celebration of Charleston's culinary culture, Lata's impactful contributions to the Southern food scene, and a reminder of the importance of local ingredients and community in restaurants.
Key Takeaways
- The importance of local sourcing in contemporary cuisine.
- The changing dynamics of the Charleston culinary scene and its increasing diversity.
- The balance between educating staff and providing an enjoyable dining experience for guests.
Visit TASTE online: [tastecooking.com](https://tastecooking.com) ```
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Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by Resi and American Express. Resi is a digital platform that connects restaurants to restaurant lovers by elevating dining experiences, providing original industry content, and helping to fill some of the country's most exciting dining rooms. Because restaurants have always been more than just places to eat. The amazing world of restaurants is just a few taps away in the Resi app and at resi.com.
0:31first of all when you ask me what kind of restaurant fig is uh all i can say is like hey listen if i was a musician i would be a singer songwriter and that's the expression it's like the things that i'm interested in the path that i've taken the best that i come up with every day that's what we do there this is taste i'm your host matt rotbard
0:59Mike Lada is chef and co-owner of the restaurants Fig and the Ordinary in Charleston, South Carolina, and one of the most respected voices in Southern cooking today. I was really excited to have Mike into our studio to talk about his journey to opening Fig over 20 years ago and how he defined Southern cuisine in 2024. 4. It's so great catching up with Mike, and I hope you enjoy this conversation.
1:33Mike Lotto, welcome to This Is Taste. It's so great to see you. I got to ask you, you're in New York right now. What's good? What are you liking right now? So I grew up in Western Massachusetts, but I really never came to New York as a young kid. And when I started to become a professional chef, I found myself in the South. So, you know, New Orleans, Atlanta, Atlanta for five years. And I came to the city occasionally. But when we did, it was let's let's I mean, it was like so novel and so exciting. And what New York did better than anywhere else was their their ability to procure ingredients from all over the world.
2:07So the best caviar, you know, Scottish prawns and, you know, so when you would come to New York, you would see the best of the best, right? And then I think the talent pool, it was the, well, it was the epicenter of cuisine, in my opinion, back then. Well, like on early R &D trips before we opened Fig, Prune was a real influential restaurant for us. It was such an irreverent restaurant. We always wanted to try to, you know, find places that would, A, inspire us, and then other places that we always had this mindfulness about how do we create an institution? So then we would go to like Babo or Gramercy Tavern or back then those restaurants weren't that old, but they were already in that category.
2:53And like what makes a restaurant perennial and continue to be attractive to diners, right? So over the years, you know, it was a lot of hotspots, a lot of new restaurants, a lot of ethnic food in between for lunches or while we were walking around town. But now it's changed a little bit. But I think New York is different in the sense where New York is New York, and that's the context of which I see the restaurants. The sense of place is about it's urban. It's a collection of talent. But then again, it's also I'm seeing more restaurants opening up in developments, you know, and like Tatiana. And last night we went to Cafe Carmelini.
3:37Yeah. So real estate deals are so real estate deals. Because developers are trying to find big name chefs and they're bringing in big name designers. So they're, you know, big builds, opulent, which is kind of what I'm talking about. It's like that's the New York experience. Like in Cafe Carmelini last night, I would say, what would it take to create a restaurant like this in Charleston, A? And how would you ever recoup the money? Yeah. You know, so I don't look to replicate those experiences. But I try to say, what is New York and what is the expression of New York? and how well do I get that when I'm in New York?
4:12Let me ask you, when you walk into Cafe Carmelini last night and you're looking at this new restaurant, well-regarded, just made Pete Wells' top 100 list in its early days, as a chef and operator of a fine restaurant yourself, what are you looking at? Are you judging inside you, at least, about what's happening? Like, what are you, are you taking notes? Mental notes. Of course. Yeah, and I think, so you walk in the door and you want to, you know, there's no detail in a restaurant like that that hasn't been considered so the deeper you look the more you're going to find all the decisions they made to create the experience that they're providing so you know from you know what do you feel what's it feel like when you walk in the door how are you received by the host what are the uniforms like what is the vibe of the room what is the room presenting to me in the form of expectations so a grand restaurant right like And in a time where I think service is more difficult than food, how engaged are the servers?
5:14It's so true. Yeah. And it really, you know, I think a lot of mature chefs realize that the front of the house sets the tone. Right. They're the, you know, in many ways, more important to get the guest in a position to enjoy themselves. When I went to Fig, I did not get the oration that some people have been snarking and really pushing back on the oration of let me run through the menu with you. I feel it's a huge frustration right now with service that this oration of the specials. Let me tell you how we eat here. Let me tell you about we do things differently here. Every cliche in the book, it's been parody.
5:50But at your restaurant, I mean, really fine service. I fully recognize it. How do you train your staff on this topic of explaining the nuances of your cuisine, which you care so deeply about the back of the house? You're working so hard, but you also don't want to really, you don't want to bore. You don't want to be pretentious. You don't want to make people feel uncomfortable. How do you split that difference of the service? So they have to be informed, right? So when you do line up, you have to get, you have to passionately speak about the food that we're cooking, where it comes from, the inspiration for the dish, the technique.
6:23Like, you know, the overall vision for the restaurant is reiterated on a daily basis of what we're trying to accomplish from a cuisine standpoint. And then once they understand the general vision of the restaurant, then you give them the selling language. Right. Like, you know, you know, for example, what is an aioli? Well, it's a garlic mayonnaise. Let's just leave it at that. But you don't have to go into, you know, that we take a mortar and pestle and we, you know, slowly emulsify. We have this farm 30 miles away. We have these great eggs. Right, right, right. The yolks are the color of the sun, but like the sun in August and not in June.
6:57Right, right. And then so you just got to imagine that people, when they sit down, they're hungry and they want to be introduced to the restaurant. But you've got to really give them what they need to get ready and to order. And then if they start to dig, you know, by all means, embellish. Interesting. But like read the table. Good word. Read the table. Yeah. Yeah. See what kind of experience you think they want to have and slowly let the rope out a little bit. But the idea is that, first of all, nobody wants to sit and listen to a big spiel anymore. So we talk about that all the time. Second of all, you're going to slow down the turn on the table.
7:29Right. Which is hugely important. Right. So from the time somebody sits down to the time the order gets in the kitchen, it can't be 45 minutes. Right. You've got to kind of like, you know, you don't want to push people. You don't want them to feel pushed. But you have to be efficient about how you get the order going. How was last night? How did they do? Oh, it was great. I mean, listen, my expectations were, I think, reasonable. And it was an amazing experience, start to finish. And it was exactly what I look for when I come to New York. I can't get this experience stateside in very many places.
8:01Yeah. Let's go back to 1998. You arrive in Charleston and really you'd worked in France, you'd worked in other parts of the country and you arrive there. And I want to get a sense of what the restaurant scene was like in this town that today there's two food festivals in this town. I don't think there's a city in America where there's actually two food festivals. It's a culinary destination, not just in the southeast, but around the world. So what was it like in 98? I would say in 98, it was a tertiary market, right? I think it was a best kept secret. I think the lifestyle was great. I think there was some second home owners, lots of them, but by and large, it was a tourist market.
8:42And back in 1998, the, you know, the food IQ of the general public was not great. So most restaurants, one thing is I don't think a lot of restaurants were owned by chefs back then. So they were owned by, you know, people that had the means to open restaurants and hire chefs. And those that opened the restaurants would take, you know, an approach of like this is going to be a restaurant for the tourists in some ways, right? So every menu had to have the broadest point of view. They had to have something for everybody. So you would see typically the same style if it was fine dining, the same ingredients, right?
9:19It would have always have tuna, always have salmon. They don't have a local fish like grouper or snapper. There was always a filet on the menu or something like that and a Caesar and the things that, you know, the general public is comfortable. Yeah, when they're on vacation. Right, right. And the boats were coming, the cruise ships were coming at that time. And listen, I mean, there's no fault in that if you've got a family coming in from wherever and they all have different tastes. They want to go to a place that they all can have a good time. So most restaurants were like that. And there was very few of them, so they kind of had to be that way.
9:48And then as the city started to explode, you know, so I got there in 98 and reluctantly kind of went because I felt like it was I was coming from Atlanta. And I felt like the city didn't have a lot to offer. However, I was introduced to a farmer while I was being recruited to move to the city. And she was such a prolific grower and her attention to detail was so magnificent. And the product that she was pulling out of the ground and the way that she was sorting through it and, you know, picking the select things for the, you know, I was her first customer, honestly. It was like, okay, I can do something with it.
10:25I can do something here because this is amazing. and the seafood and the resources was what I'm getting at were so abundant that I was like, okay, well, maybe the cities, and listen, I was only 25 years old, so I wasn't that wise, right? But I was like, I think I can do something here. And I was brought to the city to bring a local food program to this one restaurant. So while I was snooping around and during the recruiting process, I was like, well, there's some really interesting stuff here. So I did that for a few years and then realized that no restaurant really that, well, the idea that I wanted to do a market-driven menu in 1998, which is called farm to table, right?
11:05Right. I mean, back then it was an exciting term. Let's get real. Right, right. Like farm on a menu. It's still, I mean, it's still a viable term. Obviously. It's just been greenwashed to death. Great word. Yeah. I agree fully. Yeah. So anyway, so I did this with this other restaurant for some time, two or three years. and then I was like, I think I can take it to the next level on my own, ignorantly, right? No money, no property in mind. I was like, I really want to do this by myself. So to answer your question, the city was kind of, I wouldn't say stagnant, but it was in a place that it was ripe for development, right?
11:42And then food is good pops into your head someday. Is that your idea? Is this an acronym? It's a double meaning. It's produce, but it's also a mantra. It's a goal. It's a mission. Yeah, yeah, exactly. It's like the pleasures of the table, the sense of community. It feels very 90s and with full respect, like Gen X, it felt like a little that like Ben and Jerry's, like a little of that hippie vibe. I know, I know. And there's like the Life is Good brand. Life is Good came later. And listen, you're wincing slightly. I'm not. I love that. I think that that is actually a strength, that you have that kind of heritage and that energy of, like, Gen X, like, a little bit of that hippie, you know, you know what I'm saying?
12:25Right. No, no, definitely. Yeah, so long story short, well, you know, when we opened Fig in 2003, it was by far the first restaurant that was aggressively putting out a menu every day, reflecting what was available to us both, you know, from the fishermen, from the farmers. Not a ton of livestock in Charleston. We have pigs and chickens, very little beef, no lamb to speak of. So the restaurant's always been kind of centered on produce and seafood. And then, you know, when we opened, there was a real period where there was nothing new. So I think when Fig opened, there was nothing really to talk about for a year or two prior and then maybe three or four years after.
13:02And then let's say around 2005 or six or seven, things started to really take off in Charleston. I want to jump out into that era, and I think it's a really nice segue. A decade after you arrived, we'll call it 2008, something happened. You know, guys like Glenn Roberts became famous. The Grits became famous. Sean Brock enters the equation. You enter the equation. And the global food scene, but mostly the American food scene, was centered around the southeast, the American south, the regional south. You can call many different things. And it was a really important time. And I would like to hear your take on this era when we started actually as like northern New York based media.
13:41Like, wow, we should go down to Atlanta and actually write a big feature. We should go to Charleston, Charleston Food and Wine Festival launches. Really exciting time for Southern cuisine. Yeah. So Glenn Roberts recruited me from Atlanta to the restaurant called Anson because he wanted to find a young chef that knew how to cook, you know, seasonal produce. In Atlanta, I was doing that at a restaurant. He found me through a mutual contact, and I came to Charleston to do that. So Glenn and I worked together for the better part of three years. And while we were working together, Glenn was kind of incubating the Anson Mills.
14:18He was starting to follow this path a little bit. And so Glenn and I bought a grist mill and he started to look for heirloom corn. So we started grinding our own grits at Anson. And if there's time, there's a fun story about that later. And then Glenn and I, or Glenn found it, but Glenn and I drove down to Jasper County in rural South Carolina and found a guy that was growing Carolina gold rice for his ducks. And he would harvest the rice and give it to a church. and then Glenn and I would go down and buy the rice from the church and it was dirty and like we had to really clean it up and whatnot.
14:53But that was the first time Carolina Gold Rice had been - The real Carolina Gold, not the branded stuff that you're going to find from wherever. The pre-Civil War cash crop moneymaker of Charleston. So we reclaimed the rice and Glenn started to get other people to grow it. So the revolution that you're talking about, I feel like I didn't see it just turn on. I feel like I got to Charleston. Glenn was super influential in saying, like, let's go in this direction. And then we started doing this stuff at Anson. And the deeper we dug and the more authentic things became and felt, we started to create what I, and I'll refer to it if I haven't already, it's like this sense of place.
15:35And I've always kind of gravitated towards these experiences, regardless how simple or exotic or refined or rustic. Places that make me feel like I can't have this experience anywhere else. So when you start, you know, serving Carolina gold rice and all kinds of, you know, antebellum, you know, corn varietals that were true to the region. then you start painting a picture of the way things were done at one point and you're bringing it into the modern era of restaurants. And all of a sudden I'm like, well, you can't go anywhere else in the country and have the kind of food that we're serving in Charleston.
16:16So, you know, Sean came to town as a molecular gastronomist and quickly, I think, switched gears. He didn't shed that skin completely. No, McCready's was a place doing like edge cuisine just to date the term. I mean, he was doing like. Well, he came from Nashville, if I understand it correctly. And what he was doing there was noteworthy. And he was recruited to come to Charleston to do it. And I think not long after he was there, he realized if, you know, this is my recollection of it, which is always kind of cloudy. But, you know, he quickly turned to like, hey, there's a real there's a lot of real resources here in town.
16:50I'm going to direct my attention to to also cooking, you know, what's available and what's what's culturally, you know, important here in Charleston. And then he took it to the next level. I mean, he got a farm and he started raising pigs and, you know, and he really. And you had been doing it for eight years prior. So let's let's call it. Well, you know what? The way that I look at it was like, if you look at my backstory, I started off as a chef at a very young age with no repertoire, no training, just a good work ethic and maybe a heads up attitude in the kitchen that allowed me to get to the position of a chef.
17:27But I quickly realized when I became in charge of a menu that I didn't have a lot of tools to work with. So kind of keeping my eye on what was happening in California and with Alice Waters, I was like, well, I'm a naturalist. I'm a minimalist anyway when it comes to things. And the way that I was raised, you know, we had simple food, but it was in the hands of my grandmother, which is a story that a lot of chefs say. But hey, listen, you know, it's like this is the time she was a Polish grandmother that could make cabbage taste like no other cabbage you've had in your life. And chicken broth that would that would my taste memory from those those times are still so strong and informative in my cooking.
18:06So I started, you know, it was very natural for me to say, well, I need to get the best ingredients because I have to I have to focus on the quality of the ingredient because I don't have a lot of things in my tool bag to show my personality. So at a very young age, I just started cooking what was available, trying to find the best of what was available. And then making the connections with the people producing it started to give my work real meaning to me. So, you know, Sean took a path. Well, he took his path and I took mine. And mine was – my path wasn't in opposition or in competition with Sean at all.
18:41It was – I was just – my head was down. I was trying to produce the best food I could and develop the relationships that allowed me to have the best product that was available. Yeah, I'm not framing this as any competition. Sean Brock's, you know, important figure in Charleston Foodways as are you. And appear, yeah, yeah, no. And we have had a great relationship over the years. Yeah. But my point is, I wasn't really paying attention. I was just doing my thing. Yeah. If that makes sense. And then all of a sudden, everybody was cooking food from the South. Yeah. And there were restaurants in New York that were then— I mean— Then Glenn broke off and did Anson Mills.
19:18Think about David Chang, Momofuku, Sambar, putting Benton's Bacon on the menu. Yeah. Like in, I would say, the most influential restaurant in America at the time, he's reaching towards the southeast. Right. And Tennessee. I mean, that's a huge moment. Did you feel at some point it became a parody and cosplay ever in that town where you had to have, you know, the bourbon and bacon and you had to have the grits and this and that and the shrimp? in a way that maybe undermined some of the progressive nature of like what food is and it evolves beyond a few simple things. It's funny that you say that.
19:56It's kind of always been that way. Interesting. You know, when I moved to town, those dishes done without any respect to the tradition were all over the place. And frankly, I didn't want to touch them because shrimp and grits at the time, when I first moved to town, it was like everybody had it. And there was a million bad versions of it. And there was no real elevated versions of it. But the certainly bourbon. He smiled. Like, you know, it's been such it's it's a you know, it's one of our native spirits. Right. So it's amazing. But there is a heavy handedness and there is a, you know, I think Southern cuisine has a reputation of being heavy handed.
20:40Yeah. And heavy. And Benton's bacon, he's a dear friend and he is a wonderful, if anybody met him, they would want to buy his bacon immediately. And it's amazing bacon. Sweet man. Very sweet man. It's extremely smoky. It's not for every dish. What I keep coming back to is that I never really let that stuff inform my cooking. And I felt like our pursuit for what we were trying to accomplish was all that I could mentally handle. And I think trends are important for lots of reasons. It's marketing. It brings people in. Charleston has been on the receiving side of so much good press and so much good, you know, like the resources that we have.
21:22The seafood that we have now is being, you know, is setting the gold standard for like the quality of fish, you know, in America. I think everybody wants to have the fish that we have. But your most famous dish at Fig, which everyone orders at least one order, and really it's your dish that you likely can't take off. is your bolognese, is your gnocchi, is your gnocchi and bolognese. And I know you switch around the bolognese. You had Easter a couple of days ago and you had a lamb bolognese. But this is, I think, a testament, Mike, to what you stand for, which is it's not cooking in the way that you would assume is Charleston.
22:00You cook in a European way, European-centric. And let me ask you about this dish, this gnocchi. How did it evolve and become such a staple on your menu? Or do you just cringe at the idea? No, no, no, no, no. Talk about gnocchi. Listen, the cooks call my house, my home, the house that gnocchi built because we sell so many of them. Good margin there. And that refers to the margin on it, right? Yeah, yeah, yeah. So the reality is we were buying lamb out of Virginia from a guy named Craig Rogers, Border Springs. And it was the – I love lamb, right? It was the finest lamb I'd ever had. so he would bring down to fig uh 260 to 70 pound lamb a week and we would then break the whole lamb down and we had a system where we would take anything that we could make a steak out of and we we'd cut portions so it could be the loin um and mostly the loin in the leg of of the of the lamb would give us x amount of steaks so when you come into the restaurant i would say you know cast iron you know, seared lamb steak.
23:04And the customer, the guests would say, well, what kind of steak is it? It's like, well, we'll tell you when you get it, where it came from, because they couldn't pick and choose. Right. And so we'd sell all the steaks, let's say on one or two nights. And then we would take the necks and the shoulders and we would like bone them, roll them, tie them, braise them. And then on night two or three, we would serve the shoulders and necks. And then we would take all the trim from the legs and the loins from our portion of the steaks, and we'd make a lamb tartare. And then leftover from that was the bellies and the scrap that we had to grind.
23:34And the grind, if you've ever broken down, you know, if you ever have a whole animal program in your restaurant, the grind is a big, you know, yields a lot of grind, a lot of ground lamb. So we said, okay, well, this is the lamb's expensive. We need to offset that cost and we'll make, you know, what can we do with the ground lamb? So, well, you know, and the conversation was quite simple at times, like, let's just make a bolognese out of it. You went to Italy. you went to Mediterranean. If you want to offset the cost of the lamb, you have to find something that can move. So it's got to be recognizable, right?
24:07So if I was going to do a lamb larb, I don't think that I could like... Back in... 98 lamb larb. Yeah, yeah, yeah, exactly. Yo, bro, what's a larb? I mean, now, like, do a lamb larb. Right, right, right. I'm sure at the ordinary, I want to mention the ordinary, you probably would do a lamb larb. Correct. Yeah, pretty great place. And we're probably not touching it too much, but fantastic second restaurant you have. But thank you. let's create a dish that will move that has a broad appeal and could be even a go-to for somebody who couldn't figure out what they really wanted. And so I said, but the selling point has got to be the gnocchi.
24:37The gnocchi has got to be ethereal, right? We've got to like spend a lot of time R &Ding and how to make the perfect gnocchi. And so once we did that, and we chose ricotta over potato because we want it to be like as light and as ethereal as possible. So once we did that, we put a lot of work into perfecting both the bolognese and the gnocchi. And then, you know, like almost immediately it became something that people were craving. It's a ricotta gnocchi, just to be clear. Yeah, it's a ricotta gnocchi. And we have a couple of secrets on how to make it so light. So that dish becomes so popular.
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25:10I thought you were going to reveal the secret. You paused for a second. In the event that I, you know, ever get off my ass and finish a book. Wait, you haven't done a book? No, I have not. Wait, this is nuts. My research actually did not find a book, but then I did not write that down in my notes. You haven't done a book. I have not. We'll get to that at the end, but continue the story. Fast forward, this dish becomes incredibly popular, and the margins are great. So we figured, you know, let's keep it going. And we ran the lamb. We had the lamb program for at least two or three years, so it was relevant that way.
25:41But then after the lamb, you know, that purveyor, things changed, and we stopped buying the lamb. But we would then, you know, we're still cutting beef. We're still cutting pork. We're still creating shrimp. We're still creating grind. So let's just keep the bolognese going. So now we'll make it out of beef, pork, beef and pork. I think currently last week we had a duck bolognese. And one thing about fig that we've always really stood by is that if we lose passion for the dish in the kitchen, then we take it off the menu. But the gnocchi has always been one of those dishes that like you also have to embrace repetition and you have to embrace the mundane, right?
26:18The mundane tasks. And in order to be a chef, you have to be okay with doing the same thing. It's a smooth brain activity. You need to like do repetition in your life because the rest of it is chaos. Right. So too much chaos creates, you know, just stress and unhappiness. Right, right. Very cathartic. Not trying to be that guy. To roll the gnocchi. Not that podcast guy. But I mean, I think you're so right. Like repetition. You probably put some young cooks on the gnocchi too, right? Just to make sure they know what they're doing. Yeah. Well, you know, you got to be careful, right? Because this thing is done.
26:48It takes a couple of hours every day to roll the gnocchi out. We don't have the same kind of labor pool you might have in a big market where you can get some kind of, you know, where you have prep cooks, you know, that just are happy to roll gnocchi, right? So we have to pass it around the kitchen to make sure everybody, A, can do it and B, understands how important it is. And now the dish, you know, and honestly, I mean, I don't want to oversell the dish. It's really delicious. Yeah. And it's a must have. But I don't want to, you know. You have a lot more going on. But the cooks need to understand that if a dish has created, so it's still relevant to our cooking.
27:25It's still delicious. And it still makes people extremely happy. And the margins on it are great. And we need that because other things on the menu are very expensive for us to produce. So it's a necessity for the business to have a dish like this on the menu. And then the expectations of the guests that come in, like I've heard about this gnocchi. I've got to have the gnocchi. Well, you can't ever fall asleep on the production of it or on the execution of it. So in times where the cook is making 50 gnocchi a night, we still stand over that cook and we touch every gnocchi when it hits the pass.
27:56And we say, you know, you've overcooked them a little bit. Yeah, that's the key. Or, you know, the sauce looks a little dry and we have to remember that that's what we do, right? And what a great reminder as the menu changes so often that we're reminded that every plate of food that goes out to every guest has expectations to meet. And when you have such repetition day in and day out with the hamster wheel of a dish, you have to remind yourself, like, let's not fall into that assembly line mentality. Let's craft each dish every day. So there's a lot of lessons in that for us. Let me ask you about the ordinary.
28:29How do you split your time and your kind of energy between the two restaurants? I mean, the ordinary, it seems it's more bar driven, I guess, in some ways, but it all has a full menu. And, of course, Fig has the classic staples, but you're also writing recipes and writing menus daily. So that's a lot you're putting out every day in any 365. I'm sure Charleston's a real 365 kind of city, right? Yeah, yeah. So the idea behind both menus is that every day we're putting the best product that we can find on the menu. All right. So and that usually falls into the seafood and produce category. The meats are pretty static, right?
29:07certain times of year things change, but it's more of our whim to change the meat proteins. But so during service, you'll see us start off with a snowy grouper that will turn into an American red snapper in the middle of service because, you know, the boat only brought us X amount of pounds and we start service off with 10 or 15, and then we have to back it up with another protein. Produce-wise, if you get like, let's say, the first of the season collards come out of the ground and they're so tender that we make a salad with them. Well, two or three or four weeks later, those collards are too tough to make a salad.
29:43So we have to reconcile the menu every day to make sure that the dishes that we're cooking with the product that we're getting still make sense. And so there's always that reconciliation at the end of every night. Okay, what do we love? What do we didn't love? What needs to change? What's the runway on these dishes? We have to start thinking about how to replace this one dish in four or five days. So that DNA is baked into at both restaurants, which is a real time-consuming effort for us. Yeah, you don't have to do that. And I think the operators listen to the show and some of the folks will recognize this because we have a lot of industry folks listen to the show.
30:17But also for listeners, some of your favorite restaurants, they have the same menu all the time and no shots. I'm just saying you're doing it the hard way, this way. It's the only way. When I open The Ordinary, and I agree, no shots. It's anybody that can produce a good experience, however they can is kudos to them. But when I opened The Ordinary, I said, you know, fig is so intense. We would get all these deliveries, 30 purveyors every day, decipher or, you know, go through the product and decide how to apply what product to what dish, et cetera, et cetera. So when I opened The Ordinary, first of all, when you asked me what kind of restaurant fig is, all I can say is like, hey, listen, if I was a musician, I would be a singer, songwriter.
30:58And that's the expression of fig. It's like the things that I'm interested in, the path that I've taken, the best that I come up with every day, that's what we do there. And I wanted to open a second restaurant that was a one-word answer. So it's a seafood restaurant. But it was a celebration of our local seafood. And our philosophy there is local first, regional second, domestic third, never imported. So we don't import any seafood. And we really focus on what's available in the southeast at times of the year. There's not a lot available depending on catch regulations or limits. Do you have a bycatch culture?
31:28Oh, absolutely. In Charleston. So we have a captain that goes out, calls us from a sat phone, tells us what he has. That's a whole other podcast. So bycatch, just to be clear, is kind of like the fish that you're not focusing on that just arrives part of the process. And you kind of get a wild card, right, of species, right? Correct. And that really has taken its own turn because the way the fisheries are regulated, the guy that I'm talking about, Mark Marhefka, he's a snapper and grouper fisherman. But at times of the year, he can't go out for snapper and grouper. So he has to find an alternative catch.
32:03So over the years, we've looked at different species and done quite a lot of work taking species that, you know, the word trash fish is pretty common. And that just refers to fish that don't have any value to like to wholesalers or consumers. So amberjack falls in that category on the East Coast. And there's a whole bunch of varieties of jack in that category. But at one point, triggerfish was that, you know. So we would just, you know, Mark is such an amazing fisherman. And the way he holds his fish post-harvest gives us the best seafood, you know, you could possibly imagine. So whatever he catches, we'll take a hard look at over the years of what we could sell.
32:41And so we've introduced, now Amber Jack's an amazing seller for us. All the varieties of Jack's are. One in particular is called Banded Rudderfish. And it's like a wild hamachi, like you'd get in the West Coast. Yeah, that's a better term than the rudderfish. Yeah, yeah, but we'll put Banded Rudderfish. Sure, why not? It's something to talk about. And, you know, jolt head porgies and sheep's head and like all these different species. Charleston has now the reputation of like people expect to have to be challenged a little bit with what species. And I think you put your hands into the into the to the servers to really, you know, you have to educate the servers, obviously, but you have to build trust with the clientele.
33:16And I think once they buy in to whatever you can sell anything. Yeah. Let me ask you, 2024, when you think about Charleston yourself, what comes to mind, the restaurant scene? What comes to mind? What are some words? What are some, I can even say restaurants that come to mind that aren't yours that you want to call out? Because I feel my time down there was 72 hours of just amazing work. And I'll link to the episode in the show notes where I talk about my many meals there. What about you? So, you know, I think the city has really punched through a ceiling in the last four or five years. Yeah. And what, you know, our lack of, well, we're having an increasing amount of people coming in from out of town to catch the Charleston, you know, wave.
34:06But we are full of independent restaurants. We're full of unique expressions. You know, we've never been a culturally diverse, you know, restaurant scene as far as like ethnic food is concerned. But that's starting to change. We have Filipino restaurants. We have a couple of amazing like Gullah Geechee restaurants now, which obviously, you know, is native to our. But it's being done in a way that's shining a new light on that cuisine. But what, you know, so I mean, the words that I have are like it's vibrant. It's ambitious. I think it's concentrated both in its quality and proximity to each other.
34:49So, you know, you can spend entire weekends in different parts of this small peninsula just getting lost in the restaurants that are there. And I think because it's so concentrated that we all kind of know what we're doing. We all kind of buy from the same people. And we all are competitive in the sense where there was a time when it wasn't that competitive and you could expect to be busy all year long. Now it's like there's so many restaurants. There's so many primetime reservations available at good places. You have to become more compelling. So and I think that there's a lot of ambitious restaurants and restaurants that come to mind that are doing that kind of work.
35:24and everybody knows them now, I think, is Chubby Fish and a newcomer, Vern's. I think there's Cultura, which is the Filipino restaurant that I referenced. There's a bunch of places. Of course, I'm drawing a blank. I love Cultura. It'll flow out, I'm sure, once it hits. But Cultura had a great brunch there, and I love to go back for dinner. ferns is the by my hands down my favorite meal outside of fig i think you guys both do such different work it's hard to kind of compare the two but i thought um but what they're doing um still thinking about that that orange creamsicle dessert which is quite genius yeah um and then um chubby fish i tried to get in but man no luck but but but i think you're naming three but there's so many other spots the gulgichi cuisine movement um in terms of the way gulgichi Chi cuisine is being presented in different formats is cool.
36:21And I just think it's a town that deserves a real visit. I mean, this isn't really – this is not sponsored. I'm just saying straight up, like, you should make yourself way to Charleston and really focus on the food. I heard there's a porchetta stand happening now. It's a new porchetta shop in a really – I would think a challenging location. Yeah. And it's doing great. Yeah. I'll give you – you paused a bit. Maybe two more restaurants you want to call out. I just love this idea of calling out restaurants from your point of view. Okay, Sushi Wa. Oh, cool. I don't know that one. It's a little omakase restaurant that they, I think, have the reputation of being the best, if you were to say that, the best sushi restaurant in town.
37:04Obstinate Daughter on Sullivan's Island is a real fun restaurant to go to. Yeah. And I think that restaurant, the Gullah Geechee restaurant, I think it's called Bintu. Oh, Bintu. Right, right, right. Yeah, yeah. Yeah, Bintu. And I have not. Yeah, yeah. It's good. Good one. Yeah, no, I haven't been there either. And Brooks Wrights. I got to call out Little Jacks. Oh, yeah, yeah, yeah. Sure, sure. Brooks is an alum of ours and a brilliant guy. Yeah, really smart restaurant. Little Jacks, Melfi's, Leon's. Love them all. They're great. All fun places to go for sure. Yeah, it's really, you know, walking around the neighborhoods, I feel I just love immersing myself in Charleston.
37:40And I've been there a few times. But this past trip, I just really enjoyed. I mean, I got to hang with Rodney Scott. And like, to me, that is. Which is worth mentioning, right? Rodney Scott's. Yeah, of course. Rodney Scott's barbecue. Lewis's barbecue. And then, of course, I forgot the one that is the most embarrassing. My chef of 15 years at Fagot's has just opened a restaurant called Lowland. And he's doing some great work there as well. I mean, we haven't even talked about barbecue, which I think is a testament to Charleston. It has such a deep roots in barbecue. And I love Rodney's work. But, you know, they were like 46 minutes into his conversation.
38:12We don't even talk about it because that's how diverse the city is. And I'm over the top about Charleston. So I appreciate you sharing your thoughts. Yeah, thank you. On This Is Taste, we ask guests about their discerning tastes. So to close this interview, here's a little rapid fire, fast and furious taste check. Mike, are you ready? I am. The best fruit. I eat more bananas than anything. But what really sets me on fire is amazing citrus. Yeah. And do you have a season? I mean, are you getting it from? We have a lot of local citrus. You have a local citrus, right? Yeah, we have a lot of local citrus in Charleston.
38:48Depending on the season, obviously, we have some cold-hardy varieties, but if we have a bad winter, it's pretty rough. But citrus, do you have like pomelo? Are you tangerines? Oh, I like it all. But, you know, I think what I, you know, what I think is really fun about citrus is that I think when you're eating it at home, you know, you, you know, you might peel it. But to segment, to have a bowl of segmented citrus on, you know, on a piece of fish or even a piece of meat or as a salad with beets or whatever. I just, for some reason, it's like, it's like the first time you had watermelon without seeds, right?
39:26It's like, it's so luxurious to eat. And when it's supreme. Four or five. I mean, we've got, you know, amazing varieties of limes and oranges and grapefruits. And, you know, peaches are also amazing, obviously. The worst vegetable? Brussels sprouts. Okay. Wow. Hands down. Wow. Even the better ones, the ones that have improved them? Can they be made well? Absolutely. Are they always caramelized? And like the caramelized brassica movement, it's so strong and bitter. It's like I can only have a bite or two. What about cabbage? So cabbage is one of my favorite. That's not in Nebraska. It's one of my favorite vegetables.
40:05Okay. And we're getting varieties of cabbage in Charleston, Charleston Wakefield cabbage, for example. Yeah, yeah. That is so sweet and so tender, it redefines what you think about cabbage. All right. So you're talking like Brussels and maybe cauliflower you're maybe down on too? No. Brussels sprouts. The texture and the way that, you know, like if I had Brussels sprouts, first of all, we do have them locally sometimes. Yeah, yeah. But they're never – they're not – it's just like a ubiquitous – it's a ubiquitous vegetable that I think falls onto menus because it's relatively easy to prep in bulk.
40:32And I guess there's a market for it. There's an absolute market when you put bacon in and maybe some balsamic glaze in it. Exactly. It's like – well, then who cares what it is if it has bacon and balsamic on it, right? It just – to me, it's just – it's too – the Coke's the best flavor of a Brussels sprout. I think you'd have to cook it a little bit longer, try to find that perfect point where it's creamy enough with integrity to where you can bring out the sweetness of the cabbage, basically. And then, you know, liven it up with something more delicate. I love that. And by the way, I did not mean for cauliflower and cabbage to catch strays.
41:06Love them. Wasn't trying to conflate it. So being clear. The best dessert. So I'll just tell you, last night at Cafe Carmelini, we had a fior de latte ice cream. Yeah. And, you know, it's like at the end of a meal, right? So I guess the dessert is at the end of a meal. It's not like what I have at my house, right? Because I love cake. And when my wife makes cake, I just, for some reason, I love it more every day. But he had a Fjorda Latte ice cream with these frateau boi from Spain and a little drizzle of aged balsamic. But the texture of the ice cream was, I'm assuming he made it in a Paco Jet.
41:39It was just so light and so creamy and the perfect temperature. and at the end of a really big meal, that simple bite of luxury was, we all kind of thought like at the end of the meal, we were like, what was the best bite? And we just had the fuel. Yeah, it was a mic drop moment. Yeah, it was unbelievable. Your favorite American fast food chain. Okay, so I don't. I don't. My wife goes to Chick-fil-A, brings the kids and I appreciate Chick-fil-A. I think it's one of the most amazing business models I've ever seen. but I have the softest spot for egg McMuffins, sausage McMuffins, to be honest. Ooh, sausage, not egg.
42:17I mean, the sausage biscuit or the sausage McMuffin. Well, my go-to would be, it's always on the road, is that I would get one each egg and sausage McMuffin with egg, and I'd have both. I've kind of dwindled it down to, I just have the sausage McMuffin with egg, but to me, that is like, it's not as good as it used to be. They used to butter the, you know, it used to be a little bit better, but it still to me hits. At least they're cracking eggs in the restaurant. And I have a soft spot for McDonald's in general. It's the fast food chain that I grew up with. I mean, it's - We all have that. I'm from the Midwest.
42:50You're from the Northeast. These are our chains, McDonald's. I got you. Your favorite cookbook of all time. I think the easy answer for me is A Return to Cooking by Eric Repair. Yeah. And Michael Roman. Do you know the book? I do know the book and I know Eric. That's a really cool response and answer. It is the most original and well-executed book. What I love about it is they take Eric out of the Le Bernardin kitchen and the dishes that you'd expect at Le Bernardin and they go to four regions in the country and then cook the food from those regions. And spontaneously, there's writers, an artist that's sketching the food, Ruhlman's writing and Eric's cooking.
43:31And it seems, and I've talked to Michael Ruhlman about it and I said, how spontaneous was it? And he said, it was fairly spontaneous. And as a result, the dishes, I think, are unbelievable. Why no book for you? It's interesting. It's really interesting. There's a couple reasons. I work a lot. Yeah. And my goal in life has been to have a successful restaurant and to support my family with that restaurant. So I'm in the kitchens all the time. I'm in the restaurants all the time. And I just don't have time. I'm not going to lie to you. We've got a proposal that we're working on right now. Of course.
44:07And it's painfully slow. and it gives everybody heartburn in my life. It is a painful process. However, I've always also said from day one that I want to reflect and enjoy that process and not just pump out a book to pump out a book. I want to really reflect on the things that I've learned. And my perspective is professional kitchens. I mean, we cook at home all the time, and I understand the appeal and the need to cater to that market. But what I have in my head is like how to run a restaurant, How to build a team, how to identify variables and create systems to eliminate them, and how to produce a memory, create a memory for somebody that's dining with us.
44:49And that's my perspective, and that's what I would really like to talk about. So with this being said, you're in your kitchen all the time working. This trip to New York where we're at now must be a real treat, almost a vacation. I guess I want to get to where else are you going this trip? So I'm doing a project. So I consult for a private club on Kiowa called the Kiowa Island Club. And I oversee I'm the culinary consultant to that. I built a restaurant for them out there on the beach. And it was it was an amazing experience. And they've invited me to participate in a couple of new restaurants.
45:22And one of them is another beach club that we're putting together. And it's coastal Mexican, for lack of a better description. and so we originally had a few things in mind you know taquerias to go to but I'd always wanted to go to Empilon never been I've known I met Alex a few years ago the Charleston Food and Wine Festival and I really thought he was a bright guy and a really interesting character and I've kind of always wanted to go but never really pulled the trigger and I think the restaurant's got to be 10 years old but at least by now so with that in mind I told my wife I said let's go there this for lunch.
45:57And we went there for lunch yesterday and it was great. Yeah. I love that you mentioned it. I've gone on record. I had Alex on a couple of times. It is truly for, for Midtown Manhattan, hands down my favorite restaurant. And I love, you know, between, uh, the, the, the salsa program, you know, the, the way he brings dessert into full desserts were really good. Pretty great. Yeah. It's cool that you mentioned that. We had a, uh, we had a big day yesterday with food. Yeah. Um, that, so we loved it. Um, and honestly, you know, my expectations to like New York is tough. I think you have to have multiple locations to make a living.
46:29You know, I know that he's a super talented guy, but we walked in the door. I was like, hmm, did we pick the right place? Is this going to still kind of hit like it should? And it absolutely did. It was great. So then, yeah, we took a couple of hours off. I fell asleep and took a nap yesterday for the first time in 10 years, probably. And then went to Cafe Carmelini and we had a real big meal there. And so between those two, I was able to extract a bunch of fun inspiration. And then today we're going to a place, it's a Japanese restaurant that I actually because we didn't make any plans too far in advance I found on Resi knowing that we would be eating a lot last night I found Nami Nori oh right on, great call and it seemed like exactly what I wanted to and it's always nice because my love for seafood is so strong that anytime that we have an opportunity to have any sushi or Japanese cooking with seafood.
47:25I always glean something from that experience. Last one, your favorite sandwich. You know, the jambeau and beurre, maybe. Might be the best sandwich ever, but listen, I grew up eating sandwiches. And when I go back home, I have got to get a roast beef grinder from our local place, Pizza B's. I love that you call them grinders. Thank you very much. And it's got to have at least four tablespoons of mayonnaise on it. Yes! The bread, the bread is got to, so they build it cold, flash it in the oven just to get the meat hot but everything else is cold and they put the lettuce and tomato on the inside and maybe a little oil and vinegar and it's I don't know what I don't know if it's my memory that I've like created it but like to me it's like it's the best Mike Lotto this has been such a great conversation thank you so much for joining us this is Taste thank you for having me
48:22Hi, Matt. How are you doing? Eliza, I am. I'm so good right now. I'm in a good spot. Yeah, I'm thinking about a number between one and three. You always do that and you always I don't know how to respond. So I'm going to say three. I'm going to get three. It's a return of three things. It's three things. Yeah. What's your first thing? First thing is a terrific book that just published is called The Bartender's Pantry. It's by Jim Meehan, and Jim is the founder of PDT, a legendary bar in New York City. And he's also the author of a couple books, Meehan's Manual and the PDT book, which if you literally go to any cocktail bar anywhere, you'll see the spine of PDT peeking out from behind the bar.
49:03And, you know, this book is terrific. I recently had Jim in the studio to talk about the book, and that interview will be running later in the year. But Jim is such a meticulous writer and editor. And he has produced some of the, I would say, the best cocktail books around. And this one is no different. And really, this book is about not making cocktails per se, but building up the foundation of your bar, but also just thinking about drinking. I would say like it hews away from the spirit side of it, if that makes any sense. It's kind of a different approach. Yeah, I mean, I'm trying to picture a bartending book that is lighter on the spirits and it seems more unusual, but I like that as a concept.
49:47Building your cocktail pantry is actually really important. And it's almost like cocktail making is a extension of the culinary movement and it is a culinary act. And I think he's doing this in a couple ways. And we talk about it a bit in our interview, but he's really deemphasizing the idea of like alcohol and spirits and getting drunk, frankly, and thinking of making a beautiful cocktail is like making a beautiful cake. It takes a really significant amount of setup. He's done a good job doing this in this book. And I really like Jim in that he's very open about how the cocktail industry has changed over the past two decades.
50:31Cool. I'll have to check it out. So what's your first thing? My first thing is that I went to Kisa for dinner recently. Have you been there yet? I have wanted to go. Please tell me all the details. We've not talked about this. Kisa, for those who are listening and haven't heard about this, is a newish restaurant, a Korean restaurant on the Lower East Side here in New York. And the concept is kind of that it's like a taxi driver restaurant, right? Yeah, absolutely. In Korea, there's, you know, obviously a lot of taxis in Seoul and big cities like Busan. And certainly there's a culture around quick food and cheap food.
51:01Yeah. So their concept is that it's a set menu. It's around like 30, 32 bucks, I think. and you pick your protein. They do like spicy squid. They do bibimbap. They do spicy pork and bulgogi. Maybe one more that I'm not remembering right now. And then it comes with all kinds of different panchang, like kimchi and rice and like little skewers that have a hot dog with like a rice cake on either side that I really liked. And it's a really fun place. I thought it was really affordable for like the amount of food that you're getting and really delicious. And I also like at the end of your meal, They give you a quarter to put into the little drinks dispenser by the door.
51:41They have like an old school, like you put in the quarter and then the cup drops down from the machine automatically. And then you can pick like a black bean latte, hot chocolate or coffee, which kind of seems like what you would maybe have like in the break room or like in an actual taxi driver place in Seoul. I haven't been to Korea, so maybe you can check me on that. But I thought everything about it was just very thoughtful. I think ending a meal with a warm drink at either like an AM PM or at like in a machine is absolutely accurate. And what I like about this restaurant, the idea of it, and it's by a group, right?
52:14That's run by the folks who have C is for Charlie. Correct. Right. So C is for Charlie has been known to really think of Korean cuisine in a really cool and creative way and has brought the vibes downtown from Koreatown on 32nd Street. and I like the idea that Korean food in New York is even expanding further and it's going into these new concepts that marry the taxi driver food culture with beckbong too. Beckbong is part of it as well which is like many side dishes and using this idea of the set menu too which I think is really exciting. Yeah, I liked all of that. Also, I'll just note that the waitstaff is all very kind and well-dressed and just cute and so I have a couple of single friends that I was like, maybe you should go look like Judy at Kesa because the crowd in general there is just like a really fun vibe.
53:04What's your next one? My next thing is we were in Chicago recently and I have to say I've thought about this deeply, but my God, the pizza head at Millie's Pizza in a Pan has really blown me away. It's my second time in three years I've been there. And Robert Molesky will be on the show soon and we'll talk all about his invention. But I wanted to get it out now because I know a lot of our listeners are traveling this summer in Chicago, is a very popular summer destination. So Millie's Pizza in a Pan, it's a pan pizza, as the name suggests. It's inspired by Bert's Pizza, which is a legendary suburban pizza spot that Robert went to many times over and kind of really was inspired by.
53:45There's two locations now for Millie's. There's one in the Uptown neighborhood, kind of near Northside, and then there's Berwyn, which is out in the suburbs. Now, I have to say, now, Clayton, I'm not sure if you're mic'd up, if you want to jump in because you were there with me. But the craigslist.org, that's the name of the pie, with papadou peppers, sausage, mushrooms, red, onions, and tomatoes with a little bit of ricotta, not too much, was I love sweet peppers. Clayton, what did you think of that pie? Yeah, I thought it was great. I mean, the peppers really did send it to another stratosphere, I think.
54:16Agree fully. I think that it was a really cool idea to put these really kind of these sweet pickled peppers on it. He also has something called Untitled No. 1, which is pepperoni, jalapeno, fresh whole milk, mozzarella, and these glorious tomatoes. I really enjoy what he's doing there. And late breaking news, I just checked the menu this morning. He is doing a tavern pizza, which he has not done ever, but it's snuck onto the menu. So Millie's Pizza in a Pan is now doing tavern style. Wow. You heard it here maybe first. Maybe first. So what's your next one? My second thing is that it's finally warm enough for me to be making granita as my go-to dessert again.
54:54And I just want to remind folks in case you haven't made granita just how easy it is to be getting coffee or watermelon juice. I did it actually with the kind of pre-bagged passion fruit juice concentrate that they have at a lot of grocery stores here in New York. Honestly, I was just like, I need to use this before it goes bad in my fridge. But I just poured it into a little half sheet tray in my freezer and mixed it around as it started to freeze until it was all solid and then fluffed it up with a fork before it was time for dessert. And I layered it with a little bit of kind of sweetened Greek yogurt and then macerated berries from the market.
55:29And the like cool yogurt mixed with the icy granita is just to me such a good flavor texture contrast. So, yeah, I think it's time to make in granita. I'm loving that. So tell me about the sweetened yogurt. What are you doing there? That's intriguing to me. I just mixed a little bit of honey into the yogurt and just kind of like whipped it up with a fork so it felt a little fluffier. I didn't have any whipping cream on hand, but also sometimes I don't want it to be like quite that intense. But really, I'm excited because I have more of this granita in my freezer. Yeah, you have it like pre-made, so it's like a quick dessert.
56:00Yeah, and also a really good quick drink would be to just do a splash of mezcal over the top of the granita. Oh, wow. Party starts at your house. Yeah, yeah. Dang, mezcal in this. I never even thought about that. That's a really cool idea. I love ending a meal with like a little boozy dessert cocktail. That's fun. I think it's fun. Super fun for the summer. Super hot. What's your next thing? My last thing is I think hop water has not died. Meaning we didn't all drink Langanitas and realize that that's the only one we need and got burned out on it. Speaking truthfully for myself. There's more hop water out there in the world.
56:36Nothing against that brand. But I have two brands to call out. St. Elmo Hop Water. It's from the St. Elmo Brewery in Austin, Texas. They're doing a really terrific, I don't know the actual hop. I looked on the can, I couldn't find it, but it's not too astringent. It's really nice. And the other one is Hop Lark. Have you ever had Hop Lark? No, I've had Hop Tea and liked it. Yeah, Hop Tea. What's Hop Lark? Hop Lark is a Colorado brand. You can get it, it's wide national distribution. And I've been crushing those all summer. They have a tropical hops flavor that I think is really nice. And I'm not trying to be like a Bolia Langanitas.
57:10I think that that is a good brand. But they like were the first mover and everyone drank that and maybe got burned out. But think beyond it. Maybe think about all the different hop waters out there. It's a cool category that is quite fresh. It's a tropical one a lot. Yeah, I like hop water, hop tea. I'm excited to have more of it. What's your last one? My last one is that I went to the Horseshoe Crab Mating Festival in Rockaway Beach this past weekend. And I just want to talk about it. But I didn't eat the crabs, I should say, off the bat. Yeah. Does anyone eat the crabs? No, I don't think you really.
57:39They're not good eating, I would say. It's a horseshoe crab. There's not a lot of meat on them. Also, they're semi-protected because their blood is incredibly valuable, like$15 ,000 for a liter because it's used in medical drug research. So I would not advise that anyone is going out to the beach and cooking and eating the horseshoe crabs. but they come to shore during the new and full moons for mating when the water is higher. And the parks department was having this festival. So I went to that this past weekend. And really, like you see these little Roomba-like crabs bumping into each other all over the beach.
58:13It's very cute. And then afterwards, I just went to the Rockaways and went to Ripper's and had my first Ripper's burger on the boardwalk of the season. How was the weather? How was the water? It was beautiful. And it's funny because I think in New York, I sometimes forget how variable things can be just in the specific part of the beach that you're on, like the inlet that we were on for the horseshoe crabs. It was very breezy and kind of cold. And then we drove maybe 10 minutes and got out to Rockaway Beach proper. And it was sunny and beautiful. And kids were just like running up and down the beach.
58:43Everyone was selling nutcrackers. It was very summer in New York. I love that beach. Is Caracas still operating out there? Yeah, the Arepas place, they are. There's a good ceviche place out there too. I can't remember the name right now. but I do think like the experience of going to Ripper's and getting a burger and what they call beach juice which is frozen sangria is pretty good and a hot tip that I did is you can ask them to put a little bit of lime and tajin in the beach juice and then it's really good wow what a great spot and a great reminder if you're in New York even visiting you can take the train out there yeah you can take the train you can take the ferry is really nice out to the Rockaways if you know someone with a car and you can get them to take you, that's always a nice route as well.
59:25But I do think when people come and visit New York in the summer, it's easy to forget that you're on an island, that New York actually is a beach town. But I think between, you know, down in Brighton Beach or up in the Bronx or like down in the Rockaways, like it actually is very worth your time to go to the beach. A hundred percent agree. I love that New York beach culture. It's very unique and singular. It's Chicago beach culture is different. And of course, in Southern California, no one goes to the beach, correct? No, people go to the beach in California. Did you go growing up in Santa Monica?
59:55Yeah, because I was right there. So how could you not? But it's not the same as like schlepping out for the full day necessarily. I think what is fun about New York beach culture is how much like all of life is right on the beach. Like there's, I don't think in LA there are a lot of bars on the beach that you can go to in that kind of way. Or the food is like hot dog on a stick. Venice has like a vibe, of course, that there's like adjacent bars bars in that little stretch of Venice. Yeah, but also the beach, I feel like, is wider. You're farther away from the shore, actually, when you're at those places.
1:00:27Yeah, you're right. There's a spatial thing about New York. There's literally the subway is right there. Yeah, it's all very jammed together. But I had a great time at the beach, and I guess I just wanted to share that with everyone. I think that's a really great way to end this special beachy summer version of Three Things. Yeah, catch you soon. Catch you soon.
1:00:50This is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.
From the publisher
Mike Lata is chef and co-owner of the restaurants FIG and The Ordinary in Charleston, South Carolina, and one of the most respected voices in Southern cooking. It was really exciting to have Mike into our studio to talk about his journey to opening FIG more than 20 years ago and how he defines Southern cuisine in 2024. It’s so great catching up with Mike, and we hope you enjoy this conversation.
Also on the show it's the return of three things, where Aliza and Matt talk about three things that gets them excited. On this episode: Jim Meehan's new book, The Bartender's Pantry, the new modern Korean diner Kisa in NYC, the amazing pizza at Chicago's Milly's Pizza in the Pan, the summer of granita, hop water is getting even better with St. Elmo and others, and horseshoe crab festival was incredible.
Got a question, comment, future guest idea, fact to share, fun fact to share, less-fun fact to share? Send us a voice memo and we will listen to it, and may feature your message on the show!
MORE FROM MIKE LATA:
Eating and Drinking Around Charleston [This Is TASTE; starts at 51:20]
If You Want to Eat Local Seafood, You Can’t Do Better Than Charleston [FW]
For Chef Mike Lata, Food Is Good. Really Good [Garden & Gun]
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