428: Steven Rinella & Darin Bresnitz

5 Jul 2024 · 1 h 22 min

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In short

Podcast Notes: This Is TASTE - Episode 428: Steven Rinella & Darin Bresnitz

Episode Overview Hosts: Aliza Abarbanel and Matt Rodbard Guest 1: Steven Rinella - Outdoorsman, writer, and TV personality known for his work on the "MeatEater" series and the "MeatEater Outdoor Cookbook". Guest 2: Darin Bresnitz - Co-host of the podcast "Snacky Tunes" and an influential figure in the food and drink industry in Los Angeles.

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Key Discussions

Steven Rinella

  • Background and Influence:
  • Steven discusses growing up in Twin Lake, Michigan, where his family practiced self-sufficiency through hunting and gardening.
  • He reminisces about his early food experiences, including learning to appreciate wild game and local fish.
  • Culinary Philosophy:
  • Emphasizes the importance of celebrating wild game and sustainable practices in cooking.
  • Advocates for a return to more varied food practices in America, particularly concerning venison, which he feels is underappreciated.
  • The MeatEater Outdoor Cookbook:
  • Highlights the art of building a fire for cooking outdoors, noting common mistakes people make.
  • Suggests that cooking outdoors should be a celebratory experience; he mentions his enjoyment of underground cooking techniques.
  • Hunting Practices:
  • Discusses his varied hunting experiences, particularly with deer, and the cultural attitudes towards hunting and game meat in America compared to Europe.
  • Expresses hesitation about the push to commercialize hunting again, arguing it could undermine democratic wildlife management principles.
  • Favorite Outdoor Cooking Techniques:
  • Suggests techniques that engage friends and family in cooking, emphasizing the joy of the experience.

Darin Bresnitz

  • Career Overview:
  • Darin recounts his journey in food media, co-founding "Snacky Tunes" and his experiences in early food television.
  • Talks about his connections in the music and food scenes, highlighting the challenge of merging the two.
  • The Evolution of Food Media:
  • Discusses how the food and music industries often overlap, finding synergy between chefs and musicians.
  • Reflects on the importance of nurturing new talent in culinary media, similar to the music industry.
  • Current Food Landscape in LA:
  • Shares insights into his favorite dining spots in Los Angeles, including unique culinary experiences that stand out to him.
  • Mentions the importance of being a regular at certain restaurants and the sense of community it builds.

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Key Takeaways

  • Sustainable Hunting and Cooking: Steven Rinella advocates for a more substantial appreciation and integration of wild food into American diets, especially venison.
  • Outdoor Cooking as an Experience: The philosophy of cooking outdoors is not just about the food; it’s about the community, the adventure, and the joy of the process.
  • Bridging Food and Culture: Both guests emphasize the deep connections between food, culture, and community, with Darin noting the importance of supporting new voices in the culinary scene.
  • The Future of Food Media: The conversation reflects on how food media is evolving with new platforms, stressing the need for authentic storytelling and talent investment.

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Closing Remarks

  • The episode provides a rich blend of insights into outdoor cooking, sustainable hunting, and the intersection of food and culture through the experiences of both Steven Rinella and Darin Bresnitz.
  • The hosts encourage listeners to explore their culinary passions and consider the stories behind the ingredients they use and the experiences they create in their kitchens.

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Transcript

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0:28This episode is brought to you by Resi and American Express. I see people try to make a fire. They get it going. They smother it with something that's too wet. They smother it with something that's too big. They got a big smoky mess. They never get to, like, cooking. And it just leads to, like, a bad experience and, you know, whatever, a hot dog, corn, soot, what have you.

0:52This is Taste. I'm your host, Matt Rodbart.

0:59Stephen Ranella is an outdoorsman, conservationist, writer, and television personality known for translating the hunting and fishing lifestyle to a wide variety of audiences. On this episode, we talk about The Meat Eater Outdoor Cookbook, his latest in a string of books that merges hunting and the culinary world. Also on the show, we have a great talk with Darren Bresnitz. He's a co-host of the excellent long-running podcast Snacky Tunes and a great guy to know in Los Angeles. We talk about his career working in early food television and how he's really at the center of food and drink for nearly two decades.

1:37I hope you enjoy these conversations.

1:48steve raniello welcome to this is taste how are you doing good thank you for having me on i appreciate the opportunity well i have to say it's really nice to talk to a fellow west michigan dude so you grew up in twin lake i grew up in kalamazoo uh that's where my wife's from no way okay let's go there let's talk let's talk food so what's food like in twin lake growing up my parents they had a garden so they kind of came out of the like younger people now probably don't even know about this but there was a little bit of a back to the land movement i don't know if that maybe influenced my folks or not but they they kept a big garden and they canned a lot right and we hunted and fished a lot but we also ate all the normal stuff everybody eats you know um but there there was a definite like uh they leaned into self-sufficiency around food and we were very celebratory about wild game and would have people over to have fish fries and stuff but at the same time i mean you know we even call it like midwest mom chili right like a lot of chili with ground meat and kidney beans um pizza night was a thing i remember um encountering my first artichoke i remember encountering my first uh boneless chicken breast so i do remember so like i remember the advent of certain things kind of coming into our awareness that other people probably knew about i remember like encountering granola i remember just a lot of things that i now take for granted and that my kids have known their whole lives i remember it like seeing it the first time which makes it seem like weirdly isolated right and i remember later in life like we had these kind of like we had these crazy hippie relatives and i remember being in junior high maybe and them having yogurt and granola and being like i'd never seen this before what is this funny food this yeah so i meant by it was by by saying i remember when i just know that when i was born in 74 so there was we had a low we didn't have a lot of outside food influence you know um we had a pretty, in hindsight, a really limited set of exposures to the food world.

4:17Yeah. I mean, it's kind of, I grew up, I was born in the 80s, so I'm a little bit younger, but not much. And I have to say like Kalamazoo at that era in the 80s, you know, not a lot of people come in there for food, gotta say. I mean, let's talk about pizza though, because you've got Domino's Little Caesars, you've got Godfather's, which is a regional chain. Are you leaning towards any of those? No, my mom would, she would make pizza and we really liked it. And she'd put like regular sausage or deer sausage on it, but she would make these square, she'd make her own dough and roll out these square sheet pizzas.

4:54But no, we didn't have like, no, there was not that level of, we weren't regular consumers of what's now these sort of mainstream pizza joints. You know, like if you, when I was in high school, man, if you wanted to really, really like if you're gonna do it up for prom like do it up you would go to red lobster oh that was like dude that was the epitome of fine dining lobsterita man and some hush puppies all right let me ask you steven if you could could list a food as a true west michigan food what would it be i mean from my perspective it would be to me it's fried like to me it's fried fish which is legit like a big deal there but we ate a lot of fried fish because we caught a lot of fish and not too long ago i was in seattle and i was at a gun range shooting and i was talking to a guy and he was explaining to me how he walked out of a marriage he didn't get married he was gonna get married this is in wisconsin so just across the lake he was gonna get married and then bailed on his girlfriend and as when i was asking him like what was the defining moment like how would you also decide to not get married when you already have set the wedding in motion and he said one day i asked myself do i really want to eat fried fish every friday and i said no and that's what i knew and i laugh because i'm like dude i'll marry that girl right now that's a good one yeah it really is it is almost a religious activity i mean it's tied religion a little bit but you know like fried walleye come on it's such an amazing fish and i love local stream fish and lake fish i mean bluegills largemouth bass northern pike walleyes oh man such good fishing over there i we got a lot of michigan pride here and i want to talk to you about venison because i grew up eating it myself and we weren't hunters but we had you know it would once in a while land in our table and what let me ask you about this protein because i think we don't really we don't really prize it as americans as much as as we probably should because hell man there's a lot of deer out there and it's an invasive species i live in upstate new york bit of an invasive species in new york no not really no it's totally no it's native i mean it's yeah you it's native problematic in its abundance yeah but it's not invasive yeah invasive is the incorrect term right it's it's an abundance makes it feel like it's invading my personal space that's what i mean that's that's a widespread feeling americans who don't hunt don't give a shit about venison man it's like compared to if you go like you look in europe you know and uh it's a very common food item you're like in scotland they raise deer on these estates i mean they're wild deer but they're raised on these estates and if you go hunt there you're gonna have to fight to keep some of the venison from the animals you hunt because the landowners are going to sell it into the markets it commands like a high price and in germany you can go into the meat market and find wild harvested venison there's a reason we don't do that in the u.s because market hunting caused our wildlife populations to collapse and we as a society really moved against market hunting or hunting wildlife to sell as food so it just became culturally taboo for us and perhaps because of that taboo and a legal framework that made it you know illegal to sell wild meat into commercial markets it became a food strictly of hunters and growing up uh you know everybody hunted this is another wisconsin anecdote but i consider them to be my brothers my friend pat durkin once who's an outdoor writer he once said in wisconsin if you're not a deer hunter you share a bed with one and i i grew up like that but it wasn't it wasn't like a thing that people did fine preparations with you you might get a deer and just grind the whole thing into burger and and produce what my buddy clay calls the the trinity which is uh tacos spaghetti and meatloaf yeah and and it was just used like that like you'd kill deer grind them and just use the ground meat as a commodity yeah i mean it's it's a really good point about how um we as a culture have moved away from wild hunting effort for me and we now have factory farms which are you know problematic in many ways could could we actually sustain a culture where wild hunting could end up on the marketplace was this a mistake to to ban this practice funny you ask funny you ask because there's a lot of people toying with that idea anew in response to excess deer populations now let's unpack that a little bit because the reason we have excess deer populations um is because we because whitetail deer love suburban landscapes they like edge habitats right they like disturbed landscapes so white-tailed deer have learned to do very well around humans now when you get around humans white-tailed deer like it but those humans don't like hunters that much so that's where you get into situations where people agree that there's a white-tailed deer problem but they don't agree on allowing access to hunters who would very happily come in and utilize the resource and then you wind up with these kind of crazy counterintuitive things like municipalities hiring sharpshooters to come in and remove deer in the dead of night or to toy around with these ridiculous programs of trying to run spay and neutering programs on deer or drug deer so they can't reproduce.

11:15Just a lot of insanity because people are uncomfortable having hunters out on the landscape. And it's also the hunter's fault because also as a residual effect of having nearly lost whitetail deer in the late 1800s and early 1900s due to commercial hunting, there's a sort of reluctance on the part of hunters to kill enough does to kill enough female deer to slow population growth people want to get a big buck right they want to get a buck when you remove a buck you remove a single deer from the landscape when you remove a doe you remove her plus all of the offspring that she would have had so hunters don't shoot enough does in some places and people don't let enough hunters onto their property to be effective at deer removal.

12:10Therefore, some folks are proposing and have proposed that we move back to a commercial market system. I'm very reluctant and very hesitant about this. You'll notice Mount Rushmore, Theodore Roosevelt's likeness is carved into that rock. And Theodore Roosevelt is a politician that every politician would like to see themselves favorably compared to. And Roosevelt led the charge against market hunters. The fear of extinction is probably the biggest, I would say, cultural taboo, right? You don't want to kill too many of a thing. Culturally, people get weird about that. They feel a little bit uncomfortable.

12:53If we re-engage with market hunting and we re-engage was selling American wild deer. It won't be a thing that it pushes deer to extinction. It would never go that far, but it would put us back down a path of commodifying an animal that has a lot of social value as a democratically allocated resource. Meaning I can buy my state hunting license, depending on what state you're in. You buy your resident hunting license for 20 bucks and you're allowed to go out and utilize this wild protein to bring a market back to it and commodify the animal. To do that would to kind of spit in the face of the very thing that makes American wildlife management so unique, which is that wildlife resources are owned by the public for the benefit of the public.

13:54and that these resources are allocated democratically um so it's just down a whole it's a whole new path man and and it's a path we went down in the past and it led to the to the literal extirpation of deer across a lot of their native range people forget this but even my my buddy doug who's 15 years older than me he lives in wisconsin they have up to 40 deer per square mile on farmland in wisconsin now wild deer per square mile he when he was a little kid he remembers going home to tell his mom and dad that he saw a deer track right it was that that that rare yeah it was that bad so to now be in the sort of good old days of whitetail deer in some respects to bring up this idea that the answer to our problems is to go back to a market hunting solution.

14:52I'm just really uneasy with it. I'm very uneasy. It's a lot of factors at play. You've measured them quite well, Stephen. I appreciate that. I want to ask you, how do you like to hunt? And in general, do you have a couple of favorite places that you are drawn to and you keep going back to? yeah i do all kinds of hunting man i mean um i hunt all over the place i i hunt whatever i can whenever i can with that said like i like to hunt squirrels i still like to go back to michigan and hunt squirrels i love hunting with my kids we'll go out and catch some beavers this weekend trapping but i particularly like now that my kids are getting old enough the funnest thing that i do is participate in our state's youth deer season, where the kids get a couple days all to themselves to hunt deer prior to the general firearm season.

15:44That's a hell of a lot of fun. I like hunting in Alaska, and I have a place, a fish shack in Alaska, and I hunt all over in Alaska and love it. I love to hunt where I live in Montana. If I had to probably pick one state And I was like some weird gun to my head scenario. And I had to be like, okay, I had to lay it all down and pick a place. I'd probably, I'd probably pick to hunt in Alaska. I just, every time you hunt there, it's some kind of adventure. Takes your breath away. When you look out at the terrain, I've been able to go to Alaska myself. It really is just, you're like, wow, I can't believe I'm here.

16:23It's like amazing. It's astounding, man. I love being up there. I love having a little shack there. I'm a non-resident, but I love hanging out there. Yeah. When you're driving around Alaska, what are you driving? What do you got up there? Man, we don't drive anything, really, because our fish shack is you have to fly there or take a boat there. And then once you're there, we just use Lund skiffs. Everything we do is out of 18-foot Lund skiffs. and then most of the hunting i do we'll use the highway system to get to certain access points there's only a handful of highways there i mean they're big and long but but we'll use the highway system to get to certain access points and then hunt with boats or hunt out of aircraft uh hunt using aircraft a lot of times we'll hire bush pilots to drop us off in places we want to get to gnarly sounds really fun sounds really fun to hire that's most of what i do in alaska now is just hire bush pilots yeah have you encountered uh bears all the time yeah that's that that's the thing about alaska it's it's there's more bears than people right i mean it's like pretty tremendous yeah a lot yeah i mean you run into uh you know we run into a lot of them you know all over the place but matter of fact we were hunting in sonora mexico this year and uh just i mean within sight of the u.s border saw a black bear down there and then uh and one night saw two mountain lions but yeah i've been i've been charged by bears uh and have had a lot of run-ins with bears in montana with bears in british columbia with bears in alaska it's when the kind of places where we hang out and the kind of activities we engage in just leads to those yeah interactions you know so the meat eater cookbook i have a couple questions about it and I really enjoyed reading through it one thing I noticed is there's a real art to building a fire and I feel like you're talking about the new one the meteor outdoor cookbook yeah exactly because we have a fish and game cookbook oh no the outdoor cookbook yeah there's a lot to say about making fire I love it it's like almost like an art to it I'm like really fascinated that you dedicated so much time and space to to showing the different ways to build the fire i'm like this is great well how often do you see someone go to make a fire that doesn't work out i mean it seems funny but it's all the time it's all the time and from an outdoor exploration standpoint you kind of have you have to learn to get good at making fires because quite often you're making them just to get comfort right to get comfortable um we were recently me and my buddy and our combined five kids were recently all out uh running mountain lions with his hound dog and we me my buddy had to leave our kids for quite a while a little unexpected emergency and we came back they had a little fire going in the snow you know and so we're like oh that's fantastic you guys are great you did great you did everything just right you got a fire going in the snow so like outdoorsman kind of it's a skill that you want to have you know and and then when it comes to cooking you why not take that same skill set of being able to make a fire anywhere anytime and apply that same skill set and those same fire making styles in that way and i just so often people i see people try to make a fire they get it going they smother it with something that's too wet they smother it with something's too big they got a big smoky mess they never get to like cooking when they are cooking they don't have a good bed of coal so So it's not as fun.

20:02It's not as effective. It's not as versatile. And it just leads to like a bad experience and, you know, whatever, a hot dog coated in soot, what have you. So yeah, learning how to like quickly and efficiently with a minimum use of fuel, get a good workable bed of coals that lets you cook with some flexibility and a little bit of delicacy. it's that that's like super important to learning how to do much of the stuff we discuss in the book right and again i and i'm prioritizing there like efficient use of fuel you know if you go and buy some so you know let's say you buy a load of mesquite or something like get your money's worth out of it you know uh use it in a way that's smart and not and not burn up 50 bucks worth of wood because you want to grill a couple steaks yeah great point about the fuel fuel kind of uh management.

20:55It's really, really key. I'd like to get a sense we're approaching outdoor cooking season for many Americans. And I must say, there's a lot of recipes in the book that I'm interested in. But if you could point to one in particular that is going to get us excited about outdoor cooking, what is that one recipe? Man, you know, so we have 100 recipes, about 100 recipes. And when I think of recipes, I think of very specific preparations that call upon specific measurements, right? I'm trying to give like a lame definition of a recipe because I'm trying to set up a juxtaposition. I'm into it. I'm buying this.

21:35Thank you, Stephen. I'm into this. I'm going to juxtapose a recipe with what I would call a methodology or preparation style, okay? So mixed in with all these recipes, which is tablespoon of this, teaspoon of that, cook for this long we we talk about a lot of of ways like ways of going about things um things that would be really engaging for a group of friends to do things that are almost like like wild experiments you know and and in the book we really try to arm you with recipe level detail about how to do some of these more showstopper, cool, day-long preparations. But in the end, it does rely on you applying a little brain work, applying a little elbow grease, being up for an adventure, okay?

22:32So we try to describe, for instance, in there, I like to do underground cooking. Dig a hole in the ground, get a fire going in that hole. The hole could be as big as your head or it could be as big as a five-gallon bucket, or it could be the size of the back of your car. Dig a big hole, get a ripper going in there, get some rocks real hot, and bury stuff in there and dig it up later. I mean, it's the funnest thing in the world, and it's like an ancient cooking technique. So we talk about versions of doing that and try to set it up. As much as you can't tell someone, here's exactly what'll happen.

23:12It'll take three hours. You know, we say, who knows? But here's some really good things to keep an eye on. And here's some milestone moments that you're going to want to watch for. If you're not hitting these milestones, here's some things to check. And so it sets you up for success to do some really interesting experiments while still leaving a lot of room for you to adapt it to whatever situation you're in. That's the kind of stuff that excites me the most. And that's one of the things I was most excited to deliver in the book is like explaining these methods or also explaining how to cook really great, really cool stuff using nothing but native materials, sticks and rocks.

24:01Okay. At the same time, you can think of it like we used to joke about subtitles when I was working on it. We'd be like, okay, it's backyard to backcountry, caveman to haute cuisine, right? So it just covers a lot of ground. So in the same way that we're talking about these Ice Age cooking methods that might have been used by Ice Age hunters, you know, like cooking methods that might have been used to cook a woolly mammoth. we're also talking about making some really beautiful uh stuffed hamburgers on your back porch over a weber grill or throwing a really cool elegant dinner party or making great cocktails that are suitable to prepare outside so it's so varied in its approach but it all lives under like food that's best to eat outside it's best to serve outside it's best to prepare outside And that's why we regard it as a celebration of outdoor cooking because it's best eaten or fixed outdoors.

25:04Steven, really, really, really fascinating stuff. I'm really buying into this methodology and I like the detailed explanation. And I feel like we sometimes as home cooks don't necessarily think about the meat we're buying. We just buy it by price. I think what you do with your writing is you're talking about hunting, but you're also talking about cooking meat. I'd love to get a sense of how do you square the kind of escalating beef prices in our culture? I mean, beef is more expensive than anything, right? It's like really like the one. How do you think about your meat consumption and buying meat when you're given that fact?

25:44Oh, that's interesting because I have a lot of friends that raise cattle. and it's it's amazing how those prices have not moved um have not have not benefited the suppliers quite like you would think i recognize absolutely it's not it's not the at the source it's it's a lot of other things happening yeah and i know that's not where you're digging at but i'm just pointing out that that's a you know as a i'm a cows not condos kind of environmentalist and so uh i'm always rooting for farmers and ranchers and and i uh and and as much as you hear about you know certain high meat prices uh and then you hear about ranchers still struggling it always you know it's sad to me oh it's like restaurants too when people complain about restaurants it's like they're not getting rich because they rate they charge 42 for an entree it's because they have to they're getting killed by yeah the margins are horrible margins are horrible it's somewhere it's yeah it's a subject for a whole other podcast for you with a better guest than me but uh you know i eat a lot of i eat a lot of wild meat and wild fish now what i've learned from that is let's say i wasn't doing that um and i was buying all my protein from the store i would probably buy a lot i would mostly not probably i would certainly be buying a lot of the cuts and a lot of the species that are available in the markets that aren't favorites uh among american consumers this weekend we have a big cold so sub freezing cold snap coming right now but we were this weekend supposed to be going out me and my buddy and all of our kids we were supposed to be going out running set lines for channel catfish cool wow cheap dude that is a cheap fish that i don't care you know we like to catch them we'll go we'll drive two hours to check catch a channel cat and if you go into a fish market and buy channel cat that's probably gonna be the lowest pricing in that fish market next to perhaps tilapia so i don't have expensive tastes like because i don't have expensive taste because i have experience in taking things that maybe other people don't want and making them really good i have a friend nearby me north bridger bison is his company he doesn't sell the markets he sells the animal on the hoof to buyers and a and four people might pitch in he kills the buffalo on his place it's born on his place it dies on the place he kills the buffalo gets it processed and then whoever whatever group of people pitched in they're getting a they're getting a grass-fed very humanely raised product from him but what's funny is i could call him up and get all the hearts and livers and cheek meat and tails and kidneys uh that i could ever want from what uh people aren't utilizing you know so in our books we usually try really hard in the cookbooks i've done we try really hard to to celebrate these these alternative meats tongues right like like things that are that are just regarded as oftentimes producers when they're the slaughterhouses they send it in for rendering right so uh if i was out just as a consumer i don't think i would be out buying a bunch of filet mignon i'd be out buying the stuff that i'm after now i'd be out buying catfish i'd be buying beef tongues i'd be buying uh head meat i'd be asking them why can't i get some uh fresh liver you know it's just how i would approach it because it's there it's great it's underutilized and it feels really good to to eat the stuff yeah it does especially when it's wrapped in tortilla and it's lingua and it's a taco in mexico or la oh my gosh talk about the best tacos out there but yeah really well said steven um on this is taste we asked guests about the discerning taste so to close this interview, here's a little rapid fire, fast and furious taste check.

30:13Are you ready? Yeah, I'm nervous about this because I saw that you do it, but I didn't look at what you do. My man, that's the way to do it. You saw that it was going to happen, but you want it to be spontaneous. The candor is appreciated. Let's do this. I don't want to think about it. You're going to do it great. The best fruit. The bananas. Yeah. I'm only saying that. I was just in Hawaii and my body has banana trees and we went and scrounged around and found a big those big huge piles those little short bananas and dude we ate so many bananas they're a little different there than like at the mire right after they've been like four like four inch long four inch long bananas my god those are good those are great uh the best dessert man uh bananas foster yeah i catch a theme here well yeah that's yeah you're seeing the whole banana thing.

31:03I'm seeing it. And I love ice cream. And my kids love ice cream. So yeah, Bananas Foster. And everybody likes to stand around and burn off the rum. Oh, it's pretty fun. Your favorite American fast food chain? Dude, I have no idea. I guess Dairy Queen because my kids like it a lot. Ooh, into that choice. Yeah, they love Dairy Queen. I don't know. Dairy Queen markets well to my kids. Yeah, they tagged your kids into Instagram or something. Your favorite restaurant right now? what's it like up in montana do you have do you live in an area with with with a lot of restaurants oh yeah man we got a million restaurants and i don't want to get into details but what was my favorite restaurant had a real tragedy occur at it um and now i guess the thing i like most i like a thing called the ale works here in bozeman montana because um it's big and I can go there and I don't really get bothered.

31:59And we always get a great place to sit. You're in the action, but out of the action. The food's very reliable. I like it so much that it drives my wife crazy that I don't ever want to go anywhere else. Yeah. Let me ask you, is there a restaurant dish that you seek out? Yeah, man. Lately, it just changes over time. but we fish so much that I'm not going to go into a restaurant and buy fish. We fish so much. And this is going to harken back to something you brought up earlier. When I go to a restaurant, if they have it and I can get a good steak, a beef steak, because I don't eat a lot of beef. If I can get a good beef steak, that's probably what I'm going to order.

32:44If I go into a Mexican place, I'm going to get the flank steak, you know? Yeah. That makes a lot of sense. You got to let the experts do their thing. Yeah, because I don't eat it at home, so I like to see it when I'm out. And I eat tons of fish, so I'm never going to order that. Right. Favorite city outside America to visit for food? Anywhere in Mexico that they're grilling, marinated, well-exercised little chickens. Like, all over. I don't know. Okay, I'll put it more specifically. Grilled chicken along the highway between Cancun and the C and Khan Biosphere Preserve is good. Really good chicken.

33:30Those little muscly, little wiry little chickens grilled on an open grill. Oh, man, they're good. Yeah, you get a little bit of rice, a little bit of beans. Oh, so good. Last one, your favorite sandwich. Cuban. Yeah. It's a good call. pickle has to be right Swiss has to be right and I like grilled peanut butter and jellies too now tell me more how's that work just float it in a boat make a peanut butter and jelly and just float it in a boatload of butter in a pan that's pretty good oh that's oh that way of course oh that's Elvis Presley come on that's good I love that Steven Ranella thank you so much for joining this that was really fun yeah thanks man I appreciate it

34:17Darren Bresnes, welcome to This Is Taste. How are you, buddy? I'm so happy to be here and to see you. I'm happy to see you. I love this, that we're doing a podcast interview. I've been on your show, I think, like a bunch of times. And you're going to be back when the book comes out. Absolutely. Snacky Tunes, if you don't know it, it's linked in the show notes. Subscribe. Long-running show. Started at Heritage Radio out in Bushwick. IRL, right? Yeah, we started 2009. Amazing. We knew Brandon Hoy, who's the owner of Roberta's. When Greg, who I started the show with, and I were still DJs at the Royal Oak, he was bartending.

34:55And then one day he was just gone. And the next thing we knew, he'd opened up Roberta's. And they'd put two shipping containers in the back, Patrick Martin, Heritage Meats. And we went to Patrick and said, we want to do a music show. and he's like, you got to do music and food. And I already had dinner with the band rolling along at that time. And we started that. And pretty much every week for the last 15 years, an episode of Snacky Tunes had come out. We're about to hit episode 600. It's incredible that run and just sticking with it. And you've since moved to Los Angeles. This will be a theme on this episode.

35:31We'll also talk about old school food media, early 2000s food media stuff. But let me ask you, What's your draw to merging food and music? I feel like it's a challenging one because for me as an editor, you've got fans of food and you've got fans of music. It's often hard to get them to overlap in interesting ways, but you've been able to do it. You know, I think when I had the idea for Dinner with the Band, this was back in 2003, 2004, and I was still in college, and the idea of bringing the world of food and music together, it was novel. It was, you know, there were no festivals with a big food component to it.

36:06There wasn't chefs who who love music. You know, there wasn't a lot of crossover. And we just saw a lot of the similarities between what people who worked in food and people working music. And I think you're right. I think we have found over the years that trying to really force that narrative hasn't worked as much. It's just you got to find people from either world who loves the other world. And that's where you really get the best stuff. That's the best stuff. It's hard to find, though. It's really, really tricky because I think every musician probably fancies themselves as a food person. But certainly, as you know, they're not all food people.

36:43They're not. And I think a lot of our questions in the early days were very much, what do you eat on the road? Or like, what do you cook when you get home? And every once in a while, you'd find bands like Chris from Grizzly Bear would cook. And there's this new band out of Philly called Snack Time. A lot of them used to work in the food industry. and they're really big into cooking. And then obviously there's chefs who love music. You know, when we did the book for Fade In, I mean, we found 88 chefs around the world who really love music. But there was quite a few that we had asked and they're like, I don't love music enough to be putting together a playlist or talking about a dish inspired by a song or things like that.

37:26Is Chris Baer, is he nice in the kitchen? Because I know he wrote the book for us at Clarkson Potter back in 2015 or 16. Yeah, I've had his food twice. I want to say once backstage at Bonnaroo. He was grilling, and that was just super fun, although, you know, it's grilling while music is playing. Yeah, by bands. I mean, it's a pretty cool environment, right? And then he did a pop-up at our friend's studio at Max Sennett, and it was great. You know, he can cook. Interesting. Did you ever get sick of Roberta's Pizza when you were doing your 15 years of recording at Roberta's? You know, it's funny because we were at Fowl Witch, their new restaurant.

38:04Yeah. And you like it, right? A few minutes ago. I love Fowl Witch. I'm going to say the best tortellini I've had. Wow. Yeah. Your guy strikes me you've been to Bologna, too. I feel like you've been. Yeah, I've been to Italy. And I mean, we've been to like Modena. Yeah, yeah. You've been to Mille Romani. You know some stuffed pastas. Wow. Yeah, yeah, yeah. Damn. And I was saying I was at Fowl Witch. I was just like, you know, when we used to do the show in the studio, we were there every week and we had the pizza and the salad because we got this nice chicory salad at foul witch yeah and i was like it's dressed so perfectly and i was like you know i had that salad every week at roberta's and i never got sick of it and i think we're probably even gonna go this week and i'm looking forward to the salad i love that shit i love it um let me ask you about early episodes of snacky tunes like the early years first three four years do you have any favorite episodes i mean this is a time when brooklyn music scene was was really something i mean it really really when it was a monoculture in a way the way that it's not now the way that music is so spread out but back when you're doing it 15 years ago Brooklyn was a definitive scene you were at the center of it and doing your show and and being around with your brother yeah I mean those early days were really great because even being in it I think we all knew that we were part of something really special and getting perspective on it years later we were really part of something special but even when everyone was around in a band or a DJ, things like that.

39:29You know, one of our friend's roommates was dating Dev Hines at the time, and he was winding down Lightspeed Champion and winding up Blood Orange. And we had been hanging out at our friend's apartment. We used to do the show live on Mondays. And so if anyone ever canceled Monday morning, it was a real scramble to get someone on the air. And we were hanging out at our friend's apartment, and Dev had really gotten into sleight-of-hand magic. because he had stopped touring with Lightspeed Champion and was getting these demos going. And the band canceled, and I just texted him, and I was like, hey, can you come and play some demos?

40:07And so we had some very, very early Blood Orange demos. I don't know if you can even find that episode, because we've done so many episodes that they're not all on Spotify or Apple Music anymore. Oh, really? They've taken some down? Yeah, you have to really know how to search for them on the Heritage Radio Network. Which I'm sure is not an easy thing. I remember seeing Dev play as, remember Test Icicles, that first band? Of course. In Mercury Lounge when it was like that weird noise band. Yeah. I mean, I saw it at Cake Shop. Yeah. I'm trying to think what else. Moby was an early guest. Yeah. Which I think Greg booked.

40:39And he had us sing backup vocals on Walk on the Wild Side. Oh, fun. And then like a lot of early chefs, you know, we had Mark Vetri came on. He played guitar. we had this great episode with Reggie Watts and Maharlika that stands out it was just you know it wasn't just the music scene that was really emerging like the Brooklyn food scene that was a little less perspective of what Roberta's was doing and how much it's radiating out from there and how much that would really influence the world because still at that time it was like all right we're going to Bushwick to eat pizza and it changed the way that a lot of restaurants are designed a lot of the way the food is made.

41:18And, you know, it's just, that was really fun to be a part of it. It felt like, to me, JellyNYC's pool parties at McCarran Park Pool, that was like a big moment for Brooklyn music. But also, they had some cool food elements at that party, on that Sunday day party that ran for like three or four summers. And that, to me, is Brooklyn in a nutshell for this era that we're talking about. I mostly remember, I want to say it was the Doers backstage. Yes. Yeah. Blended Scotch definitely ran through my body for many Sunday mornings. To this day, all the medals that they won for best of and category, I never checked about what those categories were, who hosted them.

41:59But Greg and I actually, we DJed the very first pool party with Les Sebi Fav. I mean, just to be a part of it was really fantastic. And I don't think I've ever been a part of something like that since then. You had Macaulay Culkin and his band play, I believe they played, or maybe they just played some of their music. And that was a memorable episode because it was really weird. Yeah. I was stuck in the city trying to race back, and Greg wound up doing it solo. And I believe they played their Pizza Velvet Underground medley. Right. Well, they were called the Pizza Underground. The Pizza Underground.

42:41What was the name of the band? And yeah, I mean, listen, people may underestimate what it was to say, come to Roberta's. You're going to hang out in the shipping containers. We're going to feed you pizza and salad. If you want a beer, no problem. And a lot of people just did because it was just a good hang. Yeah. Yeah. No, it was. It kind of marketed itself. I mean, you had to book the show and you talk about just getting people to show up. I mean, it's a big, to have it run for so long. The booking is just, is relentless, man. Yeah, it's, and right now I'm doing the show by myself and the bands have wound down a little bit.

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43:20I think if I get a band once a month now, just because with COVID and we do everything remotely now and I'm just not as in the band world as I am, but I work a lot. big shout out to to geo at terror bird because he he hooks me up with a lot of bands um but listen a lot of people when they come they ask for advice about podcasts they want to talk about the gear they buy and all this stuff right and i say it's never been easier to never buy a piece of gear for podcast i like the real thing is like how consistently can you do it and if you don't want going to do it every week that's fine um but then set seasons or something like that and then a lot of times people do two or three episodes and they go this is really hard but i'm set up really well you know i have all these great publicists who i shout out almost every time they book a guest on the show if i don't then i get them the next time and i get fed a lot of stuff and i pick and choose and there's people that i reach out to that i really like um but it's a lot it's a great show I love it.

44:25And I'm going to link to it again in the show notes. Make sure to smash the subscribe. I want to go back a little bit further and talk about your time working in food television. Sure. You had a really unique glimpse, and I hope you're right about it one day. It feels to me it's like ready for like memoir style. I'm just going to say it. You worked at Early Food Network. You worked at Tastemade. You probably did some work with Vice. I'm just going to guess. I did. You were Bobby Flay's production. Rock Tramp. Yeah. Yeah. So let's talk about working with Bobby. You were like an AP on his show for a while.

44:56Yeah. So I was an AP on the first five seasons of Throwdown and it was amazing. Bobby is a legend. He is so nice to work with. He is so talented. He is so generous with the people he worked with. And those early seasons were, especially season one. So for those who don't know, Throwdown was a surprise cooking competition show where we would call people. And I was doing casting the first season. So we'd find people who were the best meatball, lasagna, whatever. And we'd say, oh, we're going to come out and do a special with you. And then Bobby would show up. And the first season was really. No one knew.

45:36Well, no, no one really knew. And I was booking these people. And some people took it well. Well, obviously, when they won, they took it well. But obviously, not everyone won. And I felt really badly about it. Like, it's just like, oh, we said we're doing a special on you, and then Bobby shows up, and then you lose. But what wound up happening is win or lose, and because of Bobby's status, the show said, you are the best of fill-in-the-blank in America, and it's a half-hour commercial with you. And everyone looked really good, and Bobby was always so gracious when he won. And it was great. I mean, I got to travel the country and got to meet so many people.

46:13Yeah, what's doing production like in this era? This era? Because this is a little before Instagram, so you're casting based on probably the internet, not social and mobile. But also, our kind of realization of the power of food TV wasn't quite there as a culture. We didn't realize how big this thing was going to get. God, what was it? There was a message board that I'm blanking on right now. It was... Chowhound? Chowhound. Thank you so much. I was literally going to say the only message part is Chow Hound. So my method was during casting is that we'd pick a food and we'd try and find a city. And then I'd go to Chow Hound.

46:55I'd do a lot of cross-referencing. And then I'd sometimes call the local food editor at a newspaper. The alternate papers were still around. And it was just a lot of just digging. And you'd call friends and you'd do things like that. It was really tough. I will say, though, that once you found a restaurant and you're like, OK, this is a real restaurant with people who are coming up, it was different. There weren't people who were just presenting as a real restaurant. Like sometimes now you can find people who have crafted a story, but it's how authentic is it? But when you would find these spots and especially these small mom and pop places, once you got in, you realized how great it was.

47:35And then on top of that, so, you know, we'd shoot with these restaurants and they knew it was the Food Network. So food was just coming out of the kitchen. But then also, you know, I'd be in, I'd be like in Raleigh or like these small towns. I'm like, I don't know where I'd ever go back. And I would be eating at night as well. I think in the first six months on the road, I put on like 30 or 35 pounds. Oh, shit. Yeah, rookie mistake. Rookie mistake. You can't eat everything when you're doing food TV or food cookbooks. But, you know, I was young and, you know, I didn't have a lot of money then. And so when you have like a per diem and then coming out and it's like, oh, well, these chicken biscuits are just going to go to waste.

48:18So it's been fun to travel. Let me ask you just in production on Throwdown. When did like was is there a story of someone just going super fucking haywire? Like just like like I mean, just like totally off the off the wall. No, because, again, Bobby was so gracious and so nice. You know, some people got really nervous. I think one person had a reversal of fortune because he was so excited that Bobby was there. but you know it's it's everyone that we worked with was such a professional so that when when the actual turn came with Bobby showing up we would pull them aside like hey this is what's happening don't worry you know we had judges it was all really nice and I will say you know when you're talking about the power of that show and Bobby's reach there was a place up in Saratoga Springs I believe it was called Hattie's Fried Chicken and you know when it was off season it'd be really tough.

49:16Sometimes it'd have to be, you know, a bridge loan or things like that. And the off season, the first off season after the show aired was the first year it didn't slow down. And he didn't need to like get a loan or anything like that because so many people saw the episode. It's truly the story of Guy Fieri. I mean, we snark or hopefully don't because Guy, I love him. You know, truly. And, you know, you can disagree with some of his stances, but listen, the guy helps small businesses. And that's the power of Food Network and Guy And you have to respect that. These are small businesses in a tough industry.

49:48And his mention is giving them life. And I will say from a producing point of view, the restaurants he covers and the chefs that he covers and the owners he covers really aren't going to make it on any other show. they're not they're not celebrity chefs they're not maybe the hippest restaurants maybe they're just in these institutions that have been there for 30 or 40 years but as we all learned during the pandemic that's still week in week out of of money coming in and covering bills and things like that and he literally puts them on the map I mean there's literal online maps of Guy Fieri stops and that to me is again say what you will I like the guy we're aligned I mean I fucking agree fully you know yeah come on the show guy I would love to talk to you about this stuff How much money did he raise during the pandemic for chefs?

50:36When I know a lot of chefs, now look, I'm not blaming anyone, but I'm just looking at him and what he did. He didn't take a victory lap for it. He just quietly raised millions of dollars. Yeah, same with Bobby. Bobby raises a lot of money and does a lot of charitable work too. Let's talk about F2. You worked at a short-lived spinoff of the Food Network called F2. I remember it being a thing for a while. Tell me about your experience there. So this was 2009 when digital internet channels were taking off. And my understanding with Food 2 or F2 was that the Food Network was just out of space. They were sold out.

51:22They were sold out. I mean, truly, they had more advertisers than they needed. More talent, more programming. And Food 2 was their broadband channel. And I had known the people who ran Whiskey and Ladle Supper Club in Williamsburg, and I thought it would make a really good docuseries where the way that we looked at it is that we would do four dinners and we would do these individual episodes of the planning of the dinners, the shopping and things like that. And so every episode would work as an individual contained piece. And then you could watch the whole week and that would work as a contained dinner.

52:01And then you could watch all of them and that work as a contained series. And it was a great experience. I mean, it was it was a real introduction to what video and content was going to become. It was super tight budgets. It was super tight schedules. We shot a lot, you know, over two days. What kind of cameras are you using? Oh, God, I don't even remember. I mean, it was some of the early digital cameras with card stores. We weren't using tapes. And Luke Riffle was my co-producer, big-time helper on it. And he was also the DP. And Pablo Muniz was the culinary producer who's worked with Bobby for years.

52:41And Noah Starr, who used to be on Ask Aida, he came in as our AP. And Matt Reynolds. We had this whole crew of people, and we actually did it with Rock Shrimp. Kib Barton helped sell it, and it was great. And who knew that it was a harbinger of what was to come? Everyone thought it was like this. And then I don't know what happened. My assumption was that the cooking channel came along, and they're like, okay, we have another network. Yeah, cooking kind of took F2 and threw it to the side, and cooking became its own vibe, though I never quite knew what was the difference personally. Maybe there's an answer there in the history of Food Network.

53:18I think if you worked in it, you're like, these are worlds apart. Yeah. These are so different. This is absolutely a cooking channel show, and this is a Food Network show, and this is a cooking channel talent. I think with so much of food and food media, you get out of the inner circle, and people can't tell the difference. Yeah, totally. Let me ask you about some other productions you worked on. like when you're talking about munchies you know munchies is uh was a vertical no i never did munchies i actually got into vice uh i think i may have been one of the last showrunners i was working on a climate change series okay for them but i did get to do ifc took a toe dipped a toe into food for two shows food party which was the um the puppet food yeah obscure like oh yeah Genius.

54:10Who was the creator of Food Party? Tu Tran, I think. Yeah, Tu Tran, right. Tu Tran was genius. I love that stuff. Tu Tran was genius. It was incredible. And I had developed and sold Dinner with the Band to, God, what were they called? On Networks. It was a short-lived, another digital channel. And IFC found us and they bought it. And that was a show that we did with Sam Mason. That's right. And it was in his quote-unquote apartment, which is now actually the J.Crew over in Williamsburg. But it was a studio that we'd built and we had bands. Come on. Who'd you have on? It's fun. Oh, man. Sharon Jones, Andrew W.K., Rufus Wainwright, Mountain Goats, Murder City Devils, Au revoir Simone.

54:59Au revoir Simone. That's the one that didn't quite make it at all. Well, let me. you know it's a great name great film reference uh not the longest running band i interviewed you know it's a funny story because back then it was like we got to make the hippest cooking show yeah um and the network had come to us and they're like we want you to book nor Jones and me today as like a producer director i'd be like absolutely like let's get some big stars but in um our wonderful mid to late 20s perspective we're like no we're gonna resurrect murder city devils from the dead they had broken up yeah i was like i was like this band is what i thought they were done and we're like no we're gonna do a band that has a questionable name for families and we're gonna bring them back and um i loved it and all of our friends loved it would I have put Nora Jones on now?

55:59Like maybe one for them, nine for us. That's the way it usually works is give the network one. Now this concept, like dinner with the band, like Sam's inviting them into his quote unquote apartment. He's cooking something cool. They're playing a set or a few songs. I mean, that could work today. Yeah. I feel like it could work today. Like Tiny Desk, I think a Tiny Desk. Yeah. A lot. Like that's a Tiny Desk concept. Yeah. It was in a living, you know, they were cooking the kitchen. So the loft, and some people have been there because we would host parties and events there. Oh, I definitely, I know.

56:36Of course. I mean, there are stories for that that probably are not airworthy. Yeah, right. The memoir. And they would play up in the living room. But it was actually like, we lived there. So it was a living room and it had that lived in feel to it. And people say like oh it could it could exist now i'm sure it could but it's just like they're out there you can watch it on amazon and maybe i think it's on apple i think you can go out and buy the episodes and i think that you know it still stands up and i love it but this is 2010 like it just it was a different time yeah definitely and and and wow it's like ancient history i gotta ask you like what's your take on james murphy let's get real about james murphy i love james yeah no i'm not I'm not saying like, I'm just not like a setup to like talk shit about James Murphy.

57:26I want to know, like this is a guy who like embodies the crossover of food and music because this is a guy who doesn't just run one of the best restaurants in New York, but he actually shows up and hangs out there. Speaking of which, I'm going to four horsemen tonight. I was going to say, like we were talking in the elevator. I was like, are you going to go hit four horsemen? Shout out to Justin and Nick. Oh, Nick. Yeah. Great chef. James and Nick have been on the show. I'll link to those in the show notes, that great episode we recorded in 2018. I mean, I love James, and I love the whole crew and the DFA family and LCD and, you know, shout out to Al and everyone.

58:05And just, you know, I'm about 10 years younger than that whole crew, Jay Strel and all them and things like that. So they were always an inspiration and people that I would look up to. and never in my wildest years did I ever really think I'd get to meet them and to know them and to hang out with their food. In my 20s, they just seemed like so much larger in life and then got to meet them and they're as nice as they can be. They really know their stuff. They're a really perfect example in James' of just, he really knows his food. He really knows his food. He really knows his coffee. He knows his wine.

58:42He knows how to run a restaurant, which isn't easy. and it shines through. I'm super excited for their cookbook to come out. I think it's going to be a really great recipes because Nick's food's incredible. And for anyone who hasn't been watching his cooking videos that he's posted, they're great. Yeah, Nick Artola, right? Yeah, Nick Artola is doing this. And Justin is obviously, he taught me so much about, I've pretty much only drink natural wine because of Justin. Like that's just how I sort of came up And, you know, LCD was a huge part of my life. Yeah, absolutely. I mean, absolutely agree.

59:17I definitely went to the last show at M &T. And the last quote on the show at Brooklyn Steel. And, like, it was a big part of that era. I mean, that was it. Like, this guy running this band, but he also had this restaurant on the side. And it was, like, kind of effortless. And I wasn't trying to lead the witness. I really respect what James Burton stands for. I just feel like now it's almost like the young guns might be like, it's easy to snark LCD sound system a little bit. And, you know, the Four Horsemen restaurant is still very packed and great. People might be like, oh, what's up with this place?

59:51You know, I think, I don't know what the new generation thinks because I'm not their age. I would say just do your homework. if you know if you're a fan of music or you're a fan of food i think we're now moving into a new generation of food and people getting into food who may not know chefs that were huge you know tastemakers when we were coming up and how you want to look at them and how you want to decide on what you think they are they aren't is up to you if you really want to put the work in i love it. Darren, that's a great sentiment. And I think that's like an open-hearted sentiment. You're not making judgment on the youngins.

1:00:33You're just saying do your homework. Fully agree. We try to maybe let the show be a place where everyone can do their homework. We like to talk to the old legends and we like to talk to the new generation. I mean, listen, that's one of the things, you know, doing the Snacky Teens for 15 years, there are chefs who are no longer chefs anymore. There are people who have hung it up and doing the shows allowed I'm going to keep a link and a reason to talk to new people coming up. You know, now I'm, when I started the show, almost everyone who was a food guest was older than me. And now I'm starting to be older than some of the food guests who have really successful restaurants.

1:01:07And it's inspiring. And you do find a lot of the same through lines. I think that's why I've been working in food media for so long is that I've always loved the people. From day one, the people who decide to go into the hospitality business are a certain breed of person. and the people who do it for real, the people who really put it in and roll up their sleeves, do it day in, day out and fix the HVACs and worry about payroll and still put up great food and now have to deal with people like us. They're like, hey, can you make time for an interview? Can we come in and shoot? Like, I just love those people.

1:01:41And part of why I keep doing the show is because I would never have a reason to get a half an hour or 40 minutes of their time during their crazy week to sit down and chat with them. and that might be the only time I ever talk with them you know and that to me is is um I let them say what they want I have my questions I do my research yeah you really do I love it but I never push them into a corner the show is never like a gotcha type of thing and I think people can approach to do interviews any way they want and mine is mostly tell your story unless you've written a book then I read the whole book cover to cover and I focus which I can't wait to get yours But people send me books and I was like, hey, I'd love that you sent me the book.

1:02:25But unless I've asked for the book, I probably just don't have time. I have two kids and a job and a family and a wife that I love and a dog and trying to, you know, hit Pilates. You don't have time for that, that like fifth cookbook from me. Yeah, but I've asked you for your book because I want to read it and things like that. Yeah, man. Because I hate listening to an interview when it's so clear that the person didn't read it. I know. And it's like, what a waste of everyone's time. It's a bummer. I do read the books. I hope if you're – this far in the interview, you're a listener of our show.

1:02:56I have to ask you about just generally the state of like video content. We call it broadly. But I love to get a sense of like where you think it's going. My biggest challenge in thinking about expanding taste into video, be it social video or even like making this podcast into a video interview show, which we've dabbled with. I wonder where the audience is because I don't think there's really an audience for this stuff on video. I think it's very challenging. And I think ultimately we're all judging our work against a couple things like definitely Bourdain, definitely NYT cooking, definitely early BuzzFeed, definitely early BA or like mid-tier BA or mid-level.

1:03:42I don't know. Darren, tell me – you think about this. You work in this industry. Every day. I know. Every day I think about it. And you're an expert. We focus on podcasts and writing here more than video. But where is the audience right now? Well, I think you've got to break it apart. So obviously what I think is happening on TikTok and Instagram Reels, YouTube Shorts even, I think it's great and exciting. I think it's really democratized. I think you're seeing a lot of people who are so creative and really know how to take a minute or two minutes and show you a recipe in a fun, exciting, edited way.

1:04:20And I think some of those quick-paced, fast approaches to cooking and stylized has even trickled its way up into at least fast channel cooking shows. and I think obviously on the other end the big cooking shows the competition shows I'm seeing so many more familiar faces who I never would thought be on the cooking shows like um tournament of champions the new fifth season I was like wow like I know all these these are chefs that like I love and respect and I know their food and it's great because that's where they can go I think the problem is the middle and i think people are still looking for well-produced nighttime viewing shows where i can come home and i see a new face i see a fresh perspective you know i think like esther choy is probably a good example of someone that's been invested in and she's slowly growing her audience on social and she's got her great restaurant and has also had a chance to become a TV star.

1:05:22An Iron Chef. An Iron Chef and things like that. But she's done stuff on First We Feast. And, you know, like she's had a real chance to evolve and it's not overnight. And the problem is, is that it takes a lot of time and a lot of money. And not everyone who gets a couple shots of the show, it's going to work out. But if you don't invest in those people, then you don't get another generation of superstars and you know guy and bobby and giada and nigella like you know jamie all these people are great but i worry about like who's coming up from behind and look you can make the same thing the same thing about um the music industry where the middle is really tough yeah baby bands are great headliners are headliners but if you look at like even the festival headliners this year it is rinse and repeat year in year out and so you got to really invest in the middle um you know i thought what core jefferson said in his oscar speech like don't invest in one 200 million dollar movie yeah do 10 20 million dollar movies and i feel the same way about culinary media i think that anthologies are really tough because i think the problem with anthologies is like you either care about that exact thing they're focused on um i think you really need to invest in talent people really want perspective i mean like look stanley tucci did a really great job didn't work economically i mean i mean it worked really well editorially but didn't work economically it got canceled yes i mean there's a little bit of political stuff happening at time warner yeah i think discovery i think that yes but i'm saying people love seeing his perspective yeah right right on right on and um phil rosenthal is another good example and you know i just but they're really expensive yes they are really expensive but i think you have to find a way to marry the cost of fast tv and social media with finding new voices but then making investing like half hour an hour shows i know people want it people do and i mean the the fast uh ecosystem is is is growing and new to me in in some ways um you know fast you want to describe what what that is you've mentioned a few times so make sure we're clear on what it is exactly i always get the acronym wrong but i think i believe it's like free ad supported tv right and um a lot of the times these are like channels that either take content that is sitting on a shelf somewhere you know essentially if you turn on to be or something like that or um or if you own like a or some some television samsung or um and it's just like the office channel and like it works really well i'm not going to bore you with the details of how it works but it is a very good business of taking stuff that's already shot that you can license and you do like programmatic ads and it's a it's and it's geo-targeting and it's targeted and i think also it's like food really works well in it food really i mean i love jamie's on my tv You literally turn it on and Jamie's there.

1:08:25And like fast is like really good for food. It's not good for certain other genres. And I think I hope they invest in new fast content. I mean, listen, you know, helping being part of the early team that set up Tastemates channel. You just saw the numbers with food and people really gravitated to that. And that was a mix of making original cooking shows and then licensing stuff from all around the world. I think what David Chang and Noel and Chris are doing over at Mojo Domo is really exciting for LG. And I just see it as it's interesting because it's you're selling hardware. So like you can only get Major Domo.

1:09:04I think that actually I think they've expanded. But a lot of these channels, some of these channels don't get their start because like, hey, you buy this brand TV and then you get this exclusive content. and that's really great because it's like it's that extra little carrot for buying hardware. But I just think that the budgets are smaller, but that just means you have to get more creative. Yeah, and it goes back to your original F2 mission, which was like create content at scale for cheap. And I feel like fast is really the final frontier. But also – I'm with you. What about YouTube? Because I think on YouTube and YouTube-centric food media, I think of Joshua Weissman.

1:09:42Sure. I think of Doobie Doobop. I think what Tina Choi is doing is excellent. Both have been on the show. But I think YouTube is a really interesting place right now. Absolutely. Like the Maiden Network people. Maiden is great. Which is, you know, Maddie's, the people with Maddie and Binging with Babish. You know, I just I was directing and working on Byte, which is Gordon Ramsay's YouTube channel. Listen, I think YouTube is great. Again, it's all a lot of work. That's the thing. It's not just you just launch your channel. It's the same thing I went back to about the podcast. Like you have to be consistent.

1:10:15You have to just, once you turn it on, you can't turn it off. You got to keep feeding it and feeding it and feeding it content. But, you know, a lot of the times when I go into production and if I'm coming on as a producer, I go two questions. Who's paying for it? And where is it being distributed? And the great thing about YouTube and TikTok and things like that is if you build up your own distribution channel, then the distribution take care of it. And then you decide how much you want to put into the production. I love that. And you have a margin built into that when you have a margin, when you figure out those two things.

1:10:51TikTok. Burning topic, I feel. Some would say food TikTok is the is the great democratizer and it teaches people to cook. Others would say that while entertaining, TikTok is not where you learn to cook. It's actually just empty calories, pun intended. And of course, there's the international news about TikTok being kicked out of America. So that's not a great growth opportunity for that platform, though. That seems unlikely, but we shall see. What do you think about food in TikTok right now? I'm fine with it. I think that any place where you can get new voices, new people doing stuff that really only exists or could work on that platform, I'm pro.

1:11:35I mean, I don't have TikTok on my phone only because I feel like I don't need another thing to get sucked into. But I'm sure if I did, by now, the amount of time that I would have spent on it, it'd just be pretty much, you know, like travel talk and food talk. Yeah, it would not. And things like that. But I like it. And I don't know. I mean, working in food TV and long form people, I've heard the same argument. Oh, you can't really cook from this. And we're glossing over stuff. And all the food's already diced and things like that. And listen, a lot of it is aspirational. But if it inspires you to get in the kitchen or to go out to eat and support a restaurant or try something new or you learn a tip like, oh, I blanch my potatoes and they come out crispy.

1:12:17If there's some takeaway knowledge, then I have no problem with it. Oh, yeah. I don't know. If you want to go out and create, and the other option is not create, I always pick create. There's never a time when I say, oh, so the other thing is we just don't do something. I go, no, let's go out and make something. Before we get to the last section, I just want to get LA, your spots. Where are you going right now? I see you in LA when I'm there. I try to, and I run into you. That was so great. When you walked in the Dora's Chef Conference, I was like, hell yeah. No, we bonded. We built that day. And I've been back to L.A.

1:12:53And I'm probably going to see you again. I love catching up with you. But where are your spots right now? I just did my L.A. Roundup recently. And I had my spot. No, no, no. Obviously, Yongbon, which I saw that you were out. Shout out to them. They're fantastic and doing something so original. Dunsmore, I absolutely love. Can't wait to go. Oh, man. It's my number one. my wife Anna and I go there all the time Brian the whole team is great I mean the thing is that like I am now heavily invested in the idea of being a regular I go to almost the same like six places so it's like those places Queen Street Lucita, Bub's and Grandma for lunch which is great because I live in Altadena and most of the time when I was having to meet with people it would be like Silver Lake which is fine but Bub's and Grandma is like half the distance and Andy is you know so fantastic.

1:13:48Altadena man I gotta hang out up there I haven't been up there in a minute. Come over man. Side Pie and Home State and Perry's Joint. God Home State is so good like so good. We take the kids there every week I mean we have two kids and anyone who here is a parent when you know that you can go to a restaurant and the kids like it and it's set up for that. Got the backyard and stuff yeah. Yeah Kismet is great and Greekmans. Liga, which I was telling you about, is fantastic in K-Town and Rune Pair and Taitown. Oh, that's my guy. Rune Pair. I love that one. Rune Pair is just there with my friend Kate.

1:14:29And then Sonoratown. You know, I mean, like, it's just, I'm always about trying new stuff, but I just always have a litmus test of these different places and I just keep going back to those places. And nothing west of the 405 is very apparent. Not in Altadena. Yeah, you can't do it. I will say that I was over at Rustic Canyon last year. You'll dip into Venice twice a year. Yeah, and that meal was phenomenal. On This Is Taste, we ask guests about the discerning taste. So to close this interview, here's a little rapid-fire, fast-and-furious taste check. Darren, are you ready? I am ready, and I'm ready for some eye rolls.

1:15:11I see some notes, man. I see some notes. Listen, there is no way I can come unprepared to an interview. When you sent me over the questions before, I was like, well, I want to have my notes. Now, the thing is that if anyone's been on the show or listened to Snacky Tunes, it feels casual at times. And then my research and my questions is the only way I can make it sound casual. Be prepared. It's a special sauce. It's a special sauce. We've done this almost 400 times. You've done your 600 times. You've got to be prepared. I know. It's beautiful. The best fruit? Summertime LA tomato. The worst vegetable?

1:15:47Chinese water chestnut. It's a texture thing from a kid. Never liked it. I feel like water chestnut is definitely like a nightmare food. It's a nightmare. And I just, I mean, I get it. And it just, it's never for me. I always pick around it. The best dessert? Creme brulee. Yeah, yeah. Right on. What makes a good creme brulee? I don't want any citrus in there. I just want the best vanilla, crackly top, perfect custard, big enough so that if another spoon from someone else sneaks in, I'm not feeling upset. Favorite American fast food chain? I picked Wawa, which I know is regional, but I grew up on that.

1:16:25And then if I had to go national, it's not as much anywhere. But Roy Rogers, the fried chicken there and the fries used to be able to take the fry and put it as like a holster on a belt. And that was great as a kid to get your fries out of your belt. I feel like, let's go back to Wawa. So you're obviously Philly-based. Yes, Philly-based. So that's, I mean, you still got the accent. I mean, come on, you got Philly. You got a lot of ice in you. But let me ask you, Wawa over sheets, always. Never even at sheets. Okay, there you go. That answered that question. Why is Wawa your favorite chain? I think it's such a good call.

1:16:55I mean, just the fact when you're a kid, the fact that you could customize your sandwich. I did theater growing up, and Friday nights, we would always stay late at high school and building, and we'd always do a Wawa run and I could just make my own sandwich. I just, I don't know. I just never took it for granted that you could always get a good sandwich, a bag of chips, giant iced tea, things like that. And year in, year out, you know, if you fly into Newark and you stay overnight, you can take an Uber to a Wawa that's like 10 minutes away and then bring it back to the hotel room and eat it there.

1:17:26It's a good call. Yeah. Favorite cookbook of all time? Cook with Jamie. It was one of his first cookbooks. and I just I really learned how to cook with that and I just saw a lot of stuff with him and the Naked Chef I mean that was a huge reason why I got into food I would say newer canal house cooks every day yeah there's a leg of lamb that I do every like holiday party once a year and it just I love that because that's a little bit more where I've gone as a chef favorite city outside America to visit for food Paris yeah yeah I mean I've been going there with my wife since 2015 we've gone a couple of times and just on this last trip we were there last last summer and I feel like I finally checked off all the restaurants that I've been trying to go to from when I finally got a list actually got a list going back to to Justin and Jay and James like I was handed down their Paris list yeah um of like uh Paul Bear and the Bear 10, Vervolet, of course.

1:18:32And I feel like going to Brutus this past summer was my final like, okay, all right, I've done it. Yeah. I've done it. I mean, that's a pretty hot shared doc right there. A cuisine you'd like to learn more about. I know it sounds like I'm pandering, but it is Korean because when I went to Liga... Absolutely not pandering. It's a very good choice, very wise choice. You know, there was like northern dishes and southern dishes and they're just like and i was like i really don't know anything about this cuisine um other than surface level yeah favorite sandwich uh i mean because i'm in new york corned beef seedless rye mayo which i know is like a shanda and like people roll their eyes because okay um but you know i was at s &p oh you made it to s &p yeah well i used to go to Eisenberg.

1:19:25Me too. The food was so bad, but it was such a great place. Yeah, but the thing is... I love that place. Dude, I went there all the time. It was funny. I was talking with the waitress on the way out because we were with my parents and the kids and everything. And we went at Sunday at 1230 and they sorted us super quickly. I mean, people, they move people in and out. Yeah, it's good. And there was a table that was lingering and she went over and she was like, this is not a linger. And I was like, thank you so much. I used to come here. And she's like, yeah, you know, people freaked out when it went away.

1:19:55And I was like, that's what people don't realize is that your favorite restaurant can go away. This is a tenuous business. Yeah, exactly. And if you don't support, but the food S &P is really good. Like the tuna melt is. Tuna melt's on fire. I love the egg sandwich. I love the fucking. The fries. The fries are good. Whatever you want to call them. The pickles. Olives and cream cheese tea sandwiches. It's just a vibe. I mean, if someone's like, I want to go to a New York restaurant, you couldn't do better than plopping down at the counter there. It's just, and it's great for breakfast, too. Oh, the egg and cheese there?

1:20:29Egg and cheese. Out of control. I love that you know this. Darren Bresnitz, thank you so much for joining This Is Taste. Oh, my God. What an honor. Thank you for having me. I can't wait to return the favor. And congrats on everything with you as well. Thanks, buddy. Good to see you. Good to see you, too.

1:20:47This is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.

From the publisher

Today on the show we welcome Steven Rinella. He’s an American outdoorsman, conversationalist, writer, and TV personality responsible for introducing the outdoor lifestyle to millions of fans. It was great talking with Steven about his latest work, the MeatEater Outdoor Cookbook, and how he likes to think about summer outdoor cooking. It’s not what you expect.  
Also on the show we have a great talk with Darin Bresnitz. He’s the co-host of the long-running podcast Snacky Tunes, and a great guy to know in Los Angeles. We talk about his career working in early food television, and how he’s been at the center of food and drink for nearly two decades. 
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.  
MORE FROM STEVEN RINELLA & DARIN BRESNITZ:  

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Quarter Sheets & Wilderado [Snack Tunes]

Matt Rodbard & False Prpht [Snacky Tunes]

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