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Podcast Notes: This Is TASTE - Episode 437: Cake Zine’s Candy Land
Podcast Overview Title: This Is TASTE Description: A lively podcast discussing food, home cooking, and culture, featuring interviews with fascinating figures in the food industry. Hosted by TASTE editors Aliza Abarbanel and Matt Rodbard, sometimes recorded live at Rizzoli Bookstore in NYC. Website: [tastecooking.com](https://tastecooking.com)
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Episode Details Episode Title: 437: Cake Zine’s Candy Land Episode Description: Explore the connections between candy and culture with co-founders of Cake Zine, Tanya Bush and Aliza Abarbanel, as they discuss their fifth issue, "Candy Land". Amy Rose Spiegel reads her essay on candy's role in doomsday prepping.
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Key Themes
- Introduction to Cake Zine
- Co-founders: Tanya Bush and Aliza Abarbanel.
- Focus: Exploring society through sweets, with each issue themed around different aspects of candy.
- Candy Land Issue Exploration
- Cultural Significance: Discusses how candy reflects both natural and unnatural worlds.
- Editorial Process:
- Shifted themes from ice cream to candy.
- Incorporating nostalgic elements while exploring contemporary issues.
- Personal Candy Preferences
- Favorite Candies:
- Tanya loves Whoppers.
- Aliza favors Reese's, discussions about various candy experiences and preferences.
- Recipes in the Issue
- Focus on Accessibility:
- Recipes that use packaged candies as ingredients.
- Examples include:
- Dirt and Worms Tiramisu: A nostalgic dessert reimagined.
- Alegria: A Mexican candy recipe from a renowned chef.
- Japanese Rock Candy: Explores the artistry in candy making.
- Candy and Cultural Identity
- Discussions around how candy ties into personal memories and cultural backgrounds.
- Notable stories include experiences from immigrant perspectives and childhood nostalgia.
- Candy Trends
- Emerging Trends: Discussion on Tonghulu (candied fruit skewers) and its rise on social media.
- Historical Context: How certain candies have evolved and their implications in contemporary culture.
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Featured Reading Amy Rose Spiegel's Essay: *Finding Sweetness at the End of the World*
- Explores the role of candy in the context of doomsday prepping, highlighting the psychological need for small pleasures in dire times.
- Discusses the practicality and nostalgia of candy as a barter item in survival scenarios.
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Key Takeaways
- Candy as a Cultural Artifact: Candy serves not just as a treat but as a reflection of broader socio-political contexts and personal histories.
- Nostalgia and Pleasure: The emotional connection to candy drives consumer behavior and cultural significance, especially in times of uncertainty.
- Innovative Approaches to Recipes: The magazine embraces modern culinary practices while celebrating the nostalgia associated with candy.
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Conclusion The episode provides a rich exploration of candy beyond mere consumption, delving into its relevance in culture, identity, and survival. Through interviews and personal anecdotes, it highlights the multifaceted role of sweets in our lives.
For more insights, listeners are encouraged to explore the latest issue of Cake Zine and follow the podcast for future episodes.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. I will say not all gummy worms are made equally. I, like, went to two different grocery stores to try and find gummy worms, and they are not as common as they used to be. So then I ordered some online, and they just, like, weren't as wormy as I wanted them to be. They were, like, stiff. They were worms with, like, very solidified vertebrates, I guess. This is Taste. I'm your host, Eliza Barbanel.
0:59Cakezine is an independent print magazine exploring society through sweets, co-founded by pastry chef Tanya Bush and me, Taste Contributing Editor Eliza Barbanel. The fifth issue, Candyland, explores candy's connections to the natural and unnatural world. Today on the show, Tanya and I unpack how we made the new issue and the many cultural connotations of candy. Also on the show, Candyland contributor Amy Rose Spiegel reads her essay, Finding Sweetness at the End of the World, on the doomsday preppers stalking their bunkers with candy and speaks with me about how she reported the piece.
1:40Tanya Bush, welcome back to Taste for our Cake Scene podcast episode. So excited. So we're here in the studio to talk about Cake Scene's new issue, Candyland. And to start, I want to know what your favorite candy is. Okay. I was preparing for this question. I'm a Whoppers girl myself, which I know is sort of like a divisive candy because some people don't love malt, but I am a Maltesers Whoppers girl for sure. You love malt. You're a malt's number one fan. It's my number one food. How do you eat Whoppers? Are they on their own? Yeah, yeah, yeah. Wait, you've never had Whoppers? No, obviously I've had Whoppers, but to me, I've never eaten Whoppers straight up.
2:18I feel like I always eat them in ice cream or in a bag of popcorn at the movies. Okay, okay, yeah. They're definitely my movie snack of choice. I feel like they're just so, like, crunchy and salty and umami, and you can, like, suck the chocolate layer off, and it's really pleasing in the same way that you would with, like, a Reese's Pieces or, like, an M &M. Or you can also just sort of crunch through them, and it's delightful. I feel like my preferred way to eat a Whopper is to hold it in my mouth, melt off the chocolate, and then kind of force the malt to collapse with my tongue so you have this little explosion.
2:47Clayton is nodding at me. I feel like this is a universal way to eat a Whopper, kind of. but they're dry they're hard to eat in large quantities oh i think they're very easy to eat in large quantities i mean maybe not as easy as like a gummy worm or something but like they they go down easy slurping up those gummy worms my favorite candy is a reese's cup i love chocolate peanut butter and i've tried the justins i've tried the kind of fancier versions that have entered the arena and i honestly don't think they're as good i think you need the kind of like weak milk chocolate with the peanut butter.
3:18Have you had the Trader Joe's ones? Like the kind that come in the box with the little wrappers? Yeah. And I feel like it's like a thicker peanut butter cup. Like the ratio is slightly higher of peanut butter to chocolate, and that's my preferred mode. Right. I've had those. I think they're good. I think something I respect about Reese's also is that they've been experimenting with. They have like the extra thick kind now. They have the kind that have the Reese's pieces in the Reese's cup. And I don't really want any of those, but I like that they're expanding the universe. Have you had a take five?
3:46Oh my God, no. But in the second half of this episode, Amy Rose Spiegel, who's one of the contributors to the issue, reads her piece. And she did, I did a little interview with her and she talked about her love of take fives and how they are kind of the more is more school of peanut chocolate candy. Totally. I love a Reese's. I also love a Snickers as well. I mean, we could just list candies all day and have this be the episode. But I want to get into the editorial process a little bit, I think. And I hope that people who enjoy Cake Scene or have maybe never heard of our magazine before, which is this independent literary food magazine, maybe want to know more about how we finish the product, how we start the product, like how those things work.
4:25And to start, I wanted to talk a little bit about how we approached our themes for this year. 2023, we did these issues, Humble Pie and Tough Cookie, which are both idioms. They're both not really tied to cake. And I feel like we've been on this kick of using familiar terms in unfamiliar ways. So Candyland for me and for a lot of people is obviously this nostalgic board game, but we don't really talk about that at length in the issue. It's more about how this highly processed sweet sugar concoction is deeply tied to the earth. And I guess I want to know going into this theme, like what kind of stories were you expecting or hoping to publish in the issue and how are they maybe different from where we ended up or similar?
5:07Yeah, I mean, I feel like I had whiplash because we spent a good amount of time thinking about ice cream as our initial theme. And it was only very late in the game that we decided to shift to candy. We hadn't really aligned on a lens that felt quite right for ice cream. And then when we thought of Candyland with me, you and Noah sort of hurling possible themes at the wall at my house, we all were like, yeah, this this seems to have it. And we obviously always do some research in advance to see if the theme has legs. And I think I was surprised by how much candy relates to the natural world, thinking about Dolly Ranchers and candy corn and pop rocks and rock candy.
5:45Cotton candy. Cotton candy, of course. So it felt like there was a surfeit of possible approaches. And I was sort of excited to be surprised. I feel like in issues past, I've been like, I really want a piece on, you know, something really specific, like on the Americana of, you know, pie or, you know, like poisoning and punishment in Wicked Cake. But for this, I was I was ready for something sort of new and unexpected and subversive. And I and I do feel like we got that right. I feel like, you know, we were hoping for a subversion of theme, which is something we always, you know, court and get excited about.
6:21And we have that in, you know, the Candyland board game sort of taxonomy. We have that in, you know, the Raver Candy sort of like techno early 2000s beat. You know, I think that we, in the same way that we do for most issues, we solicit certain pieces from writers that we admire. And, you know, we have Sinaia Limwan, who is a good friend of mine and someone who wrote for our first issue for Sexy Cake. And to have her fiction in the issue was super exciting. And then to have her in tandem with a recipe developer who's making a candy inspired by her story was something I was super excited about.
6:56Rhea McClenney. Yeah. Yeah. Rhea McClenney. Yeah. That I hadn't quite expected. And then, you know, I think we did our first piece with Leslie Jameson, which was really exciting. She's a writer who I've admired for a long time. And she has a lot of candy, actually, in her her new memoir, Splinters. And so it felt like sort of the perfect theme for her to write about. Yeah. Oh, I forgot to tell you, I have a Leslie Jameson fun fact, which is that my aunt texted me and said that Leslie Jameson was a student at the school that my aunt is a librarian at. Oh, my God. And she was like, Leslie Jameson was a student of mine.
7:30I can't believe that I've been at the school for so long. But it was so special to get that. You know, I was revisiting our pitch guide, which is how we start every issue is just kind of framing up the way we think about the theme and potential topics we want to see covered. And, you know, we did actually write like, please pitch us on these topics, because I think sometimes writers would see a pitch guide and think that if it's in that somehow it's been claimed already. And I think that we did a pretty interesting job of hitting on some things and then also some things that didn't quite make it in.
7:58I thought maybe I would read like a paragraph from it if you're interested in revisiting the near past. Please do. Okay. Analyze candy names that borrow from Mother Nature, like candy corn, cotton candy, or pop rocks. Dig into confections that highlight fruit and other natural ingredients from the land, like candy apples, saltwater taffy, or tong hulu. Explore the surreal world of artificial fruit flavorings or fruits with artificially inspired flavors, like cotton candy grapes. Figure out what made those ranchers so jolly anyways. investigate the origins of hershey's theme park visit warehouses filled with strange candies that have been lost to time dive deep into raver candy culture and the sweetness of plur review the use of sugar in sculpture by contemporary artists like cara walker and felix gonzalez torres or take us through a close reading of candy as utopian metaphor and folk songs you can even take on the board game as long as we don't get sued so we have not yet been sued we do have a piece that talks about the history of this board game we do have maya kosov who grew up in the hershey's town and worked at the theme park writing about that childhood.
8:58And we do have Simon Wu, who's writing about candy culture, but these kind of as well, tongue hulu, we have covered. Jess Ang wrote that story for us. We have this artificial fruit flavoring. So I think we hit on a lot of this and then some of them maybe fell through the cracks. But that's what's so fun about putting together this issue is that there are also things that weren't a part of it at all. I think something also we talked about a lot when we were starting this was how we wanted to approach recipes in the magazine. I think candy for most home cooks is kind of the last frontier. Like I personally am uninterested in making candy.
9:31And so we kind of landed on wanting recipes that maybe use candy as an ingredient or maybe it's a simple candy, but like no one needs a thermometer. I'm curious for you as a pastry chef and a baker, have you made candy before? How do you kind of approach candy as an ingredient? Yeah, totally. I've made some iterations of candy before. I made edible glass for tables of contents, which is like essentially like a really thin, like hard candy sort of akin to a brittle. Of course, we make caramel, but I'm definitely not making like lollipops or like homemade Sour Patch Kids at the restaurant. I feel like to me, I like to take like the traditional trappings of candy and sort of like apply those flavors into a dessert.
10:12So one of my favorite candies when I was growing up was like an Almond Joy. And I love the combination of like almond and coconut and chocolate. And I've done a cake that is sort of inspired by that. You know, Whoppers, of course, I'm incorporating malt into as many possible contexts as I can. And then, of course, you know, I use citric acid a lot, actually, which is, you know, like a constitutive ingredient in sour candies. It's the thing that makes your tongue zing. And it's like a really... Is that like a real slogan or did you just make that up? No, I just made that up. It was genius. yeah you can take that uh sour patch kids uh citric acid citric acid yeah um so i so i'm like using some of the ingredients and then i think i'm very much sort of inspired by candy generally it's obviously this like really nostalgic whimsical wonderful thing um yeah but i'm not making candy at home on the regular yeah i think something that i find interesting about candy is how amazing the branding is for a lot of these like you could just say i made a chocolate almond coconut cake and people would be into that.
11:14But I think saying almond joy cake, like people immediately have a conception of it. It's something that is kind of maybe tied to, you know, trick or treating or getting candy after the dentist or something like it is just like it hits on a deeper level. Totally. Yeah. Candy looms large in our in our like nostalgic imaginations and our like personal lives. It's like one of the first sweets that I guess we indulge in. Right. And it's also the thing that you are less likely to make at home. So when you get it, it has like a certain quality. I can't help but think about the pop rock cake pops that you made also.
11:48Oh, my God. Yeah, we did dessert for a rave, I guess, last year, maybe like last February. I think it was two years ago. Oh, two years ago. Time it's ever turning along. Yeah, and I made these like olive oil cake pops encrusted in pop rocks. I think they were like strawberry pop rocks, if I'm remembering correctly. And we would like warn people before they bought them. But I think it was like a psychedelic experience for the consumer to be like at this sort of like dark, you know, thrumming rave and to be having like pop rocks sort of colliding in your mouth. Yeah, it was super fun. How did you affix the pop rocks?
12:24Did they just stick on? I made like a white chocolate ganache. And then like while it hadn't like quite set, I like encrusted them in the pop rocks themselves. And they remained very fresh. I really think this is an idea that has legs. I think there's something that's so fun about a pop rock. cake pop, maybe it could be in the center as well for like a secondary surprise. Would that be hard to do? Oh, I don't even know how I would do it. I mean, you could honestly, you could probably like coat it in chocolate and then it's like pop rocks all the way down, you know, like it's like a turtle inside of a turtle inside of a turtle.
12:56Yeah, it's a Tootsie Pop. Exactly. So looking looking at the recipes in this issue, do you have any favorites that you would want to shout out? So we only have three recipes in this issue. And as Eliza said, we prioritize recipes that use like a packaged candy as an ingredient. So the dirt and worms tiramisu, which is obviously the sort of like, you know, soil forward dessert was really fun to make. Right. So just if you haven't had this, it was very big in the 90s, I would say. It's a pudding cup with Oreo, quote unquote, dirt on top and then gummy worms on top of that. And to me, it was very much like a after school, maybe like birthday party kind of dessert.
13:32Totally. Yeah. We were all eating like chocolate pudding all the time, I feel like. I feel like the late 90s, 2000s was very into like freak out kind of cuisine in general. It was also like the Nickelodeon slime era. So I feel like to eat dirt and worms was super cool. And then Zoe Denenberg took this very nostalgic dessert and made it into a tiramisu. Yeah. She sort of like elevated it in her headnote. She talks about how she's more accurately like encapsulating the soil stratification, which I think is hilarious. But yeah, she basically she takes the sort of like traditional hallmarks of the dessert, the chocolate pudding and the crumble.
14:08And then she soaks lady fingers in cold brew and adds a sort of whipped Moscarpone topping. And I actually made it, I guess, you know, a couple of weeks ago now. And it was so delicious and delightful. And how fun was it to kind of sprinkle gummy worms on top of tiramisu? Oh, my God. It was ridiculous. I will say not all gummy worms are made equally. I like went to two different grocery stores to try and find gummy worms and they are not as common as they used to be. So then I ordered some online and they just like weren't as wormy as I wanted them to be. They were like stiff. They were they were worms with like very solidified vertebrates, I guess.
14:45I don't know. A sentence that's never been said on this podcast. But yeah, I mean, I think I love all the recipes. I think like Fabian Van Housk is a pastry chef who I've admired for a really long time. Of Wild Air and Contra. Yes. And he has like a take on a classic Mexican candy from his childhood called Alegria, which translates to joy in Spanish. And it's like puffed amaranth. And then he combines it with like a honey caramel and gianduja. Which is like Nutella, right? Exactly. Yeah. It's like basically like chocolate with hazelnut paste sort of incorporated into it. But it's sort of like, to me, like a elevated Rice Krispie treat and is just like, I think, such a brilliant idea.
15:29And he talks about how his father would crumble it over his yogurt in the morning and he served it in a variety of sort of plated dessert contexts at Contra. So that was really exciting to like have that recipe that is sort of a cornerstone of his of his baking. I think he said it's his favorite dessert that they have done so far, which I think as a restaurant owner that we admire, it's always fun to get a special recipe like that. And then the third recipe is from Rhea McClenney, and it's this Japanese rock candy, which is super beautiful. And I think probably the closest to, like, formal candy making that you would experience in this book.
16:04But it has, like, this narrative that goes along with it by Sanaya that you're talking about. And I think it makes it feel worthwhile to make it. Yeah, I think that's so true. I think the, like, translation from fictional story to, like, physical food is really, like, beautiful and interesting. and we gave Rie the space to sort of talk about the various choices she's making. So she's, you know, including like saffron threads in homage to like the cello threads that, you know, one of Sinai's characters is breaking. And she talks about how like the candy itself is sort of like hard and crystalline on the outside, but sort of has a yielding and soft interior, sort of like a prickly teenager, which I thought was really like sweet and beautiful and cool to render a fictional story through food.
16:52I also feel like we have to talk about the Candyland board game connection because that is where the idea for the title originally came from. Did you play Candyland growing up? I really did not, which I feel like is anomalous. We were like a rat-a-tat cat board game family. Maybe like we did some card games, but Candyland was not really part of the like the classic games we played. I mean, I would say it's not a very good board game. I don't think anyone would really take issue with that. It doesn't have stakes, really. It's kind of impossible to lose. But it's been around since the 50s. And it's something a lot of people have grown up with because of that.
17:30It is one of these kind of early Americana board games. And I think when I received this pitch, when we received this pitch from Elaine Mao talking about the history of the changes to Candyland over the years, I was really intrigued because to me, I haven't even thought about the board game as changing because like the version that I had at home is the version in my head and I have never sought out to buy it since. But her piece is about how like it's actually evolved so much over time and how some of those changes have actually mirrored like major global events that are happening. And I'm curious, like for you as someone that never played the board game, like what was it like to kind of read about it in that way?
18:05I mean, I think obviously Candyland is just sort of an iconic board game. It like looms large in our popular imagination. So even if I didn't like have much personal experience with it, it feels like this like cultural touchstone and like something that I, you know, was contending with and engaging with even if I wasn't playing it throughout my childhood and life. Yeah, I think that it's I think it's such an interesting piece. I think like it's really cool to look at like this sort of like Candyland board game as a microcosm for the like shifting more rays of a moment. And, you know, like the way that corporate interests are sort of like refracting changing in social political times is crazy and really fascinating.
18:49Like, you know, it makes you think like how much are board games changing generally? And I think that Hasbro, which is the game maker of are they the game maker? Milton Bradley. OK, Milton Bradley is the game maker. But then Hasbro acquired them. Right, right, right. And it makes me wonder if this is sort of emblematic of a larger trend in the context of board game shifting or if this was very specifically around this game that was so tied to America and the landscape at the time. Yeah. So I have Elaine's piece in front of me, and I thought maybe I would just give an example of some of the changes that have happened.
19:25And I think the first thing that's interesting to know is that Candyland was created in 1948 by a retired schoolteacher who was in a polio ward that had mostly children, and polio affected a lot of kids. And the schoolteacher wanted to make something that kids could play in this ward. And that is why Candyland is so boring because it is made for kids who obviously are dealing with a lot of sickness and they want to be transported somewhere and that they don't really want to have the potential for them to lose. So I think maybe that's why your family didn't want to play it. My mom, when she found out that we named the issue, this was like, I hated playing that game because it was so boring.
19:58But you guys were obsessed with Queen Frostine and so you wanted to play. Well, of course, it's like it's like a saccharine landscape. It's like, of course I want to go to Candyland as a kid. Right. I mean, it's a genius concept. And I think like that's why we were so attached to it. And in the first Candyland, which was released in 1949, there are these two, you know, fair skin, rosy cheeked kids that are traversing this landscape. And the boys wearing a leg brace in the original, which is a nod to polio recovery. So they're really wanting to make these kids feel seen. And the house they live in is this modest little cottage atop Degrassi hillside.
20:31It's not like a fanciful castle or anything like that. And then even before the polio vaccine was made, they got rid of the leg brace in future issues of the game. So that kind of was gone. And then I thought maybe I would skip ahead to in 1984, Cold War is happening. The U.S. government is trying to overthrow all of these foreign regimes to further domestic strategy. and in Candyland there's a new character, Lord Licorice, who attempts a coup of his own. And I'll now quote Elaine. In an all-new storyline, Lord Licorice has hidden King Candy in his castle, causing widespread despair among the game's now numerous inhabitants.
21:07A furry green troll named Plumpy, an axe-carrying clown named Mr. Mint, a jester-costumed alien named Jolly, the matronly Grandma Nut, and a more goosome than gruesome molasses monster named Gloppy. Fun fact, Gloppy was always my favorite even the landscape itself warms the king's absence quote the gumdrop mountains grow paler and paler every day the king is away candy's rule is legitimized as natural while lord licorice is the villain personifying a reviled candy with accompanying quote bitter chocolate bats for further unpalatability in a complex world of moral ambiguity and widespread inequality there is comfort in the myth of objectively discernible good and evil and the inevitability of justice no matter how many times you play the game the castle is found by the winning player because it's right at the end of the path.
21:52Lord Licorice never prevails because the good guys always win, right? And it goes on from there. And, you know, in 2002, Lord Licorice is gone, which is right after 9-11 has happened. And there's no longer this kind of terror plot. And instead it's about, you know, trying to traverse to the Licorice Forest instead of the castle. Queen Frostine was previously adripped on the ice cream float in the Ice Cream Sea. But now she is Princess Frostine skating across a lake. Maybe that's because ice caps are melting by this point. You can read on from there. And obviously, I think, like, I don't want to go too far into ruining this board game because I still love it and want to play it when I return home.
22:29But I think that as someone who grew up playing one version, it's really interesting to think about, like, why would you even need to change a board game so many times? Has it changed the way that you think about the board game now? I mean, a little bit because now my eyes have been opened. I've taken, like, the red Skittle. She can't return. I can't return. But, you know, I'm going back to my childhood home soon and I am going to have to take out the board game and look at it once more because I think like it means so much more to me. Another thing I wanted to talk about in this issue is like candy trends.
23:03Do you feel like growing up, you remember any interesting candy trends? I feel like warheads for me. Yeah. There were those baby bottle pops. Do you remember those? I could sing the song right now. Yeah, me too. Baby bottle pop, baby bottle pop. It's like the Nickelodeon commercial. Yeah. And you would dip the like the top of it into this like sour, sweet mixture, probably citric acid. Yeah. I think dipping was a trend. Also, there was fun dip, right, where you would dip the lollipop into the packet of citric acid. Right. Right. It makes me think of also Dunkaroos, which is not really a candy, but like there was this like the dipping trend for, yeah, interactive.
23:40Yeah. So I think there are a couple of interesting trends that we talk about in this issue. One of them being Tonghulu, which is this candied fruit skewer that originates in northern China that has been around for hundreds of years, but in the past couple of years has kind of blown up on TikTok. And I think I started sending you just videos of Tonghulu when we started thinking about the issue, just because we were so obsessed with like wanting to include this. And I'm curious, like as a pastry chef, like why do you think this is having a moment right now? Yeah, you did send me a lot of Tonghulu videos.
24:09I feel like I love that the term that I think Jess coined like tongue huluing. Tongue hulufied also. Yeah, tongue hulufied, tongue huluing, this act of sort of like dipping anything, whether it be, you know, like the traditional like hawthorn fruit or strawberries or tomatoes or something, you know, more fanciful and strange like pickles or like fried chicken into like a vat of like boiling sugar and having it like crystallize. And you now have a tongue hulu skewer. To me, it's like it's a confluence of of a few factors, right? It's like this sort of, you know, visual opulence of like a skewer, this like glistening, gorgeous, very Instagrammable and highly visual treat.
24:48And then also, of course, I think that like the idea of like fruit that is candied is evergreen and like eternally satisfying and exciting to people. And it's just like a new technique or it's not a new technique. It's an ancient technique. But I think it's something that like, of course, the Internet sort of picks up on and then like it proliferates quickly and people are, you know, sending reels constantly back and forth and wanting to taste it. I think you're exactly right. I think there's an ASMR component also. A lot of the videos that I've seen have this crunch of someone biting through the candied exterior into the strawberry or something else.
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25:24And I think for me, as someone who had never had it before, I've still never had it because every time we try to get it, it's sold out because it's so popular. We've tried. We need like a daytime trip to Flushing, I think, because we go like too late in the day whenever we've tried to get it before. But I think like candied apple is the maybe like all-American version of Tonghulu that I've never been that into before because it's just kind of hard to bite into a giant candy apple and take pieces out of it. But I think the bite-sized element of Tonghulu also, that it's these smaller hawthorn berries or strawberries or something, has appeal.
25:56It's almost like the tiny M &M versus the larger M &M and the different ratio of like filling to inside that you have. Are you a tiny M &M girl? I don't really love M &Ms in general, but I think the tiny ones are more fun. Okay. Interesting. I don't know. And also, I think the Tonghulu thing that you were talking about before, just as the act of frying anything, Oreos, butterballs, even beer, took over local state fairs in America, the cult of Tonghulu has spread far past its sweet fruit roots. So I think you're right that there is this kind of like versatile technique component happening as well.
26:30Yeah, totally. What should I Tonghulu? What should you Tonghulu? yeah should we try tongue huluing a cake like cake pops maybe pop would work i don't think like i just i like the fact that it i like it when it's something fresh yeah i feel like cherries would be cool like still oh what if they were still on the stem that would be really cute would be really cute you'd have to like deep hit them though i guess yeah it's like an act of love kind of yeah that would be like a laborious tongue hulu the other thing i've been thinking about as a theme in this issue is the way that like candy connects us to kind of culture or family or memories in different kinds of way.
27:05Are there any things that come to mind for you on that? Yeah, I mean, there are honestly so many pieces in this issue that really sort of, you know, speak to that feeling or take that on. I think like it reminds me, obviously, of like Fabian's piece and Daphne, who are both like people who've left their home countries or, you know, places of origin and are sort of like yearning and longing and making something from their past as a sort of, you know, way of bringing home closer to them. Yeah. There's also the flip of that, which Katie Allen wrote a piece for the issue about growing up in Miami and a Catholic school that was mostly girls from Latin America and how everyone would bring candies from their home countries to recess and share them.
27:43But as a Cuban immigrant who doesn't have access to any candy being imported from Cuba, she felt like she was missing out on this experience. And I liked that also because it was almost like this absence of candy and this wishing for candy to contribute. Yeah, totally. Yeah, it reminds me of Edward's artist statement as well. And Edward grew up in Indiana, but his grandmother was from Mexico and she would always bring him pulpo de tamarindo. and he sort of writes about and sort of renders visually how he has come to like understand his heritage through food and through the sort of like absence of that in Indiana and this like smoky sweet spicy sour taste that is like bringing him in communion with his past and present yeah I love that story I love that we get to publish artist statements and their work in the magazine I think that's kind of an unusual format for a food publication and uses this pulpa de tamarindo though, to paint and then also writes about, you know, having this little pot of the tamarind paste that his grandma would bring to him that he would stash in his toy box.
28:47And then all of his toys would smell like tamarind, which just makes me like I feel so tenderly towards this childhood Edward who has his toy box that everything smells like tamarind. And it's cute because it's not even like my memory or my childhood, but I still feel this kind of secondary warmth coming out of that. Totally. So something we debated a lot when we were working on this issue was whether or not gum is a candy. What is your stance on this? The eternal question. I have been thinking about this because we ultimately decided, no, it was not a candy because you don't ingest it. You don't chew and swallow it.
29:23But I do think bubblegum is a candy. It comes in like those like crazy canisters. You're like, It's very much sort of like sweet saccharine for pleasure, not for like function. You know, like adult chewing gum to me, like when it's like minty, it's like, you know, something to do or it's like a breath enhancer or whatever. That feels a little less close to candy. But to me, like, you know, like bubble gum or like bazooka gum, that is. Like hubba bubba. Hubba bubba. Yeah. Yeah. Have you tried Big League 2? It was like, oh, my God, this is such a blast from the past. baseball themed like i think it's supposed to be like chewing tobacco it's like little worms of gum um that come and it's it comes in like a pouch and then you chew on it and then it loses flavor really quickly and you spit it out kind of like uh chewing tobacco that seems dangerous to market to the children yeah it's kind of in line with candy cigarettes um yeah oh oh we should have yeah i know i can't believe we did it we didn't include candy cigarettes in the issue There's always Candyland 2.0.
30:29Yeah. Well, I'm on Wikipedia right now to look up the definition of candy. And it's because Wikipedia is the source of all truth. And it says candy, alternatively called sweets or lollies, is a confection that features sugar as a primary ingredient. This category, also called sugar confectionery, encompasses any sweet confection, including chocolate, chewing gum and sugar candy. Wow. Maybe somebody edited this because I think after we after we get our decision. I'm going to stand. I like what you're saying about sugary gum being the difference, because I do think like sugar is the most important part of anything being candy.
31:06Like as a child, if you gave me like carob chocolate or chocolate that doesn't have sugar, like that's for adults. What about artificial sugar, though? Like aspartame? Yeah, I mean, there's a whole category of like better for you gummies that are out here right now that are trying to take that similarly. And on the note of aspartame, this writer at Heart Fargo in our issue writes about sugar free candy. And I love this because it's not coming from a place of critiquing sugar free candy, which I think would be a cheap shot. It's instead kind of claiming sugar-free candy as someone who was diabetic, as the nostalgic flavor as his childhood and as an adult, as kind of a part of like queer identity and camp.
31:44Like this idea that like sugar-free candy that is just going so hard in the direction of being candy, despite the fact that it doesn't have sugar, is campy to him, which I think there's something really fun in that, too. There really is. Do you like any sugar-free candy? I love a sugar-free Werther's. Oh, I'm so glad you said Werther's. I love Werther's. They're so like the grandma candy. Yeah. But they remind me of the dentist's office. Like you want to be. I want to be. I love the dentist. I'm trying to think of other sugar free candies that I'm like ingesting. Did you ever have those candies?
32:18They were wrapped and they looked like a strawberry with the kind of red wrapper and then the green top on them. Maybe they were like at like the like counter of a restaurant as you exited. Right. Yeah. I think there's a whole category of like giveaway candies that older people would buy that no one would really seek out. But like I think when I would go to like the dry cleaner with my mom, they would have a dish of them. And, you know, actually, we're having our launch party for the issue this week. And we do tattoos that are inspired by the issue at all of our parties. And the tattoo artist, Miley on Chambers, has one of the little strawberry wrapped candies on the tattoo flash seat.
32:55And my sister and I were sending it to each other being like, should we get another sister tattoo? and it would be this strawberry candy. Oh my God, that's a really good one. That no one likes. I was really into the Rolos. I was like, that's a deep cut that Maya included. Yes. A Rolos on the flash sheet. Oh, you know, I actually, I didn't know what that was the first time I looked at it. But now that you're saying, I mean, I've eaten a Rolo. I just wasn't expecting to encounter it in like a tattoo flash context. Yeah. But that's definitely what it is. Yeah. Yeah. Maybe I'll get my first tattoo and it'll be a lollipop.
33:23That's my favorite one. It is a cute one. Yeah. So I guess to close today, I want to play a little rapid fire game with you. But before, I want to know just how you think about candy differently after working on this issue. Yeah, I mean, I think like I hadn't been thinking very like critically about candy before we started thinking about it constantly for the past six months. Like it was something I was encountering daily at like, you know, a bodega checkout or in like the aisle seven of the grocery store. But it wasn't something I was like thinking about critically. Yeah, I mean, I think like more than other sweets that we've covered, like, you know, cake or pie, like candy feels tied to like capitalism and consumption and corporations and like empire and conquest.
34:04Because of how it's made and how it's made at scale. Exactly. Yeah. Yeah. I mean, it's like, you know, of course, they're like mom and pop fudge shops. Sure. But they're few and far between these days, though there is actually a mom and pop candy shop in my neighborhood that I've been meaning to go to. But they might be small business owned, but the candy they're selling is still probably owned by the same five corporations. Yeah, 100 percent. Totally. So I think it's just like made me think more deeply and robustly about like things that I'm encountering on the everyday. Like to me, like candy used to just be sort of synonymous with Halloween.
34:37And now I think about it as sort of a microcosm for or emblematic of a lot of larger like forces and structures and like depraved histories that have like all come together to create the like wrapped Snickers bar on on the grocery store stand. Yeah, I think candy to me is so eternal because it doesn't really go bad, at least for a long time. You can find it more widely than any other sweet probably. And I think that ubiquity almost makes it go unnoticed or under the radar. Like you don't really see food publications writing about candy unless it's like, I don't know, a new high-chew flavor that's special or something like that.
35:16Certainly there are moments when candies from other countries or like healthier versions of candies like enter the ecosystem. But I think a lot of candy is just kind of been around for a while. But something that I wanted to mention that I was thinking about a lot was Gabrielle Loazel's piece in this issue, which is about the history of banana candy that I think was so interesting to me because it is about this moment in time where most Americans had never had banana the fruit before. But the chemical flavor of banana entered into this country through banana candies. And I think today banana candy is very passé.
35:52Like no one really likes it or wants it in general. A banana, the fruit is so ubiquitous and you can get it almost everywhere. But to think about this moment in time when the fruit almost felt foreign and artificial and the candy was like the original. and the way that candy can kind of introduce flavors or like reframe how we think about flavors. It's something that's really stuck with me. Yeah. What do they say? They say like an incomplete simulacrum. Well, that also is like the element there is that the banana candy was based on a cultivar of banana that is no longer available. The Grosse Michel banana, which was basically went extinct because of like mites and different agricultural things at play.
36:33And now this banana that is not that flavor, that's the widely known banana, also is maybe threatened in some kind of way. That's maybe like the more widely known thing is like, oh, the artificial banana is something else. But I think the thing that was lesser known that was interesting to me was that the artificial flavor was the true flavor first. And, yeah, no, I crave candy all the time. Do you? Have you your candy consumption has? It's gone up for sure. I think maybe because it's like, quote unquote, research for me now. Whenever I'm in a candy shop, I want to try something. Tax right off.
37:02Yeah, I guess. I mean, IRS is going to come for me now that we said that. This girl is buying a lot of peach rings. It's just once you start thinking about it, you see it everywhere. So true. OK, I'm going to do a little rapid fire to close. Are you ready? I'm ready. OK. Chocolate or gummy? Chocolate. Sweet or sour? Sour. Which color Skittle? Ooh, red. Green. Green. Oh, I haven't been answering any of these. Wow. OK, chocolate for me. OK, so should I do it for you? OK, ready? No, no, no. I'll go. I'll go. I'll go. Okay. Chocolate or gummy? Chocolate. Sweet or sour? Sour. What color is Skittle?
37:37Green. M &M's or Reese's? Oh, Reese's. What about you? Reese's, definitely. Okay. And if you were going to give out candy to trick-or-treaters, what candy would you choose? Ooh. Okay. I love that. I love that question. I used to really love the Cookies and Cream Hershey's bars. like they always felt they're so sweet like like incredibly saccharine but just so like pleasurable so i think i would do those i think i would do just a ton of jolly ranchers because i think there's something tanya just gave me a stink face because i think it's not about me it's about the kids right and i think to be a child and to be presenting with all the different colors and like think about like which one you want and choose it is like a really fun thing maybe it's part of like identity formation when you're a child.
38:24I don't know. I just like want to have the option. That's so funny. I feel like the kids, the kids who are coming to your house and seeing Jolly Ranchers are like bummed. No. Jolly Ranchers are like, I don't know. I mean, maybe I'm being a Jolly Rancher hater, but I'm not a, I'm not a, I'm not a huge fan. I don't think we approach trick or treating in the same way, which for me, it's all about bartering. And you get to, you got to take a couple of Jolly Ranchers first. It's not just one. That would be rude. But who's going to trade a Hershey's cookies and cream bar for three Jolly Ranchers? I mean, are you doing king size?
38:57Yeah, I'm going king size, girl. Oh, I can't compete if you're doing king size. Well, it won't be for the king size, but someone's going to want an Almond Joy and they're going to trade three Jolly Ranchers for it. And you know what? That's going to happen because of me. I'm glad to hear it. Thank you so much for talking about candy with me. If anyone is listening and they want to hear about it even more, you can pick up the latest copy of Cake Scene at CakeScene.com or look for a stockist near you. Thank you.
39:29Finding sweetness at the end of the world. My wife is absolutely obsessed with Three Musketeers bars, says Sam Levingood, a 36-year-old doomsday prepper living in the Appalachian Mountains. I have a huge stockpile of those in case something happens and I know I can't go to the gas station or grocery store and pick one up. I guarantee that'll put a smile on her face eventually. We're talking on the phone as Livingood watches over his children, who are four and five. Too young, he tells me, to understand why exactly their freezers are crammed with enough chicken nuggets and french fries to feed an entire preschool of picky eaters for a month.
40:07Rather than hoarding the dried beans and protein sludges I picture when I think of end-times cuisine, Livingood makes sure his munitions are aligned with his family's prelapsarian tastes. For me, it doesn't really matter. I can eat anything. As long as I can keep going, we're fine. That's basically how I live life every day anyway. But something that makes them happy makes me happy, and I see that as a luxury, he says. I don't tell living good, but my greatest fear is the apocalypse. Not dying. It's okay if I bite it individually. but living through mass structural collapse. Three suns flicker in the sky, the Brooklyn Bridge is melting.
40:51I'm impotently dragging the couch in front of my front door as a blockade. Despite his best intentions to project an air of calm, the mayor weeps on the local news before the TV signal suddenly blinks out. That kind of a zone. What scares me about the apocalypse is the threat of pleasure annihilation. a jagged turn towards sheer survival. Having a great time is my primary motivation. I eat Reese's Take Five bars for breakfast at least once a week. I wrote a whole book about sleeping around as a personal belief system, and half my paycheck goes to poisoning my hair until it's the color of a spotlight.
41:31While I usually see nihilism as the thought mode most conducive to my way of being, like, if nothing matters, why not party? try to live my values, and otherwise fully orient myself around beauty, I'd prefer not to have that logic stress-tested by napalm or, like, revenants. Unlike me, many preppers aren't afraid of the apocalypse. They're ready. Some of them are even planning to enjoy it. One late night, freaking myself out online for fun, I learned that it's fairly common for end-timers to ferret away candy alongside their toilet paper and firearms. Reviewing TikTok and Reddit posts from the fringe, I wasn't cheered to learn that red hots last indefinitely.
42:12Red hots suck. But free-stride Skittles? Potentially something to survive for. Preppers use the shorthand SHTF, when shit hits the fan, as a catch-all for whatever cataclysm awaits us. Nuclear war, alien invasion, dystopia of any flavor. In anticipation of the big one, they amass supplies. SHTF staples include water filters, portable generators, fireproof blankets, and MREs, or meals ready to eat. Dehydrated food bricks that busy militaries eat on the go. Plus, peanut M &Ms or warheads or whatever their favorite candy at checkout might be. The most seasoned survivalists especially have these extravagances.
42:58The nice thing about being a prepper for several years is that I have most of the necessities stocked up, So I have the luxury of prepping non-essential items, creature comforts. Elizabeth Villa, a 45-year-old prepper in Wisconsin, tells me via email. I dry can hot chocolate powder. I prep a lot of hard candy, like Jolly Ranchers. I picture a person in a hazmat suit dejectedly pawing through an oil drum of grapes and watermelons. Last resort flavors, even in the abundant present. Not all of Villa and Living Good's life-sustaining frivolities are edible. Lotion is my must-have, so I make sure to have plenty of my favorite kind stocked up, Villa writes.
43:40Given his kids, Livin' Good's more concerned about how to mollify them when tablets are kaput. We have board games out the wazoo. I have old-school TVs and Nintendos and PlayStation 1, PlayStation 2 games. That makes it easy, he says. Those actually don't use as much power as you think. Running off a solar generator's battery backup, you could actually get an hour a day out of that conservatively to get somebody some entertainment and to stop thinking about what's going on in the world around them. In addition to delighting themselves and their loved ones post-Armageddon, Living Good and Villa will rely on weaklings like me, ill-equipped fools for pleasure, and particularly those with the bad sense to live in overrun, strapped cities, to fill in whatever gaps emerge in their survival strategies, to come knocking with whatever we have in hand when their more essential supplies begin to thin.
44:34They know that once the global banking system is just a funny memory, it'll be time to cut some deals on the ground. While you'll eventually run out of batteries, human vice is an inexhaustible resource. Good, cheap fuel that burns clean. I have a list of barter items. Airplane-sized bottles of liquor, because it's easier to trade individual nips rather than pour from a big handle since people will insist on taking the whole bottle if they see you have lots of alcohol. Tobacco and rolling papers, candy, and cocoa. Decks of cards, Villa says. Coffee will become as valuable as gold if SHTF for any extended period.
45:15When times are hard, the smallest pleasures can hopefully keep people mentally prepared to survive. That's noble and strategic. In times of societal collapse, delicacies and distractions can be traded for gasoline or tampons. Livingood anticipates that other people's desires will become his family's provision and protection. It's a baked-in part of his system. Excess is both valuable and expendable. Barter with luxury items, not something you need to sustain your life, but something that someone else might need to boost their morale, Living Good explains. If somebody's wife is raging for a chocolate bar, they might do anything they can to get one to make her happier for a small amount of time.
45:59You might get something you actually need versus something that they wanted. Offering your spouse or young children a pocket of joy in a waking hellscape is pragmatic. So is counting on others' desperation for escape of any kind and promising them momentary relief and even optimism in an otherwise joyless wasteland. Luxury items, chocolate, anything that you get pleasure from every day. It's nice to have after it all hits the fan, says Livingood, who doesn't indulge in swearing. It gives you hope that something like that might come back. With a Three Musketeers bar, he'll be able to offer a taste of the ultimate luxury after the end.
46:38Time travel. Here is the world as it was.
46:52Hi, Amy Rose. This is Taste. Thank you for coming on the podcast. I'm delighted to be here. The Cakesine Taste podcast collab that happens twice a year. Okay, Cakesine is my favorite thing. I'm thrilled to be a part of this issue. When I set the theme with Tanya, there's always stories that we expect to receive. And then there are stories that I could have never thought about. And I think hearing about Doomsday Preppers and Candy was definitely in the latter category. in a really fun way. And to start, I'm curious if you could tell me about how you came up with this idea. Are you secretly a prepper?
47:24Yes. That's actually, I'm trying to promote the prepper lifestyle by way of your magazine. Yes. No, this pitch actually happened on the fly. I was standing with Tanya in our friend Matt Starr's kitchen, and she told me about the theme. And I immediately thought it was so great and was just rattling off ideas. And this was one of the first ones that I was like, oh, and you could interview doomsday preppers about the candy that they prep for the end of the world if they do that. I wonder if they do that. And Tanya was like, will you pitch that? At the time, I was working for a different magazine.
48:03And I was like, oh, yeah, somebody could do that. And she was like, you could do that. Yeah. And so I was immediately like, oh, yeah, I could. And I was beguiled by the idea and just wanted to talk to people who wanted to eat candy after the end of the world. Yeah. Right. So how did you go about finding the sources in this piece? Were you kind of trolling through the online forums? Yeah, absolutely. I mean, Reddit is such a wellspring of people who want to talk about their deep freezing techniques, how they can things, what works, what doesn't work. And TikTok is actually yeah also a really robust place to find people who call themselves like the elegant prepper mom or like the minimalist prepper yeah kind of like that it's it's really funny like you know those uh videos that people will make where they're filling their like clear plastic drawers with yeah which is kind of like prepping meal prepping in a short-term way yeah like that but for their bunkers.
49:03Totally like that. And so it's a similar premise. People just love to show off their, you know, stockpiled goods of firearms and candy. Yeah. And when I first read the pitch, I think to me it made sense that people would include candy in their kits because as a food person, candy to me seems like the most indestructible dessert imaginable. Like it's hard to imagine Skittles actually going stale, not to imagine like the freeze dried Skittle era, which I think is just trendy with people who like candy. But it does come from this kind of prepping background, right? I'm not totally sure if it does.
49:37I would imagine that it does. I think that people also see it as kind of like an astronaut food as part of the novelty. But I only recently had my first freeze-dried Skittle. And maybe like a week ago, I saw them in the grocery store. Have you been seeing them places? Well, I edited a story for Taste maybe last year about like the TikTok freeze-dried candy ecosystem that's been happening, but I still haven't tried one. So I'm very curious to know what the experience was like for you. Okay, I'm bringing you one next time I see you. Please. They're very hard and they kind of look a little exploded.
50:09Yeah. And I think I prefer the original, but the novelty factor is huge. Right. Yeah. And it's good to know like if I ever, you know, needed it, it would be there indestructibly. I'm curious to hear about what to you is the most interesting or unexpected part of the reporting process, because I would imagine you had a lot of very unusual conversations. I think what I was surprised at, I sent a lot of inquiries to people. I probably reached out to like 30 or 40 people. They're like, the government is coming for us. Why is everybody asking questions about candy? I thought it was going to be like that.
50:49And instead, everybody wanted to talk to me about what their situation was. Some people were like, I won't tell you where I am. In fact, I think both sources in this case would not tell me here is exactly where in a given state. Because of course, they don't want anybody coming for their stash. Yeah, their three musketeers. You got to keep those for your wife. But yeah, I was really shocked at how many people were so forthcoming. It seemed like there was an attitude of, I want you to know this. Like Sam Livingood really was concerned for me. He was like, you have to get out of the city. He was like, you live in New York, you're screwed.
51:28Yeah, exactly. He was like, I really, I think you should reconsider. And he wasn't paternalistic about it, but he was just like, you're in trouble. You're in danger. I think that's an attitude that I respect about preppers is it's almost like the really like devoutly religious people who try to convert you. Like, I don't want to be converted, but I appreciate that you truly believe that I'm going to go to hell if I don't do this and that you're looking out for me, you know? Yeah, it's absolutely like a personal belief system in which, like, he was like, I like you. You seem like a nice guy. Like, get out of there.
52:00It is a little like religion in that way. The other thing that I found unexpected reading this story, like, it made sense that you would want to keep candy just for something sweet. But the whole bartering aspect and specifically the fact that people will be so willing to trade medicine or gasoline for chocolate. I wasn't really in that headspace before reading it, but I think it makes a lot of sense. Yeah. And that was the thing, too. That was the sort of like cynicism and nefarious part of it. Because you start with this person who's just like, yeah, you know, I keep three Musketeers bars to make my wife happy and dino chicken nuggets for my kids.
52:34And then he's like, yeah, well, if you needed something, I would have it. and what would I need from it? It took a turn. Yeah. And I guess it's also like the 3D chess mentality that when other people who have not been prepared are amassing their supplies after this big event happens, that they're not going to think about the luxury items. So then it's going to have more value to them. Yeah. I just wouldn't necessarily think of candy along those lines, maybe like alcohol, cigarettes, but they were really all in on And the fact that like candy would be an important form of currency. Well, I think there's the nostalgia element of it, right?
53:10That it would bring you back to Halloween or like your little treats you would buy yourself after the dentist. Like back in the world when we went to the dentist still. Yeah, I think that's exactly right. And I think it has a lot to do with kids too. Like something to mollify your children. Yeah. Yeah. Yeah, the kids are really going to be difficult to control in the endgame situation. I know. That's why the PlayStation part, I was like, you're a genius. Like, oh, you figured out like how many hours of a generator you would need to give your kids screen time. Like that is, as you put it, like 3D chess in the extreme, I think.
53:43So I have to know, after writing this piece, how is your prepping lifestyle going? You know, I'll go through phases every few years because I really am afraid of the apocalypse. Like I don't want it to happen. Just I want to be clear about that. I mean, me also. But my feeling with it is like I always have candy in my house somewhere. It's just who I am. It's how I am made. It's how I operate. But I think I've begun to keep a little bit more like even at my boyfriend's house, I will keep like an extra take five bar in the freezer, like a hazelnut Kit Kat bar kind of thing. Yeah. So I should probably be thinking a little bit more about like, I don't know, rubbing alcohol or first aid kit.
54:29But I am thinking Hershey's Kiss. Honestly, I think we should just cut it there. That's such a perfect ending. But I will ask you one more question, which is if you could just briefly tell me about the appeal of a Hershey's Take 5 bar. Because is it Hershey's? Reese's? It's a Reese's. Yeah. The branding moved over some years back. It used to be just Take Five, and now they tried to put it under the recess mantle, I think, to make it more appealing to people, which doesn't make sense to me at all. Take Five bar is great because it's everything in one chocolate bar. You get peanuts, peanut butter, chocolate caramel, and pretzel.
55:07And what could be better than everything? Again, like I try to like heap pleasure into my life as much as I can. so I think what when I first got into them I kept fun size ones in my freezer because I thought it was such an elegant thing to do if you were like hooking up with someone and then like send them on their way yeah but yeah it's just been such a part of my life for so long like it's it's such an uncomplicated joy for me well honestly it sounds like it would be pretty good to barter within the apocalypse because it has so many things inside of it that people would be interested in. Totally.
55:42And we're already doing the fun-sized mentality when they talk about like the nips. The little nips of alcohol. Yeah. Okay. Well, I'm going to go home and buy some fun-sized chocolate bars on the way in your honor. Well, I'm just saying this to protect you in the apocalypse, much like Living Good did with me. Thank you so much for this. It was great. Thank you for coming on, Amy Rose.
56:05This is Taste is hosted by Matt Rodbard and me, Eliza Abarbanel. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things happening.
From the publisher
Cake Zine is an independent print magazine exploring society through sweets, cofounded by Tanya Bush and TASTE contributing editor and the show's co-host Aliza Abarbanel. Their fifth issue, Candy Land, explores candy’s connections to the natural and unnatural world. On the show, Aliza and Tanya unpack how they made the issue and the many cultural connotations of candy. Also on the show, Amy Rose Spiegel reads a piece from the latest issue.
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.
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