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Podcast Summary: This Is TASTE - Episode 461: It's a Big Fall Cookbook Preview with Eater's Rebecca Flint Marx
Episode Overview In this episode, hosts Aliza Abarbanel and Matt Rodbard welcome Rebecca Flint Marx, editor of Eater at Home, to discuss the arrival of the fall cookbook season. They delve into Rebecca's recently published fall cookbook preview, her insights on the evolving landscape of food media, personal dining experiences, and trends in home cooking.
Key Topics Discussed
Fall Cookbook Season
- Cookbook Trends: The discussion highlights the surge in baking titles as the fall season approaches, with many authors capturing the essence of baking through varied cultural lenses.
- Notable Cookbooks: Rebecca shares her favorites from the fall preview and discusses the significance of various titles, including:
- Martha Stewart's 100th Cookbook: A milestone mark in her prolific publishing history.
- Stephen Colbert's Cookbook: Adds a humorous touch to the genre.
- Baking-focused Books: An emphasis on diversity in baking styles reflects broader culinary trends.
Changing Landscape of Food Media
- Pandemic Influence: The pandemic spurred a change in how Eater covers home cooking, leading to the creation of Eater at Home, which focuses on how people navigate cooking within their homes.
- Focus on Accessibility: Eater at Home aims to cater to home cooks through relatable stories and practical advice, recognizing the shift in audience interests.
Personal Insights from Rebecca
- Dining Experiences: Rebecca shares her favorite NYC restaurants, such as Superiority Burger and Caracas Arepas, emphasizing the importance of personal connection to food.
- Cookbook Philosophy: Rebecca discusses her love for cookbooks as an accessible luxury filled with tested recipes, emphasizing their physical presence in the kitchen over digital formats.
Pet Peeves in Cookbooks
Rebecca candidly shares her frustrations regarding
- Overly Precise Measurements: Criticism of recipes that require fractional measurements of spices.
- Cutesy Language: Displeasure with overly simplified or baby-talk style language in cookbooks.
- Subpar Recipes: A call for recipes that have been thoroughly tested and guaranteed to work.
Key Takeaways
- Diversity in Cookbooks: The fall season demonstrates a trend towards more culturally diverse cookbooks, with authors bringing unique perspectives and flavors to traditional recipes.
- Importance of Personal Touch: The conversation highlights the personal narratives behind cookbooks and the importance of authentic voices in food writing.
- Evolution of Food Media: The shift towards home cooking and practical advice reflects changing consumer habits and the role of food media in guiding home cooks through their culinary journeys.
Notable Quotes
- On Cookbooks: "You don't really have home cooking without some form of a cookbook."
- On Cooking During the Pandemic: "How can we meet our readers literally where they are at home?"
- On Trends: "Cookbooks really want to reassure people that they can cook or they can bake."
Conclusion Rebecca Flint Marx's insights into the upcoming fall cookbook season and her reflections on the evolving nature of food media provide a rich backdrop for understanding contemporary culinary trends. The episode emphasizes the importance of personal narratives, diverse voices, and practical advice in the world of cookbooks and home cooking.
For those interested in exploring the exciting new titles this fall, Rebecca's detailed preview is a must-read.
Additional Resources
- [Eater's Fall Cookbook Preview](#)
- [More from Rebecca Marx](#)
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This summary encapsulates the key discussions and insights from the podcast episode, offering readers a concise overview of the themes and highlights while illuminating the evolving nature of cooking and food media today.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. This is a small thing, but I think about it a lot because I do cook from cookbooks. I want a cookbook that's going to stay open. I really want a cookbook that's going to stay open, and I won't have to keep losing my place and then taking my dirty hands and reopening the book and finding my place again. Spiral-bound books always stay open. This is Taste. I'm your host, Matt Rodbar.
0:59Fall cookbook season has arrived and there's nobody better to talk about this busy time than Rebecca Flint-Marx, editor of Eater at Home. Rebecca just dropped Eater's thoughtful fall cookbook preview and we go over a number of her selections in this episode. We also talk about Rebecca's journalism career and what she has been excited about in the world of restaurants, home cooking, and product trends, as well as the changing face of food media. Big conversation there. It's really fun having Rebecca in the studio, and I hope you enjoy our conversation.
1:39Rebecca Marks, welcome to This is Taste. How are you? I'm good, thank you. Thank you so much for having me. Well, it's really nice to see you. You were on our masthead for several years. You were a contributing editor and worked on so many great stories. You've also been nominated for a James Beard Award for your work on taste. So you're part of our fam. So welcome home. Thank you. It is nice to be back. I want to talk to you about the fall cookbook season. Eater has just published a really terrific preview. You always do great work with your previews for the spring and for the fall. And I'll definitely be linking to it in the show notes.
2:12So definitely click on that to get more information. But first, before we get to cookbooks, where have you been dining out in New York this summer? Oh, the eternal question. Well, Superiority Burger. I honestly, I go to Superiority Burger more than any other restaurant in the city, despite the fact I don't live anywhere near there. And then aside from that, continuing on the theme of restaurants, I don't live anywhere near is Caracas Arepas out in the Rockaways. The Rockaways. Yep. I love biking out there, stuffing my face with at least two arepas and biking home. Do they still have the guasacaca, like the guacamole and chicken or guacamole straight?
2:53Well, I wouldn't know about that one because I don't eat meat. Well, I eat fish, but not meat. So can't help you with a chicken. But I will say the menu is very strong and very good. Yeah, I love Caracas. And back to superiority, do you hit the lentils ever? I would love to hit the lentils, but the lentils don't like me. Got it. Yeah. We don't need to talk about that. But no, I'm a Yuba Verde girl, you know, mega mouth girl. Any side that Brooks throws at me, I will eat. You are the at home editor at Eater and you've really been publishing terrific work. I'm a huge fan. And let me let me ask you first, you know, what is Eater at home?
3:33What is Eater at Home? Well, Eater at Home, do you want the brief history or would you just like a basic definition? Let's go with like what you're publishing now. Okay. So then Eater at Home is really just about how people cook at home. That's all it really is. So, you know, we publish stories about things people like to cook with, cooking tools, how to maintain your cooking tools, ingredients that people love, why people cook the way they do, certain dishes, traditions. Like, basically, if it's something that can happen in your home kitchen, we want to write about it. Yeah. And you have such a deep bench of writers on staff and freelancers.
4:12But I remember going back to a time like the founders of Eater were like, never over our dead body will there be a recipe in Eater. We are restaurants only. I have to ask you, what changed? the pandemic. That's what changed. Yeah, because basically, you know, in March 2020, when everyone was freaking out, we were definitely among those freaking out because we were like, among other things, nobody's going out to eat right now. And if they are, it's looking a lot different. People are cooking at home. How can we meet our readers literally where they are at home? And that's how we started Eater at Home.
4:50It was really, it was completely the pandemic that did it. And then And I always say that we kind of like we were building the plane as we were flying it because we really didn't know what it was going to look like. We had an idea that we would have recipes, which, again, was, you know, obviously completely anathema to the original mission of Eater. But we were like, well, what can we do? We can use all these chef connections we have. Let's like start putting like, you know, chef recipes on the website. And then eventually that, you know, evolved over time. But, yeah, that's that's really what happened.
5:23And it's really formed into a terrific read. You know, the work that Jaya and Bettina and your staff, you know, put out every week. Big fan here. Big fan of what you're doing. Thank you so much. Yeah. Yeah. I'm a huge fan of our writers and our contributors. It really takes so many people to make Eater at Home what it is. So I'm very grateful to all of them. How do you think about covering cookbooks then? You know, with your mission being what you're doing at home, we obviously cook from cookbooks at home. I'd love to get a sense of how you think about cookbooks. Well, I mean, so it's interesting because we do two cookbook previews a year, the spring and the fall.
6:06But cookbooks, it's a year-round, obviously it's a year-round thing. And so I think of cookbooks in the sense of who's doing something interesting right now? How can we best feature that on the website outside of previews as well? Because the thing about previews is they're wonderful, but there are so many cookbooks that come out every single year. And you're not going to be able to stuff – you know this. You're not going to be able to stuff everything into a preview, no matter how deserving it is. And so I'm really, throughout the year, looking for opportunities to talk about cookbooks, whether that's exerting a recipe or interviewing a chef or a cookbook author.
6:45or just writing about trends in cookbook publishing as well. So it really is like a year-round thing. I mean, cookbooks are how many of us cook at home, not all of us. But you don't really have home cooking without some form of a cookbook, whether it's an actual bound object you're holding in your hand or something you're looking at on somebody's blog. It's recipes, right? So without that, what are we? I don't know. It becomes very existential. It's a hollow life without cookbooks, I agree. I'll just add quickly, and I've said it many times on the show, the cookbook is such an affordable luxury.
7:25Yes. For between$15 and$30, you're going to get 75 to 150 well-tested recipes with a lot of context and an object that you can hold in your hand and you don't have to deal with really terrible UX and pop-up ads. QR codes. QR codes and all the stuff that online digital recipe aggregation kind of brings you outside of the New York Times cooking, of course, which I think it does a lovely job. Right. I'm just like so bullish on cookbooks. Oh, yeah. Extremely biased working at a cookbook publisher, but I have to recognize that. But also, I think I thought that years ago, too. Yes. Yes, definitely. No, I've always been a big cookbook person, even after technology told us we didn't have to use paper materials anymore.
8:06I have stuck by cookbooks. Not to say I never use something on screen because I absolutely do. I'm also a New York Times Cooking subscriber. I love it very much. But yeah, I prefer to have something there in front of me where I can turn the pages, get it really dirty. Love it to death, basically. So Rebecca, let's talk about the season at hand. And you've done such a great job of reviewing all the publishing, both from the majors and from indies, from overseas, from local. And really, you've kind of narrowed it down to a dozen or so titles. But generally speaking, during this research, did you see any broad trends in the industry?
8:45Yeah, I mean, it's an interesting question because the answer is yes and no. So the yes part is what's interesting to me. I mean, so certain things are eternal, right? You know, cookbook publishers are always trying to figure out a way to, I don't want to say exploit, but, you know, build upon what people are doing at any given moment in time, what trends they're following, you know, what things they're interested in cooking, who's talking to them, you know, who's interesting. So I would say that if there's any overriding trend, though, it's just that cookbooks really want to reassure people that they can cook or they can bake.
9:35Like, so that is an eternal trend, right? That really has not changed. But I think what I've been noticing more of in this specific, like, cohort of books, baking right now, and this might in part be because it's the fall, baking is huge. There's so many baking titles right now. And I'm a home baker, so I'm very biased. And in putting together this preview, I had to really step back and say this cannot be all bacon titles because there's so many good ones from really good people coming out. Another thing that I've noticed is there's a lot of big names who have, and that's also, again, to be honest, not unusual for the fall.
10:15Fall is when a lot of big names tend to publish cookbooks. So you have Martha Stewart, for example, doing her 100th cookbook. I don't know how it's her 100th cookbook. It's crazy. I said that exactly on the show. I did the math. I'm like, how does that work? But apparently it's 100 books. It is. And it makes sense. I mean, the woman never stops. But still, to really say 100 is crazy. But then you also have people like Christina Tozzi is doing another book. Bobby Flay is doing the portentously named Bobby Flay Chapter One. You know, so like I'm like, how many chapters are there? But it's endless.
10:50Stephen Colbert has a cookbook, which is I don't know what it's about. I'm sure it'll be very funny. I love Stephen Colbert. And then like Maddie Matheson, Mark Bittman has a cookbook. So, yeah, you have a lot of big names. And then, you know, there's like Marcella Hazan is like being, you know, resuscitated again, which is great. Madhuri Joffrey's Indian Cookery is getting another printing, which is wonderful. So you do have these like heavy hitters who all have these titles. Another thing I've noticed in a few of the books, not a lot, but enough to make me sort of notice, is the pandemic. The pandemic and generally the feelings that come with having lived through a pandemic.
11:30So what I mean by that, you have some books that are very specifically, you know, the authors say as much in their introductions. This happened because of the pandemic. So you have Christina Tozzi's Baking Club, for example. You also have this really delightful-looking cookbook called Jiggle, which is all about gelatin foods, which I'm so excited about, even though I don't eat gelatin because I don't eat meat. But that started as a pandemic project for its author. You have Margaret Eby's book, You Gotta Eat, which, although it's not, you know, explicitly a pandemic cookbook, it's for cooking when you're burned out.
12:10Yeah. People are burned out. You know, it's a long tail of this pandemic we're still living through. You know, so there's things like that. Wonderful. I mean, you really have articulated the trends we see in acquisition process during our work here at Penguin Random House, but also just in general in the market. And going back to baking, I want to ask you a follow up. You know, I Eliza and I observed as well that this is a very rich season for for baking, not just bread baking. But there's a great book about Indian baking that we'll talk about. And there's and it's kind of this like new math for baking.
12:45Like people, I think, are baking more than ever and actually doing the baking, not just like virtue signaling. Are there any baking trends from this selection of books that you've reviewed that you can come away with? I think maybe, you know, it's baking through more of a, for lack of a better term, world lens. So, you know, where a lot of baking books in the past tend to hue very, like, quote unquote, American traditional. You're getting books like Desi Bakes, which is the book that you mentioned by Heddle Vasavada. And that's, you know, bringing, you know, flavors from like the Indian culinary canon into baking.
13:24You're getting Bodega Bakes, which is Paola Velez's book. Her Bodega Bakes, I mean, her heritage is Dominican and she grew up in the Bronx. And that is all over that book. It's wonderful. It's beautiful and a lot of fun. I baked something out of it just the other day. Yeah, so you are seeing more flavors that you don't necessarily, you haven't historically necessarily seen represented as much in American baking books, which is like super exciting. Yeah. And you're also just seeing like like Ben Mims has a new book that's all about, you know, desserts from around the world. So, yeah, it's it's really sort of like pulling back on baking and looking at just like what makes baking so endlessly fascinating.
14:07It's really, really well said. And another follow up, we talk about names. You mentioned some some big television names. But I'm also seeing, you know, new names that some of our listeners may not be familiar with, but actually have massive audiences either on Substack or on social or both. How did you and the team in Eater think about, I'll just say with big air quotes, the influencer book? Because I think your list has a couple. It's not like you're leaning into it by any means. How did you do the math there? Well, you know, so specifically on our list, we have Justine Dwaran and Carolina Gellin.
14:43And they both have very large social media followings. Really there, it was just like, what's in this cookbook? Like, do we like the recipes? Do they have something interesting to say? And in both cases, the answer was yes. Justine's book is fantastic. It's really made for a cook like me, somebody who has a lot of ideas, not a lot of time, and loves saving every scrap of food that I can. Carolina's book is lovely. I mean, and her recipes, again, she's somebody who just puts a lot of care into her food, into her recipes. And that really is, you know, the metric that we use is like, who are the people who are really sort of, you know, this is a cliche, but cooking from the heart versus those who are cooking for clicks.
15:30You know, we don't like like viral stunt food, for example. But if you're going to give me a good recipe, that's something I will happily consider for a fall preview. Yeah, I love that. Well, let's go into a few other books that I've noted from the list. We're not going to go through all of them. And I recommend just hitting that link in the show notes. It's a terrific roundup. One is Wafu Cooking. I would like to get a sense of why pick this. You know, Wafu Cooking is maybe not familiar with everybody of our listeners. What does that mean to you? Well, so the author of this book is Sunoko Sakai, who is a legend.
16:07She is an astounding home cook. It's a, like I said, it's a beautiful book. I haven't had a chance to try the recipes yet, although I have bookmarked a few. But I think what is exciting for me about this book is just that it's Sunoko Sakai's book. And she, again, she is just somebody who, if you're a home cook, you want to know who this person is. You want to cook her recipes. Another book that sticks out is Our South, Black Food Through My Lens by Ashley Shanti. And I've gotten a chance to check this out. I'm going to have hopefully have Ashley on the show. And why pick this book right now? Oh, well, a lot of reasons.
16:46I mean, she OK. And so this goes to what I'm looking for in cookbooks. She has something to say. She really has something to say. She has a very specific view of, well, southern food. Her book is about Southern food, but it is Southern food through a black lens, as the title implies. And so she's really talking about her own upbringing there, her own, you know, the people she grew up cooking with, the family she grew up cooking with, and how that has shaped how she relates to the foods of this region. And it's a beautiful book. That's the thing. It is such a beautiful book. So when you look through it, you're going to see recipes that are familiar to people who have either, you know, grown up in the South or have cooked Southern food for sure.
17:29But you're also going to see food that has her specific imprint on it. I love it. And her voice is so strong throughout that book. And when I saw it, I got really excited because that's, again, what I'm always looking for is, you know, I want something that really tells me something about the author as much as it, you know, teaches me something about the food of a region. Dolly Parton has a book. Yes, she does. Good looking cooking. We publish it here. So I've been hearing about it for about a year now. I love that you pick it because I think it's a really nice book. I think that it's not just a celebrity vanity project.
18:01It's actually really well done. Why select this one? Well, OK, first and foremost, one of our staff writers, Amy McCarthy, is a lifelong Dolly Parton fan. So as soon as we saw this title, it was like, well, Amy obviously has to write about this. Definitely. So this book, which is by Dolly and her sister, Rachel, it is, again, another Southern food book, very different kind of Southern food book. And this is very, very, I guess what you could call, I mean, in a sense, it's traditional Southern food. You know, you're getting your banana pudding. You're getting your fried chicken. It's going to sell well on QVC.
18:33It will sell so well. And Dolly and her sister are on literally almost every page of the book, which brings me to another thing that makes this book special, which is the photographs. which are by Aubrey Peck, who very sadly is no longer with us. But this might have been her last book, and it's stunning. Yeah, I love that you brought up Aubrey, and I think it is one of the last projects she worked on. And I love the cover. It's so fun. It's a fun book. It sort of invites you in. Dolly is Dolly. You know, she and her sister look like lovely people who you'd want to share a meal with, you know. Tell me more about Jiggle a Cookbook.
19:09I love this idea of thinking about gelatin and konjac and like anything that kind of makes things wiggly, solid and cooking more with it. So what drew you to this book? I think the title, first and foremost. I mean, jiggle is such an appealing word. And then when you apply it to food, it becomes infinitely more appealing. I think it's just delightful. I think it's really inventive. It's gelatin, but, you know, it's gelatin in many, many different uses. So you're getting throwbacks to, you know, the glory days of gelatin when people were doing all sorts of like kind of horrifying molds. Horrifying.
19:49Horrifying. Like in aspic and things like that. Oh, yeah. Like anything you could put in a jello mold, they would put in it. Yeah, I mean, it's incredible. But like it really sort of shows you like the artistry of these gelatin foods as well. So, I mean, it's just a fantastic book. So there's savory and sweet. Yeah. And it does hint at this like mid-century gelay style. But also it's giving you like actually good things to make. Yeah. Let's talk about Desi Bakes. Yeah. From Hetel Vasavada, Bay Area chef. I've loved this book. I talked about it on a fall preview as well here. And hopefully you have the chef on the show.
20:30Yeah. Why pick this one? Desi Bakes. Well, much like Jiggle, I was drawn in by the photography. It was so colorful and beautiful. But then also just, again, like baking through an Indian lens is really fascinating to me. And Hettel, in her introduction, you know, points out, like, this isn't authentic Indian. It's not like, you know, but it's fun. It's like taking the flavors that she grew up with and that she loves and applying them to things like, you know, French pastry, for example. or, you know, doing icebox pies that are flavored with like cardamom or, you know, all these incredible different flavors.
21:09And her work is so beautiful. That's the other thing. This is one of these books that I'm looking through more just, I mean, for the recipes, yes, but also just to look at the photography. I mean, the amount of artistry she puts into her desserts, it's incredible. And I think, you know, giveaway, even before you get to the recipes, is that when she's talking about her kitchen tools, for example, and her ingredients, gold dust is in there. And you know when you hit on gold dust in a baking book that you're in for a special ride. So, yeah, it is a lovely book to look at. I have not baked from it yet, but I am really looking forward to it.
21:49There are a lot of cookies in there, for example, that. Yeah, the cookies really hit home. and I was thinking, I'm getting into my cookie days. I'm becoming a cookie guy. It's a good place to be. It's a good place to be. And I agree, like, this is another reason why cookbooks are so special is, like, photography coming together with production. You open up these books and you've got beautiful printing. Yes. You're just not going to get that from, like, XYZ online site. Like, you're just not going to get it with your food. And, like, you're going to get it with some print publications, but those are going away, unfortunately, for the most part.
22:20Yeah. Back to, like, cookbooks as a genre, as an object to study. What aren't you seeing, Rebecca, in the industry that you love us here at book publishers, both indie and the majors, that we aren't creating? I mean, broadly speaking, I want to see more voices being represented. You know, people from different backgrounds, different cultures, people who have something to say, really have a strong voice. That, to me, is what draws me to a cookbook as much as the recipes. So I want to see more representation, you know, for sure. And then this is admittedly more of a niche thing for me. Having grown up as a child of the 80s, I grew up with like a very specific kind of cookbook.
23:12And it was one of those cookbooks that's like spiral bound, doesn't have any photographs. It has like hand-drawn illustrations. I would love to see a resurgence of those books, not only because like there's just something really approachable and accessible about them, but also and this is a small thing, but I think about it a lot because I do cook from cookbooks. I want a cookbook that's going to stay open. I really want a cookbook that's going to stay open and I won't have to keep losing my place and then like taking my dirty hands and reopening the book and finding my place again. Spiral bound books always stay open.
23:45Oh, my gosh. It's like a really technical answer, but you're so right. I mean, the lie flat technology, I think we do a lot of the books here. We try to keep them open as much. But not all have lie flat technology. Yeah. I call it technology. It's a spiral bound notebook. But do a spiral. All right. I love a spiral bound notebook request. Rebecca, what noise the fuck out of you about cookbooks? You've looked at so many this year and there's got to be pet peeves of yours. How much time do you have? Okay. Okay. Something that bugs me to no end. And this is not limited to this year's crop of cookbooks.
24:18This is an eternal issue. I can't stand it when a cookbook author is like, measure out some fractional permutation of a teaspoon of freshly ground pepper. What kind of sadist does that? I'm sorry. It's like, you want me to sit there with my pepper grinder and like grind my pepper grinder over a quarter teaspoon. It drives me nuts. It drives me nuts. I've seen this in so many places. So please, please, please just stop that. It is completely unnecessary. So like basically it should be pepper to taste or like 20 cranks. Just pepper to taste. Unless you're making like something where it's like cacio e pepe where you're like you need to use like a full tablespoon.
25:04Or like black pepper, like sugar cookies or something. But whatever. You can also just say do 25 cranks or whatever. Yeah. And then on top of that, recipes that don't work. There's a lot of them. Okay, like you went from this pepper pet peeve to literally recipes that don't work. No, seriously. There's recipes that just don't work. And this happens in books that win James Beard Awards, by the way. No, I know. It's shocking to me. I just want recipes to work. The other thing I just can't stand, and I promise this is that I'm not going to sit here complaining for the next hour. I asked you to. You did ask me.
25:37I asked you to. You did ask me. And it won't be an hour. It can be another five minutes. I don't like flagrant, how shall I put this, baby talk. Don't aggressively abbreviate everything. Like, I hate that. It drives me crazy. It makes your book look like Scooby-Doo wrote it. Like, it drives me friggin' nuts. I don't know if I can swear on this podcast, so I won't. But it drives me nuts. Cutesy abbreviations. Yeah. Please stop. Yeah, but really I just want the recipes to work. And I don't want to be told how much, you know, ground pepper I need to grind over to like a half teaspoon. I love these specific takes, Rebecca.
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26:20I mean, I cook a lot. I think about this a lot. No, you do. And you run a terrific publication that focuses on home cooking and centers it. So you've thought about all this. Let's talk a little bit about your journalism. I'd love to get a sense of some of the work you've done both for taste and outside of taste, maybe for Eater even. Are there any pieces that you're particularly proud of that you wanted to highlight that I can link to in the show notes? Yeah, I mean, a couple do come to mind. You know, I've been doing this for a really long time. I kind of shudder to think about how long it's been.
26:51But there are a couple that will always, I think, jump out to me just because of the time and effort that went into them. One was a piece that I wrote when I was at San Francisco Magazine, where I was a few years ago. So that was about it was called The Trouble with the Michaels and it was about the San Francisco Chronicles, then very longtime food critic, restaurant critic Michael Bauer. And his partner, his life partner, Michael Murphy, was basically involved in this organization that created experiences for people for sums of money. And these experiences would often happen at restaurants that Michael Bauer also reviewed.
27:36Favorably. Very favorably. Yeah. So this story took a really long time to come together. And a lot of people, it's crazy for me to think, like, how many people just were terrified and did not want to speak about this person on the record or off. Like I had one very well-known chef in the Bay Area say he would only talk to me if I would sign some form of – it wasn't an NDA, but it was a legal document basically saying I would never reveal his name to anybody. I mean it was – and then he still wouldn't talk to me. It was crazy. So I was really proud when that story came out. And then the other one I think that comes to mind was a story for Eater.
28:13It was actually written before I was on staff, which was it was a 2018 story that came out about a man named Thomas Carter, who at the time was basically the front of house guy at Estella and various other restaurants. And I found out about him through another story that I was trying to report that actually never came to light, came to see the light of day because it was a really difficult story. But in the course of reporting that story, somebody said to me, and the story that I was reporting was a Me Too story. And somebody in the course of that said, you should really look into this other person who's involved with another restaurant group.
28:52And so I did. And again, that was a very difficult story to report for obvious reasons.
29:02But when it came out, he was fired a few hours after it came out. And I've never had that happen. And it was a feeling unlike any I've ever experienced. Yeah. When you think about doing investigative reporting, and really these are great examples of the work that you do. And really, how much time goes into these pieces? I think our listeners may not realize. Oh, so much. The amount of legal review, the amount of on-the-record and off-the-record reporting. Yeah. What goes into these pieces? So much. It is—people have no idea. And the thing is that Eater, particularly when all these Me Too stories were coming to light, we did not have the resources to cover every story that came our way.
29:49And it was very difficult to make people understand that. People don't know what goes into these stories. in order to responsibly report out a story of this nature, or really any investigative piece. I'm not talking specifically about a Me Too story. It requires months. And that is because you need to find your sources. You need to gain the trust of those sources. You need to make sure you are covering your ass legally. You need to give the other side a fair shake at representing themselves. You need to take time to get to... It's kind of like putting together... I think of it as detective work.
30:28It is very much detective work. You need a time to build a case. That is what is required. And you need to be able to do that responsibly. And then you need to go through a giant legal review. And sometimes stories get spiked after these legal reviews and after the fact checking, not your fault, but just in general, there's just a discomfort. And what's that feeling like? Because you mentioned there's another piece that got spiked. It probably has happened quite a few times. That got spiked because, oh, I don't know how much I can say about it, but it was about a major restaurant group. And I'd been hearing all these not great things.
31:07But the problem was, and this was something that came up time and time again in reporting specifically Me Too stories, is there's a fine line between somebody legally being an asshole and somebody doing something illegal. And if you can't get enough material that will support your hunch that somebody is doing something really bad and it really just comes down to them being an asshole, you can't publish that. It has to be something that you can prove and that you can really back up. And that the courts may eventually back up too. Yes. And here's the thing. I think that also a lot of people don't really know, although I think more people know than they used to people outside of the industry.
31:55There's a lot of people being assholes, you know, and it's not illegal. It's just everyday work. And I'm not saying it's right. It is not. It is absolutely not right. But that doesn't make it a story you can you can really report out in the way that you want to. Yeah. I opened up my inbox this weekend and I saw a great subject line, let Bourdain rest. And you wrote this shorter piece about this recent boom of Anthony Bourdain content and reheating. And you wrote very well about the problem with kind of monetizing Tony Bourdain in this way. Sure. What are your thoughts on that? Well, like I said in the newsletter, I mean, on the one hand, I get it.
32:46I understand why there have been certain Anthony Bourdain projects, you know, that have come out since his death. He left behind so much. And I think some of those projects have been wonderful. I loved Laurie Wooliver's book. I think, you know, it's understandable the world wants more Anthony Bourdain and we can't have him. So I think people try to give us, sometimes in good faith, sometimes maybe not as much, they try to give us more Anthony Bourdain. And not all those projects are created equal, as I said. I think, though, with a biopic, it's just like, you know, they are so fraught. It is so hard to make a good biopic.
33:29And again, like I said in the piece, I don't know who's involved with this project. It is entirely possible. People who knew him and loved him are involved in this project, and it's going to be great. It is entirely possible. But yeah, when I first read it, I was like, really? Yeah. Really? Can we let the man rest? You know? Yeah. It's just... But I get it. We want him to still be here. I get it, too. We all want him to be still creating Sunday night television shows and hitting up these hot takes on Twitter. And he's not there. It's such a – his legacy is multitudes, right? Laurie's book told one story.
34:14The unauthorized biography told another story. His Twitter feed tells another story if you go back and look at it. If it ages well or not, it's hard to tell. There's a lot going on. So I feel like I agree with you when you start seeing like things adding up and there's 25th anniversary of Leal Cookbook and a new TV documentary and a new film gets to be like, come on, let the guy rest. But there's also like we want some kind of conclusion. Yeah. Was he a good guy? Was he not? Is he as important as as we remember? Or was that just a moment in time? And I personally am very conflicted on it. the more I know.
34:51And I worked, you know, at 0.0 production when he was there quite a bit. And so I have my own personal experience there as well. But it's such an interesting case of celebrity. It is. And I think the question is also, well, whose job is it to say, right, what should or shouldn't happen? I mean, it's, this is a thing, you know, he was an individual and he was a private individual. He was also, in a certain sense, public property. And I say that with hesitation. I don't think he was anybody's property. I'm just saying that the public feels that they have some stake in him and in his legacy because he was so beloved.
35:35And so it becomes, I think, you know, the question I asked in the newsletter is like, who is to say what is the line between tribute and exploitation? I don't know that. It is not for me to say. I don't know who gets to say that, you know. But it does make me it is a question that comes up for me almost every time I see something that's, you know, being done in his name. You know, like, do we need an AI voiceover of Anthony Mordain? I don't. Well, that was just that documentary. I'm not a huge fan of the documentary personally. And that's one reason why that was like a real fumble. Yeah. That's just like weird.
36:12You know, I've read some really terrible stuff that, you know, since he has died. you know, that sought to sort of like take advantage of his legacy, but also, frankly, his death in like a pretty gross way. And I'm not going to name those projects because I don't want to give them any oxygen, but it's really troubling. You know, and again, I think there's some people who obviously are doing things in good faith, who knew him and loved him, you know, and want his work to still continue in some way. And I respect that. But I think there's also a lot of really bad actors out there. And that's snot news.
36:47Snot news. Rebecca, do you want to write another cookbook? We haven't even talked about your own career. You've written two cookbooks here at Penguin Random House and other cookbooks, right? So technically, I was the co-writer of Alex Reich and Edder Montero's The Bass Book, which was great. I've also sort of been more of a developmental person, like in helping people write their cookbook proposals. I have also written my own book that, sadly, it was with a Short Snack publication. Short Snack died an untimely death before my book, which is about oats, could come out. So, yeah, I haven't done a lot of cookbooks, to be honest.
37:27I truly don't have any interest in doing another one. Yeah. I really don't. I love cookbooks. Obvs. Yeah. If you're this far in the conversation, you realize Rebecca is as big a cookbook fan as anyone. Yeah. And you've written them yourself. I love him. And having done a couple, I'm like, I don't need to do it again, honestly. And I think the thing about writing cookbooks is they tap into certain parts of the brain that some people just have naturally and some people don't, you know, in the sense that you really have to want to focus on minutiae and you really have to want to like, I don't know, just get into the like the real nitty gritty of why things work the way that they do.
38:12And that is, this is the same reason I could never be a recipe developer. That is not a part of my brain. Oh, that makes two of us. Yeah. So I'm happy to leave that to pros. There is a lot of joy in collaborating with people, for sure, when a project is going well, it's like one of the best feelings in the world. Well said. But for me, I'm just like, I think I'm happier writing my own stuff. Yeah, and not getting into that minutiae. Right, right, yeah. Well said. It gives us a lot to think about when we think about our career. I mean, me, actually, when I'm thinking about writing more books, I'm like, oh, yeah, you bring up some points.
38:51Right, right. No, but I think, look, I think, again, if you're collaborating with somebody you really have a lovely time collaborating with, it makes a huge difference. That's why I love doing it. I've never gone solo on a book and I've had terrific partners on my book. So it's well said. Rebecca, on This Is Taste, we ask guests about their discerning taste. So to close this interview, here's a little rapid fire, fast and furious. Taste check, are you ready? I'll try to be. The best fruit? Candy striped fig. California speaking right there. Yeah, I live in California for four years. I'm still in mourning that I don't get those figs anymore.
39:23Yeah, candy striped fig. It's very, sorry, it's kind of a snotty answer, but it's honest. Be as snotty and honest as possible. The worst vegetable. Celery. Absolutely. I hate it. Absolutely hate it. People think it's weird that I hate it, but I'm repulsed by it. Yeah. Sorry to all the celery people out there. I can't stand it. Yeah. The best dessert. Any permutation of layer cake with ice cream. Oh, with ice cream too. Yeah. A la mode. Yeah, because, you know, it gets to that glorious point where it's all sort of deconstructing itself and then like the crumbs and the ice cream kind of like meld it is texturally to me it's it's the best thing in the world and i love layer cake more than anything yeah layer cake is yeah i'm definitely cake over pie see okay just real quick i've never understood that that whole argument you mean it's no competition no it's just like it's like saying what's better an orgasm or an orgasm you're you're getting something good either way who cares like if you like cake like cake if you like pie like pie like they're both great it's ultimate food nerd like dweeby kind of convo i agree i i think you're so on point i just have never understood it but i do love cake your favorite new york city restaurant right now oh well that's a no-brainer for me superiority burger forever i love it i love it i yeah i go there like i said more more than any other restaurant two things about that place first they're on resi now finally i know i was shocked i mean i was shocked too but like it leads to my second i think they're like not like that busy like especially in the summertime no so go you think like you like lines you hear all this no just go go wait you might be a five minute wait they're so great at the front wonderful really nice people there brooks is there just go you're not gonna regret it they're so great and you know what in case you haven't noticed it's in the east village and it's surrounded by bars so if you have to wait yeah no out.
41:18Go get a drink. Go to Niagara. It's still okay. Exactly. Niagara's fine. Niagara's fine. Just go get a drink. And yeah, the last time I was there, which was last week, I think we waited for maybe 10 minutes after being quoted 20 minutes. Or, yeah. Rebecca, go to the back and drink the bar there. Exactly. I love the bar there. It's a really nice bar. It's such a nice bar. Mark Eibold might be working too. You can talk about pavement. Exactly. Exactly. Yeah. Crooked Rain, Crooked Rain. Talk about it, you know.
41:56Darling, don't you go and cut your hair. Do you think it's going to make him change? I'm just a boy. Yeah, no, I mean, it's great. You'll have a fun time waiting, and the people watching, even if you're just standing on Avenue A, the people watching is perfect. It's great. Like, no reason not to go there. And also, Brooks, please come on the show. I've emailed you, like, 40 times. Like, you know, we've been on the show before. I'm only kidding. Brooks is the best. He is the best. He really is. Your favorite American fast food chain. OK, I'm so sorry. I'm I don't have one. Fair enough. Can I say Mrs.
42:30Fields cookies? Those are fine. No, that works really well. Like in the mall. Yeah, it's a childhood nostalgia thing. It's like the smell of that place. Like, I don't even know how many Mrs. Fields there are at this point. And I haven't been to one in probably like 20 years. I love that place. But I love it. And the idea of like putting frosting on a chocolate chip cookie. I mean, unnecessary, but why not? Unnecessary to the fullest. Yes. Your favorite cookbook of all time? Oh, okay. I don't have one, but I have a favorite cookbook of this time. Like this is the thing. I go through a lot of cookbooks.
43:03Sure, yeah. My favorite cookbook of this time right now is Hedy McKinnon's Tinder Heart. I cook out of it all the time. I love it. She's like, in addition to just being an excellent recipe writer, she's the sauce queen. She makes the best sauces. So I think of her as a sauce queen. What a great endorsement, a specific endorsement. Sauce queen. Yes. A few more. Where do you like to buy food in New York? I like, it's a tie. The original Russ and Daughters on Houston Street and Kalustians. Beautiful. The Mujidara sandwich upstairs at Second Floor Cafe. I haven't had that. It's good. Yeah, I bet it is.
43:40Lentally. I always forget they actually serve food up there. Isn't that crazy upstairs? Walk upstairs to a little cafe there. At least like in 2014. Like I haven't been there in that long. Maybe like 2017. But I'm hoping post-pandemic they still sell sandwiches. Yeah, I don't know. I mean, whenever I go there, I'm very much just I get swallowed in the spices and like the dried fruit section. So I yeah, I have kind of like horse blinders on. Last one, your favorite sandwich. The Sabik. Just as a category. As a category for people. Oh, do you want one that like? No, no. OK. So the sabik for people who are not familiar with the sabik.
44:14The sabik was, if I'm getting the story right, created by Iraqi Jews. It is fried eggplant, a boiled egg, tahini stuffed into a pita with various other, you know, salads, condiments, whatever you want to put in there. It to me as an eggplant lover, it's the perfect sandwich. I think that's a great call. I think putting Amba on it as well. Oh, yes. Yeah. And having some kind of like acidic fruit element to it in addition to the eggplant, in addition to a grape bread. It's bliss. Well said. Rebecca Marks, what a pleasure. Thank you so much for joining This Is Taste. Thank you so much, Matt. It's been really lovely to be here.
44:53Thank you for having me.
44:59This Is Taste is hosted by Eliza Abarbanel and me, Matt Rodbar. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things that are happening.
From the publisher
Fall cookbook season has arrived, and there’s nobody better to talk about the busy time than Rebecca Flint Marx, editor of Eater at Home. Rebecca just dropped Eater’s thoughtful fall cookbook preview, and we go over a number of her selections in this episode. We also talk about Rebecca’s journalism career and what she has been excited about in the world of restaurants, home cooking, and product trends as well as the changing face of food media.
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.
MORE FROM REBECCA MARX:
Cooking’s New Minimalism [TASTE]
The Untold Story of the Lady From Louisville and the Bubbe Who Wasn’t There [TASTE]
SF Chron Critic and His Partner Become the Subject of a Major Takedown [Eater SF]
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