510: Former Michelin Inspector Speaks! Plus, a Food Writing State of the Union with Mahira Rivers.

13 Dec 2024 · 1 h 6 min

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Podcast Episode Notes: This Is TASTE - Episode 510: Former Michelin Inspector Speaks! Plus, a Food Writing State of the Union with Mahira Rivers

Episode Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard engage in a dynamic conversation with Mahira Rivers, a former Michelin Guide inspector turned food writer. The discussion explores Rivers' unique perspective on food culture, her experiences growing up in Hong Kong, and her challenges against Eurocentricity in restaurant writing. Additionally, Jordan Michelman joins the conversation to discuss the rising trend of mineral water, his experiences with tea influencers, and other notable topics in food culture.

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Key Themes and Discussions

Mahira Rivers

From Michelin Inspector to Food Writer

  • Background: Mahira Rivers shares her diverse food experiences, recalling her childhood in Hong Kong, where she was exposed to a wide variety of cuisines, including Cantonese and Pakistani food.
  • Influence of Fast Food: She describes her fond memories of enjoying McDonald's in Hong Kong, highlighting unique menu items like Shake Shake Fries and the use of dark meat in chicken nuggets.
  • Michelin Inspector Experience:
  • Rivers reflects on her time as an anonymous inspector for the Michelin Guide, explaining the lack of need for disguises and her approach to evaluating restaurants.
  • Emphasizes the importance of understanding the broader culinary scene when judging a restaurant's quality.
  • Discusses the transition from being an inspector to a food writer, noting how past experiences shape her critical perspective.

Food Culture and Writing

  • Challenging Eurocentricity: Rivers advocates for recognizing the value of diverse culinary traditions, emphasizing that great food exists at all price points and in all cultural contexts.
  • View on Fusion Cuisine: She expresses excitement about the modern era of fusion cuisine, highlighting how it reflects the intersectionality of identities and culinary practices.
  • Sweet City Newsletter: Rivers details her newsletter focusing on desserts, her love for bakeries, and the joy of exploring sweet culinary experiences in New York City.

Jordan Michelman's Insights

  • Mineral Water Trend: Jordan Michelman discusses the growing popularity of mineral water, noting its culinary potential and the cultural disparities in how water is perceived in different countries.
  • Highlights the importance of mineral water pairing well with food, particularly in fine dining contexts.
  • Draws parallels between the current state of mineral water in America and the evolution of specialty coffee.
  • Tea Culture:
  • Michelman shares insights from his conversations with tea influencers, including Jesse Appel, emphasizing the educational aspect of tea culture in contrast to the common perceptions of it as mundane.

Food and Identity

  • Exploration of Personal Narratives: Both Rivers and Michelman touch upon the complex relationships between food, identity, and cultural narratives in their writing and discussions.
  • Culinary Accessibility: They discuss the importance of making high-quality culinary experiences accessible to everyone, regardless of background.

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Key Takeaways

  • Diverse Culinary Heritage: The conversation highlights the rich culinary heritage found in immigrant cuisines and the need for better representation in food writing.
  • Food as a Reflection of Identity: The dialogue suggests that food is deeply intertwined with personal and cultural identity, and exploring this intersection can lead to richer narrative opportunities in writing.
  • Emerging Trends: The rising interest in mineral water and refined tea culture shows that consumers are becoming increasingly sophisticated and adventurous in their beverage choices.

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Conclusion The episode provides a thoughtful examination of the evolving food culture, the importance of representation in food writing, and the personal stories that shape culinary experiences. It emphasizes the notion that food is not just sustenance but a reflection of identity, culture, and community.

For more insights and updates, listeners are encouraged to check out the *TASTE* website and subscribe to the newsletter.

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Transcript

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0:28This episode is brought to you by Resi and American Express. I spent, you know, the first year of working there, exposing myself to like a lot of these different cuisines and eating really widely with the intention of having a broad sort of portfolio of places and experiences to draw from with them to go out and be able to judge restaurants with. This is Taste. I'm your host, Eliza Barbinell.

1:00Mahira Rivers is a freelance writer and restaurant critic based in New York. Formerly an anonymous inspector for the Michelin Guide, she's now writing the desserts-focused newsletter Sweet City and contributing to many publications, including Taste. We had Mahira on the show to talk about her distinct POV on food culture today, from her childhood in Hong Kong to challenging Eurocentricity in restaurant writing. It's a great episode for anyone curious about food.

1:33Mahira Rivers, this is Taste. Thank you for coming on the podcast. Thank you for having me. I was just saying this in the elevator, but we have emailed each other for years, partially because you write great stories for Taste and we've never met in person. So I'm really excited right now. Me too. The admiration is totally, totally mutual. And I'm very excited to be here. To start, I'm wondering if you could tell me a little bit about what kind of food memories you have from growing up. Definitely. So I grew up in Hong Kong. I'm Pakistani, but I grew up in Hong Kong. So obviously full of great food, just being in Hong Kong and being surrounded by great Cantonese food, but also East Asian food in general.

2:11Everything there is just so delicious. And some things that I guess I really fondly remember are just in school. Like we would have this thing on Fridays where we would get McDonald's delivered to our school. And like McDonald's in Hong Kong is the best. Like it's better than any other McDonald's in the world. And I just remember that being such a coveted day. Like Friday was McDonald's Day. And then later in high school and stuff, we would get like they would have like spring rolls and like curry samosas. samosas, like the Cantonese style. And so that was what I would always look forward to. My family, we would go back to Pakistan often.

2:49And so being there and having a lot of Desi food and just being in people like families' homes and having home cooked meals was such a highlight. And it's true, the best Pakistani food is definitely home cooked food. And I was really lucky to have such a great exposure to that. And obviously, my mom's an excellent cook. And so we had a lot of home cooking growing up. So I was really exposed to everything. I was really lucky to have like access to just incredible food growing up. I'm so jealous and want to eat all of these things, but I need to know more about what McDonald's is like in Hong Kong.

3:24Is there like a signature menu item? Oh, yes. I mean, it's changed over time. Okay. So my thing is Shake Shake Fries. And I know they bring it back every so often, but it's just French fries, McDonald's French fries, and you buy it and you buy like these little seasoning packets. And then you dump the fries out in the paper bag, you dump in the seasoning, shake it up. And you can have they had like seaweed, they had curry flavor, they had all these different varieties. And to this day, that's like the best thing that I loved about McDonald's in Hong Kong. But even just generally, they use dark meat for the nuggets, which I prefer.

4:00And they would always have, you know, the special limited edition burgers would have, I mean, I mean, Shogun, which I don't know how, you know, appropriate of a name that is, but like, it would be the sort of quote unquote teriyaki version of a burger. And of course we had the McRib as well. And generally I just felt like the quality was better in Hong Kong. And even going back now, like I will go, I will bring my daughter and say, you need to experience this because the fries are better. Everything is better. That's funny. Do they do Happy Meals? Yeah, they do. And they had the best toys. I'm sure.

4:34I mean, a lot of it was very American. So like Fraggle Rock? I don't know. I grew up in the 80s. I'm aging myself. I have two older brothers. So like we would have a lot of like the old school American stuff, though. It probably is like worth a lot of money on eBay now, honestly. I wonder. Go look it up after this. So I love hearing about all the different kind of food that you were raised on because one part of your biography that I really want to talk to you about is your past as an anonymous inspector for the Michelin Guide. And I feel like you must have been just ace at that because you were eating so many different kinds of food.

5:08What was it like to have that job? And did you wear disguises? Ooh, this is such a wonderful question. and I did not wear disguises. And that itself is like a really, I think, important and sort of like fascinating topic. I mean, I never felt the need to, partially because as inspectors, there's really no, like nobody knows who the inspectors are. That's so intentional. And so there was never any concern really that our picture was like in the back in a kitchen somewhere where people really knew what to look for, even if it was like a 10-year-old picture, there was nothing. And so for me, you know, I'm Pakistani.

5:46I'm going to a restaurant solo most of the time. And it's pretty like people were, you know, people looked over, I guess, the fact that like maybe I was sitting at the table and had an agenda and take that for what it is. But that was very much the reality of when I was signing out. And it worked to my benefit. So I was able to sort of like get by without having to worry about that. And I really found that having an alias, just like having a different name on the reservation was really good enough to kind of misdirect people, basically. But yeah, that job was probably like the highlight of my career, my professional life.

6:25It was an incredible opportunity. I really enjoyed it. It was really, really cool to see like the inner workings of this brand that no one really knows about or talks about. So I do feel like I was really lucky to be a part of that history. Yeah, I'm really curious about what it was like to start working there. Were you given a checklist of what to look for? And how much did you kind of build your own internal instincts of what was a good restaurant? Yeah, that's such a good question. It was totally like the first year of that experience was definitely like calibrating my palate, basically. Like I would shadow other inspectors, more senior inspectors and kind of gauge, you know, where a restaurant was sort of falling in the spectrum of things.

7:15And the way I was taught to sort of judge restaurants is that everything is relative. And so when you're going out to eat, it doesn't occur in a vacuum. Like the food is not you can't judge it in isolation. You have to always be thinking about what the scene is like and who else is cooking in this way. And you have to always be have this comparative mindset. And so for me, that was really I spent, you know, the first year of working there, exposing myself to like a lot of these different cuisines and eating really widely with the intention of having a broad sort of portfolio of places and experiences to draw from with them to go out and be able to judge restaurants with.

7:58And so there was a list of criteria that we were given and there were reports we had to fill out at the end of every single experience. And, you know, my people who were training me, they would kind of go through it with me and help me understand like, OK, this is something you should pay more attention to. That's not as important in terms of the final decision. Like all of that was very handheld in the beginning, but it was just a lot of eating and a lot of talking about restaurants and food. And it was great. It was overwhelming. There was just so much to learn and it was very overwhelming. But I will say by the end of it, I was like, this is amazing.

8:34Like this job is incredible. And I felt really confident. Yeah. And you were there for five years. Yeah. Just just about five years. So now that that isn't an official part of your job, but obviously you still are writing and thinking about restaurants. Do you find yourself kind of slipping back into that role when you go eat out at a restaurant? Are there any identifying factors that you still look for today? Definitely. I mean, once I do think that once you've like worked as a critic or even anybody in the food industry, I do feel like it's very hard to stop thinking like a food critic or stop engaging with restaurants with that kind of like behind the scenes almost knowledge.

9:15I will say that probably I'm more forgiving of a restaurant than I might have been pre all of this work. I always went to restaurants as work and like I understood that people there were also working. And so it felt almost more transactional than it probably would to another person who's just going to go and experience this evening or whatever this meal. And so for me, the food was really important. The service was less so. And I think to this day, I'm super forgiving. Like if, you know, things go wrong, if I'm waiting a long time, if the bill never drops, if I have to like, you know, go after a server for something like it doesn't bother me at all.

9:59Whereas I know that like a husband, for example, will be like kind of irritated and, you know, service might impact an experience more than it would for me. Yeah, I think that's really interesting. And I totally relate to what you say about just it's like the matrix, right? When you like take the pill and you know how to see things, it's hard to turn that off. I was at a restaurant recently and this guy came in and sat at the bar next to us. And I just knew immediately that he was a chef because of like five different things that he did during the meal. But honestly, the chef tattoos were enough on their own.

10:32But then he was talking about how he didn't have to work that day. And it happened to be a Monday. And he was asking all of the servers names and just everything, the way he existed in that space. I knew that he was a chef. And then we got in the car afterwards. I made a comment about it. And everyone I was with was like, oh, how did you know? I was like, pull up a chair. Let me tell you this whole rundown. But I think it's interesting to be doing that in New York also, right? Because there are so many different kinds of restaurants and it is such a difficult city to have a restaurant. And do you enjoy eating out in the same kind of way that you used to?

11:04I do. I think that New York is really expensive right now. And I think that is always now like, what's the value proposition? Am I getting my money's worth out of this meal? Because I do pay for everything myself. so before it was clearly covered now that value question is a lot bigger in my mind but I do love eating out because I I feel like there are so many narratives you can spin with the dining scene in New York like because it's so rich like the the industry and the voices and there's just so much of it and I love that like you can really cater your experience to what you're looking for in that specific day and time.

11:50And there's something for you in New York. And I think that's amazing. Yeah, I really like that. And I want to talk to you about your writing a bit more, just because it's fun for me as the one that gets to edit you sometimes to talk more about it. I feel like you have a really good eye for stories, like the rise of shrimp burgers, for example, or home cooks that are trying to make blooming onions at home, which respect to them. Do you feel like there's a certain kind of story that you're drawn to as a writer? Yeah. I think this is an important question for writers at the beginning of any career.

12:25And I do feel like I grappled with this a lot when I was starting to write because in food specifically, it's so closely linked to our identities. And it's so personal that it felt like the automatic first thing to write was something I knew deeply and intimately. And I see that in the industry where people really lean into what they know. And for me, that was tough because I'm a third culture kid. I grew up in Hong Kong. I'm Pakistani, but I'm also very westernized and Americanized and I live here. So there was just like all this potential, all these potential avenues for me to kind of explore as a writer.

13:02But none of them I really felt like I could own. And so that was a huge challenge for me. And it continues to be like a little bit of an existential question I ask myself, which is why I think restaurants has really spoken to me and like understanding how we tell stories through restaurants. but at the same time understanding that restaurants are commercial enterprises and they're businesses. And we have to be careful about what messages we're taking from restaurants and what we're learning about people. I love history. And I think that came through in my shrimp burger story is I was like trying to find like who invented this and like what communities have touched this and who is not getting credit for it.

13:45And I wanted to like untangle all of that and unearth all of that. And that's very much something that speaks to me. If I can spotlight or pay respect to a community that has maybe historically been ignored or overlooked or misunderstood or whatever, I will do that. That's very exciting and important to me. So yeah, it's like all of these things. Yeah, I think it's interesting because for a long time, the concept of a beat that one reporter focuses on was really prized. And I think that speaks to a different era of journalism, maybe where there were more staff jobs at newspapers and you could really own traffic or restaurants or whatever that might be.

14:29And today in this landscape where there's so many different things happening and so many stories are maybe broader than you think, like even what we consider to be a food story, as what you're saying, touches on so many other topics as well. Totally. And I went to NYU for grad school and it was a food studies program and it was so broad. And that was part of the challenge is like, well, what is your what's your niche going to be? And I really didn't have one. Like I cared so much about the food system and I cared so much about like learning about the farm bill and like trying to understand all these policy things that were affecting how we ate.

15:04But then I also really cared about culture and how we identify with foods and what that says about us as people. And like I could go in any direction. And I find that food writing really allows me to do that. And restaurants especially, you know, really are like such a rich ground to talk about all these things, too. Definitely. You wrote a column for a resi called Taste Matters in 2022, which was nominated for a James Beard Award, and it was challenging the Eurocentricity of good taste in restaurants. I'm curious what big takeaways were from that column and if you see any shifts in that area since then.

15:40Yeah, that was really like such a right place, right time sort of column for me. And I feel really lucky that I was given that like space and opportunity because like you said, there's just fewer jobs available in media right now and fewer opportunities to really go after like these like broader kind of thinking topics. Um, so for me growing up outside of the U.S., I feel like I've, I bring a different perspective to the stories that I tell. And one of them that was really important to me was this idea that, you know, food, the food of immigrants has perpetually been cast as this sort of cheap, exotic thing in America.

16:27but I grew up in Hong Kong where the food was phenomenal and like at every price point. So like the most expensive Cantonese food you can find, the best in the world probably. And it was just remarkable how much talent and skill and effort. And like, that was, I grew up with that. That was so normal. But then of course you have, you know, the street food that's like pennies and you can get also fantastic food. So for me, that like scale was so natural. And even in Pakistan, I never felt like this food was something that was inexpensive, cheap, to use that word specifically. I just didn't have those feelings.

17:04So coming here, I really felt like it was important to continue talking about these things and challenging this idea that you have to go far away to far-flung neighborhoods to find authentic, quote-unquote, food. And it has to be cheap and it has to be all these things. I really wanted to challenge that by saying it can be wonderful at any price point. And we, as these cultures that are sort of beyond the Western European construct, like have excellent food and, you know, really beautiful cuisines and rich history, so much history. And so it's always been my goal to try and bring that to my writing and to the message.

17:47But I think also I love to understand what people are kind of up to in the moment. And so a lot of that column was like reflecting what's happening in restaurants, too. So pop-ups, for example, was one that I wrote about, like, mirroring kind of this crazy moment we're in or we're in the pandemic. And also this idea of, like, fusion cuisine, which I wrote for that column and sort of challenging the idea that fusion is bad. And what we live in now is this era of third culture cooking, which is essentially fusion cooking, where people from all kinds of backgrounds are bringing the intersectionalities of their identities to their food.

18:30And that makes food so good and so fun. And we're just really lucky to be experiencing that right now. Yeah, I completely agree. And I also think it's interesting because like so much of food, even what we would consider to maybe be like quote unquote authentic, actually does come from fusion of culture. As you no doubt well know in terms of like thinking about Italian food without tomatoes, for example, or Thai food without chili peppers. And I think that it's an interesting moment in dining culture here in New York where I think there are these kind of quote unquote fusion restaurants that are really popular.

19:04And then at the same time, there are restaurants who have a lot of clout in the fact that they are maybe like overnighting ice from Japan for their shaved ice or that kind of thing. Do you think that the kind of like hype or the way that we value these more fine dining restaurants has shifted even since you wrote this column? I think so. Yeah. I think that for me, broader, more diverse kind of group of chefs is now in positions of being the head chef at their restaurant. And they've come up through kitchens. Maybe I will say like Dave Chang at Momofuku was such a pioneer in this space. And I know there are a lot of chefs who came up kind of seeing him do what he did for Korean American, Asian American food.

19:54And I think that that really blazed a path for what we see today with younger people, chefs kind of taking control of their own kitchens and telling their stories and using their point of views to kind of bring the diners along with them. I think diners are also changing, too. Like maybe they identify as well with like the Asian-American experience or something like that, and they want to see themselves reflected in their dining experiences. So I definitely feel like it has changed. I think that operating a business is extremely difficult. And I do think that, you know, there are limitations to what restaurants can do, which might be why for a minute we were seeing a million tasting menus come up.

20:42And so I think it's kind of like fine dining has changed, but it also hasn't changed. So there's different ways you can kind of spin that. Yeah, I think you're right that there are so many different ways to slice the pie and that for every new restaurant that opens, there are also the kind of old guard that are still around and still kind of setting the tone in that kind of way. So I also want to talk about your newsletter, Sweet City, which is about like New York's best bakeries and restaurant desserts and sweet shops, which I'm obviously like very well inclined to like. And I'm curious what drew you to that theme specifically.

21:15Yeah, so when I was working for Michelin, I would be traveling all over the country, eating a lot. And still, in between meals, I would be going to the bakeries at whatever city I was in. That was just like something I loved to do. And I have a huge sweet tooth that's definitely an interest, like a personal thing that I enjoy. But I also love the way that bakeries and any kind of like dessert, sweets shop, it's just very accessible to people. And you can really make a bakery or something like that a part of your daily life where it's difficult to do that with a restaurant in the same way, especially where I was at Michelin, like the very expensive restaurants.

21:58You're not going to that more than, you know, once a year. So it was just really nice to be to kind of be in a world where it's it's more intimate like that and it's more accessible. And I missed being a critic and I felt like no one was really approaching sweets and desserts in that way. So I felt like it was a unique opportunity for me. And I do have a daughter. She's seven. And so balancing kind of the demands of that life plus, you know, trying to maintain this professional work, it just felt like it really came together as like a cool thing for me to explore. Yeah, I think as someone who loves to eat sweet things and also read about it, it's a really cool intersection.

22:43I'm curious if there are any places that you went to and reviewed that you think are really kind of core to the newsletter and what you want it to be. Yeah, I mean, I know that there are so many places that get a lot of love, and I think they're great. Places like Radio Bakery and Libre. But I will always send people to my favorites, which are Alf Bakery in Chelsea Market, Lise in the Gramercy area. I love Otway Bakery and Laurel, which is a new one in Brooklyn. um rafts in soho is great supermoon i know we just got a salt and straw which is really exciting i love their ice cream um and then actually i i like review restaurants which is unusual like restaurant dessert menus and i've um really loved the pastry case at landistry the pizza place so good unexpectedly and also um la canteen in ridgewood like it's just an all-day cafe and they have an amazing pastry program.

23:45And you don't really find that very often. Do you bring your daughter with you ever? Oh, all the time. And does her, how much does her taste impact the review? It doesn't because children, well, children are like the worst critics in that they love everything. Well, my child with sweets in particular, I would say, she will give everything a 10 out of 10, literally everything a 10 out of 10. So in that way, it's actually, it's quite helpful when she says she doesn't like something. More often than not, it's because it's not sweet enough for her, which I think is funny. But I do bring her and, you know, she'll come home from school sometimes and she'll be like, did you go to a bakery today?

24:24Are there going to be sweets at home for me? So that's a very real part of our relationship. That's really cute. And I think what you say about this sweetness level is really interesting because I find that there are a lot of like cultural conversations in dessert about like what is too sweet versus not sweet enough. Is that something that you encounter as you're going to all of these places? Totally. And I love that you said that because I come from a culture. So in Pakistan, our sweets are incredibly sweet. They are overwhelmingly sweet. And in Hong Kong, they're not. They are very muted. Better if they're just like not sweet at all.

25:01And so I and I love both. I think that there's a time and place for both and the proportions of how much you're eating will change, you know, very based on what you're having. But yeah, I think for me personally, I do lean towards stuff that is less sweet. And it's not that it can't be sweet, but it needs to be balanced. I think there need to be other factors in the dessert that kind of pull you back for more. And you can have a very sugary dessert and still have that. Yeah, I like this idea of the context mattering for the sweetness a lot because I do think if you're thinking about like what the platonic ideal of one kind of dessert is versus another.

25:39Like there are some desserts that just would not make sense if they weren't sweet. And then on the same time, the fact that it is not too sweet really matters for like another culture that the dessert comes from. Right. So we've been talking a lot about restaurants. I'm curious how home cooking fits into your life. Do you like to cook at home? I love to cook and I cook so much now. I go out to eat at a lot of bakeries, but I'm always cooking dinner. So we actually live close to Katagiri, which is a really excellent Japanese market in Midtown. And I shop there a lot. And so we are eating, in general, we're eating mostly Asian food.

26:21And because of our proximity to Katagiri, I do love to make a lot of Japanese food. We went to Korea a few years ago, South Korea and in Seoul, I picked up a really amazing cookbook from the Korean Food Foundation randomly. And I use that a lot. So we have a lot of Korean food at home. I make desi food as much as I can to get my daughter acclimated to the spice. So she's in charge of nacho night. We do that like periodically. And she's actually fully self-sufficient now. Like I will prep some of the parts of it, but she will do the layering and she'll assemble and she's very proud of herself for that.

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26:59So that's been really fun to cook with her in the kitchen. But yeah, I make dinner all the time. But it does skew very heavily Asian food. I mean, it all sounds very delicious. And I love the idea of her having nacho night as her domain. I think as a kid, I would make salad dressing. That was like the first thing that my parents had me do. And they sat through a lot of me thinking that ketchup was a good addition to salad dressing, which maybe as an adult, I could make that work. Yeah. I think like it's really interesting, especially in a city like New York or Hong Kong or a lot of these international cities where kids are exposed to so much different kinds of food, like how you cultivate that home cooking sense as well.

27:40And like how you bring that home, because something that I love about people who have grown up in New York is that everything is like in the domain of our food, like sushi is our food and Chinese food is our food. And going out for these things is just as ordinary as what you might think should be your food if you like have, you know, very specific, you know, background. But it was less so in Hong Kong, I will say, like, it is a predominantly Chinese city. I did go into an international school. So it was always curious, like, what is the home life like? Because it's very different for all of the my classmates.

28:19It was very different. But my parents are obviously Pakistani and they grew up there. And so there was a heavy, heavy British colonial influence in our eating at home as well. So like Christmas puddings and lamb with mint sauce and mulled wine. Christmas to me randomly is like a really big deal for that reason, I think. Yeah, that's so interesting. I want to play a little taste check game to close. Before we do that, I want to know where you go to eat in New York when you want to eat good Cantonese food. Ooh, good Cantonese food. Do you do dim sum? We do dim sum, definitely. And Dim Sum Garden, randomly, is a chain, but it's quite good.

29:04There's also a place near Madison Square Park called Dim Sum Sam, which we like. In Chinatown, Dim Sum Go-Go has kind of been the perennial favorite for a long, long time. But yeah, Dim Sum Garden. It's been like surprisingly good. I'll have to go there. I go to House of Joy as my like go-to dim sum, mostly because I have a friend from Hong Kong who kind of like holds court there on weekends. So I just go so that I don't have to order anything and someone can just whisk all the steamer baskets over to me. Is that in Brooklyn? No, it's in Chinatown. It's like kind of further south in the older part of Chinatown.

29:42Yeah. If you ever want to go on a Saturday, let me know. Yeah, I'm down. Okay, so now I'm going to play this taste check game with you. So I'll give you a category and you just tell me the first answer that pops into your head. Okay, favorite New York City restaurant? Yellow Rose. A restaurant from Hong Kong that you wish was here? Ooh, Yatlock. It's like a roast goose. Yum. Yeah. Your favorite New York City bakery? It has to be Lise. What do you like to get there? um so the milfoy it's the laminated pastry with cream it is the best i've ever had in the world hands down and it is um she's a really talented pastry chef and also the travel cakes for some reason they're just like really plain butter cakes but they're so good so yeah love it i really want to go there in the summer next time because i missed it this year but they do like a corn dessert that looks exactly like an ear of corn and there's something about that that i'm just now fixated on.

30:39Did you have that? I did. I've tried it. And I love like the meticulous sort of craft of it. And I think a lot of her really, really fancy desserts are beautiful and delicious, but she's also just great at the classics and like the simple things are amazing there too. Okay. Your favorite bakery in Hong Kong? So this is a place that doesn't exist as much anymore because like New York, Hong Kong is very transient. But it was a place called Hui Laoshan, which is a mango cafe. So everything mango, like in the drinks, in the dessert, ice cream, jelly, aloe, like all of it was mango themed. And randomly, it actually exists in New Jersey.

31:22They have an outlet there at the American Dream Mall, which I discovered. And I was so happy because it's closed a lot of its outlets in Hong Kong itself. So that was really cool. But if I were to go somewhere today, when I go home, There's a place called Happy Bakery, wonderful name. It's in Wan Chai on Queens Road East. And it's like your quintessential Cantonese bakery with like the egg tarts, the pineapple buns, the sponge cakes. And it's also good. My eyes got so big when you said mango everything. And the fact that it's in New Jersey at the American Dream Mall, like that is my American dream probably is eating mango everything.

32:00OK, your go to bodega snack. Oh, I don't know. It's the spicy bull deck carbonara. I just tried that for the first time. It is amazing. And it is so, I don't know why, but I love it. And every time I see someone eating it on TikTok or something, I'm like, I need to eat that right now. So my bodega has a stash. Hot tip. Yeah. Okay. Your go-to bagel order. I love a whole wheat, everything flat, toasted with cream cheese. And I feel like that's terrible and everyone's going to yell at me, but it's a good order. You're sticking to it. I'm sticking to it. It's good. A now closed restaurant anywhere in the world that you wish you could bring back from the dead?

32:41There's a place that, so Ma Pesh used to be around Midtown here. That was a Momofuku restaurant. But within Ma Pesh, there was a counter. And the chef, Paul Carmichael, he used to be at that counter. And he left and was cooking in Sydney for a minute. But I think he's finished in Sydney and is somehow, I don't know, somewhere back in the States. But anyway, he had this limited chef's counter before that was a thing. And he did a tasting menu there. And he's from Barbados. And so his whole menu was like heavily influenced by the Caribbean. And I just remember sitting at that counter and like we were like pounding out our own mofongo as part of this meal.

33:24And it was just unlike anything I had ever experienced by husband's half Puerto Rican. He was like, this is amazing. And like we were just and he's such a cool guy. Like Paul is such a cool chef. His vibe is so chill. And he brought that to the table. And it was just such an amazing experience. So the food was great. The vibe was great. And I miss that restaurant. Paul, bring it back. You know, he's like opening a new restaurant here in the city, right? When though? I've heard, but I don't know when. I just did like the quickest Google of my life. Hold on. Let me see if I can find it. Well, in June, they said that he's going to open a new Momofuku restaurant in the East Village location of the old Momofuku.

34:03Okay. They say this fall. I don't know what that actually means in restaurant time, but I'm really excited for you that at least he's going to be not in Australia and back in New York. A hundred percent. I mean, I've been scheming how to get to Australia to go to the restaurant, but that hasn't panned out for me. So this is better. If you wait long enough, everything comes back to New York. Always. Right. Center of gravity. Your favorite cookbook. I love Brave Tart by Stella Parks. The most underrated piece of kitchen equipment. I would have to say it is a tiny baby spatula. My daughter was gifted one years ago for Christmas, and I stole it.

34:41And now I use it for everything from making marinades to making eggs. Something that you will never make from scratch. I will never make a croissant. I love Clara Saffitz, but no, I'm going to go buy one every time. Yeah, you know where to go also. Okay, and finally, a fictional food scene from a book or a movie that you wish you could eat in real life. I love all Hayao Miyazaki films, and I grew up on them. And there's one scene out of many in the film La Puta, which was Castle of the Sky or Castle in the Sky here. And I don't know, there was just this banquet scene or this feast scene where this like pirate woman was feasting on ham and all kinds of things.

35:22And just the way that food looked, I loved it. I wish I could be there. Well, I love that example. And it's been so fun talking with you, Mahira. I'm very hungry, so I think it's time for us to go. Thank you for having me. This was so much fun.

35:43Jordan Michaelman, welcome back to This Is Taste. How are you, my friend? I'm so good, and I'm thrilled to be back on the show. Love the show, Matt. Frequent guest, but even more frequent listener in my personal life. So I'm excited to be back. Well, it's kind of you to say. And really, I love working with you on Taste. And we've worked on some memorable stories this year. And I wanted to go over a couple of them and have you back because you're a great, great, great convo. But first, I have to know. Yes. What have you been enjoying recently in Portland, your hometown, restaurant-wise? Oh, my God.

36:21Well, so, you know, right now here for my local, I do some work for, like, the Glossy Magazine here in the city, the Portland monthly magazine. And they've had me tromping around town, seeing a bunch of stuff the last month or two. I wrote about a really cool, very kind of chic, contemporary, interesting, I would almost say nationally notable new wine bar that just opened here called Fancy Baby, which is like pretty over the top in terms of what they have on their wine list and what they're pouring by the glass. And they've got kind of DJs and it feels really interesting and sometimes out here we'll say, like, doesn't feel like you're in Portland.

37:01And people usually mean that as a compliment, you know, it's sort of like a provincial self-owned compliment kind of a thing. But this place really does have a little bit of a feel of like, you could be in London, you could be in Paris or New York or LA or one of these sort of bigger places. And I think that place is really cool, really a lot of fun. I've also been spending a bunch of time writing and hanging around at this new, kind of like a dive bar sports bar thing but with really good food called jerry's tavern the guy has a big following here for making like midwest style kind of tavern pizzas like cracker crust flat tavern pizzas he's from northwest illinois and his wife is from wisconsin and they're running this kind of like wisconsin illinois bar but it's cool it looks like it's been there for 75 years and it's been opened for like eight months wow jerry with the with the old school patina and i love to see that my beloved midwestern pie is touching shores it's not just new york it's on it's on the west coast too he's also making great wings and you know um uh cheese curds and some of this kind of stuff he does like the perfect like the fruit muddled old-fashioned the brandy old-fashioned and stuff and uh the best bloody mary that anybody has i think ever served in the city of portland they're making at jerry's so those are like those are like the wisconsin food groups like the brand new fashion the the bloody mary wings and taversau pizza yeah but he's doing a great job with it and it's really fun and packed busy really popular and successful which i think sometimes um it isn't as important as it should be for when we think about stuff to write about and i think it's fun to um have a place that's like interesting in all these ways but it's also like a hit yeah well i also i i peeked at your social i follow you and and you've got a really really fun feed of of travel you're always traveling um and just like you you have a really great sense of style with your social you gotta follow jordan on instagram just putting that plug in here but i peeked that you were at the chateau marmont in la spending some time there so please give me the scene check and did you go to the gq party there so i uh so i was there for a week working on the second draft of a novel that i have been working on in drips and drabs for a couple of years but really did a ton of work on this year in 2024 and um now into the second draft part of it which is very interesting and hard and fun and um i wanted to go hide out somewhere for a week and just kind of do nothing but work and the chateau is sort of famously a place where people go and do that and if you sort of look back through the history there's so much i mean everything from duke ellington to um you know i mean they did all the rehearsals for rebel without a cause there all this kind of amazing art has been made and created at that hotel but it's also a scene you know and it's like the kind of place where like this is not a hotel lobby where you can go down in your jammy it's like it's it's very fashion show like it's very just chic chic chic and they're sort of expected to keep up keep up the vibe a little bit so some of it made me feel a little bit like a hayseed at times but like in an interesting way you know it's like i'm northwestern guy my flannel in my head you know like it um but it's like cool it was very different than um even in la places that i've like spent a lot of time at or hung around or whatever and um very creative and interesting and like so haunted and just kind of vibrational with like all the art and culture that like happens there and of course all famously to kind of all the deals and so forth that go on.

40:41And yeah, it was a trip. It was really interesting. Definitely memorable and fruitful for me. What's the food like there? You know, I've heard that the restaurant is both good and terrible. So, and maybe there's an in-between. So did you have any food there? I did, yeah. I kind of didn't leave the building. Like I went out the last night with some friends and we went to Major Domo in LA, which I think is one of the best restaurants in the country. Absolutely. The Momofuku that they opened in LA. it's like uh that place is like you know like um colonists gone lost on mars right and they've kind of built their own culture like it's so it's whole own thing what they do at majordomo and for taste listeners like maybe if you haven't been in a little while or you've never been to to that oh it's so great it's one of my favorite restaurants in the country like i just had this killer killer awesome dinner there that was exciting like going to some bar felt you know 10 years ago 15 years ago like i just was i really had such a great time i fully agree i went last summer and i had the same experience so great yeah at the chateau you know i like there's cool drinks and there's some nice food like you know my room service burger was great like that kind of stuff was was awesome and i think it's doing a good job but it's also everyone there is sort of so impossibly chic like it's hard to want to eat like i don't know if it's a foodie place like i don't hashtag foodie like i don't know if it's got the same f and b thing as it does this like like, amazing arts and culture thing.

42:08Like, the food that you're eating is interesting. And I had good food and really good drinks. I think the bar program there is actually really smart and good. But the conversation you get to sort of overhear or, like, the people that are there, which, of course, you have to act like isn't a big deal because that's part of the sort of social code of those places. You can't act like you care or notice who's sitting there. But that's the really delicious thing that's going on at the restaurant at the Chattano is, like, all just the vibe of it and who's there and what the conversations you get to overhear are and who you're back in the little cigarette nook with if you go back to the little cigarette nook for a minute.

42:44That whole thing, that's the real knife and fork of it. I love that. I've been to the bungalow a couple of times, the bungalows, but I've never stayed the night. Were you in the tower or were you in the bungalows? I was in the tower. I had a little junior suite that opened out. I had a little balcony that opened out. Ooh, Jordan. It was extremely chill. Yeah, I pretty much didn't leave. And I think also for like going to a place where you're you're going to high key not leave. I mean, I didn't even run a car, which is crazy in L.A. I did not have a car. I didn't even run a car. I was just pretty much just there.

43:15And and it was great. I also say like the Chateau is famous for the staff being awesome for the staff kind of having this like crazy Venn diagram of like everybody is so cool and so chic, but they're also really warm and nice and like will take care of you. And like that feel of that being there for a couple of days was really special and really is a real thing. Very cool. Well, thanks for the scene check. Appreciate it, buddy. I wanted to have you on to talk about some recent stories that you've written for Taste. And one that really comes to mind is this profile you wrote about Jesse Appel, you know, of Jesse's Tea House.

43:52It's a really fun portrait for a guy who is really thirsty for quality tea. and also a little thirsty for social media amplification, which I think is a beautiful thing in our world of food. What did you learn from Jesse and really the way he's spreading the tea gospel around the world? Yeah, I think, you know, with Taste, we've done, you know, a half dozen of these kinds of stories now where it's like food influencers that we think are good. Like there's so much food content on social media and so much drinks content on social media. And I don't think all of it is good, but there's some people that are doing awesome work in that media and have really kind of built worlds around themselves in those mediums.

44:36And Jesse is really the guy for tea in the English language world for tea. um he is you know by any kind of reasonable add up a follower count the most followed most influential t t content creator communicator whatever you want to call it you know in in the world in the english-speaking world and um he's got a really big following a lot of what he's doing is very sort of basic education stuff i think he and a lot of people in t world will sort of have the same conversations about this is they're trying to bring education up a little bit from like a tea bag with a splash of milk, right? Like there's this baseline of how we think about tea in the quote unquote West that's really, really low.

45:19And then there's this whole other universe of tea culture and tea appreciation in China and Taiwan, Japan, that is this other galaxy of like how high that level goes and how culinary it is and how like intense it is and interesting it is and how it's dug into culture and all these kinds of ways. So he's really educating. And sometimes that's by talking. And a lot of times it's by showing. Like he takes his account to interesting places. And like sometimes he's brewing cool tea in his apartment. And then sometimes it'll be like him with this like amazing tea trader in Beijing. And they're like having the entire conversation in Chinese because he speaks fluent Chinese.

46:01And like there's just it's a lot of fun to follow. And I was a fan first for a while before I was like, OK, I want to dig into this guy a little deeper in a story and sort of learn his story and learn about his world a little bit, because I think it's really interesting. He's he's walking a really tight line with what he does. And he's also he's a comedian. He's really funny and interesting and just had a lot to kind of dig into and talk about. Yeah, I love the profile. I think you can really tap into his personality a bit in the in the short profile. And also, I checked out his YouTube and fully, fully want to start getting into my teabag, so to speak.

46:41I'm very novice. And let me ask you yourself, like you run Sprudge, you co-founded it. It's a very influential, if not the most influential coffee platform in the world. And it's terrific work. Was tea a natural progression for you to start being interested in? Sort of. You know, the first big tea story that we ever did on Sprudge was about this place called Song Tea in San Francisco. And this was back in maybe, I don't know, 2015 or 2016. And it was because we had started noticing them as being the tea that was getting served at all these great coffee shops we liked throughout California and then even up here in Oregon.

47:24And it had almost become this kind of like, I don't know. You know, once upon a time in coffee, if you walked into a cafe and they had certain types of gear, like if they had a certain espresso machine or they'd served certain styles of coffee, you could bet that that was going to be a great cafe. But as special third wave coffee, whatever you want to call it, got more and more popular in the 2010s, you started to kind of have to look for other tells that a cafe was like a really serious cafe. and this song tea company in San Francisco became one of those tells we just started noticing it at all these awesome coffee shops and we're like huh that's interesting what's the story you know let's dig into that a little bit and you know so we went and met the guy and like I sat down and had like a tea you know session with him and he did his like his gong fu cha like he brewed all of his tea you know using ceramics and this very kind of personal handmade style where you just sit across from somebody and they're brewing lots of things and doing multiple steeps and tasting.

48:20And it just absolutely, you know, just absolutely got my cookies off, man. It really blew my mind. And I was like, wow, this is, you know, holy shit. And, and, and, um, and that started me being like, wow, I got to do this all the time. Like I want this, you know, to drink it. And then I think from there, you know, you kind of write your life, right? Like you get into stuff and And then eventually you're going to write stories about it. And now at this point, I've written a lot of, you know, a good chunk of tea stories over the last like six, seven years. But it was really it came from us seeing it at these coffee shops and being like, we keep seeing this brand.

48:56What is up with this? And going from there. Love that. And, you know, I want to also ask you about in America, and this relates to your profile of Jesse. It seems like in America, no time has been better to drink quality tea and get it via either brick and mortar retail or, of course, online through subscription or just one-off buying. What is your assessment of the American tea drink right now? And do you see any slight echoes about specialty coffee in maybe the late 2000s and onward? Is this like a sleeping giant in our country? Or on the flip, is it always going to have a very particular audience?

49:33And is there always gonna be a great barrier because of that whole teabag with milk persona about tea? You know, I think that the answer is somewhere in between those things. That whatever zeitgeisty thing that happened with specialty coffee in the late aughts is in many ways a product of that period of time as much as it's related back to the actual what was being drunk. And it's a very different world now than it was 15 years ago in so, so, so, so, so many different ways. But I will say that tea, you know, sort of serious tea drinking, kind of Chinese-style tea drinking in America, it's definitely a subculture.

50:15Tea consumption in America, though, when you expand that out to things like bubble tea and the rest of it, is one of the fastest-growing drink categories in the country. and there's all different kinds of statistics that people have pulled about about like Gen Z especially being really turned on to tea drinking. And I do think some of that is through kind of generations of like bubble tea culture in America now and the really high-end culinary world of bubble tea in America as sort of a driver for that stuff. But there's also places that are doing it a little bit more seriously, this like approach of saying, look, how do we make this more accessible for people of high-end tea in America?

50:50But it's a subculture too and insular as a subculture. And I've been to some of the big tea conventions and things and stuff. And those are definitely, I mean, it is a world into itself and kind of cloistered in a way. So I think both things are true and neither of the things are true. Tea's really got its own track in America. I see what Jesse's doing and stuff like what Jesse's doing as being really, really important for exposing more people to it. But I will say I think that more people get turned on to it. They're like, oh, I got to have this in my life. Like I drink a shit ton of tea. I probably drink as much tea as I drink coffee.

51:29And I'm the guy from Sprudge. So like tea just has a way of taking over your brain or at least it did for me. And it's something that I really care about a lot. And I hope that you are able to have experiences with it that freak you out. There's some great tea houses in New York that you can go to. I mean, you should go to that Tay company first and foremost, if you haven't been recently and just go geek out with them on their like oolong trip. Like there's it's it makes your life better. It makes your brain better. It's really good for your brain. There's just like so much to recommend about it.

51:59I love that, Jordan. Thank you for the wreck. And I definitely haven't been to Tay in a while. And I I want to I want to make that a 2025 resolution to dig into tea a little bit more and maybe have some tea folks on the show. All right. Yeah, that's cool. I want to segue. I want to segue. Eliza and I have been going over some of our favorite stories of the year. And one that popped up was your essay about mineral water. And really, Jordan, you've written a number of stories about mineral water. You wrote a great piece for Punch. You won a James Beard Award for it. It is a terrific piece. And you kind of you followed it up with this piece on taste about this incredible world of water that you've been following.

52:40But you you kind of come to the conclusion that nobody really cares to some extent. Tell us a little bit about about mineral water in America right now and and really why people actually should care. Well, people should care because it's delicious. And that's the biggest thing. I mean, you know, you can talk about all the different kinds of stuff of health benefits. It's like God's Gatorade, you know, the electrolytes and minerals and all this different kinds of stuff. But it's really this this culinary thing, right? It's like how delicious the different sort of site specific mineral waters are and how beautifully they pair with food.

53:17And just this idea that having the stuff in the rotation of your life makes your life better and more delicious. So people have access to, you know, pretty good tap water in America. But then there's this whole other category of bottled water. And when you travel, maybe you get exposed to it. You know, in Europe, maybe, you know, like if you go to Italy, it's like cool restaurants are all sort of in like a battle somewhere like Italy over like who's pouring really cool Italian, you know, sparkling water, you know, who's pouring really cool bottled water. It's like that in England, too. All this amazing bottled water that they have in England.

53:48And there's a little bit of a culture for it. We don't have that same culture here in America. And there's reasons for that. Some of it is the access to tap water. Some of it is the telescoping and the kind of control, the like hegemony that like some of the very large, you know, Nestle owned brands have over bottled water at even the best restaurants in America. and um it's something that like i guess i've started looking into it and i've kind of fallen down you know my own world of being obsessed with it and drinking it all the time um and i want other people to get into it and be excited about it but it is a little bit of an uphill battle um and maybe i thought i would have grown more over the last five years but you know the last five years have also been extremely fucked with the pandemic and all the rest of it and stuff so it's hard to judge it, you know, just all things being equal.

54:39Yeah. The grip of that big green bottle, which will remain unnamed on American Fine Dining, and they, of course, do the big awards as well, is clear and unfortunate because if you do travel to Greece or Italy or Spain or England, you're going to get localized water. You're going to get water that has a lot of, I would say, minerality. It's going to have different levels of carbonation. And that leads to my question, how do you taste mineral water? What are you looking for in good mineral water, both flat and bubbly? And also, what should we be drinking? Well, I think the biggest thing is letting yourself not think about it as one type of thing.

55:21It's letting yourself think about it as every single one of these waters having their own sort of typicity and perfect moment. Same way you think about wine. You know, it's like asking, well, what do you think about drinking a wine? It's like, well, do you mean a red wine or a white wine or a sparkly wine? Or what's the season and what's the moment for it? And what are you pairing it with? You know, water has so much differentiation across the different styles of it. And really what you're talking about with that is like TDS, right? The amount of minerality, total dissolved solids in a given bottle of water.

55:54So some have a ton of minerality in them and are really salty and are almost kind of oily and thick. And there's like the right kind of moments for drinking those. And some are like super light and clean and taste like it's raining outside and you went out and like stuck your tongue out and drank rainwater and everything in between, all of that kind of stuff. So it's really about being able to try different things and, you know, learn what the moments are for them. You know, for me, I think one of the biggest light switch moments you can kind of have is buy a bottle of Vichy Catalan mineral water, which is a naturally sparkling water.

56:29It means it comes out of the earth with carbon dioxide in it bubbling. Natural sparkling mineral water from Spain. And have it with a steak. Pour that. You could even have it in a wine glass. Have it like you would a glass of wine next to a really nice piece of steak. And the saltiness and the creaminess and the sort of textural thickness of that water, how it tastes with steak is profound. And then if you really want to trip yourself out, keep like, you know, a cup or two of it at the end and freeze it and then use those ice cubes and make martinis with it. Like use that in your build for a cocktail and have that be the dilution.

57:07You know, ice dilution is this major component in almost every cocktail drink. But we never think about what the water is that you're making the ice out of. And using something like Vichy Catalan to make ice cubes is just such a multiplier for complexity and texture. If you're making something like a martini, it's just like it's unbelievably good. Like that to me is like drink that water, try that water with food. It's the bomb. And once that hooks your brain, there's a whole other world of stuff to go and try and get turned on to. I like what you're saying. The idea that a bottle of$4.99 bottle of water isn't just necessarily for the time you're opening it, but to use it in a cocktail setting or even just to use it for later use for cubes with other water.

57:52It could be an interesting way to use that bottle up. Is there a country that is like a sleeper when it comes to this mineral water culture? I think England. I think that so little of what gets produced in England for waters leaves. It's almost all domestic production. And so when I go and spend time there, I'm just like, gimme, gimme, gimme. Like I want to drink all the mineral water that I possibly can. It's what I'm hunting out for at the cool grocery stores. It's what I'm looking at at every cool restaurant and bar list. It's England for me because it doesn't travel. I mean, but you were just in Greece and you had a ton of mineral waters that I've never seen before.

58:33And I was, Turkey, I guess, is like that too. I guess Turkey is also supposed to be, there's so much cool mineral water there and almost none of it leaves. It doesn't leave. The bottles I was drinking in Greece were only available there. I tried buying them online. I sought it out and I couldn't find a couple of particular bottles. And yeah, it's a cool part about travel and leads to my question. Where are you going to be traveling next year? You always have a great itinerary and you're a travel writer and food writer and your coffee work takes you around the world. What's up? Well, I'm trying to finish this book, man.

59:07And that's kind of the biggest thing for me is I'm going to finish this book and then I got to go do the book shuffle, right? And try to see if anybody would like to purchase it from me. And so I'm actually going to be spending a lot of time in New York and coming out to New York and doing that thing because this is where such transactions take place even in this day and age. and so that's really the topper most of the list for me. I'm sure I'll go down and do stuff in LA again but that for us here, you know, from Portland to LA is only about two hours. It's the same time zone. It's really easy and so I do that stuff pretty regularly.

59:40For bigger picture kind of stuff, maybe this next year I'll finally get to go to Japan. I've never been to Japan before and everybody I talk to is like, you gotta go. Why haven't you gone? You really seem like a person who would enjoy it. You should go. So maybe I'll get to do that this coming year. But the big priority for me is I've been trying to write this book for years. And then I really spent this year really doing nothing but working on this big novel. And so anything else after that feels like I almost don't have space in my brain to think about it yet. Well, I want to close and ask you about a piece you're reporting now.

1:00:16We're going to publish it in January about protein. And no spoilers, but you're uncovering a bit about protein culture, our protein-pilled culture in America. What are you learning? And give us a little tease about what we will be reading in January. Well, it's been interesting to talk to people. Everybody that you talk to about it's got 20 opinions. And I think that health information in general in America, everything from how many reps of what you should be doing of some lift at the gym to like what your macros should be to all this kind of stuff is just a morass of conflicting opinions and stuff that you should be doing.

1:00:58But the rise of health tracking apps in America and particularly food tracking apps in America, things like MyFitnessPal and some of these sort of applications have caused people in America to pay more attention than ever before to not just what they're eating but like exactly how many grams of protein they're eating and how much fiber they're eating and all these other kinds of things. And that has created tons of growth in these product categories that are focused on macros like protein. And what was once sort of the domain of like gym rats has kind of crossed over into being like mass access consumer.

1:01:41And even people trying to say like, well, we want to give you your protein and have it taste good. And I think that that is a really interesting overlap of like should it? Like is that actually what we want? Like the functional protein bar that's like keeps your calories under X and gives you protein Y. Should it also be delicious? Can it be delicious? Is that what we're supposed to care about? You know, should your lunch at the Chateau actually be delicious or are you doing it for other reasons? Should the protein bar that you're eating actually be delicious or are you doing it for other reasons?

1:02:19And so I'm trying to talk to a lot of people who really kind of make their lives in this niche of the world and asking them those questions and understanding it and trying to process through some of my own shit I've been thinking about with this, with these apps and with all the rest of it and stuff and reporting it out. I don't know where it's all going to go yet, but it's going to be a fun story and it's been fun to do the work on it. I can't wait to publish it and work on it with you. And, you know, this this idea of like, does it matter? Does taste matter? I actually I think a little bit about cannabis because like this idea of cannabis, you know, having that like Michelada flavored edible, like, sure.

1:02:55Does it matter? I mean, I don't know. That's where my mind tracks right away. Yeah, I think it matters in the sense that you can charge$18.99 for the gummy instead of$4.99 for the gummy. So that matters to someone. But I mean like to consumers, does it matter? Should it matter, right? Like what does that really mean? And I think that with the protein bars and things like that, unless you are a fitness influencer, you're in fitness world, it's probably the one kind of food that people that are pretty online about the food they consume might not post pictures of, might not really do that same kind of meatspace, cyberspace, IRL online performance.

1:03:39thing of, you know, it's there's something sort of more private about it or almost sort of furtive about it. Like I'm eating this to hit this macro for the day, but I'll show you the cool dish I had at the restaurant that night, you know, and I actually think that's really interesting. I think in the increasingly all online sort of hyper digital lives we lead the things we still do in private. That's an interesting story to me. I want to talk to people about that stuff. I love that. Well, this has been fascinating, Jordan. Thank you so much for joining This Is Taste. Thanks. I love being on the show and really great to talk, Matt.

1:04:13And thanks, everybody out there for listening.

1:04:20This is Taste is hosted by Matt Rodbard and me, Eliza Abarbanel. The show is produced by Shalia Harris and Pat Stango and edited by Clayton Gumbert. Theme music by Steve Rydell. Visit Taste online at tastecooking.com and make sure to subscribe to our newsletter for updates on all cool things happening.

From the publisher

Mahira Rivers is a freelance writer and restaurant critic based in New York City. Formerly an anonymous inspector for the Michelin Guide, she’s now writing the desserts-focused newsletter Sweet City and contributing to many publications, including TASTE. We had Mahira on the show to talk about her distinct point of view on food culture today, from her childhood in Hong Kong to challenging Eurocentricity in restaurant writing. It’s a great episode for anyone curious about food. 
Also on the show, Jordan Michelman stops by for an entertaining chat about how mineral water is bubbling up in the zeitgeist (though not fast enough), as well as thoughts on his recent profile of a tea influencer, the Chateau Marmont, modern coffee, and many other topics.  
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you. 
MORE FROM MAHIRA RIVERS & JORDAN MICHELMAN:

Turns Out Now Is the Golden Era for Fusion Cuisine [Resy]

We Need More Shrimp Burgers In Our Lives [TASTE]

The Extremely Online Tea Guy [TASTE]

Mineral Water Gets the Silent Treatment [TASTE]

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