In short
Podcast Summary: This Is TASTE Episode 595
Episode Title
Saveur, The New York Times, and On the Road in California with Journalist Betsy Andrews
Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard engage with Betsy Andrews, a James Beard Award-winning journalist and former editor at *Saveur* magazine. The discussion revolves around Betsy's experiences with food journalism, her co-authorship of the book *Coastal: 130 Recipes from a California Road Trip*, and her career trajectory that includes restaurant reviews for *The New York Times*.
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Key Discussions
Opening Segment
Three Things
- Hosts' Exciting Food Discoveries
- Eliza shares a *Pistachio Salad* inspired by a TikTok recipe.
- Matt discusses Greek products from Primis Imports, particularly *Pistelli*, a Cretan sesame brittle and other Mediterranean offerings.
- Instant noodles from Momofuku, especially the *Soy & Scallion Noodles*, are highlighted by Eliza as a versatile ingredient.
- Non-alcoholic sparkling cider from Rose Hill Farm is praised by Matt for its refreshing taste.
- A preview of the off-Broadway musical *The Last Bimbo of the Apocalypse* is shared, featuring a humorous take on early 2000s tabloid culture.
Betsy Andrews' Journey in Food Journalism
- Career Highlights
- Betsy reflects on her time as the 25 and under columnist for *The New York Times*, where she uncovered affordable ethnic foods in New York City.
- She emphasizes the importance of discovering culinary diversity and how her work helped legitimize various restaurant styles in mainstream media.
Experiences at Saveur
- Tenure at Saveur
- Betsy describes her time as executive editor at *Saveur* and the intense yet creative environment.
- Special issues, such as the all-sandwich issue and the India issue, were pivotal during her tenure.
- Betsy shares anecdotes about the collaborative process with her team and the challenges of producing high-quality content in a changing media landscape.
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The Book
Coastal Collaborating with Scott Clark
- Concept and Inspiration
- Betsy and Chef Scott Clark co-authored *Coastal*, a recipe book reflecting their shared love for California's Central Coast.
- The book combines food and travel, showcasing local specialties and the region's culinary diversity.
Notable Recipes
- California PBLT: A unique take on the classic BLT, incorporating grilled pineapple and oven-dried tomatoes.
- California Muddy Buddies: A savory version of the traditional sweet treat, using tahini and almond butter instead of chocolate.
- Kimchi Opino: A fusion dish that highlights both Italian and Korean influences, featuring seafood and homemade kimchi.
Travel Recommendations
- Must-Visit Locations in California
- Morro Bay: A recommended kayaking spot rich in biodiversity, with options for oysters at the Morro Bay Oyster Company.
- Scott's restaurant, Dad's, known for its emphasis on vegetables and a popular maitake mushroom sandwich.
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Conclusion Betsy Andrews' journey through food journalism not only highlights her contributions to *Saveur* and *The New York Times* but also her passion for sharing culinary stories from the Central California coast. Her insights into food culture and her creative processes in cookbook writing provide valuable takeaways for food enthusiasts and aspiring writers alike.
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Additional Notes
- The episode showcases the intersection of food, culture, and personal narratives, emphasizing how experiences shape culinary journalism.
- The hosts encourage listeners to subscribe and engage with the content to discover more about food culture and recipes.
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For more detailed insights, you can listen to the full episode on [This Is TASTE](https://tastecooking.com).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. We did a Mexico issue. We got to Puebla. We went to the place where they grind spices for mole. And we just said to people, like, can we come home with you? You know, we would do that all the time. And so that we could get everything done right there. You know, we have the photographer there. We have the writer there. And we just made the story up on the fly.
0:53This is Taste. I'm your host, Matt Rodbard. Betsy Andrews is a James Beard award-winning journalist and edited at Savoir Magazine during some of the magazine's most fruitful years. She's been traveling the Central California coast and staying with family there since childhood, which is the topic of the terrific book she co-authored with the chef Scott Clark. It's called Coastal, 130 Recipes from a California Road Trip, and it's such a wonderful read. On this episode, we talk about how she turned road tripping into a colorful book, we also dig into Betsy's journalism career, reviewing restaurants for the New York Times and her work at Savoir.
1:33And at the top of the show, it's the return of three things where Eliza and I talk about what is exciting us in the world of restaurants, cookbooks, and the food world as a whole.
1:46Eliza, we're back with three things. How are you? I'm good, Matt. How are you? Good. You want to start? Yeah, I want to tell you about this incredible salad that I had that I've made twice since eating it. So there's a DIY Eliza salad. Yeah. Well, OK, so I was over at my friend Pearl Jones for dinner and she has been really into, you know, Pearl's a great food stylist and she's been really into finding recipes on TikTok. So she sent me a couple of TikToks to decide what we wanted to make for dinner. One of them was this pistachio salad that if the best part of a salad is normally the nuts, which for me, it's always the highlight.
2:18Like this dressing makes the whole salad and nut is kind of how I would explain it. It's what we found in this TikTok from this woman, Catherine Wants, but she says that she was originally inspired from the restaurant Luca in Williamsburg. It's basically a dressing where you blend Parmesan and pistachios with a little bit of olive oil in a food processor until you get this like almost tahini-like pistachio butter dressing. We added some lemon juice as well. And then you toss it in with shaved fennel and apple that you can just do on a mandolin really quickly. But you get this really like nutty, creamy, cheesy dressing that just kind of coats everything.
2:55And it was so good when we made it together that immediately the next day I went out and like bought everything to make it again. So great. Like having a signature salad is very important. Yeah, and I love a shaved apple fennel salad. That's something that I do pretty often. But this is definitely the best wine I've tried. And it's thanks to this dressing. And I'm definitely excited to swap in sugar snap peas or carrots, like other summer vegetables as that gets underway? Because I think this pistachio dressing is kind of the star. My first thing, I have been sent some products over the past year from Damien Primas of Primas Foods.
3:31And honestly, he's recently rebranded these Greek products, and I'm extremely excited to talk about them. The one that really captured me was his pistelli, which is a Cretan sesame brittle. you can think of it as like those little cool sesame snacks you would get at the health food store but really flat and he's importing these just the most beautiful sesame products and it's has Greek honey in it and at the end of a really savory meal like when I'm cooking with like umami soy sauce and I just crave something sweet to offset it I think a couple pastelli bites is just such a perfect pairing but also he's doing pizza oil and natural flaky salts.
4:14And I think if you're interested in cooking with Greek products, he's really got a great line to grease when he's importing. And again, that's Primus Foods. And just love Damien. I love what he's doing. Yeah, I think that sounds delicious. And I'll do another kind of product moment. Yes, go. Let's do it. I have maybe eight kinds of instant noodles in my pantry at any time. Like that's something I'm always kind of amassing and eating and bringing in. But recently I got sent some of the momofuku noodles. And I think their scallion soy noodles are really good. They're a knife cut style noodle that's air dried, not fried.
4:49So it has this really toothsome, like satisfying texture. And they make them in partnership with Asha, which is a big like Taiwanese dried noodle brand. So I've been enjoying kind of using that as a canvas for lunch this week. And, you know, I'll add like a jammy egg if I'm making it for Shirley because I'm not an egg girly or chili crisp or quick pickled cucumber. some kind of vegetable addition, but I've really been enjoying this kind of noodle canvas to play with. Momo, those guys, their CPG, they're on it. And I've enjoyed many of their noodle products. I remember back in the day at Whole Foods just buying those ramen kits that they did early on.
5:26I think they do terrific work. I haven't had this product though. Oh, I'll bring you one. They're good. Yeah. I'd love to check it out. What's your next thing? My next thing is I was up at Fancy Bagels in Kingston and was checking out their drink selection, which is really nice. And again, this place I've talked about before, just great bagels and sandwiches. And they do this pomme dauphin with, you know, creme fraiche and, you know, fish eggs, really delicious spot. I mean, they're really doing great bagels. But I was hipped to this N.A. cider that I had not heard about. It's from Rose Hill Farm, which is up in Red Hook, New York in the Hudson Valley.
6:05This is a family-run orchard. It was founded in 1798. It's an old-school place. And, you know, they're known for their ferments collection, doing a lot of, like, ciders, and they have a whole wine roster with grapes from the Hudson Valley and Long Island. But this NA Sparkling Can, great branding, and I just loved it. It was not too sweet. It was really refreshing. Great. It went down great with the bagel sandwich. And I want to check it out. I hope it's in New York City. I'd love to see it at a local bodega and pick it up. But for an N.A., if you're going to a house party and you want to bring something fun for N.A., I would recommend it.
6:44It's Rose Hills Farm Sparkling N.A. Cider. Yeah, it sounds delicious. So great. What's your next thing? My last thing is I went to a preview for a new musical last night. It's called The Last Bimbo of the Apocalypse. You told me a little bit of this on Slack. Let me hear about it. It's about an iconic photo that maybe people listening will recognize, which is a photo of Britney Spears, Lindsay Lohan and Paris Hilton in the backseat of a car that the New York Post, I believe, and a bunch of other tabloids in the era put on their covers with the headline, The Three Bimbos of the Apocalypse. And it was this kind of very iconic moment in early 2000s tabloid culture, really like, you know, tearing down these pop fixtures that I think have since been kind of uplifted and reclaimed by society today.
7:30And the premise of the musical is that a bunch of like Gen Z internet sleuths realize that there is a fourth person in the photo because they see like an extra hand in the car. And they go down this whole rabbit hole of trying to figure out who the missing bimbo of the apocalypse was in that photo and like what it means to be like missing from society and reclaimed. And it's just very fun, as that maybe would sound to people. Sounds great. And it's musical. It's musical. How's the music? The music is very catchy. I left it. Like right now I have one of them stuck in my head. And, you know, I was at like the last night of previews.
8:07So it's opening soon. I think hopefully it'll be running for a while. People are coming to New York and they, I think, if you're a fan of early 2000s pop culture or you just want to see the kind of musical you probably can't see anywhere else, Last Bimbo of the Apocalypse. Love the recommendation. It gives a lot of mystery show, early podcast. I don't know if you check that one out. Yeah. Like, you know, trying to spot like a missing hand in a photo. Yeah, if you like internet rabbit holes and also songs that you can't get out of your head, it's a very high energy show. I found myself kind of exhausted by the end of it because all of the performers are really going for it.
8:42And there's a lot of, you know, just very pop culture references and discourse. But it was definitely a good time. It's in Previous now and it's off-Broadway? It's off-Broadway, but like very close. So what's the theater? It's at the Signature Theater Company on 42nd down by 10th Ave. So off-Broadway, but not too far. and it's opening soon. So I think it should be up for a little while, hopefully. Love the theater wreck. I love it. You know, it's like spring, summer in New York. There's a lot of things opening, a lot of things to do. What's your last thing? My last thing is we're working on a piece on Taste.
9:15It'll be up in a couple weeks about Tinned Fish. And really, there's just a lot of launches happening. And I can't wait to run this piece because there's just a lot happening in that world. I think we're post this moment that you discover tinfish is a thing. And, you know, pandemic, a lot of folks were buying it. But I just want to call it one new product that was sent to me. I've been sent several tins, and I just love the way that these offer you such a great opportunity as a home cook just to crack a tin and cook with it with pasta or bring it out for an appetizer and serve it with crackers or just eat it out of the can.
9:56So this is a new one. It's called Nice Can. which, you know, nice name. It's from Charlotte Langley. And Charlotte's a chef from Canada and kind of a CPG founder. I think she has an incubator slash her own company where she's helping founders, you know, get to the grocery store. I'll say, I'll paraphrase that. But I love these products. She's focusing on sardines with her first two releases. And she's using European methods with the production. You know, she does one in tomato and with tomato and peppers. And she does one in just straight up smoked sardines in olive oil. and salt. So I like those two styles of conservas.
10:32And, you know, the name is really great. Nice Cans from Charlotte Langley. Really cool stuff. Yeah, I'll have to check it out. Well, thanks for sharing your three things. You too.
10:46From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière. An exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story. The 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus.
11:28The full program is available at MontrealOnLumiere.com, presented by Lotto Quebec in collaboration with National Bank. This episode is brought to you by Aura Frames. If you're one of those last-minute shoppers, you might know the feeling. Ideas are running low and the clock is ticking. Here's a fun idea, Aura Frames. AuraFrames is the solution with a gift that feels personal, a little curated, and sent with love. And a gift that can be purchased in no time with a few clicks of the mouse. AuraFrames are great. They sent me one to check out, and it was really cool and dumb simple to set up. I loaded photos using the app, and it was displaying them instantly.
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12:48That's A-U-R-A-Frames.com, promo code TASTE. The deal is exclusive to listeners and frames sell out fast, so order yours now to get it in time for the holidays. Support the show by mentioning us at checkout. Terms and conditions apply. Betsy Andrews, welcome to This Is Taste. It's great to see you. Thank you. It's so good to see you too, Matt. I've respected your journalistic career for a long time, and you really have an incredible, you know, I would say resume, LinkedIn. You've been doing this for a minute, and you've written some terrific things. Yeah, thank you. Yeah, well, I want to get into it first.
13:24You know, you live in New York. So, Betsy, where do you go out? What do you like to eat right now? Oh, man. So, you know, I think over the years, the food has only gotten better and more diverse. It's kind of an amazing trajectory. And, you know, the proliferation of cuisines is incredible. What I'm really interested in is restaurants that seem to do a really good job, given how hard the economic model is, you know, to make something delicious and also affordable. So, like, I'm thinking of Sendoh, for instance. Yeah. The Edo, you know, sushi place and Nomad. You know, you get like half an hour, 40 minutes, you know, to eat your set and there are people kind of breathing down here.
14:09Yeah. But the food is so good, so fresh, creative, comes out fast, and it's like$33 to$48 for like a set of sushi, which is kind of unbelievable. So that I think is really great. I also, because of this cookbook in particular, I learned so many techniques and I really got an appreciation for things like fermentation and the ways that that is used, you know, to bring flavor and for marination. and for preservation. And so I think there are some restaurants now that you see a lot of that. Like, for instance, Wayward Fair. Oh, yeah. Yeah, Chef Oktar Nawab's place. Yeah, yeah. A real legend in the game, Oktar Nawab.
14:58Yeah, totally. And that place, like, talking to him about what he's doing there and the food comes out and it's delicious and you don't need to think about it. You just need to crush it. But he's done like all these gorgeous things to it that have come from many different culinary traditions to get it to your plate. Yeah. Well, I had to ask that question because you held this amazing role. You were the 25 and under columnist at The New York Times from 2008 to 2012. A really important time when, you know, I think food became really important to a wide audience. You know, this is like the birth of the celebrity chef in some ways.
15:40And you're writing this column that took you around New York in a way that I think now we take for granted the way that Outerboro big air quotes is covered. And really, we can we now know because of TikTok and because of a lot of other sources where to go in deep Queens and et cetera. But but back then in 08, you know, Betsy, you're the one telling us where to go. Talk about that era of your career and and just like scouring the city for these 25 and unders. Yeah. So, you know, our job was to uncover delicious and affordable food. And there were like four columnists, actually, and we would rotate, you know, and as you're saying, nowadays, everybody does that.
16:19But at the time, no one did it. And at the New York Times, those restaurants, which we still called ethnic at the time. I know, right. You know, or the burger joints and, you know, those places, the meatball shop, you know, the lobster roll joints, those places were not considered, you know, of the caliber that you would put into the main column. But, you know, we wanted to tell people about them. So, yeah, I mean, it was a really fantastic time because I got to I got to really dive in and and see the entire, you know, city of food. I mean, I spent like six months eating on Staten Island. You know, and it was I found it one of the most ethically diverse in terms of cuisine, like one most culinarily diverse places in the city.
17:08Those Sri Lankan places like La Karuana, Nuasha, those places are still total go to. Very much so. So it was always this really wonderful discovery. But I think the part of what changed was that when Pete went from being the section editor, Pete Wells, you know, who was my boss as a section editor or my editor, then he became the columnist and he really brought those restaurants into the column. Yeah. So, you know, now it's all over social media, those restaurants, but they ended up also being, you know, like legitimized in The Grey Lady, you know. Yeah, and now when you read Pete's Top 100 Restaurants of New York, there is no dividing line 25 and under versus full review.
17:53Right. You'd say it's a better way of doing things. Absolutely. Absolutely. Betsy, is there a memorable review that you made where you really just uncovered a restaurant and it got quite popular, it blew up? Or just in writing about a cuisine that you think was really special at that time? Yeah. So, you know, I'll tell you that still my favorite piece for The New York Times was actually not for$25 and under. It was the first piece I ever wrote for The Times. And it was called United Plates of New Jersey. I am a poet. And my first book of poetry was an anti-war meditation on the New Jersey turnpike.
18:32And after I wrote that book, I thought to myself, OK, and it had this refrain in it about the about the fast food restaurants on the turnpike at the rest stops named after famous New Jerseyites. And I thought to myself, you know, well, where do you eat if you're on that turnpike? So, again, I spent like six months just getting off at every single exit. Pete did not want that story for the dining section, but there used to be a section called Escapes. Yeah, right. Which was kind of a weekend travel, second homes section. And it was in that section. And I remember I had the galley of it. They used to send you what they called blads.
19:19They would messenger you. You know, paper copy. Paper, yeah. Yeah. And I had it. I was on the subway at like 2 o 'clock in the morning. And I'm reading it. It was 1 ,700 words, and it was an above-the-fold story. It was huge. And this woman comes up to me, and she says to me, oh, do you write for The New York Times? I used to write for The New York Times. I'm Dana Bowen. I'm the executive editor of Severa Magazine. And I thought to myself, oh, this is going to come back to me someday. And it certainly did. What a great segue. Wow, that you met reading the Blad for your first big piece, and you were at that time, like, hours away from being a New York Times writer.
19:57and you meet Dana Bowen. And also, you know, this time at Savore, and just to frame it, you know, you're writing the column for the Times, but you're also, you eventually, you're executive editor of Savore from 2009 to 2014. And we've had, we did a whole week of Savore back about a year ago and had, you know, the cat from the New Regime and we had Dorothy from the founding. And we kind of missed your era and that wasn't intentional. It just happened to be the way we framed it. And I will definitely link to those episodes in the show notes because this is such an important publication in the history of food writing.
20:32Talk about your era of Savoir and what you were doing there, especially with some of the special issues. I mean, that's really what your era was known for. Sure. You know, actually, I was executive editor from about 2012 to 2014. I came in as a senior editor and I actually had been running a publication at Time Inc. and sort of took a step down to go to my favorite magazine and then just sort of worked my way up to executive editor. So, you know, one of the issues that was super important to me was the all sandwich issue. Yeah. I'm from Philadelphia. Yeah. You know, and I said to everybody, I'm like, look, if we're going to do a sandwich issue, we need to do a story about Philadelphia.
21:18I mean, that is a sandwich city. And so I reached out to my people in Philadelphia and my brother, who was a real working class guy, you know, a real like drive his truck around kind of dude, said to me, you know, he started telling me all these places to go. And he said to me, it's been a lifetime of eating things wrapped in paper while standing up. What a well said. Poetry runs in your family. So Todd Coleman and I went down there, spent two days, you know, driving around with my brother and stuffing our faces on like Philly cheesesteaks and hoagies and, you know, roast pork. And then some really sort of more kind of esoteric sandwiches that are Philly traditions.
22:07and I wrote the story in my brother's voice and gave him the byline. Beautiful. That's incredible that you get to do that. Tell me, what are editorial meetings like with the staff? I mean, we have so many folks who are now leadership in food media and at that time, and a real incubator of ideas. And I think what you would taste, I said this during our episodes before, we're really inspired by your era of Savoir and even before. It's really something I really admired as somebody coming up in food writing. Yeah, it was really intense. Oh, yeah. I mean, yeah, Jim ran a pretty intense place. Yeah, James Oslin, the editor-in-chief.
22:45These were incredibly creative, passionate, and smart people. And sometimes we were screaming, had screaming fights, and sometimes we had screaming parties, you know. And we would pull all-nighters. I mean, I hadn't pulled all-nighters since I was in college. And we would just be there like working on that issue to make it as beautiful and perfect as possible. We would be competing with each other for ideas. I mean, it was – I don't know because I haven't been in an editorial job since then. I don't know if the culture has changed, and I suspect it has because we've gone through many, many, many changes in media.
23:34But it was so intense that, you know, it was both addictive and destructive. Destructive value we said at the same time. Yeah, yeah, yeah. Well said. And I think it's very clear, like running a monthly magazine with the pressures of financial, I would say, backing. And I would say you probably had a very difficult time just working in that era because it was the end of magazines in some ways. End of this era where you could do 12 a year, 14 a year. Let me ask you about your colleagues. Who were you working with at the time? Oh, yeah. I feel like we should just shout out the team because I think some of the names are like, wow, that the person is.
24:22Totally. Totally. And, you know, I will say I learned so much. I learned so much. And it's it was it was just, you know, I use those lessons all the time. It was a beautiful thing as well as a traumatic thing. Helen Rosner. Right. Yeah. Restaurant critic for for The New Yorker. She was our web editor. And then she sort of went then she went on to eat her and basically invented long form food, you know, media online, you know. Hunter Lewis and Karen Shimizu. I am a contributing editor at Food & Wine and they're my editors there. They're at the top of the masthead. And I think they've taught they brought a lot of the lessons from Sever to bear on that publication.
25:05um beth cracklauer and sarah karnacevitz uh who are you know both at uh waltz journal's off duty um dana bowen who went on to a bunch of different magazine jobs um rachel ray and food and wine and then opened the dynamite shop which was a kid's cooking class and did a book on that ben mims who was a rock star cookbook writer you know his new book crumb from faden is like i mean just a tour de force of cookie recipes. Yeah, I could go on. There were a lot, a lot of people that came through there and many of them are my editors now. You know, I mean, people who were kids and were interns are now my editors.
25:49It's incredible. I mean, thank you for sharing some of those names and there's many more and really important publication that you led. Is there a single story that you published during your tenure at Sabor that you really are proud of that you want to just give a little time for? Actually, you know, we used to do these little capsules. I mean, there were so many stories. Like, no, yeah. No, they would sometimes be peppered throughout the book, particularly if it was a single subject issue. And there were like 100 words, but they would follow the entire arc of a narrative. Can I read you one? Yeah.
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26:26I love that you brought this. Thank you. Yeah. Very cool. So this is also from that aforementioned sandwich issue. It's called Golden State of Sandwiches. She wore sunglasses. Her blonde hair was long and wavy. Her skin was burnished deep copper from the sun. When she approached me on the beach that day in Malibu, she wore nothing but a macrame string bikini. Over her shoulder, she carried an ultra-suede fringe bag from which she pulled a sandwich. Sprouts, avocado, tomato, and jack cheese, she said. three dollars. She handed me a plastic baggie containing the ingredients she had assembled herself in her home kitchen and tucked between slices of multigrain bread.
27:13I gave her my dollars and she moved on. But I have never forgotten her. It was 1979. I was 16 years old and newly vegetarian, an East Coaster on holiday from a mother who had taken to clucking. I just don't know what to feed you now. Back home, the beach was littered with the mustardy ends of hot dog buns sold by sweaty guys and boardwalk stalls. I unwrapped my sandwich and took a bite. The sprouts crunched. The tomato tasted bright. The avocado was creamy and nutty. The waves glistened and curled in the sun. Things sure are different in California, I thought. I love when you flipped it first I think it's it's always a tight a tightrope walk and I really really love that that image that you painted with your words and you did a terrific job thanks for sharing that yeah sure thanks for giving me the opportunity I feel like you can get old savors on eBay and I suggest just going back you could go back to the 90s you could go back to the 2000s or go back to this era of like 2008 through 2012 The India issue is something that I just think about a lot.
28:28You know, we got a little bit of the story behind it in the Savor Week, but that seemed like a wild episode. Tell me a little bit about India issue. Yeah. So many of us traveled for that issue. Jim asked me where I wanted to go, and I said Kashmir. Yeah. You know, there were no Westerners in Kashmir. I mean, it was like a military zone. I went through six checkpoints getting out of there, and it was the most exquisitely beautiful place I've ever been. What would you eat there? Was there a dish that— Lamb, lots and lots of lamb. We went to a wedding, and there's a particular chef who creates dishes for the wedding.
29:11So we had 19 different kinds of lamb dishes. Wow. I mean, let's talk a minute about photography, too, because what Savora was doing with reportage and documentary style photography, huge influence on my work in cookbooks and writing. And how did you as executive editor work with your photography team, especially with a time when, you know, digital was not as common and it's more difficult to produce photography? Yeah, we did this thing that people don't do so much anymore. We traveled with photographers. Yeah. Yeah, that's hard, you know, because sort of the work you're doing, the work photographers are doing are oftentimes really different.
29:51I did the same thing for this cookbook, which we'll talk about. But, you know, I had worked with her before and we had a really good rapport. With some photographers, it's very hard to do that. They just don't want you anywhere near them when they're working, you know. And their job is exhausting. they're taking 2 ,000 photographs a day you know and you're trying to get somebody's name and they're like get out of my shot yeah so that could be really stressful but but it could also really kind of be a beautiful thing where you know as as the writer or the producer of the story essentially we were producing our own stories we were calling people and you know and and we would hit the ground.
30:35Like, you know, I worked with Todd Coleman a number of times. We did a Mexico issue. We got to Puebla. We went to the place where they grind spices. You know, a guy just has a big industrial grinder and he's grinding people's spices for mole. And we just said to people like, can we come home with you? And we found a woman who let us come home with her. And that, you know, we would do that all the time. And so that we could get everything done right there. You know, know we have the photographer there we have the writer there and we just made the story up on the fly that's that's it's definitely uh the way i work and the way i prefer because you know when you just send a shot list of photographers six months later it just doesn't have that that that magic but it is so much more difficult you have to find the right photographer who works fast yeah it's just about speed yeah um but yeah please go back and check out those those issues and find them because they're incredible.
31:27Hi there. It's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request? A restaurant you wish we'd visit to talk about on Three Things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey. It will only take a couple minutes, I swear, and will help us continue to make the best show possible. That's the This Is Taste listener survey, link in our show notes. Today's episode is brought to you by ButcherBox.
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33:24Visit butcherbox.com slash taste to get this limited time offer and free shipping always. That's butcherbox.com slash taste. Don't forget to use our link so they know we sent you. I want to talk about Coastal. Terrific book. Like, I've given it some serious time. And Betsy, your team, you and the chef Scott Clark have created this kind of document about the central coast of California that really tells the story of a region that I would say has become quite popular as a travel destination. We hear all about Central Coast in, like, travel journalism and some food writing. But first, just tell me a little bit about Scott Clark.
34:07So Scott, you know, I met him because there was a PR person who was, you know, just sort of smartly would send me out to California every year. She would have like one client who had the money, send me out there. And then she would introduce me to all her clients and I would get some stories out of it. So she told me to see Scott, who was not the guy paying for the trip. Scott and I went and saw him and he's an East Coast guy and I'm an East Coast gal. We both love California. And we started talking about all the little places we love on the Central Coast. And I said, wouldn't it be great to do a road trip story?
34:38You know, you surf. We stop at all the little spots. And I said, I know a photographer who's perfect, Cheyenne Ellis. She is a stunt woman. She's a fourth generation Californian. And Scott's in Half Moon Bay. She was living in Half Moon Bay because her husband is a big wave surfer. He surfs mavericks. So we had this sort of perfect team. Scott had been a Michelin star chef. He worked at Vidalia in D.C. He worked at Restaurant Eve in Alexandria. Then he moved to San Francisco, worked at Bennu, and he worked at Cezanne. He went through every single position at Cezanne and he became chef de cuisine there.
35:20And he just burnt out. He had a five-year-old he was never seeing. He was sick of getting beat up in Michelin kitchens. He was sick of working 80 hours a week. You know, so he found, he rented a caboose on the side of the Cabrillo Highway in Half Moon Bay and opened this destination, sort of burgers and, you know, sandwich and salads and pie shop. Very light framing. Much more going on than just burgers. But Betsy, tell me about the geography a little bit just for our listeners who maybe don't know exactly what the Central Coast is. When you're talking about doing this road trip, what's like the starting point, ending point?
36:06What towns are we hitting? So for us, we started in Half Moon Bay, which is where Scott is, and went down the San Francisco Peninsula, sort of Pescadero. And then, you know, down, you know, Monterey and Big Sur, Santa Cruz, Sloe County, Santa Barbara County and out to the Channel Islands to sail and then back up to have Moon Bay. And the book really feels like a road trip. I think the photography, the documentary style, and just the light food styling makes it feel extremely real. And, of course, you hit that light. You nailed the light. Yeah. I mean, it's terrific. I mean, that's all Cheyenne.
36:55Yeah, Cheyenne is terrific. I'd love to meet Cheyenne because this book, it just jumps out of the page. When you're thinking about the recipe list with Scott and you've got this restaurant, but you've also got this trip to take. How are you thinking about, I mean, the range of cuisines covered in this book really represents California in many ways, the multicultural nature of this incredible state. How do you land on this recipe list? Because you could read it as random, and that's a pejorative term. I'm not calling it that. I'm calling it eclectic and very rad. But you wouldn't expect some of these recipes out of a caboose restaurant, right?
37:38This is the way Scott cooks. You know, and he his format is necessarily lean and pared down at dad's. But he's got all these recipes in him, you know, from from his many years in in these sophisticated restaurant kitchens. And he's inspired by everything. So this this this is absolutely organic, you know, and we sort of came up with the adventures first. We're like, hey, you know, here's all the things that we love to do on the Central Coast. I mean, it looks like a travelogue because it was a travelogue. We literally went and did everything. And then he would just come up with, like, all of these recipes to organize around those adventures.
38:25I want to jump into a couple of recipes in particular. And I just I picked these not at random, but they just kind of maybe have a little anecdote. And, you know, two that come to mind, there's the California PBLT and then the California Muddy Buddies. And, you know, that's like puppy chow in the Midwest, but that's a little East Coast speak there. But these two recipes are two of many. But talk about these two dishes that you wrote about. So both of these come out of some California inspirations for Scott. The California PBLT is a bacon, lettuce, tomato, and pineapple sandwich. Pineapple. Let's just pause for a second.
39:07Yeah. That's very cool. Very, very cool. Adding pineapple to it. Cool, and it's like a grilled pineapple, you know? Yeah. So he, in college, went on a trip to San Diego, and there was a place called Ho Dad's there. And it was doing the bacon the way that he does it here, which is you grind it up and you make a smash burger out of it. So but this is Scott's cooking. So it's all scratch cooking. So if you do it all yourself, you are making the bacon. Right. You are oven drying the tomatoes for this oven dried tomato mayo. there's a lot of sort of and then to make the mayo you're making this umami this umami oil then to make the mayo that we make I mean there's, it's a sort of continually receding thing, but you can also if you need to you know, use regular mayo yeah, and use regular bacon and do the same technique but it's also so this is a pay-on to Southern California But it's also about the tomatoes of the Central Coast.
40:19It has both fresh tomatoes and these jammy, delicious oven-dried tomatoes on it. Beautiful. And about the Muddy Buddies, what's the California spin there? Yeah. So, you know, this is in the road trip snacks chapter. This is Muddy Buddies' East Coast mom would make these for him and his brother, you know, to kind of keep them quiet in the back of the car when we're driving around. But when he was at a restaurant, one of the chefs had left white chocolate in the sous vide machine for a really long time and it had turned like almost like black. And it was really savory. and so he makes his Muddy Buddies with that and tahini and almond butter, almonds being like, you know, a major crop in California to make a super savory version of Muddy Buddies that also is sweet but is balanced.
41:17Yeah, I love that using almond butter. I never thought about that with this dish that I make every holiday season. I just love making it and it's cool and like the Saison resume comes out in a lot of these recipes. Your skill is really to make it for the home cook, and it really is cookable. You know, it's not multi-page recipes here. It's very smartly written. One other recipe, the kimchi opino, which, you know, I've written some Korean books, and I just have never seen this application. And I think it's really smart. He worked at Bennu, so he obviously had some, you know, a real incredible Korean background in that cooking style.
41:56But tell me about this a little bit. He also was for a while the R &D, the research and development chef at Saison. So he did all the fermentations, you know, and he's really, really into them. Yeah, the kimchi pino. So this recipe to me, like, absolutely exemplifies his cooking. It's super smart, super funny, and a paean to both the 19th century Italian Genoese fishermen immigrants to San Francisco and Korean immigrants to San Francisco. So in that sense, it's this love letter to kind of the Bay Area. And it's super, super delicious. There are all these techniques. So you use sort of his techniques to make this gorgeous fume, this gorgeous fish stock.
42:50And you make the kimchi. You don't have to make the kimchi, but if you make the kimchi, it's just so much more gratifying. And then you're adding all the seafood in there. If you're from California, you're using spiny lobster or you're using dungeness crab. But we give you substitutions. You know, if you're on the East Coast, you might want to use an American, you know, lobster. Or you might want to use blue crabs. Or you can even use, I've used snow crabs a number of times. And it's so crushable and delicious. The person who cross-tested this for us, who is a former chef and a good friend of mine, has made it many, many times since because they were just sort of blown away by it.
43:31It takes a few days. Like, you know, if you make the fumet, I mean, it doesn't take a few days. But it's a commitment. Yeah, if you're making fish stock, you can always make a bunch and keep it. And then put it away. Exactly. There's a lot of that in the book. Anyway, it's a bit of a meditation, and then it's just so delicious. Well, I want to also ask you about, you know, getting on the boat. Because there's a whole section. And I think, like, when you think about cookbooks, you're like, oh, we should do a boat section now. I've thought about it. It's really hard to photograph on a boat. You know, it feels a little, like, abstract if you don't own a boat.
44:05But you really made this, you created this universe of like cooking on a boat. And one of the recipes that really stuck out is a sea blanched broccoli. Betsy, tell me about just like writing this recipe literally sea blanched. It's super cool. So the reason this chapter works so well is this is absolutely from real life. My partner's family keeps a boat in Ventura, and we sail out to the Channel Islands every year to go scuba diving. The sea urchin and the scallops in that chapter, you know, her uncle and me, we dove for those. Scott, you know, caught the rockfish and the mackerel. The seawater blanched broccoli is actually a recipe from my partner's father.
44:54Yeah. You know, he would just like pull up a pot of seawater and overcook the broccoli in it. I know. It's like that. It's basically that. Yeah. And I told Scott about it and he turned it into like this gorgeous banchan basically. Yeah. You know, and it's really easy to make. You can make it at home. You just make like pasta water. You know, you just make a real salty, salty, you know, boil for your broccoli, blanch it really quickly. and then a little sesame oil and sesame seed, and it's just perfect. It's a terrific section, and now hearing your connection to it as well is really special. I love this book.
45:33I think it's one of my favorites of the season, and I just love the work you put into it. It's beautiful. Let me ask you about just traveling to the Central Coast. We have many listeners who are planning their summer travels or spring travels even. Where are we staying? I mean, I'm putting you on the spot a little bit. Is there a town or an area that we should Google first? Yeah, you should definitely go visit Morro Bay. Absolutely go to Morro Bay. Get a kayak at the kayak shack and kayak in that estuary. It has one of the largest gatherings of birds in the world, migrating birds. It's incredibly biodiverse and rich.
46:21If you go over to Morro Rock, which is sacred to the Chumash, you can see the otters there in the water. And then on the other side of the rock, which, you know, there's bay on one side and the other side is waves and you can watch the surfers. And then there's the Embarcadero where you can go to Morro Bay Oyster Company and get some just delicious oysters that are farmed out in the estuary. So definitely Morro Bay. You can stay in Cambria, which is a surfing town in Slow. And they've got, you know, kind of like a really nice boutique-y hipster hotel there to stay in. Yeah. I knew you'd come with a rec, like really specific rec.
47:03And that's how I would ask you as a friend. So thank you for sharing that. And what about Scott's Restaurant? So Dad's is open four days a week. It is a total destination. He likes to say that it's a vegetarian restaurant with a hamburger. You know, he likes to put a lot of vegetables on plates there. And maybe the most famous thing is his maitake sandwich. Wow. Which is just butter-griddled maitake, you know, cheese, tomato, pickled onion, butter lettuce, and his special dad sauce. I love it. And the recipe is like mushroom or burger. Yeah. Kind of like you can flip it either way. It's really smart.
47:48It makes me think of going to the farmer's market, buying some itake and doing a full burger. I love it. Betsy, and this is Taste We Has. Guests are brought to the discerning taste. So to close this interview, here's a little rapid fire, fast and furious taste check. Are you ready? Yes. The best fruit. Mangustine. Tell me about this a little bit. What makes it good? Oh, it's so floral and so juicy and sweet. Not easy to find in the United States. For a long time, it was illegal. Yeah. And now you can get them. They're going to be expensive, but it's worth it. Where do you find them? Chinatown.
48:19Yeah. Yeah, that's what I thought. Yep. Find your Chinatown. Support your Chinatown. Buy some magazines. The worst vegetable. Any that's sprayed with synthetic pesticides. Hard to come by or not. Disagree. What? Unsprayed vegetables. Almost every vegetable. Any vegetable that's not organic is sprayed. Yeah. So just buy that organic vegetable. Okay. It's a question, but I've never had that answer. So thank you for pointing that out. Do you have a typical breakfast? Leftovers. All right. So you're a doggy bag person. Yeah. For restaurants or just leftovers from cooking? Doggy bag person from restaurants because I don't like food waste.
49:00Yeah, yeah. And also I cook all the time. Yeah. I literally had eggplant parmesan for breakfast this morning. God bless you. What a great breakfast. Homemade sauce, I imagine. No, no. That was from a restaurant because I was with my mother in Philadelphia. Oh, cool, cool, cool. The best dessert? In summer, a really, really juicy ripe peach. And in winter, a really, really juicy ripe pear. Oh, yeah, pears. Is there a variety of pear that you seek out? I mean, I kind of like any pear. Yeah, yeah. I like a juicy bosque. Yeah, those are great. I really wanted to ask you this one because you've covered New York for so long and you have seen many restaurants come and go.
49:43Betsy, is there a restaurant you wish you could bring back from the dead? Nick and Eddie. Tell me about it. Nick and Eddie was on the corner of Sullivan Street and Spring Street. It was a celebrity like sort of hotspot. Like everybody came there. But it was really kind of down home food. Like literally like Johnny Depp and Kate Moss would be eating mashed potatoes and meatloaf. It was kind of a wild scene. And, you know, my girlfriend at the time worked there. I had a lot of friends who worked there. And I spent umpteen nights there at the bar. It spawned actually an empire because the Brombergs, Bruce and Eric Bromberg, were the chefs.
50:30Oh. They moved across the street, opened Blue Ribbon, and, you know, well, we— The energy transferred to Blue Ribbon and it became quite the legendary hotspot as well. Where I spent so many of my—after, you know, I mean, I was a waitress and a bartender in New York for a long time. I would just go and spend all my money at Blue Ribbon, and we would watch the sun come up in Soho all the time. What's your most memorable bartending job?
50:58Let's see. Oh, God. I worked at a place in Philadelphia where, you know, it was so bad, this place, that I bartended, waited tables, and bust the entire restaurant. And one day a rat crawled out of a wall, expired in the dining room floor. The owner came out, swept it into a paper bag, walked away, and didn't comp anybody anything. Yeah. That was a short-lived job. I want to, you gotta write some of these stories down if you haven't already. So good. Couple more. Your favorite city outside America to visit for food? Tokyo. Great. How do you do Tokyo? Oh, man. You know, it's really interesting because Michelin started paying attention.
51:45So like there's a Michelin starred tonkatsu place. There's a Michelin starred ramen place. One of my favorite places to go is actually for drinking. It's Genyamamoto. It's a Ginza fruit cocktail. You go for a cocktail omakase. You get four drinks or eight drinks. It sounds like a lot, but those are really low ABV, and they're focused on the fresh product. It's amazing. How do you get the reservation at Gem? Seems hard. Yeah. Yeah. You're giving me that I'm a writer face. Yeah. It's fair. No, I'm kidding. I put you on the spot there. But, yeah, Gem is incredible. I've been able to have a drink there.
52:20Last one, your favorite sandwich. Well, as I said, I am a Philly girl. But I am not. I'm going to betray my hometown and not say cheesesteak or roast pork, broccoli rabe. I am going to say mufuleta. Oh, but so in New Orleans. Yes. Oh, wow. Why do you like it so much? It's got mornadella on it, man. Yeah. And the good stuff, too. Yeah, so good. And also, like, it sits there marinating and sweating, you know? Yeah. Yeah. It's really, I mean, it defies what a lot of Americans think, which is that you can't leave a sandwich out. You can't leave the cold cuts out. Yeah. You know. I mean, how many times have you gone to Central Grocery and then had that in your packing, in your carry-on?
53:08Well, you know what? One time I went and I didn't have time to go to Central Grocery and I got on the plane and somebody opened their mufaleta on the plane and I was like, damn you. Do you have a, I mentioned Central, it's the famous place, but is that where you're at? Absolutely, absolutely. That's the one you go to. Please come back. I'd love to talk to you more. This is such a pleasure. Thank you, Betsy Andrews. Thank you for joining This Is Taste. Thank you so much.
53:35This Is Taste is hosted and produced by Eliza Barbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, director of media production and development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Logo and guest illustrations by Ellie Skrzat. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste.
From the publisher
Betsy Andrews is a James Beard Award–winning journalist who edited at Saveur magazine during some of its most fruitful years. She’s been traveling the Central California coast and staying there with family since childhood, and these travels are the topic of the terrific book she coauthored with the chef Scott Clark. Coastal: 130 Recipes from a California Road Trip is a wonderful read, and we talk about how Betsy turned road-tripping into such a colorful book. We also dig into Betsy’s journalism career, reviewing restaurants for the New York Times, and her work at Saveur.
And, at the top of the show, it’s the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: A very special salad, Primis Imports is selling incredible Greek products, Momofuku Soy & Scallion Noodles leads to many possibilities. Also: Non-alcoholic sparkling cider from Rose Hill Farm, The Last Bimbo of the Apocalypse playing off-Broadway is a riot, and Nice Cans is a new tinned fish of the moment.
Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We’d love to hear from you.
Check out more episodes:
This Is TASTE 323: We ❤️ Saveur with Dorothy Kalins
This Is TASTE 324: We ❤️ Saveur with Colman Andrews
This Is TASTE 325: We ❤️ Saveur with Kat Craddock
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