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Podcast Notes: This Is TASTE - Episode 610
Episode Details
- Title: 610: Big Flavors, Banned Words, and 20 Years at Condé Nast with Bon Appétit’s Chris Morocco
- Hosts: Aliza Abarbanel and Matt Rodbard
- Guest: Chris Morocco, Food Director at Bon Appétit and Epicurious
- Release Date: [Insert Date]
- Description: Chris Morocco discusses his career journey, insights into the culinary world, and the evolution of Bon Appétit under his stewardship.
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Key Takeaways
Chris Morocco's Career Journey
- Background at Vogue:
- Worked at Vogue for six years (2004-2010) before transitioning to food media.
- Initially joined Vogue through a photography passion and internship at InStyle.
- Interviewed with prominent figures like Anna Wintour and Grace Coddington.
- Transition to Culinary:
- Attended culinary school while working at Vogue to shift towards food journalism.
- Worked at Del Posto for three months, where he faced challenges as a first-time line cook.
- Joining Bon Appétit:
- Started as a kitchen assistant at Bon Appétit when it relocated to New York.
- Contributed significantly to the establishment of the BA Test Kitchen and recipe development.
Current Role at Bon Appétit
- Leadership in the Test Kitchen:
- Oversees the culinary team, focusing on recipe development that resonates with home cooks.
- Emphasizes seasonality and flavor in recipe ideation.
- Leads a platform-agnostic approach, ensuring content works across print, digital, and audio formats.
- Team Dynamics:
- Encourages collaboration and brainstorming among team members to generate fresh ideas.
- Balances the demands of print deadlines with the flexibility of digital content.
Recipe Development Insights
- Challenges in Recipe Creation:
- Discussed the rigorous process of developing iconic recipes, such as Bon Appétit's best chocolate chip cookie.
- Highlighted the importance of testing multiple versions and considering audience preferences.
- Thoughts on Ingredients:
- Identifies certain ingredients (like bananas and parsnips) as less favored in the test kitchen, often leading to creative discussions about their utility.
Food and Culture
- Dining Experiences:
- Shared recent dining experiences in Philadelphia and New York, reflecting on how hospitality impacts the dining experience.
- Discussed the evolving nature of food traditions and the cultural significance of meals, especially during the Thanksgiving holiday.
- Coffee Passion:
- Expressed enthusiasm for coffee, discussing nuances in flavors and preferences for specific brewing methods.
Future Aspirations
- Personal and Professional Goals:
- Hopes to complete his first cookbook while continuing to nurture new talent in food media.
- Fantasizes about possibly opening a café or creative space in the future.
Event Promotion
- Upcoming Live Podcast Event:
- Announcement of a live podcast event featuring Padma Lakshmi and a live taping of Bon Appétit Bake Club, scheduled for July 23.
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Conclusion Chris Morocco's conversation in this episode offers a deep dive into the culinary world, reflecting on his unique career path, the dynamics of the Bon Appétit Test Kitchen, and the importance of connecting with home cooks through flavorful, resonant recipes. His insights into the changing landscape of food media and culture are both informative and inspiring for anyone interested in the culinary arts.
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Suggested Actions
- Listen to the Episode: Access it on your favorite podcast platform.
- Engage with TASTE: Leave a review on Apple Podcasts or rate on Spotify.
- Visit the Website: [tastecooking.com](https://tastecooking.com) for more culinary content and resources.
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Credits
- Hosts: Aliza Abarbanel and Matt Rodbard
- Produced by: Penguin Random House Media Production Team
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*Note: This markdown summary is designed to provide a structured overview of the podcast episode and highlight key themes and discussions for easy reference.*
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. I was going to the Chelsea Market, you know, to go to the Manhattan Fruit Exchange all the time, the lobster place, and then schlepping everything back. And I was in heaven. I was in heaven because for the first time in my culinary career, it felt like I was truly learning about food from the inside out, from the ground up. This is Taste. I'm your host, Matt Rodbard. It was so fun having Chris Morocco in for a wide-ranging conversation about cooking, media, and his nearly two decades working at Condé Nast. Chris is the food director of Bon Appetit and Epicurious, overseeing the Test Kitchen team and the recipes they developed.
1:14In this episode, we go back to Chris's early career working at Vogue before landing an assistant job in the BA Test Kitchen. We go over how he currently leads the culinary team at BA and how they think about seasonality, taste, and getting people to cook more in this rapidly changing world. I am a huge fan of Chris's work, and I hope you enjoy this episode.
1:37Chris Morocco, welcome to This is Taste. Super excited to have you here. How are you? I'm good. Thank you so much for having me. We got a podcast legend in the building here. Hardly. It's you, not me. No, Chris, I love what you do at BA. I'm a huge fan of your staff. I'm a huge fan of what BA is up to and really have been a fan of watching Dinner SOS evolve. And just really the audio that you're putting out is terrific. Thank you. Honestly, I love doing that show, being able to connect with real people, understand who they are in their home kitchens, the decisions they're making, the things they're thinking of or not thinking of.
2:14I just love that. It's a great show. Well, before we get into it, because I got your career, we're going to talk about it. It's really cool. And I got questions. But first, you know, where have you been dining out in New York or otherwise recently? So I'm full time in Philly now. So I eat out mostly in Philly. But in New York, it's funny. I was thinking, wow, gosh, where have I eaten out in New York? My last big meal in New York was at King. Oh, yeah. You know, and I know you're a fan of Sissinghouse. I love Claire de Boer's cooking. King always just feels special. Every night I've ever spent there, it feels like a really, you know, just intimate, warm, convivial experience.
2:57And yeah, who else would I trust to cook me rabbit? Probably nobody. They execute the dinner party in a restaurant setting like you feel like you're a guest at a party. It's dope. Let's go Philly, though. I mean, I want to hear about a beautiful city. I love it. I recently brought my friend's first birthday to Mon. And it's the restaurant that now occupies the space formerly where Kalaya was located. And it's just Cambodian food, but, you know, it's certainly like non-traditional takes. And it's just some of the most flavorful food pound for pound I think I've ever had. We went on a bit of a tear, me and my best friend.
3:40And Pafudo is a little hole in the wall spot doing kind of Italian daytime cafe menu with dinner pop-ups happening. I go to Royal Isakaya a lot. I did a big dinner out with some new friends at Friday, Saturday, Sunday, not realizing it was a tasting menu format. Realizing, oh, we're going to get to know these people really well tonight. What's that like when the tasting menu drops and you don't quite realize that you're in for it? But here's the thing. what you notice. So these days, certain restaurants, they'll do a tasting mini format, but there's not that much flexibility around it. You kind of need to know going in, right?
4:16Friday, Saturday, Sunday, they were able to accommodate every last minute request, dietary restriction. And it reminded me of the power of hospitality, right? The ability to be taken care of in one of these spaces. And that feeling was so powerful that night because it was people we had never eaten out with before. And really could have gone Yeah, new friends. It really could have gone sideways very quickly. Oh, so it was like the scenario was like you picked the restaurant and like come along and it was all of a sudden. Yes, I did. We're going to be here for three hours. Yeah. Yep. But you know what?
4:51Time flies when you're eating great food. I love that sentiment. Well, Philly is great. I mean, just like I got to go there recently. It's such a great city. Well, Chris, I wanted to have you in to talk about the work you're doing at BA, but also about your career a bit. Because in researching your past, I mean, I didn't realize some of these – your LinkedIn is looking pretty interesting to me. I probably need to update it still further, but go on. But I think a lot of us know you from the BA Test Kitchen and running – you're the food director at BA and really being the head of the recipe development.
5:24Every issue, every online recipe goes through you. But you didn't start your career in food. You started at Vogue and you were there for six years from 2004 to 2010. And, you know, that like six years at Vogue seems like a career in its own. What's it like working at Vogue for six years early in the early 2000s? You know, crazy as it sounds, it's something I totally fell into. I had a strong passion for photography coming out of college. I'd done a lot of work in photography just in my senior year as I was kind of wrapping up. you know, my requirements and whatever at Oberlin. And I had an internship at InStyle, and I just made a bunch of connections in media, was able to get my foot in the door at Vogue, found myself in a totally, you know, like looking back, like a totally inadequate suit interviewing with Anna Wintour.
6:19Really? Anna does the interview. Oh, yeah. Anna's the last interview. And by this point, I've met with Grace Coddington. I've met with Phyllis Posnick. I've met with so many different people. Laurie Jones, who's the managing editor at the time. I mean, I've never interviewed with more people for a role of any kind, let alone an entry-level one. And Grace Coddington sitting there saying, oh, it sounds like you're the right person for the job. And I'm like, what makes you think that? But I just think they wanted somebody who was young, energetic. And basically it was a job that was all about helping book talent, like models, hair, makeup for photo shoots and doing all the travel and logistics and budget, you know, kind of stuff around them.
7:09And the thing is, like, the hairstylists and the makeup artists are a huge part of the creative teams for these shoots. So your ability to say when, you know, Julian Deist or Orlando Pita or, you know, Garen, you know, Guido, one name only folks, you know, are available, like, utterly, you know, like, mattered, you know, like, shoots hinged on that information. So it's a good, you know, foundation in managing expectations. And you were into fashion. You were into style. I was into style. I certainly wasn't particularly into women's fashion. And that's why I just had this sense like I'm going to hit the wall here.
7:46You know, I'm not going to be able to progress past a certain point because this is not really the medium that is speaking to me. But lo and behold, you know, in Four Times Square, the gourmet test kitchens were this kind of barely marked door right next to the library. And I was just desperate to know what was going on behind that door. I don't know if you're the kind of person who just like goes into a restaurant and just feels compelled. To literally have to hold. Yeah. To like you literally have to hold yourself back from just like sort of floating through the door. That is me. You know. I'm definitely the guy who is a let's look in the kitchen and see how they're running the show.
8:25Yeah. How it all comes together. Yeah. And those old gourmet test kitchens, you know, like these six or seven funny little crappy New York kitchens strung together in a little horseshoe. Okay. No natural light. But, you know, just getting a peek into what was going on in there gave me the sense that, you know what? if I was working at a food magazine, how cool would that be? So in 2010, you end up in culinary school. So you clearly had your eye on BA and gourmet, but you also wanted to get the skills. What's that transition out of Vogue into the culinary school and then ending up at BA at 2011?
9:09Yeah, so my last year that I was at Vogue, I basically went to them because there's no way around just being upfront and just said, I would love to be able to transition to a magazine like Gourmet, you know, stay in house, which still existed at the time, you know. And I went to culinary school at night and on my weekends at the French Culinary Institute, you know, which now is folded in with ice here in the city. But I, you know, I heard you talk to Meredith Hayden about this. Yeah. Like living that double life. Like I literally I was in my chef's whites in cooking school with my Blackberry buzzing way in my pocket with people like, where the hell's the girl?
9:47You know, like so and so is like didn't show up. Can you track them down? That's why. Et cetera. You know, so I after I finished school, I decided it was time for a clean break, you know, and I went and, you know, worked in a fine dining kitchen and pretty much got my ass handed to me. Let's talk about that. Okay. What's the kitchen? I worked at Del Posto. Okay. For about three months. Okay. And I. Ladner, Bruce Ledley. Yep. Yep. It was in that era. Yeah. They had just gotten their fourth star from Sam Sifton. Fourth star. It was the show. Yeah. And I got my ass kicked. And honestly, I think part of it was just, it probably wasn't the right kitchen for me, you know, as like my first hotline role, you know?
10:34Yeah. Yeah. But also, I had a hard time with the fact that I couldn't cook my way out of my problems, like no degree of technical proficiency, you know, even superlative skills in the kitchen. We're not going to save you from the absolute maelstrom that surrounded you every single day you were there. When you're in that kitchen and you're working the line, I mean, had you worked in restaurants at all or was this like truly your first time? This is truly my first. Oh, my God. That's crazy. That was my first hotline. And listen, you know, the place was what it was. It was a tough kitchen, I think, you know, just at the best of times.
11:10It was huge, two levels, you know, incredible, you know, incredible resources. But it wasn't the right kitchen for me. And I felt myself as a newly married man of 30, you know, making$8.50 an hour, trying to figure out where things were going. And it wasn't looking good. And I frankly, you know, I kind of I washed myself out. And to this day, I feel a sense of failure about it that kind of stays with me, you know, to be honest, because, you know, I thought this was my moment to like put in a year or more, you know, in professional kitchens before transitioning into food media. But it just didn't work out that way.
11:51Well, you're obviously you're leaving a fully paying job to work. Right. You're sitting there asking. Economics just don't line up. You literally, you had your kind of like your golden ticket from Vogue and you cashed it in, you know. Were you feeling that your chances of getting into food media were high or were you kind of like? No, it was very unknown at this point. Gourmet folded towards the end of my tenure at Vogue. Yeah. And Bon Appetit was still based on the West Coast at that time. There were certainly enough test kitchens around, but I didn't really have a foot in the door with that specific kind of work.
12:29I knew I needed hands-on cooking experience, but it wasn't clear where exactly I was going to get it from. Did they train you in culinary school for test kitchen work at all? Did you feel like they had a track for editorial at all? Not at all. That's so interesting. So I parked myself at a catering company here in the city for, you know, it was maybe four or five months. and lo and behold, I hear Bon Appetit is relocating from the West Coast to the East Coast to basically occupy that same kitchen that I was so curious about. You know, used to be maintained by Gourmet and I get a call from Hunter Lewis who is now the editor-in-chief at Food & Wine and he needs somebody who can literally come in the next day to start putting the kitchen together because Gourmet sort of, they didn't even pack anything up.
13:16They just sort of walked out and that was it. So the kitchen hadn't been touched in years. Pans, pots, stuff was everywhere. All those seven little, you know, New York galley kitchens needed to be set up and operational because, you know, we had to sort of hit the ground running. And at first I thought it was just going to be a freelance thing. But Hunter, you know, based on, you know, one or two days working with him, he offered me the kitchen assistant role. And that's when my culinary education really began. Let's go there. I mean, it's going to be your early years working as an assistant. I mean, this is a role that at the time and currently that you lead is very demanding.
13:56There's a deadline every hour working in a test kitchen for editorial. And at that time when BA is moving over to the East Coast, there's clearly a cultural change happening in the magazine too. So you're like thrown in the middle of this as somebody who obviously knew editorial working at Vogue and you knew the way that Condé works, but you didn't know how BA was going to be crystallized. And really, Chris, you were there from the start of this New York existence of BA, which is an incredible spot to be in just for the history of the publication you work at. Yeah. Knowing how Condé worked, honestly, was a massive asset beyond what I could have ever dreamed.
14:33The cooking skills ultimately came, right? So as a kitchen assistant, I was running around the city. I was shopping. You know, back then, you know, we were hand shopping a lot of items every single day. So we were going to Ottominelli for meat or Florence, you know, meat market. We're going uptown to Esposito if we needed something. I don't know, like a lot of something. 35th Street, Esposito? Oh, yeah, yeah, yeah. Love that spot, yeah. That place. And, you know, I was going to the Chelsea Market, you know, to go to the Manhattan Fruit Exchange all the time, the lobster place. and then schlepping everything back.
15:05And I was in heaven. I was in heaven because for the first time in my culinary career, it felt like I was truly learning about food from the inside out, from the ground up. And Hunter was a really kind and patient leader. He had certain expectations. He wanted the kitchen run in a certain way, which was, I would say, like more rigorous, you know, than I think most test kitchens are. Like he wanted you in there, in a jacket, it squared away to what your task was, you know, kind of operating at a certain level. But within that, you know, like it was a really great group of people. Janet McCracken, who went on to work at Rachel Ray, Mary Frances Heck, you know, was kind of in charge of the test kitchen then, and then Kay Chun.
15:49Kay was really the person who taught me how to develop a recipe. And those early days were wild because there was no process for anything. Adam Rappaport, the former editor-in-chief, was really clear. He didn't want to bring in any of the content, you know, that had been earmarked for future issues. We were starting from absolute scratch, right? He wanted new POV, new photography, new everything, but we had to figure out all those processes. What's the remit from the top in terms of recipe development when you're trying to really change the way home cooks think about food? And I think very successfully, I think very successfully VA recipe development was able to really get into the head of real home cooks.
16:31I gave you a lot of credit for that era and that switch under Rapaport and many others that you really, you cracked a code and we saw the results in the cookbooks we publish here online today. You should be given a lot of credit for the work you did at that time. I mean, certainly wasn't my work. I mean, I was literally running around. Yeah, no, I mean, but the team of people that existed there were phenomenal, like really, truly phenomenal cooks. I mean, you know, K-Chun had had a restaurant. She had been at Gourmet. She was an absolute pro. And Mary Frances, same thing. She had spent time in professional kitchens.
17:07She knew what she was doing, you know, from a recipe perspective. And Hunter, you know, his POV coming from Sevres was very home cook focused. I will say, in those days, we got away with doing a lot more just in terms of getting a little bit chef-y with our recipes, our techniques. I mean, everyone did that, though. Everyone did. I mean, I feel like, you know, fast forward to more recent, you know, kind of years, days, weeks, whatever. It's like everything's got to be the simplest, the easiest, the fastest. That was not necessarily the case back then. Let's like zoom towards the modern day. I want to we could talk about your career over the years at BA, but I really want to get into the modern test kitchen right now.
17:46and just tell us a little bit about how you lead the test kitchen and like the work that goes into each issue and then all the online and then the social and then the social video and all the demands of this kitchen. And we've had many of your colleagues on the show, but I've never had you on there. Tell us a little bit about the work you're doing right now. Yeah, so I mean, for the first time ever, after years of talking about it, we are truly platform agnostic in the way that our ideation and a lot of our production processes work. I was wondering about that. So a lot of it is it's idea first.
18:23You know, does it make sense? Is there an angle to be pursued? And then you figure out, okay, how does this live in print? How does it live in digital? The thing is, the thing that prevented us from getting there sooner is the print processes as you know, are rigid, right? Like the deadline to ship things to the printer is immutable. So those processes had to be 100 % dialed in and fixed. Whereas with digital, things can slide around. Publication dates can change. Packages can be pushed forward or backward. So that's a really interesting place to be because it's meant that the way we do our work is so different.
19:00But the core, you know, the team in the kitchen, Jesse and Shilpa and Kendra and Hannah and Inez, you know, people are still, you know, just thinking about like, okay, how do we connect with what the ideas that are taking shape and edit? How do we bring ideas of our own? How do we make sure they can live their best selves across these platforms? This episode is brought to you by Aura Frames. If you're one of those last-minute shoppers, you might know the feeling. Ideas are running low and the clock is ticking. Here's a fun idea. Aura Frames. Aura Frames is the solution with a gift that feels personal, a little curated, and sent with love.
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20:17That is pretty cool. For a limited time, save on the perfect gift by visiting AuraFrames.com to get$35 off Aura's best-selling Carver Matte Frames, named number one by Wirecutter, by using promo code TASTE at checkout. That's A-U-R-A frames dot com, promo code TASTE. The deal is exclusive to listeners and frames sell out fast, so order yours now to get it in time for the holidays. Support the show by mentioning us at checkout. Terms and conditions apply. Hi there, it's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request?
20:58A restaurant you wish we'd visit to talk about on Three Things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey. It will only take a couple minutes, I swear, and will help us continue to make the best show possible. That's the This Is Taste Listener Survey link in our show notes. Do you guys have a pitch meeting? Oh, gosh. Often? I mean, are you thinking, are you just like spitballing ideas? Like, how does that work in terms of the ideation? Because that's an interesting part because you think about, you know, you got to go three, four months in the future even longer.
21:36And you got to like have it be original. And there's so much competition right now. For every month, there is like an all staff sort of set of brainstorm sessions. Nice. When you can bring anything, like finished ideas, ideas that you want workshopped. But before that, my team always meets and does a much more informal brainstorm just to see what ideas are percolating. Often it's just a chance to kind of, I don't know, intervene is too strong a word, but to start to influence people's ideas so that they can really take shape in those bigger kind of ideas meetings. So because I think you have to be led by, you know, the passion for what you feel for an idea.
22:18Right. And everybody on the team, you know, has had the opportunity to pursue ideas and watch them take shape. Sometimes it is a little bit of a dance, right, with the rest of the editorial teams. Yeah. And like you you want to have balance. Right. That's like the biggest thing about putting out an issue. And you had to think about the timing of seasonality, cultural balance. I mean, it's a lot of work that goes into those informal meetings and the big brainstorms. I mean, are there like hurt feelings sometimes? Are there emotional? Are there emotions? There certainly are. I mean, listen, like, I think it's the friendliest it's ever been.
22:54Sure. I get that vibe. I think it's the most empathetic it's ever been. I talk to people at your team. It's a good vibe there right now. Yeah. But, you know, but there's still like you believe very strongly in your POV, right? Yeah. And you want to argue for it. but you also have to know the moment to let it evolve right yeah to adapt it so that again it can kind of go on it and take shape um yeah i mean you know people i don't i don't mind people advocating for themselves yeah of course i respect that fully i mean editorial is always that way yeah advocate for yourself what's the what's the last week been like just like take us there like what are you working on oh my gosh we're starting on thanksgiving believe it oh yeah this is maybe the earliest we ever have.
23:34We're also working on best new restaurants. So we're right now we're talking to chefs at a short list from the bigger list, you know, whose recipes we think might translate really well to the home cook space. But for the last few years running, we've gotten the chefs in question on the phone and we've actually talked to them about what goes into some of those dishes that are on our short list, you know, from each place, just so that we know what we're getting ourselves into we don't want to commit to something without knowing the the nitty-gritty that's really really fun to get a restaurant chef on the on the horn oh and be like hey like take me through your process take me through your lob take me through your bolognese take me like that's the best because it's all in the details right yeah and you know obviously like you know in in years past we would not tell them that they had made the bnr list we were doing a a very convoluted dance like conversation.
24:27You may be in the issue. Yeah. Like a long list of stuff. Strongly considering you for a fall issue. Okay. You wouldn't even even. It's kind of a knowing wink. Yeah. Yeah. But so, yeah, we're sort of screening recipes with chefs right now. We're about to turn people loose on Thanksgiving assignments. And sometimes, you know, like the Thanksgiving directives might even just start out, you know, like in terms of the ideation around, okay, this year, you know, coming out of the pandemic, there was a lot of sort of negative sentiment around Thanksgiving in a funny way, because I think people's traditions had evolved in the pandemic.
25:01They could be much more intentional about what traditions they were carrying forward. You know, the sort of the rise of Friendsgiving, et cetera, you know, like spending time with your chosen family. And, you know, so sometimes we're just kind of leaning into like, what is the vibe, you know, this year? And for the last like few years, like we're really kind of leaning into positivity. This is like the cook's holiday. This is your culinary Olympics. This is a time of year when everybody is thinking about food, but specifically making food, not just consuming. It's like the highest challenge. I know the Times is always thinking about Thanksgiving.
25:35You're always thinking about it, food and wine, Savoir, like, and plenty of digital publications. And I've worked on publications with more of a Thanksgiving cooking angle. And come August, I mean, come May, we're recording this in May, it's like challenging to get excited about this holiday. Right. I mean, I'm just being I'm projecting my own take. You have to like every year have a new take on this old thing. You feel that. Do you feel that emotion, that that challenge to make it new and special every year? I do. I do. And honestly, that's why like you, you know, working with people, you know, like the idea of being like a solo creator and having to face that challenge like year after year would feel very daunting to me.
26:21being with a team of people and being able to be collaborative in how we execute that content goes a long way. I also, I have to say, you know, as, as often as you might find yourself saying seemingly to the world through the platforms of BA or Epicurious or what have you, please use a dry brine for your turkey. Lo and behold, there was my uncle Steven last year being like, so what's the deal with this dry brine? Only took him 15 years of us shouting this from the rooftops, right? For that one facet of how to make one iconic Thanksgiving dish, you know, like, so I have to stay humble in terms of just because you think you've covered something, you know what, like that information is new to somebody.
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27:08And if you can convince them, if you can hold their hand, you can help them execute it for themselves so they see the benefit of what you're talking about, honestly, you'll, you will have a convert for life. I feel the same way. I feel like you have to always preach basics with these things because we take for granted that the audience sometimes, you know, doesn't know about like anything. Yeah, new people are coming in all the time. New people to younger people who have never hosted Thanksgiving. Who had their family cook it or they went to restaurants and this is the first time they go to B.A.
27:39and they're like, how do I, what, what, turkey, what? Right, and what do you have to give them? What do you have for them as a resource? Yeah. Give me like, this is a tough one, but I think you can. Give me like the truly most annoying recipe, the most tedious, the most, I would say, protracted recipe development process that comes to mind. for me it's it's the dishes i did that were for iconic known foods yeah a great example ba's best chocolate chip cookie like what a phenomenal responsibility to have to develop a recipe for something so iconic so first step you have to do your due diligence you need to go out and you need to figure out what are the top performing other five or six recipes and you need to cook every single one and see what's really worthwhile about each one.
28:32If anything, you know, surely like, you know, there will be positive attributes, but you have to see that for yourself. Step two, formulate your own idea about what this thing is. Start baking, see what people think, get feedback from a whole host of sources, you know, keep iterating and iterating. Certain things like should flaky sea salt be on BA's best chocolate chip cookie can turn into a conversation that lasts for weeks amongst the staff. Because that little flourish of Malden or Jacobson salt, that is not necessarily a back pocket reflex for a lot of cooks, despite what you might think from hanging out in New York City for many, many years.
29:14For the record, is that in the recipe? It is not in the recipe. Okay, so it didn't even make it. I did hand-chopped chocolate. Yes. I did two yolks and one whole egg. just for, again, like I'm more of like a savory, you know, somebody craves a lot of savory even in my suite. Yeah. So I want an intentional amount of salt in the cookie, right? But just a flourish of sea salt, I just think for some person out there, it's going to be an excuse not to make it. Yeah, and when you're talking about a wide audience and it can't just be the coastal trends in the hip bakeries, you got to recognize that audience.
29:49A hundred percent. What about just like working through process to get something like right that was feeling daunting. It was like - For that or for something else? Just something else that like - Oh. Because I'm hearing that the chocolate chip cookie part is just getting the best one, which is a huge burden. But what about just like a technical, something that just wouldn't work? Oh. Too many. Oh, man. I see your eyes. So many. Well, no, because a lot of recipes start out as what if. Yeah. You know, what if? what if there could be like, what's this, what's this breakfast cookie trend? You know, oh, let's do a morning glory breakfast cookie and let's not put any refined sugar in it.
30:33Well, I mean, are you, are you freaking kidding me? There's a reason that there's sugar in every single cookie recipe you've ever cooked. You know, we figured it out. I figured it out a lot, you know, a bunch of maple syrup, but you know, I had to like basically write an article explaining, You know, like I literally did this thing 13 times. Yeah, yeah. You know, and I think we got to a pretty good place. But sometimes you are trying to make something happen on a technical level that simply doesn't want to obey. Yeah, it's a great example. And I've been seeing that trend everywhere, too. Yeah.
31:05It's a good one to tackle. This is one that I did for Healthy-ish, you know, our sort of former brand, you know, kind of focused on, you know, kind of like whatever, feel good cooking. and, you know, so we're always asking those questions. Liza Barbanel, former editor. Oh, yeah, gosh, of course. Co-host of the show. Why am I telling you this? Shout it out, yeah. Yeah, I work with Eliza on so many healthy-ish, you know, bits of content and recipes. And, you know, so yeah, she gets it. You know, she was there for a lot of that. Wasn't it great working with Eliza? Oh, she's, honestly, she's like one of those people who I'm like, one day you're literally gonna fire me because you're gonna be like, Chris, like, sorry, we just don't need you anymore.
31:43because like she's just like so phenomenally competent. Yeah. And, you know, she was like so junior and yet like had such a gifted editorial voice. Yeah. And it was there from day one. Yeah, absolutely. I love collaborating with Liza on Features and of course on the podcast. Yeah. Such an editorial talent. Yeah. I fully agree. 100%. We have to take a little aside, a side break and talk about coffee. It's a micro theme on the show. We definitely talk about it. We've had plenty of coffee folks on And I just love seeing in your highlights. And I know from talking to people in the industry because they've been up to the test kitchen from coffee companies.
32:19Yeah. Because they love talking to you about coffee. What are you drinking these days? And what's the fascination in coffee for you? Oh, God. I just coffee makes me so happy. It's like a warm hug for your palate. It's the thing that like, you know, literally pries me out of bed in the morning. I go to sleep thinking about it. Not because I want to drink phenomenal quantities of it. But just the way that that perfect cup or two, you know, through my day hits, it fills a mug shaped hole in my heart. That is how it feels for me to drink it. Thinking about the nuances of all of the savory complexities of coffee.
32:59I once made the mistake of just like sharing tasting notes with a friend in front of my wife. And she's still giving me a hard time for talking about the quote unquote angles, you know, of what I was drinking. You know when like coffee is like very rounded and very like, you know, plush and soft. And you know when it's like much more focused and sharp. Same terminology applies to wine. It's just these are the conversations I could spend all day having. I mean like you look at like Central American coffees versus East African or West African coffees. Oh, sure. And that roundness versus that sharpness naturally processed, of course.
33:33You could talk about that, which puts you into a whole other ballgame. But I love thinking about shapes in coffee because I agree that certain terroirs and regions express in different ways. For a long time, I was super into natural process coffees. I've backed off that slightly. Me too. But I think that, you know, the ability to recognize really distinct focused fruit flavors in coffee, like sometimes those show up very clearly. and natural processed coffees, you know, like you will taste like peach that you're experiencing as though like a thousand volts of electricity are just coursing through it, you know.
34:08Like coffee people usually tend to prefer, I mean like coffee industry people, I should say, tend to prefer clean, sweet, like washed coffees. Yeah, exactly. Where subtlety kind of reigns. But, you know, Philly, like once again, I'm spoiled. You know, I'm so spoiled. like poem roasters, Blind Tiger coffee roasters. This guy Charlie does such a great job roasting for my local cafe, Rally, which I love. You know, Rival Brothers, I get my coffee from Ox. These days I'm craving stuff that's a little bit darker. I wouldn't call it dark, dark roast. Yeah. But just something a little mature, a little bit more kind of chocolate, toasted nut.
34:52Yeah. Yeah. I prefer, I've been preferring Washed recently. I mean, I think I burned out on naturally processed coffees during the pandemic when I just bought everyone I could find. Yeah. But I agree. Like, I mean, it's all about the roasting, right? It's all about the roasting. And if you get the roaster who does it responsibly, it does electrify your palate. It does. And I think that some of those like natural processed coffees are still so interesting to taste. Yeah. Because it's like, you know, like, again, like wine is the best analogy for me. it's like you will taste flavors that feel almost outside the spectrum of like the known universe you know yeah for your palate what's your setup at home i am the only person who drinks coffee at home so i do a v60 pour over for myself every morning yeah no yeah i mean of course that's what you gotta do that's it v60 pour over get the gram scale get your extraction oh yeah like we're weighing sorry yeah i thought that was like just assumed no we're weighing yeah you know it's like i've been playing around with extraction though i feel like i've been doing the ratio yeah i have been i've been i've been putting more coffee i've been i've been i've been increasing my my dosage recently and just seeing do you take milk or sugar or do you drink black i always drink it black do you okay yeah i mean i i take milk and i'm proud fair fair i mean listen fair again but that that additional kind of plushness and roundness milk is kind of like it's smoothing everything out for me i i like milk as a as an after if i'm doing a second cup i think from morning from like the first thing to hit my palate i'm definitely always just tasting it you know out of um always just as the way god intended in many ways um i i see a incredible value in adding dairy or non-dairy to coffee at different periods in the day and i've been milking tea recently oh that's been a thing which i know is like not cool i put on gram and i got some comments but have you had your tea era yet you do you do you yeah i like i i think teas are fascinating yeah i think as like listen as as i get a little bit older you know i can't drink just like cup after cup of coffee it's just not it's just a lot for your system to take more than a couple cups a day but tea is just endlessly fascinating to me chris no cookbook i i feel like oh i know i know we got to talk about you you're gonna bring this up i know and like it's interesting because you mentioned your colleagues and yeah i feel like nearly all of them have cookbook deals or are doing cookbooks or have done cookbooks and like obviously you've had the opportunity um to write a cookbook but you haven't yet and are you waiting for the moment are you just not interested because you have your of your day job yeah i you know it's not that i'm not interested.
37:40I'm just actually really busy. And I know how much work goes into writing a cookbook. And perhaps seeing so many friends and colleagues do them, I know a little too much about how much goes into it. That will do it to you. Yeah. And I've got still a relatively young family at home. I enjoy my nights and weekends to be with them. I also support my wife and her career. And if I'm tied up on certain weekends, you know, working through recipes for a cookbook, you know, she's got to work that weekend. Like, what, you know, what do we even do at that point? I mean, listen, like, these are all details that I could figure out.
38:17But I also just think there's something usually very solitary about pursuing a cookbook just in terms of executing those recipes on your own, on your own time. I'm so used to, and frankly, just so love being surrounded by phenomenal cooks. I don't know what I would do without them. I really don't know what you would do. I mean, I, like, I know, but I just, it's better when they're there. You know, no, but you're not saying. I mean, I feel like there's gotta be a concept broadly that you would, given, of course, I recognize the family life and balance, and that's great, and to hear, and it's important.
38:56Let's just take that out of the equation. Okay. No, like, you have the time. I mean, there's gotta be an idea or an instinct or a direction to go in, Because you know publishing so well as well. The thing that endlessly fascinates me is dinner. Yeah. I mean, whatever. That's like probably the most glaringly obvious thing. Mirasota scooped me with her most recent cookbook, you know, which I absolutely love. But it's dinner. I want to know what you want to cook when you go home from work tonight. I want to know and I want to, you know, be part of that conversation, you know, because this is something that I'm still figuring out for me.
39:35Right. Like having kids, you know, whose palates are highly idiosyncratic, you know, having a home that's like mostly gluten free and mostly red meat free. I mean, this is a puzzle I am solving every single night. Yeah. I feel like you'd have a new take on dinner maybe when that time comes because of your experience and just dinner through the eras. It's something I would love to do. I mean, I love employing like ingredients with huge flavors. I like, you know, borrowing from different influences, using things in, you know, kind of unconventional ways. I think people, once they understand the power of, you know, the ingredients they can have at their disposal, you know, I think like there are so many amazing shortcuts to eating really well, but doing it in a smarter way.
40:24We're having this event on July 23rd. I want to plug it here. Oh, it's going to be awesome. You're going to be out of town, but you're going to, but Jesse and Chopo will be on stage with us at the Bell House. incredible lineup. Tell us about the BA section of the program. I'm so thrilled that you're joining, that BA is joining this event. I think it's going to be such a fun evening. Yeah. Like as a bunch of your listeners will know, Shilpa and Jesse started Bait Club earlier. Well, I guess like late 2024. And Shilpa came to us with this idea a couple of years ago, just basically how do you engage the bakers out there?
41:02How do we find the bakers amongst our audience members and really speak to them and find ways to, you know, start conversations with them. And Bait Club has been phenomenal because, you know, we see time and time again, you know, being able to peg certain recipes to, you know, like a broader theme, whether it's feel-good food plan, you know, whether it's fourth trimester, whether it's Bait Club, you know, the audience loves, you know, kind of like having some sense of like what they're going to get every month. So Shilpa and Jesse have done such a great job with their recipe lineups, with taking listener questions and creating an audio experience for Bait Club.
41:39And recently we just had our first live event for Bait Club at One World Trade. Cool. They did a hands-on afternoon tea with scone making. And yeah, they made it. You're getting the readers in the building. Oh, no, I know, which we hadn't done for a while. You know, just something so small and intimate, It was like 15 ticketed attendees, and we had such a great time. It's great. I can't wait to have them join the stage. The theme is Stay Cool. We're going to talk about maybe some summer baking on the stage. I won't be there. It'll be those guys doing a live episode of Bake Club. Yeah, Shilpa was already noodling on kind of what that theme might mean to that.
42:21It's going to be a blast. It's July 23rd. From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière, an exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story. The 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus.
43:04The full program is available at MontrealOnLumiere.com presented by Lotto Quebec in collaboration with National Bank. Today's episode is brought to you by ButcherBox. As a food writer, I can be a little skeptical about subscription cooking boxes you hear about on podcasts. There's big talk about cooking simplicity, but you're usually left with disappointment after smashing that promo code. Now, Clayton, have you ever tried one of those subscription boxes? Yeah, Matt, my friend gave me a code for that one that has all the chopped vegetables and little baggies. I felt like a drug dealer trying to cook dinner.
43:37Yeah, man, I have so been there. ButcherBox is a true exception. I was sent a box of premium beef and pork and was blown away by the quality and variety. There was 100 % grass-fed pasteurized ribeye, tri-tip, and ground sirloin for my favorite at-home smash burger recipe. George Motes, you better watch your back. For pork, they sent me a beautiful center-cut pork loin for slow roasting. I was super impressed, and I haven't even talked about the ribs, which I cooked in my Instant Pot. There was a rub of salt, white pepper, and togarashi, and I had pressure cooked with water and apple cider vinegar.
44:15It was incredible. These ButcherBox ribs are amazing. For nearly a decade, ButcherBox has led the industry with meat and seafood that's antibiotic-free. As an exclusive offer, our listeners can get free protein in every box for a year, plus$20 off your first box when you go to butcherbox.com slash taste. Visit butcherbox.com slash taste to get this limited time offer and free shipping always. That's butcherbox.com slash taste. Don't forget to use our link so they know we sent you. I wanted to close and ask you, Chris, like, where do you want to be in five years with your career? I feel like you're so involved in all BA cooking elements and it's an exciting time in media right now.
45:02Really exciting time. Where do you want to be? Yeah, I mean, honestly, like part of why I haven't done a cookbook yet is I've really been focused on helping shape the next generation of food editors, both within BA and outside the brand too. And, you know, just helping people along in their journeys. I certainly hope in the next five years I will have gotten that first cookbook done. I frankly hope to be where I am, you know, and just sort of, you know, helping evolve what BA is and how it exists. as a print product, as a digital product, as audio experience, video experience. I truly love being there.
45:44But I also fantasize about taking, getting one of those like one euro houses in Italy and decamping for a few years. I feel you on that. What about like a restaurant? Would you consider opening a restaurant? I think I probably know a little bit too much in the bad sense to open a restaurant, but I feel like there's nonetheless like so many people are in that position and they go ahead and they do it anyway. My wife and I joke that like it would be fun to have like, you know, some kind of creative space that's like part cafe, part home store, maybe a place where I could do, you know, kind of like cooking classes, you know, kind of community building.
46:29Something like that could be really cool. And I think sometimes it's just like you find the right space, you know, and that sort of dictates like what, you know, kind of what the program is. Yeah. Have you been to Binding Agents yet? The cookbook store in Philly? Yes. Isn't that great? It's so close to my house. Oh, cool. And it's one of those things in Philly, like I just walked by one day. I was like, what is this? I know, right. It is such a beautiful jewel box of a space with the loveliest people. It really is. And yeah, it's just one of about like 50 ,000 things that I just think is so phenomenal that's going on in Philly right now.
47:04I love that you moved there. I had no idea until you watched in the studio. It's such a great city. Binding Agents, great story. I had to plug them. Chris, on This Is Taste, we ask guests about their discerning taste. So to close this interview, here's a little rapid fire, fast and furious taste check. Are you ready? I am ready. The best fruit? A peach. Where was it when you had it, the best one? Where were you? Oh, I mean standing over the sink every time, you know, but like a peach in season. I was like pears like hoved into view in my mind. But like now it's a peach. Sorry, pear. The worst vegetable.
47:36Parsnip. Have you developed a recipe that works with parsnip? Absolutely not. Because it can't be done. It's banned. I just I honestly get a like furious thinking about the flavor of a parsnip. Clawing like mutant carrot with like nothing to write. With nothing else to add. can't eat it raw let me ask you are there we have banned words like we just don't won't run them I'm sure you have banned words too are there banned ingredients in the BA test kitchen there's no no there's no real banned ingredients okay okay but people know like they'll do something involving a banana and like kind of like nervously look over at me because they know like it's kind of like one of my demon ingredients I mean banana is challenging I was talking to Hannah O 'Alea recently on an episode and we were talking about pairing lobster bananas and brussel sprouts at wd-50 i was like my guy that sounds intense gosh but if anybody could do it yeah you know if anybody could do it it was likely i'm sure incredibly delicious yeah like a banana kimchi actually oh wow i know wild right see like things like peanut and banana i need savory yeah if you go sweet with either you lose me yeah god help me with chocolate with either.
48:50Yeah. But I mean, honestly, you go savory, strong flavors, right? Because peanut, banana, these are such huge flavors, but you need things that match them. Yeah. Yeah. I wish I could go in a time machine and have that dish. What's your typical breakfast? It is coffee and buttered toast with jam, preferably from London Borough of Jam, my favorite jam company. That's the guy. I don't know that brand. It's so good. It's a little bit expensive, but a little goes a long way. And they do, I'm a little bit of a skeptic about kind of culinary jams, you know, like combining savory flavors in your jam. However, they do things like apricot with muscovado sugar.
49:28Sounds cool. Rhubarb with cardamom. And it's always a light hand. That's nice when the spice is not overpowering. It's super light. And it's like way too much. Do you bake bread? Do you have a bread practice? I don't have a bread practice. I don't bake enough at home. I find it, it's like a headspace thing. the kids get involved flour starts flying everywhere and before you know it things like go sideways and you haven't even like made dinner yet you know it takes up a lot yeah I would love to build out more of like a baking kind of hobby I'm just not there yet not there yet I get it I'm the same way I've been thinking about getting into a bread practice just but it's I did it in the pandemic and it was fulfilling along with everybody else you know had my sourdough did my thing and I was kind of like, yeah, this is okay.
50:18But I am also surrounded by incredible bread all the time. I know. I'm really lucky. It's not something I have to do myself. Yeah. What about Mighty Bread? Do you go there? Oh, I get bread from Mighty Bread all the time. I also go to High Street, which started in Philly. I get their bread from the farmer's market, which is just phenomenal. I mean, it's just lousy with great examples. Also, like Majdal Bakery just opened up a brick and mortar just down the street from me. their bread is just like it's seven dollars and improbably delicious just like so many other philadelphia institutions that are just quietly overperforming i just i can't get enough of it it's it's amazing and mighty bread hands down best cherry pie i've ever had in my life oh it was gotta check that out it was like late season that it was like it was really like late season cherry pie it was love so great on that note the best dessert it's it's it's chocolate cake yeah i i I tried to come up with something like more clever or whatever.
51:17It's chocolate cake. Don't reinvent the wheel. I was so delighted to see like chocolate cake kind of come back onto dessert menus recently, like Claude, like their sixth layer, you know, sort of like stunner. That is one that I've loved. But I love making chocolate cake. I've developed chocolate cake recipes. I mean, it's just something that I just adore. A restaurant you wish you could bring back from the dead? Gosh, I could go so many different directions. I think it's prune. Yeah. I never went there. Wow. What was I doing, Matt? Where was I? Not even brunch? No. You didn't even line? Like, Gabrielle, like, such just like a titan.
51:57And I just, I blew it. I utterly blew it. I never got there. I don't even, I can't even guarantee that I would have loved it. It's more just like such an idiosyncratic restaurant that needed to be experienced in its time. I mean, you can buy it out, apparently. That's what the business is now. That's what I've been hearing. Yeah, people have been seeing some activity in there and kind of wondering what's going on. Good for them. Good for them. Pivot out of restaurants to private dining and your beautiful idiosyncratic space. That's the way to do it. When you're craving fast food, what's the move?
52:30All right, I don't eat that much fast food. I recently tried that blue drink from Taco Bell and was like, what is this? It's like flat Sprite, but like not even as good as flat Sprite. I go for like falafel. Yeah. Like Goldie, you know, falafel in Philly is maybe like sort of where I'll go. The tahini shake with a falafel sandwich, like every topping they have. Just I'm in heaven. It's a I wish. I mean, Goldie is truly a national treasure. I love that place. I mean, the things that Mike Solomonov has done is just tremendous from like Laser Wolf, like, you know, Federal Donuts, Zahav, which I still haven't been to and is like also top of my list.
53:16Oh, yeah. I've been to Kafar many times. The place is good. Love that place. Yeah, it's amazing. And Philly, you're like, you have all of them in Philly. We only have half of them here. Yeah, right. New York. Yeah, maybe you'll get a few more. Maybe. It'd be great. It'd be great. A few more. Your favorite city outside America to visit for food. Boring, obvious, but true Paris. Yeah. But here's the thing. Like, as a city I've had a relationship with for many decades of my life, I've known it as a single person living there for a year in college. I've known it, you know, kind of many years since then.
53:51Working at Vogue magazine. Well, yeah, like working at Vogue. And it's a city where my wife and I have spent a good bit of time. So like Paris, there's just always something incredible to discover. I just find it so gratifying. This isn't true exclusively about France or anything, but a place where everybody's thinking about food. Yeah. Like seemingly all the time. Everybody cares. Everybody cares about the baseline level of quality of what's surrounding them. That I really enjoy. Last one, your favorite sandwich.
54:23It's the Veg Classic from Court Street Grocers. Yeah. I think. Or it's, oh God, or it's the - Look at you too, you got it. Oh God, it's the one from Middle Child. It's the shops and club. They do their house-made pickles, very thinly shaved. It's like Cooper Sharp cheese, lots of mayo, house roasted turkey, gorgeous bacon on this like beautiful sort of focaccia loaf, ciocciata thing. Oh my gosh, it's perfect. And that's Middle Child in Philly. Middle Child in Philly. And they do a Shopkins tribute? Yes, they do. That's so cool. That's what that is. They're very cool. Yeah, I've never been. I've heard plenty about Middle Child.
55:05It is so, so, so fun. Just up the street from me. Well, Chris Morocco, this has been tremendous. Thank you so much for joining This Is Taste. Oh, thank you for having me. Appreciate it.
55:19This Is Taste is hosted and produced by Eliza Abarbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, director of media production and development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Logo and guest illustrations by Ellie Skrzat. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste. you
From the publisher
It was so much fun having Chris Morocco in the studio for a wide-ranging conversation about cooking, media, and his nearly two decades working at Condé Nast. Chris is the food director of Bon Appétit and Epicurious, overseeing the test kitchen team and the recipes they develop. In this episode, we go back to Chris’s early career working at Vogue before landing an assistant job in the BA Test Kitchen. We go over how he currently leads the team and how they think about seasonality, taste, and getting people to cook more in this rapidly changing world. We’re big fans of Chris’s work, and it was exciting speaking with him.
We're hosting a really cool live podcast event in Brooklyn on July 23, featuring Padma Lakshmi, Hailee Catalano & Chuck Cruz, and a live taping of Bon Appétit Bake Club with Jesse Szewczyk and Shilpa Uskokovic, visit the Bell House website.
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