In short
Podcast Summary: This Is TASTE Episode 614
Episode Title: Is Substack the Most Exciting Place For Food Writing? Austin Tedesco Has Thoughts. Hosts: Aliza Abarbanel and Matt Rodbard Guest: Austin Tedesco, Head of Business Development at Substack
Episode Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard engage in a lively discussion with Austin Tedesco, who shares his journey from being an NBA reporter to a restaurant superfan and now a key figure at Substack. The conversation revolves around the evolution of food writing, the potential of Substack in the food media landscape, and insights into Tedesco's career path.
Key Themes & Discussions
- Substack's Role in Food Writing
- Quality Over Clicks: Tedesco discusses how Substack's model prioritizes subscriptions over ad revenue, fostering an environment that rewards quality content.
- Potential for Growth: Though it's too early to declare Substack as the future of food media, Tedesco shares insights on how it can shape the landscape for food writers.
- Austin Tedesco's Career Journey
- Background: Tedesco transitioned from a line cook to working in media at ESPN before moving on to Substack, highlighting his passion for the restaurant industry.
- Discovery of Food: Growing up without home-cooked meals, Tedesco shares how his interest in dining developed during his college years and how it has influenced his writing.
- Restaurant Recommendations
- Current Dining Scene in New York: Tedesco shares his hit list of restaurants in New York, expressing excitement over the city's vibrant dining culture and his experiences at places like Borgo and Crevette.
- Comparative Experience: Tedesco reflects on his experiences in LA vs. New York, noting how the social dynamics and industry vibes differ.
- Food Media Landscape
- Influence of Personal Recommendations: Tedesco emphasizes the importance of one-on-one restaurant recommendations from friends over traditional food media sources.
- Changing Consumption Habits: The discussion touches on how food enthusiasts are increasingly relying on personal connections and curated content over mainstream outlets.
- Challenges in Restaurant Operations
- Insights from Working the Line: Tedesco shares candid reflections on his time working at the now-closed Cool World, discussing operational challenges and the factors contributing to restaurant failures.
- The Future of Food Media and Video Content
- Substack's Expansion into Video: Tedesco contemplates the potential for paid subscription video content in food writing, while considering how it could differentiate from existing platforms like TikTok and YouTube.
Key Takeaways
- Innovative Media Landscape: Substack offers a promising avenue for food writers to create quality content without the pressure of ad-driven metrics.
- Personal Connections Matter: Recommendations from friends continue to hold significant value in discovering dining experiences.
- Operational Realities: Understanding the challenges and nuances of restaurant operations can enhance appreciation for the dining experience.
- Future of Video Content: The uniqueness of food video content in a subscription model is an area ripe for exploration and innovation.
Conclusion This episode provides a thoughtful reflection on the intersection of food writing, media, and personal experiences in the restaurant industry, making it a must-listen for food enthusiasts and aspiring writers. Tedesco’s insights into the future of food media, along with his rich personal background, offer a fresh perspective on the evolving landscape of culinary storytelling.
Support Food Substacks Mentioned in the Episode
- Snaxshot
- The Party Cut
- David Lebovitz
- Home Cook with Karolyn Pho
- Everything Cookbooks
- Alison Roman's Newsletter
Listen to the episode on: [Apple Podcasts](https://podcasts.apple.com), [Spotify](https://spotify.com), [YouTube](https://youtube.com)
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Transcript
Automatic transcript. May contain errors.0:28This episode is brought to you by Resi and American Express. There's a future in having a space where the algorithm is specifically designed to drive subscriptions instead of eyeballs on advertisements. I think that inherently rewards quality in ways that is incredibly cool. This is Taste. I'm your host, Matt Rodbard.
0:59Today on the show, we have a great conversation with Austin Tedesco. Austin is head of business development at Substack. But really, I think of Austin Moore as an infinitely curious restaurant superfan. He's worked as a line cook and dines out with the frequency of our best critics. He writes about it all on his own terrific Substack, Bangers and Jams. and we talk about his journey from MBA reporter to restaurant professional to helping promote the growth of authors on the Substack platform, particularly in food. Is Substack the future of food media? It's still really early to say, but I'm personally a major fan, and Austin gives us some insights into how it all works.
1:39I hope you enjoy this episode.
1:45Austin Tedesco, welcome. This is Taze. It's great to finally meet you, man. Yeah, it's so great to meet in person. Thanks so much for having me. Well, I wanted to have you back in after our great conversation about Substack. We did that a few weeks ago, and I'm going to link to it. It's a great conversation, but I wanted to hear a little bit more about you because you've had a really cool career working in kitchens. You've worked in the media as well, kind of like at the same time, which to me is very interesting. Before we get to that, you're in New York for a month. Like, what's your hit list for restaurants, man?
2:13I went to Borgo last night that I actually really liked. I had it's one of those places where you get like the mixed reviews going in some people really love it I had some people say that it was absolutely terrible but it gets me excited to go definitely I've been an Andrew Tarlo stand like since I was a teenager coming here And I loved it like I love when that kind of cooking is good It's like I looked at the menu and I was like this is all I want to eat So that really hit I loved crevette I thought crevette was stunning It like compelled me to take back my anti-entree stance that I've held for a long time.
2:47You wrote a great piece about that on your own sub stack. Yeah, yeah, yeah. I typically never order entrees if I can help it. But Cravette, like they really know what they're doing there. Some friends work at the bar that I used to cook with, which is like usually a good way to get me to try a place. I'm going to Le Vaudourne tonight. Oh, right on. Have you been there? No, first time. Oh, cool. I also like the Frenchette Lerac crew. I always love. They really know what they're doing. And I have not heard a single bad thing about this restaurant. So I am inordinately excited. I mean, you moved to L.A.
3:18a few years back. We lived in New York. So you have this like bicoastal kind of viewpoint of dining. I mean, are you excited about New York at all? I'm really excited about New York. And I think it's because my like my friends in the industry are excited. Like my friends were telling me how great working at Corvette has been, how how like excited they are by the food and by the drink program. Yeah. I left I was here for two years in New York I was in LA before and then I came to New York and kind of like did the most and then conceded that I'm too weak to live here like I like I need my default in LA yeah so when I'm here I'm so excited by the restaurant scene I'm excited by what's happening I'm excited by like the the ambition and the vibes and the restaurants I I like really look forward to coming.
4:06So we'll get to that. You mentioned that you worked the line at a restaurant and you've worked in media. What's food like growing up in your household as a young 'un? Like what's kind of forming you as kind of somebody who has a lot of strong opinions in the best way? You must have had a kind of an interesting background. Yeah, I'm Austin from Austin, unfortunately. Okay. For me, I have to do - Named after the city that you were born in? I was born here. And then by pure coincidence, when I was one, my dad got a job in Texas and we moved to Austin. And I have two very wonderful parents who both like I get my like workaholic nature from them.
4:42They both worked all the time. And so I grew up without a single home cooked meal. It's like not a thing that I knew. Wow. At all. In high school, a girl I was dating was like, oh, I'm going to come over and cook. And I was like, okay, I want to warn you, there's nothing here. And she showed up without olive oil or salt. Assuming we had that, we had nothing. We would order a lot of takeout. I would eat a lot of fast food, frankly, like Sonic and Chick-fil-A. And then we would go to restaurants, too. We weren't going to the most interesting local places in Austin. It was still kind of... Before Contigo.
5:18Yeah, exactly. Like I don't, I had no idea what Contigo was until I started going back home after college. It wasn't really on my radar. I got really into restaurants at like my senior year of college of like, I'm interested in this unique place from a chef and how it, how it actually works and what's actually happening there. But growing up, I ate a lot of fast food and I was I was a fat kid growing up, too. I just like chugged a bunch of candy and pizza. Yeah. Well, I mean, you went to school at BC in Boston. And were you like Craig Young, Maine? What were some of these restaurants about you or not?
5:58Like I have a real distaste for Boston, despite having a wonderful time in college and having some really great friends. Really is the city and I like don't get along. I still don't really know why I chose to go there. I was choosing between UW and Seattle and BC, two wildly different places and wildly different parts of the country. And so what actually really got me into restaurants was taking trips up to Portland, Maine during the beginning of the Portland, Maine peak of Central Provisions and Eventide. I remember I did a day trip with the person I was dating at the time to Central Provisions and my mind was blown by all these things I would roll my eyes at.
6:39now of like pork belly and like i got things it's a great restaurant but it was when it was 2014 they they get grace for serving pork belly in 2014 it was great yeah totally blowing my mind yeah um yeah that's really what did it for me was these trips also trips to providence like going to oberlin in providence yeah um and i think there's something too about like being transported somewhere uh that's not the place you're living that really got me well let's talk a little bit about your media background because it's cool. You worked at ESPN for several years. You were on the NBA beat. You had some woge time.
7:13You also worked at Square and eventually made it to Substack. So let's talk about ESPN. Like what are you doing there? And is food at all in your worldview when you're covering the NBA? It starts to be. So I started at ESPN like two days after I graduated college as an intern on the digital NBA team. And then I was there for six years and like worked my way up from there. You can only work your way up so far when you start as an intern making$10 an hour. Like even being there for six years, I was like, I have to find something else to do. And they made me move to central Connecticut. Yeah. Like this is like an essential part of being.
7:49Rough hang. An absolute food waste. Rough hang. I worked in Stanford for a year. Yeah. At least you're further south in that case. I moved straight to Bristol and then moved to West Hartford. Yeah. but it was I just remember that summer of 2015 so well when it's like wild air has like just opened in New York and I'm taking the train down like every weekend I can to go see friends and just to have fun but also trying all these new places at the same time because there's truly nothing to do besides work in Central Connecticut I bought a bunch of cookbooks and started teaching myself how to cook like I cooked my way through the Mamafuku cookbook and all these other cookbooks Like that was my relationship with food.
8:33And while I was an editor, I got really close with our beat writers and reporters and would, you know, travel sometimes with them, meet them at games. And of course, like then I entered into this world with with Kevin Arnovitz, who's like one of my favorite people in the world. I think one of not just the best basketball writers, one of the best like journalists of all time, like really underappreciated and an enormous food person. I think Kevin loved writing but also loved that ESPN would send him across the country to try new restaurants. And that became a regular part of the job of, oh, we're in Cleveland and we're trying new places.
9:08Yeah, so how does that work with the team at ESPN? You're covering a game and it's like 9 or 10, whatever, and then you're going out and surveying? Are you going on a crawl? We would usually, like, there's an off night where you would do a big dinner. Or there's like, I remember so vividly after Kevin Durant left the Warriors for the Nets, we had been like covering free agency all day. But since we were in L.A., we had like a 930 reservation at Bevelle to kind of decompress after, which would be like a regular thing. It's like the July 1 sweepstakes. Exactly. Yeah. It's like we had it ready. We're like, OK, we kind of know how it works.
9:48we'll be fine or we sit down at bevel and then we get a call of like oh the the like something might be up with the deal maybe and we literally just ordered the lamb neck like i don't don't do this to me please one reason why i left espn is the amount of times that i would sit down at a bar with friends or at a restaurant yeah and immediately leave because some second round pick had like twisted an ankle like that was like really starting to break me yeah i mean you had to leave man because clearly you had passions outside of basketball it must have been exciting to cover the beat but yeah I mean it was I uh I think 2016 it was the last good year in the NBA I say this is someone who hasn't watched any NBA basketball since I left ESPN but like that last KD year with the Thunder I was like I was just starting at ESPN it was one of an amazing playoff run even in like leading up to that Warriors Cavs final um and since since then like my interest in it really went downhill we have much more going on yeah uh I want to like go back to that teaching yourself to cook with cookbooks because you write about it on your sub stack like extensively and I love your sub stack it's terrific like how are you thinking about cooking through these books are you picking cuisine and finding like the best cookbook are you cooking through it because you seem to be pretty methodical with this approach yeah I um I like started doing this when David Chang was the most like famous chef in America so it's just like made sense to get the Mamafuku cookbook and then I would literally cook every recipe in the book besides ones that included ingredients I like couldn't get in central Connecticut but I would still try I would still like drive around and try and find stuff I'm someone who if I'm interested in something I get like absolutely obsessive about it and I I don't really like trying things unless I can be really really good at them yeah uh I'm extremely competitive and I think that like that sense of uh like competition with myself showed up in this uh but at the same time like i i was making like a fried rice recipe for the very first time and i didn't cook the rice before frying it because it like it wasn't said in the cookbook to to do it i think it said cooked rice but i but you didn't think about it so you're cooking with dry rice i'm cooking with dry rice i'm frying i'm like this doesn't really taste right and so i'm starting at absolutely nothing which i think is actually in a lot of ways incredibly dumb to do if you're trying to teach yourself how to cook like you should start with some some more basic basic cookbook, some like basic learning.
12:15And instead, it's the same thing I did when I started cooking in restaurants. Like the first restaurant I ever cooked at was at a Stella on a Friday night rather than like working my way up. So yeah, I was really methodical about it. I was like, I want to get good at everything. I want to try everything. I want to learn from the best. I want to get like a bunch of restaurant cookbooks mostly rather than like a home cooking cookbook, which is much more how I cook now. Like, I am so excited for the Kang cookbook to just see how Claire especially talks about food in that book. And it won't be all of these, like, I know it won't be all these, like, weird, like, overly showy techniques that I was making myself do when I started cooking for the first time.
13:04I can't wait for that book. Is there, like, one canonical book from the restaurant space that you just keep going back to? I have become, like, completely obsessed with Nick Cartola's Four Horsemen cookbook since it came out. I think I've cooked every recipe in it, which I don't do anymore. I'll read through a cookbook for inspiration and then stop. And I think I just love the way that Nick thinks about food, the way he layers, like, frankly, like, cheese, nuts, and vinegars in interesting ways. It's like, oh, I really love this. And so that's a recent one. And I think the Prune cookbook is the best cookbook of all time.
13:41Yeah. As a literary work, it's definitely up there. And like the way, especially before I worked in a kitchen, the way it reveals how a kitchen works, the way Gabrielle in the margins is like kind of like dropping in little digs at her cooks of what she knows they'll do wrong. It helps you learn in such an incredible way. So Prune is that. And then in 2017, I remember that that's like the year that, the dining in from Alison Roman, the night market cookbook and salt, fed acid heat all came out as I was like really learning how to cook. And to me, that's like my, my like base triumvirate of like things that shaped how I think about cooking and how I think about flavors and just like the, the things I naturally go back to.
14:27Dining in is terrific in that way as well. I think Alison, that first book was, was really groundbreaking and just bringing the idea of the combinations and and just like really tight recipe writing. Yeah, I mean, I'm a 32-year-old man who spends time between New York and LA. Like everyone just has her recipes as like a shorthand. It's like everyone recognizes it wherever you go. And I think it's as influential as any book that like isn't my friend group. Like I think it's as influential as any, like a Sally Bruni book as well. I love that comparison. I'm curious about Cool World. I want to talk about that.
15:00We touched on it on our last episode very briefly, but I wanted to have you back in. Yeah. Like, what's this experience like working the line at a restaurant that ultimately failed? We don't really do postmortems for restaurants on the show, and I think we should. And you're very clear and candid about, you know, failure and success. I think you write really well about this. And bangers and jams. I didn't even plug the name of your sub stack. Take us through, like, ending up at Cool World on the line and then kind of like the path that that restaurant took in its short life. Yeah. So I was working a tech job that was like perfectly comfortable and what I needed after running myself into the ground at ESPN and was a good reset for me.
15:44But it was like not a thing I was passionate about. And I was like desperately looking for something. I was in L.A. and I felt really aimless. I actually was before moving to New York and working in restaurants here. I was very close to signing like a six month short term lease in Portland, Maine to like really escape my life and go cook. The plan was to go cook in Maine. And I got talked out of that by some friends. Just come to New York. You're being so stupid. So I got to New York and I emailed all of my favorite restaurants this like plea to let me go work there, including like Wild Air and Estella and Hearts.
16:20and I got an email back from the team at Estella that said to like come in on a Friday night for a trail. And so I Googled like, what is a trail? That's incredible. I had no idea what that meant. So this is 2022. It's right in that post-pandemic, like desperation for cooks, desperation for any like qualified adults. I looked up like, what does a cook wear? Like I had no idea what I was doing. I told friends I had an interview at Estella, and they all thought that I was looking to be their social media coordinator. Right, like marketing or something. Yeah. What's the level of anxiety, like going into a trail at Estella of all places and not having worked in professional?
17:05I'm like a bit of a psychopath in that way. I'm like inordinately confident in myself. I don't really know why. It's like deeply unearned, but I was like, I'm just going to do it and I'll see what happens. You know, if I fail, I fail. But I really wanted it. So I was like, let me just try. I talked to the head chef there at the time. I got in at three. He said, you know, this is the strangest application we've ever seen. He was like, you're a product marketer? I don't really know what either of those words are, you know? And I was like, yeah, but I'm really passionate about this. I've cooked my way through the cookbook which was true and he was like that's not the same yeah he like came correct right away he's like I didn't even look at that thing that's for the novices exactly but they my plan was mostly just to trail and like shadow and maybe do some knife cuts but I think they were down a person that night oh shit and so it's a Friday night of Stella it's packed and they show me the technique for the endive salad I think like to me objectively one of the best dishes in the city the beef tartare all the things on the cold station um and then they got slammed and they um I had watched them plate the endive salad and they asked me they're like can you plate four endive salads and they look kind of nervous asking but they also needed me to do it and I was like sure I plated it one of the um sous chefs took a bite and was like that's great and they sent it out and I was like I think that sounds It's like$32.
18:37Someone was definitely trying it for the first time, not knowing me, a doofus, had made it. And then they were supposed to cut me at eight, and they just let me stay. And I was like, this is the most fun I've ever had. You had fun doing this. I had never had more fun working in my life. I had spent my whole life working mostly remotely from my computer, sending emails about basketball trades. And this was an entirely different thing. I burned my hand so severely that I had like this enormous mark on it for like two months because I was asked to go grab something and I'm so stressed that I just grabbed like the hottest pan imaginable.
19:15And they needed it. So I, again, because I'm a little crazy, I just kept grabbing it to like move it over. And then someone finally like grabs me and hands me a towel. And he's like, you obviously don't do it like that. That was the response. What is wrong with you? Which people said to me a lot. and so they offered me a line cook job that night. That night, Austin? Yeah, I talked to them. Like that night, they're like, you're hired. We talked for a bit. I was explaining to them my very fluid schedule at my tech job and they were like, oh, if you can be here at this time, that's fine. And then they ghosted me, which happens, and that's totally fine.
19:51But I was hooked, right? And so I kept looking around. I went on a date at Cool World. and we had fries and dessert Amanda Perdomo, who I still think is the best pastry chef in New York. I'm deeply biased after working with her. I tried two of her desserts. I was, like, blown away by that, and then I looked online and saw they were hiring cooks. And so I sent an email and got a response from Q, who's now the head chef at Demo. He was the head chef at Cool World, and he, same thing, told me to come in for a trail. and then I like I basically from that day I spent like 60 hours a week there for the next from that year so backing up you were there as a guest you'd heard about cool world uh you're obviously into restaurants you tried it out thought the desserts were great were you like about to quit your job at that point pretty much no I um you know I conceded that I'm unfortunately much too bougie to live off of a line cook salary but I still really wanted to do this thing and so I was like i think i can do both i think it's a probably a real reflection of where the like um tech work from home culture was at at the time i mean it was like quiet quitting era there was quiet quitting definitely post-pandemic people were like kind of making up their own rules yeah like once a week i would have uh a like tinge of guilt about it but then i would also i would also think like i'm doing what I love this is working no one at the day job is really saying anything about it about about like my um I didn't tell them I was doing it but like no one said anything about like the quality of my work really um so yeah I was like no part of me thought about quitting um the day job I was like let me just try to do both and let me see how long I can do this how does this work scheduling wise you've got like a day job you've got this so I don't I don't have any direct reports so I kind of just have projects I have to finish.
21:49And so a typical day for me would be to like, um, wake up, uh, at around six or 7am, go to yoga at Sky Ting to try to like maintain some sense of like balance and like a relative health in my life. Um, do as much work on my computer as I could from like nine to one. And then I would, uh, put a DNS on my calendar starting around two for like a do not schedule block. And that's when I would be on the line. And then I would work at the restaurant from like two to midnight ish, at least five days a week. But because I was, you know, the least experienced and the least skilled, I would always, oh, I would drop everything to step in and like cover for someone, which I didn't realize how often that happens in restaurants that it's like, it's 2pm and a cook calls out and someone needs to come in.
22:44and so I would often work there like six days straight sometimes seven while were you like on slack like on the prep line and shit like that yeah I was I also would occasionally go like um headphones on camera off for a zoom while I was doing like knife cuts for prep um yeah it's a real like there's there's a whole other side of it about like tech workplace culture that I would like to write about at some point but have like not really yeah dove into as much but yeah I would do all of that and they, you know, my coworkers in the kitchen were deeply confounded by me and what was happening. But it was really fun.
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24:44Support the show by mentioning us at checkout. Terms and conditions apply. Hi there, it's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request? A restaurant you wish we'd visit to talk about on Three Things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey. It will only take a couple minutes, I swear, and will help us continue to make the best show possible. That's the This Is Taste listener survey link in our show notes.
25:22Well, let's talk about Cool World. You're there. You clearly write about restaurants, and you're, like, thinking about restaurants from the long view, and you're also close in, working the line. Take us through the failure of this restaurant. I want to know what happened. Because, like, give us the post-mort. I think it was Dune from the start with the name, frankly. Tough hang. Not a big fan of that name. I would tell people I was a – it was one of those things, like, I used to be this way about being from Austin. I'll be like, oh, I'm from Texas. I'm like, where in Texas? I'm like, Central Texas.
25:52And they're like, I'm, like, avoiding it. And I did the same thing with Cool World where I was like, oh, I'm a cook. Like, I'm a cook in Brooklyn. And they're like, where? I'm like, Cool World? It fails this very important task that you need in restaurants that you have to be able to. I say this about people with subsect, too, for the name. You have to be excited to recommend it. The main reason why, like, Feed Me from Emily Sundberg is good is because it's good. But it also helps with Word of the Mouse, but you've got to check out Feed Me. It just rolls off the tongue. You've got to go to Cravette, rolls off the tongue.
26:22You've got to go to Cool World is, like, doomed from the start. and I really think it, not to, you know, say like it wasn't our fault in the kitchen with the food because there's certainly plenty of things we could have done better, but it never became a daily destination either for people all across the city or for that neighborhood. Yeah. We were always pretty much slammed on Friday and Saturday nights. Typical Brooklyn story. It's Greenpoint, right? Greenpoint. It's now the Brooklyn outpost of Rays. Yeah. But I mean, I remember I would go in and I was like, there's no way in hell I'm sitting in this dining room.
26:56Like it felt a little weird. And it was impossible to describe what the food was too. I think there were ambitions for it to be kind of like the Brooklyn Odeon with cues spent on things with like some Asian flair. That's literally every restaurant. Yeah, that's a very good point. Every restaurant would be the Brooklyn Odeon. But also we wouldn't, we didn't lean into it enough to say it. I think if we had been like, oh, we're actually pretty Hellstony, but with more like lightly Louisiana influence and a lightly Asian influence, it could have worked. The concept is tough. But there. Yeah. And then also, not only did it not get good reviews, it kind of didn't get reviewed.
27:36Like it didn't get into that hype cycle of any kind that could build momentum. Yeah. And I think like I didn't really know any better. I obviously would know that if I, you know, if I was standing around for 90 minutes and I had made one crudo and one salad, that probably wasn't good. There were days where I would be naturally given like my previous jobs. I'd be doing the math and I was like, I think they're losing money on me right now as a cook. That can't be good. Yeah. But I think most of the reasons that restaurants are succeeding in New York when they do is that they have good enough food, but they reach this escape velocity via reviews and TikTok and buzz and hype and that it feels good when you're in there.
28:25That is what's actually essential. I mean, also, I would say when you approach a restaurant from TikTok, they deliver on the promise in some ways. And it might be like a price point. It might be self-service. It might be a couple of banging dishes, all of the above. Yeah. Right? I think another thing, too, that some friends would say was that, like, not only did the menu not feel cohesive, even if most of the dishes were good, I think it was a little, like, the best stuff was also a little heavy and, like, a little intense. And we had friends come in, friends come in, and you, like, crush them with food.
29:05that was like a thing I learned of like sending so much stuff out and my friends would be like I feel pretty horrible after coming the food was good and I had a lot of fun but I don't feel amazing I think it's interesting to compare it to demo where Q is now where I think it's like so dialed in I think the dishes are so good it's like the point of view is like it's a wine bar it's a wine bar with food it's that thing it's a very good version of that thing in a neighborhood where people are looking for it and it just kind of clicks it just kind of works in a way that cool world never clicked and demo is a much better name for a restaurant the name is is i think better it's still a tough name for me okay i always forget about it because i'm like people do i'm like i remember i heard about this place that had four i mean i really literally on this show maybe talking to eliza for three things i couldn't remember demo for whatever reason anyways i know a lot of food friends who still haven't been despite me recommending it despite lots of people recommending it i don't really know why but i think it's a little underappreciated so i mean also the quality of food i mean you literally had no training and you're cooking every night sure maybe it's an indictment on them that they hired me that's a little bit i'm not trying to be unfair like i appreciate you being honest i'm sure q uh running a successful restaurant now would appreciate the honesty because i think we don't really talk about that on the show yeah yeah it's probably a failure to hire you um yeah estella was right of like probably i'm sure they found someone yeah with More experience.
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30:30So any experience at all and hired them. It was a very weird experience for me. I bet. By the time I got to like, so I started in August, I think. And by the time I got to January with like some churn at the restaurant, new people would start. And all of a sudden I was like an experienced cook at the restaurant. I like knew how things worked. And there were definitely times because of the stress and because of my lack of experience where I would send out dishes that I didn't, didn't have time to taste before they go out, that it would go out and I'd be like, oh, that might have been missing a component maybe because I just like don't have all of the reps in.
31:07And that's the thing I feel a lot when I go out that I'm like, oh, I think the thing that's happening is actually the precision is a little off that I'm sitting there evaluating. Like, I think I know what's happening with the literal line cook at each station. And that is actually contributing more to potentially your negative experience at a restaurant that the line cook is stressed or busy or inexperienced or hung over much more so than like the food is conceptually off yeah no it's the the recipes might be super dialed but then you just have a guy or somebody who just doesn't understand that eighth component yeah on the pickup yeah i mean i could uh we had this fluke dish that was the absolute end of me where you have to like thinly slice seven pieces of fluke thinly slice a piece of asian pear for each literal piece of fluke crudo roll the fluke around the asian pear put a watermelon rind on each piece of fluke season with tweezers uh yes with tweezers uh put asian pear juice over put these like um we would call them like sexy scallions over each one yeah and the thing i also found working at restaurants is that any experienced home cook could do 95 of the dishes in these restaurants once the real thing that breaks you that I didn't realize is you're you're fired on four of them and three salads so there's a volume issue and then the real thing that gets you is that oh and now you're out of the black garlic ranch that goes with the wedge salad and so while you're making four crudos and three salads you're also making eight quarts of ranch that you have to perfectly execute because you're you're behind and you have to do all this at once and manage all of the time and that's when you really start to fail that's when you start to like under season things or over season things or miss components and yeah you need experience um to be able to do that why would you run out of ranch then what's the what's the reason around ranch because even the the non-professional view is like shouldn't you be prepped out for like a full night you would think so but that's you're you're always uh low you're like always low you're always like the the the ingredients are always like a little bit behind you don't know what you're going to be sent each day like you actually might not have everything you need to get out more there's so much stuff you can't prep too far in advance and so um i mean one thing i did when i was there i felt like i was like hey we should have a system but i was like i understand how spreadsheets work so you tell me what the system should be and i'll build the spreadsheet for you for the prep list for the prep list yeah and it would be like oh you would see on there oh we have one quart of ranch we should bulk it out a bit like maybe we can get through this maybe we can get through this dinner with the two and a half quarts we have and then uh because you don't want to throw away product the margins are so tight that you want to make sure you have like the exact amount and then you exactly you bingo that's such a key point yeah you can't over prep you can't over prep that's your margin that's like that's like no margin anyway yeah and so if you over prep and throw away food there's no way you're going to come out ahead but you especially when you're not a restaurant that has consistent booking it becomes very difficult to predict there might be a wave of people who come in who absolutely crush you for whatever reason and then you're behind and it's um i also quickly realized how you you feel this real sense of failure when you have to 86 a dish off the menu for the night because you didn't prep properly yeah you would do like everything possible to not have that happen yeah and then like the diner has no empathy for you and they shouldn't right i um i have a ton of empathy when i'm dining i'm the kind of person who like if i order a fish and they bring me like the vegetable dish i'll just eat it not say anything but i do think for the for the cost of what it takes to dine out the the standards can and should be high for the people that's a whole lot of conversation i want to have you back well i think we'll talk about like some broad trends uh and like perception versus reality i hope you You can come back later this year.
35:12Let's zoom out a bit and talk about food media because I think you're an observer of media. You are a member of the media. You also have a deep, well, you have a middle to shallow industry experience background, but you have a lot of friends in the industry and you understand how it works just as you were talking. What are we missing in food media? What's the big story right now that we're missing? I don't consume a lot of traditional food media. I don't know. It's interesting to me. like would you consider taste like traditional food media it's a great question i do i think we've done this for eight and a half years and like we are peers with like the times and eater and i think that's fair yeah uh we don't have like restaurant recommendations we're not like fully service oriented so i guess we fall outside it we're like more of a culture publication it's always like to say it but we've been doing long enough that i'd say i think that's fair i ask Just because when Emily Wilson, who runs the Angel on Substack, one of my favorite food publications and also a friend of mine, we were talking about this.
36:13I think there's this subset of food-obsessed, restaurant-obsessed people who get most of their food news and media from group texts and from Instagram DMs and from Chris and Jason on How Long Gone. And it's like I kind of feel like I'm just getting it from straight from a individual person source. I trust, which I swear is not a plug for Substack, but it's like how I operate where it's like I just want to know what Emily Wilson thinks about the new place in L.A. Yeah. I want Kate from Bite Size, like roundup of L.A. things. it speaks directly to me in a way I really like. And I want a lot of utility specific to me in my food recommendations.
37:06And I don't find, for me, that the utility I want is showing up on Eater and the Infatuation and even the Times reviews of places. I would much rather text my friends who have gone and check it out. But I think what those places are doing is the right, especially I think of the infatuation, like I think they're doing very well. I think they serve exactly the purpose that the largest audience interested in restaurants is looking for, which is mostly like what's a hot new place I should go to. And give me a number. Give me a number. What's the hot new place I should go to that will make me feel good and cool and I can post about it and like maybe the food is good.
37:54And I think that's informed a lot by TikTok and Instagram and how it has influenced how we all think about dining out. And I'm just I prefer to be completely removed from that. There's a bit to unpack there. I love the sentiment because I fully agree with you on most of it. I feel like definitely we want to have those like one on one exchanges, especially for restaurant recommendations. I think that's a very, very savvy point that we don't need to read a lot to get that rec, especially from like someone like Kate or somebody, your friend or a podcast mentioned. That's why we do three things here.
38:25We like to mention restaurants very quickly. I think like journalism has a place for like writing deeply and critically about food and showing some real academic rigor and reporting. So I think that there's like that whole thing which falls outside of like where should I eat? What is the cool place? So I think it's balancing the two. But I feel just how you express that especially for Gen Z millennials like clearly text on the page when reporting about food is dying. It's dying a slow death. It's not dying a rapid death. But it's clearly dying text on the page. Yeah. Yeah, I would hope that text on the screen on Substack will continue to give a place for it.
39:03But I think through like, I remember when Bill Addison was the roving critic for Eater. And I was like, this is the coolest thing imaginable. Bill is one of my favorite writers in the world. And you read him, right? I read him, of course. I was like, this is essential reading to me. And I'm so happy that this media company is investing in this thing. that I think would I would guess in reflecting on it like probably would not have the proper returns unfortunately would not have the proper returns right now to invest in it too I love reporting I pay for sub stacks or subscriptions that are rooted in reporting I think in a lot of ways even what like I mean even what Chris and Jason do when they talk about restaurants and how long gone to me is report like I'm like oh you have better inside information and you will let it rip about what you actually think and what you heard in a way that to me at a traditional media organization gets caught up in red tape, gets caught up in like, especially it's like what's actually happening behind the scenes.
40:02What am I hearing from people? It's a little bit about being polite, to be honest. It is about being polite. Red tape is a good word. I think we can marinate on that a bit. I think like it's being polite and it's also being like objective and editorial and not taking into account that you like, don't like the person running the restaurant which i think in the pod world and in the text world you can be like that guy's a fucking tool and i don't want to go to his restaurant because he's like running the show in a douchey way i think that's also the case that and this happens even with individual operators too that like you start to become friends with these people yeah i know they um they get you a reservation they send out a bottle of wine at your table and i have that i have friends of mine in the restaurant industry who i i take the approach if they have a place I don't like that.
40:44I'm just kind of quiet about it. Like I fall into this as well, which is why I really appreciate when there are voices out there who will say exactly what they think and like not hold back. Yeah. And I think you think Matthew Schneier at New York Mag and, you know, I think Priya and Melissa, you know, they let it rip enough. I think they're really good. And I think for what The Times needs, they're doing like an amazing job. I think Priya was so good at the restaurant criticism in taking over for Pete. Melissa's also been really good. And it's just not what I am looking for personally. Yeah. I get that.
41:27Would you take the job? Would you apply for that job? It's so funny. I had this conversation with friends and I was like, I am so in the bag for Substack. I think we have like, it is a dream job for me. I emailed them begging them to hire me and like telling them why. and I think if the times was like we want to give you this job I would leave and do it I think it would be so much fun and I would do it for uh I would probably only want to do it for a couple years of course and then see it may probably see if subsec would take me back and I'm sure yeah I'm sure Hamish would tell me like you're either in or you're out like get the hell out of here which would be fair but um it's a it's a similar thing I have though we're like every 18 months I really love to like blow up my life with a big change it seems like that and um i have a big challenge that i've never done before so i would i would probably i mean six years espn that's like a long time so you clearly you've done that long job and now you're like is it worth doing a long job um i mean i i was always uh changing roles inside espn so you blew i moved i moved a lot i would blow up like a relation like i need i usually need something uh and i especially like a brand new challenge but they're not going to offer it to me so that's okay.
42:42I love it. I mean I hope you apply for that job. It'd be fun to read you because I really do think Bangers and Jams is such terrific writing. Oh thank you. I will link to this great story you wrote about knives and home cooking. It's like a really lengthy read in the best way possible but just like your relationship with your knife I think it's really well done and honestly I think you have skills you got bars man. I appreciate it. I I really love writing. I started it as a bit. I was like, well, I started it to learn the product. And as a bit, I was like, I'm going to pay all everything. I'm going to make it so expensive.
43:14I'm going to do this just for me. And then I got hooked. Yeah, you got hooked. So let's actually end and talk a little bit about Substack. We talked about it on a previous episode. But catch us up. I know it changes so quickly. What's exciting you in the food space right now in Substack? And I know you've been doing a lot of lives yourself. You did one with Emily. Wilson, which is great. And that seems to be kind of a growth opportunity doing live streams. And then, of course, podcasts within within the app. But tell me a little bit about what's up. I have this thing I'm like, like sitting on with Substack and the app and video that I'm trying to figure out.
43:53It's a lot of what I do at Substack of like, how do we how do we crack this thing? I haven't cracked before. And a thing that's working really well on the platform is what you described is like a person who will help explain and make sense of the world to you and whatever your world is basically has like a FaceTime with you right in their phone and it breaks through all of the noise and shows you what's happening or they have like this intimate conversation with someone that you get to sit in on and it works really well in news and politics and even culture and like tech and AI. I don't know how well it works in food right like what y 'all are doing is is awesome i love this podcast i am not convinced that this format in food is what drives paid subscriptions it might be i might be wrong but like um in that sense making like news and politics space it absolutely is for video it works really well and so a thing i'm trying to figure out is like okay what's the paid subscription video play in food that i think inherently has to be different than how video works on Instagram, TikTok, and YouTube, where those platforms are driven, understandably, by getting people to spend a lot of time watching things so that you can sell ads against them, which means that, like, the food has to look like the best food ever, and it has to be maybe highly edited, and it has to just get you to click and buy ads, and, like, what it doesn't have to do is it doesn't have to, like, inspire emotion and inspire urgency to pay to be a part of something and so i don't know if it means in food video and like paid subscription food video that it's actually like oh clara burr sets up a camera in her kitchen and you watch her cook all of thanksgiving dinner like raw unedited for like six hours and you just like get like a bird's eye view into it or if it is actually there is a conversational format that yeah i have plenty of thoughts you brought it up so i'll just go yeah please honestly first off there's so much great free service-oriented video available, including archives of all the PBS shows going back to the 80s, Food Network, and then, of course, in the travel component side.
46:05There's just so much available that to pay while something new seems like you're missing the point. To me, this show works really well. We love our listeners. And if you're here, shouts to you for getting this far in the interview. We really love that our completion rates are like 60%. We have a really great audience here. And I think it's because we aren't boring. Yeah. And frankly, there's just a lot of boring food media out there. And you just or you're not fun. And like you just you're not you're too serious. And like you or you're boring. Like I'm going to keep saying that word. I think can't be boring.
46:37I think you're right. You can't be boring. But I think there's a format question, too, when it comes to paid subscription video that I think no matter how in food, no matter how compelling you are, like, you know, talking about what it's really like to be a line cook or where to go out to eat because of the abundance of free content out there, because of just the way that food works where people want to see it. Like, I find it to be a really interesting question and problem for us to try to solve as we, like, expand the territories in which paid subscription video is thriving on the platform. I mean, you just need to fucking have cheese poles, my man.
47:16just have a lot of cheese pulls and that's going to get the time on site. People can't help them but pay for them. I mean I like I really believe in what we're doing. I really believe that like there's a future in having a space where the algorithm is specifically designed to drive subscriptions instead of like eyeballs on advertisements I think that inherently rewards quality in ways that is incredibly cool that's like still very possible in other formats and i think in this space that i mostly care the most about which is food i'm like man i would i i wish i had these case studies and examples of how food video works in subscription and we don't yet and i like i as you think about like what we're excited to figure out i'm really excited to figure that out because i think we can i love the the challenge yeah because it certainly is there and we know that competition works as well so there's that whole element right like people really are engaged when following like a game show that's true yeah and then you get into a whole question around um like overhead and margins right because it's like if a big brand is sponsoring a game show or it's on netflix um you can have a whole production team yeah run it and uh if you're running a subscription business as an individual operator and you start hiring a production crew you're you're over it starts to get quite high.
48:39And the other part of it that we find, that we see that I find really interesting is that the higher you get in production value in subscription video, usually the lower your conversion rates are in paid subscriptions because you need intimacy and you need like accessibility for paid subscription. Very true. Well, we can't, we could talk all day about this and we probably will off mic. And Austin, I'd love to have you back and talk about just the the long lens about restaurant criticism and media in restaurants. You're a terrific voice. From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière, an exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story.
49:26The 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus. The full program is available at MontrealOnLumière.com, presented by Lotto Quebec in collaboration with National Bank. Today's episode is brought to you by ButcherBox. As a food writer, I can be a little skeptical about subscription cooking boxes you hear about on podcasts.
50:09There's big talk about cooking simplicity, but you're usually left with disappointment after smashing that promo code. Now, Clayton, have you ever tried one of those subscription boxes? Yeah, Matt, my friend gave me a code for that one that has all the chopped vegetables and little baggies. I felt like a drug dealer trying to cook dinner. Yeah, man, I have so been there. Butcher Box is a true exception. I was sent a box of premium beef and pork and was blown away by the quality and variety. There was 100 % grass-fed pasteurized ribeye, tri-tip, and ground sirloin for my favorite at-home smash burger recipe.
50:44George Motes, you better watch your back. For pork, they sent me a beautiful center-cut pork loin for slow roasting. I was super impressed, and I haven't even talked about the ribs, which I cooked in my Instant Pot. There was a rub of salt, white pepper, and togarashi, and I pressure cooked with water and apple cider vinegar, it was incredible. These ButcherBox ribs are amazing. For nearly a decade, ButcherBox has led the industry with meat and seafood that's antibiotic-free. As an exclusive offer, our listeners can get free protein in every box for a year, plus$20 off your first box when you go to butcherbox.com slash taste.
51:25Visit butcherbox.com slash taste to get this limited time offer and free shipping always. That's butcherbox.com slash taste. Don't forget to use our link so they know we sent you. On This is Taste, we ask guests about their discerning taste. So to close this interview, here's a little rapid fire fast and furious taste check. Are you ready? Let's do it. The best fruit? Korean winter strawberries. Oh, I love that. Great. How do you cook with them? I know you're thinking. I didn't know this was a thing, that there was like a winter strawberry season in Korea, and that flew my mind. Every place was serving them for dessert.
51:59Mostly raw, and it was amazing, but some of them were just macerated simply with sugar. It's like very simple, but so delicious that I am still thinking about them. The worst vegetable? Squash. Ooh, wow. I never buy squash. I don't find it exciting. Yeah, is it too much sweetness without balance and acidity? I just find it really boring. I'm just like, this doesn't excite me. I'm excited by almost every other vegetable. And I just see a squash and I'm like, I'm good. You're good. What's your typical breakfast? I don't really eat until around noon. So my typical breakfast is a black Americano. And then so the first thing I'll eat in a day is I'll usually make a salad or like a vegetable forward dish at lunch.
52:43I mostly engage in like intermittent fasting. So like my eating. Straight. So I took you as a filtered coffee guy. I'm like kind of surprised that you're doing espresso. Uh, yes, I'm, I'm, I love espresso. I'll make a, uh, I'll make a black coffee at home, but as a work from home person, I need the, um, I need the ritual of leaving and like getting the, uh, scene report at Maru. Yeah. Um, and yeah, that's, that's an interesting, uh, assumption about. I don't know. As like somebody who has a palate and who cooked, um, I just like espresso doesn't do it for me. Really? Oh, especially for first coffee.
53:19I'm filtered always just because you want to taste coffee not taste pressure and roasting. I think you are objectively right and I just have this habit that I I mean I used to like again I had very poor eating habits growing up like there was a period in my life for like five years straight where I would have like blended frappuccinos from Starbucks every day so I think I'm maybe like working my way back from that to something more palatable. Dude no judge either. Oh I'm very pro-judgment. I'm happy to be judged. All right. This is a big one for you. A restaurant you wish you could bring back from the dead.
53:52The Magnolia Cafe on Lake Austin Boulevard in my hometown. There's still a Magnolia Cafe on South Congress, but it's like really not the same. I don't think I've eaten at a restaurant more than that Magnolia Cafe. The big like, sorry, we're pancakes sign. being like a 16-year-old up to getting into a bunch of trouble and then showing up there at like 3 a.m. for fries and pancakes. It's a very like, when I think of this question, I think of nostalgia much more than like a dish. Never made it to Magnolia Cafe. I've always wanted to. Yeah. I mean, I think it's like I associate it with being very stupid in high school.
54:31Much more than like I think if you had went, you'd be like, it's pretty good. When you're craving fast food, where are you going? Sonic. Oh, word. Nice. Yeah, yeah. There was one down the street from me when I was growing up, and I like an abundant drink menu and tater tots. So it's tots and drinks there. Because, I mean, I know the commercials, they're national spots, but, like, we don't get them in the Northeast. Yeah, and, like, a lot of the savory is, like, not all that great. Like, I wouldn't get a burger at Sonic. It's funny. But, again, I mean, up until a week ago, I was very anti-entreys anyway.
55:05So I would just like order snacks at Sonic and have coffee at a time. Your favorite city outside America to visit for food? London. When I'm in London eating, I have the sensation of like every cook back there is better than like any cook in any city in America. Like I can like feel it when I'm eating. The entrees in London are really good. The variety of cuisines is fun. they understand how to do a really good vibe, a really good food. I actually just made plans with someone over the weekend very drunkenly to do a home swap for their place in London and my place in LA. And I was like, I'm coming out ahead on this trade.
55:46Oh, for sure. So what's your honest take on Rochelle Canteen? I love Rochelle Canteen. Is this an anti-Rochelle Canteen podcast? Kind of. Why? I didn't love it. I don't know. I just didn't really, oh, it didn't excite me the menu didn't. It felt like it was a pain in the ass to get to. And I don't know. I caught it the first night back from winter break, which is always a vibe that I'm sure no one wanted to be there. I just didn't see what the fuss was about. I think St. John Bread was much better for me. Interesting. I like Trichel Canteen more, but I think there's a lot of places in London that are like that.
56:19It's like, who's cooking tonight? What's the menu tonight? There's this chef, Jamie Smart, in London, who used to run Cadet, who I think is bouncing around a bit, who is to me like the most interesting, talented cook I've seen cook in a long time when I was at Cadet. It was like the small spot. It's literally like just him back there on a burner and he like walked every dish to us. And I was like, I wish you could cook for me every day in a way that I don't feel as... I come to New York for like B plus, maybe A minus food and A plus time. And I'm so into that. Like I am a restaurant experience person.
56:59Me too. I think our like mutual friend David Cho gives me crap for that all the time. For me like how dare you not prioritize food. And like I know what I like. And London will give you oftentimes for the places I like like A minus A food and an A plus time in a way that I don't experience as much. It dials up a little bit for you in London. We can talk. You're going to be back. We'll do a full after that swap. I want a full London report. There we go. It'll be really fun. Last one, your favorite sandwich. My favorite sandwich. Oh, the classic, simple Italian sandwich at Roma Market in Pasadena.
57:33I think it's the best sandwich in the world. It's literally all I want. I really hate stuffed sandwiches, like overstuffed ones. I'm like, give me these very few, very good quality ingredients. Yeah, a clear number one to me. Austin Dadesco, this has been so much fun. Can't wait to have you back. Thank you so much for joining us. Thanks so much. This was great. I appreciate you.
57:59This is Taste is hosted and produced by Eliza Abarbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, director of media production and development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Logo and guest illustrations by Ellie Skrzat. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste.
From the publisher
Today on the show, we have a great conversation with Austin Tedesco. Austin is head of business development at Substack, but we think of him even more as an infinitely curious restaurant superfan. He’s worked as a line cook and dines out with the frequency of our best critics. He writes about it all on his own Substack, Bangers & Jams, and we talk about his journey from NBA reporter to restaurant professional to helping promote the growth of authors on the Substack platform. Is Substack the future of food media? It’s still early to say, and Austin gives some insight into how it all works.
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