671: The Best Restaurants In America Aren’t Always New with Jon Bonné

15 Oct 2025 · 44 min

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Podcast Summary: This Is TASTE - Episode 671: The Best Restaurants In America Aren’t Always New with Jon Bonné

Episode Overview In this episode of *This Is TASTE*, hosts Aliza Abarbanel and Matt Rodbard welcome Jon Bonné, managing editor of Resy and author of *The New French Wine*. The discussion centers around the Resy 100, a curated list of restaurants across the U.S. that showcases exceptional dining experiences. Bonné emphasizes the list's inclusive perspective, highlighting both well-established restaurants and new entries, while exploring trends in Mexican cuisine, the New Nordic movement, and the evolving wine bar scene.

Key Themes and Discussions

The Resy 100

  • Diversity in Dining: The Resy 100 aims to represent a diverse range of culinary experiences, acknowledging both traditional and innovative approaches to food.
  • Recognition of Longevity: Unlike many lists that focus solely on new establishments, the Resy 100 features restaurants that have been around for years, showcasing their continuous excellence.
  • Personalized Dining: The concept of the "best restaurant" is subjective, and the Resy 100 seeks to highlight that there is a "best" for each diner based on personal experiences and preferences.

Notable Restaurants Discussed

  • Leo Leo: A San Francisco restaurant praised for its innovative menu that merges various culinary influences. Bonné argues that its decade-long operation reflects ongoing creativity rather than stagnation.
  • Huckleberry House: Located in North Dakota, this restaurant combines Scandinavian and German influences, reflecting regional traditions and innovation.
  • Cong Tu Bat: In Portland, Maine, this restaurant offers a unique twist on Vietnamese cuisine, illustrating the creative evolution of traditional dishes.

Trends in Cuisine

  • Mexican Cuisine: The episode discusses how chefs of Mexican descent are innovating traditional recipes, blending cultural influences to create new dining experiences.
  • Wine Bars: Bonné reflects on the resurgence of wine bars, emphasizing their transformation into vibrant dining spaces that focus on quality and accessibility.

Future of the Resy 100

  • Evolving List: Bonné hints at the possibility of quarterly updates to the Resy 100, making it a living document that adapts to the ever-changing dining landscape.

Key Takeaways

  • Enduring Quality: Longevity in the restaurant industry does not equate to obsolescence; many long-standing restaurants continue to innovate and provide exceptional experiences.
  • Diners' Preferences: There is a growing awareness among diners to revisit established favorites, balancing the allure of new openings with the quality of longstanding establishments.
  • Culinary Innovation: The conversation highlights the importance of recognizing diverse culinary narratives across the country, challenging the notion that only new restaurants deserve acclaim.

Conclusion This episode of *This Is TASTE* sheds light on the evolving landscape of American dining, encouraging listeners to appreciate both the new and the enduring treasures of the culinary world. Bonné’s insights into the Resy 100 provide a refreshing perspective on what constitutes great dining today.

For more information on the podcast and to explore the Resy 100, visit [tastecooking.com](https://tastecooking.com).

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Transcript

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0:00This episode is brought to you by Resi and American Express. Resi is a digital platform that connects restaurants to restaurant lovers by elevating dining experiences, providing original industry content, and helping to fill some of the country's most exciting dining rooms. Because restaurants have always been more than just places to eat. The amazing world of restaurants is just a few taps away in the Resi app and at resi.com.

0:31there is this push and pull that I think I think honestly most of us have like we do want to check out somewhere new and cool and fun we do want to go back to a place we love and we're you know we all in our minds are able to somehow resolve that and yet um the the list making media machine is still struggling with it. This is Taste. I'm your host, Matt Rodbard.

0:59JonBenet is Resi's managing editor, a two-time James Beard Award winner, and author of The New French Wine and other books. I always love having Jon in the studio, and today we talk in detail about the Resi 100, a decisive and illuminating list of restaurants around the United States that define dining today. The list has a very strong point of view and highlights restaurants in both big cities and smaller communities that serve exceptional food that alternately might be comforting or daring, traditional or completely new. It's a fantastic list, and we cover many of the entries while also zooming out to talk about interesting examples of Mexican cuisine, the American Nordic movement, and naturally the modern wine bar scene.

1:45I hope you enjoy this episode.

1:51JonBenet, welcome back to This is Stace. How are you, my friend? I am fantastic. How are you doing? I'm great. I love having you back. You have such a strong mind for restaurants and wine and really just food culture as a whole. So I'm going to take advantage of this time because I have so many questions to ask you. Before we get to the Resi 100, I just want to know, like, where have you been dining out, Jon? in New York, in your hometown of Philly now? New York, where have I been dining out? Karima, which is just, you know, it's like just such a compelling, it's all compelling. Opsi's Village, which it's funny, like I get a lot of like very, like a full range of thoughts about the pizza, but like their tavern pizza, you know, is amazing and the wine list is amazing and it's so much fun.

2:41And Philly, you know, I will always be hanging with like the super at super Foley Good King folks. Amah is so good. And it's kind of a sleeper hit. But this place, Kisho House, which upstairs is sort of, you know, Robota kind of, you know, like Asian-ish, fusion-ish cocktail situation. And downstairs, the omakase chef worked for Jesse Ito, was a chef at Hiroki, like was, you know, sort of did like the A-list sushi loop in Philly and is doing this crazy killer omakase that I, you know, I probably should gatekeep, but I won't because I, you know, I want everyone to enjoy omakase they can afford.

3:33Yeah, it's wonderful to know that Philly has an omakase that you co-sign on, having had them around the world, really. What a great city. I mean, I want to have you back to talk only about Philly. We'll do that. Just do a road trip. Yeah, we'll love to do a road trip. I try to make it down many times a year. Let's talk about the Resi 100. Terrific list. Has a really strong point of view. And I love in the intro how you write, quote, you decline to play when someone wants to indulge in a game of best restaurants. because it's our belief that there's only a best restaurant for you. How then did you come up with 100 restaurants when the idea of the best restaurant is so personal?

4:13Yeah, from like a universe of 10 ,000 goodness knows how many. Yeah, goodness knows. So the notion of a best restaurant for you is really one of the north stars of editorial that we think about a lot, which is that we all know why these lists exist. ours or anyone else's. But, you know, when you get into this notion of best, like, fair enough, I get it. It's a useful word. But, you know, there's, first of all, we're getting better, but there's still an awful lot of best meaning, kind of fancy, slightly fussy, slightly tweezer-y, you know, vibe. Like I said, it's getting better, thank goodness.

4:58But it's also just, you know, there's um i i really do believe that that the the the strength of american restaurants day of of american dining is that we've we found this remarkable diversity and and people are excelling at lots of different things and some of it is more traditional some of it is innovative and and hybridized and, you know, hyphens colliding and all of it. And so, you know, we felt that, you know, there's so much interesting stuff going on out there. You know, the 100 is for sure not a static thing. But, you know, you got to pick a number eventually. And, you know, 38 was already taken.

5:46Yeah. Bless them over at Vox Media Corp. but you know we wanted to really you know capture I think the full sort of diversity of what's going on. I love it in so many ways but what I like most about your list of restaurants is that you really lean into restaurants that have been open two, five, ten, eighteen years and I think a lot of these lists sometimes they're called best new and you have to obviously have a time stamp but many of these lists from the New York Times, Bon Appetit, to Food and Wine, and I can name all the publications that make lists, they are driven by PR and the buzz created by this kind of apparatus that we have to acknowledge.

6:30And this is not against PR. I have friends in PR and we obviously book the show via representatives. But I think sometimes the PR folks are doing too good of a job with these lists. I'll say they're doing maybe too efficient of a job. Okay, that's great. You're a little stronger with it. Yeah. But yeah, I mean, you know, there's a lot of behind the scenes work that goes on to get a lot of people on these lists is what it is. You know, my time in newspapers gave me a, what I will argue is a healthy skepticism of those processes. um but you know look yes new is great um says the guy who literally has three books with new in the title um but you know there's even frankly when i was when i was doing let's say the new french wine like new does not fundamentally mean brand new like it you know new and shiny it means that there is a new spirit to it um and for whatever reason in restaurants that doesn't I mean, doesn't quite translate.

7:33You can't directly do that. I mean, when you're saying a new restaurant, it is a new restaurant. But at the same time, how many of us spend our lives just going to new restaurants? And so, you know, yes, of course, it's buzzy, it's new, you know, you want to capture sort of the shiny thing. But that's not actually how our dining lives exist. Right. Right. And I think we sometimes as diners need to remind ourselves of new five years ago and look back. And I think a great example is Lila Lila Yacht Club, which is at the top of the Resi 100. And that's a restaurant that's been around for a decade.

8:08They took a little bit of a pause during the pandemic. But I remember when BA wrote about them in 2015 and their best new, I was like, I got to go there. This place seems really interesting. I went, I think sometime around 2017, I had a great meal there. But honestly, John, I had forgotten about them. And here they are at the top of the Resi 100. Really, really cool. Tell me about it. So, I mean, as a former San Franciscan, I, you know, always love to my time there. Ravi Kapoor is an amazing chef. He, you know, he was well trained in kind of more formal cooking. But, you know, his background is Hawaiian, Chinese, South Asian.

8:49Like, you know, he brings a lot of his own sort of story to quite literally the table. Jeff Hanek, who is his business partner in it, you know, ran some of the greatest restaurants in San Francisco, including NOPA. So these are, you know, these are, for lack of a better term, these are grownups. These are folks who, like, know how things work. And, you know, honestly, being open a decade is an enormous achievement that I think sometimes we forget about. again like you focus on the new and you stop thinking about look like once those reviews fade into the rear view once it just kind of becomes bau like business as usual you know like the restaurant has to go on and that's a question of how good a job you're doing with the people who keep coming back and you know i i would argue that that everything going on at leo leo like all of Robbie's cooking is as innovative and extraordinary today as it was 10 years ago.

9:49Like, it's not like it's just, oh, well, everyone's doing kind of neo-Hawaiian with, you know, with their own kind of Bay Area slash, you know, multi, you know, multi-hued twists, right? Like, it's really a place that, you know, that set, you know, set a bar when it opened, and I think is still there. And, you know, at some point, again, like I am clearly pro-innovation, but at the same time, people who are doing amazing stuff and are continuing to do it. And Chiquito, I would argue, is a good example on this coast where you're like, that was innovative. It is innovative. And every new Basque place that comes along, like they're finding ways to iterate.

10:38but you know it was a groundbreaking restaurant and it is still an incredibly important restaurant that is not none of the none of the things on in either are tired they're not like gonna go having like you know homemade spam again seen this before yeah it remains fresh you could say the same for houseman too staying in new york entirely like in tribeca like that's a place that um is over a decade old now and has a lot of regulars and locals but um and houseman is interesting because it, you know, I mean, nothing there is wild and groundbreaking, but it is, I think, you know, their menu looks very much like Quo Vadis in London, and that may or may not be intentional, but Quo Vadis, same thing.

11:21They're just like, they have figured out the things that they do perfectly, and you see iteratively over and over again subsequent sort of waves of admirers. So Houseman is fascinating because, you know, through, you know, a decade or so of, you know, of evolution of different cooks, of different critics, every single one loves it. It's like it really is this kind of like, you know, like down low favorite. Well, I think he cooked a prune and I think it's for people who like miss prune in some ways. And I think a lot of writers like miss prune. So they go to Houseman instead. And of the era, prune was right.

11:58Like nothing, nothing was groundbreaking, but it was nothing as groundbreaking as Zuni. But, you know, 30 years later, there's there's you know, you get off the plane in San Francisco and you go of the Zuni chicken because, you know, you are you are allowed to do things that are that are classics. Well, I want to also touch on some restaurants that maybe our listeners don't know about. And I've not been to this restaurant. It's called Huckleberry House in North Dakota. Tell me about it. In Bismarck, yeah. So Chris Tello, Cody Monson, both from North Dakota, wanted to clearly do something that I think paid tribute to their home state.

12:33This is a place that is kind of, you know, big, airy, very Scandinavian building on the banks of the Missouri. And it is kind of, you know, you were saying like sort of the other new Nordic. Like, yeah, I think this is their take on what sort of like prairie sort of Nordic slash German cooking would be if you rolled it forward into the 21st century. And so, you know, it's I think, you know, they they had a sense of like, let's do curried pumpkin dumplings. Let's do, you know, smoked salmon rillette, like, you know, like a fried pastry with birch sap syrup. Yeah. We're just like, you know, it's it's it's it's I think having this vision of like, let's be rooted in this place that may not be, you know, it's not New York.

13:27It's not Chicago. It is its own place, but it has, frankly, a very long tradition. if you're thinking in terms of sort of Nordic settlers in the Midwest. You know, that like there has been Nordic cooking in this country for a whole lot longer than Rene Rizzeppi has been alive. Yeah, exactly. And so, you know, there's I think it's exploring a different food way. And North Dakota is especially interesting to me because Marilyn Haggerty, who had a brief moment of fame, she was a restaurant critic in Grand Forks, who I think caught a fair amount of mockery for reviewing the Olive Garden and then was uplifted quite rightly by Anthony Bourdain who realized that there's a much deeper and more textured food life in this country than we tend to give credit for, again, to this notion of best new.

14:21And so you have to look for interesting, great things that people are doing wherever they're doing. Yeah. And I noticed that right away looking at the list that this is not a coastal elite list by any means. And you really did the work to kind of span across the country. Includes Portland, Maine. Cong Tu Bat is there. It's a restaurant that specializes in pho and other Vietnamese staple dishes. But there's definitely some twists going on. Tell me about it. Yeah. So this is, it's been around again for certainly since pre-pandemic. So, and Vien Dewey and Jessica Sheehan, I think they wanted to do kind of their like, you know, their like sort of zany, very colorful, very outre take on starting kind of as a pho place, but evolving from there.

15:11And so, you know, I mean, like Tam Tam in Miami, which is amazing. This notion of like, let's let's have like, let's do like a Vietnamese style party and just make it our own and make it fun. And, you know, and reflect kind of, you know, like the aesthetics of the current generation. And, you know, so they were into that as well. But Portland, Maine is maybe a little bit less obvious of a place to do it. But they're having a blast. You know, they're doing like Rancho Gordo beans in a turmeric lemongrass curry. Sounds delicious. Which, honestly, if you found that in New York, you'd be like, this is pretty rad.

15:48Yeah, yeah. And so – and honestly, with the whole list, it just – it kept being discoveries where you're like, you know, this is really innovative and really thoughtful. And folks who are, again, like, you know, bringing their threads with them but not simply saying, you know, I'm going to make the, you know, quintessential – I'm going to make the quintessential, you know – Bonseo or something. Right. And so, yeah. And so it's super exciting. And now they just opened a Cambodian place as well. So I love, you know, like it's, again, you just, it's, it's seeing, I think, that there are these, these cities.

16:28And I mean, I think we had at least 40 cities across the list, you know, where there's just, there's dynamism and there's this usually young, but not always, you know, kind of upcoming, up and coming cohort of chefs and restaurateurs who are just like, you know, when you honestly, and we've talked about this before, when you take some of the New York, L.A. economics out of it and you let people innovate somewhere that they can actually afford to rent a restaurant, they can afford to take risks, I think you see just how deep the innovation in American cooking is. Yeah, and I think I'm linking to the article in the show notes.

17:08You've got to read it because, John, what you've done, you wrote it. It's like 15 ,000 words. With a lot of help from all our students. Yeah, no, it's definitely using a lot of outside voices and editorial, your team. But you're tossing to other restaurants within each restaurant write-up. So I think you're getting a little snapshot of a community. And as you just mentioned, they're opening a new place. Well, it's mentioned there in the writing. And it's why it's worth reading. It's not just always about the restaurant. And it's great journalism. I want to stay in the Northeast. And I loved seeing this restaurant come up, Myers & Chang.

17:4018 years it's been operating in Boston. and it's one of those restaurants that is a classic. I read some reviews and like, I think the community of Boston is behind it, but it's not the new darling of Boston anymore. And it's great to be reminded about Myers and Chang. I had a great meal there a decade ago and now when I go to Boston, I'm like, I gotta go to Myers and Chang. There you go. And it's funny, so yeah, so it's kind of in the walk-off slot and I was a little bit deliberate because I was sort of like, I wanna, you know, Again, kind of like starting with Leo Leo, I felt it was important that we remind people that great talent and, again, innovation, it doesn't suddenly go away because you celebrate your third anniversary or your fifth anniversary, right?

18:27So you think about what Joanne Chang did when she launched it. And it was like, I mean, it was crazy at the time. It was like, you know, here's this like Harvard educated consultant who wants to, you know, become a baker and then a chef and just builds this amazing ecosystem. Again, like drawing on her threads, but also her interests and just acknowledging that, you know, she wanted to make the food that she and her husband wanted to make. and it was again it was innovative then and like you look at the menu now and you're like well this feels kind of familiar and the reason it feels familiar is that it has informed so many other restaurants that have come in its wake and it again like it it opened the door for a lot of other people to start to be able to explore that and to feel that they had a license to to make food that was for them personal and, you know, that brought new threads to, you know, to the dining conversation.

19:26Yeah, it's interesting as a diner, you sometimes when you see this name that looks familiar, you almost have to like pump yourself up to go there because it's not the new place. It's not the place that got that three-star New York Times last weekend. It's like the one that's been there forever. And like there's this bias, inherent bias as a diner that you're, that it's been around for 10 years. it must be dated. But your list goes against this argument, goes against this thread so well. And look, like, there are plenty of restaurants that do get dated. Yes. There are reasons that, you know, that restaurants need refreshes and whatever.

20:02Like, but I was just at PESH in New Orleans not long ago. And it's really fascinating. You're like, first of all, you know, they've obviously, like, polished things up, you know, a little bit over time. But you're like, for a restaurant that's been around basically, you know, like 15 years. This is still looking pretty, you know, pretty spiffy, pretty fresh. Everything is on point. Staff is amazing. Food is amazing. You're just like, to your point, yeah, I mean, it's you, yes, you have to stay in the game. But at the same time, I think it becomes difficult because we just, I mean, even in the absolute heyday of food media, there was never really a framework to keep acknowledging great restaurants.

20:44Beards is the only one really because of their outstanding restaurant requiring time. But that's like an awards organization. That's not an editorial outlet. You're so right. There wasn't the way we would call them legends, but that's kind of unfair. So weirdly, the one other organization that has done this for better or worse, and one can debate their prism, is Michelin. Yeah. And, you know, there is this sense with Michelin. And I think even there you sense their need to kind of keep looking for new. But the original concept of the stars and the bibs and everything after was, you know, you earn that over time.

21:27And, you know, there is something to be said, you know, again, regardless of sort of the specific choices, there is something to be said for earning, you know, for earning those stripes over time. And defending them. I mean, the term defend is always used with Michelin. and defending means that, yeah, longevity and you need to like continue operating at a high level, but also you need to keep, people need to keep going there and giving feedback and inspectors need to keep going there. Yeah, and my question would be, you know, you think about the criticisms of, you know, where chefs, specifically French chefs, felt enormous pressure within the system, which is obviously not the good part.

22:04But you're like, there's gotta be a sustainable version of this where you are allowed to keep being great and keep being recognized for it. And I mean, look, the ultimate recognition is people are continuing to come through your door. But it would, you know, I mean, I think, again, we want to at least dip our toe into how do you start to provide this ongoing recognition? How do you how do you lift up places that are that, you know, maybe they've been doing great work for six months. Maybe they've been doing it for 15 years. But, you know, it's it's important to acknowledge that both those things can exist on a spectrum.

22:38Hi there. It's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request? A restaurant you wish we'd visit to talk about on Three Things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey. It will only take a couple minutes, I swear, and will help us continue to make the best show possible. That's the This Is Taste listener survey, link in our show notes. From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière, an exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story.

23:27The 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus. The full program is available at MontrealOnLumiere.com, presented by Lotto Quebec in collaboration with National Bank. You live in Philadelphia and you had to make some choices, some tough choices in spearheading this list.

24:09You landed on Southwark, which is a restaurant I was honestly unfamiliar with, which I love about all lists. I've had many editors on at all the major pubs talking about lists. And when me as a writer is exposed to a new restaurant on the list, I think you have done your job. I'd love to hear more about it. Yeah. So it's funny. I mean, and look, there was, I mean, yes, I would have given even more love to Philly if I could have. I mean, like Irwin's is on just like when Michael does there is amazing. Meeting House is on, which, again, you're like, you know, it's, you know, on one hand, it's kind of a it's kind of like bar doing bar food.

24:45And you're like, yeah, but, you know, you have a chef who could literally be cooking at the best restaurant in town who decided he wants to make like the world's most perfect roast beef sandwich. I'm like, I'm here for that. So am I. Yeah. So, yeah, I mean, the thing with South Rock is, like, you talk to folks in Philly, you talk to folks in the industry in Philly, and over and over and over again, that is the restaurant that comes up. And that, to me, is always the sign. I'm trying to think. I mean, kind of Prune was that in New York. In some ways, Houseman is that. Like, it's, you know, it's a place that gets respect from peers.

25:17Yeah. And in its case, for 20 years now. And, like, food is amazing. um they also have another place ombra which is a little newer more sort of specifically italian more kind of tasting menu-y um but like cocktail program is amazing jamie rubin is the um does the wine is like one of the best sort of wine directors in town again one of these people is just like universally respected and you're like this is you know this is like this this is this is the pro game right yeah yeah and again you're it's it's it's one of these things where uh you know it's I think people who know it and keep going are delighted and, you know, and people who don't know it.

25:58The hope is this is a moment to to get to explore it and to give full credit. That was a pick from Sarah Maialano, who's our Philly hit list writer and amazing. Kind of like honestly, Myers and Chang was nominated by Eric Twardzik, who's our Boston writer. And so, you know, some of this is, you know, I wouldn't even say that I'd like to think I'm that smart. I'm, you know. Well, I love that you're giving credit to your team. Because, you know. I am lifted up by a tremendous, tremendous team of writers that we work with. And so, honestly, a lot of these in, you know, in our key cities were just, you know, great recommendations from the writers we work with.

26:41Who, again, like, they know the city super well. They know the level below the level. And so, yeah, it was, I mean, they made my job, honestly, kind of easy. Yeah, that's why the list is terrific. It's a real group effort. You write about this interesting dialogue between chefs of Mexican heritage and the food that interests them. You cite restaurants like Lele in Encinitas, California, Work and Class in Denver, Casa Susana in the Catskills, and Basso in Houston. I want to hear more about this dialogue, this discourse. It's not necessarily traditional Oaxacan cuisine. It's maybe something a little different, something more American.

27:23Yeah. American or, I mean, Leila is interesting because Claudette Zepeda, like, she just brought all kinds of stuff in. You know, whipped feta with a celery ceviche, right? Like, I mean, you look at the dip section and you're like, well, this could be like a Mike Solomanov jam at Zahav. And, you know, and obviously there's things that are a little bit more kind of coastal Mexican, but it's very much, I think, her view. And this is like, you know, a top chef chef, but bringing really, I think, a remarkable sort of, you know, like very personal perspective to it. Yeah, Casa Susana, it was fascinating because Robert Seetzin was actually the one who like really tapped into like this remarkable Mexican cooking up in the Catskills at a like Catskills resort.

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28:10Yeah, I've been there. Yeah. And I went I went up through beard voting and I really enjoyed it. I feel like it's a kind of place that captures this this really precise Mexican coastal cooking. There's a lot of seafood on the menu. They have a nixtamalization program right there. But you're like in the middle of nowhere in the Catskills in this kind of very cozy vibe. And to me, it's great that you call them out. Yeah. And I mean, I think especially in our in our current times, and I'll leave it that way. It's really important to recommend to recognize that, like, this quality of cooking and this diversity of cooking is happening everywhere.

28:50And so like, work in class, to your point in Denver, I mean, it is I mean, you know, she's from Chihuahua, but but it's also like it's very Coloradan. And it reminds you that, you know, that Colorado has these deep sort of Mexican roots in its in its in its history. It's very southwestern in its way. It's very western. It's also just like a bar. And Basso in Houston, which is a Basque live fire restaurant from two Jewish Mexican chefs who met cooking in L.A. Also in Houston is Kira, which is sort of hand rolls, sushi hand rolls. And the sushi chefs are both Mexican, worked at Uchi, which, again, has become this great incubator and bring kind of their own perspective.

29:33I would also add Valentine and Phoenix, which is Sonoran cooking. But like Sonoran is actually one of these really remarkable foodways where the Sonoran desert has this incredible bounty, you know, Sonoran winter wheat, like all kinds of stuff. And so, you know, there is, I think, quite honestly, to be a little blunt about it, we forget how much of the kitchen workforce in America at every level is Mexican. And so it is entirely reasonable that a great Mexican-American chef is going to want to cook all kinds of things. Yeah, exactly. Well said. And Sonoran food is so amazing. I was in Tucson and had Sonoran-style tortillas using that wheat.

30:20and it's its own thing. I mean, it's definitely contrast to the corn tortillas we might get in LA and the street tacos. And - I mean, honestly, I think everyone should honestly just go and eat in Tucson because it is eye-opening. And even more if you can like go south, kind of, you know, out into the denner, like towards Sinoida and just like, you see that this is, again, this isn't actually like new. This is very, very traditional food. Oh, sure. That's just been, you know, that's been kind of brought forward and innovated and people are finding new ways to explore it. I mean, working class has been around for 11 years.

30:56And it's just great to see, again, these restaurants that maybe aren't getting as much press as their newer peers. And when you rolled this out, I just saw on social, I mean, so many smiling faces getting this recognition on Resi 100. I just I think it's such a cool idea to surface an 11 year old restaurant that, you know, locally in Denver, of course, it's making lists and it's covered. But, you know, we're here in New York City talking about working class. It's something special about that. Yeah. I mean, look, it's like I said, great food remains great food. And and I think, you know, again, I am all about chasing the new.

31:33But there was a point where I was going through this where I really did have to sort of reflect back on like how do I eat, you know, with hopefully not being, you know, the boring guy who just goes back to his local. Although there's plenty of that. Oh, yeah. But, you know, but there is this push and pull that I think honestly most of us have. Like we do want to check out somewhere new and cool and fun. We do want to go back to a place we love and we're, you know, we all in our minds are able to somehow resolve that. And yet the list making media machine is still struggling with it. I talk about a lot on the show, John.

32:12I mean, I think you got to make that list and have it on your phone of restaurants have been open two to five years and go back. Just go back to these restaurants when you're when you're struggling to find a reservation at a new at a new buzzy place. just go back to that list, like make it a practice, like make five restaurants that you've been to one or three times. Just as a reminder, it'll be refreshing to go back to that list, review it and then book there. Yeah. I mean, look, I was at Red Hook Tavern. Yeah. I don't know. Last week, I think. Yeah. And, you know, I mean, to their full credit, you know, it is still plenty hard to get a seat there.

32:48But you're like, look, like this is they're literally doing amazing burger, amazing shrimp cocktail. Like there's a little like Wright's Tavern in St. Louis where you're like, look, it's a great steakhouse. And it's honestly it's still like one of the most in demand restaurants in St. Louis. And it's not because, you know, like it's it's out there. It's because, you know, they've they've created this perfect place that that people love and they want to come back to and they feel is special to them. And, you know, and that's I mean, that is that is that is a tradition in restauranteurship that I would argue predates kind of most of the the accolades we're talking about.

33:25John, I think we need to talk about wine bars. I feel like you being here. I mean, last time you were on the show, you had some great thoughts about wine bars and kind of some push and pull with a newer generation of wine bar. Maybe you weren't loving all of them. Perhaps we'll review that episode. But really, right now, you are seeing some movements in wine bars. I'd love to really get your take. Yeah. Yeah, it will probably not be a huge surprise that there were a fair number of wine-focused restaurants within the 100. But some of that is also that there's been, I mean, I remember at least three rounds of like 2009, 2006, you know, probably 2015.

34:06Like, yeah, it's like it's like a lunar cycle. It's like you've got to you've got to talk about wine bars being a thing like every five to seven years, like more often than the locusts come. Is it a thing now then? It is a thing now. So I think the difference right now is this this thing of like, is it a wine bar or a wine focused restaurant is just like that, that, that push and pull has gone away a little bit. and I think you see like there's ever more places where they're kind of cool with wherever you want to land on that spectrum and that was always tricky because the thing with the wine bar, I remember talking to Paul Greco at Terroir about this is like people come, they sit for 45 minutes over a glass of wine and maybe they get like a thing of popcorn and it's just as a business model, it's really hard and I think that it's evolved in a way that But first of all, you know, whatever people want to say about drinking less, I would argue that at least for the people who are enjoying wine, they are definitely not lingering forever over that one glass.

35:10They're like – they've embraced the Parisian way of just like going at it. Yeah. I mean Gen Z, you could say drinks less. Maybe that's the high-level data. But when you get into the cohort of Gen Z with spending money and really disposable income – Gen Z with mortgages, yes. Yeah, mortgages. They're drinking some wines. And they're learning about wine. And you're seeing it in real time. this education is transferring to the support of these wine bars. Yeah. But no, I mean, I think it's also, you know, I mean, we had, what was it? There was Kid Sister in Phoenix. There was Heavenly Creatures in Portland.

35:40Place de Fete, which is sort of this great somewhere, again, like, is it a wine bar? Is it a Neo Bistro? Is it both? Does it matter? In Brooklyn. A great reminder about Place de Fete. Yeah. Yeah. Wonderful. Yeah. Or like Cactus Wren, which is the, you know, the 69 Leonard guys like doing their thing with a wine bar or Madeira Park in Atlanta. So Stephen Satterfield did, you know, has had Miller Union for like almost two decades and decided, you know, that's always, you know, his partner, business partner, Neil has always been like one of the great curators of wine programs. And it's like, yeah, opening a wine bar.

36:13And Bar Etoile, Jill Bernheimer, who like, you know, really pioneered natural wine at Domaine LA. Yeah. You know, kind of finally entering the restaurant space. And so it's just like, I mean, I honestly need to sort of get to the bottom of it. But clearly something coalesced for these people who are very, very knowledgeable, both about wine and about restaurants to feel like there was a time that they could they could build a space that was wine focused again. Yeah. I mean, do you think that pop pop perhaps as a as a hypothesis to poke at? Do you think like wine shop owners just started dining out more and just like understanding restaurant culture and perhaps that energy was transferred into these wine bars?

36:56I think, I mean, the one thing that I think is very true within the wine industry right now is that off premise, so retail is struggling. And there's many facets to that. But in part, it's because people are drinking more wine in restaurants, which I will never be upset at. So when I moved to Philly, I actually sold a fair amount of wine from my, hard to call anything in New York a cellar, but whatever. My wine fridge. Because I was just like, look, like I, you know, I mean, there was a time in my life as, you know, someone who is deeply invested in wine culturally that I wanted to like, you know, have all the important bottles and have all my special bottles for rainy day or whatever.

37:38And at some point, like, you know what, I just want to go out and buy a bottle of wine off of someone's list and enjoy it. And if you can like meet me at a price that I can make that work, I am happy to, you know, to just not like to hand that off. And to your point about Gen Z, and I would argue it's not just Gen Z, it's, you know, millennials, like I think in general, people are just like, look, like we want to go and explore things and we want to be curious and drink fun things. We don't, it doesn't have to be this like big important thing that I'm buying to, you know, store at home. Like I'm just going to go out and enjoy it.

38:09And I think the, what goes with that as well is we're, we finally kind of gotten to this, I don't even want to call it a sommelier culture, but a wine professional culture in restaurants. It's like, it's not about having, you know, whose list is biggest. It's not about, you know, your test event, your, you know, all your fancy toys, whatever. Like, it's just, it is, when we talked last, I was like, you know, I want 10 % more education in the hipsterdom. And I think actually, like, for a lot of these places, that's exactly where we've landed. They were listening. We've got really, really remarkable professionals who are just having fun.

38:45So like smithereens in New York. Which again, it's not a wine bar. It is very much a restaurant. But Nikita, who's their wine director and one of the partners, her previous gig was at Momofuku Co. So it's not like she doesn't know how to buy super fancy wine and do all the fancy things. But she's just found a place kind of like their friends at Claude and Penny where they're having fun with serving really serious wine. to people who are just loving it. Loving it. And I think that you have to credit the diners because I think your frustration was possibly a fake until you make it mentality with wine service when we spoke about a year and a half ago.

39:29And diners just became smarter about wine and weren't accepting this like vibes-y wine list. There needed to be real education and data points on those lists and real wine service in these quasi-wine bar restaurants. And there's still plenty of vibes-y wine lists around. But I would say there's also like there's vibes you want in this that have like that have sort of like they've got this secret backbone to them. And actually that to me is sort of the most fun. It's like, yeah, you're having a blast. But, you know, you know exactly what you're doing. And you like this is truly thoughtful. And, you know, as a nerd, I can come here and, you know, and be super into it.

40:08And I can bring my, you know, my my super serious friends. I mean, last night literally was it was at Barbet. Oh, wonderful. On the list, too. On the list, too. Carol Gardens. Yeah. And Nick Ferrante, again, like, you know, alum of Terroir. And so, like, he's a guy who's just, like, doing his thing. You know, you'll never get this, like, sommelier vibe at all. But he's, you know, and I brought a friend who's, you know, a wine professional from Paris who's stunned. Like, this exists in New York at all and certainly at this, like, little neo-bistro in Brooklyn. And so, again, you know, I think, I mean, for the moment, I would argue we found this perfect little Goldilocks moment.

40:50I'm going to cherish it as long as it's there. Yeah, let's put it in a bottle. Let's protect it, John. Let's protect it. What's the future of the list going to be? I really, you mentioned it briefly at the opening, but it sounds like you're going to continue to publish this, evolve it. Is it an annual list? A little bit TBD. I think right now the vision is we might try to do quarterly updates. I like that. We were doing a different list, which is kind of the 40 restaurants across America worth a visit that we still are doing and is a little bit more travel focused. But that's getting quarterly updates.

41:26And so potentially we'll do this as well. Maybe it'll be every six months. Maybe it'll be a year. I like to the extent that it's feasible. I like being able to keep it a little bit more fluid. And again, like there's a lot of great restaurants out there. And I think, you know, I, you know, obviously debuting it, it feels like it's, you know, I don't know, it should be eternal. But I do want it to be a living thing. Yeah, I think that's very smart. And I think, once again, so many restaurants out there in non-coastal markets and to highlight them on the Resi 100 that evolves six months a year, however you decide.

42:05I cannot wait to keep checking back at the Resi 100. John Bonet, thank you so much for joining This Is Taste. Always a pleasure.

42:16This Is Taste is hosted and produced by Eliza Abarbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert. And supervised by Pat Stango, Director of Media Production and Development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Logo and guest illustrations by Ellie Skrzat. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste.

From the publisher

Jon Bonné is Resy’s managing editor, and the author of The New French Wine and other books, and a winner of awards from most major food organizations. We always love having Jon in the studio, and today we talk in detail about the Resy 100, a decisive and illuminating list of restaurants around the United States that define dining today. The list has a very strong point of view and highlights restaurants in both big cities and smaller communities that serve exceptional food that might be alternately comforting and daring, traditional and completely new. It’s a fantastic list, and we cover many of the entries while also zooming out to discuss interesting examples of Mexican cuisine, the New Nordic moment, and, naturally, the modern wine bar scene.

The views expressed in this podcast are those of the speakers – not of Resy—and do not constitute professional advice.
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