672: Eric Wareheim Is Eric Steakheim Now

17 Oct 2025 · 1 h 2 min

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Podcast Episode Notes: This Is TASTE - Episode 672: Eric Wareheim Is Eric Steakheim Now

General Information

  • Podcast Title: This Is TASTE
  • Hosts: Aliza Abarbanel and Matt Rodbard
  • Episode Title: 672: Eric Wareheim Is Eric Steakheim Now
  • Episode Release Date: [Insert release date here]
  • Guest: Eric Wareheim (actor, director, winemaker, author)
  • Books Discussed:
  • *Foodheim* - New York Times Best Seller
  • *Steak House* - Chronicles Eric's search for the ultimate steak house.

Episode Overview This episode features a conversation with Eric Wareheim, exploring his culinary journey and the inspiration behind his recent cookbook, *Steak House*. The discussion also touches on his experiences with food and hospitality, alongside the cultural significance of steakhouses in America.

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Key Segments

Introduction

  • The episode begins with a segment called "Three Things," where Matt and Aliza discuss recent food-related events and happenings:
  • The Great Community Bake Sale: A major New York event supporting local nonprofits.
  • Katie Parla’s New Book: *Rome: A Culinary History Cookbook, and Field Guide to the Flavors that Built a City*.
  • Soup Season: Highlighting Andy Baraghani's recipe for Golden Potato and Greens Soup.

Eric Wareheim's Culinary Journey

  • Eric Wareheim discusses his background and transitions from comedy to food and wine.
  • He recounts his early food memories, which shaped his culinary perspective:
  • Visits to his grandparents’ village in Germany.
  • Family outings to Seafood Shanty, a seafood steakhouse where he first experienced fine dining.

The Inspiration Behind *Steak House*

  • Eric's fascination with steakhouses is rooted in their significance as American cultural institutions.
  • Originally pitched as a small project, it expanded to cover 65 steakhouses after traveling and gathering stories.
  • Highlights the unique characteristics of American steakhouses compared to other global dining experiences.

Cultural Significance of Steakhouses

  • Discusses the emotional connection people have with steakhouses across generations.
  • Steakhouses serve as venues for celebrations and familial bonding.
  • They encapsulate hospitality, comfort, and nostalgia.

Reporting Process and Interviews

  • Eric and his team interviewed legends from the restaurant industry, documenting experiences of servers and chefs.
  • Emphasized the importance of storytelling within each steakhouse's unique identity.

Featured Steakhouses and Experiences

  • Eric shares anecdotes from his visits, including:
  • Beef and Bottle in Charlotte, North Carolina: A pivotal moment in his research.
  • His dinner with T-Pain in Atlanta and the vibrant atmosphere of Magic City, a legendary strip club.

Signature Dishes and Recipes

  • Discussed the variety of dishes in the *Steak House* cookbook, including:
  • Wedge salads and a specific martini recipe designed to enhance the steakhouse experience.

Audience Engagement

  • Eric invites listeners to try their own beefsteak dinners and shares tips on making the experience memorable.

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Key Takeaways

  • Eric Wareheim blends comedy and culinary passion, creating a unique narrative around American steakhouses.
  • Steakhouses are portrayed as vital cultural spaces embodying tradition, community, and celebration.
  • The episode fosters a deeper appreciation for the hospitality industry and the power of food to connect people.

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Conclusion The episode provides an entertaining and insightful perspective on the intersection of culture, food, and personal stories, driven by Eric Wareheim’s unique voice and experiences in the culinary world.

Additional Resources

  • Website: [tastecooking.com](http://tastecooking.com)
  • Social Media Links: [Insert relevant social media links here]
  • Listen to the Episode: Available on Apple Podcasts, Spotify, and YouTube.

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This structured summary captures the essence of the episode, highlighting the central themes, discussions, and key points made by the hosts and guest.

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Transcript

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0:00This episode is brought to you by Resi and American Express. Resi is a digital platform that connects restaurants to restaurant lovers by elevating dining experiences, providing original industry content, and helping to fill some of the country's most exciting dining rooms. Because restaurants have always been more than just places to eat. The amazing world of restaurants is just a few taps away in the Resi app and at resi.com.

0:31the whole book was inspired by the steakhouse called beef and bottle in charlotte north carolina we all got in a van we got there it was starving and we're greeted by this guy jerome who was featured in the book and he came right up to us he says y 'all gonna have the time of your life i'm your bartender i'm also your server what kind of martini y 'all want This is Taste. I'm your host, Eliza Barbanel. Eric Wareheim is an actor, director, winemaker, and writer based in Los Angeles. You may know him as one half of the comedy duo behind The Cult followed Tim and Eric Awesome Show, Great Job. But in recent years, he's been making a foray into food and wine, starting with the New York Times bestselling cookbook, Foodheim.

1:18His new book, Steakhouse, chronicles his freewheeling, exhaustive search for the ultimate steakhouse. It's a heady mix of recipes, interviews with legendary servers, and his own very funny essays alongside great photography. And today on the show, we go deep on his steakhouse fixation and reporting process. And at the top of the show, it's the return of three things, where Eliza and I talk about what is exciting us in the world of restaurants, cookbooks, and the food world as a whole. Eliza, we're back with three things. How are you? I'm good, Matt. How are you? I'm great. Do you want to start?

1:53Yeah, my first thing is what I would say is the New York baking event of the season, maybe of the year. It's the Natasha Pigowitz bake sale. Have you been to one of the bake sales that she's done in the past? Yeah, I went, I think, maybe three years ago I went to one. And I definitely hauled a bunch of baked goods home, but more so the community, the folks I got to see there. And I think Natasha is doing amazing work. I want to hear about it. Yeah, so it's a great community bake sale. I think she's been doing these as far back as 2017, 2016, maybe. I think originally they were raising money for Planned Parenthood.

2:30They've grown in scale every single year. I've participated in them for Cakezine in the past. And I'm going to be there again this Saturday at the WSA 180 Maiden Lane building. This year it's over 100 food people participating and it's benefiting four New York City-based nonprofits. So Heart of Dinner, Make the Road, One Love Community Fridge, and The Teaching Kitchen at Lenox Hill Neighborhood House, which I think on its own, those are all just incredible groups to support. But then when you look at the list of the people that are participating this year, it's pretty crazy. There's a wide range of people more like the influencer space, like Haley Catalano.

3:07There's people from bakeries in New York, like Radio Bakery, Honey's Bakery, et cetera. Cake Scene is going to be there with magazines. and Tanya's doing some fig leaf, maratotsi to go with that. So I think it's just kind of like come through, see who's going to be there. And of course, like leave with a bunch of good things. I think it went to one at Haven's Kitchen in 2019. Now that you tell me a little bit about it and what great Ford causes and nonprofits that it's benefiting. And again, the hang is tremendous. Yeah. A tremendous hang. Yeah. You know, Pierce Abernathy, Kamari Mick, Sophia Rowe, Meherin Karim, Ali Balinget.

3:43I'm so bummed I'm missing this. Those are great people. A lot of people who have been on the podcast. And, you know, even if you're not going to be there, but you want to kind of put your money towards the grand total, you can buy tickets online. So it's free to attend. And then you buy a ticket either online or there. And the ticket is exchanged for the baked goods. So there's no, like, cash being exchanged on the premises. So the tickets are exchanged for the baked goods. But if you wanted to just buy a ticket just to kind of support the grand total that's being fundraised for, someone could do that, too.

4:15Thank you, Natasha, for doing this. I appreciate it. And all the bakers for donating time. I appreciate it. Yeah, I can't imagine what it's like to organize it. It's very cool. So that's my first thing, I guess. Great. Great to lead off with that. And if you're in New York on Saturday, definitely show up. It's going to be amazing. What's your first thing? My first thing is I got the new book from Katie Parla, Rome, a Culinary History Cookbook, and Field Guide to the Flavors that Built a City. I love Katie's return to Rome in book form. Katie is a friend of the show and has been on a couple times, and she's going to be on later this fall to talk about the book.

4:49I love that Rome is the center. It's where Katie lives and has a lot of culinary tours and a real expertise. And what I like most about this book is it's under her own imprint, Parla Publishing. They did that wonderful Gary He McDonald's book is part of Parla Publishing. And really the design touches here are amazing to see in book form. It's very progressive in the best way possible. And of course, the book taps into Katie's two decades of research, eating and storytelling in Rome and not just covering the four or five iconic pastas, but really pushing the envelope with the recipe development.

5:27Ed Anderson did all the photos. And I love when Katie and Ed hook up on book projects. Tremendous team. So I'm going to link to the preorder in the show notes and look forward to having Katie on the show. Yeah, I think that's such an amazing title for the book. It really makes me want to sit down and read more from it. It's great. What's your next thing? Well, it's officially soup season, I would say. It is. I'm someone who refuses to make soup until it's truly gray and cold. And we've reached that moment. And I made a really great soup over the weekend. That's Andy Bergani's golden potato and green soup, which is a New York Times recipe, I believe, from last year.

6:03It's a completely vegan potato leek soup, but it's really creamy because you slice the potatoes quite thin and then let them kind of break down and then almost like mash them into the soup as it cooks down. Super just cozy and heartwarming. And I finished it off with some lemon juice and a lot of grated parm on top. So I guess I ultimately made it not vegan. But I don't think you need to do that. If you like to, that's great. I think putting grated parm on that combination is kind of required. It's so good. And whenever I make a soup like that, I always want to cut like a butt end of the bread and toast it really hard and then drop it in the soup and let it kind of get crispy, soggy texture.

6:44So that's what I did. I can't wait to make it again. What was the potato choice? Do you recall? It calls for baby Yukon gold potatoes, which are at the farmer's market right now. And the skins are quite thin and break down into the soup so you don't need to peel them, which is a huge benefit. Amazing. Thanks for that info because I always mess up my potatoes when I'm doing soups. and I just roasted some potatoes. Picking the right potato is important. It really is. And I find that like, especially when you go to the farmer's market and they have maybe six or seven kinds of potatoes as opposed to the two or three that are at the store, I get very overwhelmed.

7:17I don't know what to do with the extra potatoes. I agree. Just did that. And again, picked the wrong ones to roast and they were quite hard, but it's good to know. Well, I highly recommend Yukon Gold. I think that's kind of like the gold standards as it is of potato. What's your next thing? My next thing is I was in Los Angeles last week and I wanted to do a short recap of the Los Angeles Chefs Conference, which was a lot of fun. I really enjoyed it. We was at Redbird and Vibiana in downtown, which is the really amazing space, restaurant and event space in that kind of deco style. And I got to see a lot of friends.

7:53Shout out to the listeners who came up. It was nice to meet you. And a couple highlights. There was a great media panel with some folks from Eater and the Infatuation and a publicist was on the stage and talking about modern food media. A lot of the things we talk about on the show and really the quickly changing world with AI. I thought it was very smart. Got to attend a tribute conversation to the work of Jonathan Gold. Evan Kleiman moderated with Lori Ochoa, Nancy Silverton, and Roy Choi. And I just thought, you know, let's remember Jonathan Gold and continue to remember his work. That was that was excellent.

8:30I was on a panel with Avish Niran from Peaches Palace and some other amazing chefs and had a great time being the lone outsider, non L.A. chef. I didn't know where it would go. I was like, why am I here? but ultimately my role was to say Los Angeles is an incredible place to cover as a journalist covering the national scene and just supporting LA is super important on our show for a lot of reasons and I just I loved catching up with with Avish because gotta go to Peaches Palace I think they're hitting new strides there and let's talk a little bit about the food I got to try to say pizza for the first time which is kind of a now legendary Koreatown tasting counter for pizzas.

9:13Had a beautiful slice there. I tried Jordan Oaken's tribute to the shrimp cocktail. He was doing a fried shrimp bun with fresh horseradish. And to close, there was an after party at Grand Central Market and Gilberto from Holbosch was doing all the food and wonderful just to see community. Congrats to Brad Metzger for hosting it. And thank you for having me. I love this. It's every other year, I believe, is when they do it. And I love attending and just love being in L.A. Just love being there. I love to hear you loving L.A. Yeah. Sounds like a great event. It was great. What's your last thing?

9:52My last thing is I realized recently that I've never talked about the tiny dollhouse store on the podcast, which is something that if you know me, I talk about all the time off the mic, which is a miniature items store on the Upper East Side here in New York. But the food selection of tiny things at the store, I think, is so incredible. And every time I'm in the vicinity, I find myself walking in to get like a tiny box of donuts. Or last time I was there, I got like a Candyland board game. That's about the size of my thumbnail and a miniature pink laptop. But they have really like mini cereal boxes or also like exact replica Chanel bags, like truly anything that you can want in miniature.

10:34I do think the target audience are children and adults who make their own dollhouses. But if you are someone who just gets a lot of joy out of a really small version of something or you're buying gifts for people, I think those are all great reasons to go to the Tiny Dollhouse store. And because it is a food podcast, I will say that they have the most beautiful miniature kitchens with a whole Thanksgiving turkey feast or a box of donuts, just everything. And I just needed to talk about Tiny Dollhouse. Oh, it's amazing. When you brought in the few objects that you purchased, Clayton and I were envious of those items.

11:09I know. I need to bring more in for you guys. But your holiday presents this year will be very tiny. It makes me think about the conversation I had with Nikita Richardson earlier this week about Sims and food on Sims. Thinking about the way that food is portrayed on that show. And I'm thinking this is the physical form of Sims in a way. Yeah, exactly. And they're made by different kind of miniature producers from around the world. it seems like there's a whole whisper network of like people that make miniature like Corbusier sofas things like that wait they're doing Corbu architecture they have Matt I can't overstate like the amount of like high low especially on the Upper East Side there's a lot of like designer tiny things going on oh so cool the name of the store is the tiny dollhouse store okay google that it'll be links in the show notes to the address there check it out what's your last thing my last thing is I'm just thrilled I'm going to Korea later this week, and I just wanted to be like, I'm going to Korea.

12:03If you have any recommendations, hit me up. But more so, I just am excited to visit a few places. I'll be there speaking at a conference in Ganwondo. Later in the week, I'll be in Seoul for three days. On my hit list, Bium, which is a Michelin-starred temple cuisine. We're having lunch there. We're going to Bobo's Sikdang in Apujang, which I've read about. It's a Korean-Chinese restaurant that I've wanted to go to for a couple years. and Wild Duck Wine Bar. Austin Tedesco shouted that out in a recap of Seoul, so I'm going to visit that. And we're heading to the mountains, a place I featured in Korea World, Dookie Hong in my book.

12:40We had a Gangwon Do chapter, and we're going to this great restaurant in the mountains called Gak Donggol outside of Seokjo. And man, I am excited to be back in Korea next week. I will make sure to recap it on a future episode when I return. and I'm probably gonna drink some coffee. I'm probably gonna end up at Mesh near Seoul Forest and hang out in Song Tzu. Yeah, excited. I'm really jealous and also really excited for you. And I am looking on the map at Wild Duck Canteen and I have to say there's a place near there that I wanna go to that I think you should go to, which is called Seoul Community Radio.

13:15Have you been there before? Oh, no, no, I haven't. I think I've just seen them live streaming on Instagram or something, but they have really cool DJs that come in and I'm pretty sure you can hang out like at the radio station while they're doing that. So I'll send you a link. Thank you, Eliza, for that rack. I appreciate that. I haven't been to Seoul, so I don't know if this is as good as I think it is. But sometimes you got to send someone to go on your behalf. I will do scatta. I know that a cake scene pop up in Seoul is probably in the future at some point. We'll make it happen. Make it happen.

13:43Well, thanks for sharing the three things. You too. From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière. An exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story, the 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus.

14:29The full program is available at montrealonlumiere.com, presented by Lotto Quebec in collaboration with National Bank. Hi there, it's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request? A restaurant you wish we'd visit to talk about on Three Things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey. It will only take a couple minutes, I swear, and will help us continue to make the best show possible.

15:07That's the This Is Taste listener survey. Link in our show notes. Eric Werheim, This Is Taste. Thank you for coming on the podcast. Wow. Thank you for having me. it's an honor it's a it's a big day it's a big day to talk to you honestly it's a big day to talk about steak i almost introduced you as eric steakheim because that's what your zoom handle is right now which is honestly maybe should be your future stage name going forward well i appreciate that and i i tried very hard to have it legally changed for the pub date pub date is what we use in the industry when it just means your buck's out.

15:45No, I'm kidding. They said there's already an Eric Steakheim. You can't have it. Yeah. They said there's tons of Eric Steakheims. And I could fight them in court, but I called my lawyer and it's just too much money. And the time is really what it is. It's probably a year. And at that point, I'll just want Wareheim again. So I'm going to let it slide. I'll let it slide this time. But if you need a legal fight, call me in. I will. We've got a lot of steak to discuss on the pod. But before we get into that, I'm wondering if you could tell me an early food memory from growing up that you think somehow encapsulates your food point of view.

16:26Well, that's a great question. I have two. Firstly, my mom's from Germany. So I would go visit my oma and opa, and they lived in a tiny village. They grew all their own food. And they were shocked that my sister and I, all we wanted was sodas, candies. like you know in Germany you cut any fruit juice with half like soda water so you would never drink full juice it's really interesting it's a European thing so that and and how different even as a kid things tasted really different and my mom brought that back at a great garden so that was the first kind of inspiration of what you know food could be like home-cooked village food and then the other one I like my family and I went out to eat maybe once a year like to a real restaurant we did pizza hut every once in a while but and we did burger king after church because the only way my dad could get me and my sister go to church we needed that whopper i thought about that whopper the entire time um in church but we would go to a place called seafood shanny near the king of prussia mall and seafood shanny was kind of like a seafood steakhouse Everyone wore tuxedos.

17:35Maybe they're a little blue and tint, but it had, you know, all the cocktails that had. And I was when I was six, I was really into Manhattans. Like my parents were my parents. That's like the hard most hardcore drink for a kid. But that place was like I remember all year just I couldn't wait. I couldn't wait to have my own shrimp cocktail. And the feeling of a steakhouse is very similar. It's just this like, you know, people go there to celebrate anniversaries. It's welcoming. It's comfortable. Leather boots. It's all those things that I wanted to kind of, and the characters. I remember the host being this like eccentric guy that I kept asking my parents, does he live around here?

18:18He looks so odd. I love him. So that was like maybe the, you know, early stages of, and then I didn't rediscover it till many years later of like what is propelling me to like spend three years of my life. writing a steakhouse cookbook. Yeah, I think we should get into that. Like what sparked your fascination with steakhouses? I think it was after I wrote my New York Times bestselling cookbook. I'm just kidding. I was coming up with another book and it was originally Steak and Potatoes because I've been stripping away the fancy of in certain aspects of my life. I've done a lot of traveling i've had kaiseki in kyoto you know i love those things nomer nomer is like a shorthand for no people in copenhagen call it nomer so i've been to nomer and i love those experiences so much but as you get older you realize what actually moves you and what makes you really happy and what makes you and comfort is a big thing that i wanted to write about and And at the same time, America, you know, America is going through lots of wild things, lots of horrible things, lots of good things.

19:32But I always have the conversation, what do we have here that's special other than jazz and barbecue? But we have the steakhouse. It's very unique. Our version of a steakhouse is very unique to America. And I wanted to celebrate that. And, you know, we originally pitched 11 steakhouses, which would be not that big of a task, maybe a year job. We ended up doing 65 because we got on the road. We met these people. I demanded that we did portraits of every single person, the dishwasher to the owner, interviewed everybody. And then the book started taking shape, which is not just a cookbook. I mean, it has amazing recipes, but it's really the story of these places and how they exist and why they exist and how they're unique and how they're kind of similar but very different at the same time from one another because they're not chains.

20:22It's really the whole corporate conglomeration. Those kind of things are just out of my system. All I crave is – and so what I did in TV, I met real people and I was like, do you want to act? And that kind of thing of putting these characters on a pedestal has not been done for the steakhouse. Yet you ask any chef, any food person, a steakhouse is up there with their favorite meal, their favorite experiences. So I think I had to be the one to kind of do the official document of that scene. Yeah, I think it really is such a beautiful and special book. And I was thinking a lot about the idea of hospitality.

21:04I feel like especially coming out of the pandemic with like QR code menus, the steakhouse is untouched, I would say, by all of that. yeah you're right it's it's really the feeling of sitting in a leather booth versus walking into a new fancy all pine light wood you've seen it a hundred times you know it's it's these places are unique and it's about the patina it's about that they haven't changed things in 50 years it's about the host have worked over 35 years and he's the son the owner it's all of those connections that you you nailed it after the pandemic everyone was just searching for for warmth and familiarity.

21:42And there is something interesting about maybe you and I loving a steakhouse and our parents loving a steakhouse as well. You know, that connection is really interesting because, you know, I love my parents, but we don't connect on some artistic things in that way. But this you can, you know? Yeah, you know, reading the book was so interesting to me because I grew up in LA, which is where you're based and you, you know, give love for all these amazing LA steakhouses, but I never went to a steakhouse growing up. It was when I moved to the East Coast and started going to Keyens and Peter Lugar and these kinds of institutions.

22:18I mean, I think that just speaks to my parents and how they were raised and the kind of food that they crave. And honestly, when I go to a steakhouse, I'm not really there for the steak. I'm there for the sides and the booth and all of those other things. But reading the book, I was thinking a lot about like what the steakhouse is as a cultural artifact. And I was curious, like what you think the kind of generational draw is. Yeah. Well, first of all, what you just said, Clayton, send me an audio file of that because you just nailed the book. You nailed it. That was really beautiful. I can't even remember your question now.

22:53I'm so moved. Oh, just like what, why do you think the steakhouse is such an interesting cultural artifact? I think it represents so many things. I mean, there's so many ways to look at it. Firstly, it is truly an immigrant American experience because a lot of people come here and they try to do a restaurant and they try to do the cuisine from wherever they're from. Sometimes it works, sometimes it doesn't. But a lot of people shifted towards, all right, people are eating meat, you know, at the time, you know, early 1900s. Like, let's focus on that. Let's adopt that thing. But then just naturally, all of their goodness of wherever they're from enters into it.

23:36So it's not just the repetition of steak potatoes. It's this spin on it. And you only see that if you travel around like I did. I want to talk about where you went. So you visited over 60 steakhouses. How did you decide which ones you went to and then which ones made it into the actual book? Did you have any criteria? Yes. You know, some of them were experiments because, like I was saying, we wanted the Vietnamese American experience, the Mexican American experience. The Vietnamese American steakhouse didn't quite make the cut because it didn't. We went to Little Saigon in L.A., and we had the most amazing meat meal.

24:20Seven Layers, it's called Seven Layers of Beef. It's unbelievable, but it didn't quite fit the criteria because there's certain elements of the institution of it, which is a little bit more formal of a setting. But you're so right about what I was going to say before is it's not about the steak. You know, the title of the book is Steakhouse, but it's just that's a word for the experience that you just described, which is the leather booth, the martini, the wedge salad. I barely get to a steak because the sides are so good. But it's a feeling, you know, or if I get a steak, we share between four people because they're just so supersized.

25:00But on the other side of that, people go there because they can get a whole steak. You know, like my friend, Dr. Steve Bruhl, John C. Reilly, when I got to eat with him, he always gets a steak and he doesn't share. It's his own steak because he grew up with seven kids and he had to fight to get a piece of any of the meat. So now it's a celebration when he can go out. It's so funny. All these years later, he still has that feeling of, you know what? This is my steak. I can afford this steak. I'm not sharing. And it's funny because I always want, I'm like, just come on. It's a huge ribeye. I can just give me quarter.

25:40He's like, no, I want it on my plate. I don't share. And I was like, that's beautiful because that is in some ways the feeling of a steakhouse. It is excess. It is the celebration. It is like we're going out. So I think that feeling is embedded in all of us. And when you get there, people are dressed up. It's kind of, it's a good excuse to like put on your blazer every once in a while. Look good. Yeah, I totally agree. I felt like you seemed to be inclined towards highlighting more of the long-running institutions. I think, like, Major Domo in L.A. seemed to be one of the only new school steakhouses.

26:14Was that a choice that you made? Yeah. Well, just to answer your question even more in depth, how we chose, we have a 500-page version of this book. We have—the real masterpiece is the full thing. We had to cut a lot of pages. I asked for a lot. I told my publisher, this book needs to be huge. It needs to be 11 by 14. It needs to be 500 pages. But that's a big ask. And the reason is because you saw the portraits in there. They're unbelievable. You really need to see them on that scale. And in Los Angeles, I did a little premiere, big premiere, and I printed those portraits 60 inches by 40 inches and I hung them in my studio like an art show.

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26:59And it was so powerful because those people are so powerful. And we had to cut some for space, but we also had to cut some because it didn't quite make the cut. And that was part of the journey. For example, Fogo de Chow, we went to the original one in Dallas just to do due diligence. That's how much we care about this book. It's not really a steakhouse, but it does have a lot of elements of what's comforting about a steakhouse and the amazing grilled meats. And we also went to Mexico. We went to Monterey because we tried to find that perfect Mexican-American steakhouse. and my good friend from in Nunez, a chef down in Austin, took me to Monterey.

27:44And those are some of the best steakhouses I've had in the world. And they were very much in style with America, not like if you go to Japan, it's a whole different kind of setup. But Mexico made it in because I thought it was very important to have that part in a book about America. Yeah. I think like the Monterey section, I wanted to go to that steakhouse. A lot of these steakhouses I was really dying to go to. The other one I was dying to go to is Acropolis, which is the strip club steakhouse in Portland, Oregon. I mean, do you know the story about that place? Tell me. I mean, it was owned by a ranch family.

28:23They had cattle, literally, and it was good quality. And they had ribeyes and you could eat them on the rail, the side of the stage. And when I used to go back in the day, maybe five, ten years ago, we would tour in Portland a lot, and they had a salad bar, and it was so great. I mean, you know, some people say it might not be the most sanitary thing, but as an American thing, I freaking loved it, because it was a new form of the steakhouse, and the food was so, the food is great. We did a recipe with them, the steak bites that they have. And it's true. It's just one of the best American things I've ever seen.

29:07And also the greatest music. They just play really speed metal. It's just, you have to go. It's amazing. Well, I think like for anyone listening, who's not familiar with Portland, like it really is a strip club city and what might be unexpected, but there are, there's like a vegan strip club you can go to in Portland. So the fact that there's a steakhouse strip club, I think cosmically makes sense for balance. It does. And there's a rule and which is so weird about America, like different states have different rules, but you have to have food if you have are serving alcohol. That's a real that's a real law.

29:41I mean, I think I'm pretty sure. Clayton, can you look that up? No, you're definitely right. I'm talking to Clayton like he's like, well, I just like him. I don't know. We all love him. He should be shouted out more on the show, especially while fact-checking why strip clubs have to serve food. I need a Clayton at all times. It's like Siri, but we're handsome. I want to get a little bit more insight. Did you have a dish that you ordered at every place for consistency? Or how did you even measure the experiences at 65 different steakhouses across each other? We did it scientifically. We shot 65 martinis.

30:22Like that was kind of crazy, more of the artistic side of myself that I wanted to not have 60 pages, but do this crazy collage chapter. But we ran out of space. Maybe I'll just do a book called Eric's Martini Photos. But, you know, it's really interesting to see all of them with the different backgrounds, you know. And I would always get a wedge, always get a shrimp cocktail and usually a ribeye or I would have a bite of someone's, you know. at a certain point we were shooting two and two a night so you just have to have little nibbles but we're very pro about it like we took lots of notes um what's good what's not good and we we went to a lot of places that i wouldn't normally go as a gourmand but it wasn't about what i really tried to remove myself from the book and and make something that's more for the the people and it sounds kind of weird but another place in portland called sailors you know it was jammed with mostly older people um war vets it was very affordable and i i had i had to fight with my publisher put that in the book i'm like you guys do not get it this is absolutely part of the experience it can't just be the key the grills and the keens and those are all icons but it needs to i wanted to show So the whole land, even Acropolis, they didn't want to keep that.

31:47But that's just wrong. Is Sailors the one that has like the 72-ounce steak challenge? Yes. Yes. And the blue cocktail. And the giant, the menu looks like a giant steak? Yes. I mean, the photo alone. Yeah. That photo is, and there's so many photos. I'm going to stop crying that I had to cut stuff because editing is a good part of the whole creative process. But there's a lot of great stuff. Yeah. I'm curious also the interviews you have throughout the book with longtime waiters, Psalms, etc. Did you enter the steakhouse and then immediately knew this is someone that we have to interview? Or how did you kind of find the characters in the book?

32:29That's a great question. Gabe Ula, who's my co-author, but he's way more than that. He produced this book with me and he did the hard work of we did pre-interviews. you know he we did a lot of research we talked to a lot of our chef friends about where to go who to talk to and and but my favorite part was was the adventure just going in blind talking to people figuring out who wants to talk who doesn't and and then getting stories it was really this fun adventure but it took it was pretty in depth sometimes we would have to go back the second day to interview someone. Or when we returned from these week-long steak tours, you know, Gabe and I would call them and do phone interviews just to kind of clarify things or get the scoop.

33:16Yeah, it's interesting because I think that is one of the hallmarks of the steakhouse is the waiter who tells great stories. But actually finding the stories is more involved than you might think. Yeah. I mean, the whole book was inspired by the steakhouse called Beef and Bottle in Charlotte, North Carolina. Actually, it's an hour outside of Charlotte, North Carolina. I was there shooting with Tim, my comedy partner. And to try to convince him to drive an hour outside the city for dinner is almost impossible because he's like, no, I'm chilling. Like, we got to work tomorrow. But I need to find the real shit.

33:49So I did it. And we all got in a van. We got there. It was starving. And we're greeted by this guy, Jerome, who was featured in the book. he's this really tall guy this huge gold crucifix and he came right up to us he says y 'all gonna have the time of your life i'm your bartender i'm also your server what kind of martini y 'all want and that line alone there's so much in there to unpack you know the fact that there's only one cocktail that's appropriate martini that he's actually the server and he makes the drinks it's like and guarantees us a good time and we did it was and he delivered and that was really that particular moment set me on the course to to do this at every single steakhouse yeah it really is that confidence of like you're in good hands here you don't have to worry about anything like what's your drink exactly like it's it's it's so it's it's so lovely but then you have all the really nice flares of the south like hush puppies and you know that that particular place beef and bottle had a, you know, the port cheddar dip you can kind of get at the grocery store.

34:57It's like usually, which I loved as a kid, but they make a homemade version of that with saltines instead of bread and butter. And I was like, that is so amazing. So we recreated a recipe for that and shot it because I think that's so special to that part of the world. Yeah. While we're talking about the South, what was it like to go to eat steak with T-Pain in Atlanta? It was unbelievable. you know originally pain wasn't on the itinerary because we couldn't find anything atlanta but we were so close and i i've been friends with him for many years and he's he took it he took me under his wing and because i'm like i know atlanta i listen to hip-hop he's like no you don't dude and he took me out and because he was he worked with adult swim the network that i used was on and he loved my shows i'm just a huge fan of his and um so i was like pain we're coming in town if you want to have dinner let's do it if not don't worry about it he's like 7 p.m you know meet me here and he he did he pulls up in a purple lamborghini him and his wife is the sweetest woman in the world and we go to this you know uh back room at um i think it was called um little alley Little Alley.

36:16I was about to say Little Barn, but that's a different one. Little Alley. And it was so delicious. One of the first appetizers was deep fried lobster tail with clarified butter. Like that is just a Southern thing, just to fry every protein. and you know when the oysters came out yeah there was dry ice in the in the oyster presentation and it just worked because it felt like it was a t-pain concert in a way and what and i wrote about it in the book but him and his crew only drink tequila like they're not wine people even though they bought me crazy wine just because they're sweethearts but um um yeah they just drink tequila and I was like, that is very interesting.

36:59I don't know if that's necessarily a Southern thing, but it's definitely a rapper thing because that happens a lot at dinners. And then he takes us to Magic City and that's where the real show starts. It's just unbelievable. If you've never been to Magic City, it's like one of the coolest strip clubs in the world. It's like careers are made there. Yeah, it's very acrobatic. It's really like a show that, it's like Search of the Sleigh is like child's play compared to like Magic City. Insane performers. It's unbelievable. So anyways, he knows how to show us a good time. And that is the feeling of a steakhouse.

37:37You kind of want to have fun. And that was great. When you went with him, like was it obvious to the staff and the people in the restaurant that this was like T-Pain at dinner or was it more low-key? No, I mean, he's pretty, no, everyone knows T-Pain. you know he is kind of one of the mayors of atlanta for sure so people just roll out like there's a huge line at magic city and like security guys dive for t-pain you know like it's you know like i and honestly when i i did this i did one of those animated films once like the best night of your life kind of thing and i was it was the first time i hung out pain and he took me to a club called onyx and we walked in and the the is everyone's just like oh my god t-pain and the dj is like oh shit it's motherfucking t-pain and everyone goes crazy hundreds of people it was jammed and t-pain's like what's up and we go to like this special t-pain room but during the applause i kind of like raised my hand like like i'm part of the crew and i remember like this one guy turned and he just shook his head.

38:47He's like, no, no, no. That was for T-Pain. It's like, that wasn't for you. And I was like, oh, I was like, respect. That was a funny moment. Okay. You learned and then you got invited back. So it all worked out. Yeah. This episode is brought to you by Aura Frames. If you're one of those last minute shoppers, you might know the feeling. Ideas are running low and the clock is ticking. Here's a fun idea. Aura Frames. Aura Frames is the solution with a gift that feels personal, a little curated, and sent with love. And a gift that can be purchased in no time with a few clicks of the mouse. Aura Frames are great.

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40:13That's A-U-R-A-Frames.com, promo code TASTE. The deal is exclusive to listeners and frames sell out fast, so order yours now to get it in time for the holidays. Support the show by mentioning us at checkout. Terms and conditions apply. Today's episode is brought to you by ButcherBox. As a food writer, I can be a little skeptical about subscription cooking boxes you hear about on podcasts. There's big talk about cooking simplicity, but you're usually left with disappointment after smashing that promo code. Now, Clayton, have you ever tried one of those subscription boxes? Yeah, Matt, my friend gave me a code for that one that has all the chopped vegetables in little baggies.

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41:30It was incredible. These ButcherBox ribs are amazing. For nearly a decade, ButcherBox has led the industry with meat and seafood that's antibiotic-free. As an exclusive offer, our listeners can get free protein in every box for a year, plus$20 off your first box when you go to butcherbox.com slash taste. Visit butcherbox.com slash taste to get this limited time offer and free shipping always. That's butcherbox.com slash taste. Don't forget to use our link so they know we sent you. So I guess while we're talking about cities and the different places you went to, since I'm not an expert about LA steakhouses, despite the fact that it's my hometown.

42:15How dare you? I know, I know. Well, we can go together maybe. Yes. What's your favorite steakhouse in LA? See, this is when we get in trouble. There's so many. If I have to say one, I'm going to say Taylor's because Taylor's in Koreatown. There's one in La Canata, which I like too. But Taylor's Koreatown was the first steakhouse I went to. I went to with Tim Heidecker because when we first moved to LA, we were just kind of on our website. You know, this is before YouTube, if you can even imagine. We just had timonair.com. And we had some fans in LA that were like, we would love to take you out to our favorite restaurant.

42:51and we're like, cool. It was this really lovely couple. They took us to Taylor's and Tim and I were like, oh shit, this is like old school LA. This is like a different version of LA that's really awesome and it has not changed. Very Rat Pack style. So when we shot the book, I brought Tim back and other people that are very close to me, Bob Odenkirk and John C. Reilly just to kind of, and they all told, one of the greatest chapters in the book is that Taylor's chapter where they each talk about working in restaurants. And it's so funny. Each of them just has a great story. And it was such a beautiful night.

43:27And they love it. And they're not, you know, John and Bob know really great. They know good food. But they're not like maybe you and I are, which are a little bit more on the foodie side, you know. But they love that. That's the point. Like they had so much fun because they could understand the food. John got his whole steak, you know. It's just like beautiful. Yeah. I thought you would have said Musso and Franks. That's funny. That's, you know, Moose and Frank's, I think, is the most beautiful room in the whole country. Not just steakhouse. It's like, I think that place is unbelievable. I'm going to give you the scoop.

44:03This is exclusive. Clayton, play the music. Taste exclusive. No, just kidding. So, Moose, out of all 65 restaurants we went to, Moose was the one that said, no, thank you. and I fucking loved that. I loved, I loved it. Like, no, we're not interested. Gabe called them many times. Like, nope. Like, they're known for like, they don't do celebrity reservations. They don't hold tables. Like, they're just hardcore, but because they can. It's just, they make the rules. It's not like this big corporation. It's not like Starbucks where you have to do things a certain way. It's, and I love it. So, of course, I try to weasel my way.

44:49Anyone says no to me, I'm like, this is instantly a challenge. So I get there, like to do this, you have to talk to their PR guy who's a trip and he's pretty much, no, no, thank you. But he's like, but on the weekend, if you're interested, I'm doing a UFO club and we really need new members. We really need some young Hollywood to come. I'm like, oh, I'm so flattered. You'd consider me young Hollywood. um but i was like and i really want to go to this thing and then i was like i can't i know a lot of ufo guys like it's just too much but anyway so i i still went in i snuck my camera in i'm sorry musos i shot one picture which is the chopped steak because it needed to be in the book it's really this amazing dish that my friend emil haney taught me and it's you know not many people get the chopped steak it's it's but it's a good quality steak they cook it perfectly and then it's like served in some jus with a side of watercress which is essential to have that bitterness and then you get the steak sauce and you dip that and we haven't done that's what that's what we'll get when you when we um do steak in la yeah i'm really glad you mentioned that the chopped steak a poivre there because i had never heard of a chopped steak before i didn't realize it was something that you could order, but the recipe is in the book.

46:12So the recipes in the book, I was curious about this. What percentage of them are like, are they exact from the restaurant? Are they an interpretation? Are they inspired? So the chopstick au poivre was on the animal menu. That's a John and Vinny recipe. At the time I was about to open up a hoagie wine bar with them at that animal space but i've been they were one of my first friends in la that showed me the real like they took me to todoraku they took me everywhere but so i trust them and i love their food and this this was a i love a poivre anything but they they use really good meat and they're such classically french and trained chefs that they just do it really well it's just like you know it's i also find it let's just enjoy it i don't know there's something fun about it when it's done right yeah um so that's a john and venny recipe but yes because lots of recipe sections like where do the recipes all come from most of them uh maybe half of them are from my chef friends like firmin nunez did a version of his chipotle ribeye which is so good that's a great And then we got recipes from people in Monterey, Mexico.

47:32That's the appetizer version of what we have in Japanese restaurants. It's the tuna, seared tuna with like ponzu. It's, what is that called? Not tempanyaki. I can't remember. Like tartare? Yeah. But there's like a, it's like a nobu word. Anyways, it's just interesting. So we got that, but they do a steak in Monterey. and then we developed some on our own we hired the best recipe developers and some are from the south because they wanted to like harness that feeling and sometimes that person didn't even eat there but they knew through me gushing over what it was and the extreme documentation i did we developed things like parker house rolls and other things that are very unique but super tasty so you can buy this book and you can just look at the pictures and you can also buy this book and make the like really world-class versions of these steakhouse recipes and the simple versions like there's it's kind of both yeah there is such a nice like there's four different versions of a wedge salad and you can make all four yeah but there's only one martini recipe because i i'm stickler for everyone to at least try this version because it's it's in my opinion it's just the elevated way to go.

48:52Yeah. What is your perfect martini? My perfect martini is obviously gin, something good. You have Raku. That's my favorite right now. And you don't fuck it up. You don't need vermouth and you don't need olive juice. Guess what? If the people are making the martini properly, it's all about the dilution and the temperature. And it's all about the patience to get there. Most places just rush you through and making sure that the glass is, it's almost more of a practice than it is a recipe it's just take your time and you actually do want to taste the botanicals in a good gin and i i just pop one olive in very good olive maybe two drips of olive juice but these people the people that do dirty i know there's lots of dirty people out of the dirty dirty girls dirty boys everything and i used to be one of you i used to be there in the gutter just just brining it up but you do need to do that if you have shit gin you know if you're going to a place that doesn't have some of these new wonderful saint george or botanist all those like that we're making amazing gin so don't it's like it's like don't hide it just just make it cold and but then there's there's there's a great the only exception would be the grills they do a pre-batch martini with a twist.

50:13And there's something about that that is just incredible. Have you had that one? I haven't. I'm afraid to say this, but I'm not really a martini drinker, to be honest. I know. Clayton, stop. End recording. End the record. He's out, folks. I'll do like a Negroni instead or ideally a Mezcal Negroni. You know, I can do a stiff drink, but I'm not really a gin girly. Are you more of a Mexican Mutzlade? Be honest. Yeah. Yeah. I mean, I would say Mezcal Negroni. That's my steakhouse drink. Do I pass muster? Yes, you do. Because Mezcal is, I think, if I had to pick one spirit, that's my favorite. And I also love a Negroni because I'm in Italy a lot.

50:59It's bitter. I love a good cocktail. I used to be into mixology. You know, like I love a proper daiquiri. But you love wine also. I do. But the Steakhouse Martini is all about the progression. You know, it's about not overloading yourself with sugar or flavor in the beginning because you want to get to the good wine and then to the red wine. And, you know, I think a Steakhouse already is very powerful, usually leaning on the over-the-topness of flavor and salt and all that stuff, which is fine. But I think the martini to me is the right. It's kind of like, you know, we shot at Coat in New York.

51:46And that was one of the most delicious steakhouses I've ever been to. And it's a lot. I mean, it's perfect food and perfect service and great wine. But you have banchan. You have these pickled elements in between bites. And that's for your, I mean, it's delicious. But it's actually for your body, for digestion and for just dealing with so much fat. You need that acid and you need that pickling. And in America, we don't really have that. So I look at the martini as a placeholder for that experience in the early part of a dinner. The other martini that I am guilty of, and I was going to put in the book, and Gabe, thank God he said no, it's the espresso martini.

52:29It's very controversial. But if you're shooting two steakhouses a night, you have to power up. So that's kind of, I'll do it if it's a, you know, there's a good version of that. Major Domo has the greatest espresso martini I've ever had in my life. It's unbelievable. But they're also using fermented, like Koji. What is that? Koji? Mm-hmm. Koji. Koji. You're talking about, like, you know, long haul, 65 steakhouses, two a night sometimes. I have to ask, like, how your health is doing. Are you okay? Well, I mean, the problem is I've turned a couple of my friends on to martinis and it's, you know, it's pretty intense if you're not a cocktail person.

53:16But so. But yeah, we learned how to just nibble. Sometimes you have to nibble and we would save places that we've been to many times as we'll just do that. You know, for example, in Bern in Tampa, we went to Burns, which is one of the greatest places in the entire world specifically for wine, steakhouse wine. but we just did one a night because we knew well we're also there it was an eight hour dinner but it's you know sorry i'm going all over the place but yes you have to you have to just take bites analyze it and then by this round two you're you know sometimes we you know maybe too much wine and we're not much work's getting done but we're having fun and that's the point of the steakhouse you know i think that's the real takeaway i have to be like are you enlightened now like what is your take on steakhouses i was trying to make i was trying to make a a recap video this morning um because it's pub date and the videos are so beautiful it's just my friends and i or every city i would bring a friend or a chef that would host us and um and just talk about the town and what the steakhouse means to them and that was like chris shepherd in houston who's just a living icon in the food world and in the everything world he took us to papas brothers which could be my favorite steakhouse in the world and it took me a long time to get there but it's also because he shaped it that way it's in the south it's in houston one of my favorite cities it's really delicious one of the craziest steakhouses ever and then we we i had a crew of friends there where we all jammed into our car about the drive home and we would listen to exclusively like very heavy metal for some reason just to get us jacked up to work and we were all headbanging and all of a sudden we see this figure walking over to us and knocking we thought it was we thought it was the cops and it was chris he's like what are you guys doing can i come in there like you guys and we're just like being silly and headbanging but it was joyous and yeah it's fun it's the kind of thing that happens when you're in the like deep of your steakhouse reporting i want to play a rapid fire game with you to close today um and i'm gonna make you play some favorites but before we do that i'm wondering if you would very briefly tell our listeners about your decade-long beef steak party and uh whether and whether or not you think people should be trying to throw their own um listeners of the taste pod hi it's eric warheim please support my art by buying a steakhouse you know it's good that's the thing you know you want it beef steak is so cool it's like an early New York concept of celebration and it was born out of a bunch of people getting together all men back in those days and you know some great big sale or a stock market boom or something like that everyone get together they would wear black tie and they would wear a white apron and there's no utensils and they would just cook the meat throw it down on a plate and you eat your hands and do the dippers and we were like i got together with some legends in los angeles um matt sulman head writer of simpsons neil fraser a great chef court cast producer and and we're like we need to do this and we need to to do it for charity because we're we live close to downtown and there's a massive problem right now.

56:55Well, not right now, always. And we raised tons of money for Food Bank, which made us feel good. And we could sort of simulate this experience. And we've been doing it. And we did one for the book. And we had to cut most of it because of the page count. But I promise I wouldn't talk about that anymore. But it's such a fun experience. And it's like a steakhouse experience, but on acid. And you're just, it's just times a million. It's really fun. What do you think you gain by not using any utensils? You just gain this. It's, it is a primal experience, which I don't really love. You know, I don't really love it.

57:37I love, I'm, I'm like a wipe guy. My truck, my truck has these organized wipes from wipes with aloe. I just use wipes just for like, just for cleaning my windshield. I just love them. So I guess what I'm saying is like using your hands is not my favorite thing. But for this, it's just great. And wiping it on your apron and not caring is really fun. And to see people that have never done it embrace it and at the end of the night they're just having fun and being loose, it's really cool. It's a great thing. And if you want to do a beefsteak dinner, you can get the recipes in Steakhouse by Eric Steakheim.

58:18Okay, you ready for the rapid fire? Let's do it. Hold on. Let me just do one quick breath. Ready? Okay. If you could be a regular at any steakhouse, which one would it be? Oh, God. I'm already stumped Acropolis. The most memorable server from the whole trip? Jerome from Beef and Bottle. The best banquette you sat in? Good questions. The best banquette? Taylor's. Best martini? Grill. Best Psalm. Oh, Eric at Burns. I mean, there's him and then there's everyone else. That's a whole other pod. I know. The best bottle of wine. That might be too hard. Well, I have a funny story. It was a 1976 Chateau de Chem, which is a sweet wine.

59:10And it was at the grill. And I told Gabe, my co-author, do not let me order any wine past 9.30 p.m. Just don't. because I was in New York. I had all my best friends there. He doesn't abide by his promise. And I'm ordering a dessert wine. I'm like, it's my birth year. And they have like a really crazy cellar of that wine. And it was very, very expensive. No one else wanted any. So I just drank half of it by myself. And it was thousands of dollars. But it's a whole world of sweet wine, which is the good stuff is so profoundly good. But it's like Riesling. You can have shit stuff. But if you try some of the great producers, it's really this otherworldly thing.

59:56So that would be it. There's so much good wine, though. I know. We have to do a whole wine podcast, honestly. Okay, a modern steakhouse or an old school steakhouse? Which do you prefer? You know the answer. Old school. Like the film. Okay. One more time to talk about something that was cut. A steakhouse that you loved that you didn't have room to include in the book. Oh, I mean, how long do we have? We had to cut so many. I would say, oh, it's tragic. Del Rey. It's a place that in Los Angeles, we had our premier book dinner there. And it was sad that we couldn't include them because that's another LA one that put on your list.

1:00:37It's in Pico Rivera. It's jammed every single night. It used to be a hotspot for Hollywood types that would drive there it's like a 30 minute drive from Hollywood but um it's has the entertainment has a piano bar a guy plays two saxophones at once there's a conga player table side everything the table side Caesar I'm going to post about it um today so you can see it um just like it's performance art it's just absolutely perfect and they have an Italian American vibe so you can get like fried calamad you can get it's just shrimp scampi it's beautiful you had me at two saxophones at once that's incredible I also that party was there's a lot of just singing crying it was and I also rented a party bus because that's just how I roll so fun okay final question non-steak related question a fictional food scene like from a book or a movie that you wish you could magically eat in real life oh this is great this is such a fun one it would probably be any sunday supper at the soprano household like i want that big ziti i want i just want the it's funny like that show i started drinking wine by watching sopranos and they always had ruffino which is a very corporate wine you know from italy and it's not very good But I was like, Tony Soprano's drinking that.

1:02:06It's got to be good. It sort of got me into like making red sauce and meatballs and stuff. Oh, I love that. That's a perfect answer. And this has been such a fun conversation, Eric. Thanks so much. It's been a pleasure. Thanks for having me.

1:02:24This is Taste is hosted and produced by Matt Rodbard and me, Eliza Abarbanel. The show is edited by lead producer Clayton Gumber and supervised by Pat Stango, Director of Media Production and Development at Penguin Random House Thanks to Shalia Harris and the production team at Penguin Random House Theme music by Steve Rydell Logo and guest illustrations by Ellie Skrzat Visit Taste online at tastecooking.com And make sure to subscribe to our newsletter To keep updated on all cool things in the world of taste

From the publisher

Eric Wareheim is an actor, director, winemaker, and writer based in Los Angeles. You may know him as one half of the comedy duo behind the cult-followed Tim and Eric Awesome Show, Great Job!, but in recent years, he’s been making a foray into food and wine, starting with the New York Times Best Seller cookbook Foodheim. His new book, Steak House, chronicles his freewheeling, exhaustive search for the ultimate steak house. It’s a heady mix of recipes, interviews with legendary servers, and his own very funny essays—and today on the show, we go deep on his steak house fixation and reporting process. 

And, at the top of the show, it’s the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: The Great Community Bake Sale is New York’s big weekend event, Katie Parla has a very cool new book out, Rome: A Culinary History, Cookbook, and Field Guide to the Flavors that Built a City, it’s soup season and Andy Baraghani’s Golden Potato and Greens Soup is a great option. Also, a recap from the fun Los Angeles Chef’s Conference, a visit to the Tiny Dollhouse Store, and Matt is heading to Korea.

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