702: Andrew Zimmern's Secret Restaurant Critic Past

15 Dec 2025 · 58 min

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Podcast Episode Notes: This Is TASTE - Episode 702: Andrew Zimmern's Secret Restaurant Critic Past

Episode Overview In this episode of "This Is TASTE," hosts Aliza Abarbanel and Matt Rodbard chat with renowned food personality Andrew Zimmern. The conversation dives deep into Zimmern's extensive career, notable experiences in the culinary world, and highlights from his latest seafood cookbook, *The Blue Food Cookbook*.

Key Themes and Discussions

Introduction to Andrew Zimmern

  • Background: Andrew Zimmern is well-known for his long-running show, Bizarre Foods, and other food-related programs that have shaped food television.
  • Friendship: Zimmern and Rodbard discuss their long-standing friendship, emphasizing the meaningful conversations they've shared over the years.

Exploration of New York City Dining

  • Local Favorites: Zimmern shares his frequent haunts in NYC, mentioning classics like Katz’s Deli and Russ & Daughters, as well as newer spots like Blue Willow, highlighting the diversity of cuisine in the city.
  • French Cuisine: The conversation touches on the resurgence of French cuisine in NYC, with Zimmern praising its deliciousness and the skill of chefs like Daniel Boulud.

Andrew's Past as a Restaurant Critic

  • Critic Background: Zimmern reflects on his time as a restaurant critic for *Minneapolis St. Paul Magazine*, where he wrote about dining for seven years, helping to shape the local food scene.
  • Critical Insights: He discusses his methodology as a critic, particularly his focus on mussels as a litmus test for the quality of a restaurant.

The Blue Food Cookbook

  • Concept and Purpose: Zimmern defines “blue foods” as a new approach to seafood, aiming to dispel myths and misconceptions around it.
  • Culinary Focus: The book comprises 145 recipes that encourage consumers to incorporate more seafood into their diets, emphasizing sustainability and responsible sourcing.
  • Research and Development: He highlights the extensive research that went into the book, noting the importance of understanding seafood policy, sustainability, and climate issues.

Sustainability in Seafood

  • Farming vs. Wild: Zimmern discusses the evolution of seafood farming and how practices have improved over the years. He emphasizes that both farmed and wild seafood can be sustainable if sourced responsibly.
  • Health Benefits: He advocates for seafood as a healthy choice for humans and the planet, arguing for its superiority over other animal proteins.

Addressing Myths About Seafood

  • Culinary Perceptions: Zimmern tackles common misconceptions about seafood being "fishy" and children's resistance to it, comparing it to how kids in other cultures readily consume seafood.
  • Cooking Techniques: He stresses the ease of cooking seafood and the importance of proper handling to enhance flavors and reduce unpleasant odors.

Economic and Global Implications

  • Global Seafood Economy: Zimmern discusses the underrepresentation of African seafood exports and the importance of supporting artisanal fisheries worldwide.
  • Investment in Aquaculture: He calls for investments in aquaculture as a solution to global food security, highlighting the need for sustainable practices.

Conclusion Andrew Zimmern invites listeners to rethink seafood consumption and encourages them to explore the recipes in *The Blue Food Cookbook*. The discussion emphasizes the importance of supporting sustainable seafood practices and the enjoyment of cooking seafood at home.

Key Takeaways

  • Andrew Zimmern's extensive background in food television and as a restaurant critic reflects a deep understanding of culinary trends.
  • *The Blue Food Cookbook* aims to make seafood accessible and appealing while addressing sustainability.
  • There are numerous myths around seafood that can be debunked to enhance home cooking experiences.
  • The economic growth of the seafood industry, particularly in artisanal fishing communities, is essential for global food security.

Further Resources

  • For more information about the podcast and culinary topics, visit [tastecooking.com](https://tastecooking.com).
  • Check out Andrew Zimmern's *The Blue Food Cookbook* for recipes and insights on seafood.

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Transcript

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0:00This episode is brought to you by Resi and American Express. Resi is a digital platform that connects restaurants to restaurant lovers by elevating dining experiences, providing original industry content, and helping to fill some of the country's most exciting dining rooms. Because restaurants have always been more than just places to eat. The amazing world of restaurants is just a few taps away in the Resi app and at resi.com.

0:31If you're going to eat a center of the plate protein that's best for you as a human being and best for our planet at the same time, seafood wins every time over every other center of the plate protein that exists. Animal center of the plate protein. This is Taste. I'm your host, Matt Rodbar.

0:59For over two decades, Andrew Zimmern has starred in some of the most thoughtful and compelling food television being made. He's the longtime host of Bizarre Foods and a number of other food travel shows that defined a generation of programming. He's also a longtime friend of mine, and it's absolutely crazy that he's never been on the show. We go in so many great directions with this conversation, including talk about his incredible new seafood cookbook, The Blue Food Cookbook. I hope you enjoy this conversation.

1:32Andrew Zimmern, welcome to This Is Taste. How are you, my friend? I am fantastic. It's so good to see you. So good to see you. I still have no hair. Yours is gray. Oh, I know. Mine's gray since I met you. I mean, I met you like 15 years ago. Longer. Longer. Yeah. But it's been so nice having you in my life. You've been such a mentor figure. You've been a friend. We've hung out a lot, I feel. And, you know, every conversation is meaningful with you. Well, thank you. Likewise. And all of our conversations previously have been off the record. So we're finally going on the mic. So I'm, it's really fun to have you here.

2:07Skewer me. Let the harsh light of interrogation shine its evil gaze upon me. I can go that mode. And first off, the Blue Food Cookbook is just – it's an absolute masterpiece and we're going to talk all about it later in the interview. But first, you're back in New York City. I know you were just flying in. But you traveled to New York quite a bit from Minneapolis where you live. Where do you like to go these days, restaurants-wise? You know, it's a combination. It's divided. You know, I was born here in 1961. I spent the first half of my life here in New York City. So I worked here in restaurants.

2:49So I'm as I'm as I feel like a raindrop entering the river. So when I come back, I do go to my, you know, the childhood pizza place. I go to Katz's where five generations of my family, you know, have eaten to Russ and Daughters where five generations of my family have eaten. I tomorrow at some point I'm going to get to you know head out to like Spumoni Gardens and I'll go out to flushing and eat some Chinese food. I'm going to I the last time I was here in town I went to I think it's Blue Willow a new Chinese restaurant. That is absolutely fantastic. Very seafood driven. Superb dim sum. The chef is rather famous in the world of Chinese chefs in New York City who toil in anonymity except in their own communities.

3:47But his wife is doing the dim sum. Oh, cool. Which is frequently the case where if a male chef, their wives will have cooked with them. Yubo in China, his wife cooks. Peter Chang's wife is as good a chef as he is. I love Peter's. Which is amazing. I love him too. Yeah, he's great. And arguably the dish that he is, one of the dishes he's most famous for is his wife's invention, right? He gives her credit all the time. It's just that nobody bothers reporting on that giant puffball balloon pastry with the curry. Had it. Love that. Had that in Short Pump, Virginia. That's his wife. At that location, yeah.

4:28Yeah, best name of any town that a restaurant's in. You know, y 'all going to Short Pump for some Chinese food? It's such a great episode. Bet your ass. But so I'm going to go to Blue Willow. Recently on a couple stops over the last few months, I actually wrote about it on my sub stack. The re-Frenchification of New York. I mean, I was not the first person. I think the first article that I saw about it was probably Helen Rosner's, you know. But this has been going on for about the last, I don't know, 18, 19. When did Carmelini's new restaurant open up? When did Tet Dor open up? A year? Yeah, yeah.

5:12Something like that? But, you know, now you have, you know, Riyad and Lee took over Vodor as well. Vodor. Absolutely. So been to all those. Yeah. Adore them. Le Chen? Yeah, Le Chen, sure. Yeah, fantastic. Absolutely. Fantastic. She's amazing. You want to have her on the show. So, you know, I've gone to all these French restaurants not because I'm a I'm a Francophile. I'm I'm an eater. Yeah. You know, I like to eat. And I have a firm changes for me every decade. But at least this year, this day, sitting in a chair talking to you, while the depth and the breadth of the major Western European cuisines is not as robust by a mile as the depth and the breadth of Mexican cookery, pre and post contact, Chinese cookery.

6:16Right. Through the thousands of years, which are obviously the two big culinary pillars, in my opinion, in the world. You know, French cuisine codified and reinterpreted in 2025 in New York City is a brilliant rendering of food. It is fucking delicious. And so without getting into arguments about who gets to cook what, when, how and where and what reflects culture now in America and all the other issues that sort of come along with this. if you're just thinking about deliciousness, this Frenchification that's going on in New York is pretty spectacular. I ate within the same week at Restaurant Danielle and La Tête d 'Or.

7:02Oh, yeah. And I found several dishes at Danielle. It's thrilling. And I actually sent him a note. I said, you know, it's the best meal that I've had there in four or five years. And it just reflects the attention to detail that his dining group is putting into the food there. I mean, there were no duds by any stretch of the imagination. But, you know, the way chefs are when you're eating at a fine dining restaurant, it's like everything's up for grabs. You know, you're spending money. It's got a lot of Michelin stars. Like, all that food should curl my toes, right? And it did. Yeah. But the energy and excitement at his, you know, silver trolley steak.

7:49I don't even want to call it a steakhouse because it's more than that. But it's just a silver trolley restaurant with waiters carving, you know, I think the best beef in New York. I mean, Daniel is made for New York. I mean, he's played it like a piano, like a maestro. I mean, he understands the rhythms. But his potatoes. Yeah, yeah, yeah. I mean, it's the same thing I felt when, you know, when I went to Carmelini and, you know, his potato. I mean, like a chef in their prime. And Daniel Balut is not a youngster, but he's also not a lion in winter either. He is an incredible culinarian and he has done such a great job with his new places.

8:29I think Le Vaudour, if you said to me, name one restaurant in New York, we're going to eat in, let's go right now. And it's Lavoe Door, despite my obsession with, you know, Chinese food of all kinds and wanting to go to some secret little spot to eat at a, you know, 12-seat Izakaya or grab some. Or L &B Spamoni, which you bring up. That's right. I mean, that place. That's definitely my top three for New York. Mine, too. Mine, too. Yeah, it's F &F and definitely L &B Spamoni's, too. It's I'm just one of those guys and it is, you know, I'm not going to lie to people. I don't have to wait for corner slices there.

9:12They see me. I just sit at a table and magically an entire pizza is delivered there within a couple of minutes. But, you know, I've been going there for my whole life. People always ask me, they're like, do you get treated differently in restaurants? And I said, well, yes and no. I mean, obviously, sometimes you make a reservation and they may know, some people may know who I am. And, you know, you may have someone who's a fan who's working there. I bumped into somebody and they invite you in. And obviously, you know, you're getting different treatment. But, you know, if you want to be a regular in a restaurant, just go there a lot.

9:46100%. It makes such a difference. And that's true whether you're shopping for food, eating food, you know, the corner deli. I mean, you're just going to get treated better. It's what Michael McCarty told me a year ago, and I haven't stopped thinking about it. How do you become a regular at Michael's? You go a lot. That's right. And you don't have to have a gram count and a blue check. That's right. Just get to know the guys. That's it. You know, get to know the people. That's it. How does the bartender know what you drink? Because I go there a lot, right? I mean, it's a fascinating experience.

10:21But I thought LaVoe Door, maybe because I had gone there as a kid with my dad. Amazing. So to see that restaurant go away and come back. What was it called then? LaVoe Door. The name never changed. Interesting. To go away and come back. Gosh, now I'm really feeling old. It was the same thing at the Oyster Bark Grand Central Station, which, you know, physically closed for a long, long time. But when you see these restaurants go and come back, I wish, you know, I spent a lot of time thinking about restaurants that no longer exist that I went to with my father as well. When I'm in those places, I think of him.

11:05But, man, what Lee and Riyad are doing at Le Vaudour is absolutely – And by the way, for all those people who are like, well, you're just saying that because they have calves brains on the menu. It's like there is like straight up steak fried. I mean, you know, it is a limited menu in the sense that it's changing all the time and stuff. And I was lucky enough to be there and, you know, have frog's legs and calves brain, all the things that I loved. Yeah. But those things were all being cooked at Le Cote Basque and, you know, all the great midtown French, you know, haute cuisine parlors that my father dined, Le Caravelle and Lutece.

11:48When in the 60s and 70s, when I would go out to eat with him on special occasions or just have lunch with him when he was going to yell at me. I knew I was going to – the hammer was coming down when we were at a good – because my dad knew I wouldn't make a fuss because they were so intimidating. But so many – I actually looked at an old Cote Basque recipe or an old Cote Basque menu after my first visit to Le Vaudour because I sat there and thought to myself, wow, this is a rebirth of a New York restaurant tradition that's been going on. goes back to Pavillon and before that, you know, I mean, just back and back and back and back.

12:28So, yeah, I think the Frenchification thing is really interesting right now. From February 20th to March 7th, dive into Canada's biggest culinary festival, Montreal en Lumière, an exclusive partnership with the McCord Stewart Museum and its exhibition, On the Menu Montreal, a restaurant story. The 2026 festival invites food lovers on a flavorful journey through time. Montreal's top restaurateurs will reimagine 65 years of the city's iconic astronomy, crafting inventive, nostalgia-inspired dishes with a modern twist. Prepare your palate. World-renowned chefs, including several Michelin-starred talents, will team up with over 80 of Montreal's finest local chefs to create unforgettable, one-of-a-kind menus.

13:14The full program is available at MontrealOnLumiere.com. Presented by Lotto Quebec in collaboration with National Bank. This episode is brought to you by Aura Frames. If you're one of those last-minute shoppers, you might know the feeling. Ideas are running low, and the clock is ticking. Here's a fun idea, Aura Frames. Aura Frames is the solution with a gift that feels personal, a little curated, and sent with love, and a gift that can be purchased in no time with a few clicks of the mouse. Aura Frames are great. They sent me one to check out, and it was really cool and dumb, simple to set up. I loaded photos using the app, and it was displaying them instantly.

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14:35That's A-U-R-A-Frames.com, promo code TASTE. The deal is exclusive to listeners and frames sell out fast, so order yours now to get it in time for the holidays. Support the show by mentioning us at checkout. Terms and conditions apply. Hi there, it's Matt, co-host of the show. We are currently running a This Is Taste listener survey, and we'd love to hear from you. Do you have a guest request? A restaurant you wish we'd visit to talk about on three things? What about a lesser-known cookbook author who deserves a spot in our studio chair? You can let us know by clicking the link in our show notes to complete the survey.

15:13It will only take a couple minutes, I swear, and will help us continue to make the best show possible. That's the This Is Taste Listener Survey link in our show notes. Speaking of restaurants, I didn't realize this when I was researching this interview. You were a restaurant critic in Minneapolis. Yes. I did not know that. So what kind of restaurant critic were you? Were you like firm but fair? Were you really hard? And I love you write in your new book how muscles were really the dish that could tell you everything about a restaurant. I love that. Everything. But like, Andrew, you, I mean, I love your writing.

15:47I just didn't realize you actually were a critic. Seven years. I didn't realize that. I was the dining critic for Minneapolis St. Paul magazine, which is our big glossy monthly, you know, winner of lots of magazine awards. Really, really longstanding magazine in our state. I left. The back story is I was a chef in a restaurant and I knew I wanted to tell stories to a bigger audience. So I was trying to sell TV shows, but you can't – that doesn't happen overnight. By the way, this is 1997. So I knew that I needed to learn more about how media worked. And by the way, there was no social media. There were no laptops.

16:35There was – I didn't have a desktop computer in 1997. What an amazing thing. I think I had a Palm Pilot. I think that was my device. Yes. So, you know, there were no cell phones really to speak of. But the what was fascinating about that time was I went to a radio station, a magazine and a TV station and got a job at each working for free. And I because I could afford to do it for 90 days. And I just sort of made myself indispensable and showed them what I could do. And then they came across with, you know, basically between the three, I could cobble together a living and pay my bills. Just started a family.

17:21And I needed to feed my baby, you know. So there were – the magazine stuff took off. Well, the radio stuff and the magazine – well, I guess they all sort of took off. The TV thing just kept expanding. And then I was the food features reporter and, you know, five days a week for an independently operated station that became a Fox O &O. And you were like field producing, too. Yeah, of course, because that's what you do. That's why when people say to me, where's the where's where do I learn how to do this? I just go do it. I mean, because live local news is disappearing all over the country. Oh, yeah.

18:00When I started it, you went out with a videographer and the two of you wrote, directed, produced the packages that you were doing. The news director would tell you, hey, go out to the Seavers Corn Farm and, you know, Halloween is next week. Make a package. Yeah, yeah. You know, and then they'd call you and say, make one for the six o 'clock, make one fluffy for the morning, make one serious. And so you went out and then you edited it and wrote the script. And then did the VO. Yeah, yeah, yeah. And the two of you were a team and you did everything together, which was great training for all of my subsequent TV work.

18:40So that went well. The radio station, I did a weekend food show, but I learned how valuable it is. I learned more about TV doing radio than any other job because ultimately I was doing drive time radio five days a week. and you've got to be the same at 3 o 'clock as you are at 6 o 'clock for a listener. And in television, if you're bummed out and low energy on Tuesday afternoon and Wednesday morning, you are high energy and blissed out, they can't edit that together. It doesn't matter. You can wear the same colored shirt. You can shoot it in the same spot. It is two different personality types showing up.

19:24So you learn the discipline of how to be in front of a camera. I learned that in radio. But the magazine job, I started doing a little squib like the secondary review. Yeah, like the capsule. But it was critical though. It was great. Started there. And then by the time I left, I was doing six pieces a month for them. The last seven years that I was with the magazine, I was doing the primary restaurant review every year. and working with the restaurant editor on our three or four special issues every year, two of which were cover stories, you know, best restaurants of the year. Every Glossy City Monthly does that.

20:06So I was the guy. And it's funny you're asking me this question because I just read, you know, Eric Wong from Peckin. Yeah, Peckin Duck House. Chicken. Chicken, Peckin Chicken, yeah. Yeah, the spicy sandwich place. Yeah. He has a sub stack. Oh, cool. And I just read an article that he wrote asking the – the article I think is titled, Why Aren't More Chefs Dining Critics? Yeah. And I liked what – it was very thought-provoking. I liked a lot of what he said. One of the things that I kind of disagreed with was, you know, there's great sportscasters who never played the game. You don't have to have played the game because Eric's position is wouldn't dining criticism be better if more people who played the game were writing?

20:57Yeah. And I agree with that in general and in principle. It just doesn't really always happen that way. You know, you've got to be a good writer and you've got to, you know, there's a lot of the foundation of the job that goes into it. I found extreme success as a dining columnist and doing all of the pieces that I was doing at Minneapolis St. Paul magazine because I had the experience. You couldn't bullshit me. You know, when the server were like, you know, oh, this is how Duck is supposed to be prepared or whatever. And I would say, oh, because you visit, then you call and you ask questions.

21:31You may sneak in another time. and for people wondering, I was not doing national television at this point. So I wasn't like I was recognized everywhere. But I knew how things were supposed to be. Now, that doesn't mean that I wouldn't go into a restaurant and not learn something. I learn something every day. I believe we all remain teach. I'm the most curious, teachable person I know. I mean, I love learning. However, back in the late 90s in Minnesota, our food was not as sophisticated a food scene really as complex as many ethnicities represented in great restaurants as say now where we're one of the premier dining destinations in America is Minneapolis.

22:27And which I'm very proud of. And, you know, for the small part, I think I played over the last 30 years in helping to grow that part of the world. But, yeah, when you have seared salmon over Ratatouille at a bistro and they tell you this is how it's supposed to be. You know. It's flaccid skin. Yeah. And I can tell how long it cooked in what kind of pan with what kind of oil. and they just can't fool you if you've spent, you know, 20 years in professional kitchens before that. The mussels thing, mussels are very fragile and they dry out very quickly. And if you're not sourcing them right, they're already coming to you where they really shouldn't be served.

23:14Which is like the first thing you look at a restaurant, how you source your food. And so I would always order the mussels in every restaurant I went to. It did not matter. Yeah. Obviously, in certain places, I wouldn't order frozen New Zealand greenlit mussels because a whole different ballgame. But, you know, Pacific Northwest or Maine, farmed or wild, it did not matter. The mussels should fill the shell. They should be plump. They should have a certain amount. And then we kind of go from there. But what I – before I even tasted, all I had to do was look at the mussels because if they were dried and they didn't fill the shell and if there was a little bit, just a hint of that less than fresh aroma, which is how half the mussels in America are served, I knew A, the chef was saying, I'm going to put that on a plate.

24:08Yeah. And how dare they? Yeah. Do something else with them. Steam them all off. How about family meal? There's lots of – don't waste food, right? Muscles are still good, but that shouldn't be served to a guest. I mean, the competence of the chef was known right away if they actually serve – Should. – like mussels that are dry. Should. Yeah, should. And I was – I always could tell how something was handled because if it's a – I also knew what – there was only a certain number of companies delivering fish in the Twin Cities when I was reviewing. I knew them all. So I could tell based on where the – I would say where are the mussels from?

24:44And if they said, you know, they're farm mussels from Maine, I knew who was carrying them and where they were buying their seafood. If they said they're from the Pacific Northwest, they're wild or far, I knew who they were from. And, you know, I would know because I had been ordering from those companies. Well, you can only get those mussels on Tuesdays and Fridays. It's a Monday. They look great still. You're doing something really smart. You've stored them properly. So whatever the Friday or Saturday delivery was, still good on a Monday, right? Now, you know, what was Tony's great admonition in the New Yorker column?

25:22You know, never order the fish on a Monday. Yeah. he and I would have endless, endless conversations about this because I kept having to remind him, I'm ordering seafood on a Monday because it tells me a lot about how the kitchen is run. It's detective work. And he's like, but then you have to eat it. And I'm just like, well, yes and no. You know, you can sort of pick at it. You know, you can get up and leave. But you can tell right away that the kitchen is handling it properly. And, you know, that's actually you want to order more. It's a great thing. Yeah, it's great. It's great information.

25:57Interesting. Interesting. We used to – when I was doing – in the restaurant, the last restaurant I had in the Twin Cities that was fully mine before I took that job, all of our leftover seafood on Sunday, I would come in in the morning for two or three hours. It was my day off. But I would make a seafood terrine or a seafood soup and then that would be served Sunday night and Monday on my day off as the cold special and the soup. and it's how we sort of got around all of that. And Monday was our slowest day anyway, so we just said, yeah, we served a great Moule Mariniere, but we didn't get our delivery.

26:35Our delivery was Tuesday and Friday, so Monday we were just always out of it. Yeah. That was it. We just said, we're out. Order comes in tomorrow. When you order appropriately, that's it. I just thought that was being responsible to the guest. Yeah, definitely. And I find, I mean, look, I support restaurants. Restaurants are being kneecapped. They're more going out of business right now than ever before. Talk about all the time. It is a fucking horror show out there. Yeah. Yeah. And, you know, I'm a I work publicly and actively to, you know, on laws to help support our restaurant community, independent and otherwise.

27:12So my heart is with restaurants. I do – I mean, I love restaurants. I am who I am because of restaurants. I grew up in restaurants. I've worked my whole – this is my 50th year of taking a paycheck in a restaurant. I mean, that's a lot of time. So I would – my love for restaurants I would put up against anyone's. But I do think if we don't call out restaurants that aren't responsible to the guest, we're doing the industry a disservice. Yeah, I mean – And I've always felt that way. So I was I think I was a tough critic because I was working for a glossy monthly. And as you know, glossy monthlies rely on local advertising, including restaurants to survive.

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28:04That's why I asked you right away if you were like a tough critic. And so I kept getting yelled at all the time. And I was lucky, kind of like in my TV career. Yeah. I got popular enough with readers that I had a little more leverage. And I could say, well, then take me off the beat. I mean, you know, if you don't want me, I said, this is what I'm going to write and I'm going to be honest and fair. And in the world of Glossy Monthly, honest and fair sometimes isn't an option. No. Let's move on to the book. Blue foods. To me, it says a lot of things. I was thinking Blue Zone Diet, frankly, when I first heard it.

28:41Or blueberries. Or blueberries, but it certainly isn't. And I think the idea is blue foods are the next chapter for seafood. This is exactly how we should be thinking about seafood right now. Correct. And maybe forgetting or ignoring some of the previous misperceptions. And there's a lot of myths that are busted in this book. And again, such a terrific book. When I asked you right away, when I saw you, I was like, Andrew, the book's great. How long did you work on it? And you're like, a long time, right? Well, I first did what I actually said was two and a half years. And I said, well, 15 years.

29:16And I said, well, actually my whole life, because I usually, you know, on the stump, you know, talk about growing up in New York and Long Island and, you know, collecting wild mussels and clamming with my dad and surf casting for bass to throw on the grill. And I've always cooked seafood. I've eaten. I mean, the seafood has been my life. But I really sort of dove in to the deep end of the pool when it comes to policy, international trade, and the issues of sustainability and climate crisis, immigration, job equity, economic development that surrounds seafood in America as issues that affect how we eat and why we eat it.

29:57And I want to say here and now that while that sounds wonky, the book has 145 amazing recipes in it. People are going to love it. Eric Wolfinger did the photography. Oh, amazing. Yulia Shevchenko did watercolor illustrations. A stunning one of Muscles's on the cover. Barton Seaver, a legend in the seafood community, is my co-author. and a lot of he said, he said stuff is in the book because there is no one way to cook a piece of salmon, right? I mean, so we love having two different chowders and two different pastas that have the same ingredients, have the same title, but have very, very different approaches to it.

30:42But there are so many, when you decide to write a book about seafood And thank you for calling out the issue of the word blue. The United Nations came up with the term blue foods to place it in contrast to the green economy of the world was an easier way to talk about U.N. policy. Yeah, yeah.

31:34when certain fish are green light go because the fishery is doing well and other fish are farmed and they come from a responsible source. But the minute you start to write a book about seafood, immediately the audience for whom you're writing says, I'm confused. I'm already confused. It's a seafood book. And as an author, you've got to be responsible to the reader. So I delighted in being able to say, OK, we know here are your questions. Farmed or wild, the answer is both. Yeah. Fresh or frozen, the answer is both. The question we have to ask is, does it come from a responsible fishery? And was it handled right?

32:17Right. And if it ticks both those boxes, it doesn't matter whether it's fresh farmed, wild, frozen. It does not matter. None of that matters. Buy it. Eat it. And the goal is to get America to eat one more seafood meal a week that they cook at home. Seventy-five percent of the seafood that comes into America is exported overseas. Of what stays behind, of that 25 percent, 75 percent of that, Americans enjoy in restaurants. So we love seafood. We're just not eating it at home. And so there is also mythology and, you know, I think influence that comes from years of mishandled product that where people say it's it's fishy.

33:04It makes my house smell weird when I cook it. Nobody ever says that about bacon or chocolate chip cookies. I like the aroma of seafood when it's cooked in my house. If it's overcooked, oils are released into the air and that smell will increase. I'm not a big fan of that, but I'm also not a big fan of when overcooked beef spatters up on the walls and gets those aromas get out from underneath the food in my house. It's a cooking smell. We celebrate cooking smells. I'm so happy you pointed this out clearly. The beauty of seafood is that it's very easy to cook, but it actually is deeper than that.

33:42seafood is considered guilty until proven innocent. Yeah, it's true. Which shocks me simply as an eater. And I think it should shock everyone who's listening to this too and why I encourage them to buy this book. And I set this up this way. I've never heard anyone go into a supermarket and tap someone with a red apron on the shoulder and say, can you tell me where the wild cow meat is or the wild chicken? Doesn't exist. Both are farmed. They're domesticated, have been forever, right? There's also one type of chicken and one type of cow that we eat, okay? And I don't want to get into arguments that there's a couple of subspecies and all the rest of that thing and get into, you know, certified black Angus, which is a marketing term, right?

34:29I mean, let's just, you know, go with this for a second because when I get to my point, people will understand where I'm headed. Your big question for beef is what cut and fresh or frozen. And nobody ever says, well, those frozen short ribs are bad because they've been frozen. They're usually a couple dollars cheaper. And they stake hold while you get them from the market to your house, right? With chicken, it's light or dark, fresh or frozen. With seafood, you have thousands of species of edible life, plant life, you know, mollusks and cephalopods and fin fish. A terrific seaweed section in the book, by the way.

35:18I love that section. Thank you. But there is a vast world of seafood, flavors, textures, things that are meant for the grill. Things are meant for a hot pan and a quick sear. Very quick sear. Some fish you can eat raw, some fish that isn't worth eating raw because it tastes so much better cooked. So I go on and on, but the variety of flavors. The other thing that we come up against, another myth, is my kids won't eat it. Or worse, kids in general, not my kids, kids won't eat it, to which I direct people to any Asian country, all of Scandinavia, everywhere in Africa and South America. Essentially everywhere but America, children eat seafood.

36:00Um, we just don't do it here unless it's a fish stick. Uh, and we have a great fish stick recipe. Oh, the panzanella? In the book, yeah. I love it. He made, like, just as an aside, brilliant to think about, uh, a panzanella tomato salad with fish sticks. Yeah, well. Brilliant. Barton, uh, it's one of his recipes and, uh, it was one of the first ones that I cooked. He essentially replaced toasted croutons of leftover bread with fish sticks cut with scissors. Now, if you want to make fish sticks yourself, great. If you want to buy fish sticks, just make sure that you're doing it that comes from an approved resource, which is not the Gortons of Gloucester Fishermen.

36:40That is from any one of a dozen companies that make good fish sticks that are, you know, ASC or MSC. We call it the alphabet soup. But there's lots of places that will tell you this fish is responsibly sourced. And you get them just a little extra crispier. And then they soak up all those wonderful juices of the vegetables. It's delicious. It's the same reason why in our tinned fish section of the book, as much as I would have loved to have done another chef-y thing where I drain and rinse whatever comes out of the tin and do something really extraordinary with it in a souffle, I have my tuna noodle casserole.

37:17Yes, you do. Because I live in Minnesota. I saw it. I love my tuna noodle casserole. And when I started making tuna noodle casserole with drained tuna that is packed in olive oil, whether it comes from the Pacific Northwest or Italy or Spain, all of a sudden I was like, holy shit, that really tastes better than the supermarket water packed stuff. I mean, you make a very strong case for oil packed tuna and, you know, the water packed tuna seems to be not the choice. It isn't. And, you know, the water-packed tuna is the one that's most often cooked twice. A lot of people don't understand with tinned fish, most of it is cooked twice.

37:59The fish has to be cooked. Then it's loaded into a container, small, tinned, hence its name. And then it's filled with water and oil and heated to it. So it maintains its shelf stability, right? So if you start with good raw product, as many companies do these days, and you can read it on the side of their labels. I'm not here. I'm not a huckster for anything other than the right process. And have that once cooked tuna in oil and you start incorporating that into your diet. And there are American companies doing it out of the Pacific Northwest with tuna species that are sourced sustainably. Yeah.

38:45These days, eating a giant bluefin tuna is it's kind of like eating a Bengal tiger. Yeah. It's it's a it's a very difficult choice. You know, I think eating octopus is a difficult choice for people. Now, there are sustainable resources for giant bluefin tuna. They come and go. You know, I'd much prefer people, you know, eat yellowfin that's taken on a rod and reel. Yeah. And, you know, when I do eat tuna, I prefer some of the smaller species that because I want to do my part for our global food systems. And I'd like my children to be able to enjoy those those same fish. But we have so many myths and so many issues to get around.

39:37We wanted to create a cookbook that was really simple. So these 145, well, plus recipes, we have a lot for stocks and pantry items that you need to, if you're going to be making certain seafood items. And my coleslaw recipe, because if you're going to have a Minnesota shoreline, it's a really good one. No, it looks like a good one. I want to go back to the tuna, though, and oil before we move on. I mean, you really make a great point that the oil needs to be good. The oil needs to be quality. The oil needs to be good. Because if you're not picking the right oil-packed tuna, it could be a disaster.

40:14Well, it makes the fish bitter, but more importantly, it also eliminates the secondary use for yourself. So I'll give you an example. Yes. I sometimes, I know this sounds so dorky, but I make a lot of Vitello Tonato and anything Tonato. Oh, yeah. And I think my recipe— Tonato's going crazy right now. It is. Lots of things are Tonato'd. My recipe for tuna—I think it's my recipe for tuna Tonato. Barton and I worked on this for so long together, I forget whose idea and whose base recipe was what for what. But I think it's my tuna tonnato.

40:47If you use the oil, I'll save it in a jar in my fridge from opening up because we eat a lot of tin tuna in our house. I like tuna fish salad. I make vitello tonnato. That sauce requires tin tuna. Some of the oil goes into that sauce, but not all of it necessarily. I like tuna nissoise. I mean, I use tinned tuna a lot. With oil packed. Correct. Kind of always. With good olive oil. Yeah, with good olive oil. And whether that tuna in the packery or the fishery is in Morocco or Algeria or Spain or Portugal or any of the countries that are doing a really good job with packing it, you know, Europe and North Africa does a phenomenal job.

41:33Great value with the North African product. If you're tired of paying really large, crazy prices for Portuguese and the Spanish stuff, you can go down. Well, Ortiz is one of those things that, like wineries, has several different labels, right? So, you know, there are Ortiz levels. There's levels to this game. There's levels to Ortiz. But the fun of it for me is that I can take that and make a salad dressing that I might put on leftover grilled salmon one day. And it has a really extraordinary flavor because it's been packed around that fish. If you're taking sardines out of a tin and you take three or four tablespoons of that oil that's with the sardines and you make a very mustardy vinaigrette with a little bit of hot chili minced into it and a little bit of orange and lemon zest, no juice, just the zest.

42:26Save the juice for the dressing on the greens, and you lay those sardines on those greens, then you dress it with that mustardy vinaigrette that's made with the oil from the tin. It's going to curl your toes. It's got great value to it. On the flip side, if it's shitty, shitty oil is shitty oil. You know, you can't polish a turd. And you have to taste it. And if it's not the right oil, you maybe don't buy that brand. Today's episode is brought to you by ButcherBox. As a food writer, I can be a little skeptical about subscription cooking boxes you hear about on podcasts. There's big talk about cooking simplicity, but you're usually left with disappointment after smashing that promo code.

43:03Now, Clayton, have you ever tried one of those subscription boxes? Yeah, Matt, my friend gave me a code for that one that has all the chopped vegetables and little baggies. I felt like a drug dealer trying to cook dinner. Yeah, man, I have so been there. ButcherBox is a true exception. I was sent a box of premium beef and pork and was blown away by the quality and variety. There was 100 % grass-fed pasteurized ribeye, tri-tip, and ground sirloin for my favorite at-home smash burger recipe. George Motes, you better watch your back. For pork, they sent me a beautiful center-cut pork loin for slow roasting.

43:39I was super impressed, and I haven't even talked about the ribs, which I cooked in my Instant Pot. There was a rub of salt, white pepper, and togarashi, and I had pressure cooked with water and apple cider vinegar. It was incredible. These ButcherBox ribs are amazing. For nearly a decade, ButcherBox has led the industry with meat and seafood that's antibiotic-free. As an exclusive offer, our listeners can get free protein in every box for a year, plus$20 off your first box when you go to butcherbox.com slash taste. Visit butcherbox.com slash taste to get this limited time offer and free shipping always.

44:19That's butcherbox.com slash taste. Don't forget to use our link so they know we sent you. I want to ask you about farmed fish. Go back to that topic. Yeah. Because I think for many listeners, there's a serious ick with farmed fish. There was one for me. And you just, you think about, wow, those nets and those fish and that dirty water. But as you said very well and very clearly, farmed and wild, it just has to be responsibly sourced. It's interesting to me, you know, we're talking about this in at a day and time where we can actually look back 15 years and. And, you know, a woman, Jennifer Bushman, who co-founded Fed by Blue, who is the nonprofit that we collaborated with on this book and who also was the impact campaign producer for Hope in the Water, the TV series that I produced.

45:22She sent me a salmon 15 years ago and it was OK and it was farmed and it was from Scandinavia. And I think the next year, I think I got a Chilean salmon from her, and it was a little bit better. And the third year, I got another Scandinavian salmon, and it was pretty good. And I had never been an advocate for farm fish because farm fish was bad for the environment, and the fish itself was mushy. Yeah. So it was an immediate no-go for me. I mean, the fat content was higher in a lot of that fish. Well, because the feed was creating— You know, it's like it was ultra-processed food for animals. Yeah, and they're not moving and they're getting overfed.

46:00Yes. And, you know, many people like that. Hold on that, though. Yeah, yeah, yeah. Not moving because they were in a crowded pen. Exactly. Right? And they were raised in places where the water wasn't swift enough that they didn't have to move a lot. They could just kind of sit still, which salmon can do. They move a little with their tail if there's a little eddy. But all of that has changed. I'm not sure there is a food system in the world. I've challenged a lot of people to find one for me because I know a little bit about this stuff. Tell me another food system in the last 15 years that's changed as much for the better as seafood farming has.

46:39Seafood farming was 90 percent. I got a problem with it 15, 20 years ago and is now 90 percent fantastic these days because people have understood what's at stake. And also sometimes capitalism is good. People have realized that if there's a good product and there are people who have chosen to eat more seafood for a lot of really good health reasons because it's better for you. If you're going to eat a center of the plate protein that's best for you as a human being and best for our planet at the same time, seafood wins every time over every other center of the plate protein that exists. Animal center of the plate protein.

47:22But the seafood industry has, you know, copper nets aren't used anymore. The feed ratio has gone from eight to one to either one to one or negative, right, in terms of the amount of food that you have to put into an animal to then net harvest size. The other issue is that we now are keeping fish in pens and we've eliminated overcrowding them by about 40 percent. Fish farming is done in very, very deep water, whether it's kampachi in Hawaii, whether it's striped bass off the coast of Southern California and Northern Mexico, whether it's trout in Idaho, Riverans doing an amazing job, or shrimp in Minnesota.

48:05There's a phenomenal shrimp company in Minnesota growing shrimp land-based, right? And all these other fisheries all around the world have decreased the amount of animals in the environments they're being raised in. They also are using now a different feeding system. So what was happening before was food would fall through the pen that the animals were in and it would go to the ocean floor. No one could eat them. They were overcrowded. Now, by reducing the crowding, you're reducing the amount of food. Instead of feeding them once or twice a day, there's constantly a couple of handfuls of food thrown in the water.

48:42Well, over a very short amount of time, the fish, just like any other animal, is, like, confident. I don't have to rush to the food because the food comes every hour, right? I'll wait for Murray. Murray's hungrier than I am. and I'll grab Agnes and we'll go have dinner in 10 minutes when a couple more pieces of salmon kibble come into the water. So there's nothing falling through the fish column as it sits in those pens. In many countries, like in Chile, if you and I are going to have a pen of salmon and a certain number of fish, we have to plant a certain number of columnar farms, right? Not piles, farms.

49:21So we are additive to cleaning the water because we're putting ocean, we're putting oysters and mussels and seaweed and clams in that ocean column, which filters way more water than any amount of, you know, damage we're doing to the water could exist. So we're seeing, and by the way, you know, I can't tell you, you want to know the biggest mythology out there? People think or a king salmon is wild. Oh, really? They think it's like a place it's from because it's so beautiful when it's in the case. The minute you open up one of those fish. They're not doing those in Alaska, I'll tell you that, yeah.

49:55It's stunning, right? And there are really great fisheries now for it all around the world. There are people now who are farming halibut in Scandinavia. That's an incredible product. It's going to change the industry. You know, the so many different, I mean, look, here's the bottom line. I believe, and I am biased, but I believe the answer to every problem that we have in America when it comes to food systems, blue food is the answer. And I believe within the world of blue food, aquaculture is the answer. We have to stop as a country investing in the pipe dream of cell-based seafood that's so expensive, requires so much energy, mostly in the form of water, that in the next 20 years, 30 years, it's not going to be able to be reproduced at scale to allow you and I to buy cell-based tuna or salmon.

50:51When you say cell-based, define that. Petri, you know, cell-based meat, cell-based fish. I mean, there are companies out there that are doing it. Yeah, no shit. Yeah. Yeah. Yeah, that's amazing. Yeah. But you're kind of blowing my mind right now. The problem is we have a lot of people who've invested billions of dollars into something to hope for a big payday 30 years from now. It's 2025. We don't have 30 years. Yeah. Right. We have we have five, seven, 10, 20, 30, depending on what the issue is. Right. And, you know, again, I mean, you know, I've spent the last dozen years of my life getting really head ass and overcoat into global food systems and issues at a pretty high level.

51:30working with a lot of NGOs and have a lot of projects going around the world. That's really what I spend most of my time doing these days. The fact of the matter is that we need just a much smaller investment into aquaculture to help it scale so that we can feed a hungry people, not just in America, all around the world. It's in our best interest to do so. I'll give you a very quick example. Africa is the world's largest island. I know it's man-made, but go with me here, right? So Africa's this giant man-made island. Some of the best seafood I've ever had in my life is in Africa. East, west, north, south.

52:11People forget what a great seafood city Alexandria is, or how good the seafood off the Namibia coast and southern Africa, Cape Town, right, in South Africa. Morocco, Aswariya, one of the seafood capitals of the world. It'll go on and on and on. Senegal has incredible fisheries. Surrounded by water with very little pressure on the animals because all the fisheries there are essentially artisanal fisheries, right? 96 % of Zambia, freehold farmers. That's a landlocked country. All the coastal countries in Africa, 90 % artisanal fishermen. So they're just going out bringing a couple pounds of fish in.

52:55They get together sometimes co-op style, sell it on a beach. But there's very little electricity comes down to the shoreline. So despite having some of the best seafood in the whole world, Africa is only responsible for about 4 percent of global fish exports. The green economy there is dying. The land is being overused because so many of those countries are in the midst of climate crisis and conflict. my work with the International Rescue Committee. You know, it's scary how those C words have, and it was COVID along. We used to be the three Cs. Now we're just down to two. But these hungries are struggling to feed themselves.

53:39So of course they're going to not let land go fallow and they're going to take every ounce of energy out of the soil in order to feed themselves. I would do the same thing for my family if I was a farmer in the interior of Africa. We have to do, yeah. And you can't tell them to not grow something. They're literally trying to feed their communities. We need to grow the blue economy in Africa. We have to teach what we've done with dairy cooperatives in the Midwest, these artisanal fishing communities in coastal Africa. We need to get a statistic on the beach. Well, what's going to happen is you get these people to understand there's strength in numbers, just like the dairy co-ops in the Midwest did.

54:17And then numbers will be aggregated. Then the World Bank and African banks will invest in them. Last year, I learned at the UN General Assembly, I was in the room with the World Bank people where they announced to a small group of us, I wish it had been public. I mean, a lot of what goes on at climate week here is behind closed doors. And I'm like, oh, my God, we should be screaming this from the mountaintops. The World Bank cut its first check to a cooperative of artisanal fishermen in Senegal. And to me, that was a watershed moment because the minute they have the money, then they can take the electricity line down there and they can buy a freezer with it.

54:56They can buy life vests for their boat. They can buy some electronics for it because of the climate crisis, they're going further out into the ocean to get fish. But now they're able to feed their communities. Now they're ramping up. I mean, they're ramping up. They're scaling up. The economic development incentive, the more we invest in other countries outside of ourselves, the safer we are. I believe these are the victories we need to celebrate. You know, jobs in this country are changing much faster than anywhere else because we're the most developed country on planet Earth in many ways, right?

55:29So we have to grow economies in other parts of the world in the hopes that American companies can participate in that economic development. Our planet is globalizing so quickly, right? What happens in one part of the world has a ripple effect everywhere else. We saw that when Russia invaded Ukraine. This isn't red or blue or left or right. These are just global facts, right? All of a sudden, canola oil prices shot up through the roof, and our food system started to wiggle again, and everyone was like, what grows in Ukraine? I mean, it was like, hello? Andrew, please come back. I have so many more questions to ask.

56:08Anytime. I really want to hear about Bazaar Foods and Food TV. I love talking food to you, and I could just go on about this. We have such great connections. You know what? You need to interview less talky people. I love talky people. Listen, this is the dream for me. There's, you know, the Blue Food Cookbook, and we were talking about this walking away from the elevator. If I could, you know, just add one thing to the conversation. The beautiful part about the Blue Food Cookbook is that I think it's a real book in the sense that a lot of cookbooks today, and it's very important for young culinarians, their first restaurant.

56:46Maybe they were a chef tested on a show and they did well and they've done a bunch of guest spots on shows and someone gives them an advance and they write a book. I think that's fantastic. But a lot of cookbooks these days kind of look the same or they retread the same territory. You know, not everyone's going to be Rose Levy Berenbaum, right? Oh, shout out. Not everybody is going to be, you know, write Le Method or La Technique, right? And I believe in books, you know. Your books are fantastic, right? But one of the things that I love about your books is they're always exploring new ground, but you also have a voice, right?

57:28Appreciate that. I enjoy reading and cooking out of the stuff that you make. I hope people see our book the same way. Everyone always asks me, like, you've written so many books. Why are you just now writing cookbooks? And it's because I made a very determined decision that I wanted to wait until I had really important things to say. This book is a joy to cook from. I want to stress that because everyone is so worried that it's just, you know, I'm going to talk about all these issues. It's just going to be wonky. No, 145 recipes. It's very clear. It is a great, great cookbook. Thank you for saying so.

58:02But I think if you write a cookbook and you don't mention what some of the issues are and debunk the myths and motivate people to eat one more seafood week that they make at home, things aren't going to change. And this is a rugged time, and it's a time for real people with real ideas and real opinions. It doesn't mean everyone's going to agree with them, but I think we need to put a lot of emphasis on solving real global problems if we want to have a shot at solving them. Andrew Zimmerman, thank you so much for joining This Is Taste. Thanks, my friend.

58:42This is Taste is hosted and produced by Eliza Abarbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, director of media production and development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Episode portraits by Louise Zergon Pomeroy. Logo design by Ellie Skirzat and Ian Dingham. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste.

From the publisher

For over two decades, Andrew Zimmern has starred in some of the most thoughtful and compelling food television being made for TV and online. He’s the longtime host of Bizarre Foods and a number of other food travel shows that defined a generation of programming. He’s also a longtime friend of mine, and it’s crazy that this was his first time appearing on the show. We go in so many great directions with this conversation, including talking about his incredible new seafood cookbook, The Blue Food Cookbook.

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