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Podcast Episode Summary: This Is TASTE - Episode 749: Mariana Velásquez Throws the Perfect Dinner Party. You're Closer Than You Think.
Episode Overview In this episode of This Is TASTE, hosts Aliza Abarbanel and Matt Rodbard engage in a lively conversation with Mariana Velásquez, a prominent food stylist, chef, and author. Mariana discusses her multifaceted career, highlights her cookbooks, particularly her latest work, Revel, and shares insights into creating memorable dining experiences. The episode also features a segment with Samantha Schnur, author of The Naughty Cookbook.
Guest Highlights Mariana Velásquez
- Background: Mariana has collaborated on over 20 cookbooks, styled for prominent figures including Michelle Obama’s American Grown, and her work emphasizes the importance of food and culture.
- Cookbooks:
- Colombiana: The first significant cookbook dedicated to Colombian cuisine in the U.S.
- Revel: Focuses on the art of hosting and is structured around 15 detailed menus, encouraging hosts to reflect on their motivations for gathering.
Samantha Schnur
- Background: Known for her work, The Naughty Cookbook, which presents indulgent recipes aimed at satisfying cravings.
- Miami Dining Scene: Samantha shares her favorite Miami restaurants and experiences during her culinary journey.
Key Themes and Discussions
The Art of Hosting
- Mariana discusses how hosting is not just about the food but also about the intention behind gathering people.
- Revel encourages readers to think about the purpose of hosting, suggesting that gatherings can be meaningful regardless of the space or setting.
Food Styling and Career Journey
- Mariana recounts her beginnings in food styling, including her internship at Savor Magazine, where she learned rigorous food preparation and styling techniques.
- She highlights her experiences working on film sets, such as In the Heights, where food styling engages a different level of creativity and collaboration.
Navigating Culinary Trends
- The episode touches on the evolution of food styling, particularly its shift from messy, natural presentations to more refined and traditional styles, mirroring broader culinary trends.
Practical Cooking Insights
- Mariana emphasizes the importance of simplicity in home cooking, sharing tips like preparing meals a day in advance to ease the hosting process.
- She promotes comfort food favorites like roast chicken and discusses the balance between indulgence and mindful cooking.
Key Takeaways
- Mindful Hosting: Understanding the "why" behind gatherings can enhance the experience for both hosts and guests.
- Practicality in Cooking: Simplifying meal prep by using store-bought items or focusing on fewer courses can lead to enjoyable and stress-free gatherings.
- Food Styling as a Craft: The discussion of food styling’s evolution reflects changing tastes and the impact of social media on culinary presentation.
Closing Thoughts Mariana's insights highlight the joy of culinary creativity and the importance of savoring moments shared around the table. The episode inspires listeners to embrace their unique hosting styles and culinary journeys, encouraging the idea that great gatherings can occur in any setting.
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Additional Resources
- Subscribe to This Is TASTE on platforms like Apple Podcasts, Spotify, and YouTube.
- Visit [TASTE Online](https://tastecooking.com) for more engaging content on food and culture.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VODining in New York: Mariana's Favorites
1:30 to 3:00
Mariana discusses her favorite restaurants in New York City.
“Mariana Velasquez is a food stylist, chef, and cookbook author whose resume runs from the pages of Vogue to the White House.”
Journey to the Savor Internship
3:00 to 4:23
Mariana reflects on her journey from Colombia to her internship at Savor magazine.
“And I feel that the restaurant pace changes so much in the city that I'm already outdated.”
The Rigors of the Test Kitchen
4:23 to 6:40
Mariana shares her experiences in the test kitchen and learning the trade.
“You left Bogota at 18 and landed as a Savoir intern.”
Working with Michelle Obama
6:40 to 9:14
Mariana describes her experience styling Michelle Obama's cookbook and the garden project.
“And I would call a friend and be like, can you help me look this up?”
Food Styling in Film Projects
9:14 to 12:16
Mariana discusses her work in film, especially on the set of In the Heights.
“What's it like when you work on film projects?”
The Debate on Food Styling
13:45 to 14:03
Mariana discusses the current trends and debates in the food styling industry.
“I spend a lot of time thinking about what's on the plate that I sometimes forget about everything around it, the table setting, the chairs, the room you actually dine in.”
The Evolution of Food Styling
14:37 to 18:04
Explore the trends in food styling from messy to refined.
“So I would say for a moment, we went really messy.”
Stressful Set Experiences
18:04 to 19:36
Hear about the challenges faced on sets during the pandemic.
“There's the impromptu birthday party that you threw for a friend, your new Carol Gardens apartment.”
Dinner Party Insights from Mariana's Book
19:36 to 21:31
Learn about the philosophy and scenarios around hosting dinner parties.
“So I just make everything the day before and have it ready and give instructions if I can't be there.”
Quick Dinner Solutions for Unexpected Guests
21:31 to 26:22
Get practical tips for hosting with ease when time is tight.
“I would like to hear about when you flew back from a job in China in a cast and you were hosting Christmas dinner that night.”
Show all 23 chapters
Assessing Restaurant Experience
26:22 to 28:00
Discover the key aspects of a positive dining experience from a restaurant designer's viewpoint.
“I certainly love it and really enjoy it.”
The Importance of Ambiance in Dining
28:00 to 29:40
Discover the key factors that contribute to a restaurant's ambiance.
“It's the first thing you interact with when you sit down.”
Exciting New Restaurant Project
29:40 to 31:20
Learn about an exciting new restaurant project and the design process behind it.
“By an iconic restaurateur rooted in beautiful traditions and delicious food.”
Rapid Fire Taste Check
31:20 to 32:20
Engage in a fast-paced taste check featuring favorite foods and opinions.
“And I'm going to look at the lighting and absorb the napkin and think about the booth placement.”
Memorable Experiences in the Restaurant Industry
32:20 to 34:40
Explore the unique experiences and challenges faced while working in restaurants.
“I feel like stacked desserts are so decadent and delicious.”
Favorite Culinary Destinations
34:40 to 35:20
Find out about the favorite international food destinations of a chef.
“You can walk into all these holes in the wall.”
Favorite Sandwich and Final Thoughts
35:20 to 36:40
Conclude with favorite sandwich choices and insights from the guest.
“This episode is brought to you by ButcherBox.”
Journey to Food Influencer
42:04 to 43:49
Learn about the transition from a pre-med student to a food influencer.
“Um, and I was posting food on my personal account and my friends are like, Sammy, you're never going to meet a guy.”
The Shift to Cooking During COVID
43:50 to 45:40
Discover how the pandemic led to a newfound passion for cooking.
“So you, you, you left Florida state, Tallahassee in your rear view and you, you started the business, you got your degree, you got the, you got the diploma, but you're doing this full time.”
Finding Balance with Food and Health
45:41 to 47:45
Explore the healthy balance between indulgent meals and wellness.
“I appreciate you like taking charge and being like, this needs to be me, which is not like shit talking restaurants.”
Challenges of Recipe Development
47:46 to 50:09
Understand the complexities and challenges in perfecting recipes.
“gone with him to Denny's and had cheeseburgers at night, you know, like we, but then we'll, we'll work out in the morning, you know what I mean?”
Naughty and Nice Recipes
50:10 to 51:23
Learn about recipes that blend indulgence with healthier options.
“OK, give me an example of a recipe that has both a naughty and nice version.”
The Crunchy Salad Creation
51:24 to 53:38
Hear the fun story behind a salad designed for crunch lovers.
“And, you know, that Saturday morning, Sunday morning hangover meal or Friday night cheat meal or whatever it is.”
Transcript
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1:07So what I always say is when in doubt, red wines, red lips, and a roast chicken. You said it. That's it. Roast chickens, veggies, wine, store-bought dessert. Just making your life easier doesn't mean thoughtless. It's perfectly okay. This is Taste. I'm your host, Matt Rodbarg.
1:35Mariana Velasquez is a food stylist, chef, and cookbook author whose resume runs from the pages of Vogue to the White House. She's styled Michelle Obama's cookbook American Grown and has collaborated on more than 20 cookbooks, including two James Beard Award winners. But the most personal work has come under her own name. Her debut, Colombiana, brought the first serious cookbook devoted entirely to Colombian food to American shelves. And her latest, Revel, is a maximalist manifesto on the art of having people over, built around 15 menus, and the radical idea that a great gathering starts with asking yourself, why are you throwing the party in the first place?
2:16Mariana joins to talk about her career and a wonderful new book. Also on the show, I have a fun conversation with Samantha Schnur, author of The Naughty Cookbook, decadent recipes to seduce your taste buds. I hope you enjoy this episode.
2:35Mariana Velásquez:Mariana Velasquez, welcome to Vistas Taste. So great to meet you. So nice to meet you. So I want to, we're going to cover a lot of territory here because your career is so fascinating. You've got this beautiful new cookbook. We'll talk about it, but you're doing restaurant design. You're doing food styling. It's very multidimensional. It's really like fascinating career. We'll get to all that. But before, where do you like to dine out in New York right now? So it's funny because I've been gone for three months. Yeah. And I feel that the restaurant pace changes so much in the city that I'm already outdated.
3:09So of my new favorites, I really like Bridges.
3:17I mean, the thing is that this is not new, but King is very close to my heart. It's one of those places I go to when I just need, ah, just deliciousness. And then many classics like Il Buco, the Tomoe, that little sushi place on Thompson. You know, I've been here for 27 years. So it feels that my favorite places just are the ones that I crave. And of course, I'm always trying new things. but because I've been gone for three months what I miss is being able to just walk in to these places.
3:52Mariana Velásquez:I love Tomoe that's a great call. That place is a legend and doesn't ever get talked about if you know you know. For better or worse, I don't know I think for better, if you know you know where were you for three months, where were you up to? So in November I was in Hong Kong and then I came back to New York for Christmas for a couple days or during the Christmas time and then I went to Colombia and Brazil. I was there escaping the winter, I must say. Yeah, no doubt. You escaped in due time, in good time here. We had a rough one. All right, let's get some history. You left Bogota at 18 and landed as a Savoir intern.
4:27Mariana Velásquez:What is this internship like at the magazine? Take us back to that time. So imagine, prior to that, I was staging at the Post Ranch in California, in Big Sur. And the chef had all of the Savoir magazines. He would collect them and he would show me and have me read articles. And I was fascinated. And I couldn't quite understand how to combine this passion for reading about food and seeing all this imagery and traditions and then combining it with the work on the line. You know, it's just it felt, how do I find a path that takes me to this world of publications? I had no idea. And then after cooking school, my first internship, the Savor magazine possibility became available.
5:20Mariana Velásquez:Yeah. So I came to New York. I interviewed with them. And then I was an intern for six months. And it was incredible. It was the Coleman Andrews time. It was super classic. I mean, I remember so many of the recipes, like slow roasted beets with aioli and beet greens. We tested this kid briani like eight times. I would have to schlep to Queens, buy the kid goat, and then come back and make the briani until it was perfected. So it's just so rigorous. And I learned to shop in the city through this internship. You know, I was sent everywhere, Balducci's, Queens, down to Chinatown to get lobsters. It was an exploration of the city and, you know, carrying it all on the train.
6:10Mariana Velásquez:Incredible memories of the Coleman Andrews era, the earliest era of Savor. I mean, was Dorothy Kamen's in the office too? Yeah. Yeah. Melissa Clark. Yeah. Julia Lee was a test kitchen director. Yeah. An incredible mentor. So, yeah. Amazing. You know, getting your chops in that era. My question, I guess I'll ask is, were things harder then in terms of working in a test kitchen, food styling? Do you feel technology has helped? Well, you know, I would find myself at the grocery store with the list and not know what an ingredient was. And I would call a friend and be like, can you help me look this up?
6:50Like on your computer, because there was no, you know, I didn't have a phone with Internet that could give me that information. So in that sense, yes, you know, now it's like you can show up and find everything. Then it was quite analog.
7:05Mariana Velásquez:Yeah. Which I think is an amazing training for you to start there. And here we are today and your career has blossomed. And I want to talk about that. You've had some incredible food styling projects. You worked on Lin-Manuel Miranda's film In the Heights. You worked on First Lady Michelle Obama's American Grown. First of all, let's start there. What was it like working with the former First Lady on this project? I mean, imagine, like, especially that era of the White House where the garden actually fed the family was really special. And I mean, she was amazing. You know, I spent two work sessions with her.
7:44They photo shoot for the cover. And then another work session that we did a shoot at the garden. And for that, I styled the baskets that she held. But she's the kind of person that looks at you in the eye, you know, and it's fun. focused. She's only there. And I don't know if that's just the best way of doing politics or if that's like a really authentic way of existing, but it truly felt like she cared about everyone around her. And so it was really special.
8:11Mariana Velásquez:I like that memory. I mean, do you feel through that project, the Obamas were really trying to make change for the way we eat? 100%. Yeah. Yeah. I I mean, did you feel, I mean, it's been talked about, especially with Maha now, how we've kind of reversed a lot of paths there. Like, were they doing the right thing? Were they addressing our society through food in a productive way? In a productive and realistic way. That's a good point. Right? The recipes in this book were all ingredients that you could get at any grocery store around the country while maintaining the concept and the understanding of seasonality.
8:55So it was spoken about in a real grounded way, but it was just this connection to the source. And the proof is that there were all these school programs that had gardens in their facilities. there were all kinds of kids coming through the White House to see the garden. So it was real.
9:15Mariana Velásquez:It was great. I mean, that book is so beautiful. I love that book. It's amazing that you worked on it. Let's talk about food styling for film. What's it like when you work on film projects? You are an absolute cinephile. If you read the book, there's amazing references to film throughout. You're like really, really on it with film. And I love that when books cross over cookbooks with film knowledge. and you work on sets. What's it like in the Heights and other projects? So in the Heights was the hottest summer of 2019. And we were in the Heights. They had rented all of these apartments that they transformed into the sets.
9:59But they were the apartments. They weren't built. And so, for instance, for this big dinner scene, they rented the apartment across the hall. And I was cooking out of there. They rented it from the family.
10:11Mariana Velásquez:So it was like a normal kitchen. But then the family stayed. So the kids would come through the kitchen and make themselves cereal. I was like, I'm trying to work this. Run a set, yeah. No, no, no. It was crazy. But it was fascinating. And John Chu, the director, was so lovely. And there was such a level of respect on that set. Yeah. I was so low in the totem pole, as you can imagine. Like, you know, there's at least 250 people, super well-known actors. It's a major production. So the last thought is the Red's Crackers with guava paste, really. Like, nobody cares that they asked me to bring 30 flans, and I did.
10:54Yeah, because there was a scene where they were serving desserts, and they just needed to have plenty of options just to reshoot.
11:03Mariana Velásquez:Yeah. So I found this Dominican bakery to make 30 flans. And it was just, it was incredible. It was fascinating. It was really long days. And then watching it all happen right there, it was such a dance. I loved it. You loved it. Did you feel some of your styling made it into the actual final cut? Yeah, it did. There's a few scenes. There's a breakfast scene where they're having Dominican breakfast at a restaurant, but I styled the food. And then there's a big feast and there's little food moments here and there. So, yeah. And is the food you're making for film, is it edible? Yes, because the actors do eat it.
11:42Mariana Velásquez:Right. Yeah. I figured, like, because they're not going to know if it's, like, prop versus edible. So you're like, I mean, was it nice? Yeah, I want to make it tasty, right? Is this delicious food? Yeah, yeah, it's good food. It's good food, and they also have to eat quite a lot of it, right? Yeah, right. If there's many takes, they would do it at room temp. So, like, it's reheated. Yeah. So it's not like, I mean, it's not like you would serve at, like, a party with your book cover. But it's also why Hollywood is magic. Exactly. They're pretending that it's warm. What a cool, what a cool, do you like working on films?
12:16I think it was a great experience and I would love to do it again. But it is a very different type of work. Yeah.
12:22Mariana Velásquez:You know? Yeah. Yeah. I think it's when you're the stylist or you're working in concert with a photographer on a cookbook, there's like your principal. Yeah. You're the main. And on a film, it's, as you mentioned, a little bit less. This episode is brought to you by ButcherBox. Look, we spend a lot of time on the show talking about where food comes from, who's raising it, and how it's made. So when it comes to the meat I'm actually cooking at home, I care about the same things. That's why I've been using ButcherBox. I was just sent a two-pound chuck roast, and I made the most amazing pot roast.
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14:37Mariana Velásquez:I want to ask you about just food styling in general you know there's been a lot of debate about it like you know especially the way food styling is presented on social media like there's like verite naturalism versus like highly produced shoots and like where do you think food styling is the craft is right now? So I would say for a moment, we went really messy. Sure did. Right? Like that bon appetit time with like the harsh light and like sauce and spills and crumbs. So we went very messy for a minute. I think it's sort of like getting tighter again. But then what I'm seeing as a trend on social media, less so in publications, but more on socials and people's expertise, is this refinement in the technique.
15:35Like perfectly decorated cakes, mountains of artichokes, like perfect, you know, molded desserts. And we're going very retro and classic again with things that require a lot of labor and skill. So I'm kind of fascinated. I mean, I don't want to be making those cakes.
15:53Mariana Velásquez:I was wondering. But I want to be invited to those parties. No, those parties are fun. And in your book, you show both styles, I believe. I think there's definitely some feels really real and verite, but there's also some very styled and very precise. I just think the pressure of doing only precise would drive me crazy. Same. On a set, just because of the time. But people still do it. Yeah. You know, it's fascinating. What has been the most stressful set you've been on? Oh, wow. I was on these sets in the fall of 2020. So it was like a big pandemic, right? Where sets were only just opening, you know, just only became legal to be in a production.
16:41It was super cold. It was Thanksgiving week. And we were in these warehouses in Long Island City with the doors open because, you know, all the regulations. and we were working in the cold with masks and face shields. And it was so stressful. Everybody was so stressed. Like people yelled on that set like nothing else. You know, I still get a little bit like short-winded when I think about it. Why did you do it? It was really scary. I mean, I did it because I hadn't worked all year. You know, and so when going back to work became a possibility, I'm like, well, I'm jumping right in. But then it was under circumstances that it was not fun, I have to say.
17:29Mariana Velásquez:Yeah. Yeah. Thank you for sharing that. It sounds really rough doing a book in that period. So it was a commercial. It was a TV commercial. TV commercial. Sorry, any creative work in that period. Yeah, I know. It was crazy. Did it turn out okay, the commercial? No, it turned out great. And I think the connection I have with the people I worked on that set is like nothing else. You know? because we went through it. Eesh, it was hard. It was really hard. Well, let's talk about the new book. I mean, it is deeply researched. It's highly personal. I read a lot of it. It's really well written. There's a lot in there.
18:02Mariana Velásquez:And I love how these little moments in your life come out. There's the impromptu birthday party that you threw for a friend, your new Carol Gardens apartment. You make reference to the 2006 film Volver inspiring a recipe, which I think shows your deep cut. It's a deep cut. I love that. So what does the book as a whole say about dinner parties? I'm going to use air quotes because it's not just dinner. It's many, many different periods in the day. But group dining. I think it's the excuse to revel, you know, to really enjoy every bit of time well spent together. Yeah. And so I created different moments guided by times of day.
18:49setting scenarios in different contexts, in backyards, by a lake, in a really fun terrace in an apartment in the city. So to show people that you can essentially entertain anywhere. And also that being a host, it's a philosophy, it's a state of mind. As I was sharing earlier, I'm now in a transitional apartment, right? It's not, I've had incredible spaces in New York with great kitchens, with great outdoor space where I would host every week. This is a different kind of space. In the beginning, I thought I can't have people over here. And then I have found that it's just the kinds of dinners that I have where I can only sit max eight people, you know, tight.
19:43they're magical you know yeah so yeah love that explanation um one of the scenarios that really
19:51Mariana Velásquez:jumped out to me um is the busy morning with house guests i think anyone who's had guests over have has been there i think that's a really popular and pertinent scenario how do you suggest cooking for that so i make everything the day before yeah you know i i have things ready so that I can be very hands-off because a lot of the times when people stay with me, I wake up, I make coffee and I run out the door and I, then I leave them to their, you know, but I want to have things for people to nibble, to have before they go out on their day or have things ready for when they get it late, you know, from a flight.
20:31So I just make everything the day before and have it ready and give instructions if I can't be there.
20:36Mariana Velásquez:Yeah. Yeah. What's it, what's a dish from the book that from, for that scenario? Like we're talking about morning after, maybe a lively night. So I made this yuca and kimchi frittata with veggies and slow roasted tomatoes that it's perfect the next day. And imagine it's like that Spanish tortilla that a ferranaderia uses with potato chips. I replaced with yuca and the kimchi and it's just super comforting and really yummy. And you can also eat it for lunch. Totally. And then I have a sesame bread that is sweet and savory. So it works anytime. I love that. Doing the frittata the day before. I think it's like I love doing frittata for guests.
21:17Mariana Velásquez:It's always fits into dietary. You can heat it up. You can have it for 9 a.m. or 1 p.m. But you make it ahead. I do. Yeah. And you just heat it up. Yeah. Duh. Like amazing. Smart. I don't know why I've never done that. I like that. That makes like too much sense. I would like to hear about when you flew back from a job in China in a cast and you were hosting Christmas dinner that night. I mean, first off, set it up. Like, what were you doing in China and why were you in a cast? So I was doing this spring campaign for Starbucks in Shanghai. And I had gone, let's say, on December 12th, worked for three days, come back, and then they asked me to return.
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22:05Oh, no. So then I returned. And I left everything organized. I ordered this crown roast from Marlo and Daughters. I pre-ordered some of the ingredients from the farmer's market. I organized. But then when I was there on that last leg of the trip, I was working out and I twisted my ankle pretty badly. Plus the 17-hour flight, I arrived and my foot was a pineapple. So I went to urgent care. They put me in a thing and they're like, you really need to keep it elevated.
22:39Mariana Velásquez:And I'm like, but 20 people are coming. 20? You had prepped out for 20 and you had to... Actually, I had prepped for eight. Okay. And the party kept growing. People kept calling like, can I bring so-and-so? Oh, you know, my friend Sophia, she's with her mom. It's a tough year. Can they come? So always yes, especially on Christmas Eve. Of course, you're a great host. Wait, so, okay, backing up. Why did you have to fly back? What was the requirement for you to be there? Well, they decided to shoot the savory menu for the new roastery that they had just opened. And it was a different agency. I mean, you know, in agency world, in advertising, sometimes one brand has several agencies.
23:26For sure. So they didn't talk among themselves. And I was called again. So, which was incredible, but also crazy.
23:34Mariana Velásquez:Yeah, crazy. But you have some good, do you have a good delta number, Miles? Are you good status? Yes. Yeah, yeah, yeah. Yes. Good status. And so let's go back to the dinner, though. So you're kind of hobbling around, but Christmas is not ruined. No, Christmas is not ruined, and then I ask for help. Okay. I called everybody, and I'm like, I needed to bring this, I needed to bring that. I assigned my friends specific things, which I think is key. I don't really believe in potlucks unless there are things that are assigned, you know, so that that menu makes sense. so I even though I assigned things because there was there were so many add-on guests that you know the table was a little bit of a mishmash I'm sure with it I have to say I kind of agree with you that I don't believe in potlucks yeah as much as I love the spirit of them and like community and all that stuff the meal is never connected and we think deeply about food here on the show and like you like it just kind of is a mess with someone doing guacamole with like a kimchi like a like a japchae or something yeah just doesn't work doesn't work but this night i had no no choice yeah you had no choice so it worked out for you but like i like you should when you're having guests over like do most of the heavy lifting yourself ah yeah all right so let's let's talk about another scenario like little time zero time time got away but you have like four to eight guests coming over.
25:05Mariana Velásquez:What's the go-to? What's your, what's for you? Like, this is like what I'm doing. So what I always say, it's when in doubt, red wines, red lips, and a roast chicken. You said it. That's it. Roast chickens, veggies, wine, store-bought dessert, you know? We are aligned. Right? Like. We are, that I've done that before. That's so smart. I mean, the thing is that if that is what prevents you from inviting people, then I think curating is a skill. Finding that perfect flowerless chocolate cake in your neighborhood or sourcing those frozen whatever bites. I think just making your life easier doesn't mean thoughtless.
25:55It's perfectly okay. Especially if it's, you know, if it's only helpful for you to actually host.
26:02Mariana Velásquez:I mean, well said. And also, I think we sometimes over plan like a nice chicken or chicken parts roasted on a sheet pan with vegetables. The wine is flowing. By then, you're like satisfied and you've got this beautiful dessert. And then you're like so satisfied. You bring out the sherry. You're good with more wine. And like people, me, sometimes others, think that you need to have like four or five courses for dinner party. Not needed. I don't think so. I mean, wonderful if you have the time. I certainly love it and really enjoy it. And planning for a party is what I enjoy the most, actually. Like thinking about the menu, what I'm going to make, imagining the scene and the setup.
26:44I mean, I really, I thrive on that. But then the ultimate reason is to be together. So if being together means stakeout, that's also fine.
26:55Mariana Velásquez:Perfectly fine. Well said. Love that. Let's go back to your restaurant design work. You walk into a restaurant for the first time, sit down, give in menus, you're looking around. What's the first thing that you're clocking when you're sitting down? I mean, funny, it's not the design necessarily. Not the first thing is the way I'm greeted. Yeah. That first experience with the host, it's like it sets the tone. You know, if I'm giving a little bit of an attitude, I'm already like, okay, well, then now you better deliver. Then it changes everything for me. So that human interaction is essential for me in a restaurant experience because it's hospitality.
27:44Mariana Velásquez:Yeah. But then the napkin. I realize and completely understand that for restaurants it's quite expensive to launder napkins. So it's usually rented and there's all these things. But there's something to be said for a beautiful linen napkin or cotton. It's the first thing you interact with when you sit down. When you say linen, it resonates like it's about the tactile nature of it too. Because, you know, we've all had the banquet style, like that thick, shiny. Oh my God, that polyester. Polyester, not even. That slips off your lap. It slips off. You know, we all have been there. You know, we've all dined.
28:27Mariana Velásquez:But then you also get linen. There's a bit about that. It's really perceptive. Okay, let's move beyond the napkin. What else are you looking at around a new restaurant and just judging it? And not judging, that's not necessarily what I mean. I mean, like assessing it. I mean, lighting, naturally. You know, it may be a given. It's not natural. It's a really, I wouldn't have thought lighting. Tell me about it. Lighting. I mean, you want it to be just so that you can actually read the menu. You know, if it's way too dark. Yeah. And you can't see your food. But then it cannot be bright because it's just like there's no coziness.
29:04There's no intimacy to it. So I think getting the lighting right is very hard. There are specialists, you know. But a beautifully lit room makes the experience.
29:18Mariana Velásquez:I feel Bridges does a nice job with lighting. Absolutely. For a tough space. Yeah. Not an easy space. No, no, no. Beautiful lighting. Il Buco, for instance. Oh, yeah. Amazing lighting. It's so sexy. Yeah. Yeah. I mean, the grotto style. I mean, they just get that right. Yeah. Il Buco is a great example. What can you say about this big San Francisco project that you're working on? I can say that it's in an iconic building. Okay. By an iconic restaurateur rooted in beautiful traditions and delicious food. And it will open fall 26. That's exciting. So, yes. You're going to tell me off mic and I'll have a good laugh.
30:00Okay.
30:01Mariana Velásquez:What restaurants have you designed that we know of? So this is actually my first big project. Yeah, yeah, yeah. Yes. I have helped friends here and there. But this is the first restaurant that I designed from beginning to end, from the interiors to procurement of all the tableware, furniture, art. So it was really one of those chances, you know, like my client, whose name I cannot say yet. Yeah, yeah. And she talked to me about designing her uniforms because I have these hosting wear brand and I design aprons and I do some work for hospitality. And we had a meeting and we immediately clicked. And she's like, why don't you do the whole thing?
30:43And I said, yes, I'll figure out later exactly how. But this chance doesn't come by twice.
30:52Mariana Velásquez:So exciting. So say yes. Where are you at with the process right now? We are in the process of placing orders for furniture. So the renovation is underway. I'm not supervising that. There's an architect in place. Yeah, thank God. I did all the fun parts. And, you know, it's been such a collaborative project. And I've learned an incredible amount of technicalities and terms and things that I just, it's really fortunate. Can't wait to visit. And I'm going to look at the lighting and absorb the napkin and think about the booth placement. It's all you. And this is Taste. We asked guests about the discerning taste.
31:37Mariana Velásquez:So to close this interview, here's a little rapid fire, fast and furious taste check. Are you ready? Yes. The best fruit? Green mango with salt and lemon. Love that answer. The worst vegetable? Green peppers. Oh, yeah. Tell me why. Gross. I don't know. Yeah, just not working. I mean, jalapenos, no. It's green pepper. The bells. Green bell pepper. Yeah, the bells. No, the bells are bad. The bells are bad. We've acknowledged that. What is your typical breakfast? Black coffee. Really? On a weekday, yeah. On weekends, flaky croissant. I make eggs. Yeah. But on a normal day, I... Black coffee and you're just zooming through.
32:19Out the door, yeah.
32:20Mariana Velásquez:Do you have lunch? I have lunch. Good, good, good. Okay, good. All right, good. This is a big one. The best dessert. Anything stacked, you know. A pavlova, a milfui, a layered cake. I feel like stacked desserts are so decadent and delicious. It's good. It's all about texture and creaminess and crunch. When you're craving fast food, where are you going? Do tacos count as fast food? Sure. I mean, Santo Taco is not fast food, but it's a quick, you know, one, two, three. Quicker, yeah. But yeah, I think Mexican food is my go-to for something swift. Yeah, yeah. I mean, I think Santo Tacos, I think they want to be fast food at some point.
33:09Mariana Velásquez:They're opening at quite a clip. Yeah. That's a beautiful company. I love that. A restaurant you wish you could bring back from the dead? Prune. I worked there in 2001. Wow. And Gabriel's food is like, that's the way I cook today, you know, continues to be very much part of what I learned and what stayed in my philosophy of ingredients and how to just pull it together. What's it like working there in 2001? Set it up. No AC. Tiny restaurant. You could still smoke inside. All of these great celebrities, crazy tiny little line. Mostly women, intense as can be. We would be open until like 2 a.m. on a weekend.
33:59I was, you know, I don't know, 21.
34:06Crazy, intense, scary, fascinating, all of it.
34:09Mariana Velásquez:Did you, at that point, know that you wanted to work in the industry? Was that a big part of it, working? I mean, that was part of, yeah, I mean, that was my first official job after internships. Got it. So yeah, that was very much like the path. Wow. Yeah. I mean, it's kind of open now, I guess, for private events. Do you ever go back? I'm going back on the 24th. Oh, right on. And I'm a little nervous.
34:38Mariana Velásquez:Sure, it'll go great. Your favorite city outside America to visit for food? Hong Kong. All right. Tell me why. You can walk into all these holes in the wall. You know, it's just like the food is so delicious. and wholesome and layered. It's so good. It's such satisfying cuisine. I mean, all of them, right? Like the combination in that city is magnificent. And then, you know, kind of like the trendier restaurants do a beautiful job honoring those ingredients as well. So it's just, it's so great. I like that. Last one, your favorite sandwich.
35:22Grouillet ham on butter baguette. And a cornichon on the side.
35:28Mariana Velásquez:So good. Mariana, this has been so much fun. Thank you so much for joining us. This is Taste. Thank you. Thank you.
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37:40That's 15 % off masterclass.com slash tastecooking. Masterclass.com slash tastecooking. So good, so good, so good. Spring styles are at Nordstrom Rack stores now, and they're up to 60 % off. Stock up and save on Rag & Bone, Madewell, Vince, All Saints, and more of your favorites. How did I not know Rack has Adidas? Why do we rack? For the hottest deals. Just so many good brands. Join the Nordi Club to unlock exclusive discounts, shop new arrivals first, and more. Plus, buy online and pick up at your favorite rack store for free. Great brands, great prices. That's why you rack. Sam Shner, welcome to This Is Taste.
38:19It's so great to meet you. Thank you for having me. Yeah, well, you know, I want to talk all about the Naughty Cookbook. I mean, it's a really fun concept, and I'm a fan of your work. um but like before we get to that i want to get like a miami restaurant heat check like what's good right now where are you going out uh you know so funny um when i shifted to cooking i became such a homebody i stayed i stayed cooking at home for my friends a lot um but when i do go out i kind of have these these regular restaurants um like there's the regulars um but i love i love omakai sushi it's a very low-key sushi spot i feel like i go there like twice a week um i have a great happy hour um i'm also a huge fan of coat in design district uh if i can get there at least once a week i will i'm like it's just delicious um also for tezzy pizza it recently opened you cannot for the life of you get in there you know faster than an hour hour and a half wait but it is incredible pizza and I'm obsessed with it.
39:29Also Daniel's is really popular now in Miami. It's in South Miami. It's a steakhouse, but it's like kind of all these like childhood comfort foods that are elevated. So it's like chicken nuggets with caviar on it and these crazy Sundays. And, but it's, it's really great. What a great, what a great lineup. The coat Miami, we had Simon on recently who started that. I mean, that's such a, it's a movement, I feel, the coat movement in South Florida. Yeah, yeah. It's, you know, I just, I love Asian cuisine. I love anything Asian and the spin that they have on all their food. And I think it's entirely worth the price.
40:09And it's just, it's really, really great. So what's food like, you know, as an undergrad at Florida State? Like, what are you consuming at that point in your life? the complete opposite of what Miami food scene has to offer. Well, it's funny because, you know, I built my platform. I started it there. So it really was just, you know, fast food, pizza and burgers and nothing was elevated. Right. But it's kind of where Naughty Fork was born. So I really haven't really, I haven't lost that touch. You know, it's still kind of that indulgent side of things that I highlight, but I feel like it's, you know, the 2am Guthrie's was like, you know, the pizza and it was just, you know, it's, it's just, you know, kind of divey food.
40:59But I did, I did have a car at Florida state, which I feel like a lot of kids didn't. And I, cause I drove to Miami a lot. So I would drive to, you know, different restaurants that were kind of farther away from the actual campus. And so when I started highlighting, you know, random sushi spots that people, I guess, didn't even know really existed, that's kind of, you know, when people started to follow my page for restaurant recommendations, because they were like, oh, like, there's more than just these four restaurants, you know, right off of campus. So that was kind of interesting, but it was still, you know, nothing, nothing super elevated.
41:35It's that, you know, 2am, 4am kind of pizza, fried chicken, like all that kind of stuff. So you started posting at Florida State, what's the what's the inspiration? And like, I mean, is it like an overnight success? Or are you building and building? I've had like Meredith from Wishbone Kitchen on, and hers was like a couple years or just plugging away before something hit? What was your what's your story? Um, yeah, so I, I started it, you know, it's not this like glamour story, but really I was posting, I always loved food. Um, and I was posting food on my personal account and my friends are like, Sammy, you're never going to meet a guy.
42:13If your entire Instagram is just pictures of pizza, can you please create a different account for food? And I'm like, okay, you know, why not like make this like a little fun thing. And I was pre-med at the time. Uh, so studying really hard and I kind of wanted something as an outlet that was just fun. Um, and you know, kind of took my mind off of all the, you know, studying. And so originally it was oops, I ate it again. That's, that was the, uh, account.
42:40Mariana Velásquez:So good, by the way. So good. So good. Really, really great. I could not trademarkable, but really great. Um, and so I, I kind of just started, you know, highlighting food and it really did grow rather quickly. And I gained a pretty big following, but at the time I wasn't cooking. I was just reviewing restaurants and I was getting phone calls from restaurants in Miami. And so I kind of, I came back to Miami for the summer and I, it was like a week before I was supposed to go back to Florida state. And I'm like, dad, I think I have something here. and I think that this could be something. There was no coin term influencer nothing back then, but I was like, I think that I could review restaurants and maybe charge them and highlight them, whatever.
43:29My dad was like, listen, if this is something that you think could be a business, my dad's very business oriented. He's like, let's run with it. I didn't go back to Florida State. I took the semester off because I didn't have the chance to transfer anywhere because it was so late in the game, but I, I grew the business in that semester off. And then I finished at university at Miami. I see. So you, you, you left Florida state, Tallahassee in your rear view and you, you started the business, you got your degree, you got the, you got the diploma, but you're doing this full time. And like, I appreciate it.
44:01And, and when did you start thinking about cooking? Like you were doing restaurant reviewing, which is one thing, but then when did you start actually figuring out your voice with recipes? Yeah, it really was during COVID. So COVID jumpstarted that because restaurants closed. And there was no scenario where I was going out to eat anymore. You know, I was stuck at home. So I really decided I'm like, okay, why don't I remake famous restaurant dishes, try to figure out what the recipe looks like. So people can make these restaurant dishes at home, you know, the things that they were craving that they couldn't go out to eat anymore.
44:39And so it was like a whole restaurant remake type of, uh, type of content. And I was doing like the lasagna pinwheels from Don Angie and like the Emmy burger. And I was just trying to figure out how to make those things at home. Obviously not a chef, uh, just kind of teaching myself as I go. And so that's kind of what jumpstarted it. And what was really nice is that when you're doing restaurant reviews, you really don't, it's a, it's a, it's tough because you don't want to charge, you know, a mom and pop restaurant money to review. And then at the same time, if you're charging, how could you be honest?
45:16You know, exactly. So it was a little bit of a tough scenario. I also don't like talking badly about anyone or anything. I just felt bad. I know how hard it is to open a restaurant, run a restaurant. Uh, so I just, I didn't want to do that anymore. So, you know, kind of just making my, my own dishes at home felt really natural. And it felt nice that I can go out to eat and just enjoy as I please. So it was a nice transition. I appreciate that. I appreciate you like taking charge and being like, this needs to be me, which is not like shit talking restaurants. Right. So let's move. Let's talk about the actual cooking.
45:52And I actually want to ask you about your dad. You know, he's a cardiologist, which, you know, is certainly not quite the food you're cooking all the time. He also runs a wellness company. And have you guys like had like a serious heart-to-heart, pun intended, conversation about the types of cooking that you're doing and what it actually means for like health? Yeah, you know, it's funny because this is the first time someone's actually asked me that. Really? And which is funny. But, you know, my dad is my best friend. He is a superhero of a person. He is the best dad. And we have never, ever had a fight about anything or a conversation about it.
46:37It's so, we just kind of, everything is, we laugh at everything. We have fun with everything. He thinks it's hilarious that we are such conflicting ideas. But at the same time, my dad is, and including myself, my family, we are health driven in that we are very active. My dad plays paddle more times, more hours of the day than he's sitting down. We all work out. We all generally are healthy people, but we also go out to eat and it's not restrictive. So we go out to eat and we get the slice of cake for dessert and we get the cream corn and the French fries, but we just, we're not overly indulging in things.
47:21You know, we have, and I think that's kind of what I try to tell people is like, you can enjoy the things you want to enjoy in moderation. You don't have to restrict yourself. And so I think that's kind of a motto that my dad lives by also. It's like a wellness is not just eating super healthy and following a strict diet. It's also, you know, feeding, you know, the soul too. So enjoying what you want to enjoy in moderation. So I think it's, it's always kind of works that, you know, I've gone with him to Denny's and had cheeseburgers at night, you know, like we, but then we'll, we'll work out in the morning, you know what I mean?
47:55So yeah, it's all balanced. And we never, we never really fight about it. We caught it. We honestly just laugh about it. Yeah. I mean, he's probably, you know, you're balancing here with the cookbook too. It's, it's naughty and nice recipes too. So no, it's not just all that extra, extra cooking. Tell me about a recipe that maybe almost broke you. I mean, it took you over two years to develop these recipes. And is there something that you're really proud of that you went over and over through? There's, I mean, there's a few of them. I will tell you that I, you know, I cook, I cook a lot. I do not bake a lot.
48:35I don't have the patience for baking. I commend any baker in the world. It is, it's a tedious process. So we got through the cooking portion of the book and we're at the end, you know, we're at the desserts and the desserts are really what took a long time because they just, you know, perfecting a baking dish is difficult. Whereas cooking, you know, you can get through them maybe two or three times and you finally perfected it. But when it comes to baking, that was difficult. And the naughty cookie was particularly difficult because I want it. I love a chocolate chip cookie. It's my favorite dessert.
49:12And so I knew I wanted to perfect this cookie, but for the life of me, I couldn't make it work. And my friends, you know, God love them. They were kind of my taste test. It was like, Sammy, I just don't think this is it yet. And I'm like, I need to make this happen. But we finally did perfect it. It just took a rather long time. What makes this special? What makes this special? You know, that's the thing. It's really, you know, I don't want to give away too much, but it's little things like chilling the dough for a certain period of time, making sure it's hard enough and the bread flour in it.
49:52And it's just mixing like flours. It literally could be the difference of like one fourth of a teaspoon of something changes the whole cookie. So it really is like a classic chocolate chip cookie. But I think it's really in the dough and chilling the dough. That's that saved it. OK, give me an example of a recipe that has both a naughty and nice version. I would say I mean, a lot of them do. The the chicken bites or anything that has ground beef or anything that has mayo. is, you know, for the most part, those are the ones that become nice because we replace it with a healthier protein or we bake it instead of frying it or replace mayo with Greek yogurt.
50:41So for the most part, I would say like the chicken bites as the appetizer, instead of frying the chicken, you can air fry or bake the chicken. You know, replacing a lot of the dips that have mayo and are mayo-based, we've replaced with a specific Greek yogurt. So, and a lot of them, if I'm being honest, there's a lot of recipes in here, like salmon bowl and the Greek islands bowl and the mahi tacos. So there's recipes in there that are actually healthy on their own. And then there's some naughty recipes that are just naughty and you're gonna have to just enjoy them naughty. is naughty gonna be your brand going forward for for perpetuity or do you feel like you might pivot one time at some point i i just i think that's the brand i i will tell you there's a few things that i'm just so proud of in my life no there's a lot of things i'm proud of but but a few things that really stick out to me and coming up with the naughty fork as a brand name was just one of them it's like up there for me i i love the brand i think it's fun i also think that it's not i I, you know, it really speaks for the food.
51:52Obviously, it's more indulgent. And, you know, that Saturday morning, Sunday morning hangover meal or Friday night cheat meal or whatever it is. But I think I like that it's naughty doesn't always necessarily refer to food. But in this sense, it does. And it really, really works. Yeah, no, it's really fun. It's absolutely fun. Well, tell me about the all the crunchies salad. I stopped on that. I was looking through the book and I thought that was really fun. Yeah, the crunchy salad is a funny story because when I was younger, my mom said I ate everything, that she would put anything in front of me and I would eat it.
52:32And there was a time where I was, I guess, picking through the salad to just find all the stuff that, like, I guess had fallen to the bottom that was on the top. And she's like, what are you doing? And I'm like, I just want the crunchies. um and so from then i just you know as i grew up i was like at the best part of the salad are the crunchies like on the top and so i wanted to make a salad based off of that idea that you know everything's crunchy like all the little bits on the top all the toppings of a salad is the best part you know so that's kind of where i came up with that it's still actually a pretty healthy salad um you know but and it has a little sweetness with the dried cranberries but and and the bell pepper and the cucumbers and the almonds and everything.
53:18It's just all crunchy stuff. But the green goddess dressing is absolutely delicious. It actually comes with a vegan yogurt, which is funny. But the first time I made the salad was for my vegan friends. And so I kind of didn't want to change it because it really did taste good. I'm like, that's the way it's supposed to be made. Smart. I love this idea. Sam, this has been so much fun. Thank you so much for joining This Is Taste. Thank you for having me. This was great.
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From the publisher
Mariana Velásquez is a food stylist, chef, and cookbook author whose résumé runs from the pages of Vogue to the White House—she styled Michelle Obama’s cookbook, American Grown—and she has collaborated on more than 20 cookbooks, including two James Beard Award winners. But the most personal work has come under her own name. Her debut, Colombiana, brought the first serious cookbook devoted entirely to Colombian food to American shelves. And her latest, Revel, is a maximalist manifesto on the art of having people over, built around 15 menus and the radical idea that a great gathering starts with asking yourself why you’re hosting it in the first place. Mariana joins to talk about her career and her wonderful new book.
Also on the show, we have a fun conversation with Samantha Schnur, author of The Naughty Cookbook: Decadent Recipes to Seduce Your Taste Buds.
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