In short
Episode topic: “Gather” by Dr. Ashanté M. Reese explores how Black food and nourishment operate through four gathering types—family reunions, gardens, repasts (funeral meals), and protests—arguing nourishment is more than “healthy food” access; it includes social, cultural, and safety conditions. Episode also includes a conversation with Alana Kaiser about her Hawaii-based vegetarian cookbook “Aloha Veggies,” structured around plate-lunch components.
Guests and backgrounds
- Dr. Ashanté M. Reese: writer, anthropologist, UT Austin associate professor of African and African diaspora studies; grew up in rural East Texas; researches food, care, hospitality, and Black community practices.
- Alana Kaiser: author of “Aloha Veggies”; lives in Hawaii; cooks veg-forward Hawaiian and diaspora flavors.
Key claims
- Radical hospitality can be a foundational value for food systems; “nourishing whole people” requires context (e.g., police violence affecting food experiences).
- Family reunions and repasts create belonging, care labor, and community support.
Notable examples
- Reese attended eight reunions and collected 300+ artifacts; favorite food was a Parks, Louisiana weekend reunion with a seafood boil and dish name tags.
- Repasts are community funeral meals (often chicken and covered dishes) that feed the bereaved and enable memory-sharing.
- Kaiser’s plate-lunch trio example: tofu poke (main) + quickle + mushroom rice (shiitake soaking, sautéed oyster mushrooms with shoyu, and nametake paste).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOExploring Early Food Memories
0:00 to 0:21
Dr. Reese shares her early food memories that influenced her perspective on food.
“With Red Bull Summer All Day Play, you choose a playlist that fits your summer vibe the best.”
Exploring Early Food Memories
2:12 to 2:41
Dr. Reese shares her early food memories that influenced her perspective on food.
“I'm really happy to get to speak with you.”
Grandmother's Influence on Cooking
2:41 to 4:50
Dr. Reese reflects on her grandmother's culinary influence and the lessons learned.
“You must be, you are an anthropologist, whether you know it or not.”
Teaching and Food Activism
4:50 to 9:26
Dr. Reese discusses her journey into food anthropology through teaching experiences.
“And I also watched her do so much with so little.”
Impact of Teaching
9:26 to 9:43
The joy of seeing students make a change inspires Dr. Reese's teaching approach.
“I'm in love with your seventh grade students for boycotting the cafeteria and winning demands.”
Food as a Gateway to Conversations
9:43 to 11:22
Dr. Reese explains how discussions about food can lead to broader societal topics.
“I was just having a conversation with my niece who was about to be a senior in high school.”
Concepts Behind the Book 'Gather'
13:28 to 14:00
Dr. Reese delves into the themes and ideas that shaped her book, Gather.
“And I think that kind of seegs into this new book, Gather, that you've produced very well.”
Book Themes: Reunions and Gardens
14:00 to 15:10
Explore the themes of family reunions and gardens in food justice.
“So then when I had this opportunity to write this book, I knew reunions would be a part of it.”
Engaging with Suffering
15:10 to 16:50
Discuss how we address suffering and its connection to food culture.
“And I had been engaged in mutual aid work here in Austin in different capacities.”
Nourishment Beyond Sustenance
16:50 to 19:20
Examine the broader context of nourishment beyond just food.
“And I do feel like we're at an inflection point.”
Show all 34 chapters
Community Support During Crisis
19:20 to 21:00
Highlight examples of community mutual aid in times of crisis.
“And if we're not addressing that, that too has an impact on how they are or are not nourished.”
Experiences at Family Reunions
21:00 to 24:20
Share personal experiences and insights gained from attending family reunions.
“and how they kind of grow and evolve in this book is so interesting.”
Food Highlights from Reunions
24:20 to 28:00
Discuss memorable food experiences from various family reunions.
“And I've been sitting with the question of what if radical hospitality was the foundational value that our food system was built on?”
Crashing Family Reunions
28:00 to 28:28
Discussion about the appeal of attending family reunions.
“Well, if I could crash a family reunion, that sounds like a really good one to get to go to.”
Understanding Funeral Repasts
28:28 to 31:05
Exploration of the tradition of repasts at funerals and their significance.
“I mean, the word repast just means meal.”
Cultural Practices in Grief
31:05 to 32:16
The role of food in grieving and remembrance across cultures.
“That's probably going to be with you for a lifetime in some cases, but we can make sure you're fed.”
Navigating Family Reunion Food Dynamics
32:16 to 36:08
Insights into food dynamics and traditions at family reunions.
“And I think sometimes I've been at a Shiva where people have made the person who's deceased like their recipe, right?”
Radical Hospitality and Dietary Needs
36:08 to 38:10
Discussion on inclusivity in gatherings and accommodating dietary restrictions.
“And I think most of the time, maybe that has a connotation of like, how are the people who are hosting making the space for everyone else to show up into?”
Book Events and Community Building
38:10 to 41:26
Reflection on book events and the sense of community they foster.
“I feel like that's something that maybe folks don't think about often enough.”
Personal Gardens and Family Connections
41:26 to 42:01
Discussion about the joys of gardening and family connections through planting.
“I think we need more togetherness and not less.”
Growing Together: Ella's Garden Journey
42:01 to 43:30
Explore the joy of gardening through the eyes of a child and the bonding it creates.
“She picks out what's going to be planted.”
Rapid Fire Favorites
45:21 to 46:35
Engage in a fun rapid-fire session discussing favorite foods and venues.
“And for a limited time, college students get the best of both worlds.”
Family Reunions and Food Memories
46:35 to 47:57
Reflect on the significance of food in family gatherings and nostalgic memories.
“Your favorite song on the family reunion playlist that you made at the end of the book?”
Returning to Maui: A Culinary Homecoming
48:16 to 50:52
Discover Alana's insights on the food landscape upon returning to Maui after a decade.
“And my dad went to U of H back in the 60s.”
The Plate Lunch Structure of Cooking
50:52 to 53:24
Learn about the unique structure of Alana's cookbook based on traditional plate lunches.
“I think I cook, you know, 95 % of our meals, which wasn't the case when I was living in LA.”
Cultural Influences on Vegetarian Cooking
53:24 to 56:00
Explore how various cultural traditions shape vegetarian cooking in Hawaii.
“So this is a weekly occurrence in my house.”
Vegetable-Forward Cooking Philosophy
56:00 to 57:05
Learn about the importance of veg-forward cooking and making it appealing.
“to use your spices and use in shoyu and different ingredients that may be paired with meat in other cookbooks, your veg forward.”
Korean Cuisine in Hawaii
57:05 to 58:36
Discover the fusion of Korean cooking and local Hawaii flavors.
“I think that when you put a label on something like it's vegetarian, sometimes people are immediately turned off by it.”
Cooking Techniques and Ingredients
58:36 to 59:41
Explore techniques for cooking with vegetables and a unique version of Locomoco.
“And I think that you are kind of seeing a fusion, which isn't local Hawaii food all fusion, if you really boil it down.”
Braising Eggplant and Miso Flavors
59:41 to 1:02:08
Understand how to braise eggplant and the role of miso in cooking.
“And with all of the kind of specific sub chapters that I have in the book, there are four variations.”
Shooting and Styling a Cookbook
1:02:08 to 1:04:43
Insights into the process of photographing and styling recipes for a cookbook.
“I think that braising eggplant in general is a really easy way to cook eggplant for especially people who think they don't like eggplant.”
Future Plans and Dream Restaurants
1:04:43 to 1:05:49
Discussion on future cookbook plans and concepts for a restaurant.
“just because I forgot how much time it takes to get all those shots in.”
Rapid Fire Taste Check
1:06:34 to 1:07:18
Engage in quickfire questions about favorite foods and preferences.
“So to close this interview, here's a little rapid fire.”
Closing Thoughts and Thank You
1:07:18 to 1:09:26
Final thoughts and thanks from the host and guest.
“Soft scramble eggs, rice, and then usually some kind of like chili crunch.”
Transcript
Automatic transcript. May contain errors.0:01Ready to soundtrack your summer? With Red Bull Summer All Day Play, you choose a playlist that fits your summer vibe the best. Are you a festival fanatic, a deep-end DJ, a road dog, or a trail mixer? Just add a song to your chosen playlist and put your summer on track. Red Bull Summer All Day Play. Red Bull gives you wings. Visit redbull.com slash brightsummerahead to learn more. See you this summer. mornings have a rhythm you can hear it feel it and at quaker we fuel it with 100 % whole grain oats and a good source of fiber in every bowl helping you turn that rhythm into your soundtrack for a great day fuel to start whatever's next quaker official sponsor of fifa world cup 26 I-O, let's go!
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1:04Lots of folks had questions about, why would you want to come to our family reunion? It's nothing special. Or what does an anthropologist do? But then there were things like, can you hold my baby while I go fix a plate? Can you serve this food? Can you take this plate to this elder? Basically, I'm saying there was a point at which, at every single reunion, where I was just one of many. This is Taste. I'm your host, Eliza Barbinell. Dr. Ashante Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at UT Austin. Her new book, Gather, looks at expansive forms of nourishment, care, and Black food through four kinds of gatherings.
1:46in gardens, family reunions, repasts, and protests. Today on the show, Ashante shares about the years of conversations that built this book, including which family reunion had the best food. Also on the show, I have a great conversation with Alana Kaiser, author of Aloha Veggies, Veg-Forward Recipes Celebrating the Flavors of Hawaii. I hope you enjoy this episode. Dr. Ashante Reese, this is Taste. Thank you for coming on the podcast. Thank you for inviting me. I'm really happy to get to speak with you. I first found out about your book through our friends over at the bookstore, BEM, and just heard such great things about it and really enjoyed getting to read it.
2:30And I guess before we get into all of that, I often ask my guests to tell me an early food memory they have from growing up that somehow informed their point of view. And I'm wondering if you have one to share with me. Yes, this is a great question. You must be, you are an anthropologist, whether you know it or not. That is the question I ask at the start of every interview. Really? Yes. I ask people because everyone has a food memory and it's almost universal that everyone has a good or great food memory. So it's a really beautiful way to start. I grew up in rural East Texas. My grandmother lived next door.
3:08It shows up in the book, obviously. One of my earliest food memories would be Sunday mornings. She would make breakfast before church. We sometimes went with her, sometimes we didn't. But Sundays were the days that she would make biscuits from scratch. And I loved watching her do it. I loved eating them even more. It was something about, even though she had somewhere to be, she often wasn't rushing. And it's like Sunday mornings were a time where she would give her very best. And I felt like I could taste that. Like thinking back on those memories, I think there was something about the anticipation of those biscuits or that meal, whatever she was preparing.
3:51It was the physical sensation of eating it. But I'm now wondering if there was something even more like bigger than that just because I knew she was giving us an offering, right? It was labor. She was doing all this work. She was going to head off to Sunday school at 9.30 or 10 o 'clock in the morning and we were going to do whatever we were going to do. So yeah, I think that's one of my earliest and favorite food memories. And that was basically throughout my entire childhood. Wow. Well, thank you for sharing that memory because it is so evocative. And I think you're right. Maybe especially as children, I think, to see not only one of your favorite foods, but the way that it's made and how it makes its way to you, that kind of magic of transformation.
4:32I feel like that can be really evocative. I think that's right. And, you know, it's so interesting because you used to – the word transformation, and it really, like, hits home for me around what cooking is and what it can do, right? Like, my grandmother was the quintessential – when people kind of, you know, think about an archetypical grandmother, she was that. She was nurturing. She was caring. She provided for us. She did all of these different things. And I also watched her do so much with so little. Like, I, that is one of the biggest lessons that I take from her or took from her and took from her in the kitchen, which is you actually maybe don't need as much as you think you need to make something that is going to be nourishing.
5:21It's going to be tasty, et cetera. And it, yeah, it was just, yeah, I love my grandmother. I love talking about her if you can't tell, but writing the book was really an opportunity to go back to some of these early experiences with her and early lessons that feel like they're going to be with me for the rest of my life. Absolutely. And I love reading about her in this book and kind of understanding one of these influential people in your life. I guess before we get into the book, I'm curious how, you know, clearly you've been interested in food as a human, as an eater, as a cook your whole life.
5:58But how did you kind of develop a professional interest in talking about food in your work as an anthropologist? My interest in food started when I was teaching middle school. I taught sixth and seventh grade at Coretta Scott King Young Women's Leadership Academy in Atlanta. I was one of the founding teachers. It was an experiment in single gender public education. hardest job I've ever had and also one of the most rewarding. But there were two real big things that happened. One, I had a student who was 12 and was a type 2 diabetic. And I didn't know, I mean, I was 22, 23 when I was teaching. I didn't know it was possible that someone that young could be type 2 diabetic.
6:41I had always associated it with older people. And so I was curious and I started doing research about it and I was learning more about what people were calling the childhood obesity epidemic and how that was impacting young people. And food was one of the things that kept coming up over and over related to it. And then the second thing was in my second year of teaching, I was teaching some of the standards and one of them was about nonviolent civil disobedience. So I wanted to actually just kind of create a model of that with students in the class. So we went through this whole curriculum of choosing a big topic related to school that they really cared about and wanted to see some change in.
7:27Theirs was food in the cafeteria. And so we created surveys. They created posters. They did all these different things as a part of the simulation. And then at the end, several students were like, okay, so we're going to enact this, right? We're going to boycott the cafeteria. And I was like, no, we're not because I want to keep my job and you have learned everything you needed to learn. But they were very insistent actually. And I said, okay, well, we will do this under two conditions. I cannot go into the cafeteria and see that no one is eating. So if someone cannot bring a meal, That means someone's going to have to share or bring an extra meal.
8:07And two, like we really have to stick to the principles of being nonviolent. That means like if someone is antagonizing you in any kind of way, you're not we're not going to respond to it. Right. We're not going to respond to it with negativity. And those seventh grade students boycotted the cafeteria. And at one point, the principal comes to me and says, you have you have to make them stop. It's going to start impacting the workers because the women who work in the cafeteria, they are paid to work here based on the number of students that we intend to feed. And if this goes on any longer, that's going to impact them.
8:46And I was very worried about that because I didn't want anyone to lose their job. But I also said to the principal, you know, and these kids are very serious. So something needs to happen. And the district head of food services came down and took a meeting with the students. And they were able to voice what they wanted to change in the cafeteria. They ended up with a couple of changes that they really wanted to see. And I don't know, that was just, that was the coolest teaching experience to me. And so when I decided to go to graduate school, those two things combined really influenced how I wanted to do the work I wanted to do in the world.
9:22and specifically that I thought food might be the route to do it. Absolutely. I'm in love with your seventh grade students for boycotting the cafeteria and winning demands. And I think as a teacher, it must be so gratifying to see the fact that your lessons do make an impact on people and inspire them to try to make their own change. It still does. Like, I think the day that that gets old to me is the day I need to step away from teaching. I was just having a conversation with my niece who was about to be a senior in high school. She's thinking about college. And she read my book. And she sent me a long text during school, which she probably shouldn't have.
10:04But she sent me a long text that was talking about how it influenced her thinking. And she wanted to think more about togetherness and this community service work that she had been doing, providing hygiene kits to women in shelters. And she's like, I really want to rethink how I'm doing this and the impact it could have in the world. And it just, I mean, I was in tears. I was just like, oh, my gosh, this is so amazing. You know, so many people think about food as we take it for granted. Let me just say it that way. Right. And so there is something that I love about it, which is that people get drawn in by specific dishes or taste.
10:45And then all of a sudden we're having conversations about politics or culture or inequality or any of these other things that maybe people didn't expect when they sat down at a table to talk about food, right? A metaphorical table to talk about food. And that is my favorite thing about it. It works in the classroom. It works in casual conversation. Everyone feels like they have something to say about food. They don't always feel like there's something to learn new, you know, something new to learn about it. And so that's the hook for me. This episode is brought to you by Wayfair. I've been thinking a lot about outdoor cooking lately.
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13:30And I think that kind of seegs into this new book, Gather, that you've produced very well. How did you begin to think about the idea for this book and how did you kind of develop that over time? Well, the idea started with the family reunions, actually, because I had been doing some thinking about it in the academic context in the sense of thinking about family reunions as a place of food and gathering. But also I was playing around with some ideas around radical hospitality and how that might show up in these reunion spaces. So then when I had this opportunity to write this book, I knew reunions would be a part of it.
14:11But I also wanted to have something like gardens that opened up the book because people associate food justice with gardens in some capacity. So I wanted to have something that felt familiar, even if I was going to be telling an unfamiliar story. And then I also was curious, I have a lot of curiosity for myself around how we deal with and sit with suffering. And some people have kind of given me the side eye when I've said this, but I think in the US American context, we do not have a lot of rituals to be with our own or other people's suffering. We have mourning rituals, which I think are different, but suffering as kind of an everyday experience, we don't really do well with that.
14:59And it's a deep curiosity of mine. And so I turned to repast as an example of one example of how we're with suffering. And then lastly, I end with mutual aid because I think mutual aid is an ongoing invitation to all of us. And I had been engaged in mutual aid work here in Austin in different capacities. And there's this beautiful thing about mutual aid to me, which is that when we think about it, there are a lot of people engaged in mutual aid who would not consider themselves activists, who would not consider themselves advocates. They just want to help. And I think there's something really meaningful about using that frame of I just want to help as a way of growing neighborliness, growing our political sensibilities, growing our willingness to give of ourselves to make sure that someone else has what they need.
16:01So I just wanted to find these very everyday ways that people are coming together around food in some capacity to make a point that the things that we want to grow can actually start right where we are. Mm-hmm. Definitely. And these different ways that people are gathering around food, obviously, the food that's on the table matters in terms of the people that are gathering want to eat this specific dish or they have their own special way of doing something. But you're kind of making the case that nourishment is really beyond immediate sustenance. And you kind of talk about, like, nourishing bodies versus nourishing whole people.
16:40What is, like, the difference between those two actions? Yeah, I think there's, I've been interested in engaging in food justice work for almost two decades at this point. And I do feel like we're at an inflection point. One of the selling point of many movements has been increasing access to healthy, affordable, culturally appropriate foods. And the good news is that selling point has stuck with people. And I think that's beautiful. And I think the challenging part, though, is we've gotten really focused in on what does the healthy mean? Who gets to decide it? Let's make sure we have these things for folks.
17:22And that's beautiful. but there are so many other things that come with the eating experience. So the example that I give for my students is that we could have the most decadent meal prepared and the experience of eating it at a five-star restaurant is going to be different than eating it in solitary confinement, which is to say that nourishment is about putting food within context. It's not just about deciding that this thing is healthy and this thing isn't. It's about the entire experience of food, how it is feeding our biological bodies, but our social bodies, our cultural needs, our communal needs.
18:07And so when we widen out the aperture, then it makes me think more holistically around, Is it enough to just say we want to provide healthy food to people or do we need to be thinking about the conditions around how and what people are eating more broadly? So this is why, for example, in the chapter about Heber Brown and then the chapter about repasts in Memphis, there are these mentions of police violence and what it sparked in the communities. Some people might say that has nothing to do with food. And my argument is it has everything to do with food. And hopefully the listeners will go and read the chapters and agree with me because all of this is going on while people are having to shop for food, prepare food, consume food, all while there might be worries for their safety or they might be mourning or there are all these different things, right?
19:12And so that societal experience of living in the context of police violence is something that maybe everyone can relate to, but certainly there are specific groups of people who experience that very viscerally. And if we're not addressing that, that too has an impact on how they are or are not nourished. Yeah, I think in this book, you're talking about specifically how this relates to Black communities. But we've seen this happen recently when ICE was occupying Minnesota. 100%. And people couldn't leave their homes to get groceries and the kind of mutual aid around that. I've been so inspired by the folks in Minnesota.
19:54Media attention may not be as present as it was before, but there are still so many folks trying to meet each other's needs in Minneapolis specifically, and I'm deeply inspired by it. The picking up groceries for people, the donating groceries and meals to people, putting decoys in your car to try to throw off ice. So those are, yes, those are examples of we are in this together. I am sharing in the risk of this with you. And even though it sounds a little paradoxical, being able to share in the risk of things with folks is also nourishing. We're doing it for a reason. It nourishes our spirits.
20:41It nourishes our soul. It also nourishes and I hope grows the reality that everything about this world is interdependent, whether we want it to be or not. And to not acknowledge that level of interdependency is a privilege that many people don't have. Yeah, I really agree with you. And I think reading about the different forms of community and how they kind of grow and evolve in this book is so interesting. And especially the family reunions component. I read in the book that you were invited to over 30 family reunions during the research process for this book, which is so many. How many did you make it to?
21:18And like, what did you learn by kind of being a new member of the family? Oh my gosh. I went to eight and I want to, I, in an ideal world, I want to go, if someone would just pay me to go to people's family reunions and document them, I would be like, sign me up. I went to eight. I also interviewed people whose reunions I couldn't go to. And I invited them to submit videos, photos, any kind of momentums from their family reunion to the project that they would like. So that was also, I ended up with over 300 artifacts from people's family reunions, which was very cool. A couple of things I learned.
21:57One, this sense that a reunion can transform a space is very visceral. So most of the reunions I went to, well, actually all of them were in public spaces, several of them parks. And parks for me, at the reunions, I just kept thinking about how parks are supposed to be a public good, but they have also been the site of, yeah, violence against Black people in various capacities, whether it's the woman in Oakland who called Barbecue Becky, who called the police, or the bird watcher in New York City had the police called on him for bird watching in a public space. And so it wasn't lost on me that families choose to gather in these public spaces and it feels like it transforms the entire energy.
22:51Watching kids just be able to run around and not be worried because someone is watching over them, that was really beautiful. but also just to occupy a space with joy and kinship. So that was the first thing that really stood out to me. The second thing, I was nervous that going to these family reunions, well, one of the eight was my own, so not including that one. Going to these family reunions that people would be like, who invited you? Why? We don't want you here. And that did not happen at all. So I would go. I would start off with the person who invited me, kind of following them around. But then eventually breaking off and introducing myself to people.
23:38Lots of folks had questions about, why would you want to come to our family reunion? It's nothing special. Or what does an anthropologist do? So there was lots of curiosities. But then there were things like, can you hold my baby while I go fix a plate? Can you serve this food? Can you take this plate to this elder? So basically I'm saying there was a point at which at every single reunion where I was just one of many. And that was also really beautiful. And it's kind of the basis of what I used to talk about radical hospitality. I was brought into the fold by one particular person. And then I ended up being welcomed by all or most of the people who were there.
24:23And I've been sitting with the question of what if radical hospitality was the foundational value that our food system was built on? How would that change labor practices? Who would have a seat at the metaphorical table? What would that even look like? We have not had a food system in our country where that has been. And there are practices related to that, right? But that has not been the ethos of our food system. And so that is the thing that I think I have been taking with me as I think about my own daily life and engagement in the food system. Yeah, it's just, I was kin. Like I was kinfolk that day, whatever day, right?
25:13And most of these people I may never see again. And it kind of doesn't – I keep making this joke that I'm in all of the big family portraits from the family reunions. I'm wearing my T-shirts. And I keep making this joke that one day, five years from now, people are going to be looking at their reunions from 2023 and 2024 and look at me and, like, whose girlfriend was this? Like, she's – who is this person? And again, it's funny, but it's also, like, cool. Like, I'm not suggesting that there shouldn't be some forms of gatekeeping. These are sacred traditions for people. But I am saying that because I was vouched for by one person, whoever the person was that was inviting me, other family members trusted that I belonged there.
26:05And that just, I don't know, that felt really, it was really moving to me. Totally. And I would never dream of getting you in trouble with these families by asking you to tell me who had the best food. Oh, my God. Okay. I am going to tell you who had the best food and no shade for others, but I went to a reunion in Parks, Louisiana, and the food was incredible. Their reunion was a whole weekend. the Friday night was like a family social talent show kind of thing. And they had a seafood boil and they'd put together all of these tables that had table clocks. And literally they just came out with these large pots and put all of the boil on these lines of tables.
26:58And then people just flocked to these tables. It was amazing. And then they also had like other food. There was fish, there was fried fish, there was chicken, there was some form of jambalaya on Saturday. Gosh, the food was so good. It was so, so, so, so good. So that was my favorite. I love the food at all of them, but that was definitely my favorite. Do you know if the family cooked that food or they brought it in? So they cooked everything. One of the family members owned a restaurant, and so she was kind of the lead culinary person. And what I also loved that I didn't see at other reunions, she had actually made name tags for all of the different dishes and what was in them.
27:48Probably the product, again, of being a restaurant owner. But I thought it was really beautiful to see that in the spirit of inclusivity and people being able to make the right choices for themselves based on their dietary needs. That was really nice to see. Totally. Well, if I could crash a family reunion, that sounds like a really good one to get to go to. It was also 350 people. Ooh. Wow. That's where it's handy to have a chef in the family, I guess. Exactly. I guess while we're talking about large quantities of food and serving people in these kind of special moments, the funeral repast section was so interesting to me in this book.
28:27Could you maybe explain what that is for somebody who isn't familiar and if there are any kind of signature elements of one, in your opinion? Yes. So a repast simply means a meal. I mean, the word repast just means meal. In the U.S. context, it has often been associated with funeral meals that happen after the service. If a funeral is in a church, a repast is often offered at a church. Sometimes they're offered in people's homes. It's a deeply Southern tradition, but it's not only Southern. Repasts happen everywhere. And also, I should say, we call them repasts here, but there are many traditions around the world of feeding people who are bereaved.
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29:15It is also a nearly universal tradition. And so they typically include things, lots of covered dishes that have been brought from people from the community, from the church community. In my experience, there's almost always been some form of chicken baked or fried, presumably because chicken, in terms of meat eating people, chicken is a pretty safe bet, right? That like, you know, more so than pork or, you know, not sometimes people don't eat beef. I think a typical repast in a church setting is often organized by people who are part of the church community in terms of kind of the flow. So in my experience, funeral happens, people have either set up in like a fellowship hall and they are serving food or they have already prepped to-go plates for people to take away if the family isn't staying or doesn't want to stay for a repass.
30:24My family, my personal family's tradition, there's always been two repass. one at the church and maybe some people from the family stay behind to say thank you for people to attending, et cetera. And then one at home. And the one that is at home, whoever's home, is typically where the best food is. And so again, there's labor involved in this. There's someone who's directing where food should go and where it shouldn't go. But I think the point here is that there's an outpouring of love from community that says, you know, we really can't take away your grief. That's probably going to be with you for a lifetime in some cases, but we can make sure you're fed.
31:12Yeah, it is such an interesting and universal tradition in some ways. My family is Jewish and like sitting shiva and having food after the funeral is like the most obvious thing that people do. And I think I really like that because I think often in grief, people don't, they don't know what to do with themselves, right? Or how they can be useful. And having this cultural practice makes it easy. You know, you get your covered dish, you bring it to the place, like, you know how you can show up. If you're going to stay around for a while, yes, you know how to show up. You brought your covered dish.
31:44And I'm curious how this plays out in your cultural traditions. But with Repass, It also, oftentimes people stay and then it becomes the site of sharing memories, often really good memories, right? And so it's also this beautiful way of bringing the dead back in the room with us as a living, breathing spirit entity and not just, you know, a body that has been laid in the ground or cremated. Yes, absolutely. And I think sometimes I've been at a Shiva where people have made the person who's deceased like their recipe, right? Or like a dish that they really loved. And then you can talk about how this came to be, why this is important.
32:29It's almost like social lubricant, right? If you like don't know what to say or how to act. Yes, I love that so much. Now that makes me wonder, I want to now, I want to go back and ask my mom if there's, has she experienced that in any case? Because the repast in our families, I have not experienced anyone bringing recipes like when my grandmother died and no one was maybe maybe they didn't want to dare try but no one was trying to like bring any of her stuff into her shoes exactly yeah I think is I'm sure you came across this in your research but people can be so particular about family recipes I remember reading about I believe it was one of the family reunions you went to where the family brought in food, but they still made their own greens to have?
33:19Yes. Yes. Did you have any moments of like, you know, I don't want to step on the way that this family is doing something or kind of like the kind of specific family quirks that everybody has? Yeah. I think it's really, I was always a little fearful that I was going to say or do the wrong things in both the reunions that I visited, but also in the writing, right? Because I think there's this line to toe between I'm writing about well-worn traditions, but there are a lot of variations in these traditions. And I don't want to come across as I'm saying, this is the only, only way. But in the reunions chapter, the one family that I read about that had their meal catered, everyone was worried about the food.
34:18And I had not been to a family reunion where the food was catered. So I wasn't sure what that looked like, et cetera. And it turned out to be fine. And it wasn't, it has some of the, I would quote unquote say traditional elements that I've come to associate with reunions. There were burgers and hot dogs. There was chicken, but then there were things like pasta salad, which doesn't really show up at reunions a lot because they're outside and it's hot. Right. But there were things like that that were interesting add-ons and not necessarily bad. I went to another reunion in DC, which was a weekend reunion.
34:59And in lieu of doing like a park celebration, et cetera, we went to the National Museum of African-American History and Culture. And everyone had their meal in the cafeteria there, in the cafe there. And I thought that was really unique. And I asked them about how did they feel about that, you know, given that the food part is such a huge, you know, huge part of the reunion experience. But everyone felt pretty good about the cafe. And the bigger issue for them was, we are a small group. They have regional family. Their family is so large, they switch regions every year. And the DC region was such a small contingent.
35:45There were two people really leading everything. And they were like, we can plan the events, but we can't plan the events and try to figure out food. So I thought that was like, not me stepping on toes, but it was a really interesting conversation with folks around how to keep a tradition alive, but also keep it sustainable. Absolutely. And I think you're using the term radical hospitality. And I think most of the time, maybe that has a connotation of like, how are the people who are hosting making the space for everyone else to show up into? But I also think as a guest, maybe you can practice some form of that by having maybe looser expectations or like being open to like other ways that people can be hosting you and that you can be showing up in that space as well?
36:28Oh, I think that's so beautifully said because one of the things that didn't show up in the book, and maybe I'll do some shorter form writing about it later, is I interviewed a number of people who had specific dietary needs or restrictions. And I wanted to talk to them about how did they feel at these gatherings and all of them said some variation of, I know what to expect when I go to a gathering like this. I will eat beforehand if I'm not sure if there's something there for me to eat. It's more important for me to be there than to complain about the food. Now that can be taken two ways. I think on the one hand, you would hope and want a host committee to be mindful and be aware of different dietary restrictions.
37:21But what I took from it, from the people I was interviewing, was that they just really wanted to be together with the people who they were gathering with, whether it was a family reunion or a special meal for the holidays, et cetera. And that may be, to your point, is also this other reflection of radical hospitality or grace or whatever you want to call it because they weren't expecting a complete menu change to accommodate them. Sometimes people said that they would volunteer to bring a dish that they knew they could eat rather than asking for a complete culinary change. I don't know. I just thought that was a really powerful way of thinking about being part of the we.
38:06Yeah, I agree. I like the phrase being part of the we. I feel like that's something that maybe folks don't think about often enough. Yeah. So I guess by the nature of this book, I imagine that you might be doing some or have been doing some fun gatherings around the book. Gather, what has that part of the book process been like? It's been very cool. Cool is the only word I could think of. You mentioned BIM at the start. I love them. I've been stalking them since their inception. And my book event was my first time visiting the bookstore. And they hosted a dinner for the book. And it was so lovely.
38:5125 people all sitting around a long table. I was in conversation with Nicole Taylor. And I got to consult with Chef Jessie around what the menu could look like. And she used one of my recipes. That was very cool. So they made a dream come true for me with that one, right? Because that's all I really wanted with this book is that it might inspire people to gather on their own in some kind of capacity, whatever that is for them. And I got to see that in real time. I got to watch people who didn't know each other leave exchanging phone numbers and wanting to gather. And then there was a couple of folks who were starting their own family reunions or trying to revive them.
39:32And they were able to talk to people who have longstanding reunion traditions to get advice. It was lovely. So that was beautiful. I've had wonderful conversation partners at all of the events that I've had for the book. And people have asked really great questions, which is, I don't know, maybe it's, I don't know if it's every writer's dream. It's my writer's dream that people ask great questions because it makes me think differently about even the thing that I have produced. So yeah, it's been beautiful. And every stop that I've gone to, I've either known someone or someone has come up to me and said, you know, such and such person.
40:19And so I wanted to come because of that connection. And I thought that was, yeah, again, that felt, that has felt like a true manifestation of the book itself. Totally. I feel like being able to put the ethos of the book into practice while gathering around the book itself feels like a very kind of full circle moment. I think so. And it's also inspired me to probably, no surprise to anyone who reads the book, I enjoy hosting. I enjoy gathering people. And life gets in the way and you kind of fall back from doing some of that. But I think in writing the book and then its current life has really inspired me to go back to some of those things that I really enjoy.
41:07And, you know, I have space constraints in Austin, which has been the main excuse I've used for not gathering folks. And then I'm like, and I just did all this research about family reunions and people being in parks and all these other places. There are lots of ways to gather people. And so I think it really lit a fire underneath me to get back to the power of that in my own life, which feels really, really important in this current political context. I think we need more togetherness and not less. Yeah, absolutely. I guess also in terms of how you're putting it into practice in your life, I was reading at the end of the book about how you've been cultivating a garden.
41:51And I was curious how the garden is going. I know it's probably hot now. It is always hot. But the garden is thriving. My friend Ashley's daughter, who is now four years old, you know, it kind of the garden kind of started because Ella was really interested in plants and growing things when she was very little at this point. And now she sees it as her garden. She picks out what's going to be planted. It's amazing. It's just amazing to see like we've been growing food, but Ella's curiosity has been growing through this process as well. And, you know, in other contexts, I always talk about how being somebody's auntie is my best job and my favorite job in the world.
42:40And so even being able to do this with her and for her, it's just been really beautiful. So no more okra, not growing okra anymore. There are cucumbers, tomatoes. The herbs are thriving. They have continuously thrived. And we haven't tried watermelon again, which I would like to. Not this year, though. Maybe next year. Nah, maybe next year. Like, watermelon is fun. I think we've got to get our rhythms down with the different seasons, too. Right. That's the other. You've been busy. Honestly, that's the main part. That's the main part. We're like, oops, there's stuff that should be growing by now.
43:21So we're always just a little bit behind. Well, you've been busy and you have time to try again. Yes. Yes, that's a great way of putting it. This episode is brought to you by Wayfair. I spend a lot of time in restaurants thinking about how the spaces work and sometimes don't work. One of my favorite dining rooms in New York City is Michael's in Midtown. It's so inviting. and there's all this incredible art on the wall from Frank Stella, Jesper Johns, and David Hockney. And here's the thing. When I went home to my own outdoor space, it was kind of the opposite. There was no atmosphere or vibe, just a boring table and chairs.
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45:50Okay, I want to play a rapid fire to close with you. So I'm going to have you play some favorites. You can just tell me the first answer that comes to mind. Okay. Okay, your favorite cookbook right now? Jubilee by Tony Tipton-Martin. A great book. Your favorite ice cream flavor? Ooh, strawberry cheesecake. Is that from a specific place or just in general? You know, I'm a Bluebell girly. I'm a true Texan in that way. So yes, Bluebell. Your favorite restaurant in Austin? Timmer and Rye. They have the best bread service. Your favorite kind of community gathering? Currently, I'm going to have to say on a boat gatherings because we do a lot of that here in Austin, which is fun.
46:34Oh, that sounds so nice in the summer. Your favorite song on the family reunion playlist that you made at the end of the book? Before I Let Go, Frankie Beverly Amaze. The go-to dish that you're bringing to the cookout or the occasion? If I am not the one hosting, I'm probably going to bring a cake if it's a cookout. Yes, I'm going to say I'm going to bring probably a pound cake. Nice. And finally, a fictional food scene from a book or a movie or something made up that you wish that you could magically eat in real life. Oh, this is such a good one. I have to go with the scene from Poetic Justice because that inspired so much of the book, the family reunion scene from that movie.
47:19Is there something specific in the scene that looks good to you or just all of it? The barbecue. So I associate family reunions with barbecue. Not every family reunion has it, but probably because my family always does barbecue for family reunions. And the scene where they're flipping over all of the meat, I was like, you actually prepared this properly. I can tell that whoever ate this after the scene really loved it. They had a good food stylist for that movie. Yeah, it was great. Well, you've inspired me to go rewatch that movie. And thank you for such a fun conversation. I know it was so great speaking with you.
47:56Alana Kaiser, welcome to This Is Taste. How are you doing? Oh, I'm great. So happy to be here. Excited to speak with you. We'll do this IRL next time you're in New York. Promise me? Yes, promise, promise. Let's do it. Can't say when that'll be. Because I know, you live in Hawaii, and it's a little bit of a schlep. I'm just a huge fan of your work. I loved your first book, and now with Aloha Veggies, you're back. And my dad went to U of H back in the 60s. And our producer Clayton lived in Hawaii for a number of years. So we love Hawaii. Oh, I love hearing that. Yeah, we try to cover it. We got to get out there one day.
48:35One day we'll cover it, Taste Travels. Yes. And maybe you'll be a part of it. Well, you live on Maui. I always like to ask guests, like, where have you been dining out recently? Let's see. There are limited options on Maui. So there is a very good Italian restaurant nearby that I go to for a plate lunch. I head down the hill and I go to Waikapu on 30 in Wailuku and then for Poke Kaohu store. And on the weekends, I have friends who have a really wonderful stand called Maui Kones and they specialize in mochiko chicken and like a panko fried fish. Great choices. And you're in L.A. right now, too.
49:17So when you're in L.A., do you have any spots that you like? I'm in the land of veggies. Yes. I had some kismet rotisserie for lunch today. We're going to hit Bub and Grandma's for breakfast tomorrow. I mean, like the list could go on for the whole show. Yeah, no doubt. And we got to get to the book because it's terrific. You've got a great tasting restaurant with that Bub and Grandma's. That's a good spot in L.A. All right. So the book opens with you returning to Maui in 2022. and seeing it through new eyes, I just wanted to get that, you know, this is not necessarily nostalgia. It's also there's agriculture related to it.
49:58What specifically hit you different about the food landscape when you returned after a decade in California? You know, when you spend so much time away from a place, you forget what it is to live there. And so for me, it really was like this wonderful homecoming where I got to see it through a new lens as an adult and hone in on the fact that we don't do sugar anymore and what does the landscape look like that way, but also just dining out. I got so used to all these veg-forward options living in California for over a decade that I almost forgot what it was to not have a lot of them day-to-day.
50:39And that was the biggest surprise for sure. Yeah, so you probably had to be a little more crafting the kitchen with that availability. And really, what's it been like living back there? It's been great. I think I cook, you know, 95 % of our meals, which wasn't the case when I was living in LA. But the lifestyle just is, it's so different. And I love it so much. We're on about an acre of land. And so we're outside almost every day tending to the land in some way. Oh, I mean, amazing to be able to have that space, which you probably didn't have in LA, and just be able to have your garden. What's right now, we're recording this in May, what's the garden looking like?
51:26The garden's looking a little rough. It took a backseat to the book, but currently we've got a bunch of colo, which you would know as taro. Apple bananas, we can't keep up with them, but we love them so much. are lily koi's in bloom right now. So in a few months, we'll have lily koi, which would be passion fruit. So yeah, just a lot year round that kind of gives without a lot of effort. We have avocados coming, a bunch of citrus trees. So those are like the easy crops. Really, really, really amazing to have those growing outside your door. Well, I like your book a lot for many reasons, But the structure is really interesting.
52:12It takes the form of the plate lunch and, you know, the components are the main, the starch and the side. And it's really cool to think of a vegetable cookbook in that way. Walk me through how you chose that structure and what it means for you cooking day to day. Yeah. So when I first started cooking vegetables for myself, I found that I didn't really know how to compile like a full menu to leave myself feeling full at the end of the meal. I really struggled with it. And so when I kind of tried to think what's the way to do that, I thought about a plate lunch and how you have a few different components and all together that creates like your full complete meal.
52:59And I thought it would lend itself really well to it. You know, you basically take a main, a starch and a side and then you have something that will leave you feeling full. And that's kind of how I cook nowadays. It's like I always have a main. I always have something starchy on the side. And then I like, you know, some kind of side that's interesting or adds a component that the main and the starch don't have. Give us an example of that trio. How would play out on the plate? So this is a weekly occurrence in my house. It's the tofu poke in the book. And I take that to be my main. I think it's in the sides, but I use it as a main in my house.
53:40And then we have a quickle, which takes like, I don't know, five minutes. I love that. My husband loves the mushroomy rice in the book. It's his favorite recipe. And so we usually have that. And together, all three of those really are easy to do and very filling. Oh, my gosh. I mean, mushroom rice, when it hits, it hits. It's such a good. What makes it like your mushroom rice? What's the technique or mushrooms? So, yeah, there's a trio of mushrooms. So you have the shiitake that you kind of soak in the hot, like a hot water just to get out all that good flavor. You put them into the pot with the rice, you cook it.
54:22Then you do some sauteed kind of, I like to do oyster mushrooms, but it's whatever mushrooms you have with some butter and shoyu, or I think you would call it soy sauce. And then you add nameitake, which is like this Japanese mushroom paste. and that whole combination really just packs umami and tons of flavor oh my gosh i mean it sounds incredible it's got some nice layering there and because you can find those products you know it's definitely possible especially that paste is i love that i love cooking with that i love that so much um well i think the book is cool because like you obviously have beautiful photography and these these really you know detailed recipes but they talk about the culture of Hawaii in a very, you know, you way.
55:09And you mentioned, you know, the Hawaiian food and culture, there's three main diasporas in Chinese, Japanese and Portuguese. And then it expands to Korean and Filipino to name a few. How does that all play out in terms of vegetarian cooking? Yeah, I mean, what's nice is that a lot of those cultures actually have a lot of veg forward dishes built into them. And while they didn't make it to Hawaii, the methods are so easy to adapt to the recipes that we do have. So it really made it a pretty seamless transition from like a very meat-centric kind of profile to veg forward. Yeah. I mean, of course, those cultures have these great vegetable traditions.
55:59It just makes you, I think it offers so many opportunities to use your spices and use in shoyu and different ingredients that may be paired with meat in other cookbooks, your veg forward. And I think that's cool. Yeah, I mean, the flavors really do lend themselves beautifully. And it's oftentimes a lot faster to cook with vegetables. So I found it to be really fun. No, no, that's a good point. You know, you're not like slow braising a cut of meat. You know, you can get these these meals out there fast. Well, I like that you are specific in that you're not like I mean, you you're not advocating for vegetarianism or claiming vegetables are healthier.
56:45You're not giving these like prescriptive just, you know, you're not writing introductions like that says you have to eat this way to be healthier. Tell me about that choice. Yeah, for me, it was really important to say this is veg forward cooking and it's exciting and it's easy to integrate into your life, but it's not vegetarian. I think that when you put a label on something like it's vegetarian, sometimes people are immediately turned off by it. And the idea here is to bring people in and to give them more choices and to make it feel exciting and fun. And so when you remove the label, you take away pressure really quickly.
57:25Agree fully. I think it's a really nice strategy. And I think people are compelled to follow you because you're not so preachy in some ways. It's smart. How do you engage with your followers? Like, are you shooting reels? Like, what's your favorite way to kind of stay connected? You know, I'm still kind of finding my footing. Social media has really changed. I used to love blogging and it's really just like very static, lots of photos. Now with, you know, Reels and TikTok being very popular, I'm just trying to have fun with it. So I'm trying not to take myself too seriously and also trying not to think about it too hard.
58:06Well said. That's probably the best mindset. Keep your head straight that way. Not try to overthink it. I love the Korean jeun, the vegetarian version with green beans. There's one with zucchini, oyster mushroom yuba. How are you seeing Korean cooking specifically play out in Hawaii? So I feel like there are a few really good instances on Oahu, which is one of the, it's the main island. I'm on Maui. And I think that you are kind of seeing a fusion, which isn't local Hawaii food all fusion, if you really boil it down. But I do see them kind of pushing the boundaries into like having a lot more vegetables on the menu than just like the meats.
58:55And so this was kind of my play on that. And I think it's cool to add the marination kind of component to the vegetables for the june, which is what makes it uniquely Hawaii. Oh, I see. That's cool. That's really neat. And I just love the integration of these vegetables into it. What's the batter binder for this june? I mean, egg, really. Yeah, totally. Totally. Not a hard question. Yeah, you're like, Matt, what are you saying? No, it is like an egg, small pancake, and I just love this technique. Is there a sauce at all with it that you recommend? Yeah. So there is a sauce in the book, and it's super easy to put together.
59:40It's essentially like something acidic, so it's vinegar, and then there's shoyu or soy sauce, some sesame oil, a little bit of sugar or honey, whatever you want, and then sesame seeds. I think that's it. It's super fast. Sounds great. What a great pairing. Tell me about your version of Locomoco. Yes, I'd love to. In the book, we have four. And with all of the kind of specific sub chapters that I have in the book, there are four variations. And so for Locomoco, we have a tofu burger. We have a breadfruit, which is called ulu in Hawaii. And it has white beans. There's a black bean. And then there's a black lentil.
1:00:24So there's really something for everyone. What an adventure to have four of those. That's really neat. That's cool. I mean, how did you come by those recipes? Because I know like veggie burgers can be challenging to develop those recipes. Yeah. I love a good veggie burger. For the lentil one, I leaned on Molly Baz's recipe. She has a really good one. Kenji Lopez, Kenji Alt Lopez inspired the black bean. I thought it was really genius to kind of bake them off to take out some of that stodginess. And then tofu burger, I riffed on that forever because it kept coming out soggy. And then once you introduce like a frozen tofu, it's magical.
1:01:13Whoa, whoa, whoa. That's cool. So you actually start with frozen. Yeah. Yeah, so when you freeze it, basically you freeze it ahead of time and then you defrost it in the fridge. And you're able to squeeze out so much moisture and you have this really beautiful kind of spongy texture that just absorbs everything flavor-wise. And that's the way to get a not stodgy tofu burger. Well, I'm glad you illustrated how difficult these things can be. because it's usually so moist and wet in the center when you're trying to make the own veggie bread. I mean, I did try. I tried to not do the frozen, but you have to.
1:01:52You have to. It's all good. That's a great technique. I see braised miso eggplant is in the book in a few spots, and I mean, I love that pairing. It's so great. Tell me about putting this in a few of the recipes. I think that braising eggplant in general is a really easy way to cook eggplant for especially people who think they don't like eggplant. I think when you use simple ingredients like miso does a lot of the heavy lifting because it's just packed with so much flavor. You don't have to work that hard. For me, I found that kind of squeezing on some brightness, in this case, it's like lemon juice, really adds, just it lifts the dish.
1:02:40Such a great point. Because I think it can be like when you put too much miso, you can like your ratios can be a little bit, I mean, I love miso, but like it can be a little overpowering. But adding the acidity to it with the lemon juice is really smart. And it's like we have so many eggplants in the summertime here on the East Coast. Oh, here too. I mean, everywhere, right? It just grows. It does. And like, you know, we're like sometimes thinking parm or thinking maybe stir fry. But like this braise with miso is such a great way. I love that addition. Well, one thing that's kind of sneaky about your book and sneaky cool, I think, for fans of cookbooks is that you photograph your own book.
1:03:17And, you know, you're really good. Like super, super cool. Like your style, like it's really well lit. Like I think it's and then also like the styling, too. So it's like you're doing everything. What's that process like shooting your own book, styling your own book? What's cool about it is that you get to get the dish to look exactly how you want it to look. And then if you don't love your photo, you can reshoot it. And I think that that's the beauty of it. But for me, it was really just styling it in the most simplistic way to make it feel like you can make this in your house. Like I'm not, you know, I'm not using tweezers.
1:03:58I'm just I'm plating it and making it look like how I'm going to serve it. Well, the styling is a good note. Like I love the way you style because it's minimal. Like you're not trying to like set up these like scenes and little whoopsies and all that stuff. Like I love this minimal styling. really makes the food really jump off the page. Smart stuff. Thanks. Yeah. Thank you. Huge fan. I think it's a really, that's why your books are great because it's like you control all those elements. And I mean, but tell me about it can be not as fun when you're doing the entire thing. It is just drag on longer and longer.
1:04:32It does take a little longer. Yeah. And you have to build that into your schedule when you're creating your manuscript. And so I did run over a little time just because I forgot how much time it takes to get all those shots in. Yeah, yeah. So are you thinking book three already? Oh, I'm not. The first time I did it, I thought like, this is the only one. And then I really believed that we needed a veg forward local Hawaii food cookbook. So then I thought, maybe I could do that. And for sure, right now, there are no ideas percolating that feel like they need to exist in the world. Hey, if you know that, that's like a secret.
1:05:15Basically, if you know that there shouldn't be another book, that's the way to do it. So with this book in the past, or you're releasing it now, are you cooking for others? What's your future like? Good question. I don't know. Yeah, we'll see what it holds. I don't think that far ahead. Maybe I should. No. I mean, would you ever do a restaurant? No, but you know what I would love to do is to dream up a restaurant and give that to someone else. Yeah. Someone who could do it really well. I have a lot of ideas of what I think could be cool, but I know in my heart I'm not the right person to do it.
1:05:57That's the best. Well, I love your book, and I really appreciate it. Zootopia 2 has come home to Disney+. Let's go! Get ready for a new case. We're going to crack this case and prove we're the greatest partners of all time. New friends. You are... Gary Death Snake. And your last name? Death Snake. Dream Team. New habitats. Zootopia has a secret reptile population. You can watch the record-breaking phenomenon at home. You're clearly working at it. Zootopia 2, now available on Disney Plus Rated PG. On This Is Taste, we ask guests about the discerning taste. So to close this interview, here's a little rapid fire.
1:06:37Fast and Furious taste check. Are you ready? The best fruit. Apple banana. Explain this for those who don't know. An apple banana is a smaller banana. It is a little bit tart. It has just like a slightly, it's not as soft as a normal banana. Right. A little more texture, a little more crunch. Yeah. It's great. That sounds great. I highly recommend finding it. Yeah. You have to answer this. I know you wrote a vegetable book, but the worst vegetable. Oh, hands down, red bell pepper. Yes. Can't stand them. Yes. I love it. Definitively. Yeah, I love it. It's the one. Not in your books. Nope. What is your typical breakfast?
1:07:29Soft scramble eggs, rice, and then usually some kind of like chili crunch. Oh, beautiful. Love that. The best dessert? The one you have. But I mostly have ice cream on hand. So I'd say a banana split. Oh, yeah. Nice. What about apple banana split? Have you ever tried? Yes. That's the only one we do because we have a million apple bananas. Oh, my gosh. That just transforms everything. Yeah. That's wonderful. I was just at a restaurant and they did the coolest thing with a banana. They put it into the base of a cone, like an ice cream cone. Oh, genius. Right, genius. And it was caramelized. And you fill it up with soft serve.
1:08:12So basically at the bottom of the cone base, you get this bite with a banana in it. I love that. Me too. I can't stop thinking about it. It was like the most genius thing. I thought of it right away when you said banana split. A few more. a restaurant you wish you could bring back from the dead? Kitara's. It's like, it was this iconic restaurant in Makoau Town on Maui, and they had Simon. I think that might have been all they had, but I missed them so much. Oh, man. Maybe you can bring it back. Maybe that's your restaurant. That'd be a dream. When you're craving fast food, and I guess when you're living in Maui, you just, you don't have like the LA fast food chains.
1:08:51Where do you, where do you go? I'm craving fast food on Maui. I go to Taco Bell. Oh, yes. Alana, what's the order? Bean and cheese burrito. That's it. It's such the classic. Oh, man. It's I love it. I love it. I love it. It's so good. Last one, your favorite sandwich. In this moment, because I'm in L.A., I'd say the Ira Glass from Wax Paper Co. Oh, yeah. Yeah. So good. Great call there. Alana, this has been so much fun. Thank you so much for joining This Is Taste. Oh my gosh, this was a blast. Thank you so much for having me.
1:09:33This is Taste is hosted and produced by Matt Rodbard and me, Eliza Abarbanel. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, director of media production and development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Episode portraits by Louise Zergang Pomeroy. logo design by Ellie Skurzat and Ian Dingham visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste
From the publisher
Dr. Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Her new book, Gather, looks at expansive forms of nourishment, care, and Black food through four kinds of gatherings: gardens, family reunions, repasts, and protests. Today on the show, Ashanté shares about the years of conversations and reporting that built this book, including which family reunion had the best food.
Also on the show, Matt has a great conversation with Alana Kysar, author of Aloha Veggies: Veg-Forward Recipes Celebrating the Flavors of Hawai’i.
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