815: Anthony Bourdain’s Life Was a Movie. Matt Johnson Directed It.

31 Jul 2026 · 46 min · 16 chapters

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In short

Matt Rodbard and director Matt Johnson discuss A24’s film Tony, about a young Anthony Bourdain, and connect it to food, restaurants, and specific creative choices (Provincetown summers, ketchup, heroin depiction, book research).

Guests (backgrounds)

Matt Johnson is a Canadian director known for Blackberry and Nirvana the Band the Show the Movie; he’s also a Sloan fan. Matt Rodbard hosts This Is Taste and shares recent restaurant visits.

Key claims

Tony avoids a traditional biopic by compressing three Provincetown summers into one transformative season for 19-year-old Bourdain. Johnson says he expanded the timeline “from age 15 to about age 26” and used “rhyming characters” to echo earlier/later life. He emphasizes food as cultural connection, not “pornification” of cooking.

Notable examples

Thai Diner (bon salad with crispy red curry rice; grilled oysters with namjim); Keens (mutton, steak, sirloin, steak sandwich; 50,000 church warden pipes); Goose Feather (Cantonese core with global inspiration; snow pea salad; char siu pork belly). Film specifics: homemade ketchup scene; reverse-shot approach to heroin; cookbooks Howard Mitchum’s and Escoffier; Rolling Stone party lie; Bourdain’s “admission to CIA” letter.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Recent Restaurant Visits

0:44 to 1:24

Matt shares his recent visits to various restaurants, setting the stage for food discussions.

“compressing three formative Provincetown summers from Kitchen Confidential into one transformative season for a 19-year-old pre-fame Bourdain.”

Exploring Thai Diner

1:24 to 4:34

Matt discusses his experience at Thai Diner, highlighting signature dishes and flavors.

“You are both producing and recording this right now.”

Dining at Keene's

4:34 to 7:20

Matt shares his experience at Keene's, emphasizing the restaurant's history and steak offerings.

“I love it as an institution of New York.”

Visit to Goose Feather

7:20 to 12:20

Matt reflects on his return visit to Goose Feather, detailing the ambiance and standout dishes.

“I mean, they've been doing it, I think they said, over 25 they've been to.”

Westchester's Culinary Scene

12:20 to 13:27

Discussion about the restaurant scene in Westchester and upcoming projects.

“I'm always so happy to visit Goose Feather.”

Westchester's Culinary Scene

13:36 to 14:20

Discussion about the restaurant scene in Westchester and upcoming projects.

“and Smithy is bringing that tradition into the modern kitchen.”

Closing Thoughts

15:06 to 15:30

A brief closing remark signaling the end of the episode and thanking the guest.

“chatty, kind of funny, and an avid cyclist.”

Exploring Bourdain's Influence

16:00 to 19:22

Matt discusses Anthony Bourdain's favorite dining spots and his personal experiences.

“They're one of those bands that when you grow up in Ontario, you think, oh my gosh, these people are world famous.”

Creative Decisions in Filmmaking

19:22 to 22:27

Discussing the creative decisions made while portraying Bourdain's life.

“But you could have expanded it outside of this three, compressed three-year window that you based it on.”

Understanding Bourdain's Legacy

22:27 to 25:36

Examining Bourdain's complex character and his approach to food and life.

“But it extended also to, it's so odd because he would be, I would think, almost openly pretentious about food, saying that food itself could be bigger than what it was, like literally adding pretense to it.”
Show all 16 chapters

Naturalism in Food Representation

25:36 to 28:00

Exploring the understated portrayal of food in the film and its significance.

“And so I thought, aha, we can make this movie a conspiracy between the three of us, between him, me, and Anthony Bourdain, where we find these similar pieces and tell a story about it.”

Exploring Food's Cultural Significance

28:00 to 31:40

The conversation dives into the cultural impact of food and its portrayal in media.

“You could bring up even shows like The Bear.”

Bourdain's Struggles with Heroin

31:40 to 38:19

Insights into Anthony Bourdain's relationship with heroin and its cinematic representation.

“And yet it seems as though the film demanded to address this.”

Bourdain's Struggles with Heroin

38:22 to 38:48

Insights into Anthony Bourdain's relationship with heroin and its cinematic representation.

“Then a Fendi baguette goes for an absolute steal.”

Bourdain's Relationships and Influence

38:48 to 42:00

Discussion on Bourdain's relationships, including his first wife and their impact on his life.

“Because I think it's kind of understated.”

Understanding Anthony Bourdain's Psychology

42:00 to 44:05

Explore how Matt Johnson delved into Anthony Bourdain's mindset and experiences for his film.

“But, of course, they knew his story of knowing him so intimately.”
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Transcript

Automatic transcript. May contain errors.

0:07Matt Johnson:You know what strikes me? Bourdain, half of his style is from this random guy in Provincetown who writes about food with such a folksy, immediate... That's so fascinating. And so I'm reading the book and I'm like, oh my God, I found the Rosetta Stone. Like, what the hell is this? This is TASTE. I'm your host, Matt Rodbard.

0:35Matt Johnson directed the films Blackberry and the DIY comedy Nirvana the Band the Show the Movie. Now he's taking on Anthony Bourdain. His new film Tony, out in August from A24, skips the traditional biopic format entirely, compressing three formative Provincetown summers from Kitchen Confidential into one transformative season for a 19-year-old pre-fame Bourdain. Johnson joins us to talk about adapting a book everyone already loves, directing Dominic Sessa away from doing an impression, and his love for the Canadian band Sloan. And before that, I share some recent restaurant visits, including stops at Tide Diner, Keen's, and Goosefeather.

1:18I hope you enjoy this episode.

1:24Clayton, what is up, man? How are you doing? Good, Matt. How are you? Good. You are both producing and recording this right now. I love it. Thank you. Let's see it. A man of two talents. Well, you're in Eliza's chair, and I felt like with this great conversation with Matt Johnson, I wanted to talk about restaurants. I've been out to a number of them, and really, you know, Tony's a chef, and this film has a lot of food scenes and is based in a restaurant. So how about we talk about some restaurants? Sounds great. I have three of them I want to talk about. The first is a visit I made recently to Thai Diner, which is one of my longtime favorite restaurants in New York.

2:02And I try to pop in a few times a year, if not more. And I hadn't had dinner there in a while. I'm usually there for breakfast, actually, and it's great breakfast. But I wanted to go over it. As a reminder, Thai Diner is from Anne Redding and Matt Danzer. They were behind Uncle Boone's, which earned a Michelin star in 2016. This restaurant has a Bib Gourmand, and it's, again, really, really one of my favorites. I'm going to start with the Bon Salad, which is kind of their signature salad. I posted it on Instagram, and I had two friends reach out and said, You had the salad? And I was like, I didn't realize the salad had so much play online.

2:39Oh. It's a viral salad, which I shouldn't say viral salad right now because of what's going on. No talk about viral salads in this studio. Well, this salad is very good. I mean, it's with, I think the big kicker of the white so different is it has a crown of crispy red curry rice. So it's got lots of pops in there, romaine, watercress, avocado, and this great, you know, Thai dressing. Fish sauce is in there. There's some sweetness. I love it. We had some grilled oysters, which I had never had there. And really Thai grilled oysters is really has, you know, a Namjim finishing. So it's like chili lime and fish sauce finishing over the grilled oysters.

3:21A terrific couple of other highlights. I mean, I'm always ordering the vegetables there. I love Morning Glory. I try to get that as much as I can when I see it at Chinese restaurants or Thai restaurants. And this one was so great. It had, you know, I think Morning Glory is also like a water, kind of like a water spinach. Someone asked me, one of my dining companions, what it was. And I was like stumped for a second. I was like, what is Morning Glory? Water spinach. And really, it's in the wok. It's really fast. It's got the wok hay going on. And I really enjoyed it. It's got a little bit of this turmeric broth going on in there in the sauce.

3:59And I love that. And then we had some green curry fried rice, which really, really good new dish. I really enjoyed that. I think this restaurant is such a great restaurant because of service. They always have really nice people working the floor who know the menu top to bottom, and it needs some explaining and really needs some suggestions because there's so many inviting little areas in it. And I just loved our server, this restaurant. Lots of lines. You can book it on Resi. And, you know, let's go. Like, we should go sometime. I'd love to. Let's do it. But you and I haven't really had a lunch because we've been recording so many episodes.

4:38Absolutely. All right. The next one up is Keene's. Keene's, man. Again, you can book it on Resi. I love it as an institution of New York. And as a reminder, it was founded in 1885 by a guy named Albert Keene who apparently really loved church warden pipes. So if you go to the dining room upstairs and you look up, there's 50 ,000 of these pipes on the ceiling. It's kind of amazing, actually. I'm not trying to be funny here. I don't know what they were smoking in it. Probably tobacco. Okay. Really, really good aesthetics and vibes there. The servers are lifers. You can just tell. And really, you go to Keen's for a couple things.

5:22You go there for the mutton. I did not have the mutton this time, but I've had it before. And it's quite good. but we really we had a few things we had some some raw oysters which you know again i'm i'm feeling oysters these year these days and um pretty pretty pretty classic you know minuet and you know cocktail sauce and do it do what you will shrimp cocktail pretty good wouldn't say it's my favorite but still we ordered it but really the steaks we went with sirloins and a steak sandwich and really um for lunch um we were dining there for lunch it's a great um spot to take out-of-towners because I think Keene's is one of those institutions in New York that you just can't beat that dining room and these steaks were cooked perfectly and to me there's a lot of steakhouses out there.

6:09I was actually just on another podcast called Put It In Your Mouth. What a title. Really nice show and they the hosts of the show have a steak club which I think is really sweet. It's five of them in this club, and every month they go to a different steakhouse in the city. And they have a sixth seat, and it's an open seat, and they invite somebody along. Did you get the coveted invite? I got the invite. I'm really, really happy that I did, and I'm going to take them up on it. Do you think it was a... Listen, I love eating with you. We eat together a lot. A lot, yeah. Do you think it was a courtesy invite as a guest on the podcast, or do you think they You really meant it because you can smell you're in the media.

6:51You're you're a reporter. You you you know when somebody's blowing blowing smoke up your church pipe or whatnot. The courtesy invite. They brought it up and then they didn't even miss a beat. And they said you should come. So there was no like me saying, oh, cool. How do you pick that six? Yeah. I wasn't trying to ask for that. You weren't hoping for the six seat. You were. Yeah, it was. It was seamless. So I'm going to report back about that meal wherever we end up going. I mean, they've been doing it, I think they said, over 25 they've been to. Wow. Now, do you know, did you get into this? Do they rank them?

7:29Do they have a spreadsheet? Yeah, they do. And they told me on the episode, and actually, I'm going to link to that episode. I rarely even link to other podcasts on our podcast because, you know, we're competitive. Yeah, of course. Just kidding. We actually do. And I'm going to link to it because it's a really fun convo and it's a pretty new show. So I want to, you know, you should check it out. But on the episode, we do talk about their ranking, I do believe. So I can't remember. But they'll give into a bunch. Okay. I have one more restaurant. And I made a return visit to Goose Feather in Tarrytown, New York.

8:00You can book it on Resi. It's a restaurant that has a bit of history to it. But mostly the name of the game here is Dale Tall Day. The name, the chef, the real inspiration of this restaurant is a chef that I absolutely love. I've known Dale a long time, like when he worked at Budokan and was on Top Chef. And that was probably, I'm going to say, 19, 20 years ago. He was the chef there and he had a restaurant in Brooklyn called Tall Day that was in Park Slope. I loved it. I think some of our listeners may remember Tall Day. And really, if you miss Tall Day, if you live in Brooklyn and you're like, man, I wish I had that restaurant, you should go to Goose Feather, which is a short ride on the Metro North up to Tarrytown.

8:44Or if you have a car, you can take a quick trip up there. And it's a cool place because it's in this mansion. So he's got this space. It's called the King Mansion at Tarrytown House Estate. And it is the former home of Washington Irving of Sleepy Hollow fame. So it's got these old bones. But then Dale decided, you know, let's add some really cool modern art to it. And there's pops of color everywhere. And there's lots of Chinese art. and really an aesthetic that it's like a push and a pull between old and new. And I love the vibe in there. And the restaurant concept and his cooking has been kind of all over the spectrum.

9:24But this is really Hong Kong-style Cantonese is really the core here. There's dim sum and noodles and Chinese barbecue. It's really, really good. And I have so many highlights I want to go over because I really enjoyed my meal. And really, it's such an underrated place. It hasn't been on the beards in a number of years to my dismay because I think this should be recognized, at least longlisted. And, I mean, it's packed. People like it. But, like, it's just a little outside of the city. It doesn't get as much press. So I really like it. I talked about this on Three Things maybe a couple years ago, and it still is one of my favorite salads.

10:02And it is not with leafy greens, so we don't have to worry. It's a stretch to tell a shaved snow pea salad. And it's so terrific. It's got this hunk of strachetella in the middle, and it's got these really nice knife cuts on the snow peas. And kind of the vibe is tamarind and Thai chili, and there's like really – there's herbs in there. It's such a great salad. We had wok charred greens again, you know. Got to get your vegetables, and he does them really, really well. And lots of wok hay and lots of like kind of those caramely notes that you love in like a wok vegetable. And he did these little corn ribs, these sweet summer corn ribs with a five spice and brown butter labneh.

10:45It's just like thinking all over the place. Like he's got, obviously it's Cantonese at its core, but he's taking inspiration from all over Europe. And I love it. He has these great scallion pancakes, his crab rangoon style with lump crab and whipped marscapone. And it's really cool to see rangoon in pancake form. That sounds really good. Yeah, man. It was a really good dish. What else? Other highlights. He had salmon tartare over crispy rice, which was really, you know, as advertised, like crispy rice plus raw fish. Like, let's go. A wild mushroom rice noodle with a tamarind, black bean, and hazelnut.

11:28Love that. And it's just like top to bottom. Like, there were really, like, very few skips. I really also enjoyed the crab rice, which is kind of one of his signatures. I think he did it at Tall Day. And it's definitely with this jalapeno aioli and tobiko in it. And it's really pretty on the plate and really I highly recommend it. And for the protein, we only had one. It was a char siu Berkshire pork belly with black cherries and toasted coconut and Chinese mustard. So he's really thinking, again, Cantonese at the core, but inspiration from all over. Really great vibe. And the cool thing about Goose Feather is you can dine inside and see this cool art, or you can dine outside.

12:10And they have this really big lawn, and you can dine if the weather is nice, under the stars. And it's really a great restaurant. I'm always so happy to visit Goose Feather. And it's in Tarrytown? Yeah, Tarrytown, New York. What brought you out to Tarrytown? We were meeting up with some friends. I drove over from my home. It wasn't that far of a drive. And listen, I haven't spent too much time in Tarrytown. It seems like a lovely town. It's around the Hudson River. Yeah, it's a nice part of Westchester. Great. Is there a lot of restaurants around there? Or is this sort of one of the bright, shining stars?

12:50Listen, Clayton, are you suggesting a Taste Travels Westchester? Are you saying that we go and find the spots? because I know they are there. Yeah, I mean, that was what I was alluding to. I know. Yeah, you sniffed that out pretty quickly. I know they're there. I haven't spent too much time. I've been to Katona a bit, and there's some nice restaurants there. Westchester's cool. We are working on, and I don't want to spoil it, but we have a Taste Travels coming out next week, and we're staying a little closer to home. So that's all I'm going to say. It's a city that I really love. I've talked about it a lot on the show, so a little teaser there.

13:23We're working on it in the studio, It's going to be really, it's a great episode. Matt, thanks for sharing some recent restaurant visits with me. It's always great to catch up with you, Clayton.

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14:52Matt Johnson:storm zero sugar 200 milligrams of caffeine and immunity support storm energy for life this episode is brought to you by facebook so you were scrolling on marketplace and there it was the bike you'd been searching for you sent a message and it turned out the seller was super chatty, kind of funny, and an avid cyclist. The next thing you know, you're in a cycling crew, well, a community cycling group. The thing about Facebook, you might find more than what you're looking for. From a browse to a bike ride, this summer, find more on Facebook. Matt Johnson, welcome to SIS. It's really nice to meet you.

15:32How are you doing?

15:33Matt Johnson:I'm great. It's nice to meet you too. We're talking about Whitby, Ontario. From the jump, are you a fan of Sloan? Huge, well I mean Sloan and Chris Murphy really starred in the television show I made with my friends in 2015 to 2018, Nirvana the Band the Show And Murphy as a character in Toronto is one of the few celebrities you will see when you grew up there at the time that I did And later on my friend Jay McCarroll I think played in bands with him but Sloan is a legendary Canadian band. They're one of those bands that when you grow up in Ontario, you think, oh my gosh, these people are world famous.

16:13Matt Johnson:Like everybody knows them, just like the Tragically Hip or any number of Canadian bands. Then you penetrate the border and you realize, oh, I mean, I think that Money City Maniacs did well in the United States, but nothing like in Ontario. I'm like a Pretty Together guy, like the Jay Ferguson album. Oh, so you're a real fan. Yeah, I've seen them. I'm a huge fan, but we're not here to talk about that. You know what song I really love by them? Except for one verse I always think is awkward. But The Other Man. The Other Man, that's from Together. I think this song is so beautiful. It's so pretty.

16:44Matt Johnson:But then there's that lyric that says, nature will abhor me. And I was like, I don't know about that. Yeah, yeah, yeah. But it's a masterpiece. It's a masterpiece. I think it's written about Feist. Yeah, it's definitely my favorite album. So when you're in New York, where do you like to dine out? I look. So as soon as I started making this movie, I realized, oh, I need to eat at all of the spots that Anthony Bourdain went to. And so the ones that are still around, I try to go to as many as I can. And it's so funny. I really should know the name of this restaurant. But there was a place that Bourdain went to constantly that I've now gone to twice where they serve mutton.

17:22Matt Johnson:And it's all these old Keens. Yeah, this place is unbelievable. But I also love the hamburger at Lord's. Have you eaten this? Yeah, it's great. Oh, you have? Oh, I know the burger, dude. I'm going to tell you a story about this. I get into the place and I sit down at 530 because I hear that they only make 12 of these things. Okay. So I sit down and right away, within about three minutes of me literally sitting down, a guy flustered, sweating, runs over to me. And he looks at me and goes, are you having the hamburger? And I look at him and I go, yeah, I think so. And he goes, just one? And I go, no.

17:59Matt Johnson:Yeah, yeah. And he goes, great. And then he runs away. And he's not dressed like a waiter. He works there, but his job seems to be emergency seeing if people are getting the burgers. Anyway, I order the hamburger. Were you with one of the actors? No, I wasn't. You were like low key. Yeah. Well, yes. You're right. You're right. That's a great distinction because then they would have been treating me differently. I order the hamburger. I as i'm waiting for the hamburger two guys beside me I think from the financial district I've got the same burger. They take a bite of it The one guy turns to the other guy and he says I think this is the best hamburger i've ever had in my life And i'm like it can't be that good I take a bite of my hamburger and the person i'm having dinner with I say I think this is the best hamburger i've had in my life Like uh disconnected from that and then the guy beside me taps me and I turn he's this old guy And he goes, hey, what do you think of this hamburger?

18:51Matt Johnson:And I said, I think it's amazing. And he says, I think it's the best hamburger I've ever had in my life. So all three of us said the exact same thing, unconnected to one another. And it's just a hamburger, a slice of cheese, and I think, what, some onions? I think it's a very austere burger. I think it's just the quality of the beef and definitely cooking it correctly. That's a beautiful term for it. It's very Spartan. It's very Spartan. Okay, so the big creative decision you made was this time period in Tony's life. You know, it depends how you view that. But yes, I'll follow your train of thought.

19:19Matt Johnson:Yes. Yeah, yeah, yeah. The flaw logic of me. Okay. So, I mean, I think it's not, you can do Cradle to the Grave. That's challenging. But you could have expanded it outside of this three, compressed three-year window that you based it on. I have a secret. Please share. And that it really is. It's expanded. What we did was we basically took Anthony Bourdain from age 15 to about age 26. Yeah, yeah. And so I'm stealing details from way before this summer and way after. So I don't mean to elude your question, but... No, please do. Dodge it. But Antonio Banderas is kind of playing an ersatz version of his first big boss, Bigfoot.

20:02Matt Johnson:I'm not sure if you know... Yeah, of course. Yeah. And so a lot of the biographical information around that character, who is a major influence on Bourdain. Reading Bourdain, you realize that there was these three or four role models that were so central to him that nobody else really comes close. And this is self-report. This is him talking about his own life. But I realized that if we are going to isolate this story to this one summer, which obviously is so foundational to him, we are going to need to at least have some rhyming characters with the five years before and the five years after. I mean, you could have had Gladys and Pierre's section be very long.

20:42Because, like, that's a crazy – I mean, I knew Tony, like, going back to 2000 and knew him pretty well. Oh, so you knew everything. Yeah, right. Oh, yeah, yeah. I knew Tony.

20:50Matt Johnson:There's a whole movie there about him and his mother, in my opinion. Yeah, and his mother and you really captured it in the three minutes of time. Well, that's all Dagmara. It was such a challenging role in that this character appears only in two, three scenes. But you need to somehow not only have those scenes set up the entire movie, but you need to realize – well, actually, I don't want to give away the movie. Yeah, don't give away the movie. We don't like to do that. It's a great movie, by the way, and I support your work. I feel like Tony hated sentiment. You know, this was part of his brand, but also privately.

21:26He just suffered no fools when it came to that. So how would he have viewed your approach to it? I mean, because like on camera, of course, he hated everything that was biopic-y. But then like privately, he respected our tours and he probably would have seen BlackBerry or would have seen it or maybe in that reality would have enjoyed your work.

21:47Matt Johnson:Well, you know what? I mean, we certainly are assuming. I had never thought about that, the BlackBerry connection and what his particular interest because he's such a cinephile. He really is, yeah. And his cinephilia actually was one of the major inspirations for the film and shooting the film the way that we shot it. But I am cautious about wading into the waters of my interpretation of his interpretation of this movie. So I have no idea, but I'll take your point about sentimentality, which I also found in the text that a kind of allergy to sentimentality. But it extended also to, it's so odd because he would be, I would think, almost openly pretentious about food, saying that food itself could be bigger than what it was, like literally adding pretense to it.

22:43Matt Johnson:And yet in story drama and especially the way people would present their own brands, that he found sort of disgusting. And I wonder if that comes from the, I'll call it the privilege of making it in your 40s, where you have kind of gone through the slog of life where you thought, well, it's never going to happen to me. And so I'll be damned if I'm going to sacrifice my persona. Yeah. You know, I'm not going to trespass against my soul. I mean, yeah, if you read the unauthorized biography too, you know, he wanted to be famous in the 20s and 30s. That text is very telling. Oh, deeply. Of course, that's what the movie is about.

23:24Matt Johnson:Yeah. I mean, you really followed. I felt like you clearly had read that because and that's obviously off the family's version of the story, too. So I think. Did you like that unauthorized biography? I absolutely love it. So did I. Can we go off? Can we go off mic about it? Because like I have a lot of I mean, I listen, I'm a little close to the story, but I feel. Well, yes, I will go off mic with this one. But I think that it should be read. I think that came out during the pandemic and definitely for your purposes, it was probably pretty important. Oh, it was a central text. Yeah, yeah, yeah.

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23:55And no one read that book, by the way. I know.

23:56Matt Johnson:I can tell because when I speak with people, well, one of the great details, which I'm sure you now know by heart, is him at the Rolling Stone party with his – not at the Rolling Stone party, sorry, at the Columbia Records party with his father, where he's introducing himself to young women saying, I am a writer for Rolling Stone. 100%. That this sentence became the beating heart in some ways of the movie. I know. Because I thought, ah, a young man who's lying to inflate his own status. This is not the Anthony Bourdain that I was told exists. And Dominic really nails some of these moments with that confidence but that insecurity at the same time.

24:35It's challenging. I love Dom. Yeah. Have you met him? No, and I respect his work going back, but this is such a crazy role to take. When you're talking to him at that lunch that you had in New York and started plotting out the film, are you talking about the first scenes or what are you actually going over?

24:52Matt Johnson:Well, there were no first scenes because at this time I was not making the movie and I just wanted to meet with him. And it was within, basically as soon as he started telling me about what it was like growing up in Ocean City, New Jersey. And I was just so mesmerized, not by the details of his story, but by how similar his take on his own. I mean, this only happened to him five years ago, but it was so similar to my own feelings about my own childhood. And it dawned on me that here was a young man who could, and it's funny, almost in an Anthony Bourdain way, like reflect on his own shortcomings, failings, dreams, his desires in a completely effortless way that I understood and were so related to my own biography.

25:42Matt Johnson:And so I thought, aha, we can make this movie a conspiracy between the three of us, between him, me, and Anthony Bourdain, where we find these similar pieces and tell a story about it. Was it always Provincetown? Was it always when you were… Shooting there, you mean? Well, no, that period of time and basing the film, like, was that always the goal? Like, it was never going to be, like, 70s heroine and then 80s and 90s kind of rise to me writing. Oh, no, and this really is the brilliance of the writers who had… I think the script was on the blacklist, actually. Oh, it wasn't cool. I believe it was, who had set the entire thing in Provincetown.

26:18Matt Johnson:I don't remember what year, but it was in the 70s. And I remember the original version of the story spent a lot more time at Vassar and in New Jersey. It didn't leave quite as quickly, but no, that was not my influence. I mean, I would say the biggest thing that Dom and I brought to it was trying to include the spread of Bourdain's life forwards and backwards into this one place. Yeah, very challenging to do. And I think as a film, as a film that folks who maybe know of Anthony Bourdain, they're going to appreciate for like the characters and the interpersonal relationships. This is a food podcast.

26:57Like we talk about chefs all the time. Oh, really? Oh, I love food. No, yeah, yeah. I mean, we eat it like four to eight times a day, depending on...

27:03Matt Johnson:I have to stop. I have a big problem. I'm serious. You look good. You know what? You're looking good. I'm exercising all the time to chase the demon of my eating problems. Yeah, yeah. Because I love food. Well, listen, you clearly as a director of this film, I love that you decided to make the food scenes a little understated. This was not chef's table, which I appreciate. I really love the scene where the ketchup is being made, the homemade sauce. Me too. Now, that was probably in a text, but the way you and Antonio decided to shoot that, as somebody who I've been writing about food for a long time, it's rare in film to see something that's so naturalistic.

27:40How do you come to that scene and realize that that making of ketchup meant so much to Tony and his kind of journey as an early cook?

27:50Matt Johnson:Okay, so you've gotten to something that, for me, was so central, not just to the film, but also to my perception of what made Anthony Bourdain such a household name. And it's this. You brought up Chef's Table. You could bring up even shows like The Bear. Like in the collective cultural conscious right now, there is a kind of, I'm going to say something that's so rote and cliched, but like the kind of pornographic, the pornographicization. What is it? We can call it pornification. Yeah, pornification, yeah. of food and food preparation has become so important to people. I think because I had a teacher once who said that food is the one place where any man can live like a king.

28:35Matt Johnson:And I think that we all connect with delicious food, irrespective of where we're from. But I realized I'm never going to be able to do that better than like the best documentaries about food. There was an amazing documentary called The Taste of... I remember just two years ago, Did you see this documentary? A Taste of Something. Oh, I should remember the title. Anyway, I'll skip to the point, which is that when I read Bourdain, I am not necessarily getting from it a kind of love of the intricacies of food preparation. It's only very early in those Provincetown days that he's talking about making aspic and setting things just so when he's early in his career.

29:18Matt Johnson:to him my feeling is that food is a cultural medium that's bringing people together and regardless of how it's made it's actually about the kind of fraternal feeling that you get when you're serving it and everybody comes together and there's some it's it's it's something more primal and so I thought okay I need to focus this movie on those moments and specifically with this ketchup there was such a like what you see is not what you get like like don't judge a book by its coverness that I saw with Antonio Banderas, with working in this piece of shit kitchen, with becoming a dishwasher and being like, well, this sucks.

29:55Matt Johnson:And then realizing, ah, there's actually depth to this, almost like a flavor to this beyond what's even being taken credit for. Oh, like your metaphor, you're going there, into it. Well, sure. Well, I mean, I had to think about a lot about this because I was like, what does he see in this guy? What does he see in Antonio Banderas? And what he sees is somebody who is doing something difficult that is making the world better, and simultaneously he's not taking credit for it, right? Which in some ways you could say is almost the reason that Antonio Banderas' restaurant is not working. Yeah, and I mean, that's a true chef ethic, and you tapped into something that Tony really appreciated in his camaraderie of chefs is that, honestly, these are the most humble head-down people, they're partiers.

30:36And the fact that he's using, like, ocean water and he's using these natural ingredients to make something that is the most commodity ingredient. And why wouldn't he use Heinz?

30:44Matt Johnson:And nobody knows. And he even puts them in Heinz bottles. And at the beginning of the film, when Bourdain is sitting in the restaurant and he's drunk eating those oysters, we do these two shots, one of just a salt shaker and one of a ketchup bottle that actually when you watch the film the first time are quite out of place. You're like, why are they, what the hell? Why are they showing this? And it's because that really is the situation that he's in. Like he's surrounded by these sort of inert, boring things that he pays no attention to. And he's gonna realize, Because, you know, this, well, here I am giving away.

31:13Matt Johnson:Yeah. No, we're not going to give away the movie. Yeah. I just think that when you make your homemade ketchup, that says something about the chef. And I think that really set the table for Tony as somebody who observes the restaurant industry as a workman-like, but also a craft. Yeah. And there's something holy. Yeah. And he's like a writer. And he's thinking, like, this world is so pedestrian. But then when you see somebody make ketchup, you're like, the unlock is there. That's why that scene is really powerful. I think you really tap into what I really appreciate about this film. let's talk about a little bit about his exposure to heroin sure I think he had a really great take on doing the reverse shot like of him observing watching Leo yes right and seeing it yeah it's almost like he's seeing into his own future you don't see that in film you know heroin scenes are usually of the guy or somebody getting high and you decide to do the reverse so I mean how do you think about him being introduced to heroin in this really like very young age Well, we had a complicated challenge there because, of course, in real life, as you know, Bourdain doesn't really start doing those types of drugs until he's in New York City working as a line cook.

32:17Matt Johnson:And yet it seems as though the film demanded to address this. And so it's hard because here I am trying to consolidate somebody who I've never met in a way that is going to both allude to where things are going to go with his life, but also really pay respect to him. And Tony beat heroin, right? I mean, that's a – I don't know anything about what that would be like. I've never done heroin in my life. I can imagine it's probably one of the hardest things to get off in the world. And so I was trying to present it really the way that he talks about it in the book, which is that he was attracted to it, and by his own words, almost sexually, right?

33:05Matt Johnson:Like he said, he remembered the pride that he has when he's looking in the mirror, dope sick, in the same way that all of these beat poet writers that he loved so much would talk about. He was obsessed with the mythology of drugs. Exactly. He loved the authors. He loved downtown New York in the 70s. I mean, it was like... And it's why I have him observe it. Yeah. Observe it with a curiosity, a curiosity the same way that a kid sees an older brother doing something and is like, that scares me, but I also want to. Yeah. And so it felt like having Leo Woodall doing that effortlessly as though it's no big deal and him watching it as the waves hit his feet, almost telling him, like, this is coming for you, and there's inertia here, but it's mysterious.

33:51I mean, it's so fascinating the way that you are tapping into Tony's life at this early age, and I feel like back to the food, like the food that he is, he's learning about food through, of course, the chef, but then he's, like, peeking into this world of cookbooks. and you make choices, director, of the types of books he's looking at.

34:13Matt Johnson:Two in particular, yeah, were very important to me. Exactly. So how did you come up with that stack? Because I think he obviously loves letters, but he's realizing that cookbooks are something. I mean, you really, that's the performance. It's like cookbooks are actually powerful. Oh, wow. I'm so complimented that you're taking this from the film. Here's my experience. I moved to Provincetown when I was writing the screenplay, and everybody told me, you need to meet Howard Mitchum's widow. And I was like, really? Why? And they were like, she still lives here. She lives in kind of a house just down the street on Commercial.

34:47Matt Johnson:You need to meet her. And I thought, well, I better read this guy's book first. And so I went to a place called Tim's Used Books, which is an unbelievable bookstore. This guy was infinitely helpful. And I said, do you have a copy of this guy's book? He said, not only do I have a copy of it, I am the publisher. I reprinted it and I got the last piece of writing Bourdain ever wrote. He wrote the intro to it. So I pick up this book and I read the whole thing cover to cover. And you know what strikes me? Bourdain, half of his style is from this random guy in Provincetown who writes about food with such a folksy, immediate do this.

35:26Matt Johnson:And so I'm reading the book and I'm like, oh my God, I found the Rosetta Stone. Like, what the hell is this? And so it became essential to me to not only include a number of phrases that are in that book, the way that they talk about all of that stuff with the Portuguese squid stew, that's right out of Mitchum's book, how Bourdain is disgusted by it. Mitchum describes it as tasting like chopped up tennis shoes, but after 10 bowls, you're addicted to it. And then the Escoffier was the very first book that Bourdain really goes, oh, there's something going on here. Because, you know, to a young kid, it feels as old as the Bible.

36:03Yeah.

36:03Matt Johnson:Right? You're holding it in your hand. I mean, it's dusty. It's dusty. Exactly. You made it really clear. And it's done with diagrams. And he's looking at aspic. And he's like... And it's covered in notes where it's like, yes, there's the text. But then there's also this Gnostic interpretation of it, which is like, oh, but you can make it your own. And so I thought these two books, and especially the book being gifted to him at the end and inside the book is the letter that becomes his admission to CIA. Yeah. Well, it's just so funny that this guy - And you got an Eric repair. Isn't that unbelievable?

36:35Yeah, we won't spoil, but there's a cameo. What a gift. I love Eric. He's great. Do you continue the story, the Bourdain story? Do you as a director?

36:45Matt Johnson:Now, hold on. You mean that literally? I mean it literally. Oh, am I going to make... Oh, I would say my almost 100 % answer is no. but life is long and you never know. Life is long. My feeling is that this story ends for me, specifically my ability to add something relevant to it. Because I think I would, maybe when I'm much older, because one of the reasons that I'm not making a movie about him in his 60s is that I would have no idea what it would be like to be like that. the way that I am right now. Not to say I can't use my imagination at some level, but it just wouldn't seem right. I'm not sure that I have any truth to add.

37:32But I mean, you've set it up well for some future work.

37:37Matt Johnson:We'll see. We'll see. I mean, this is a question that hasn't been asked to me yet. Really? I mean, right away I'm yearning for, because I read that unauthorized biography, and then of course I knew him, and like, there's just a lot there. The truth is, the man's life is so storied because of not only his own self-mythologizing, but that book Just Kitchen Confidential, there's like a cinematic beat on every page. No, you're right. So if you were even just to do him in the Rainbow Room, like that could be the entire first act of a movie as he's kind of coming up. Yeah, yeah, of course. But I don't know if that's for me.

38:16Matt Johnson:Somebody else can take that. This episode is brought to you by eBay Live. First, you're just watching eBay Live. Then a Fendi baguette goes for an absolute steal. A 90s NASCAR jacket comes up and you have to bid. That winning feeling, it's such a rush. Because you know everyone else wanted it too. Meanwhile, on eBay Live, you don't just watch the action, you're in it. Download the eBay app to stream and shop live. eBay Live. Things. People. Love. Did you speak with Nancy's first wife? Because I think it's kind of understated. You kind of have to know the story that Nancy is Nancy. And that they're married for 25 years.

38:57And that she was an enabler for his using and that it became... Oh, you really know everything. Wow. No, Tony's life is... And honestly, she's so foundational to his career.

39:09Matt Johnson:I would say culturally as well, because their shared interest in American culture also becomes a huge part of his identity as an adult. So I have a kind of, not that I've made that many movies, but I have a philosophy on making movies about real things, real people. And that is that I never speak with them and I never have any contact with them at all until the movie is done. And I do, did you know this Clint Eastwood quote that he can't meet with actors because any actor he meets with, he'll just give them the job. And I - Yes. I wind up liking people so much that if I, let's say that I met Jim Balsley before I went to go make the Blackberry movie, I would be like, well, what do you want it to be?

39:53Matt Johnson:You know, I can't help myself because I want to, maybe it's a failing in some ways, but I'm trying to make people happy. And so I refused outright to meet anybody connected that was in the story. And I got all of my information from people I met in Provincetown who were orbital in a certain way. But you're dead on that it was a real decision to not let the audience in on the fact that this isn't just some girl that he has a crush on that he follows to Provincetown. In fact, in the Chronicle, this is a high school girlfriend who he is really head over heels for and is experiencing youth at the same time as.

40:31Matt Johnson:And then goes on to marry in New York City. And originally in the postscript, we talked about that. and I removed it mostly because one I thought that for audiences who like me really didn't know anything about Anthony Bourdain it was actually confounding because without making another movie that talked about these heroin years the specifics of their relationship it was it was giving people the wrong impression of this relationship that this was the love of his life he stayed married well they get divorced almost right at the moment that he hits the big time and then he goes on to have a child with another woman two additional wives and then like lots of girlfriends in time right and so it just it actually felt like i was painting the wrong picture of this relationship in a way that i don't know actually how to do that correctly apart from making another film did you speak with like kim witherspoon and laurie wolver a lot now kim i spoke with a lot because originally we were making this movie without the estate at all.

41:37Matt Johnson:Yes. Interesting. And it was in New York where I met her along with one of the producers, Tim White, and we got along quite well. Yeah. Have you met Kim? Yeah. She's a very, very intelligent woman. Extremely good. Intimidatingly so. Yeah, yeah. And she had so much insight that I thought, oh, this is going to be a great partner for this movie. And Laurie, I just met recently. She was writing an article for, I think, Bon Appetit. Okay. So I met her post hoc. Yeah. I mean, clearly those individuals would have been probably for later years. But, of course, they knew his story of knowing him so intimately.

42:05So I'm sure those stories must have tapped in. How did you, not speaking directly with the main principles, how did you get into his head outside of the text that you know of? Like, were there – did you, like, go to some of his favorite places just to absorb him?

42:20Matt Johnson:Well, it's funny. How much are you really going to learn about somebody's psychology by just going to the same spots? What I did was I read everything he wrote. Oh, okay. And I didn't watch the television show because I thought, oh, this is actually not going to help me. This is so self-aggrandizing, even though it's not, that it's not going to be useful to me. And I just spoke with the people who knew him when he was this age who were still alive in Provincetown. And that was the whole scope of my research. Because, one, I didn't know anything about Anthony Bourdain, really, before I made this movie.

42:54That's amazing, Pat. That's incredible.

42:56Matt Johnson:Well, I'm from Canadian. Okay. So that helped me a lot. And I also didn't know anything about mobile phones before I made Blackberry. And I do that because I want to have the same curiosity that I'm trying to give to the audience. That's great. Where they can be like, oh, I feel like if I find it interesting and I like it as a total neophyte first timer, maybe people watching this will feel the same. And it is a total, the fact that someone like you, who is a clear expert beyond experts about this guy, the fact that you were able to get something from it is so gratifying. because not to say that it wasn't made for someone like you.

43:32Matt Johnson:I was trying to approach it from the point of view of this is someone that nobody knows. I think that's the only way to do it. I think you get into a hagiography territory. You get into like just you get into like fact checking. And like it's impossible to tell that story. So now that we've had this conversation, it makes sense why you chose that period. I still think there's like a great film later on in this life. But this is fantastic. Well, if I ever go make it, you're going to have to join us on set and tell us what we're getting wrong. I'm a fan of your work, Matt. Thank you so much for joining This Is Taste.

44:04Matt Johnson:I had such a good time speaking with you.

44:12This Is Taste is hosted and produced by Eliza Abarbanal and me, Matt Rodbar. The show is edited by lead producer Clayton Gumbert and supervised by Pat Stango, Director of Media Production and Development at Penguin Random House. Thanks to Shalia Harris and the production team at Penguin Random House. Theme music by Steve Rydell. Episode portraits by Louise Zergon Pomeroy. Logo design by Ellie Skirzat and Ian Dingham. Visit Taste Online at tastecooking.com and make sure to subscribe to our newsletter to keep updated on all cool things in the world of taste. It's mushrooms with me, Maddie Matheson.

44:53You know what's better than thinking about dinner too hard? Not. Stop that and just choose mushrooms. Five minutes. Done. Dinner's that easy and you feel like a genius. It's not magic. It's mushrooms. Stop stressing at mushroomcouncil.com.

From the publisher

Matt Johnson directed the films BlackBerry and the DIY comedy Nirvanna the Band the Show the Movie—now he’s taking on Anthony Bourdain. His new film Tony, out in August from A24, skips the traditional biopic format entirely, compressing three formative Provincetown summers described in Kitchen Confidential into one transformative season for a 19-year-old, pre-fame Bourdain. Johnson joins us to talk about adapting a book everyone already loves, directing Dominic Sessa away from doing an impression, and his love for the Canadian rock band Sloan. 

And before that, Matt shares some recent restaurant visits, including stops at Thai Diner, Keens, and Goosefeather. 

Check out Matt on the podcast Put It In My Mouth.
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